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Hugh Jackman says watching Deadpool just days after announcing Logan would be his final Wolverine made him realize he’d made a mistake. “I had announced that Logan was going to be my last Wolverine movie.” “Three days later, I watched Deadpool, and I remember thinking, ‘Oops.’” “I could instantly...

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1,382,619 görüntüleme • 6 gün önce •via X (Twitter)

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Ryan Reynolds says Marvel rejected Deadpool & Wolverine until Hugh Jackman called and wanted back in "The first pitch I had for Marvel five years ago was a Deadpool-Wolverine movie in the Rashomon style. And they said NO" "So then I pitched the most idiotic movie. One was a Sundance movie, no special effects, no conflict" "Then I pitched one where it’s a two-hander with me and the hunter who shot Bambi’s mom. Their answer was, ‘We don’t touch Bambi, Ryan’" "It was like a year and a half of just tap dancing, until Hugh called and said, ‘I want to come back and do this’"
1:06

Ryan Reynolds says Marvel rejected Deadpool & Wolverine until Hugh Jackman called and wanted back in "The first pitch I had for Marvel five years ago was a Deadpool-Wolverine movie in the Rashomon style. And they said NO" "So then I pitched the most idiotic movie. One was a Sundance movie, no special effects, no conflict" "Then I pitched one where it’s a two-hander with me and the hunter who shot Bambi’s mom. Their answer was, ‘We don’t touch Bambi, Ryan’" "It was like a year and a half of just tap dancing, until Hugh called and said, ‘I want to come back and do this’"

Yonan

352,944 görüntüleme • 23 gün önce

Hugh Jackman once said Logan would be his last Wolverine. But in 2024, he was on his way, driving, and suddenly he had a revelation: “literally just like a bolt of lightning, came this knowing deep in my gut that I wanted to do this film with Ryan”
0:22

Hugh Jackman once said Logan would be his last Wolverine. But in 2024, he was on his way, driving, and suddenly he had a revelation: “literally just like a bolt of lightning, came this knowing deep in my gut that I wanted to do this film with Ryan”

Emir Han

22,578 görüntüleme • 8 ay önce

Kevin Feige told Hugh Jackman "don't come back" as Wolverine in Deadpool 3 because "you had the greatest ending in history with ‘Logan.’ That’s not something we should undo" Hugh later said “You know? I change my mind.’ I’m not even gonna say I’m sorry. And it was so awesome.”
0:33

Kevin Feige told Hugh Jackman "don't come back" as Wolverine in Deadpool 3 because "you had the greatest ending in history with ‘Logan.’ That’s not something we should undo" Hugh later said “You know? I change my mind.’ I’m not even gonna say I’m sorry. And it was so awesome.”

Emir Han

1,083,585 görüntüleme • 3 ay önce

Kevin Feige told Hugh Jackman "don't come back" as Wolverine in Deadpool 3 because "you had the greatest ending in history with ‘Logan.’ That’s not something we should undo" Hugh later said “You know? I change my mind.’ I’m not even gonna say I’m sorry. And it was so awesome.”
0:33

Kevin Feige told Hugh Jackman "don't come back" as Wolverine in Deadpool 3 because "you had the greatest ending in history with ‘Logan.’ That’s not something we should undo" Hugh later said “You know? I change my mind.’ I’m not even gonna say I’m sorry. And it was so awesome.”

Emir Han

1,624,491 görüntüleme • 1 ay önce

Kevin Costner said he didn’t want to speak publicly after Whitney Houston died because he felt their relationship was “just a movie.” Kevin Costner: What happened was, it was a thing I didn't want to do. When Whitney passed, the microphone was going around for a, for a week, that everybody getting on TV talking about her. And I'm thinking, "Jesus, the last thing I want to do is get on a radio and talk about her." Uh, after all, it was just a movie really. And, but there was this weird thing that I didn't take into consideration. I think sometimes, maybe you and I can miss what the real momentum is, that we don't really gauge it because we either intellectually dismiss it or we just don't care, but people wanted to hear what I had to say about her, which baffled me. It was a, it was a make-believe relationship we had. And so I avoided it.
2:49

Kevin Costner said he didn’t want to speak publicly after Whitney Houston died because he felt their relationship was “just a movie.” Kevin Costner: What happened was, it was a thing I didn't want to do. When Whitney passed, the microphone was going around for a, for a week, that everybody getting on TV talking about her. And I'm thinking, "Jesus, the last thing I want to do is get on a radio and talk about her." Uh, after all, it was just a movie really. And, but there was this weird thing that I didn't take into consideration. I think sometimes, maybe you and I can miss what the real momentum is, that we don't really gauge it because we either intellectually dismiss it or we just don't care, but people wanted to hear what I had to say about her, which baffled me. It was a, it was a make-believe relationship we had. And so I avoided it.

