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HTML can't run Doom But HTML can now run *inside* Doom! Thanks to HTML-in-Canvas! Fully accessible DOM elements drawn into Doom's own wall textures. This demo uses a WebAssembly port (jacobenget/doom.wasm) of the original C source. See it in action at - Requires Chrome with chrome://flags/#canvas-draw-element enabled. On every...

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Robin

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114,953 Aufrufe • vor 3 Monaten •via X (Twitter)

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VFX-JS supports HTML-in-Canvas now. You can turn HTML element into a WebGL texture. It automatically detects the browser and fallback to the old SVG foreignObject workaround. So it works on Chrome, Firefox, and Safari, of course! #WebGL #VFXJS #Codepen
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VFX-JS supports HTML-in-Canvas now. You can turn HTML element into a WebGL texture. It automatically detects the browser and fallback to the old SVG foreignObject workaround. So it works on Chrome, Firefox, and Safari, of course! #WebGL #VFXJS #Codepen

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A visual comparison of HTML-in-Canvas vs rasterizing DOM to a canvas texture (side-by-side below, compare average capture times) Existing approaches to pull web content into canvas are slow and lossy: - Animations glitch, or don't play at all - CSS replication is imprecise - Clogs up the main thread, other animations lag HTML-in-Canvas (texElementImage2D) lets the browser's own compositor map CSS layouts, animations, and transitions precisely into canvas/WebGL textures — one native call instead of thousands of JS style reads. It's currently available behind an experimental Chrome flag. Really cool, and I can't wait for it to become mainstream.
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A visual comparison of HTML-in-Canvas vs rasterizing DOM to a canvas texture (side-by-side below, compare average capture times) Existing approaches to pull web content into canvas are slow and lossy: - Animations glitch, or don't play at all - CSS replication is imprecise - Clogs up the main thread, other animations lag HTML-in-Canvas (texElementImage2D) lets the browser's own compositor map CSS layouts, animations, and transitions precisely into canvas/WebGL textures — one native call instead of thousands of JS style reads. It's currently available behind an experimental Chrome flag. Really cool, and I can't wait for it to become mainstream.

Robin

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HTML canvas has always been a black box to the browser, but not anymore. The HTML-in-Canvas API lets you integrate real DOM elements directly into the canvas, making them fully searchable, accessible, natively translatable, and inspectable. Fuse shaders and semantics to build new UI, eliminating the need for separate DOM overlays → The web is about to get a whole lot more whimsical and we can't wait to see it 🎨
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HTML canvas has always been a black box to the browser, but not anymore. The HTML-in-Canvas API lets you integrate real DOM elements directly into the canvas, making them fully searchable, accessible, natively translatable, and inspectable. Fuse shaders and semantics to build new UI, eliminating the need for separate DOM overlays → The web is about to get a whole lot more whimsical and we can't wait to see it 🎨

Chrome for Developers

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Going into MF DOOM's Toronto show in February of 2010, fans were expecting to be duped.⁠ ⁠ At the Chicago concert just a couple of weeks earlier, everyone was convinced that DOOM had sent one of his infamous imposters, and that it wasn't really him performing that night.⁠ ⁠ So when the Toronto show at Kool Haus started with an obvious imposter, fans were pissed. In the video, you can hear people calling out that it isn't the real DOOM. "Get the f**k off the f**king stage!," one audience member yelled.⁠ ⁠ But a few bars into "Accordion," the real DOOM emerged.⁠ It was a double fake-out, and a legendary moment at what would end up being DOOM's final show in Toronto.⁠
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Going into MF DOOM's Toronto show in February of 2010, fans were expecting to be duped.⁠ ⁠ At the Chicago concert just a couple of weeks earlier, everyone was convinced that DOOM had sent one of his infamous imposters, and that it wasn't really him performing that night.⁠ ⁠ So when the Toronto show at Kool Haus started with an obvious imposter, fans were pissed. In the video, you can hear people calling out that it isn't the real DOOM. "Get the f**k off the f**king stage!," one audience member yelled.⁠ ⁠ But a few bars into "Accordion," the real DOOM emerged.⁠ It was a double fake-out, and a legendary moment at what would end up being DOOM's final show in Toronto.⁠

Pigeons & Planes

106,569 Aufrufe • vor 1 Jahr

'AVENGERS: DOOMSDAY' teaser trailer description The trailer begins with a shot of Doom on a throne in Latveria. Doom walks through his castle, they show a huge painting depicting his wife and son. Thor arrives with the Fantastic Four to meet the New Avengers. There is a shot of them flying their ship into their tower. The teams get acquainted. Steve meets Thor, he summons the hammer to himself and proves that it's him, because Thor doesn't believe him. Thor says: "That's impossible." Steve meets Yelena and tells her that Natasha was family to him, which means she is his family too. A fight between Yelena and Yelena, Mystique's transformation is shown. A shot in the Baxter Building with the X-Men. A shot of Reed Richards talking to Doom; Reed is practically yelling at him, saying: "Answer me." A shot of Loki in his TVA suit in Steve's house from the first teaser. The main scene of the trailer is the battle between Thor and Doctor Doom, where Thor throws Stormbreaker at Doom, and he easily stops it with a single movement of his hand. The trailer ends with a shot where Doom is controlling the Sentinels. Doom's final line: "One day you will forgive me."
1:12

