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How i do camera move on procreate This can only be done manually since there are currently no parameters for this. Here I drew the character on a long canvas, then I used a « screen » I made myself and duplicated it while moving it along the drawing....

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LET ME COOK 🇫🇷🇸🇳

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519,958 Aufrufe • vor 7 Monaten •via X (Twitter)

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🔗: it wasn’t all good back then 🔗: there were hard times too [so] i’m always really thankful for what i have in the moment 🔗: i wish i could’ve done more but at the same time i’ve done a lot and come a long way i think about this a lot and i couldn’t be prouder
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🔗: it wasn’t all good back then 🔗: there were hard times too [so] i’m always really thankful for what i have in the moment 🔗: i wish i could’ve done more but at the same time i’ve done a lot and come a long way i think about this a lot and i couldn’t be prouder

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A little example! I learned this dance, and I can do it on one side, then flip and do on the other side immediately after for the next chorus :)
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✨ Also made a new [ ✂️ Crop ] feature in Photo AI because before users would use the embedded Photopea editor for that I thought this would be very hard to do myself And again I asked Claude Code, and it one shotted it, then I tweaked it a bit and asked it to add iOS-style zoom crop, where if you zoom (on laptop just scrolling the mouse or trackpad) it would not scale the crop selection, but zoom the entire pic while the crop selection stayed the same Miraculously it just worked, again I would not be able to make this myself, it'd take me ages, probably a week of suffering, this took me 30 minutes and was a blast So in this case I'm something like 150x more efficient!
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With Runway's new Chat Mode you can essentially save entire genres by revisiting a previous session. Using today's challenge session I went back and uploaded an image of myself with the prompt "repeat the same process for this character except this time I want 10 scenes. Generate the image for each scene, then animate them as directed above and then upscale each of them to 4k. This is quiet a task but I believe in you. I'll check back in with you soon, I can't wait to see our film!" After an hour or so I had 10 4k clips that I could just drag in to my timeline 😮.
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With Runway's new Chat Mode you can essentially save entire genres by revisiting a previous session. Using today's challenge session I went back and uploaded an image of myself with the prompt "repeat the same process for this character except this time I want 10 scenes. Generate the image for each scene, then animate them as directed above and then upscale each of them to 4k. This is quiet a task but I believe in you. I'll check back in with you soon, I can't wait to see our film!" After an hour or so I had 10 4k clips that I could just drag in to my timeline 😮.

🍥 Timmy 🍥

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Being able to move fluidly between Figma Make and the canvas is a pretty big deal Recent example 👇 1️⃣ Started exploring a minified recording toolbar directly on the canvas 2️⃣ Once I had some rough shapes I moved it into Make, imported my style guide, and started bringing it to life with expandable controls, hover states, and tooltips for keyboard shortcuts 3️⃣ A few prompts later, I had something interesting… but the layout wasn’t quite right. 4️⃣ So I jumped back into the canvas and made ~8 quick variations with a bigger video container. 5️⃣ Once I got somewhere interesting I brought that back into Make. All I had to do was copy and paste the frames for my default and hover state of the component and it pretty much nailed the core layout 6️⃣ Then I layered on the timer and made it interactive. But once I got it back into Make I thought "hmm... what if the toolbar layout was based on which quadrant of the screen the component was in 🤔" I was able to one shot this interaction and after playing with it a bunch I kinda love it? 7️⃣ Sent it to the team in Inflight so everyone could play with the prototype. 8️⃣ Brought the up to date UI back into the canvas to polish some of the tooltip details Before this, it always felt like I had to choose between two very different workflows. Now I can bounce between them seamlessly and it’s genuinely changing how I explore ideas.
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Being able to move fluidly between Figma Make and the canvas is a pretty big deal Recent example 👇 1️⃣ Started exploring a minified recording toolbar directly on the canvas 2️⃣ Once I had some rough shapes I moved it into Make, imported my style guide, and started bringing it to life with expandable controls, hover states, and tooltips for keyboard shortcuts 3️⃣ A few prompts later, I had something interesting… but the layout wasn’t quite right. 4️⃣ So I jumped back into the canvas and made ~8 quick variations with a bigger video container. 5️⃣ Once I got somewhere interesting I brought that back into Make. All I had to do was copy and paste the frames for my default and hover state of the component and it pretty much nailed the core layout 6️⃣ Then I layered on the timer and made it interactive. But once I got it back into Make I thought "hmm... what if the toolbar layout was based on which quadrant of the screen the component was in 🤔" I was able to one shot this interaction and after playing with it a bunch I kinda love it? 7️⃣ Sent it to the team in Inflight so everyone could play with the prototype. 8️⃣ Brought the up to date UI back into the canvas to polish some of the tooltip details Before this, it always felt like I had to choose between two very different workflows. Now I can bounce between them seamlessly and it’s genuinely changing how I explore ideas.