Ruzy.hl

4,368,052 görüntüleme • 23 gün önce

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)
1:46

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 görüntüleme • 6 ay önce

Matthew McConaughey reveals the three words his dad said that changed his life “I said dad, I don't want to go to law school anymore. I want to go to film school and after about a 5 second pause, he goes, ‘Are you sure that's what you want to do?’ I reply yes sir” “Another long pause. Then I hear, ‘Well, don't halfass it’” “I remember just beaming, hopping up just like Yes! My dad not only said okay. The way he said don't halfass it, it was also, okay. Let's go big boy. Own that shit. Get some leverage. Get some horsepower behind where you're going. Go do it” “I remember to this day and I've learned this later I think from becoming a father, part of what I believe happened to him and why he said that to me that way on that call was the way that I asked him. I wasn't really asking. It was, ‘I don't want to go to law school, Dad. I want to go to film school.’ I didn't stutter. He heard his son saying this is what I want to do” “What I think happened to him in that moment is what I think any father, any parent loves. You raise your kids in a certain way and you give them a guideline, a ladder to climb and here's the guidelines and if you do it this way, you're most likely going to have some success in life and it'll work out for you and then when we do it that way, we can be proud parents” “But what do we really want to happen when our kids are out of the house and they're on their own? We kind of want them to call one day and go, ‘I'm breaking out. I'm going my own way.’ And as a parent, we go, as much as it may scare us, we're going, ‘Yes!’ I gave my kid the confidence and the courage and the foundation to say they're going to go their own way” “In a way, I think every parent honors and loves that moment. I heard my dad, when he didn't hear me stutter, when he heard me directly say what I said. I wasn't really asking him. Even though I was out of respect asking him, the way I said it, I wasn't asking him and I think he felt that” “Don't halfass it”
2:28

Matthew McConaughey reveals the three words his dad said that changed his life “I said dad, I don't want to go to law school anymore. I want to go to film school and after about a 5 second pause, he goes, ‘Are you sure that's what you want to do?’ I reply yes sir” “Another long pause. Then I hear, ‘Well, don't halfass it’” “I remember just beaming, hopping up just like Yes! My dad not only said okay. The way he said don't halfass it, it was also, okay. Let's go big boy. Own that shit. Get some leverage. Get some horsepower behind where you're going. Go do it” “I remember to this day and I've learned this later I think from becoming a father, part of what I believe happened to him and why he said that to me that way on that call was the way that I asked him. I wasn't really asking. It was, ‘I don't want to go to law school, Dad. I want to go to film school.’ I didn't stutter. He heard his son saying this is what I want to do” “What I think happened to him in that moment is what I think any father, any parent loves. You raise your kids in a certain way and you give them a guideline, a ladder to climb and here's the guidelines and if you do it this way, you're most likely going to have some success in life and it'll work out for you and then when we do it that way, we can be proud parents” “But what do we really want to happen when our kids are out of the house and they're on their own? We kind of want them to call one day and go, ‘I'm breaking out. I'm going my own way.’ And as a parent, we go, as much as it may scare us, we're going, ‘Yes!’ I gave my kid the confidence and the courage and the foundation to say they're going to go their own way” “In a way, I think every parent honors and loves that moment. I heard my dad, when he didn't hear me stutter, when he heard me directly say what I said. I wasn't really asking him. Even though I was out of respect asking him, the way I said it, I wasn't asking him and I think he felt that” “Don't halfass it”

Jack

1,184,155 görüntüleme • 1 ay önce

Pokémon collector reveals Logan Paul didn't speak to him for two months after cracking the PSA 10 Charizard "I asked Logan how he could crack it. He said, 'Gary, I'm a maverick.' I literally thought he was going to say he's an athlete. Not very bright, because you just don't do that. You just paid $150,000 for this card." "He took it to Beckett and it was a marginal 10. I believe it was a 10, but it hit that gray area. He didn't talk to me for two months after because he was afraid I'd be upset. Finally he came up to visit and said, 'Gary, I was really afraid you'd be mad that I cracked it and got the Beckett 10.'" "I told him, I couldn't be more happy for you. I tried to cross it over myself and it didn't work. You did it. You're a friend and I'm happy for you."
2:07