'AVENGERS: DOOMSDAY' teaser trailer description The trailer begins with a shot of Doom on a throne in Latveria. Doom walks through his castle, they show a huge painting depicting his wife and son. Thor arrives with the Fantastic Four to meet the New Avengers. There is a shot of them flying their ship into their tower. The teams get acquainted. Steve meets Thor, he summons the hammer to himself and proves that it's him, because Thor doesn't believe him. Thor says: "That's impossible." Steve meets Yelena and tells her that Natasha was family to him, which means she is his family too. A fight between Yelena and Yelena, Mystique's transformation is shown. A shot in the Baxter Building with the X-Men. A shot of Reed Richards talking to Doom; Reed is practically yelling at him, saying: "Answer me." A shot of Loki in his TVA suit in Steve's house from the first teaser. The main scene of the trailer is the battle between Thor and Doctor Doom, where Thor throws Stormbreaker at Doom, and he easily stops it with a single movement of his hand. The trailer ends with a shot where Doom is controlling the Sentinels. Doom's final line: "One day you will forgive me."

Blue Minutes

128,980 Aufrufe • vor 19 Tagen

'AVENGERS: DOOMSDAY' new trailer This is 100% A.I but there are some scenes look different. Its different from SDCC though. The SDCC trailer opened with Sue Storm providing some backstory on Victor Von Doom. Before we even get into what she said, this already provides new information for us because, up until this point, we did not know whether or not the Fantastic Four had any history with Doom or even if this Doctor Doom was from their same universe. Of course, we could have inferred based on the long comic book history between the characters, but this confirms it. We do also get to see who Sue is speaking to while delivering this backstory, at least as the trailer presents it. She appears to be speaking to a room full of heroes that includes Magneto, Gambit, Steve Rogers and many other. Sue seems to be explaining to the heroes exactly what they are dealing with, or maybe even already dealt with to some degree. Now, as for what Sue has to say about Doom, her words are both haunting and very informative. Victor was always the smartest guy in every room. He used to be different. He used to be kind, he used to be caring. Everything he loved was taken from him. I knew he was lost, but I did not realize that he was broken." Sue speaks as though she had worked with Victor in the past. We did see an empty seat marked for Latveria, Doom's fictional home country, during a Future Foundation meeting in 'FANTASTIC FOUR: FIRST STEPS' So perhaps Sue had interacted with him frequently on a professional level. The rest of her quote is perhaps the most interesting bit. "Everything he loved was taken from him." It seems as though Doom has already lost something or someone. And based on the first poster for the film, it appears to be a wife and daughter that he has lost. In fact, this trailer even shows Doom staring at the tapestry featured in the poster as Sue says these words. So if Doom seemingly lost his wife and daughter in the past, so much so that Sue knows about it and he has had time to have a tapestry made, could this loss have been cause by an incursion? Perhaps it was some other tragedy. Either way, the trailer goes on to let us know that Doom is not pleased with the fact that he has suffered while these heroes of various universes had gotten to live their lives. After Sue's speech, we see some kind of wreckage where Reed Richards poses a question to Doom. Victor, did you do this? After that question, we get the same shot of Scott Lang embracing his daughter Cassie as well as a new shot of Johnny Storm holding his nephew, Franklin Richards. We also see some more shots of various heroes with their respective children, including Steve Rogers and Thor. Now that we know Doom has lost his own child and he wants to make the heroes pay, these shots seem far more sinister than ever before. Meanwhile, Doom provides the next bit of voiceover as we see the heroes. All of you have lived stolen lives, and now you must give them back. This really does make it seem as though the incursions caused by various counts of time travel shenanigans from the heroes were what caused Doom to lose his family. However, Doom's true objective still remains unclear. He certainly seems to want to simply eliminate all of the heroes, but there is definitely still an angle involving their children. The next shot sees Doom fly in faster than any character we've seen in the MCU to date before hitting a perfect superhero landing. Reed, now enraged, repeats his question. DID YOU DO THIS?! So not only does this trailer confirm that Sue has history with Doom, but it appears Reed does as well. This also gives some credence to the popular theory floating around that Doom will first appear as an ally to the heroes before revealing his true colors later on. Reed seems to have trusted Doom as he lets out this angry question. We then see a similar shot from the first trailer of Thor dropping in to confront Doom. Only this time, we can hear Thor speak to Doom. I swear, you will beg for Hel long before I grant it. Thor if of course referring to the realm of the dead, overseen by his own sister, Hela. You could simply replace the word with the word "death," but this is a bit more powerful. Of course, we know how things go for Thor based on the first trailer though. He attacks with Stormbreaker and Doom easily stops the all powerful axe. This time though, we see him repel Thor, sending him flying before delivering a haunting message. Hel answers to me. Then, Doom raises his hands, and with them arise several damaged Sentinels, the mutant-killing robots from the X-Men universe. This essentially confirms another popular theory that the Sentinels we have seen in previous clips, including the last trailer, are being controlled by Doom. As this threat arises, Doom utters one last message. I am Doom. So to recap, we now know that the Fantastic Four and Doctor Doom have known each other in the past. We know that Doom lost his family, presumably his wife and daughter. It seems clear that at least the Fantastic Four, and perhaps all of the heroes, consider Doom an ally at some point. Doom is, in fact, going to control the Sentinels and use them as his own weapons. And, perhaps the biggest takeaway, Doom is by far the biggest threat the heroes of the MCU have faced.
1:31

