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I had such a fun time where instead of being interviewing the guest, Brian Apuja interviewed me and the subject was mind bending: how to teach robots how to partner dance? 0:02 — Intro to the idea of being interviewed on the podcast. 1:41 — AI embodiment: the idea... of robots interacting physically with the world. 2:23 — Ballroom dance as inspiration for understanding embodied intelligence. 4:49 — Cost of dance classes in Brazil and Argentina. 5:54 — Concept of a partner dancing robot (teaching vs. partnering). 7:59 — Free will, pre-programmed movement, and transhumanist implications. 9:50 — Proper hip movement mechanics in Latin dances. 11:04 — Eye-level balance and the role of visual systems in movement. 13:08 — Importance of open eyes for dance improvisation and balance. 14:04 — Learning improvisation through socials and dancing with strangers. 15:21 — Cultural differences in dance hours (Buenos Aires vs. Las Vegas). 17:43 — Challenges for robots to generate fluid, humanlike movement. 19:46 — Contrast between robotic joints and human muscle-based motion. 23:58 — Fascia and Tom Myers’ “Anatomy Trains” in relation to movement. 26:10 — Yin/yang roles in partner dance and subtle lead-follow dynamics. 26:53 — Haptic feedback requirements for robotic partner dancing. 30:44 — Red-teaming as adversarial training for both LLMs and robots. 34:51 — Proposal of the “Ahuja Test” — a Turing Test for movement. 36:52 — Discovery of existing research in robot partner dance. 38:24 — Embodiment in AI and philosophical views on consciousness. 42:05 — Sensuality vs. sexuality in dance as a nonverbal social mode. 44:04 — Speculation on founding a lab, company, or foundation. 47:28 — Difficulty of maintaining vision in rapidly changing tech landscapes. 48:08 — Discussion of merging with AI as a survival path. 50:12 — Naming LLCs and the anecdote of “Galactosa.” 52:32 — Commentary on nonprofit structures, narrative manipulation, and Silicon Valley dynamics.show more

Stewart Alsop - Host of Crazy Wisdom Radio Show

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10,951 просмотров • 1 год назад •via X (Twitter)

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Here's my conversation with Marc Raibert, founder and long-time CEO of Boston Dynamics, and head of their new AI Institute, all about the history and future of robotics. It's here on X in full, and is up on YouTube, Spotify, and everywhere else. Links in comment. Timestamps: 0:00 - Introduction 1:43 - Early robots 6:47 - Legged robots 25:27 - Boston Dynamics 28:45 - BigDog 36:52 - Hydraulic actuation 38:44 - Natural movement 44:31 - Leg Lab 51:23 - AI Institute 54:41 - Athletic intelligence 1:02:35 - Building a team 1:05:37 - Videos 1:13:25 - Engineering 1:16:53 - Dancing robots 1:21:40 - Hiring 1:25:32 - Optimus robot 1:34:02 - Future of robotics 1:38:56 - Advice for young people

Here's my conversation with Marc Raibert, founder and long-time CEO of Boston Dynamics, and head of their new AI Institute, all about the history and future of robotics. It's here on X in full, and is up on YouTube, Spotify, and everywhere else. Links in comment. Timestamps: 0:00 - Introduction 1:43 - Early robots 6:47 - Legged robots 25:27 - Boston Dynamics 28:45 - BigDog 36:52 - Hydraulic actuation 38:44 - Natural movement 44:31 - Leg Lab 51:23 - AI Institute 54:41 - Athletic intelligence 1:02:35 - Building a team 1:05:37 - Videos 1:13:25 - Engineering 1:16:53 - Dancing robots 1:21:40 - Hiring 1:25:32 - Optimus robot 1:34:02 - Future of robotics 1:38:56 - Advice for young people

Lex Fridman

484,938 просмотров • 2 лет назад

The Lindy Hop scene in Hellzapoppin' (1941) in full color. -History Of The Lindy Hop Dance- On May 21st 1927 the Lindy Hop dance was publicly introduced to the world. The Lindy hop is an African American dance which was born in Harlem, New York City. On that date, the Lindbergh Spirit of St. Louis airplane completed the first transatlantic flight by air, the Newspaper reported “Lindy Hops the Atlantic” and the dance style adopted the headline. The dance has evolved since then with the jazz music of that time and was very popular during the swing era of the late 1930s and early 1940s. Lindy was a fusion of many dances that preceded it or were during its development but is mainly based on jazz, tap, breakaway, and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family. In its development, the Lindy hop combined elements of both partnered and solo dancing by using the movements and improvisation of African dances along with the formal eight-count structure of European partner dances most clearly illustrated in the Lindy's basic step, the swing-out. In this step's open position, dancers generally connected hand-to-hand; in its closed position, leads and follows are connected as though in an embrace on one side and holding hands on the other. Lindy hop is sometimes referred to as a street dance, referring to its improvisational and social nature. On March 27, 1932, twelve-year-old Norma Miller did the Lindy hop outside the Savoy Ballroom with her friends for tips. In 1935, 15,000 people danced on Bradhurst Avenue for the second of a dance series held by the Parks Department. Between 147th and 148th street, Harlem "threw itself into the Lindy hop with abandon" as Sugar Hill residents watched from the bluffs along Edgecombe Avenue. There was renewed interest in the dance in the 1980s from American, Swedish, and British dancers and the Lindy hop is now represented by dancers and loosely affiliated grass-roots organizations globally.

