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I hate to feed into this but this messaging is disingenuous. 1. CBS Boston probably had some tech issues and their live stream cut in late. (It happens all the time. It happened during the KR trials a couple times, too. People are behind those cameras.) CBS Boston also...

18,487 görüntüleme • 1 ay önce •via X (Twitter)

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2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.

LEE KNOW 리노 GLOBAL ★

21,011 görüntüleme • 1 yıl önce

Pavel Durov on why he hasn't had depression in 20 years: "I normally never have depression. I don't remember having depression in the last 20 years, at least maybe when I was a teenager." Pavel's approach to difficult emotions is completely counterintuitive. As he puts it: "I'm a human being like everybody else. I do get to experience emotions and some of them are not very pleasant. But I believe that it's the responsibility of every one of us to cope with these emotions and to learn to work through them." On what creates depression: "Self-discipline is particularly important because without it, how can you overcome this seemingly endless loop of negativity or despair that ultimately leads to depression for some people?" His method: "One of the reasons I don't have depression is I start doing things. I identify the problem, I can see a solution, and I start executing the strategy. If you are stuck in this loop of being worried about something, nothing's ever going to change." The mistake people make: "People often make this mistake thinking 'Oh, I should just have some rest and then regain energy.' This is not how it works. You gain energy by doing something. So you start doing something, then it happens. You feel motivated, you feel inspired, and then ultimately you do something else a little bit more." He continues: "The whole point is to do first and then feel, not feel and then do. Going to the gym is a good example. There are many days when you don't want to start working out. But you have to overcome this initial reluctance and then you get to a point that you enjoy it and you think 'Oh my god, it was such a good idea to come to gym today.'" Action creates energy, not the other way around.

Jaynit

547,503 görüntüleme • 7 ay önce

.DHH credits Marc Andreessen Marc Andreessen 🇺🇸 with helping him the most during the darkest time of his professional life: "It was during that rough going where Andreessen came in. We were a small company of 60 people and 20 took the offer and left. That's almost a third of the company that decided to leave and we got to a point where we were thinking that not many more have to leave before we need to worry about whether we can keep the lights on. And it was actually Tobi who then put me in contact with Marc Andreessen because Marc had been exposed to this phenomenon at some of his portfolio companies. And Marc gave us reassurance and a bunch of contacts. Marc said, "Do you need someone to come in to help do programming or help with operations or whatever?" And I was floored by the generosity because Marc and I haven't always seen eye to eye on things. Especially in terms of venture capital. He's been one of the main faces of venture capital for decades and I've been kind of critical at times. And it was just a realization that all those grievances we might have thought to be so big once upon a time were actually minuscule. We were fighting the white walkers on the other side of the wall and all our internal squabbles were going to be for nothing if those f*ckers got inside the wall and destroyed everything. And that felt like a real threat at the time. That could've happened. They could very well have just ripped the whole thing apart. And Marc clearly saw that that this was a collective, almost existential threat to the entire industry. If these activists were able to take over these institutions in the same way that they have taken over academia we would be f*cked and not just for a little while but potentially for decades. That couldn't stand. And Marc was incredibly helpful not just in terms of these contacts and introductions and so on but it was very powerful. When you have literally 40,000 people on Twitter calling you all the worst things in the world even the strongest individual might go for a second like "Holy sh*t. The mob is coming for me and there's no one else there." And there are other people there. Tobi was there. Marc was there. And it was incredibly helpful to give us the fortitude to go like "No do you know what? We're going to stick with it. We're not going to grovel. We're not going to apologize. We're not going to revert." And then what Marc also did was he gave me a syllabus for understanding the history of wokeness going all the way back to the '60s and beyond. That this didn't just come as lightning from a blue sky. This had an institutional grounding that was set in motion particularly in the '60s and the long march through the institutions, Herbert Marcuse and a lot of The Frankfurt School and all of these groups that had designs on how to reshape society and create the revolution they so dearly wanted, but with a timeline and a roadmap that was demarcated in decades. That it wasn't just like "Well we're going to put something together and then in two years something's going to happen." No they were sitting in the fucking '60s fantasizing about how to overthrow everything in the 2000s. It's actually incredible in a Dr. Evil sense of it but when you're on the receiving end of it it seemed a little less incredible and it was just difficult not knowing where's this coming from? Why is this happening all of a sudden? Well it wasn't happening all of a sudden. There was this long history of it and when you understood that history it made a lot more sense. We weren't just making a rejection for our little corner of the world. We were chipping in in the great civilizational battle of where this country was going to go, whether the white walkers beyond the wall were going to win. And we were like "No they're not going to f*cking win. Get them out of that f*cking wall. Take your goddamn spear and fire it with maximum velocity."

