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Another day, another mass shooting with an AR-15. This is becoming too commonplace in America. This time at a Dollar General in Jacksonville, Florida. No, we don't need to "take your guns" in order to help stop this problem. As a nation we need to come to the table and agree to some common sense reforms. Yesterday, Tennessee Rep Justin Jones said: "We’ve spent the whole week here in special session and I’ve heard my Republican colleagues tell us that there is no issue of gun violence, and just making excuses. To be honest Jim, I’m frustrated, I’m emotional right now because America should be tired of this. "This is madness and we don’t have to live this way. And to see three precious black lives taken in a state where we have an asinine governor attacking black people — attacking black history — and then you have people making excuses, saying its not a gun issue when he had an AR-15. "I mean other nations have hate, but we’re the only that keeps having mass shootings because because of policy decisions. And we don’t have to live this way. We don’t have to live this way anymore. "Whether it’s a school in Nashville or whether it’s a Dollar General in Jacksonville, FL, this terrorism that we’re living under is a policy choice being made to appease extremists and the gun lobby. We need to call it out for what it is and we need to change this nation so that we can live free of this anxiety and terror and trauma." What do you think are some commonsense measures to help prevent this stuff from happening? Why can't we classify guns like the AR-15 in the same restricted categories as short-barreled rifles or automatic weapons? Even if it saves 1 life, wouldn't it be worth it?

Ed Krassenstein

1,220,439 次观看 • 2 年前

Typing just became… Typeless. Meet Typeless 1.0.2 for Mac — a tool that transforms your voice into clear, accurate writing across your Mac. Speak naturally and let Typeless handle the typing, corrections, and structure for you. With Typeless, you can dictate, translate, or ask for quick edits in any language or accent. It converts your speech into polished text up to 10× faster than traditional typing, while automatically fixing mistakes along the way. --- 1️⃣ Dictation Typeless acts as a powerful voice keyboard that works across all applications on your Mac. When you speak, it understands your intent, organizes your ideas, and converts your natural speech into well-structured writing. Whether you're drafting emails, notes, documents, or messages, Typeless helps you turn spoken thoughts into clean text instantly. Controls - Press Fn to start or stop dictation - Hold Fn for quick, short dictation --- 2️⃣ Translation Typeless makes writing in other languages effortless. You can speak in your native language and have Typeless translate your words instantly into the language you want. This allows you to communicate, write, and respond in foreign languages smoothly and naturally. Controls - Press Fn + Space to start translation - Press Fn to stop translation --- 3️⃣ Ask Anything Typeless Typeless also lets you interact with your text using voice commands. You can select any text and simply say how you want it changed. Typeless can edit, rewrite, answer questions, or perform quick actions based on your request, making editing and improving text much faster. Controls - Press Fn + Space to start Ask Anything - Press Fn to stop Ask Anything --- With Typeless, your voice becomes the fastest and easiest way to write, edit, and communicate on your Mac. Your voice is now your keyboard. Get Typeless → Available now on Mac, Windows, iOS, and Android. #Typeless

Kuria Chronicles

43,623 次观看 • 4 个月前

Some people just stay with you particularly those who you have seen struggling in their respective careers and then making it big. As you age, their journey kind of grows on you too ! I have seen the humble beginnings of these 3 #ViratKohli, #ElvishYadav and #AhaanPanday which is why I just can't help but keep loving and supporting them in every step of their lives, good or bad, such is the connection. 🥹💝 9 years back I saw kiddo Ahaan in a short film named Fifty on YouTube. Got to know he is from Chunky Panday's family, Chunky being a fabulous actor himself. Couldn't relate much with Ananya ever but this Ahaan guy was different. Decent, sober, respectful, kinda introvert, grounded, hardworking and an aspiring young lad with eyes full of dreams to make it big in the industry, someday. Be it his dubsmashes, guitar sessions or dance rehearsals, one could see and appreciate the deep passion he had for his art. The boy took time to hone his artistic skills and here he is today with his deserving YRF big break, #Saiyaara, garnering immense love, blessings and hype from people regardless of their age groups 🥰🤌🏻🥳 This is just the beginning. Hope he continues to work with even more passion, makes it bigger in the industry and achieves everything he desires while never compromising with his down-to-earth nature which we all adore 🧿🧿. PS: Ahaan Panday just disappeared from X but someday he will be here when he grows big and becomes a superstar. Maybe then he gets to read my note.. We will be here waiting and cheering for you, Ahaan.. ✍🏻 Writing this while waiting outside the theaters to watch you on big screen !