Pokémon collector reveals Logan Paul didn't speak to him for two months after cracking the PSA 10 Charizard "I asked Logan how he could crack it. He said, 'Gary, I'm a maverick.' I literally thought he was going to say he's an athlete. Not very bright, because you just don't do that. You just paid $150,000 for this card." "He took it to Beckett and it was a marginal 10. I believe it was a 10, but it hit that gray area. He didn't talk to me for two months after because he was afraid I'd be upset. Finally he came up to visit and said, 'Gary, I was really afraid you'd be mad that I cracked it and got the Beckett 10.'" "I told him, I couldn't be more happy for you. I tried to cross it over myself and it didn't work. You did it. You're a friend and I'm happy for you."

Tig

970,629 görüntüleme • 1 ay önce

Trump was reportedly furious over Noem’s assertion during a hearing that he had approved that $200+ million ad campaign but she actually had told this story before and based on what the former DHS Secretary says here, it allegedly was his idea. Noem: He said, “Do you know those ads that you did in South Dakota?” Oh, and I said, “Yes sir, you mean my ‘Freedom Works Here’ ads?” And he said, “Yeah, those ones where you — those beautiful ads, you know, those beautiful ads, beautiful — you did about South Dakota. They had Mount Rushmore, all those things.” He said, “I want you to do those for the border..” And I said, “Well sir, I don’t know how that works. You mean the ones where I was a plumber and where I was an electrician? I don’t know if I can do those for the border.” And he said, “No, I want you to do those for the border, and I want you to do those everywhere — not just in the United States, but I want them around the world. I want you to tell people not to come to this country if they’re going to come here illegally.” And I said, “Well sir, we can do press conferences. You know, we can tell people what we’re doing.” And he said, “Nope. We’re not going to let the media tell this story because the media will never tell the truth. A marketing campaign to make sure the American people know the truth of what you’re doing.” And I said, “Well sir, do you want to be in those ads?” And he said, “Nope, nope, I want you to do them.” He said, “I want you in the ads.” He said, “I want you in the ads, and I want your face in the ads. But I want the first ad — I want you to thank me. So I want you to thank me for closing the border.” And I said, “Yes sir, I will thank you for closing the border.” So if you notice in that ad, we thanked him for closing the border.
1:39

Trump was reportedly furious over Noem’s assertion during a hearing that he had approved that $200+ million ad campaign but she actually had told this story before and based on what the former DHS Secretary says here, it allegedly was his idea. Noem: He said, “Do you know those ads that you did in South Dakota?” Oh, and I said, “Yes sir, you mean my ‘Freedom Works Here’ ads?” And he said, “Yeah, those ones where you — those beautiful ads, you know, those beautiful ads, beautiful — you did about South Dakota. They had Mount Rushmore, all those things.” He said, “I want you to do those for the border..” And I said, “Well sir, I don’t know how that works. You mean the ones where I was a plumber and where I was an electrician? I don’t know if I can do those for the border.” And he said, “No, I want you to do those for the border, and I want you to do those everywhere — not just in the United States, but I want them around the world. I want you to tell people not to come to this country if they’re going to come here illegally.” And I said, “Well sir, we can do press conferences. You know, we can tell people what we’re doing.” And he said, “Nope. We’re not going to let the media tell this story because the media will never tell the truth. A marketing campaign to make sure the American people know the truth of what you’re doing.” And I said, “Well sir, do you want to be in those ads?” And he said, “Nope, nope, I want you to do them.” He said, “I want you in the ads.” He said, “I want you in the ads, and I want your face in the ads. But I want the first ad — I want you to thank me. So I want you to thank me for closing the border.” And I said, “Yes sir, I will thank you for closing the border.” So if you notice in that ad, we thanked him for closing the border.