The Lindy Hop scene in Hellzapoppin' (1941) in full color. -History Of The Lindy Hop Dance- On May 21st 1927 the Lindy Hop dance was publicly introduced to the world. The Lindy hop is an African American dance which was born in Harlem, New York City. On that date, the Lindbergh Spirit of St. Louis airplane completed the first transatlantic flight by air, the Newspaper reported “Lindy Hops the Atlantic” and the dance style adopted the headline. The dance has evolved since then with the jazz music of that time and was very popular during the swing era of the late 1930s and early 1940s. Lindy was a fusion of many dances that preceded it or were during its development but is mainly based on jazz, tap, breakaway, and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family. In its development, the Lindy hop combined elements of both partnered and solo dancing by using the movements and improvisation of African dances along with the formal eight-count structure of European partner dances most clearly illustrated in the Lindy's basic step, the swing-out. In this step's open position, dancers generally connected hand-to-hand; in its closed position, leads and follows are connected as though in an embrace on one side and holding hands on the other. Lindy hop is sometimes referred to as a street dance, referring to its improvisational and social nature. On March 27, 1932, twelve-year-old Norma Miller did the Lindy hop outside the Savoy Ballroom with her friends for tips. In 1935, 15,000 people danced on Bradhurst Avenue for the second of a dance series held by the Parks Department. Between 147th and 148th street, Harlem "threw itself into the Lindy hop with abandon" as Sugar Hill residents watched from the bluffs along Edgecombe Avenue. There was renewed interest in the dance in the 1980s from American, Swedish, and British dancers and the Lindy hop is now represented by dancers and loosely affiliated grass-roots organizations globally.

AFRICAN & BLACK HISTORY

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The Lindy Hop scene in Hellzapoppin' (1941) in full color. -History Of The Lindy Hop Dance- On May 21st 1927 the Lindy Hop dance was publicly introduced to the world. The Lindy hop is an African American dance which was born in Harlem, New York City. On that date, the Lindbergh Spirit of St. Louis airplane completed the first transatlantic flight by air, the Newspaper reported “Lindy Hops the Atlantic” and the dance style adopted the headline. The dance has evolved since then with the jazz music of that time and was very popular during the swing era of the late 1930s and early 1940s. Lindy was a fusion of many dances that preceded it or were during its development but is mainly based on jazz, tap, breakaway, and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family. In its development, the Lindy hop combined elements of both partnered and solo dancing by using the movements and improvisation of African dances along with the formal eight-count structure of European partner dances most clearly illustrated in the Lindy's basic step, the swing-out. In this step's open position, dancers generally connected hand-to-hand; in its closed position, leads and follows are connected as though in an embrace on one side and holding hands on the other. Lindy hop is sometimes referred to as a street dance, referring to its improvisational and social nature. On March 27, 1932, twelve-year-old Norma Miller did the Lindy hop outside the Savoy Ballroom with her friends for tips. In 1935, 15,000 people danced on Bradhurst Avenue for the second of a dance series held by the Parks Department. Between 147th and 148th street, Harlem "threw itself into the Lindy hop with abandon" as Sugar Hill residents watched from the bluffs along Edgecombe Avenue. There was renewed interest in the dance in the 1980s from American, Swedish, and British dancers and the Lindy hop is now represented by dancers and loosely affiliated grass-roots organizations globally.

The Lindy Hop scene in Hellzapoppin' (1941) in full color. -History Of The Lindy Hop Dance- On May 21st 1927 the Lindy Hop dance was publicly introduced to the world. The Lindy hop is an African American dance which was born in Harlem, New York City. On that date, the Lindbergh Spirit of St. Louis airplane completed the first transatlantic flight by air, the Newspaper reported “Lindy Hops the Atlantic” and the dance style adopted the headline. The dance has evolved since then with the jazz music of that time and was very popular during the swing era of the late 1930s and early 1940s. Lindy was a fusion of many dances that preceded it or were during its development but is mainly based on jazz, tap, breakaway, and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family. In its development, the Lindy hop combined elements of both partnered and solo dancing by using the movements and improvisation of African dances along with the formal eight-count structure of European partner dances most clearly illustrated in the Lindy's basic step, the swing-out. In this step's open position, dancers generally connected hand-to-hand; in its closed position, leads and follows are connected as though in an embrace on one side and holding hands on the other. Lindy hop is sometimes referred to as a street dance, referring to its improvisational and social nature. On March 27, 1932, twelve-year-old Norma Miller did the Lindy hop outside the Savoy Ballroom with her friends for tips. In 1935, 15,000 people danced on Bradhurst Avenue for the second of a dance series held by the Parks Department. Between 147th and 148th street, Harlem "threw itself into the Lindy hop with abandon" as Sugar Hill residents watched from the bluffs along Edgecombe Avenue. There was renewed interest in the dance in the 1980s from American, Swedish, and British dancers and the Lindy hop is now represented by dancers and loosely affiliated grass-roots organizations globally.