David Senra

523,083 görüntüleme • 18 gün önce

The Lyrics of Imperfect Mew : Every moment in the song is based on a true story. 🗣️: Can you share some of it with us? Mew : Looking at the lyrics, the first verse starts from the moment of waking up. I wrote it when we were on a cruise, we went to the Caribbean together. The image of sunlight shining on his face, that messy, bedhead look right after waking up... just how incredibly cute he was 😆 Mew : The next verse talks about things we’ve experienced together, such as when we went traveling and missed a train. When we look back on it now, it’s actually funny. Or when it suddenly started raining and we didn’t have an umbrella, so we had to take off a shirt and cover ourselves. In those moments, the imperfection somehow became perfect for us. 🗣️: So this is all based on a true story? Mew: All of it is real. 🗣️: Not a scene from a series? 😂 Mew: No, it really happened. The train incident happened in Munich. Usually, he’s the one who checks the schedule. Like, where to go, which platform and what time. But that day, it looked like he read it wrong, so we rushed because we thought we were going to miss it. But actually, he didn’t read it wrong, the train changed platforms. We had to go to another one. It was funny. No one was at fault… the platform was the one that was wrong 😂 Mew : When I told him which moments behind the song, he related to it so much. He listens to it every night now. He probably knows the lyrics better than I do 😂 Mew : Usually when I write a song, I let him listen to it first. He relates to this one so deeply that he especially loves it.

💞

20,628 görüntüleme • 5 ay önce

WATCH: CBS Evening News with Tony Dokoupil anchor Tony Dokoupil’s closing commentary from Minneapolis.... “There is so much to say about the last 24 hours, but sometimes what matters most is what is yet to be said at all, and what we all still need to hear. By now, we’ve all seen the videos. Renee Good is alive and those videos, behind the wheel of her SUV, her three children expecting mom home again soon come. And we’ve seen the freeze frames, too. We’ve heard the political warfare, the clashing declarations about what happened, and unfortunately, we know the ending for Renee Good. Nothing is going to change that. Yet what we have not yet heard his one another. I spoke to people today who haven’t slept since it happened, who want ICE out now, who don’t like masked men on their street, don’t want their neighbors arrested, don’t want families ripped apart.” “I’ve heard, too, not on the streets protesting but in passionate notes in my inbox from people who want to see our immigration laws enforced, legally and peacefully and with safety for all, including the officers who, in many cases, are also parents themselves. These are both deeply American sentiments.” “But our job now is may be the most American thing of all. It’s to find a way to live with people who are genuinely different from us. To try to be fair to them, and in doing so, to make things better, and keep things decent. Because in America, no one else is going to do it for us. It’s not my job to tell you what to think about what happened here yesterday, but I can tell you we owe our children a nation that is better than the one we live in today. And I can say that because we all know it’s true.”

Curtis Houck

834,590 görüntüleme • 7 ay önce

David Friedberg: The Eric Swalwell allegations were widely known about by California insiders, but held back for the perfect moment. Was this a hit job to clear the path for a preferred candidate in California? “Back in December, when it was first rumored that Swalwell was going to run for governor, I started making some calls to various folks to be like, ‘Hey, what do we think of this guy? Is he going to be a good candidate?’ I spoke to several people who independently told me that there's knowledge about this guy sending pics to employees, and that this guy has a bunch of stuff that's going to come out about him. And I largely kind of dismissed it, because I was like, if this is true, this would've all come out already. If multiple people are telling me about this, then I've got to assume that it's a rumor that's being used to block him from running for governor. And then everything that I had been told started to come out in the last week. So the striking aspect of all of this for me was how much knowledge there was about these various incidents with the guy, how so many people had this knowledge, and how no one had actually brought the knowledge to bear. Which begs the question, why did they not do what was right by the victims? Or, why did the victims sit on the sidelines waiting for the right moment to all come out together? These were all being held back purposefully and deliberately for a very particular moment in time when they were all brought forward to be used. And that's what was so striking to me is just how coordinated all of this was. My sense of it is that there are certain insiders, and he's not an insider. Katie Porter, I think, is who the Democratic establishment wants to be governor. She's an insider to national Democrats, she's an insider to California Democrats, and I think that she's the preferred candidate.”

