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🚨 HUMANS JUST BROKE THE SIMULATION USING DMT + LASERS CNN embedded with a group of amateur investigators who openly believe reality is a simulation - and say they’re trying to prove it by finding the code that runs our world. Yes, like The Matrix. Their experiment uses just...

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928,890 görüntüleme • 7 ay önce •via X (Twitter)

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Life as we known it is a simulation. Most just play the game… Few learn to bend the code. Arm yourself with real knowledge that allows you to see the "separate reality", decipher the code and transcend the illusions of "material" world.
4:38

Life as we known it is a simulation. Most just play the game… Few learn to bend the code. Arm yourself with real knowledge that allows you to see the "separate reality", decipher the code and transcend the illusions of "material" world.

Б L A D E R U И N E R

76,988 görüntüleme • 5 ay önce

The experiment reveals how DMT, a powerful hallucinogenic compound, became a tool for expanding their understanding of reality. They describe the intense visual phenomena that accompanied the experience, which appeared to reveal hidden layers of reality. Danny said how they projected a laser on a surface while under the influence of DMT, which revealed what seemed to be patterns of code reminiscent of "The Matrix." Multiple people were shown this phenomenon, and all reported seeing similar visuals, implying the experience was not purely subjective. It reflects on two possible interpretations of this experience: -Losing their mind in a spectacular way. -Making one of the greatest discoveries of humankind, potentially supporting the idea that reality is a kind of simulation, like in "The Matrix."
4:44

The experiment reveals how DMT, a powerful hallucinogenic compound, became a tool for expanding their understanding of reality. They describe the intense visual phenomena that accompanied the experience, which appeared to reveal hidden layers of reality. Danny said how they projected a laser on a surface while under the influence of DMT, which revealed what seemed to be patterns of code reminiscent of "The Matrix." Multiple people were shown this phenomenon, and all reported seeing similar visuals, implying the experience was not purely subjective. It reflects on two possible interpretations of this experience: -Losing their mind in a spectacular way. -Making one of the greatest discoveries of humankind, potentially supporting the idea that reality is a kind of simulation, like in "The Matrix."

Vicky Verma

159,278 görüntüleme • 1 yıl önce

Most AI models feel like assistants. MiniMax M3 felt like a teammate. I used Cursor + the MiniMax M3 API to build TweetGen — a tool that generates tweets instantly for any topic. What surprised me wasn’t just the speed, but how naturally M3 handled the whole workflow. It scaffolded the repo, wrote clean code, corrected itself, and kept context across iterations. I wasn’t nudging it line by line — it was committing changes like a real collaborator. Instead of “AI that helps you code,” it felt like “AI that codes with you.” That shift is huge.
1:04

Most AI models feel like assistants. MiniMax M3 felt like a teammate. I used Cursor + the MiniMax M3 API to build TweetGen — a tool that generates tweets instantly for any topic. What surprised me wasn’t just the speed, but how naturally M3 handled the whole workflow. It scaffolded the repo, wrote clean code, corrected itself, and kept context across iterations. I wasn’t nudging it line by line — it was committing changes like a real collaborator. Instead of “AI that helps you code,” it felt like “AI that codes with you.” That shift is huge.

Mr. Jason💡

12,304 görüntüleme • 2 ay önce

👁‍🗨 In the 1990's Project Looking Glass showed the so-called "elites" that God already won... [They] saw the future was about a shift in consciousness they couldn’t stop... no matter what they tried... wars, pandemics, distractions... every simulation pointed to the same outcome... A mass awakening, a return to Truth, a Trinitarian reality where Love reigns and the control systems dissolve... [They] panicked, [they] ramped up fear and chaos, but it only accelerated the shift.... as Looking Glass predicted it would... Because this wasn’t about predicting the future, it was about realizing the truth of the past... the past [they] tried to erase from our memories... --- God spoke reality into existence... that Word never broke... the rest of the world just had to surrender to what was always true... --- The war is over, the veil is lifting, and God already won... now the timeline catches up...
2:16