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I am definitely saving this recipe for when I move down south to serve to my new neighbors. I would do it in a different order. I would make the custard first then the bananas and then the puff pastry in the glass. I don't need the coffee with chocolate. Is this a recipe you would use? It looks delicious!.

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I used to install this skill and then made a video showing how I used it to install the skill. All via WhatsApp. Insane!

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Qullamaggie shows Exit Strategy for Long Swings “What’s your exit strategy for such long swings? How do you decide this? Okay, that’s easy. Let’s take an example, ROKU. So I bought it here, on the opening range size. It gapped up on earnings, huge volume. All the things I’m looking for. You know, long range break had like a 6, 7-month range break had surprising good earnings. Great growth, etc. I sell some, maybe 15 to 20%. A quarter of my position, and then I trail it. Then I just start trailing it like the first close below this purple line. That’s the 10-day moving average. I sell maybe say a quarter or a third of what I still have left. The shares I have left after the ones I bought. Sold into strength, and then I sell another third or quarter when it hits the first close below the 20-day moving average, which is the yellow line. And then the next level is the red line, which is the 50-day, etc. So that’s how I scale out. So that’s what I use these moving averages for. I wait for them to be my stop pretty much. So I wait until the end of the day and I sell it. Then I also have a level. Let’s just take an example right here. I usually use the previous swing’s lows as my stop. Then I would get out at 79. Even though it turns up intraday and closes above this yellow line, I would have to stop. You know, you can get stopped out because you know. I can, so you know. Sometimes stocks, they go, they can go down, you know, 20%.50% in a day, even. You know mid and large cap names can do that sometimes. So, you know, if it hits my last resort stop, it is my last resort stop. I just sell it. If that was helpful, those are my sell rules, sell into strength and I trail the rest.”

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"With each new film, I try to do something totally different. But when I look at the end result, I realize that I have made exactly the same film all over again." --- Takeshi Kitano Full Excerpt: "Cinema is something very personal. When I make a film, I make it first and foremost for myself. It’s like a wonderful toy box that I play with. A very expensive toy box, of course, and I’m ashamed at times of having such fun with it. There comes a time, however, once the film is in the can, when it no longer belongs to you. It then becomes the toy of the audience—and the critics. But it would be dishonest to deny that I make a film for myself before anyone else. Actually, that’s why I can’t understand how a director can shoot a film from someone else’s screenplay, since the cinema is something much too personal for that, unless you have a great deal of freedom to adapt the screenplay—in which case I truly think that the director must take it over completely and make it virtually his own screenplay. This intimately personal side to the cinematic vision constitutes both the strength and the weakness of a director. I have already heard many directors say this, and the same holds true for me: with each new film, I try to do something totally different. But when I look at the end result, I realize that I have made exactly the same film all over again. Perhaps not exactly the same one, but I think that if a police inspector were to see it, he would say, “No doubt about it, Kitano, you’re behind this; your prints are all over it!”" ('Moviemakers' Masterclass', Laurent Tirard, 2002) Clip from: Fireworks (1997) Director: Takeshi Kitano
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"With each new film, I try to do something totally different. But when I look at the end result, I realize that I have made exactly the same film all over again." --- Takeshi Kitano Full Excerpt: "Cinema is something very personal. When I make a film, I make it first and foremost for myself. It’s like a wonderful toy box that I play with. A very expensive toy box, of course, and I’m ashamed at times of having such fun with it. There comes a time, however, once the film is in the can, when it no longer belongs to you. It then becomes the toy of the audience—and the critics. But it would be dishonest to deny that I make a film for myself before anyone else. Actually, that’s why I can’t understand how a director can shoot a film from someone else’s screenplay, since the cinema is something much too personal for that, unless you have a great deal of freedom to adapt the screenplay—in which case I truly think that the director must take it over completely and make it virtually his own screenplay. This intimately personal side to the cinematic vision constitutes both the strength and the weakness of a director. I have already heard many directors say this, and the same holds true for me: with each new film, I try to do something totally different. But when I look at the end result, I realize that I have made exactly the same film all over again. Perhaps not exactly the same one, but I think that if a police inspector were to see it, he would say, “No doubt about it, Kitano, you’re behind this; your prints are all over it!”" ('Moviemakers' Masterclass', Laurent Tirard, 2002) Clip from: Fireworks (1997) Director: Takeshi Kitano