Acyn

576,798 görüntüleme • 4 ay önce

Kevin James says he fasted for 41½ days and lost 60 pounds for his daughter “Forty-one and a half days. Water and a little salt in the water, like a little electrolytes. When I lock on, I can do something” “It was mental. I felt so bad for my daughter. I said, I'm going to do this for you. It was something that I could do and apply it to, and it was so emotionally tied into me. I started fasting, and I didn't say, I'm going to do 40 days. I just said, I'm going to do whatever I can. I'm going to start fasting right now” “I was praying for it. I mean, I was worried. I did like four or five days, and I was getting through it, but I was wanting to get off it. Then I was like, I got to start to eat because I'm really hungry. And I talked to my daughter. She goes, ‘Have you been fasting for me?’” “And I go, ‘Yeah.’ And she goes, ‘Thank you so much.’ And I literally went, ‘Okay, I got to keep going.’ I couldn't stop then, so I just kept going, a day at a time. You know, just do it. But it's amazing how your body... you don't need food as long as you have fat on you. For me, I lost, I think, like 60 pounds”
1:24

Kevin James says he fasted for 41½ days and lost 60 pounds for his daughter “Forty-one and a half days. Water and a little salt in the water, like a little electrolytes. When I lock on, I can do something” “It was mental. I felt so bad for my daughter. I said, I'm going to do this for you. It was something that I could do and apply it to, and it was so emotionally tied into me. I started fasting, and I didn't say, I'm going to do 40 days. I just said, I'm going to do whatever I can. I'm going to start fasting right now” “I was praying for it. I mean, I was worried. I did like four or five days, and I was getting through it, but I was wanting to get off it. Then I was like, I got to start to eat because I'm really hungry. And I talked to my daughter. She goes, ‘Have you been fasting for me?’” “And I go, ‘Yeah.’ And she goes, ‘Thank you so much.’ And I literally went, ‘Okay, I got to keep going.’ I couldn't stop then, so I just kept going, a day at a time. You know, just do it. But it's amazing how your body... you don't need food as long as you have fat on you. For me, I lost, I think, like 60 pounds”

dank

1,301,511 görüntüleme • 10 gün önce

Trump: Mike called and said sir we're up by three but we're going to lose one by June. I said who? He said Neil Dunn, he was terminal really bad heart. There's nothing they can do. I said that's bad, number one it was bad because I liked him, number two it was bad because I needed his vote. And then I realized I have doctors at the white house. And I called the two doctors, they're both great, and they immediately went over to see the congressman, and he was on the operating table like two hours later.
4:08

Trump: Mike called and said sir we're up by three but we're going to lose one by June. I said who? He said Neil Dunn, he was terminal really bad heart. There's nothing they can do. I said that's bad, number one it was bad because I liked him, number two it was bad because I needed his vote. And then I realized I have doctors at the white house. And I called the two doctors, they're both great, and they immediately went over to see the congressman, and he was on the operating table like two hours later.

Acyn

235,926 görüntüleme • 4 ay önce

Sam Raimi on the making of 'The Evil De@d' (1981) & how 'Halloween' (1978) & other films he watched at the drive-ins inspired him to make movies: "EMPIRE: 'The Evil De@d' (1981) was made for financial reasons, wasn't it? RAIMI: We were just trying to make a movie that would play in the drive-ins. It wasn't really driven by a love of horror. The movies that I'd made up until that point were comedies and dramas, but Rob Tapert said, "If we're going to do this, you've got to learn to make a horror movie." I said, "I don't like horror movies because they scare me!" I had some intense experiences as a kid watching horror movies and I didn't know how to make it fun for me. He said, "Well, let's go see if you can make a horror. I'm going to the theatre and you tell me if you can make a horror movie as good as this." So we went to the theatre and 'Halloween' (1978) was playing! We watched it and he goes, "Well, can you make a movie as good as that? That's a low-budget horror movie!" I said, "I don't think I can!" EMPIRE: That's like watching 'Apocalypse Now' (1979) before making a war movie! RAIMI: (Laughs) I didn't know how famous it was going to be. I was really depressed. But I learned how to make a horror movie. We started to sit through drive-ins. People would give us weird looks: three boys – Bruce Campbell, Rob and myself – sitting in the front seat of a car at the drive-in, which was a make-out place, and we were there, trying to see all the Italian and British and American horror films. We'd see what they would do and go, "Okay, we can't hear what they're doing in the other cars, but those people look like they're afraid!" Then we wrote the script for 'Evil De@d', and I made a Super-8 movie (Within The Woods, starring Campbell) that had some scares in it, and I started to understand what that was about. And then we went to shoot it." (Sam Raimii's interview with Chris Hewitt, Empire, 2009)
1:03

