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I did not know about Tacticool Reloads at all until today Netflix Devil May Cry season 2 It could be the case that they used it as a reference apparently Adi Shankar was with Corridor Digital before in a video so maybe it is Yeah it's frame by frame... show more

GamesLover with a Preference

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102,584 görüntüleme • 5 ay önce •via X (Twitter)

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Me: "All I said is I like the Netflix Devil May Cry Anime" People who hate it: "Because you need to know, YOU NEED TO KNOW that I DON"T LIKE the Netflix Devil May Cry Anime therefore it's a BAD ANIME"

Me: "All I said is I like the Netflix Devil May Cry Anime" People who hate it: "Because you need to know, YOU NEED TO KNOW that I DON"T LIKE the Netflix Devil May Cry Anime therefore it's a BAD ANIME"

GamesLover with a Preference

113,454 görüntüleme • 1 yıl önce

In the new Music Video of Netflix Devil May Cry Song Afterlife by Evanescence They showed snippets of Season 2 Dante looks so much better with longer hair I saw a glimpse of Lady and I think Nell Goldstein It looks like he is about to get Ebony and Ivory here

In the new Music Video of Netflix Devil May Cry Song Afterlife by Evanescence They showed snippets of Season 2 Dante looks so much better with longer hair I saw a glimpse of Lady and I think Nell Goldstein It looks like he is about to get Ebony and Ivory here

GamesLover with a Preference

200,580 görüntüleme • 1 yıl önce

the external defensive frame unmodified from the default UI: This is the maximum size it allows(I used to display them like 2-3x as big) It's giving a mouseover tooltip that you cannot disable. You can't make it clickthrough. It's a doing a weird flash that you can't disable.

the external defensive frame unmodified from the default UI: This is the maximum size it allows(I used to display them like 2-3x as big) It's giving a mouseover tooltip that you cannot disable. You can't make it clickthrough. It's a doing a weird flash that you can't disable.

Reloe

23,246 görüntüleme • 7 ay önce

i had the honor of creating the MV for the original song "FEEDBACK" by MonochroMenace and isidore.! i handled quite a few things from motion graphics, frame by frame, to the tweening animations! it's a really cool song, so please watch it tons! MV files available in replies!

i had the honor of creating the MV for the original song "FEEDBACK" by MonochroMenace and isidore.! i handled quite a few things from motion graphics, frame by frame, to the tweening animations! it's a really cool song, so please watch it tons! MV files available in replies!

suzie @ sticky situation

52,888 görüntüleme • 4 ay önce

Q: "Did you discuss Ukraine at all with Xi? And is there any movement on that?" President Trump: "I did. It's one that we'd like to see settled. Until last night, it was looking good, but they took a big hit last night. So it's going to happen, but it's a shame."

Q: "Did you discuss Ukraine at all with Xi? And is there any movement on that?" President Trump: "I did. It's one that we'd like to see settled. Until last night, it was looking good, but they took a big hit last night. So it's going to happen, but it's a shame."

Anton Gerashchenko

78,561 görüntüleme • 2 ay önce

this might actually be the new ugc method i've seen 100s of ai ugc ads lately where it's the same creator in every single one. same voice, same face, same brand colors, never drifts once what they're actually doing is running notch agents with memory they load the brand context one time. cloned voice, reference photo, brand color codes, do-not-say words, taste or they just teach it inline as they chat, and every correction becomes a saved rule then before it generates a single frame, the agent reads every relevant memory first. hard rules, reference assets, language constraints, taste preferences, all of it and it's workspace-wide, so every new ad already knows the brand before you type a word each chat isn't a re-introduction anymore. it's training your brand isn't a prompt. it's permanent context run 30-50 of those a month at a real offer and the volume does the rest punchier cut: the new method nobody's clocked yet run notch agents with memory on load the brand once. cloned voice, reference photo, color codes, do-not-say words, taste. or teach it inline and every correction saves as a rule it reads every relevant memory before it generates a single frame, workspace-wide each chat isn't a re-introduction. it's training. your brand isn't a prompt, it's permanent context run it at a real rate and the volume prints.