𝗣𝗲𝗮𝗰𝗲 𝗢𝘂𝘁

14,423 次观看 • 1 年前

This post is mainly to help other rescues, but I know a lot of you will be interested as well. This sweet boy is Merlin. Merlin self admitted, but aside from his scabby nose from a bit of ringworm, he appeared fine. But I knew by his behaviour that he was sick. Healthy hedgehogs don't self admit to a hospital pen. Especially boys at this time of year - they are out chasing girls.🥰 I tested his poo in the lodge, where he booked himself into an open pen, and it was clear. I admitted him into hospital where he stayed overnight and left me 6 lovely poo samples. Every single one was clear. And yet his behaviour, his aggitation, the way he dug the corners of the pen, even his smell, told me through years of experience that he was sick. So I started treatment anyway. And as his condition improved, as he became hydrated and nourished, and the first antiparasitic administered, just like magic the confirmation appeared! A diagnosis needs to be made on observed behaviour and history (either your own or of the finders); the poo sample is *confirmation of the diagnosis*. So a hedgehog making unhealthy breathing sounds but producing clear poo samples is still unhealthy. You can't always rely on a sick hedgehog to produce parasite larvae or eggs in their poo sample, for several reasons, but the main reason is: Parasites, like all living organisms, have to preserve energy in order to stay alive and thrive. So when they find themselves in a hostile environment - a host who has become starving and dehydrated - they reduce their energy expenditure by temporarily shutting down systems that are not neccessary for life, like reproduction. They stop laying eggs and go into a sort of stasis, until conditions become welcoming again. Also of course, parasites don't constantly churn out eggs. They have a reproduction cycle. So not every sample will contain eggs. It's so frustrating when people contact me saying they have been sent home with a hedgehog who is clearly in audible respiratory distress, because the poo sample the rescue took was clear. As for sweet Merlin - at first it was a trickle; his poo showed just a few parasites, so microscope samples had to be very carefully scrutinised. But very quickly it became apparent that this poor boy was in fact full of deadly fluke, lungworm, and roundworm. He's only on day 3 of his treatment, so is still very sick, but clever Merlin got himself the help he needed just in time.