Sam Raimi on the making of 'The Evil De@d' (1981) & how 'Halloween' (1978) & other films he watched at the drive-ins inspired him to make movies: "EMPIRE: 'The Evil De@d' (1981) was made for financial reasons, wasn't it? RAIMI: We were just trying to make a movie that would play in the drive-ins. It wasn't really driven by a love of horror. The movies that I'd made up until that point were comedies and dramas, but Rob Tapert said, "If we're going to do this, you've got to learn to make a horror movie." I said, "I don't like horror movies because they scare me!" I had some intense experiences as a kid watching horror movies and I didn't know how to make it fun for me. He said, "Well, let's go see if you can make a horror. I'm going to the theatre and you tell me if you can make a horror movie as good as this." So we went to the theatre and 'Halloween' (1978) was playing! We watched it and he goes, "Well, can you make a movie as good as that? That's a low-budget horror movie!" I said, "I don't think I can!" EMPIRE: That's like watching 'Apocalypse Now' (1979) before making a war movie! RAIMI: (Laughs) I didn't know how famous it was going to be. I was really depressed. But I learned how to make a horror movie. We started to sit through drive-ins. People would give us weird looks: three boys – Bruce Campbell, Rob and myself – sitting in the front seat of a car at the drive-in, which was a make-out place, and we were there, trying to see all the Italian and British and American horror films. We'd see what they would do and go, "Okay, we can't hear what they're doing in the other cars, but those people look like they're afraid!" Then we wrote the script for 'Evil De@d', and I made a Super-8 movie (Within The Woods, starring Campbell) that had some scares in it, and I started to understand what that was about. And then we went to shoot it." (Sam Raimii's interview with Chris Hewitt, Empire, 2009)

DepressedBergman

81,501 görüntüleme • 7 ay önce

😑 “You know, when I did the 250, there was nothing I could do. It was 250. It was 250. So I can't see -- that was my baby. The country happened to be 250 years old. But what I did do is during my first term, I got the Olympics, and I got the Great Soccer. You know that whole deal, right? I got -- we call it soccer. They call it football. I got them both. I got the Olympics. First, I got the Olympics, and I got it. I was president. And I said, you know, it's a shame. It's a shame. I got the World Cup, and I have the Olympics, and I did it. And you have no idea. President Obama didn't want to make a call to the Olympics. You know why? Because he went to Switzerland or wherever, and he said, you know, if a president goes to get the Olympics, you have to have a deal. You have to be chosen. He went there, and he came in fourth, so he hated them, I guess. And he was unwilling to make a call, and they called me up. The Democrats called me up, actually, from Los Angeles, and I said, I'll do it. I made the call, and I couldn't get the people off the phone because they were so starved for love, because nobody would call them from -- anyway, we made a deal. I got the Olympics. Then we got the World Cup with Johnny. We got the World Cup, and I got them both, and I looked at my people. I said, isn't it a shame? I got these two, but it wasn't in the next four years. It was right after that, and the one after that. And I got the Olympics, and I got the World Cup, and we also have 250, so that's a pretty wild term. But I got these two things that are incredible. Nobody else could have done it. I'm telling you, everybody wanted it. Nobody could have done it. And I said, and I won't be president, because I'll be president for four more years, but it won't be -- and then they cheated and rigged the election. They rigged -- you know, they don't even turn off the cameras when I say that now, because now they know it's true, too. But they knew it was true before. Remember, the cameras used to immediately turn off. You see all those beautiful red lights go off. Now I can say whatever I want, because then they know it's true. But they knew it was true before. It's fake news. That's why they call it. But you know what? This term is much more consequential than if I had done it the more traditional way. This was slightly harder, believe me. It's slightly more dangerous, because they're criminals on the other side that tried to put your president in jail and went after him, just like they do in third-world countries. And we all beat em together. We beat em because our level of popularity was so high.”
2:32