Sulfur

15,290 görüntüleme • 1 ay önce

Could A.J. Brown really be traded this offseason? "I was poking around on it before the trade deadline, just in case they did it, I think they get a 2nd rounder." -Dianna Russini

Could A.J. Brown really be traded this offseason? "I was poking around on it before the trade deadline, just in case they did it, I think they get a 2nd rounder." -Dianna Russini

PHLY Sports

18,716 görüntüleme • 5 ay önce

A vintage look at the Martin B-10 bomber that entered service in June 1934. It was the first all metal monoplane bomber to be regularly used by the USAAC. The B-17 took over it's roll before it saw much action in WW2 however it was used by China in the Sino-Japanese war.🫡

A vintage look at the Martin B-10 bomber that entered service in June 1934. It was the first all metal monoplane bomber to be regularly used by the USAAC. The B-17 took over it's roll before it saw much action in WW2 however it was used by China in the Sino-Japanese war.🫡

Tim Farmer

44,991 görüntüleme • 8 ay önce

Frame 1: A ma seeking power! 'I wont be a President that burdens Kenya with debts.' Frame 2: A man in power! 'It is better to die of debt than to die of poverty.' The duality of a man.

Frame 1: A ma seeking power! 'I wont be a President that burdens Kenya with debts.' Frame 2: A man in power! 'It is better to die of debt than to die of poverty.' The duality of a man.

Conrad Kulo

32,326 görüntüleme • 2 ay önce

SEOKJIN TALKED ABOUT HIS EXPERIENCE PERFORMING IN ARGENTINA WITH COLDPLAY: 🐹 Before joining the military, I was invited as a guest performer at Coldplay's concert in Argentina. 🐹 They bring their families on tour. 🐹 I saw that and realized that it's really possible for them. I thought it was really cool. 👤 It's a dream-like life. HE WANTS THAT TOO FOR BANGTAN 🥹💜

SEOKJIN TALKED ABOUT HIS EXPERIENCE PERFORMING IN ARGENTINA WITH COLDPLAY: 🐹 Before joining the military, I was invited as a guest performer at Coldplay's concert in Argentina. 🐹 They bring their families on tour. 🐹 I saw that and realized that it's really possible for them. I thought it was really cool. 👤 It's a dream-like life. HE WANTS THAT TOO FOR BANGTAN 🥹💜

moni⁷ 𖠌

374,819 görüntüleme • 1 yıl önce

I asked Leslie Iwerks about her favorite scene in 'Disneyland Handcrafted,' and she pointed to a moment showing workers pulling the Mark Twain that captures both the difficulty of building Disneyland and Walt's determination to make it happen. "My favorite scene is the guys pulling the Mark Twain. Who knows exactly what the issue was, but they were all trying to pull it, and it's a little symbolic scene of just how hard it was and how hard they worked and their teamwork. Also the fact that they were up against all odds. Everyone doubted this could happen, but they were all saying it was an exciting time because Walt willed it to happen. He told everybody it could happen and that they had never done this before, but they could do it. And so it all gave them confidence that they could pull it off, and they all mobilized under Walt's singular vision to get it done. And I think that scene to me is emotional to me because I just feel like it symbolizes the teamwork."

I asked Leslie Iwerks about her favorite scene in 'Disneyland Handcrafted,' and she pointed to a moment showing workers pulling the Mark Twain that captures both the difficulty of building Disneyland and Walt's determination to make it happen. "My favorite scene is the guys pulling the Mark Twain. Who knows exactly what the issue was, but they were all trying to pull it, and it's a little symbolic scene of just how hard it was and how hard they worked and their teamwork. Also the fact that they were up against all odds. Everyone doubted this could happen, but they were all saying it was an exciting time because Walt willed it to happen. He told everybody it could happen and that they had never done this before, but they could do it. And so it all gave them confidence that they could pull it off, and they all mobilized under Walt's singular vision to get it done. And I think that scene to me is emotional to me because I just feel like it symbolizes the teamwork."

Scott Gustin

55,605 görüntüleme • 6 ay önce

I left the UK to ILORIN to surprise my family after being away for about 2yrs. Nobody knew I was coming except for Ustaz Awon Hoodlums as I felt it’s normal to let at least one person know about my journey. Each frame of this post means so much to me and my family and in a long time this is the happiest I’ve been. Alhamdulillah. Frame 1 : My mom Frame 2: My elder bro Frame 3 : My grandma Frame 4 : My sister who had dreamt 2 days earlier that I arrived and told her husband about it, she kept saying “I said it” 😂

I left the UK to ILORIN to surprise my family after being away for about 2yrs. Nobody knew I was coming except for Ustaz Awon Hoodlums as I felt it’s normal to let at least one person know about my journey. Each frame of this post means so much to me and my family and in a long time this is the happiest I’ve been. Alhamdulillah. Frame 1 : My mom Frame 2: My elder bro Frame 3 : My grandma Frame 4 : My sister who had dreamt 2 days earlier that I arrived and told her husband about it, she kept saying “I said it” 😂

👳🏾‍♂️Mufti Of Ilorin Online 👳🏾‍♂️

612,204 görüntüleme • 1 yıl önce

🩷: "So there's a cat in front of me..." 💙: "Yeah?" 🩷: "It's really cute." 💙: "Is that so?" 🩷: "Yeah, it's so adorable." 💙: "Play with it for a while, then get inside quickly." 🩷: "I get it." 🩷 the 'cat' attractor??