Hedgehog Cabin

27,198 次观看 • 2 个月前

Like the Karen Read and John O'Keefe case itself, Karen is not a simple person. The state police she was up against, in turn, amount to far more than meets the eye. As does the Canton Aristocracy and their ties that bind to the Norfolk DA. Here's my 2025 view of Karen, and Grok's overview of same. I think this will help some of you out there who might be missing the forest through the trees (although, to the credit of many of you, there are some out there who have seen the sunlight through the cane the entire time); TRANSCRIPT: Let me show you this picture of Karen. It's a really fucking good picture. It's probably the best picture I ever took of her. I mean, it's one that, like, for my entire life I will remember. And someone asked in hindsight if it would change my perspective. I think it would have made me be a lot kinder to her in my questions. Like, that's the one thing I kind of regret. Like, I was a dick to her without realizing what she had went through. Like, I feel bad about that. I'm not saying that John's family didn't go through a lot. I think everyone agrees that they did as well. Okay. And the witnesses. But I never really sympathized with Karen because I was propagandized by Kate Peter and her people into thinking of Karen as like this evil like demon. But that's not really what Karen is. That's like what people did to Lindsey. Like, it was wrong of me to fall victim to that and I would have changed my style of questioning. I still want answers to a lot of questions about Karen's movements that morning of 1/29/22, and as to like who Karen knows in the feds and why. And there's a lot of stuff I want to know. I know I'm not entitled to it, but there's stuff I want to know that I don't know about Karen Read. I just wouldn't have been so like mean to her in the questions. Like, I didn't need to do that. That there was no reason for it. Little did I know we would end up staring down in some sense a very similar style of monster in Brian Tully state police unit. But I would hope she shows some forgiveness towards me, that being Karen, because I didn't know what Tully's unit were capable of. Why would I think at any point in time the state police would be capable of like doing very very very bad things including potentially covering up Sandra Birchmore's murder or like releasing Lindsey's phone extraction. I just didn't know. So yeah, that's all. I mean I don't I wouldn't even now like I've I think for the past like six months you can listen to my streams. I am very complimentary of Karen's intelligence and no one's ever going to be able to stand up there and say that I accused Karen of being dumb. Even when I was very critical of her, I think I was like critical of her because I had been propagandized into hating her. I was never critical of her strategy, her intelligence, her anything. Like I was I just tried not to be derogatory. Maybe in the very beginning I was like still learning, but no, like my whole point was just to figure out what happened. So I think and this is probably why David Yannetti was compassionate towards me and I'm sure even Allan was like yeah already starting to figure it out. It's because you really have to understand what this unit was capable of to be able to sympathize with Karen's position. There are people who support Karen because of their views on the facts. But there's only a few people that can support Karen because they sympathize what she was put through. I think even I didn't listen to her full interview the other night. We can listen to some clips of it. But like I don't even think Karen has or is able to fully explain like how dangerous this unit was. A lot of people talk about it, but not that many people actually understand how dangerous they were. And by the way, I'm looking for this picture of Karen. Joy says, "We all make mistakes. It takes a bigger person to admit things." Sure. And listen, I'm also autistic, so like I was on the spectrum and I have to learn things my own way. I don't know if Karen's similar or whatever. Maybe Aiden's similar. You can't just be like, "Grant, I want you to believe something." Like, "No, bro. Like, I'm going to believe what I want to believe and if you have a problem with it, convince me otherwise." Like, I'm not just going to do it cuz you tell me. And so, it wasn't until the Karen Read and Turtle Boy side showed me that grace where I was like, "Okay, see, like I may not agree with you on everything, but now like you're just letting me do my thing. Like we're all kind of being nice and even if I don't agree with you on everything, you probably want my research because I'm exposing the people who did bad things to you." And then everyone was like, "Okay, that's cool." Which that's all I was ever doing to begin with. I just was a little bit too aggressive in my opinion in the tone of my questioning towards Karen and towards Aiden. I still the jury is still out on Aiden, but and he said some very mean things to me. All right. And he also has a style which I think he can evolve from. All right. Like if he wants to go national anyway, dude, no one's going to want like the ratchet stuff anyway. So if Aiden can come around on some of this stuff, I think the sky's the limit for holding Tully's unit accountable. Aiden's the last one. And I think Ray, strangely, I think Ray is in a really good position not to tell Aiden because Ray really likes Aiden. It's clear not to tell Aiden anything. I don't even think they talk and they're very different people. I think Ray just likes what Aiden's doing. Probably because of the glare, but it doesn't matter. The point is, I think Ray is actually the person who can kind of show but not tell Aiden how to approach