'AVENGERS: DOOMSDAY' new trailer This is 100% A.I but there are some scenes look different. Its different from SDCC though. The SDCC trailer opened with Sue Storm providing some backstory on Victor Von Doom. Before we even get into what she said, this already provides new information for us because, up until this point, we did not know whether or not the Fantastic Four had any history with Doom or even if this Doctor Doom was from their same universe. Of course, we could have inferred based on the long comic book history between the characters, but this confirms it. We do also get to see who Sue is speaking to while delivering this backstory, at least as the trailer presents it. She appears to be speaking to a room full of heroes that includes Magneto, Gambit, Steve Rogers and many other. Sue seems to be explaining to the heroes exactly what they are dealing with, or maybe even already dealt with to some degree. Now, as for what Sue has to say about Doom, her words are both haunting and very informative. Victor was always the smartest guy in every room. He used to be different. He used to be kind, he used to be caring. Everything he loved was taken from him. I knew he was lost, but I did not realize that he was broken." Sue speaks as though she had worked with Victor in the past. We did see an empty seat marked for Latveria, Doom's fictional home country, during a Future Foundation meeting in 'FANTASTIC FOUR: FIRST STEPS' So perhaps Sue had interacted with him frequently on a professional level. The rest of her quote is perhaps the most interesting bit. "Everything he loved was taken from him." It seems as though Doom has already lost something or someone. And based on the first poster for the film, it appears to be a wife and daughter that he has lost. In fact, this trailer even shows Doom staring at the tapestry featured in the poster as Sue says these words. So if Doom seemingly lost his wife and daughter in the past, so much so that Sue knows about it and he has had time to have a tapestry made, could this loss have been cause by an incursion? Perhaps it was some other tragedy. Either way, the trailer goes on to let us know that Doom is not pleased with the fact that he has suffered while these heroes of various universes had gotten to live their lives. After Sue's speech, we see some kind of wreckage where Reed Richards poses a question to Doom. Victor, did you do this? After that question, we get the same shot of Scott Lang embracing his daughter Cassie as well as a new shot of Johnny Storm holding his nephew, Franklin Richards. We also see some more shots of various heroes with their respective children, including Steve Rogers and Thor. Now that we know Doom has lost his own child and he wants to make the heroes pay, these shots seem far more sinister than ever before. Meanwhile, Doom provides the next bit of voiceover as we see the heroes. All of you have lived stolen lives, and now you must give them back. This really does make it seem as though the incursions caused by various counts of time travel shenanigans from the heroes were what caused Doom to lose his family. However, Doom's true objective still remains unclear. He certainly seems to want to simply eliminate all of the heroes, but there is definitely still an angle involving their children. The next shot sees Doom fly in faster than any character we've seen in the MCU to date before hitting a perfect superhero landing. Reed, now enraged, repeats his question. DID YOU DO THIS?! So not only does this trailer confirm that Sue has history with Doom, but it appears Reed does as well. This also gives some credence to the popular theory floating around that Doom will first appear as an ally to the heroes before revealing his true colors later on. Reed seems to have trusted Doom as he lets out this angry question. We then see a similar shot from the first trailer of Thor dropping in to confront Doom. Only this time, we can hear Thor speak to Doom. I swear, you will beg for Hel long before I grant it. Thor if of course referring to the realm of the dead, overseen by his own sister, Hela. You could simply replace the word with the word "death," but this is a bit more powerful. Of course, we know how things go for Thor based on the first trailer though. He attacks with Stormbreaker and Doom easily stops the all powerful axe. This time though, we see him repel Thor, sending him flying before delivering a haunting message. Hel answers to me. Then, Doom raises his hands, and with them arise several damaged Sentinels, the mutant-killing robots from the X-Men universe. This essentially confirms another popular theory that the Sentinels we have seen in previous clips, including the last trailer, are being controlled by Doom. As this threat arises, Doom utters one last message. I am Doom. So to recap, we now know that the Fantastic Four and Doctor Doom have known each other in the past. We know that Doom lost his family, presumably his wife and daughter. It seems clear that at least the Fantastic Four, and perhaps all of the heroes, consider Doom an ally at some point. Doom is, in fact, going to control the Sentinels and use them as his own weapons. And, perhaps the biggest takeaway, Doom is by far the biggest threat the heroes of the MCU have faced.

Blue Minutes

59,093 Aufrufe • vor 5 Tagen

My favorite way of interacting with Claude Code is to have it generate static HTML files as outputs (reports, explorations, code structure, mockups etc.) I wanted to iterate on the file by commenting in browser and having Claude update the output live. So, I built this Claude Skill👇 How it works: - Install Claude Code skill (ask it to clone repo) - Build an HTML page for anything (e.g. research coding agents and generate HTML report) - Ask it to make the page interactive That's it. CC will launch a localhost server and allow you to then leave comments on the page itself and once it updates, will give you a tour of changes. It's like Google Docs kind of comments/iteration but for HTML pages.
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My favorite way of interacting with Claude Code is to have it generate static HTML files as outputs (reports, explorations, code structure, mockups etc.) I wanted to iterate on the file by commenting in browser and having Claude update the output live. So, I built this Claude Skill👇 How it works: - Install Claude Code skill (ask it to clone repo) - Build an HTML page for anything (e.g. research coding agents and generate HTML report) - Ask it to make the page interactive That's it. CC will launch a localhost server and allow you to then leave comments on the page itself and once it updates, will give you a tour of changes. It's like Google Docs kind of comments/iteration but for HTML pages.