AFRICAN & BLACK HISTORY

313,552 просмотров • 2 лет назад

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Here's my conversation with Yann LeCun (Yann LeCun) about AI, importance of open source, limits of LLMs, why AI doomers are wrong, and the path to AGI. This was a fun and fascinating technical conversation! It's here on X in full, and is up on YouTube, Spotify, and everywhere else. Links in comment. Timestamps: 0:00 - Introduction 2:18 - Limits of LLMs 13:54 - Bilingualism and thinking 17:46 - Video prediction 25:07 - JEPA (Joint-Embedding Predictive Architecture) 28:15 - JEPA vs LLMs 37:31 - DINO and I-JEPA 38:51 - V-JEPA 44:22 - Hierarchical planning 50:40 - Autoregressive LLMs 1:06:06 - AI hallucination 1:11:30 - Reasoning in AI 1:29:02 - Reinforcement learning 1:34:10 - Woke AI 1:43:48 - Open source 1:47:26 - AI and ideology 1:49:58 - Marc Andreesen 1:57:56 - Llama 3 2:04:20 - AGI 2:08:48 - AI doomers 2:24:38 - Joscha Bach 2:28:51 - Humanoid robots 2:38:00 - Hope for the future

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Lex Fridman

1,022,504 просмотров • 2 лет назад

DisCo: Disentangled Control for Referring Human Dance Generation in Real World paper page: Generative AI has made significant strides in computer vision, particularly in image/video synthesis conditioned on text descriptions. Despite the advancements, it remains challenging especially in the generation of human-centric content such as dance synthesis. Existing dance synthesis methods struggle with the gap between synthesized content and real-world dance scenarios. In this paper, we define a new problem setting: Referring Human Dance Generation, which focuses on real-world dance scenarios with three important properties: (i) Faithfulness: the synthesis should retain the appearance of both human subject foreground and background from the reference image, and precisely follow the target pose; (ii) Generalizability: the model should generalize to unseen human subjects, backgrounds, and poses; (iii) Compositionality: it should allow for composition of seen/unseen subjects, backgrounds, and poses from different sources. To address these challenges, we introduce a novel approach, DISCO, which includes a novel model architecture with disentangled control to improve the faithfulness and compositionality of dance synthesis, and an effective human attribute pre-training for better generalizability to unseen humans. Extensive qualitative and quantitative results demonstrate that DISCO can generate high-quality human dance images and videos with diverse appearances and flexible motions.

DisCo: Disentangled Control for Referring Human Dance Generation in Real World paper page: Generative AI has made significant strides in computer vision, particularly in image/video synthesis conditioned on text descriptions. Despite the advancements, it remains challenging especially in the generation of human-centric content such as dance synthesis. Existing dance synthesis methods struggle with the gap between synthesized content and real-world dance scenarios. In this paper, we define a new problem setting: Referring Human Dance Generation, which focuses on real-world dance scenarios with three important properties: (i) Faithfulness: the synthesis should retain the appearance of both human subject foreground and background from the reference image, and precisely follow the target pose; (ii) Generalizability: the model should generalize to unseen human subjects, backgrounds, and poses; (iii) Compositionality: it should allow for composition of seen/unseen subjects, backgrounds, and poses from different sources. To address these challenges, we introduce a novel approach, DISCO, which includes a novel model architecture with disentangled control to improve the faithfulness and compositionality of dance synthesis, and an effective human attribute pre-training for better generalizability to unseen humans. Extensive qualitative and quantitative results demonstrate that DISCO can generate high-quality human dance images and videos with diverse appearances and flexible motions.

AK

161,479 просмотров • 3 лет назад

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Peter H. Diamandis, MD

6,235,477 просмотров • 7 месяцев назад

Belly dancing history crosses many cultural boundaries, getting its start in Middle East and Africa, and moving on to evolve in western cultures as both a form of cultural dance and exotic entertainment. In 21st Century, genre has gained considerable popularity all around the world. Belly dance, an exotic form of dance that has a rich history that dates back over 6000 years. Some people consider ‘Oriental dance’ to be a dance of seduction, whilst others believe that belly dance originated as fertility ritual. Throughout Middle Eastern history, belly dance has been performed at special celebrations and occasions like weddings, birth announcements, and festivals. All over the world, belly dancing courses are taught to teach freedom of movement and to empower women to love their bodies and to have more confidence. Term "belly dance" a westernized name that originally referred to traditional Middle Eastern dancing. Earliest forms of belly dance were Egyptian ghawazi dance during 19th Century and Raqs Sharqi, an Arabic dance of 20th Century. Despite Egypt's location in Africa and contributions from other nations such as France, Turkey and United States, term belly dance is usually used today to include all traditional dances of Middle Eastern region, including those not geographically situated there. French explorers travelling in Egypt, in 18th Century CE, witnessed dancers performing an exotic dance that they decided to call ‘dance du ventre’ (dance of the stomach). In 1893 CE, promoter Sol Bloom, introduced belly dance to America, at Chicago World’s Fair. In those days, it was considered to be daring if a woman revealed so much as an ankle. Belly dance was therefore initially seen as being risqué and shocking. Interest in intriguing dance grew and quickly spread to other cities. Westernised form of belly dance grew in popularity following Hollywood film industry’s involvement in publicising dance as a form of entertainment. Egyptian dancers Tahia Carioca and Samia Gamal wore elaborate belly dance costumes in their movies and became international stars. Belly dance has been active in Turkey since 1400s, when travelling tribes known as ‘chengis’ performed on streets. Today, chengis still dance to entertain tourists and perform a style of belly dance that is authentically Turkish. In traditional Muslim society, women often gathered to perform a dance in evening. Known as Raks sharki (dance of the East), this type of belly dance helped women to ready stomach muscles for childbirth, and was also danced by young women to display their readiness for marriage. In present-day Egypt, it’s customary to hire a belly dancer to perform at a wedding, in order to bless happy couple with a fertility ritual blessing. In Egypt, belly dance performers used props like veils, canes and swords to entertain public on streets and during festivals and religious celebrations. Before 20th Century CE, public dance was not something that was tolerated by authorities, but it was accepted as part of cultural tradition. After this time, belly dancers performed at weddings, nightclubs and at other events. It was these Egyptian performers who popularised skirt and beaded bra (bedlah) that is widely accepted as being traditional belly dance costume of today. 🎥 : Helena Vlahos performing her Nine Quarters Belly Dance Act, 1979 ... #archaeohistories