👁‍🗨 In the 1990's Project Looking Glass showed the so-called "elites" that God already won... [They] saw the future was about a shift in consciousness they couldn’t stop... no matter what they tried... wars, pandemics, distractions... every simulation pointed to the same outcome... A mass awakening, a return to Truth, a Trinitarian reality where Love reigns and the control systems dissolve... [They] panicked, [they] ramped up fear and chaos, but it only accelerated the shift.... as Looking Glass predicted it would... Because this wasn’t about predicting the future, it was about realizing the truth of the past... the past [they] tried to erase from our memories... --- God spoke reality into existence... that Word never broke... the rest of the world just had to surrender to what was always true... --- The war is over, the veil is lifting, and God already won... now the timeline catches up...

Observing Consciousness

320,608 görüntüleme • 1 yıl önce

This wasn’t just about stats or highlights. It was about the intensity. It was about the passion. To be named an All-Star amongst so many incredible hoopers is one thing ⬆️ but to step onto that stage and do what you love? That wasn’t just special. It was a treat. 🏀✨
0:58

This wasn’t just about stats or highlights. It was about the intensity. It was about the passion. To be named an All-Star amongst so many incredible hoopers is one thing ⬆️ but to step onto that stage and do what you love? That wasn’t just special. It was a treat. 🏀✨

I AM PEACE STAR

19,159 görüntüleme • 6 ay önce

The Matrix didn’t lie. 1999 was the peak of human civilization. It was the perfect point in time when technology was advanced enough to augment and improve human life but not so advanced that it was used to surveil and control. Technology was still in service of the individual. After 2001 and The Patriot Act, everything changed. “I believe that, as a species, human beings define their reality through suffering and misery. The perfect world was a dream that your primitive cerebrum kept trying to wake up from. Which is why the Matrix was redesigned to this (1999): the peak of your civilization. I say your civilization, because as soon as we started thinking for you it really became our civilization, which is of course what this is all about. Evolution, Morpheus, evolution. Like the dinosaur. Look out that window. You've had your time. The future is *our* world, Morpheus. The future is our time.” - Agent Smith (The Matrix) Pay attention to what Smith said. Reread it. As soon as the technology started being in service of technology (agent smith is an AI), and NOT in service of humans, and humans GAVE THEIR POWER AWAY, it became the civilization of the machines, not the humans. TLDR: Hoard physical media. PS5 DRM bad.
1:29

The Matrix didn’t lie. 1999 was the peak of human civilization. It was the perfect point in time when technology was advanced enough to augment and improve human life but not so advanced that it was used to surveil and control. Technology was still in service of the individual. After 2001 and The Patriot Act, everything changed. “I believe that, as a species, human beings define their reality through suffering and misery. The perfect world was a dream that your primitive cerebrum kept trying to wake up from. Which is why the Matrix was redesigned to this (1999): the peak of your civilization. I say your civilization, because as soon as we started thinking for you it really became our civilization, which is of course what this is all about. Evolution, Morpheus, evolution. Like the dinosaur. Look out that window. You've had your time. The future is *our* world, Morpheus. The future is our time.” - Agent Smith (The Matrix) Pay attention to what Smith said. Reread it. As soon as the technology started being in service of technology (agent smith is an AI), and NOT in service of humans, and humans GAVE THEIR POWER AWAY, it became the civilization of the machines, not the humans. TLDR: Hoard physical media. PS5 DRM bad.

Autism Capital 🧩

279,695 görüntüleme • 4 ay önce

RFK Jr. says the Mike Tyson MAHA Super Bowl ad wasn’t scripted and the emotion was real. “The tears that he sheds in that ad were real.” “They had a script… and they tried to get him to read it for almost 8 hours and it was not working.” “So they said, let’s just let him talk and a very powerful ad is what came out of that.” “It was an outpouring from him from his heart.”
0:44

RFK Jr. says the Mike Tyson MAHA Super Bowl ad wasn’t scripted and the emotion was real. “The tears that he sheds in that ad were real.” “They had a script… and they tried to get him to read it for almost 8 hours and it was not working.” “So they said, let’s just let him talk and a very powerful ad is what came out of that.” “It was an outpouring from him from his heart.”