The All-In Podcast

34,980 görüntüleme • 3 ay önce

This young man was handwashing his car since there was no line here. He does it all the time. The cars we see are for the automatic car wash. Anyways he already paid once and got water in the bucket so he could hand wash, after he did that he was preparing to put more money in so he could rinse. An employee comes up and takes the money out of his hand and pushes him and tells him to leave. Claiming Hess making others wait yet we see nobody there waiting. Would you have left too? The cops came and heard him out but since the employee wanted him to never come back, he was asked to respect that. I used to do this all the time especially when traveling. Sometimes I like doing it in the winter because of all the salt and such, I don’t want it damaging my paint. One time I decided to do this at about 2 in the morning on the way to the gym. Obviously there was nobody there and there is usually an officer parked in the parking lot because there used to be reports of people parking back there in the dark sleeping and doing other stuff. I was in the middle of my hand wash when a homeless man literally climbed from behind the dumpster nearby and asked why I was being noisy. I told him I was only washing my car and I was allowed to as it was a 24 hr spot and h paid after all. He started being unreasonable and I flagged the officer behind me, it took him about 30 seconds to notice and he pulled up and I explained what was going on. He said he figured that’s what I was doing since he often saw me doing it before. He did tell the homeless man to leave, and he did without incident. I was able to finish rinsing and drying my car and I left. I don’t live in a bad area, so I don’t feel unsafe doing this, have you ever had an issue washing the car at night? Night time is so much better, quieter and less busy.

SonnyBoy🇺🇸

137,244 görüntüleme • 20 gün önce

Michelangelo Antonioni on the Final sequence of 'The Passenger' (1975): "Interviewer: How long did it take to do the final scene of The Passenger? Antonioni: 11 days. But that was not because of me but because of the wind. It was very windy weather and so difficult to keep the camera steady. Interviewer: One critic has said that the final seven-minute sequence is destined to become a classic of film history. Can you explain how you conceived it? Antonioni: I had the idea for the final sequence as soon as I started shooting. I knew, naturally, that my protagonist must die, but the idea of seeing him die bored me. So I thought of a window and what was outside, the afternoon sun. For a second, just for a fraction-Hemingway crossed my mind: "De@th in the Afternoon." And the arena. We found the arena and immediately realized this was the place. But I didn't yet know how to realize such a long shot. I had heard about the Canadian camera, but I had no first-hand knowledge of its possibilities. In London, I saw some film tests. I met with the English technicians responsible for the camera and we decided to try. There were many problems to solve. The biggest was that the camera was 16mm and I needed 35mm. To modify it would have involved modifying its whole equilibrium since the camera IS mounted on a series of gyroscopes. However. I succeeded in doing it. Interviewer: Did you use a zoom lens or a very slow dolly? Antonioni: A zoom was mounted on the camera. But it was only used when the camera was about to pass through the gate. Interviewer: It's interesting how the camera moves toward the man in the center against the wall but we never get to see him, the camera never focuses on him. Antonioni: Well, he is part of the landscape, that's all. And everything is in focus-everything. But not specifically on him. I didn't want to go closer to anybody. The surprise is the use of this long shot. You see the girl out side and you see her movements and you understand very well without going closer to her what she's doing, maybe what her thoughts are. You see, I am using this very long shot like closeups, the shot actually takes the place of closeups. Interviewer: Did you cover that shot in any other way or was this your sole commitment? Antonioni: I had this idea of doing it in one take at the beginning of the shooting and I kept working on it all during the shooting." [Filmmakers Newsletter, I975]

DepressedBergman

39,125 görüntüleme • 1 yıl önce

WATCH: CNN’s John Miller mentions the video and notes left behind by the alleged Minneapolis Catholic church shooter, citing their mental illness and the working motive is “he was in pain,” but NOTHING about the shooter being transgender and that they hated Christians, Jews, and Trump... Well, we’ve been looking into the shooter who law enforcement sources have identified as Robin Westman and police have been examining some of the postings online by an individual of the same name, presumed to be the same individual. It shows numerous weapons, magazines, things in preparation for the shooting along with a book and different notes. But one of them is particularly telling in that it says: ‘I have waited for this for so long. I am not well. I am not right. I am a sad person, haunted by these thoughts that do not go away. I know this is wrong’ and he goes on to describe that the action he is going to take against this world before taking his own life — which is not uncommon in these incidents, these active shooter scenarios where you see someone who reports to be in — in — in pain and trauma and that they write all of this out and leave it behind with the foreknowledge that what they're about to do is going to end their own life as well, while taking these — these strangers, these innocent people with them in the process. But investigators are going back through this material and a lot of other material trying to determine motive. So what do we know? I mean, what we know, if this in fact is from the shooter, that his motive was he was in pain. But what we don't see here and there's more to go through is what was, what was the shooter — Robin Westman in pain about specifically?”

Curtis Houck

64,113 görüntüleme • 11 ay önce