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Hou Hsiao-hsien, he's just like us.

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Dylan Cheung

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21,462 görüntüleme • 6 ay önce •via X (Twitter)

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MILLENNIUM MAMBO (2001) Hou Hsiao-hsien
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DUST IN THE WIND (1986) Hou Hsiao-hsien
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Café Lumière (2003) (珈琲時光) - Hou Hsiao-hsien
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Há 25 anos, "Millennium Mambo", de Hou Hsiao-Hsien, estreou em Cannes
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If you love the stillness of Ozu or the unhurried frames of Hou Hsiao-hsien, you need to experience Maborosi from koreeda
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If you love the stillness of Ozu or the unhurried frames of Hou Hsiao-hsien, you need to experience Maborosi from koreeda

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If Wong Kar-wai is the master of the romantic ache, Hou Hsiao-hsien is the master of the existential sigh. One of the most precious hidden gems of the 80s
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Happy 79th birthday, Hou Hsiao-Hsien! "Movies should reflect facets of life. If you don't fully comprehend a way of life, you can't tell whether something will ring true. Whenever I am planning a script, I like to survey a location and its surroundings to determine where key scenes will take place, within which neighborhood, and what the area's infrastructure is like. I'll explore places such as the school and the public market within that district." Clip from: Dust in the Wind (1986) Director: Hou Hsiao-Hsien
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Happy 79th birthday, Hou Hsiao-Hsien! "Movies should reflect facets of life. If you don't fully comprehend a way of life, you can't tell whether something will ring true. Whenever I am planning a script, I like to survey a location and its surroundings to determine where key scenes will take place, within which neighborhood, and what the area's infrastructure is like. I'll explore places such as the school and the public market within that district." Clip from: Dust in the Wind (1986) Director: Hou Hsiao-Hsien

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Shiguéhiko Hasumi discussing the parallels between TOKYO DRIFTER and SONATINE with Takeshi Kitano at the Tokyo International Film Festival, 1996. Other panelists included Sadao Yamane, Hou Hsiao-hsien (who also maintained close ties with Hasumi), Tony Rayns and Thierry Jousse.
0:43

Shiguéhiko Hasumi discussing the parallels between TOKYO DRIFTER and SONATINE with Takeshi Kitano at the Tokyo International Film Festival, 1996. Other panelists included Sadao Yamane, Hou Hsiao-hsien (who also maintained close ties with Hasumi), Tony Rayns and Thierry Jousse.

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"Fellini, and 'Amarcord' (1973), really broke the conventional ways of doing things & taught me that you have freedom to do whatever you desire, which allowed me to transcend all those dogmatic ways of making films that I was taught in film school." --- Hou Hsiao-Hsien
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"Fellini, and 'Amarcord' (1973), really broke the conventional ways of doing things & taught me that you have freedom to do whatever you desire, which allowed me to transcend all those dogmatic ways of making films that I was taught in film school." --- Hou Hsiao-Hsien

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Here it is, the recent 2K resoration of HHH: A PORTRAIT OF HOU HSIAO-HSIEN with custom English subtitles (provided as softsubs and a separate SRT). Below is a brief summary of the project and what it's sought to achieve (longer version in the link below).
2:19

Here it is, the recent 2K resoration of HHH: A PORTRAIT OF HOU HSIAO-HSIEN with custom English subtitles (provided as softsubs and a separate SRT). Below is a brief summary of the project and what it's sought to achieve (longer version in the link below).

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Guy pops a balloon between Hou Hsiao-hsien's legs with a blowgun blindfolded on Taiwanese variety show The Fantastic Brothers. Hou was promoting his 1997 album 'Sun'.
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Guy pops a balloon between Hou Hsiao-hsien's legs with a blowgun blindfolded on Taiwanese variety show The Fantastic Brothers. Hou was promoting his 1997 album 'Sun'.

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he's just like us, a certified harutoholic
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