MAHA Action

17,824 görüntüleme • 6 ay önce

Sam Altman just told you exactly how OpenAI treats the human race. Not in a leaked memo. Not through a whistleblower. On camera. In his own words. Altman: “I think one of the most important strategic insights in the history of OpenAI was deciding we were gonna pursue iterative deployment.” The most important move in the history of the company was to release the technology before they understood it. Not after it was safe. Before. Altman: “Society and technology are a co-evolving system.” Co-evolution means neither side is driving. The machine changes us. We change the machine. Nobody is steering the outcome. This is not a product launch philosophy. This is an admission that the experiment was always designed to be run on us. Altman: “I don’t think we’re gonna solve that, like, thinking really hard about it theoretically. We’re gonna have to, like, learn from the contact with reality.” Contact with reality. That is the phrase the CEO of the most powerful AI company on Earth chose to describe what happens when his technology meets eight billion people. Not careful integration. Not measured rollout. Contact with reality. The language of test pilots describing what happens when an untested airframe hits the atmosphere. The entire promise of AI safety was that the machine would be understood before it was unleashed. Altman just admitted that promise was always a fantasy. You cannot model how intelligence reshapes civilization by running simulations. The second and third order effects are invisible until they detonate. So they shipped it. Altman: “You have to learn as you go. You have to adapt with a tight feedback loop.” Tight feedback loop means they watch what breaks. They measure the collision between human psychology and machine output in real time. Every conversation you have with ChatGPT is a data point in a civilizational stress test you never consented to. Every prompt. Every confession. Every question you would never ask another human being. That is the feedback loop. You are not the customer. You are the contact with reality. Philosophers spent centuries asking whether humanity would ever encounter an intelligence that learned from us faster than we could process what it was doing. That is not a theoretical question anymore. It is running on your phone right now. And the man building it just told you the only way to understand what it does to us is to let it happen. No simulation. No safety net. No control group. Just the experiment, running at the speed of conversation, on a species that will not be the same one that started it.
0:49

Sam Altman just told you exactly how OpenAI treats the human race. Not in a leaked memo. Not through a whistleblower. On camera. In his own words. Altman: “I think one of the most important strategic insights in the history of OpenAI was deciding we were gonna pursue iterative deployment.” The most important move in the history of the company was to release the technology before they understood it. Not after it was safe. Before. Altman: “Society and technology are a co-evolving system.” Co-evolution means neither side is driving. The machine changes us. We change the machine. Nobody is steering the outcome. This is not a product launch philosophy. This is an admission that the experiment was always designed to be run on us. Altman: “I don’t think we’re gonna solve that, like, thinking really hard about it theoretically. We’re gonna have to, like, learn from the contact with reality.” Contact with reality. That is the phrase the CEO of the most powerful AI company on Earth chose to describe what happens when his technology meets eight billion people. Not careful integration. Not measured rollout. Contact with reality. The language of test pilots describing what happens when an untested airframe hits the atmosphere. The entire promise of AI safety was that the machine would be understood before it was unleashed. Altman just admitted that promise was always a fantasy. You cannot model how intelligence reshapes civilization by running simulations. The second and third order effects are invisible until they detonate. So they shipped it. Altman: “You have to learn as you go. You have to adapt with a tight feedback loop.” Tight feedback loop means they watch what breaks. They measure the collision between human psychology and machine output in real time. Every conversation you have with ChatGPT is a data point in a civilizational stress test you never consented to. Every prompt. Every confession. Every question you would never ask another human being. That is the feedback loop. You are not the customer. You are the contact with reality. Philosophers spent centuries asking whether humanity would ever encounter an intelligence that learned from us faster than we could process what it was doing. That is not a theoretical question anymore. It is running on your phone right now. And the man building it just told you the only way to understand what it does to us is to let it happen. No simulation. No safety net. No control group. Just the experiment, running at the speed of conversation, on a species that will not be the same one that started it.