🩷: "So there's a cat in front of me..." 💙: "Yeah?" 🩷: "It's really cute." 💙: "Is that so?" 🩷: "Yeah, it's so adorable." 💙: "Play with it for a while, then get inside quickly." 🩷: "I get it." 🩷 the 'cat' attractor??

it is rain

15,136 görüntüleme • 10 ay önce

Ro Khanna says that Democrats are shocked that it's not just Trump and his associates who are in the Epstein files. 😂 In fairness to Ro, he did only become interested in the Epstein case a few months ago so maybe he didn't know anything about it.

Ro Khanna says that Democrats are shocked that it's not just Trump and his associates who are in the Epstein files. 😂 In fairness to Ro, he did only become interested in the Epstein case a few months ago so maybe he didn't know anything about it.

MAZE

85,437 görüntüleme • 5 ay önce

OKAY EVERYONE ITS NOT HIM DOING THE DRIFT PART! BUT STILL!! HE LOOKED COOL WITH THAT WHOOSH WHOOSH DRIVE TOO !! SEOKJIN IDC YOU LOOK COOL IN EVERYTHING 😤 #jin #진 ------- 🐹 there's mentioning about drift in the video. The mv car drift. Yeah, the drift.. i didn't do car drift myself, that was done by the stuntman. Yeah. 🐹 the swoosh-swoosh drive.. i didn't do the drift but i do did the swoosh-swoosh scene, seems like there's misunderstanding about what i've said in the past 😂. I don't know how to drift. Yeah. 🐹 The car is expensive, what if i broke it while i drift then? I didn't do the drift myself there.. 🐹 not sure if it's out or nah..i think it's out (in the mv). There's several swoosh-swoosh scenes, i think i filmed that for about 1.5-2 hours, yeah, i worked hard driving (for the scene). I don't know how to drift.

OKAY EVERYONE ITS NOT HIM DOING THE DRIFT PART! BUT STILL!! HE LOOKED COOL WITH THAT WHOOSH WHOOSH DRIVE TOO !! SEOKJIN IDC YOU LOOK COOL IN EVERYTHING 😤 #jin #진 ------- 🐹 there's mentioning about drift in the video. The mv car drift. Yeah, the drift.. i didn't do car drift myself, that was done by the stuntman. Yeah. 🐹 the swoosh-swoosh drive.. i didn't do the drift but i do did the swoosh-swoosh scene, seems like there's misunderstanding about what i've said in the past 😂. I don't know how to drift. Yeah. 🐹 The car is expensive, what if i broke it while i drift then? I didn't do the drift myself there.. 🐹 not sure if it's out or nah..i think it's out (in the mv). There's several swoosh-swoosh scenes, i think i filmed that for about 1.5-2 hours, yeah, i worked hard driving (for the scene). I don't know how to drift.

Ai⁷

10,550 görüntüleme • 1 yıl önce

Bruh I felt so embarrassed when the guy told the other guy to not come in front of the camera. I specifically kept the camera in a corner so that no one could see it and get awkward. You could see the embarrassment on my face, although it was in a light mood as those guys keep pulling each other's legs at the Gym all the time. But I still made it clear so no one else feels that way because he was so damn loud with “oye camera hai”. You don't own the gym, it's a public gym, so chill.

Bruh I felt so embarrassed when the guy told the other guy to not come in front of the camera. I specifically kept the camera in a corner so that no one could see it and get awkward. You could see the embarrassment on my face, although it was in a light mood as those guys keep pulling each other's legs at the Gym all the time. But I still made it clear so no one else feels that way because he was so damn loud with “oye camera hai”. You don't own the gym, it's a public gym, so chill.

