Sensitive content

This media may contain sensitive content.

Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

How small dick men dream to be treated 🥰 Sad that their acting is bad 😞 #sph #sizematters #encouragement ,big porn worship sex ,size queen huge cock , cuckold , white cheating husband, cock , size difference, small dick shrimp penis humiliation

25,766 Aufrufe • vor 19 Tagen •via X (Twitter)

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

Angela White explains that PORN STARS don’t judge REGULAR PEOPLE’S SEX because the expectations and SKILLS required on a porn set are completely different from intimate bedroom sex "No." "I mean, you can't- Look, the male talent in the industry are incredibly skilled at what they do, and there's a reason why you see the same male performers appear in scenes over and over and over again." "It's actually a very small pool of male talent that we choose from, because they're the only ones in the world that can get hard in front of an entire crew, stay hard, have sex for as long as we need, whether it's forty-five minutes or two hours, and then- And pop on command." "That is a very small amount of men in the world that can do that." "So if we're having sex with men outside of porn Firstly, a lot of women don't even want to have sex for two hours. You know, like they've got other things to do." "But also like, I mean, the expectations are also different. Like when I'm having sex on a porn set, we are being a lot more acrobatic than I would even want to be in a bedroom at home." "Like, I have to stretch and prepare for some of these scenes. Like when I'm having sex in a bed in my own time, I wanna have like really connected, intimate sex. I don't wanna be opening up for the camera or the light. I wanna be like, I wanna be man blanketed." "So we're not expecting acting porn sex off a porn set." "I mean, it's true we have had the best of the best. I'm not gonna lie, that is true." "But I think the problem is, it's like when men do get into their own head, it fucks everything up. Because if you're in your head, you're not focused on the woman in front of you." "Like, if you're in your head, you're thinking about, 'Oh my God, is my cock hard enough? Is my cock big enough? Am I touching right?' There's a woman in front of you, how lucky are you? Focus on her and her pleasure, and everything will go fine." "That's, that if you're in your head, how are you finding her clit if you're like, 'Is my dick big enough?' Like, where are you in that moment? Connect with the woman." "Yeah, I think just always think about the girl." "You have to look at the person that you're working with, and like, what is the body part that you like the most? Like, what does, what are her lips feel like on your lips? Like, you've gotta focus on the interaction that you're having with that person to get aroused."
2:37

Sensitive content

Angela White explains that PORN STARS don’t judge REGULAR PEOPLE’S SEX because the expectations and SKILLS required on a porn set are completely different from intimate bedroom sex "No." "I mean, you can't- Look, the male talent in the industry are incredibly skilled at what they do, and there's a reason why you see the same male performers appear in scenes over and over and over again." "It's actually a very small pool of male talent that we choose from, because they're the only ones in the world that can get hard in front of an entire crew, stay hard, have sex for as long as we need, whether it's forty-five minutes or two hours, and then- And pop on command." "That is a very small amount of men in the world that can do that." "So if we're having sex with men outside of porn Firstly, a lot of women don't even want to have sex for two hours. You know, like they've got other things to do." "But also like, I mean, the expectations are also different. Like when I'm having sex on a porn set, we are being a lot more acrobatic than I would even want to be in a bedroom at home." "Like, I have to stretch and prepare for some of these scenes. Like when I'm having sex in a bed in my own time, I wanna have like really connected, intimate sex. I don't wanna be opening up for the camera or the light. I wanna be like, I wanna be man blanketed." "So we're not expecting acting porn sex off a porn set." "I mean, it's true we have had the best of the best. I'm not gonna lie, that is true." "But I think the problem is, it's like when men do get into their own head, it fucks everything up. Because if you're in your head, you're not focused on the woman in front of you." "Like, if you're in your head, you're thinking about, 'Oh my God, is my cock hard enough? Is my cock big enough? Am I touching right?' There's a woman in front of you, how lucky are you? Focus on her and her pleasure, and everything will go fine." "That's, that if you're in your head, how are you finding her clit if you're like, 'Is my dick big enough?' Like, where are you in that moment? Connect with the woman." "Yeah, I think just always think about the girl." "You have to look at the person that you're working with, and like, what is the body part that you like the most? Like, what does, what are her lips feel like on your lips? Like, you've gotta focus on the interaction that you're having with that person to get aroused."

Dunmola♋

102,312 Aufrufe • vor 7 Tagen

Auditioning is a completely different performance than how you’d perform it when you get the job. Most actors don’t realize that. What do I mean? In an audition, I only have 1 set up, 1 frame from the chest up. On set you’ll have multiple set ups and multiple camera lens sizes. So for example if I have to do a very explosive emotional scene for an audition I’m beholden to that one set up which is the chest up how casting likes it. BUT if I’m too big and too emotional for that frame size it might come off as melodramatic/Over-acting or I’m forcing it. So I have to do a little less. Now on set during the master I can be as big and as ferocious as I want and then dial it down as the camera moves in closer. The same goes if it has to be small and intimate scene, I might have to project a bit more to convey that emotion in an audition where if it was on set that close up sees everything and I can be as small an intimate as I want. So during these auditions you’re predominantly handcuffed to the size of the frame that casting wants. I like to be subtle in auditions and sometimes that can look like you’re doing absolutely nothing and its not as engaging for the audition process. (You’re trying to get a job) So I amp it up 10-20%. Again, where as on set I can be as small and subtle as I want and when they move in on your close up it sees the minutia of every detail that your face and eyes make. (Also in an audition you’re acting with a friend or a family member who might not be an actor. No professional makeup or hair, bad lighting, dog barking, cat meowing, fedex guy ringing your bell,etc etc) So to recap… AUDITIONING SUCKS!🤦🏻‍♂️ #kidvicious🔪