😑 “You know, when I did the 250, there was nothing I could do. It was 250. It was 250. So I can't see -- that was my baby. The country happened to be 250 years old. But what I did do is during my first term, I got the Olympics, and I got the Great Soccer. You know that whole deal, right? I got -- we call it soccer. They call it football. I got them both. I got the Olympics. First, I got the Olympics, and I got it. I was president. And I said, you know, it's a shame. It's a shame. I got the World Cup, and I have the Olympics, and I did it. And you have no idea. President Obama didn't want to make a call to the Olympics. You know why? Because he went to Switzerland or wherever, and he said, you know, if a president goes to get the Olympics, you have to have a deal. You have to be chosen. He went there, and he came in fourth, so he hated them, I guess. And he was unwilling to make a call, and they called me up. The Democrats called me up, actually, from Los Angeles, and I said, I'll do it. I made the call, and I couldn't get the people off the phone because they were so starved for love, because nobody would call them from -- anyway, we made a deal. I got the Olympics. Then we got the World Cup with Johnny. We got the World Cup, and I got them both, and I looked at my people. I said, isn't it a shame? I got these two, but it wasn't in the next four years. It was right after that, and the one after that. And I got the Olympics, and I got the World Cup, and we also have 250, so that's a pretty wild term. But I got these two things that are incredible. Nobody else could have done it. I'm telling you, everybody wanted it. Nobody could have done it. And I said, and I won't be president, because I'll be president for four more years, but it won't be -- and then they cheated and rigged the election. They rigged -- you know, they don't even turn off the cameras when I say that now, because now they know it's true, too. But they knew it was true before. Remember, the cameras used to immediately turn off. You see all those beautiful red lights go off. Now I can say whatever I want, because then they know it's true. But they knew it was true before. It's fake news. That's why they call it. But you know what? This term is much more consequential than if I had done it the more traditional way. This was slightly harder, believe me. It's slightly more dangerous, because they're criminals on the other side that tried to put your president in jail and went after him, just like they do in third-world countries. And we all beat em together. We beat em because our level of popularity was so high.”

Jim Stewartson, Decelerationist 🇨🇦🇺🇦🇺🇸

2,108,653 görüntüleme • 1 yıl önce

Dana White says they were $44,000,000 in debt and ready to sell the UFC for $8,000,000 but his partner called back and said f*ck it, let's keep going "One day, I was at the office and Lorenzo called me, and he's like, I can't keep doing this. Me and my brother can't keep funding this thing. It's getting bad. So I need you to go out and see what you could sell this thing for" "So I thought it was over. I started making phone calls that day, and at the end of the day I called him back and said we could probably get $7 or $8 million for this thing, in my opinion" "And he's like, Alright. I'll call you tomorrow. And I thought it was over. And the next day I'm driving to work, and Lorenzo calls me, and this is literally quote what he said: F*ck it, let's keep going" "I don't remember when that was, but I remember it like it was yesterday"
0:50

Dana White says they were $44,000,000 in debt and ready to sell the UFC for $8,000,000 but his partner called back and said f*ck it, let's keep going "One day, I was at the office and Lorenzo called me, and he's like, I can't keep doing this. Me and my brother can't keep funding this thing. It's getting bad. So I need you to go out and see what you could sell this thing for" "So I thought it was over. I started making phone calls that day, and at the end of the day I called him back and said we could probably get $7 or $8 million for this thing, in my opinion" "And he's like, Alright. I'll call you tomorrow. And I thought it was over. And the next day I'm driving to work, and Lorenzo calls me, and this is literally quote what he said: F*ck it, let's keep going" "I don't remember when that was, but I remember it like it was yesterday"

katsu

1,723,896 görüntüleme • 1 ay önce

Ryan Reynolds jokes about his Deadpool suit and reveals writing Wolverine's dialogue was one of the scariest things he's ever done Ryan Reynolds: "I smell what you're stepping in, Andrew Garfield" Andrew Garfield: "I have a question for you about the Deadpool suit." Ryan Reynolds: "I could tell it was on the tip of your tongue when we met backstage, Shannon [Andrew]." "The suits are tough, but to me, the suits are freeing, in that I find it's clown work that I'm doing." "Deadpool wears the suit because he's in a slightly militarized shame spiral, and his coping mechanism is humor." "Wolverine is the one I was really worried about in the movie." "And writing Wolverine dialogue is one of the scariest things I've ever done." "The suit that he's wearing is a hair shirt. And that's how we sort of described it"
3:22