Aanchal

13,005 görüntüleme • 2 yıl önce

While I have premium I definitely want to do a long post breaking down the main scene from this show that I obsess with. There's so much that I feel could be learned from it. Not just for expansion animators either. There's honestly a LOT that can be learned from how this show directed its expansion scenes that can be applied to even safe for work animations. Obviously yes, the expansion alone is really good. What makes it so good though is just the fact that there's things you pick up on that you likely don't even realize until you re-watch. I'm using this scene as an example as it's not AS good I would say, but it still has a lot going for it. One thing I've always loved from it that I want to use in my own animations someday is that the expansion sort of comes in waves as opposed to one consistent growth. In a way, it makes it feel more natural while also selling how tight the top is getting. It could have been accompanied by showing the knot getting tighter or smaller with each growth. It's a small part of the animation but just that one thing already adds another layer to appreciate. It's not like most expansion scenes where there's very little outside of just "growing" on its own. There's a bunch of little things that subtly improve it without being obnoxious. The first expansion scene has WAY more that I want to talk about honestly. Far more than this one has. It will probably be a really long post now that I think about it...

While I have premium I definitely want to do a long post breaking down the main scene from this show that I obsess with. There's so much that I feel could be learned from it. Not just for expansion animators either. There's honestly a LOT that can be learned from how this show directed its expansion scenes that can be applied to even safe for work animations. Obviously yes, the expansion alone is really good. What makes it so good though is just the fact that there's things you pick up on that you likely don't even realize until you re-watch. I'm using this scene as an example as it's not AS good I would say, but it still has a lot going for it. One thing I've always loved from it that I want to use in my own animations someday is that the expansion sort of comes in waves as opposed to one consistent growth. In a way, it makes it feel more natural while also selling how tight the top is getting. It could have been accompanied by showing the knot getting tighter or smaller with each growth. It's a small part of the animation but just that one thing already adds another layer to appreciate. It's not like most expansion scenes where there's very little outside of just "growing" on its own. There's a bunch of little things that subtly improve it without being obnoxious. The first expansion scene has WAY more that I want to talk about honestly. Far more than this one has. It will probably be a really long post now that I think about it...

FancyPlanks 🐀

16,420 görüntüleme • 7 ay önce

It's easy to forget that it was barely possible to interact with the ropes at all in 2D, so to be springboarding off them is a big step up!

It's easy to forget that it was barely possible to interact with the ropes at all in 2D, so to be springboarding off them is a big step up!

MDickie

78,092 görüntüleme • 2 ay önce

"2 or 3 weeks ago i did something crazy with a plane. it's not yet official... it'll be official in the next weeks, i can't talk about it yet" OH?????

"2 or 3 weeks ago i did something crazy with a plane. it's not yet official... it'll be official in the next weeks, i can't talk about it yet" OH?????

clara

557,520 görüntüleme • 1 yıl önce

$In Fight Club, Tyler Durden secretly appears in single-frame flashes before the Narrator ever meets him. One of these blink-and-you’ll-miss-it moments shows Tyler disguised as a hotel waiter—a detail most viewers never notice on their first watch. Your subconscious already met Tyler Durden before the Narrator did. In Fight Club (1999), director David Fincher deliberately inserted four subliminal flashes of Tyler Durden before the character is formally introduced. Each appearance lasts just a single frame—about 1/24th of a second—placing it near the threshold of conscious perception. The effect was designed to make audiences feel that something was off without immediately understanding why, reflecting the Narrator’s own fractured state of mind. One of these hidden appearances shows Tyler briefly standing in the background of a hotel scene as a waiter, visible only for an instant. Most moviegoers never noticed the flashes in theaters, and it wasn’t until home video made frame-by-frame viewing possible that fans were able to track down all four of Tyler’s secret appearances.$

In Fight Club, Tyler Durden secretly appears in single-frame flashes before the Narrator ever meets him. One of these blink-and-you’ll-miss-it moments shows Tyler disguised as a hotel waiter—a detail most viewers never notice on their first watch. Your subconscious already met Tyler Durden before the Narrator did. In Fight Club (1999), director David Fincher deliberately inserted four subliminal flashes of Tyler Durden before the character is formally introduced. Each appearance lasts just a single frame—about 1/24th of a second—placing it near the threshold of conscious perception. The effect was designed to make audiences feel that something was off without immediately understanding why, reflecting the Narrator’s own fractured state of mind. One of these hidden appearances shows Tyler briefly standing in the background of a hotel scene as a waiter, visible only for an instant. Most moviegoers never noticed the flashes in theaters, and it wasn’t until home video made frame-by-frame viewing possible that fans were able to track down all four of Tyler’s secret appearances.

Historic Vids

837,462 görüntüleme • 1 ay önce