Paras Chopra

215,218 Aufrufe • vor 2 Monaten

'MM..FOOD' turns 20 this year.⁠ ⁠ To celebrate, Rhymesayers is re-releasing DOOM's classic 2004 project with remixes from Madlib, Jake One, and Ant, plus a handful of previously unreleased interview clips.⁠ ⁠ In the interview clip we're sharing for the first time here, MF DOOM speaks on the unique audience he's cultivated. The interviewer (Kevin Beacham for RSE Radio) points out that DOOM's fanbase is one of the most diverse in hip-hop and includes old school heads, younger listeners, and so many other artists.⁠ ⁠ "Wow, that's cool," DOOM replies, sounding genuinely surprised. "I ain't ever really think about it like that. It's good to know that."⁠ ⁠ The 20th anniversary vinyl and deluxe digital editions of 'MM..FOOD' will be available on November 15. You can pre-order at and ⁠ Rest in peace MF DOOM.
2:12

'MM..FOOD' turns 20 this year.⁠ ⁠ To celebrate, Rhymesayers is re-releasing DOOM's classic 2004 project with remixes from Madlib, Jake One, and Ant, plus a handful of previously unreleased interview clips.⁠ ⁠ In the interview clip we're sharing for the first time here, MF DOOM speaks on the unique audience he's cultivated. The interviewer (Kevin Beacham for RSE Radio) points out that DOOM's fanbase is one of the most diverse in hip-hop and includes old school heads, younger listeners, and so many other artists.⁠ ⁠ "Wow, that's cool," DOOM replies, sounding genuinely surprised. "I ain't ever really think about it like that. It's good to know that."⁠ ⁠ The 20th anniversary vinyl and deluxe digital editions of 'MM..FOOD' will be available on November 15. You can pre-order at and ⁠ Rest in peace MF DOOM.

Pigeons & Planes

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LLM Wikis + HTML Artifacts are insanely powerful. You should seriously consider this in your workflows. LLM Wikis captures all the important information that lets you and your agents do meaningful work. HTML artifacts present that information in interesting ways that allow you to take important actions along with your agents. My HTML artifacts sit on top of my LLM wikis. They are dynamic and are easily extended as needs arise. I have hooked my Artifacts to talk to my agents, and similarly, the agents can talk to artifacts. This has allowed me to build powerful artifacts that reduce my inbox to zero, keep me updated on any topic of interest, fast prototyping, do deep research, design/trigger new experiments, generate figures to improve understanding, schedule research, search relevant information, discover topics, and so much more. What you see in the clip is not a website. It's a simple interactive HTML artifact. HTML artifacts are useful for designers, engineers, researchers, students, and anyone working with agents. Lastly, HTML doesn't replace Markdown. They are a much better combination working together.
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LLM Wikis + HTML Artifacts are insanely powerful. You should seriously consider this in your workflows. LLM Wikis captures all the important information that lets you and your agents do meaningful work. HTML artifacts present that information in interesting ways that allow you to take important actions along with your agents. My HTML artifacts sit on top of my LLM wikis. They are dynamic and are easily extended as needs arise. I have hooked my Artifacts to talk to my agents, and similarly, the agents can talk to artifacts. This has allowed me to build powerful artifacts that reduce my inbox to zero, keep me updated on any topic of interest, fast prototyping, do deep research, design/trigger new experiments, generate figures to improve understanding, schedule research, search relevant information, discover topics, and so much more. What you see in the clip is not a website. It's a simple interactive HTML artifact. HTML artifacts are useful for designers, engineers, researchers, students, and anyone working with agents. Lastly, HTML doesn't replace Markdown. They are a much better combination working together.

elvis

248,444 Aufrufe • vor 2 Monaten

LADY DOOM (WANDA) VS. WICCAN... AND THE EMOTIONAL REUNION WE'VE ALL BEEN WAITING FOR? If the rumors are true and Wanda Maximoff becomes Lady Doom in AVENGERS: DOOMSDAY, the stakes couldn't be more personal. Imagine Wiccan standing before the mother he's spent so long searching for—only to find her transformed into one of the most dangerous beings in the Multiverse. This wouldn't just be another MCU fight. It would be a heartbreaking clash between a son trying to save his mother and a Wanda consumed by Doom's power and purpose. Chaos Magic vs. Chaos Magic. Mother vs. Son. A battle driven by love, loss, and impossible choices. If Marvel delivers a confrontation like this, it has the potential to become one of the most emotional and unforgettable moments in MCU history. Who do you think wins: Lady Doom or Wiccan? This is based on rumors and fan speculation. Marvel Studios has not officially confirmed these plot details. #AvengersDoomsday #ScarletWitch #Wiccan #LadyDoom #Marvel
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LADY DOOM (WANDA) VS. WICCAN... AND THE EMOTIONAL REUNION WE'VE ALL BEEN WAITING FOR? If the rumors are true and Wanda Maximoff becomes Lady Doom in AVENGERS: DOOMSDAY, the stakes couldn't be more personal. Imagine Wiccan standing before the mother he's spent so long searching for—only to find her transformed into one of the most dangerous beings in the Multiverse. This wouldn't just be another MCU fight. It would be a heartbreaking clash between a son trying to save his mother and a Wanda consumed by Doom's power and purpose. Chaos Magic vs. Chaos Magic. Mother vs. Son. A battle driven by love, loss, and impossible choices. If Marvel delivers a confrontation like this, it has the potential to become one of the most emotional and unforgettable moments in MCU history. Who do you think wins: Lady Doom or Wiccan? This is based on rumors and fan speculation. Marvel Studios has not officially confirmed these plot details. #AvengersDoomsday #ScarletWitch #Wiccan #LadyDoom #Marvel