Ryan Reynolds jokes about his Deadpool suit and reveals writing Wolverine's dialogue was one of the scariest things he's ever done Ryan Reynolds: "I smell what you're stepping in, Andrew Garfield" Andrew Garfield: "I have a question for you about the Deadpool suit." Ryan Reynolds: "I could tell it was on the tip of your tongue when we met backstage, Shannon [Andrew]." "The suits are tough, but to me, the suits are freeing, in that I find it's clown work that I'm doing." "Deadpool wears the suit because he's in a slightly militarized shame spiral, and his coping mechanism is humor." "Wolverine is the one I was really worried about in the movie." "And writing Wolverine dialogue is one of the scariest things I've ever done." "The suit that he's wearing is a hair shirt. And that's how we sort of described it"

Bavi

309,893 görüntüleme • 17 gün önce

Glenn Beck just honored Charlie Kirk in the most powerful way yet...by placing Rush Limbaugh’s golden microphone on the Charlie Kirk Show desk. The mic was a gift from Rush’s widow to Glenn Beck. And now, it sits in front of Charlie’s microphone. Beck then shared a story he had never told before...one he deeply regrets not telling Charlie in person. “I want to share a story…that I’ve never shared before and I so regret that we ran out of time.” “It’s a story that I had hoped to tell Charlie myself in the next couple of months.” “When I first met Charlie…and this is the kind of guy he was…he was so gracious, when I first met him, he was young.” “And I said, so, what do you want to do? What is it you want? What? What do you want to do?” “So gracious, he said, I want to be you. I want to do what you do.” “Let me translate: I want to be Rush Limbaugh. He didn’t want to be me. He wanted to be Rush Limbaugh. He wanted to be one of the, as Rush said, radio’s greatest of all time.” “And I remember thinking, well, kid, maybe someday because I think you have it.” “I brought something with me today that I thought was appropriate while I did the show, that I would sit in front of Charlie’s microphone. It was given to me after the death of Rush Limbaugh by his wife.” “It is Rush’s golden microphone.” “I think it’s appropriate that it sits in front of Charlie’s microphone.” “What I would have said to Charlie was, you were thinking too small.” “I want to be Rush Limbaugh someday.” “I’m a broadcaster. Rush was a broadcaster, but Charlie was a broadcaster and a narrowcaster.” “Charlie was a pastor and a priest.” “And listening to the way he could argue and think differently, he was a rabbi as well, and one of the best.” “He was a political organizer.” “He was a political think tank himself.” “He was a compassionate friend.” “He surpassed Rush Limbaugh…by miles.”
3:44

Glenn Beck just honored Charlie Kirk in the most powerful way yet...by placing Rush Limbaugh’s golden microphone on the Charlie Kirk Show desk. The mic was a gift from Rush’s widow to Glenn Beck. And now, it sits in front of Charlie’s microphone. Beck then shared a story he had never told before...one he deeply regrets not telling Charlie in person. “I want to share a story…that I’ve never shared before and I so regret that we ran out of time.” “It’s a story that I had hoped to tell Charlie myself in the next couple of months.” “When I first met Charlie…and this is the kind of guy he was…he was so gracious, when I first met him, he was young.” “And I said, so, what do you want to do? What is it you want? What? What do you want to do?” “So gracious, he said, I want to be you. I want to do what you do.” “Let me translate: I want to be Rush Limbaugh. He didn’t want to be me. He wanted to be Rush Limbaugh. He wanted to be one of the, as Rush said, radio’s greatest of all time.” “And I remember thinking, well, kid, maybe someday because I think you have it.” “I brought something with me today that I thought was appropriate while I did the show, that I would sit in front of Charlie’s microphone. It was given to me after the death of Rush Limbaugh by his wife.” “It is Rush’s golden microphone.” “I think it’s appropriate that it sits in front of Charlie’s microphone.” “What I would have said to Charlie was, you were thinking too small.” “I want to be Rush Limbaugh someday.” “I’m a broadcaster. Rush was a broadcaster, but Charlie was a broadcaster and a narrowcaster.” “Charlie was a pastor and a priest.” “And listening to the way he could argue and think differently, he was a rabbi as well, and one of the best.” “He was a political organizer.” “He was a political think tank himself.” “He was a compassionate friend.” “He surpassed Rush Limbaugh…by miles.”