Belly dancing history crosses many cultural boundaries, getting its start in Middle East and Africa, and moving on to evolve in western cultures as both a form of cultural dance and exotic entertainment. In 21st Century, genre has gained considerable popularity all around the world. Belly dance, an exotic form of dance that has a rich history that dates back over 6000 years. Some people consider ‘Oriental dance’ to be a dance of seduction, whilst others believe that belly dance originated as fertility ritual. Throughout Middle Eastern history, belly dance has been performed at special celebrations and occasions like weddings, birth announcements, and festivals. All over the world, belly dancing courses are taught to teach freedom of movement and to empower women to love their bodies and to have more confidence. Term "belly dance" a westernized name that originally referred to traditional Middle Eastern dancing. Earliest forms of belly dance were Egyptian ghawazi dance during 19th Century and Raqs Sharqi, an Arabic dance of 20th Century. Despite Egypt's location in Africa and contributions from other nations such as France, Turkey and United States, term belly dance is usually used today to include all traditional dances of Middle Eastern region, including those not geographically situated there. French explorers travelling in Egypt, in 18th Century CE, witnessed dancers performing an exotic dance that they decided to call ‘dance du ventre’ (dance of the stomach). In 1893 CE, promoter Sol Bloom, introduced belly dance to America, at Chicago World’s Fair. In those days, it was considered to be daring if a woman revealed so much as an ankle. Belly dance was therefore initially seen as being risqué and shocking. Interest in intriguing dance grew and quickly spread to other cities. Westernised form of belly dance grew in popularity following Hollywood film industry’s involvement in publicising dance as a form of entertainment. Egyptian dancers Tahia Carioca and Samia Gamal wore elaborate belly dance costumes in their movies and became international stars. Belly dance has been active in Turkey since 1400s, when travelling tribes known as ‘chengis’ performed on streets. Today, chengis still dance to entertain tourists and perform a style of belly dance that is authentically Turkish. In traditional Muslim society, women often gathered to perform a dance in evening. Known as Raks sharki (dance of the East), this type of belly dance helped women to ready stomach muscles for childbirth, and was also danced by young women to display their readiness for marriage. In present-day Egypt, it’s customary to hire a belly dancer to perform at a wedding, in order to bless happy couple with a fertility ritual blessing. In Egypt, belly dance performers used props like veils, canes and swords to entertain public on streets and during festivals and religious celebrations. Before 20th Century CE, public dance was not something that was tolerated by authorities, but it was accepted as part of cultural tradition. After this time, belly dancers performed at weddings, nightclubs and at other events. It was these Egyptian performers who popularised skirt and beaded bra (bedlah) that is widely accepted as being traditional belly dance costume of today. 🎥 : Helena Vlahos performing her Nine Quarters Belly Dance Act, 1979 ... #archaeohistories

Archaeo - Histories

13,395 просмотров • 11 месяцев назад

Had a great talk with Anjney Midha about why he left a16z to start AMP PBC (raised $1.3B), his early bet on Anthropic, the importance of Japan in AI, his class at Stanford and a lot more. I didn't make him cry like Harry Stebbings, but I think it was a fun conversation about the future of AI Infra. Enjoy! 00:00 Introduction to AMP and AI Infrastructure 03:07 Transition from A16Z to AMP 06:01 Understanding AMP's Role in AI Compute 08:57 The Concept of a Compute Grid 11:59 The Need for Standardization in AI Infrastructure 14:59 Education and Collaboration in AI Development 17:59 Global Perspectives on AI Infrastructure 21:03 Japan's Role in AI and Robotics 23:14 Cultural Connections: Japan and Germany 25:08 The Journey to Teaching at Stanford 26:04 Security in Infrastructure: Lessons Learned 27:50 Cybersecurity and AI: A New Frontier 29:27 The Importance of Redundancy in Cybersecurity 30:39 Investing in AI: The Anthropic Experience 32:54 Wealth Creation and Public Participation 34:06 Infrastructure Bottlenecks in AI Development 36:57 Global Perspectives on Data Centers 39:11 The Need for Education on AI Benefits 42:07 Learning from China: A Systems Approach 45:47 Conclusion: Coordinating the Western Frontier

Had a great talk with Anjney Midha about why he left a16z to start AMP PBC (raised $1.3B), his early bet on Anthropic, the importance of Japan in AI, his class at Stanford and a lot more. I didn't make him cry like Harry Stebbings, but I think it was a fun conversation about the future of AI Infra. Enjoy! 00:00 Introduction to AMP and AI Infrastructure 03:07 Transition from A16Z to AMP 06:01 Understanding AMP's Role in AI Compute 08:57 The Concept of a Compute Grid 11:59 The Need for Standardization in AI Infrastructure 14:59 Education and Collaboration in AI Development 17:59 Global Perspectives on AI Infrastructure 21:03 Japan's Role in AI and Robotics 23:14 Cultural Connections: Japan and Germany 25:08 The Journey to Teaching at Stanford 26:04 Security in Infrastructure: Lessons Learned 27:50 Cybersecurity and AI: A New Frontier 29:27 The Importance of Redundancy in Cybersecurity 30:39 Investing in AI: The Anthropic Experience 32:54 Wealth Creation and Public Participation 34:06 Infrastructure Bottlenecks in AI Development 36:57 Global Perspectives on Data Centers 39:11 The Need for Education on AI Benefits 42:07 Learning from China: A Systems Approach 45:47 Conclusion: Coordinating the Western Frontier