KID VICIOUS🔪

22,611 Aufrufe • vor 1 Jahr

Someone stopped me on the streets of New York City today and said “Miss Diggs” 💎 I turned around like wait. How do you know me? He said he knows me from Instagram. The grillz. The content. Diamond Dazzler. Mama I made it 🗽 His name is Evan and he was the sweetest. We stopped right there on the way to the diamond district and made content together. But Evan I have to be honest with you. Those earrings have got to go. And I am not just talking about the dirt. I am talking about the size. Evan those diamonds are so small that even if I deep cleaned them for an hour straight it would not make a difference. Here is why. Diamonds reflect light off their surface. The bigger the diamond the more surface area there is for light to enter bounce around and shoot back out as that dazzle you are looking for. When the diamond is too small there is not enough surface area for that to happen. You get a little twinkle. A little sprinkle. But you do not get the bling bling. You do not get the dazzle. And Evan deserves the dazzle. So I am sending Evan a free Diamond Dazzler jewelry cleaning kit AND a brand new pair of diamond earrings in the mail. Because he stopped for me on the street like it was nothing and that meant everything. I am not tagging you because I know you like your privacy. But you know who you are 🖤 If you want your diamonds to shine you have to start with diamonds big enough to shine. Size matters 💎 Shop #DiamondDazzler #DripWithDiggs #NewYorkCity #OnlyInNYC #JewelryCare GIAGemologist DiamondEarrings SizeMatters

Ms. Diggs

23,815 Aufrufe • vor 1 Monat

The level of deceit here is palpable. It is reminiscent of Clinton’s statement that he ‘did not have sexual relationships with that woman’ I’m sick to the back teeth of rich and powerful men assuming that the rules don’t apply to them. This is a man who knew who Epstein was and went out of his way to visit him on his island. The guy is normally so cock sure with his sycophantic language and bombastic attitude. He’s not so cock sure here though is he?. These people are vile disgusting monsters and his knowledge of who Epstein makes him complicit. As the father of a sexually abused daughter, the very thought that he willingly placed children with a thousand miles of a convicted pedophile makes me feel physically sick. This is NOT going away, the big test here is will the American people finally say that the time is over for two tier accountability, where the size of your bank account dictates if the law applies to you. The White House has declared it’s ‘moving on’ from Epstein. That’s not how it works. You don’t move on from child rape, especially as an already adjudicated rapist who’s referred to tens of thousands of times in released documents. This, AFTER the Justice Department was instructed to sanitise the evidence. There is no moving on for the victims of these heinous crimes. It is NOT for Trump or the White House to decide when to move on. Justice MUST be served. 🎥 TikTok -

𝔗𝔯𝔲𝔱𝔥 𝔐𝔞𝔱𝔱𝔢𝔯𝔰

17,874 Aufrufe • vor 7 Monaten

John Cassavetes on the decline of the American Dream & the reason why he made 'Faces' (1968): "In the last couple of decades or so, something has happened to the American dream. I don’t quite know what it is, and it’s still not very clear in my mind. Confusion has replaced Patriotism. The intellect has replaced love. America has changed. Look everywhere. It’s all about money. If something doesn’t make money, no one is interested. Every thing is for sale. Emotions are sold. Sex is sold. Everything is sex. Cars, women, clothes, your face, your hands, your shoes! Look at the ads, at television. My emotions aren’t for sale. My thoughts can’t be bought. They’re mine. I don’t want movies that sell me something. I don’t want to be told how to feel. I wrote 'Faces' (1968) out of a lot of anger and dismay with society. I was really angry at our age and especially at those adults who without thinking go to discotheques, without thinking join into anything that is fashionable and without any understanding. I wanted to show the inability of people to communicate; what small things will do to people; how people can’t handle certain things that they hear and read in news papers, see in films; and how, when they are not prepared to think with their own minds and to feel, how all this can become tragic circumstances. Old ladies trying to be young, shaking their fat asses. Men trying to be sexually attractive. All these old people acting like kids. People are afraid to be themselves, until they become other people, and they can never become themselves again. The change that overcomes all of us is so subtle it’s frightening. There’s where the frustration is: we never see where and how we started; how we got so mechanical; or what to do about it. You beat your brains out trying to find some way that you can encompass what people are feeling rather than what they are led to think. The result was a barrage of attacks on contemporary middle-class America, an expression of horror at our society in general, focusing on a married couple – old-fashioned in nature, safe in their suburban home, narrow in their thinking. The script gives them new situations to cope with, takes them out of their house, releases them from the conformity of their existence, forces them into a different context when all barriers are down." ('Cassavetes on Cassavetes', edited by Ray Carney, 2001) P.S: On this day, 58 years ago, 'Faces' (1968) premiered in Montreal, Canada.

DepressedBergman

93,783 Aufrufe • vor 5 Monaten