Dustin

27,714 görüntüleme • 4 ay önce

You know, the only reason they created that IG account was… For us. It was never about fame or money. It was their way of reaching out when everything around them was falling apart. A place where they tried to share small moments of happiness, excitement, love, and peace with us, even when they barely had any left for themselves. They made it because they were worried. Because they knew we were worried. Because they didn’t want the people who cared about them to sit there wondering if they were okay. And honestly, it was during that time that we saw them in a way we never had before. Real, unfiltered, not dressed up by a company, not edited, not scripted. Just them. That little page carried so much, didn’t it? They taught us so many things without ever needing to put on a show. Through every live and every small update, they showed us what real courage looks like, what honesty feels like, and how powerful someone can be even when everything around them is pushing back. But it was also a place that held their fear, their stress, their sleepless nights, and the weight of knowing the whole world was watching and anything they said could be twisted in an instant. It was a happy place. But never an easy one. We went through so much during that period. From the excitement of seeing them as NJZ to the shock of their injunction being enforced. So many times we thought we saw the light at the end of the tunnel, only for it to turn out to be a fire blocking the path. From excitement to anger, hope to hopelessness, joy to despair, ADHD to depression… everything, all at once. Calling it a roller coaster is an understatement. A lot changed after that. Too much, maybe. But some things never do. And after everything, it doesn’t really matter what comes next anymore. As long as they get to be truly happy, truly safe, and truly loved as human beings who deserved that from the very beginning, that’s enough for us. As long as it’s still Minji, Hanni, Danielle, Haerin, Hyein. That’s all that matters in the end. 🍀 #NewJeans #Jeanzforfree #NJZ #MhDHH_Friends
0:45

You know, the only reason they created that IG account was… For us. It was never about fame or money. It was their way of reaching out when everything around them was falling apart. A place where they tried to share small moments of happiness, excitement, love, and peace with us, even when they barely had any left for themselves. They made it because they were worried. Because they knew we were worried. Because they didn’t want the people who cared about them to sit there wondering if they were okay. And honestly, it was during that time that we saw them in a way we never had before. Real, unfiltered, not dressed up by a company, not edited, not scripted. Just them. That little page carried so much, didn’t it? They taught us so many things without ever needing to put on a show. Through every live and every small update, they showed us what real courage looks like, what honesty feels like, and how powerful someone can be even when everything around them is pushing back. But it was also a place that held their fear, their stress, their sleepless nights, and the weight of knowing the whole world was watching and anything they said could be twisted in an instant. It was a happy place. But never an easy one. We went through so much during that period. From the excitement of seeing them as NJZ to the shock of their injunction being enforced. So many times we thought we saw the light at the end of the tunnel, only for it to turn out to be a fire blocking the path. From excitement to anger, hope to hopelessness, joy to despair, ADHD to depression… everything, all at once. Calling it a roller coaster is an understatement. A lot changed after that. Too much, maybe. But some things never do. And after everything, it doesn’t really matter what comes next anymore. As long as they get to be truly happy, truly safe, and truly loved as human beings who deserved that from the very beginning, that’s enough for us. As long as it’s still Minji, Hanni, Danielle, Haerin, Hyein. That’s all that matters in the end. 🍀 #NewJeans #Jeanzforfree #NJZ #MhDHH_Friends