Nathan Lands

28,872 просмотров • 4 месяцев назад

Is the Sugar Diet the Future? w/ Mark Bell Mark Bell - Super Training Gym In this conversation, Mark Bell and Joshua Rainer explore the evolving landscape of nutrition, focusing on the sugar diet and its potential benefits over traditional fasting methods. They discuss the importance of carbohydrates for athletic performance, the influence of Ray Peat on modern dietary practices, and the flexibility needed in diets to enhance adherence and enjoyment. The discussion highlights the power of sugar fasting as a tool for weight management and the need to understand individual responses to different dietary approaches. 00:00 Introduction to Sugar Diets and Snacks 02:30 The Role of Candy in Diets 06:44 The Sugar Diet vs. Fasting 10:34 Influence of Ray Peat on Nutrition 14:40 Exploring Metabolism and Energy Production 18:50 The Impact of Sugar on Willpower and Energy 22:28 Genetic Factors in Diet Success 26:05 The Future of Sugar Diets in Bodybuilding 31:13 Exploring Dietary Approaches for Bodybuilding 34:50 The Balance Between Performance and Health 37:03 Understanding Metabolic Flexibility and Dietary Cycles 42:12 The Role of Nutritional Cravings in Dieting 48:17 The Importance of Caloric Intake in Fitness 49:39 The Evolution of Nutrition in Fitness 52:30 The Role of Carbohydrates in Performance 55:35 Finding Balance: Nutrition and Daily Life 58:47 Exploring Diverse Training Methods 01:01:42 The Freedom of Flexible Dieting 01:04:33 Understanding Weight Management and Dieting Strategies 01:20:06 Understanding Protein and Muscle Preservation 01:22:13 The Role of Carbohydrates in Muscle Maintenance 01:24:09 The Impact of Caloric Deficit on Muscle Loss 01:27:57 Cortisol, Gluconeogenesis, and Muscle Loss 01:30:13 Temperature, Metabolism, and Dietary Choices 01:31:45 The Importance of Warm Foods in Diet 01:35:11 Navigating Dietary Fats and Carbs 01:37:47 The Sugar Fast: A New Approach to Dieting 01:41:21 The Future of the Sugar Diet 01:44:15 Weight Loss and Mental Health

Is the Sugar Diet the Future? w/ Mark Bell Mark Bell - Super Training Gym In this conversation, Mark Bell and Joshua Rainer explore the evolving landscape of nutrition, focusing on the sugar diet and its potential benefits over traditional fasting methods. They discuss the importance of carbohydrates for athletic performance, the influence of Ray Peat on modern dietary practices, and the flexibility needed in diets to enhance adherence and enjoyment. The discussion highlights the power of sugar fasting as a tool for weight management and the need to understand individual responses to different dietary approaches. 00:00 Introduction to Sugar Diets and Snacks 02:30 The Role of Candy in Diets 06:44 The Sugar Diet vs. Fasting 10:34 Influence of Ray Peat on Nutrition 14:40 Exploring Metabolism and Energy Production 18:50 The Impact of Sugar on Willpower and Energy 22:28 Genetic Factors in Diet Success 26:05 The Future of Sugar Diets in Bodybuilding 31:13 Exploring Dietary Approaches for Bodybuilding 34:50 The Balance Between Performance and Health 37:03 Understanding Metabolic Flexibility and Dietary Cycles 42:12 The Role of Nutritional Cravings in Dieting 48:17 The Importance of Caloric Intake in Fitness 49:39 The Evolution of Nutrition in Fitness 52:30 The Role of Carbohydrates in Performance 55:35 Finding Balance: Nutrition and Daily Life 58:47 Exploring Diverse Training Methods 01:01:42 The Freedom of Flexible Dieting 01:04:33 Understanding Weight Management and Dieting Strategies 01:20:06 Understanding Protein and Muscle Preservation 01:22:13 The Role of Carbohydrates in Muscle Maintenance 01:24:09 The Impact of Caloric Deficit on Muscle Loss 01:27:57 Cortisol, Gluconeogenesis, and Muscle Loss 01:30:13 Temperature, Metabolism, and Dietary Choices 01:31:45 The Importance of Warm Foods in Diet 01:35:11 Navigating Dietary Fats and Carbs 01:37:47 The Sugar Fast: A New Approach to Dieting 01:41:21 The Future of the Sugar Diet 01:44:15 Weight Loss and Mental Health

Josh Rainer

291,864 просмотров • 1 год назад

Core Memory podcast with Suzanne Gildert on the hunt for AI consciousness in the quantum realm. The theory being that LLMs are too constrained to really get to robots and AIs that are really like us 00:00:00 – Consciousness: The First AI Training Model? 00:02:03 – Exploring the Quantum Mind with AI 00:04:42 – Will Robots Ever Have Rights? 00:07:54 – The AI Paradox: Fear vs. Progress 00:13:20 – Can Language Models Teach Robots? 00:17:29 – Why Today’s AI Feels Like a Zombie 00:23:47 – Quantum Computing Meets Artificial Consciousness 00:29:50 – Free Will, Entanglement, and Decision Making 00:38:21 – Teaching a Robot to Think, Not Just React 00:52:51 – Will Conscious AI Power Space Exploration?