DepressedBergman

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I have been imagining myself presenting on the main stage of a Bitcoin conference since as long as I can remember. And today, I finally did it. I officially made it to the main stage at one of the biggest bitcoin conferences in the world.
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I have been imagining myself presenting on the main stage of a Bitcoin conference since as long as I can remember. And today, I finally did it. I officially made it to the main stage at one of the biggest bitcoin conferences in the world.

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This is something no other AI and no other car company can do right now, except Grok, fully integrated with FSD (Supervised) v14.2.25. Today, I gave it a wild, real-world task: • Drive to Apple HQ • Then Tesla Engineering HQ • Then a Warriors game at Chase Center SF • Then the beach • Then Asian dinner It got it all ready from the beginning. Mid-route I said I really needed to use the bathroom! It added it as the first stop. Then I added a Tesla Supercharger on the fly for after the Warriors game. It added it. AND stopped for grandparents and baby crossing the street. Then I asked for the weather and exactly how much I should $ budget for the entire day. No friction. No talking back. Just getting it done insanely fast. It just handled it all naturally, intelligently, all in real time. Better than any driver, for sure… This is reasoning + autonomy + AI + real life, all working beautifully in synch. No other car, AI, is close to this capability imo. This is a MAJOR update. I honestly feel if this was any other company, they would’ve had a whole event just to showcase this feature.
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This is something no other AI and no other car company can do right now, except Grok, fully integrated with FSD (Supervised) v14.2.25. Today, I gave it a wild, real-world task: • Drive to Apple HQ • Then Tesla Engineering HQ • Then a Warriors game at Chase Center SF • Then the beach • Then Asian dinner It got it all ready from the beginning. Mid-route I said I really needed to use the bathroom! It added it as the first stop. Then I added a Tesla Supercharger on the fly for after the Warriors game. It added it. AND stopped for grandparents and baby crossing the street. Then I asked for the weather and exactly how much I should $ budget for the entire day. No friction. No talking back. Just getting it done insanely fast. It just handled it all naturally, intelligently, all in real time. Better than any driver, for sure… This is reasoning + autonomy + AI + real life, all working beautifully in synch. No other car, AI, is close to this capability imo. This is a MAJOR update. I honestly feel if this was any other company, they would’ve had a whole event just to showcase this feature.

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I made this two piece and I love how it turned out! I didn't draw the back, I made it like this on improv. Always wanted a set like this but they never sold anything like this in my size so.. I made it myself! I wanna go model this one into a photo set! #fashionstyle
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I made this two piece and I love how it turned out! I didn't draw the back, I made it like this on improv. Always wanted a set like this but they never sold anything like this in my size so.. I made it myself! I wanna go model this one into a photo set! #fashionstyle

Alice Lexington | Intersex and Inconsistent | ADHD

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My painting of a street in Nairobi CBD. This is how I painted the KBS bus on the far right. I used oil paints on canvas. Can you name the two roads/ junction on this piece?
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My painting of a street in Nairobi CBD. This is how I painted the KBS bus on the far right. I used oil paints on canvas. Can you name the two roads/ junction on this piece?