𝙡𝙤𝙗𝙨𝙩𝙚𝙧🦞

70,876 görüntüleme • 9 ay önce

Elon Musk: If simulation theory is correct, the most interesting outcome is the most likely. Because simulations that are not interesting will be terminated. Just like in this version of reality, on this layer of reality, when a simulation goes in a boring direction, we stop spending effort on it. We terminate the boring simulation. I have a theory here. If simulation theory is correct, then there’s a tendency toward interesting outcomes. Because in this reality, when something is boring, we don’t keep paying for it. We stop the simulation. The boring ones don’t survive. As long as they’re interesting, they’ll keep paying the bills. Whatever the equivalent is of the cosmic AWS bill that this reality is running on, if things remain interesting enough, they’ll keep paying to keep it running.
1:59

Elon Musk: If simulation theory is correct, the most interesting outcome is the most likely. Because simulations that are not interesting will be terminated. Just like in this version of reality, on this layer of reality, when a simulation goes in a boring direction, we stop spending effort on it. We terminate the boring simulation. I have a theory here. If simulation theory is correct, then there’s a tendency toward interesting outcomes. Because in this reality, when something is boring, we don’t keep paying for it. We stop the simulation. The boring ones don’t survive. As long as they’re interesting, they’ll keep paying the bills. Whatever the equivalent is of the cosmic AWS bill that this reality is running on, if things remain interesting enough, they’ll keep paying to keep it running.

Ian Miles Cheong

39,414 görüntüleme • 6 ay önce

CL: i saw that interview. the one where it was like the best body according to chenle’s standards. isn’t there something like that? it wasn’t about my standard, but it was a question about which of you two has the best body. and i was mentioned. JN: ah, really? i don’t remember CL: so you said that it seems like chenle likes jaemin’s muscles more now JN: ah~ CL: that jaemin said he’s just good to touch. but just looking at the visuals, jeno’s muscles are... it’s like that. to be precise, the texture of the two is different. JN: so are you an enjoyer of the texture or the visual? CL: i think there are different types of muscles. they’re both big. both are big, but it seems to depend on their body type. so they’re both nice to touch. but jaemin is the chest, and jeno is the back. JN: this shouldn’t be weird, right? but why does it sound so weird? CL: it’s weird JN: it is weird, right? CL: it’s weird. i’m having a reality hit as i’m talking too. but jeno’s back is a work of art.
1:37

CL: i saw that interview. the one where it was like the best body according to chenle’s standards. isn’t there something like that? it wasn’t about my standard, but it was a question about which of you two has the best body. and i was mentioned. JN: ah, really? i don’t remember CL: so you said that it seems like chenle likes jaemin’s muscles more now JN: ah~ CL: that jaemin said he’s just good to touch. but just looking at the visuals, jeno’s muscles are... it’s like that. to be precise, the texture of the two is different. JN: so are you an enjoyer of the texture or the visual? CL: i think there are different types of muscles. they’re both big. both are big, but it seems to depend on their body type. so they’re both nice to touch. but jaemin is the chest, and jeno is the back. JN: this shouldn’t be weird, right? but why does it sound so weird? CL: it’s weird JN: it is weird, right? CL: it’s weird. i’m having a reality hit as i’m talking too. but jeno’s back is a work of art.

Ⓙ archive ⚾

35,046 görüntüleme • 6 ay önce

#SEONGHWA spoke about the stage issue today in Macau 🩶 ⭐️: When I said that during the (final) ment, it was because of that situation. No one got hurt, really, and it wasn’t anyone’s fault. It was honestly just an accident. Well… it was something that couldn’t be helped but I’m grateful to the fans who understood the situation and who still enjoyed the show. We also tried to make it as fun as we could. And yes.. actually, because of that, we ended up performing Work and The Real one more time each. Maybe that even could even be considered a good thing (in the end). Yes, it wasn’t anyone’s mistake, or anyone’s wrongdoing, just an accident. I’m thankful to the members and staff who handled it so smoothly and to the fans who understood and waited. Thankfully, I think today’s stage shined even more because of it. And above everything I’m relieved that no one got hurt.
1:31

#SEONGHWA spoke about the stage issue today in Macau 🩶 ⭐️: When I said that during the (final) ment, it was because of that situation. No one got hurt, really, and it wasn’t anyone’s fault. It was honestly just an accident. Well… it was something that couldn’t be helped but I’m grateful to the fans who understood the situation and who still enjoyed the show. We also tried to make it as fun as we could. And yes.. actually, because of that, we ended up performing Work and The Real one more time each. Maybe that even could even be considered a good thing (in the end). Yes, it wasn’t anyone’s mistake, or anyone’s wrongdoing, just an accident. I’m thankful to the members and staff who handled it so smoothly and to the fans who understood and waited. Thankfully, I think today’s stage shined even more because of it. And above everything I’m relieved that no one got hurt.