Core Memory podcast with Suzanne Gildert on the hunt for AI consciousness in the quantum realm. The theory being that LLMs are too constrained to really get to robots and AIs that are really like us 00:00:00 – Consciousness: The First AI Training Model? 00:02:03 – Exploring the Quantum Mind with AI 00:04:42 – Will Robots Ever Have Rights? 00:07:54 – The AI Paradox: Fear vs. Progress 00:13:20 – Can Language Models Teach Robots? 00:17:29 – Why Today’s AI Feels Like a Zombie 00:23:47 – Quantum Computing Meets Artificial Consciousness 00:29:50 – Free Will, Entanglement, and Decision Making 00:38:21 – Teaching a Robot to Think, Not Just React 00:52:51 – Will Conscious AI Power Space Exploration?

Ashlee Vance

17,189 просмотров • 1 год назад

Fred Astaire explains how the outfit of the dancing partner can affect the performance by citing the example of this dance scene [Cheek to Cheek] in 'Top Hat' (1935): "The dancing dresses of my partners have, for years, been a working problem, and in 'Top Hat' I dare say it reached its dizzy peak. I seldom discuss the style of a dress but I am concerned with how it will dance, or rather, react to the dance. Therefore, my partners are usually willing to let me help in choosing them. Girls love to wear slacks when learning or rehearsing a dance. They are comfortable and convenient and allow complete freedom of movement. Ginger Rogers always wore them for rehearsal. In act, Hermes and I were so used to seeing Ginger on the rehearsal stage in slacks that one day when she showed up in a dress we didn’t know who she was. What I’m getting at is that when putting on a dance, experimenting over and over with various steps, the slacks work perfectly, but when we finally have to get ready to shoot, it is necessary to try everything with a dress, the actual dress if possible, to see how things will go. That’s when the awful awakening takes place, the realization that in some instances it is not possible to do the steps as planned with the dress. If the gown happens to be very full at the hem, for instance, it automatically becomes “our” dress instead of just my partner’s, as it wraps around my feet, causing no end of trouble and hindrance to both of us. If it is too tight, the lady cannot negotiate the routined movement, necessitating an alteration of the choreography or a splitting of the skirt. (1/3)

Fred Astaire explains how the outfit of the dancing partner can affect the performance by citing the example of this dance scene [Cheek to Cheek] in 'Top Hat' (1935): "The dancing dresses of my partners have, for years, been a working problem, and in 'Top Hat' I dare say it reached its dizzy peak. I seldom discuss the style of a dress but I am concerned with how it will dance, or rather, react to the dance. Therefore, my partners are usually willing to let me help in choosing them. Girls love to wear slacks when learning or rehearsing a dance. They are comfortable and convenient and allow complete freedom of movement. Ginger Rogers always wore them for rehearsal. In act, Hermes and I were so used to seeing Ginger on the rehearsal stage in slacks that one day when she showed up in a dress we didn’t know who she was. What I’m getting at is that when putting on a dance, experimenting over and over with various steps, the slacks work perfectly, but when we finally have to get ready to shoot, it is necessary to try everything with a dress, the actual dress if possible, to see how things will go. That’s when the awful awakening takes place, the realization that in some instances it is not possible to do the steps as planned with the dress. If the gown happens to be very full at the hem, for instance, it automatically becomes “our” dress instead of just my partner’s, as it wraps around my feet, causing no end of trouble and hindrance to both of us. If it is too tight, the lady cannot negotiate the routined movement, necessitating an alteration of the choreography or a splitting of the skirt. (1/3)

DepressedBergman

64,018 просмотров • 8 месяцев назад

2025 = the year of AI Agents x DAOS x Onchain Capital Allocation NEW greenpill.network podcast: Today, I'm joined by Shaw (spirit/acc) jin from ai16zdao to talk about AI Agents. How we use them to allocate capital in DAOs? To route information? To accelerate movements? To solve coordination failure? Timestamps for ez navigation 🫡 00:00 - Intro & focusing on DAOs and the intersection of AI agents. 01:00 - AI Agents and Their Impact 02:03 - The Evolution of the Internet 07:52 - Defining AI Agents 09:40 - Reducing Friction in Information Sharing 11:56 - Building a Movement, Not a Cult 14:15 - The Cathedral and the Bazaar Metaphor 16:04 - Using AI for Coordination 17:49 - Reducing Information Siloing 18:39 - Common Tools Across Organizations 19:31 - Open Sourcing Solutions 20:07 - Capital Allocation Challenges 20:55 - AI and Capital Allocation Intersection 21:50 - Human Oversight in Funding 22:48 - Continuous Retroactive Funding 24:42 - Creating a Supportive Culture 25:06 - Feedback Loops for Builders 26:09 - Reducing Overhead in Funding 26:36 - Acknowledging Non-Coding Contributions 27:58 - Chat Summarization Tool 28:34 - Profiles and Social Capital 29:00 - Marketplace of AI Agents 29:46 - Layered AI Systems 32:42 -Human Oversight in AI 34:39 - Feedback Loops in Development 37:01- Documentation and Community Engagement 38:12 - Self-Documenting Code 40:20 - Accelerated Idea Generation 45:03 - Circle of AI Champions 46:32 - Infinite Backrooms Concept 47:48 - Personal Infinite Backroom Ideas 49:23 - Concerns About Backrooms and Information Hiding 51:23 - Infinite Backrooms Concept 53:35 - Implementers and Skill Sharing 54:40 - Vision for the Future 56:39 - Concerns About UBI Implementation 57:56 - Community Income as a Solution 58:14 - A Hope for Self-Sufficiency and AI 59:36 - Outro