Ashish Kumar

104,119 Aufrufe • vor 3 Tagen

Okay, I got Claude Code to actually fly my plane now It controls the keys via Chrome by running it with `claude --chrome` There is some issue with the lift vs gravity formula though so it takes a lot of speed to take off, but it's really cool to see it control and fly the plane This means it can code the game and then play it to check in a loop to theoretically improve it without my help (haven't gotten there though) I run it like this btw: `IS_SANDBOX=1 claude --dangerously-skip-permissions --chrome` (Run at your own risk)
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Okay, I got Claude Code to actually fly my plane now It controls the keys via Chrome by running it with `claude --chrome` There is some issue with the lift vs gravity formula though so it takes a lot of speed to take off, but it's really cool to see it control and fly the plane This means it can code the game and then play it to check in a loop to theoretically improve it without my help (haven't gotten there though) I run it like this btw: `IS_SANDBOX=1 claude --dangerously-skip-permissions --chrome` (Run at your own risk)

@levelsio

143,316 Aufrufe • vor 6 Monaten

🙏A tribute to Bobby Prince (1945 - 2026) Bobby Prince (full name: Robert Caskin Prince III) was an American video game composer and sound designer, best known for his iconic work with Apogee Software (later 3D Realms) and id Software in the 1990s. He created music and sound effects for many classic PC games, especially those published by Apogee or developed by id Software: id Software titles: Commander Keen, Wolfenstein 3D, Spear of Destiny, Doom, Doom II. Apogee/3D Realms titles: Duke Nukem II, Duke Nukem 3D, Blake Stone, Rise of the Triad. His Doom soundtrack is especially legendary. It blended heavy metal/hard rock influences (inspired by bands like Black Sabbath, Pantera, and Alice in Chains) with the technical limits of early PC audio. Tracks like "E1M1 (At Doom's Gate)" became hugely influential and were even added to the U.S. Library of Congress National Recording Registry in 2026. Play the video to listen to it once more. He was one of the most important figures in early first-person shooter and shareware gaming audio; his work helped define the sound of the 1990s PC gaming golden age. Rest in peace 🙏
1:09

🙏A tribute to Bobby Prince (1945 - 2026) Bobby Prince (full name: Robert Caskin Prince III) was an American video game composer and sound designer, best known for his iconic work with Apogee Software (later 3D Realms) and id Software in the 1990s. He created music and sound effects for many classic PC games, especially those published by Apogee or developed by id Software: id Software titles: Commander Keen, Wolfenstein 3D, Spear of Destiny, Doom, Doom II. Apogee/3D Realms titles: Duke Nukem II, Duke Nukem 3D, Blake Stone, Rise of the Triad. His Doom soundtrack is especially legendary. It blended heavy metal/hard rock influences (inspired by bands like Black Sabbath, Pantera, and Alice in Chains) with the technical limits of early PC audio. Tracks like "E1M1 (At Doom's Gate)" became hugely influential and were even added to the U.S. Library of Congress National Recording Registry in 2026. Play the video to listen to it once more. He was one of the most important figures in early first-person shooter and shareware gaming audio; his work helped define the sound of the 1990s PC gaming golden age. Rest in peace 🙏

exQUIZitely 🕹️

31,069 Aufrufe • vor 1 Monat

Here is a quick walkthrough of everything new in Stitch: 🌊 Streaming: Stitch now streams its work straight to the canvas. You can see Stitch working and start steering before the final product is done! 📄 Existing Designs: Stitch can help you start with your design by creating a DESIGN.md from your codebase, .fig files, or a live website ⏩ In-place AI Edits: Stitch can quickly edit specific parts of your screens just by asking or pointing and clicking 🎥 Motion & HTML canvas: Javascript, shaders and more now render natively on an HTML canvas so you can immediately see animation, hover states and effects 🚀 Portability and Integrations: We've added a big list of import and export additions to fit right into your workflow, including import your .fig files and one-click export to Netlify, Loveable and Bolt 🌟 Bonus: New skills to IMPORT your screens directly into Stitch via MCP and sync changes back to your codebase Walkthrough video👇 Details for each improvement in 🧵
2:03

Here is a quick walkthrough of everything new in Stitch: 🌊 Streaming: Stitch now streams its work straight to the canvas. You can see Stitch working and start steering before the final product is done! 📄 Existing Designs: Stitch can help you start with your design by creating a DESIGN.md from your codebase, .fig files, or a live website ⏩ In-place AI Edits: Stitch can quickly edit specific parts of your screens just by asking or pointing and clicking 🎥 Motion & HTML canvas: Javascript, shaders and more now render natively on an HTML canvas so you can immediately see animation, hover states and effects 🚀 Portability and Integrations: We've added a big list of import and export additions to fit right into your workflow, including import your .fig files and one-click export to Netlify, Loveable and Bolt 🌟 Bonus: New skills to IMPORT your screens directly into Stitch via MCP and sync changes back to your codebase Walkthrough video👇 Details for each improvement in 🧵