Everything Seonghwa

23,848 görüntüleme • 5 ay önce

Logan Paul says he spent $562,000 on a Michael Jordan signed court, discovered it wasn’t what he was told, and thinks he’s uncovered something shady that could rattle the sports memorabilia market “I bought an 8 foot by 8 foot piece of Chicago Bulls floor court that was supposedly used during the second three, Last Dance, signed by Michael Jordan” “Turns out it is not what they say it is, and they will say it is what they say it is, it is objectively not what they say it is. So the only way for me to not move forward and have to pay $562,000, because they were making me do it by this certain date, was to file an injunction, which made SportsCenter news. It’s like, hold on a second, let me inspect this item and verify its authenticity first. And I tried so hard to verify that this thing was what they said it was, and that it was used during the years of 1994 to either 98 or 99. I could not do it. It didn’t check out” “As this house of cards was falling down, I discovered that this is just the tip of the iceberg in items that have been authenticated and actually don’t have the proof that they are what they say they are.” “I believe I’m sitting on a story that is going to rattle the sports market to the core. There’s been some just shady fucked up shit that’s happened, and it appears that one company in particular said things were used or are things that they actually are not. That is my opinion”
2:28

Logan Paul says he spent $562,000 on a Michael Jordan signed court, discovered it wasn’t what he was told, and thinks he’s uncovered something shady that could rattle the sports memorabilia market “I bought an 8 foot by 8 foot piece of Chicago Bulls floor court that was supposedly used during the second three, Last Dance, signed by Michael Jordan” “Turns out it is not what they say it is, and they will say it is what they say it is, it is objectively not what they say it is. So the only way for me to not move forward and have to pay $562,000, because they were making me do it by this certain date, was to file an injunction, which made SportsCenter news. It’s like, hold on a second, let me inspect this item and verify its authenticity first. And I tried so hard to verify that this thing was what they said it was, and that it was used during the years of 1994 to either 98 or 99. I could not do it. It didn’t check out” “As this house of cards was falling down, I discovered that this is just the tip of the iceberg in items that have been authenticated and actually don’t have the proof that they are what they say they are.” “I believe I’m sitting on a story that is going to rattle the sports market to the core. There’s been some just shady fucked up shit that’s happened, and it appears that one company in particular said things were used or are things that they actually are not. That is my opinion”

Third

53,682 görüntüleme • 19 gün önce

🚨 “THIS WAS A CHILDREN’S HANUKKAH PARTY — AND THEY CAME TO KILL” Listen carefully to what the witness says. This wasn’t a protest. It wasn’t a clash. It wasn’t chaos. It was a children’s event. Face painting. Bubbles. Food stalls. Kids under one year old. Families. Elderly. Ordinary people celebrating Hanukkah — a holiday for children. Then the shooting started. Only when bodies hit the ground did people realise it wasn’t a joke. Only when they saw the dead did they understand what was happening. The witness draws the comparison himself: “This is like the Nova Festival. Exactly the same.” Young people gathered to celebrate life — and terrorists arrived to deliver death. He makes a distinction that matters: “We value life. They value death.” That is not rhetoric. It is a worldview divide. And the warning is stark: If societies excuse those who glorify death, if incitement is tolerated, if terror is rationalised as politics — then the violence does not stay overseas. It arrives. Bondi was not random. It was not inevitable. It was the result of lines blurred for too long. This was not just an attack on a community. It was a test of whether the West still understands the difference between life and death. Australia has just learned the cost of forgetting.
2:02