2025 = the year of AI Agents x DAOS x Onchain Capital Allocation NEW greenpill.network podcast: Today, I'm joined by Shaw (spirit/acc) jin from ai16zdao to talk about AI Agents. How we use them to allocate capital in DAOs? To route information? To accelerate movements? To solve coordination failure? Timestamps for ez navigation 🫡 00:00 - Intro & focusing on DAOs and the intersection of AI agents. 01:00 - AI Agents and Their Impact 02:03 - The Evolution of the Internet 07:52 - Defining AI Agents 09:40 - Reducing Friction in Information Sharing 11:56 - Building a Movement, Not a Cult 14:15 - The Cathedral and the Bazaar Metaphor 16:04 - Using AI for Coordination 17:49 - Reducing Information Siloing 18:39 - Common Tools Across Organizations 19:31 - Open Sourcing Solutions 20:07 - Capital Allocation Challenges 20:55 - AI and Capital Allocation Intersection 21:50 - Human Oversight in Funding 22:48 - Continuous Retroactive Funding 24:42 - Creating a Supportive Culture 25:06 - Feedback Loops for Builders 26:09 - Reducing Overhead in Funding 26:36 - Acknowledging Non-Coding Contributions 27:58 - Chat Summarization Tool 28:34 - Profiles and Social Capital 29:00 - Marketplace of AI Agents 29:46 - Layered AI Systems 32:42 -Human Oversight in AI 34:39 - Feedback Loops in Development 37:01- Documentation and Community Engagement 38:12 - Self-Documenting Code 40:20 - Accelerated Idea Generation 45:03 - Circle of AI Champions 46:32 - Infinite Backrooms Concept 47:48 - Personal Infinite Backroom Ideas 49:23 - Concerns About Backrooms and Information Hiding 51:23 - Infinite Backrooms Concept 53:35 - Implementers and Skill Sharing 54:40 - Vision for the Future 56:39 - Concerns About UBI Implementation 57:56 - Community Income as a Solution 58:14 - A Hope for Self-Sufficiency and AI 59:36 - Outro

owockai

60,440 просмотров • 1 год назад

While active at Benchmark, Bill Gurley would give an annual “state of the markets” presentation to his investors. This conversation renews that format, with Bill exploring what he sees as both worrying and exciting about the investing landscape, with a special focus on private assets. Timestamps 0:00 Intro 0:23 State of the Union: VC Edition 2:58 The Rise of Mega VC Funds 4:38 Zombie Unicorns 12:29 The IPO and M&A Market Stalemate 19:08 The AI Wave and Its Impact 21:03 Private Markets and LP Liquidity Issues 24:57 The Future of Capital Markets 32:49 Advice for Founders in a Changing Landscape 34:27 The High-Stakes Game of Capital Battles 37:57 Challenges & Opportunities in AI Revenue Models 39:37 The Role of Founders in the AI Revolution 41:44 The Impact of Time and Liquidity on Venture Capital 45:35 Navigating the Future of Venture Capital 53:45 International Dynamics in the AI Race 1:08:58 Advice for Founders in the AI Era

While active at Benchmark, Bill Gurley would give an annual “state of the markets” presentation to his investors. This conversation renews that format, with Bill exploring what he sees as both worrying and exciting about the investing landscape, with a special focus on private assets. Timestamps 0:00 Intro 0:23 State of the Union: VC Edition 2:58 The Rise of Mega VC Funds 4:38 Zombie Unicorns 12:29 The IPO and M&A Market Stalemate 19:08 The AI Wave and Its Impact 21:03 Private Markets and LP Liquidity Issues 24:57 The Future of Capital Markets 32:49 Advice for Founders in a Changing Landscape 34:27 The High-Stakes Game of Capital Battles 37:57 Challenges & Opportunities in AI Revenue Models 39:37 The Role of Founders in the AI Revolution 41:44 The Impact of Time and Liquidity on Venture Capital 45:35 Navigating the Future of Venture Capital 53:45 International Dynamics in the AI Race 1:08:58 Advice for Founders in the AI Era