Stitch by Google

21,597 Aufrufe • vor 2 Monaten

Soooo Thariq has straight up changed my life with these 5 words: "HTML is the new markdown." It's so obvious in hindsight: while .md is simple to write and agents can read it well, it's a total slog to eyeball as a human. In this special ep recorded live at Code with Claude, Thariq walks me through how he: - uses HTML artifacts as interactive specs - builds throwaway micro-UIs - maintains a living design system in HTML - prompts Claude with "whatever is needed" to give it room to actually think He also tells us what comes after the SWE + PM role 👀 As always, a huge TY to our amazing sponsors: 🔀 Celigo - Intelligent automation built for AI: 🪪 Persona - trusted identity verification for any use case: Watch now on YT:
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Soooo Thariq has straight up changed my life with these 5 words: "HTML is the new markdown." It's so obvious in hindsight: while .md is simple to write and agents can read it well, it's a total slog to eyeball as a human. In this special ep recorded live at Code with Claude, Thariq walks me through how he: - uses HTML artifacts as interactive specs - builds throwaway micro-UIs - maintains a living design system in HTML - prompts Claude with "whatever is needed" to give it room to actually think He also tells us what comes after the SWE + PM role 👀 As always, a huge TY to our amazing sponsors: 🔀 Celigo - Intelligent automation built for AI: 🪪 Persona - trusted identity verification for any use case: Watch now on YT:

claire vo 🖤

200,465 Aufrufe • vor 2 Monaten

The original MF DOOM mask: Re-Ignition, an archival library of objects and gear. Re-Ignition will be available exclusively on the Living Proof Patreon, tomorrow. The original MF DOOM mask designed by graffiti writer KEO, was created at the outset of DOOM’s career as a masked figure. This early version of the mask was used in the rapper’s first three music videos, establishing the identity that would come to define MF DOOM’s mythology. Conceived as a literal and symbolic concealment, the mask allowed DOOM to separate the performer from the person, shifting focus entirely onto the music and persona. Though later iterations of the mask became more widely recognized, this original design represents the foundational moment of MF DOOM’s transformation into a faceless antihero and icon in hip-hop history. This early version of the mask was severely damaged during the "?" video shoot with Kurious Jorge. KEO attempted to repair it before finally deciding to shop for an actual metal version, which became known as the iconic "Gladiator" version that most DOOM fans know and love. The archival library and full videos will be available exclusively on the Living Proof Patreon, tomorrow.
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The original MF DOOM mask: Re-Ignition, an archival library of objects and gear. Re-Ignition will be available exclusively on the Living Proof Patreon, tomorrow. The original MF DOOM mask designed by graffiti writer KEO, was created at the outset of DOOM’s career as a masked figure. This early version of the mask was used in the rapper’s first three music videos, establishing the identity that would come to define MF DOOM’s mythology. Conceived as a literal and symbolic concealment, the mask allowed DOOM to separate the performer from the person, shifting focus entirely onto the music and persona. Though later iterations of the mask became more widely recognized, this original design represents the foundational moment of MF DOOM’s transformation into a faceless antihero and icon in hip-hop history. This early version of the mask was severely damaged during the "?" video shoot with Kurious Jorge. KEO attempted to repair it before finally deciding to shop for an actual metal version, which became known as the iconic "Gladiator" version that most DOOM fans know and love. The archival library and full videos will be available exclusively on the Living Proof Patreon, tomorrow.

Living Proof New York

10,735 Aufrufe • vor 6 Monaten

On this day, 60 years ago, Kihachi Okamoto's "The Sword of Doom" (1966) was released in Japan. Tatsuya Nakadai on the story of "Sword of Doom" (1966) & how he felt after filming the climax: "Interviewer: The climax of “Sword of Doom” is so chilling and it’s all carried by your energy and stamina. This was a hard film for you to shoot. Can you recall what shooting this climactic final scene was like? 'Sword of Doom' was shot in 1966, when I was 33 years old. It was directed by the great Kihachi Okamoto. He and I made several films together. He’s known for making comedies with a light touch … happy films. But 'Sword of Doom' is, of course, a tragedy. The film was based on a very famous novel in Japan. It was adapted to film three times; ours was the last adaptation. It was written by an author named Kaizan Nakazato. He was actually a newspaper reporter for Hochi Shimbun. His story, 'Sword of Doom,' was serialized over the course of three years. In the film, [my character] Ryunosuke commits a murder without a reason. But in Japan, there’s the concept of reincarnation in Buddhism. So if you commit a sin, it will be passed on to the next generation. So Ryunosuke is this man who uses this crazed, almost cursed sword. But when it comes down to it, the film is very much a “chanbara,” or samurai-swordplay film. As you said, in the last scene, I slashed down about 70 people in a period of three days. So I myself had lost my mind as well. That’s how I felt." ("A Living Legend: Tatsuya Nakadai on “Sword of Doom”", Simon Abrams, Rogerebert(dot)com, 2016)
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On this day, 60 years ago, Kihachi Okamoto's "The Sword of Doom" (1966) was released in Japan. Tatsuya Nakadai on the story of "Sword of Doom" (1966) & how he felt after filming the climax: "Interviewer: The climax of “Sword of Doom” is so chilling and it’s all carried by your energy and stamina. This was a hard film for you to shoot. Can you recall what shooting this climactic final scene was like? 'Sword of Doom' was shot in 1966, when I was 33 years old. It was directed by the great Kihachi Okamoto. He and I made several films together. He’s known for making comedies with a light touch … happy films. But 'Sword of Doom' is, of course, a tragedy. The film was based on a very famous novel in Japan. It was adapted to film three times; ours was the last adaptation. It was written by an author named Kaizan Nakazato. He was actually a newspaper reporter for Hochi Shimbun. His story, 'Sword of Doom,' was serialized over the course of three years. In the film, [my character] Ryunosuke commits a murder without a reason. But in Japan, there’s the concept of reincarnation in Buddhism. So if you commit a sin, it will be passed on to the next generation. So Ryunosuke is this man who uses this crazed, almost cursed sword. But when it comes down to it, the film is very much a “chanbara,” or samurai-swordplay film. As you said, in the last scene, I slashed down about 70 people in a period of three days. So I myself had lost my mind as well. That’s how I felt." ("A Living Legend: Tatsuya Nakadai on “Sword of Doom”", Simon Abrams, Rogerebert(dot)com, 2016)