🚨 “THIS WAS A CHILDREN’S HANUKKAH PARTY — AND THEY CAME TO KILL” Listen carefully to what the witness says. This wasn’t a protest. It wasn’t a clash. It wasn’t chaos. It was a children’s event. Face painting. Bubbles. Food stalls. Kids under one year old. Families. Elderly. Ordinary people celebrating Hanukkah — a holiday for children. Then the shooting started. Only when bodies hit the ground did people realise it wasn’t a joke. Only when they saw the dead did they understand what was happening. The witness draws the comparison himself: “This is like the Nova Festival. Exactly the same.” Young people gathered to celebrate life — and terrorists arrived to deliver death. He makes a distinction that matters: “We value life. They value death.” That is not rhetoric. It is a worldview divide. And the warning is stark: If societies excuse those who glorify death, if incitement is tolerated, if terror is rationalised as politics — then the violence does not stay overseas. It arrives. Bondi was not random. It was not inevitable. It was the result of lines blurred for too long. This was not just an attack on a community. It was a test of whether the West still understands the difference between life and death. Australia has just learned the cost of forgetting.

Jim Ferguson

28,513 görüntüleme • 8 ay önce

They didn't come after me to destroy me. They came after me to destroy what you would learn once I started peeling back the layers. That distinction matters more than most people will ever stop long enough to consider. The target was never a man. The target was the truth, and the millions of Americans who might finally wake up if it ever reached them. Once you understand that, everything that happened begins to make a different and far more disturbing kind of sense. The leaks, the lies, the lawfare — none of it was chaos. It was choreography. A small and deliberate group of people calculated every move, knowing that the most effective deception is the kind that never looks like deception at all. At the highest levels of power, corruption does not announce itself. It disguises itself as justice. It wears the uniform of the process. It presents itself as the system working exactly as the founders intended. That is precisely what makes it so dangerous, and that is precisely what they were counting on you never being willing to believe. "All warfare is based on deception." — Sun Tzu
6:19

They didn't come after me to destroy me. They came after me to destroy what you would learn once I started peeling back the layers. That distinction matters more than most people will ever stop long enough to consider. The target was never a man. The target was the truth, and the millions of Americans who might finally wake up if it ever reached them. Once you understand that, everything that happened begins to make a different and far more disturbing kind of sense. The leaks, the lies, the lawfare — none of it was chaos. It was choreography. A small and deliberate group of people calculated every move, knowing that the most effective deception is the kind that never looks like deception at all. At the highest levels of power, corruption does not announce itself. It disguises itself as justice. It wears the uniform of the process. It presents itself as the system working exactly as the founders intended. That is precisely what makes it so dangerous, and that is precisely what they were counting on you never being willing to believe. "All warfare is based on deception." — Sun Tzu

General Mike Flynn

648,347 görüntüleme • 5 ay önce

Bill Maher DEFENDS Charlie Kirk after actor David Cross tried to paint him as racist. Maher refused to let Cross run away with the narrative. MAHER: “But like the the the rank and file Republican, I don’t think is a racist.” “I think you can get them into positions that look racist, but I don’t think in their bones they’re like what the racists kind of what I grew up was like a racist was somebody who didn’t want to shake a black person’s hand.” CROSS: “Yes...I don’t think that’s a thing, but I think there is...I mean I know there is because they say as much.” “There’s a feeling, a sense that...uh...I mean like Charlie Kirk stuff that women and black people and black women especially are just not...” “I’m not being an a**hole guys, I’m just saying they don’t have the mental, you know...” MAHER: “There was a little more [to it].” “I read that when he died, of course lots of places put his greatest hits...worst hits, worst things.” “And then somebody else printed something and this is what always happens with the media like I never trust it because you never get the full story, where like each one was put in with the full context.” “It was never quite as bad as they said.” CROSS: “I mean, context is everything, right?” MAHER: “It is. I’m just saying it was easy to pull from his quote bed and find stuff that I certainly don’t agree with even in the context, but it wasn’t quite what...it wasn’t quite what you were saying there.”
1:33