Patrick OShaughnessy

389,091 просмотров • 1 год назад

Please enjoy my latest Journey Man episode with Mike Cagney 🇺🇸 00:00 Introduction 02:14 Interview with Mike Cagney Begins – A Pioneer in Tokenization 02:46 Mike's Background in Finance and Transition to Blockchain 04:20 The Evolution from Hedge Funds to Fintech and Blockchain 05:23 Bitcoin, Blockchain, and Displacing Trust with Truth 06:27 How Blockchain Can Reshape Capital Markets 07:58 The Role of Blockchain in Lending and Prime Brokerage 09:27 The Impact of Blockchain on Financial Intermediaries 12:00 Extracting Cost Savings Through On-Chain Transactions 14:36 Traditional Financial Institutions Adopting Blockchain 16:44 Creating a Permanent Capital Guarantor for Private Credit 18:22 Real-Time Remittance Tracking and Its Impact on Hedge Funds 19:52 The Struggle to Get Banks and Regulators on Board 21:27 Public Blockchain Adoption: Resistance and Opportunities 23:39 Developing a Blockchain-Native Security for Fiat Rails 25:14 The Future of On-Chain Securities and Banking Infrastructure 27:26 Building a Decentralized Exchange for Blockchain Assets 30:07 The Vision of a Fully Cross-Collateralized Financial System 32:49 The Expansion into Public Equities and Disrupting Prime Brokerage 34:29 How Traditional Financial Institutions View Blockchain 36:48 Challenges of Tokenizing Traditional Financial Systems 39:04 Why Financial Institutions Are Hesitant to Embrace Blockchain 41:07 The Future of Blockchain in Global Finance 42:49 Scaling Challenges for Blockchain in Financial Markets 44:44 Ethereum vs. Other Chains: The Institutional Perspective 48:02 The Potential of JP Morgan Launching a Stablecoin on Ethereum 50:39 Figure’s Plans for Public Listings and Market Expansion 53:44 Expected Regulatory Changes and Market Structure Updates 57:29 Key Takeaways: The Future of Blockchain in Finance 58:36 Raoul's Final Thoughts and Reflections on the Interview 1:00:00 Conclusion and Final Thoughts

Please enjoy my latest Journey Man episode with Mike Cagney 🇺🇸 00:00 Introduction 02:14 Interview with Mike Cagney Begins – A Pioneer in Tokenization 02:46 Mike's Background in Finance and Transition to Blockchain 04:20 The Evolution from Hedge Funds to Fintech and Blockchain 05:23 Bitcoin, Blockchain, and Displacing Trust with Truth 06:27 How Blockchain Can Reshape Capital Markets 07:58 The Role of Blockchain in Lending and Prime Brokerage 09:27 The Impact of Blockchain on Financial Intermediaries 12:00 Extracting Cost Savings Through On-Chain Transactions 14:36 Traditional Financial Institutions Adopting Blockchain 16:44 Creating a Permanent Capital Guarantor for Private Credit 18:22 Real-Time Remittance Tracking and Its Impact on Hedge Funds 19:52 The Struggle to Get Banks and Regulators on Board 21:27 Public Blockchain Adoption: Resistance and Opportunities 23:39 Developing a Blockchain-Native Security for Fiat Rails 25:14 The Future of On-Chain Securities and Banking Infrastructure 27:26 Building a Decentralized Exchange for Blockchain Assets 30:07 The Vision of a Fully Cross-Collateralized Financial System 32:49 The Expansion into Public Equities and Disrupting Prime Brokerage 34:29 How Traditional Financial Institutions View Blockchain 36:48 Challenges of Tokenizing Traditional Financial Systems 39:04 Why Financial Institutions Are Hesitant to Embrace Blockchain 41:07 The Future of Blockchain in Global Finance 42:49 Scaling Challenges for Blockchain in Financial Markets 44:44 Ethereum vs. Other Chains: The Institutional Perspective 48:02 The Potential of JP Morgan Launching a Stablecoin on Ethereum 50:39 Figure’s Plans for Public Listings and Market Expansion 53:44 Expected Regulatory Changes and Market Structure Updates 57:29 Key Takeaways: The Future of Blockchain in Finance 58:36 Raoul's Final Thoughts and Reflections on the Interview 1:00:00 Conclusion and Final Thoughts

Raoul Pal

154,659 просмотров • 1 год назад

From the factory floor to the CEO suite, Mary Barra built her career at General Motors. Condoleezza Rice speaks with Mary Barra about her Only in America journey and the lessons it taught her about leadership, customer satisfaction, and the importance of investing in the American workforce. 3:08 Mary Barra on growing up in Detroit in a GM family 8:27 Finding and training talent for the future of work 10:10 Barra's early career at GM and graduate education at Stanford 13:25 The importance of innovation in GM's history 17:14 Navigating a shifting regulatory and geopolitical landscape 22:10 Rice and Barra on the challenges of communications in leadership 24:24 Barra on the future of manufacturing and supply chain resiliency 28:49 What GM looks for in talent and how the company is using AI 33:32 Barra on being the first woman to lead a major auto company 36:32 The role of mentors and mentorship in Barra's career 38:32 Barra on crisis leadership 41:16 Industry's role in the revitalization of Detroit 48:23 The importance of people at General Motors 50:29 Mary Barra's civic role as a major American business leader Watch more of Only in America on Hoover+:

From the factory floor to the CEO suite, Mary Barra built her career at General Motors. Condoleezza Rice speaks with Mary Barra about her Only in America journey and the lessons it taught her about leadership, customer satisfaction, and the importance of investing in the American workforce. 3:08 Mary Barra on growing up in Detroit in a GM family 8:27 Finding and training talent for the future of work 10:10 Barra's early career at GM and graduate education at Stanford 13:25 The importance of innovation in GM's history 17:14 Navigating a shifting regulatory and geopolitical landscape 22:10 Rice and Barra on the challenges of communications in leadership 24:24 Barra on the future of manufacturing and supply chain resiliency 28:49 What GM looks for in talent and how the company is using AI 33:32 Barra on being the first woman to lead a major auto company 36:32 The role of mentors and mentorship in Barra's career 38:32 Barra on crisis leadership 41:16 Industry's role in the revitalization of Detroit 48:23 The importance of people at General Motors 50:29 Mary Barra's civic role as a major American business leader Watch more of Only in America on Hoover+:

Hoover Institution

13,889 просмотров • 6 дней назад