The Colour Alchemist 🇰🇪

665,025 Aufrufe • vor 3 Jahren

“I was an organizer. An agitator. I know how this works. When the buses start coming in, it’s paid. When the signs are already made, it was decided in a meeting room. The money has to get cleared first. That’s how it’s done. I did this professionally. I knew how to pressure companies. I knew how to bring attention to my union—and how to bring attention to the people I was targeting. I was good at it. I won awards for it. My picture was on a wall in Midtown Manhattan. When I ran rallies, cops knew me. They knew I didn’t start trouble—and I never did. That didn’t make me weak. It made me smart. Risk versus reward. A police officer was never a reward worth the risk. I was taught by one of the best organizers in New York City. What I’m seeing now out on the streets? Paid protesting. Same playbook. They’re just doing one thing I never did. Attacking police isn’t smart. This isn’t theory. This is how it’s done— from someone who did it.”
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“I was an organizer. An agitator. I know how this works. When the buses start coming in, it’s paid. When the signs are already made, it was decided in a meeting room. The money has to get cleared first. That’s how it’s done. I did this professionally. I knew how to pressure companies. I knew how to bring attention to my union—and how to bring attention to the people I was targeting. I was good at it. I won awards for it. My picture was on a wall in Midtown Manhattan. When I ran rallies, cops knew me. They knew I didn’t start trouble—and I never did. That didn’t make me weak. It made me smart. Risk versus reward. A police officer was never a reward worth the risk. I was taught by one of the best organizers in New York City. What I’m seeing now out on the streets? Paid protesting. Same playbook. They’re just doing one thing I never did. Attacking police isn’t smart. This isn’t theory. This is how it’s done— from someone who did it.”

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Caitlin on what she learned through injury this season: “I think when I get a few years down here in my career, I think this is a moment and a season I’ll look back on and be like, this why I am who I am today… It was hard sitting on the bench, I’m not going to lie, but I think it taught myself how to be a really good leader and how to be a really good teammate… when you’re on the sidelines and you don’t have your jersey on, you can observe and really learn about people… how can I show up every single day and pour into them and be there for them… but also going forward down the road, if I have a teammate that’s injured… I know I will always show up for them and be there for them and check in on them, because it is an incredibly isolating thing, and you don’t realize that until you go through it… I think all of that is probably what I’ve leaned most.” 🎥: Tony East

Jess

80,019 Aufrufe • vor 8 Monaten

Jin on his first time releasing a solo album: “Once I got used to it, I loved it! When performing with my members, we have a lot of various opinions, right? The music should be like this, and the choreography should be like this and stuff, right? But since I’m doing it by myself, I was like, ‘Choreography? None! These schedules? Delete it! But the fans want it? Oh really? Then include it!’ I can decide on everything myself. When they asked what I want this album to be like, I said I want to make it a letter to my fans. ‘How about we make a letter-like album? Okay let’s go with that!’ That’s how everything went. I had a lot more to do but I really liked how I could choose whatever I want. Since I love giving surprise events, I’m thinking of different things once the album is out.” SUPERSTAR JIN ON SALON DRIP #JinxSalonDrip
1:21

Jin on his first time releasing a solo album: “Once I got used to it, I loved it! When performing with my members, we have a lot of various opinions, right? The music should be like this, and the choreography should be like this and stuff, right? But since I’m doing it by myself, I was like, ‘Choreography? None! These schedules? Delete it! But the fans want it? Oh really? Then include it!’ I can decide on everything myself. When they asked what I want this album to be like, I said I want to make it a letter to my fans. ‘How about we make a letter-like album? Okay let’s go with that!’ That’s how everything went. I had a lot more to do but I really liked how I could choose whatever I want. Since I love giving surprise events, I’m thinking of different things once the album is out.” SUPERSTAR JIN ON SALON DRIP #JinxSalonDrip

All for Jin

17,266 Aufrufe • vor 1 Jahr