Bill Maher DEFENDS Charlie Kirk after actor David Cross tried to paint him as racist. Maher refused to let Cross run away with the narrative. MAHER: “But like the the the rank and file Republican, I don’t think is a racist.” “I think you can get them into positions that look racist, but I don’t think in their bones they’re like what the racists kind of what I grew up was like a racist was somebody who didn’t want to shake a black person’s hand.” CROSS: “Yes...I don’t think that’s a thing, but I think there is...I mean I know there is because they say as much.” “There’s a feeling, a sense that...uh...I mean like Charlie Kirk stuff that women and black people and black women especially are just not...” “I’m not being an a**hole guys, I’m just saying they don’t have the mental, you know...” MAHER: “There was a little more [to it].” “I read that when he died, of course lots of places put his greatest hits...worst hits, worst things.” “And then somebody else printed something and this is what always happens with the media like I never trust it because you never get the full story, where like each one was put in with the full context.” “It was never quite as bad as they said.” CROSS: “I mean, context is everything, right?” MAHER: “It is. I’m just saying it was easy to pull from his quote bed and find stuff that I certainly don’t agree with even in the context, but it wasn’t quite what...it wasn’t quite what you were saying there.”

Overton

405,217 görüntüleme • 4 ay önce

I’ve been to some creepy houses in my day, most of them were older with structures I never understood. Most of the time I just ignore it, don’t let it bother me, and finish up my stay. Being a ghost hunter it’s hard for me to get too freaked out that I would actually leave. Most of the time I’m just curious why they built it the way they did. This couple is staying an an Airbnb with a finished home in the ceiling of the shower. There is a room in the bedroom that leads to that area but it’s locked off with a sign that says private. Is this like a safe space for the owner or maybe it’s an unfinished area he thought was unsafe? It’s hard to say, but it does peak the imagination on what it could be. Another one I been to was more like a bed and breakfast but it was still listed on Airbnb. What made it creepy to me was it reminded me of the movie The Village, the people there felt so out of place like they were stuck in the early 1900’s it was unsettling how they spoke and how they moved. The house was decorated and finished with allot of wood and allot of carpet like an elderly grandparents home from the 70’s. The whole vibe was like time stood still around this area. For me that’s what made it so eerie. They still used landline phones and old TVs. Maybe it was purposely done like this for nostalgia or for a feeling of coziness. However it wasn’t for me, I wouldn’t stay there again. They didn’t even have WiFi.
1:20

I’ve been to some creepy houses in my day, most of them were older with structures I never understood. Most of the time I just ignore it, don’t let it bother me, and finish up my stay. Being a ghost hunter it’s hard for me to get too freaked out that I would actually leave. Most of the time I’m just curious why they built it the way they did. This couple is staying an an Airbnb with a finished home in the ceiling of the shower. There is a room in the bedroom that leads to that area but it’s locked off with a sign that says private. Is this like a safe space for the owner or maybe it’s an unfinished area he thought was unsafe? It’s hard to say, but it does peak the imagination on what it could be. Another one I been to was more like a bed and breakfast but it was still listed on Airbnb. What made it creepy to me was it reminded me of the movie The Village, the people there felt so out of place like they were stuck in the early 1900’s it was unsettling how they spoke and how they moved. The house was decorated and finished with allot of wood and allot of carpet like an elderly grandparents home from the 70’s. The whole vibe was like time stood still around this area. For me that’s what made it so eerie. They still used landline phones and old TVs. Maybe it was purposely done like this for nostalgia or for a feeling of coziness. However it wasn’t for me, I wouldn’t stay there again. They didn’t even have WiFi.

SonnyBoy🇺🇸

241,340 görüntüleme • 2 ay önce