The Vigilant Fox 🦊

216,334 görüntüleme • 10 ay önce

There was a part in HnS that Hamin couldn't do well at first and he even cried because of that without hyungs knowing😭 💙He got mad! 💜To be exact, Yejun got mad but Hamin didn't. He was just mad at himself for not pulling it off. I could feel that too 🖤It took me 3 days but I couldn't make it. And not gonna lie, I was so mad (at myself) and cried in the toilet 💙💜❤️💗 You cried???🥺 ❤️Why... 🖤Also I got a cold, it was a note I have never tried before. I took a vocal lesson and finally made it. But back then it took me hours just to make a sound and I couldn't. I got so irritated. I asked them (producer line) to take that part out for me but then I said I could do it. Then I went to the toilet to encourage myself and cried. 💜You cried? 🥺 💗 *pats Hamin's back* 💙 But we were pretty strict too. He asked but we said "No, we cannot. You can do it" ❤️ Because we know he could make it. #PLAVE
1:50

There was a part in HnS that Hamin couldn't do well at first and he even cried because of that without hyungs knowing😭 💙He got mad! 💜To be exact, Yejun got mad but Hamin didn't. He was just mad at himself for not pulling it off. I could feel that too 🖤It took me 3 days but I couldn't make it. And not gonna lie, I was so mad (at myself) and cried in the toilet 💙💜❤️💗 You cried???🥺 ❤️Why... 🖤Also I got a cold, it was a note I have never tried before. I took a vocal lesson and finally made it. But back then it took me hours just to make a sound and I couldn't. I got so irritated. I asked them (producer line) to take that part out for me but then I said I could do it. Then I went to the toilet to encourage myself and cried. 💜You cried? 🥺 💗 *pats Hamin's back* 💙 But we were pretty strict too. He asked but we said "No, we cannot. You can do it" ❤️ Because we know he could make it. #PLAVE

수🍨

23,652 görüntüleme • 1 yıl önce

Kendall Jenner explains why learning to say no changed her life “I was 14 years old when I decided I wanted to be a model and I didn't stop until I was 24” “I was extremely overworked, not my happiest. I was always saying yes because I felt really grateful and honored to be in the position I was in” “I was always saying yes and it just took a lot out of me to the point where I just wasn't happy anymore and so I had to set those boundaries for myself when I was about 23 or 24” “I was like I want to continue to do this because this is what I love but I need to start saying no when I can and prioritizing my happiness and my well-being and it's done wonders for me”
1:47

Kendall Jenner explains why learning to say no changed her life “I was 14 years old when I decided I wanted to be a model and I didn't stop until I was 24” “I was extremely overworked, not my happiest. I was always saying yes because I felt really grateful and honored to be in the position I was in” “I was always saying yes and it just took a lot out of me to the point where I just wasn't happy anymore and so I had to set those boundaries for myself when I was about 23 or 24” “I was like I want to continue to do this because this is what I love but I need to start saying no when I can and prioritizing my happiness and my well-being and it's done wonders for me”

Jack

1,732,353 görüntüleme • 1 ay önce

Ryan Reynolds says his original pitch for Deadpool 2 was so ridiculous the studio completely rejected it. “My first pitch to the studio was that the whole movie would be Deadpool trying to steal the big red chair from The Voice.” “They were like, ‘That’s just the dumbest thing ever.’” “Later, when we pitched X-Force, the studio thought they were getting their own Avengers-style team.” “I told them Brad Pitt was going to be in it.” “They asked, ‘Which character?’” “I said, ‘Vanisher.’” “They asked, ‘What’s his power?’” “I said, ‘He’s invisible and doesn’t speak.’” “They were like, ‘Why is Brad Pitt doing this?’” “I said, ‘Because you see him for about a quarter of a second… when he gets electrocuted to death.’” “And that’s exactly what ended up in the movie.”
1:25

Ryan Reynolds says his original pitch for Deadpool 2 was so ridiculous the studio completely rejected it. “My first pitch to the studio was that the whole movie would be Deadpool trying to steal the big red chair from The Voice.” “They were like, ‘That’s just the dumbest thing ever.’” “Later, when we pitched X-Force, the studio thought they were getting their own Avengers-style team.” “I told them Brad Pitt was going to be in it.” “They asked, ‘Which character?’” “I said, ‘Vanisher.’” “They asked, ‘What’s his power?’” “I said, ‘He’s invisible and doesn’t speak.’” “They were like, ‘Why is Brad Pitt doing this?’” “I said, ‘Because you see him for about a quarter of a second… when he gets electrocuted to death.’” “And that’s exactly what ended up in the movie.”

KΞRL_✂️

1,778,925 görüntüleme • 18 gün önce