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🗣️ “I am an equal opportunity doping hater, meaning that if you are actively doping in the sport, I do take issue with that… No names were mentioned, but if you look at yourself and think that’s what you’re doing, then so be it.” At #WorldUltimates today in Budapest,...

332,120 görüntüleme • 8 gün önce •via X (Twitter)

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BigRightNut profil fotoğrafı
BigRightNut8 gün önce

mjw has never had a whereabouts ban undone due to privilege

FifinATL 🌎❤️🇺🇸 profil fotoğrafı
FifinATL 🌎❤️🇺🇸8 gün önce

What a disgraceful entitled brat. Imagine if every loser decided to cast aspersions of cheating on victors/opponents, providing no proof. The USATF created this monster and needs to censor her. As a fan of the sport I'm honestly tired of this piss poor loser. @usatf

cal lum profil fotoğrafı
cal lum8 gün önce

funny given she should’ve been banned for whereabouts failures

Rappertois profil fotoğrafı
Rappertois8 gün önce

Such a sore loser!

Riley Brooks • Fitness & Fat Loss profil fotoğrafı
Riley Brooks • Fitness & Fat Loss8 gün önce

Calling out cheats is like shining a spotlight on shadows—no hiding in daylight.

Face-Fuchsia-Tongue-Out profil fotoğrafı
Face-Fuchsia-Tongue-Out8 gün önce

🤣❤️

Apple profil fotoğrafı
Apple8 gün önce

Gabby fell into a trap! YIKES 😳 Where is Gabby publist bc Gabby about to get dragged again

santana profil fotoğrafı
santana8 gün önce

Now GABBY!!!! You tried it!

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I need to tell you something. Several moots sent me freebies this week and first of all, I need to thank every single one of you properly because 😭💜 And they included little bags for Thomas too.🥺 So I gave him the little bags. He looked at me:“For me?” Me: “Yes. Apparently being featured in the stories has benefits. The ARMYs… or the strangers, as you called them… have adopted you.” He smiled.Not politely.Actually smiled. Then he opened everything and looked genuinely touched. Which was already suspiciously cute. Then he found a Jimin photocard. I relaxed immediately.Because obviously he would keep the little keychains or whatever cute things were inside…And give me the photocard. Obviously. That was the social contract.The natural order. The fandom economy. Except this man looked at the Jimin photocard…smiled…and PUT IT IN HIS BAG. I froze.“Excuse me.” He looked up.“What? Me: “You’re… keeping the Jimin photocard?” Thomas, confused: “Yes?” Me: “But I thought you’d give it to me.” Thomas:“Why would I do that?” I stared at him.He stared back. Then he zipped his bag.Slowly. “It’s mine.” I blinked.“Oh.” And that’s when my brain opened a new investigation. Me: “Okay… I think I should start worrying.” Thomas: “About what?” Me: “Because I cannot compete with Park Jimin.” He froze.“What?” Me: “You think he’s cute.” Thomas: “No, I don’t.” Me: “You just protected his photocard like it was evidence in a federal case.” Thomas: “Because it’s a gift.” Me: “Mmhmm.” Thomas: “And gifts are precious.” Me: “Mmhmm.” Thomas: “Christine.” Me: “Interesting how the precious gift happens to be beautiful Park Jimin.” Thomas sat up straighter. “That has nothing to do with it.” Me: “Really?” Thomas: “Yes.” Me: “Then why do you always spot him first in videos?” Thomas: “I don’t.” Me: “BABY.” He looked at me.I looked at him. The courtroom was now in session. Me: “During the final, when Clément said “Wait, where’s Jimin?” (yes I owe you that episode too😬), you immediately went:“There. Just behind.’” Thomas: “Because he was easy to spot.” Me: “Really?” Thomas: “yes because he’s blond!” Me: “Baby, even I didn’t spot him that fast.” Thomas, without hesitation:“Because you were too focused on Yoongi.” Silence.That was rude.Accurate but rude. Me: “No.” Thomas: “Yes.” Me: “No. You were focused on Jimin.” Thomas: “I was not.” Me: “You were.” Thomas: “I know what you’re doing.” Me: “What am I doing?” Thomas placed one protective hand on his bag:“You’re trying to recover the photocard through psychological warfare.” Me: “That’s a serious accusation.” Thomas: “And yet.” Me: “I’m simply asking questions.” Thomas: “You’re cross-examining me because you want Jimin.” Me: “I had Jimin first.” Thomas: “Not this Jimin.” Then he patted the bag. Like a dragon guarding a tiny blond treasure. And that’s when I realized the real threat was never another woman. It was Park Jimin in 5x7 glossy format. 😭💀 So… in less than one week, Thomas went from:“Should you really eat candy from strangers?” to:“Back away from my Jimin photocard.” The ARMY boyfriend training is progressing at a frankly terrifying speed. 😭💀💜

French Army_C | ⊙⊝⊜

18,909 görüntüleme • 1 ay önce

Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)

DepressedBergman

49,522 görüntüleme • 8 ay önce