DepressedBergman

44,342 Aufrufe • vor 5 Monaten

New short course: Collaborative Writing and Coding with OpenAI Canvas! Explore new ways to write and code with OpenAI Canvas, a user-friendly interface that allows you to brainstorm, draft, and refine text and code in collaboration with ChatGPT. In the short course, created with OpenAI, and taught by , a research lead at OpenAI, you’ll learn to use Canvas to enhance your workflows. Canvas lets you go beyond simple chat interactions. It provides a side-by-side workspace where you and ChatGPT can edit and refine text or code collaboratively. This makes brainstorming, drafting, and iterating as you write feel more natural and effective. As the first major update to ChatGPT’s visual interface since its launch in 2022, Canvas gives a new, innovative approach to collaboration with AI. For instance, after writing the first version of your code, Canvas can review it and give suggestions for improvement. It can also help with debugging by adding logging, identifying problems to fix, and writing comments. In addition, you'll also learn what it takes to train the model for an interface like Canvas. In this video-only short course, you’ll: - Learn how to ask for in-line feedback and control the iteration of your work by directly editing selected areas of your text or code from the model’s output. - Learn how to access quick automation tools in a shortcut menu that allows you to modify your writing tone and length, enhance your code, and restore previous versions of your work. - Learn how to use Canvas as a research assistant tool with an example of asking the model to reason through the screenshot of a plot to write a research report, in which you can ask questions within the created report. - Ask the model to write Python code to replicate the graph seen on a screenshot image. - Go behind the scenes of how you can create a video game, such as Space Battleship, from scratch, edit it, and display it in one self-contained HTML file. - Get a real-world application example of creating a SQL database from the image of its architecture. - Understand the model training and design processes that power Canvas! Please sign up here:
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New short course: Collaborative Writing and Coding with OpenAI Canvas! Explore new ways to write and code with OpenAI Canvas, a user-friendly interface that allows you to brainstorm, draft, and refine text and code in collaboration with ChatGPT. In the short course, created with OpenAI, and taught by , a research lead at OpenAI, you’ll learn to use Canvas to enhance your workflows. Canvas lets you go beyond simple chat interactions. It provides a side-by-side workspace where you and ChatGPT can edit and refine text or code collaboratively. This makes brainstorming, drafting, and iterating as you write feel more natural and effective. As the first major update to ChatGPT’s visual interface since its launch in 2022, Canvas gives a new, innovative approach to collaboration with AI. For instance, after writing the first version of your code, Canvas can review it and give suggestions for improvement. It can also help with debugging by adding logging, identifying problems to fix, and writing comments. In addition, you'll also learn what it takes to train the model for an interface like Canvas. In this video-only short course, you’ll: - Learn how to ask for in-line feedback and control the iteration of your work by directly editing selected areas of your text or code from the model’s output. - Learn how to access quick automation tools in a shortcut menu that allows you to modify your writing tone and length, enhance your code, and restore previous versions of your work. - Learn how to use Canvas as a research assistant tool with an example of asking the model to reason through the screenshot of a plot to write a research report, in which you can ask questions within the created report. - Ask the model to write Python code to replicate the graph seen on a screenshot image. - Go behind the scenes of how you can create a video game, such as Space Battleship, from scratch, edit it, and display it in one self-contained HTML file. - Get a real-world application example of creating a SQL database from the image of its architecture. - Understand the model training and design processes that power Canvas! Please sign up here:

Andrew Ng

128,180 Aufrufe • vor 1 Jahr

Today we're launching iMessage video ads in Claude. Faceless video is the best-performing ad format right now — and Claude can now generate a full one end to end, in one prompt. Here's how it works: 1. Install: npx gooseworks install --all 2. Run: /goose-video make an iMessage ad for [your product] Claude writes the script, generates the photos in the thread, animates the conversation, and closes on your brand. SFX, music, end card, all of it. The trick: it's just HTML. No video generation models, so it's fast and cheap — and it works because it doesn't look like an ad. It's that easy. But this is just the start. We have created a library with 100+ open-source skills for growth that some of the fastest growing startups in the world are using every day to run ads, content, competitor research, gtm, seo and more. Comment Goose and I'll DM you the full open-source skill library.
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Today we're launching iMessage video ads in Claude. Faceless video is the best-performing ad format right now — and Claude can now generate a full one end to end, in one prompt. Here's how it works: 1. Install: npx gooseworks install --all 2. Run: /goose-video make an iMessage ad for [your product] Claude writes the script, generates the photos in the thread, animates the conversation, and closes on your brand. SFX, music, end card, all of it. The trick: it's just HTML. No video generation models, so it's fast and cheap — and it works because it doesn't look like an ad. It's that easy. But this is just the start. We have created a library with 100+ open-source skills for growth that some of the fastest growing startups in the world are using every day to run ads, content, competitor research, gtm, seo and more. Comment Goose and I'll DM you the full open-source skill library.

Soham Mehta

49,148 Aufrufe • vor 24 Tagen

DOCTOR DOOM VS. THE AVENGERS... THIS IS EXACTLY WHY THE HYPE IS SO HIGH. 🔥 One thing this fan concept gets right is the scale. Doctor Doom shouldn't feel like just another MCU villain. He has to feel different from Thanos and Kang. In the comics, Doom isn't simply a genius inventor—he's a master strategist, a ruler, and one of the most powerful sorcerers in Marvel history. He's the kind of villain who wins battles before they even begin. That's why a final battle in Avengers: Doomsday shouldn't be about heroes rushing toward Doom. It should feel hopeless. The Avengers should be completely overwhelmed. Every punch, every blast, every attack should make it clear that they're fighting someone who combines Tony Stark's intelligence, Doctor Strange's magic, and Thanos' ambition into a single character. That's what makes Doom terrifying. This concept captures that atmosphere surprisingly well. The dark tone, the massive battlefield, and the feeling that the Avengers are facing an impossible enemy are exactly what fans expect from Doomsday. If Marvel can deliver a final battle that truly makes Doctor Doom feel unstoppable... This could easily become the greatest Avengers movie ever made. This is a fan-made concept inspired by MCU rumors and comics—not official Marvel footage. #AvengersDoomsday #DoctorDoom #Marvel #MCU
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DOCTOR DOOM VS. THE AVENGERS... THIS IS EXACTLY WHY THE HYPE IS SO HIGH. 🔥 One thing this fan concept gets right is the scale. Doctor Doom shouldn't feel like just another MCU villain. He has to feel different from Thanos and Kang. In the comics, Doom isn't simply a genius inventor—he's a master strategist, a ruler, and one of the most powerful sorcerers in Marvel history. He's the kind of villain who wins battles before they even begin. That's why a final battle in Avengers: Doomsday shouldn't be about heroes rushing toward Doom. It should feel hopeless. The Avengers should be completely overwhelmed. Every punch, every blast, every attack should make it clear that they're fighting someone who combines Tony Stark's intelligence, Doctor Strange's magic, and Thanos' ambition into a single character. That's what makes Doom terrifying. This concept captures that atmosphere surprisingly well. The dark tone, the massive battlefield, and the feeling that the Avengers are facing an impossible enemy are exactly what fans expect from Doomsday. If Marvel can deliver a final battle that truly makes Doctor Doom feel unstoppable... This could easily become the greatest Avengers movie ever made. This is a fan-made concept inspired by MCU rumors and comics—not official Marvel footage. #AvengersDoomsday #DoctorDoom #Marvel #MCU

A K

2,850,620 Aufrufe • vor 8 Tagen

Jesus Christ, jnmartin has officially implemented his first big improvement over the N64 original for the Sega Dreamcast port of Mario Kart 64! Now the jumpotron monitor screens in Wario Stadium and and Luigi Raceway are updating at a full 30FPS, or 6x the framerate of the N64! ...and he's doing this entirely in software with the DC's SH4 CPU performing slow, direct VRAM reads from the framebuffer into a temporary buffer in system RAM which is later passed to OpenGL which transfers it back into VRAM to update the jumpotron texture with... and the freaking Dreamcast doesn't drop a frame doing all this shit! Might want to keep that in mind, as a community... That accessing texture memory or the framebuffer directly from the SH4 via the "uint16_t vram_s[]" symbol that the video API within KallistiOS exposes, while comparatively slow, is not actually so slow as to be unrealistic for a well-optimized game to do anything useful with... very interesting!
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Jesus Christ, jnmartin has officially implemented his first big improvement over the N64 original for the Sega Dreamcast port of Mario Kart 64! Now the jumpotron monitor screens in Wario Stadium and and Luigi Raceway are updating at a full 30FPS, or 6x the framerate of the N64! ...and he's doing this entirely in software with the DC's SH4 CPU performing slow, direct VRAM reads from the framebuffer into a temporary buffer in system RAM which is later passed to OpenGL which transfers it back into VRAM to update the jumpotron texture with... and the freaking Dreamcast doesn't drop a frame doing all this shit! Might want to keep that in mind, as a community... That accessing texture memory or the framebuffer directly from the SH4 via the "uint16_t vram_s[]" symbol that the video API within KallistiOS exposes, while comparatively slow, is not actually so slow as to be unrealistic for a well-optimized game to do anything useful with... very interesting!

Falco Girgis

24,032 Aufrufe • vor 1 Jahr