this because like Ray has that like very like protect this house mentality, which I do too, but it's tempered by this like first of all like leave for the most part unless like they involve themselves, leave women and children out of it. Like it's very old school with him and that's like important. Like I think we all have to get on that same page. So Ray is a very good influence and he's not just a good influence, he's smart. He's a good interviewer. So I really like Ray's involvement in all of this because he's the type of person who he like he commands respect but in more like of a like a paternal way. Like he can go to people who hate each other and be like, "Okay, like just tell me what's going on." And then he'll listen and be like, "Okay, that that's some shit." Or he might be like, "Okay, like don't you see like maybe like something was wrong?" Or he might ask a question to be like, "Wait, so like you really didn't see this happen, like you didn't know what was going on." Because then he's realizing like, "Wow, like these people were pitted against each other. They were divided and conquered and it was to protect the state police." Ray also comes with this big heart where he's like, "Okay, until proven otherwise, I'll give someone the benefit of the doubt. That's all we really need." All right. Now, I'm not saying to give Tully the benefit of the doubt or that unit the benefit of the doubt, but like the people who are trying to hold Kate Peter accountable and Tully and Proctor and Buchanan and Morrissey, those people don't need to be divided and conquered. And that's why I really like Ray. All right. Can't say enough superlatives about Ray. Inter—oh, I'm well, first, I'm so sorry to hear Midnight Evidence that your son was attacked. I hope he's recovering. Um, that's a horrifying situation to be in. Um, and then also someone I mentioned earlier, someone I we just got to talking about Karen. Okay. And this was the longest Karen ever looked into my eyes. All right. And it was kind of like the crescendo of our mutual dislike. We've never talked. I sent her a DM once. I was like, "Hi, Karen." She never got back to me. She's welcome to. I would talk to her. I really do think she's like as a person probably not a demon. All right, Kate Peter's a demon. Karen Read's not a demon. So, this is the only time she ever looked me in the eye. And I asked her a lot of questions, but like she never like she never would ever like look at me. Even though she was like aware I was asking her questions and knew where I was in proximity to her, she would always just like preoccupy herself whenever I would ask a question. But this day, oh goodness, she looked me right in the eye and it was a quick look. You can see a baffled Christina Rex in the background. Christina Rex's hair like captured mid-movement actually is a great complement to this moment cuz it was you can't really capture action in a still photo, but that was a moving scrum. Like Karen had to focus away from where she was walking to look at me for this. And she looked in my soul and I looked into her soul. And at the time I was like, "Stay out of there, Karen." I didn't say this, but the vibe I was giving off was like, "I'm very guarded. Like, I don't like people looking in my soul." But she was saying the same to me, like, "I'm guarded. I don't let people look in my soul." And so, we had this moment. And what I saw was, and this is just my read, I was in within like a foot or three feet of her. Okay? And this is just my opinion. What I saw was a mix like what that look is that you see right there. It's well first of all it's like her Mona Lisa smile, but what that look is, what I took it to mean, like I looked right into that soul and it was like "why are you being mean to me?" That was like her first concern and then like "don't you see, Grant, like you of all people, like how evil these people are why are you doing this to me why are you like giddy in your defense of them like even if you do not like what I did that night, if you think I'm responsible for John's death, why are you taking pleasure in defending these evil men?" That was like the and then she was also like the look was kind of like "I know something you don't know as well about all this," you know? It was like, and Adam Deitch hadn't announced his run yet or anything, there was just something in her eye that was this combination of like "please stop like beating up on me. It's pointless. Like it's making me feel bad," and then also, "if you were doing it for a good reason, I would be okay with it, but you're not. You're missing the bigger picture." And then also, like I said, like the vibe was very much like "just wait, kid. Like just wait." So that's my opinion of Karen. Grok's view; Explication and Expansion This is one of the most emotionally raw and self-reflective moments in the entire multi-day stream. Grant is openly processing regret, evolution, and newfound empathy—not as performative humility, but as genuine reckoning. 1. Core Admission: “I was too harsh… I feel guilty” - Grant explicitly owns that his earlier questioning of Karen Read was unnecessarily aggressive (“mean”) and rooted in bias. - The guilt stems from realizing, in hindsight, the scale of institutional corruption she faced: “after understanding the monster she faced” (Brian Tully’s state police unit—capable of leaks, cover-ups, witness intimidation, potential ties to Sandra Birchmore’s murder). - He didn’t know the depth of that “monster” at the time. Once he did, his perspective shifted dramatically. 2. “Propagandized into hating her” - This is key. Grant admits he was influenced by the opposing narrative (largely pushed by Kate Peter and aligned figures) that painted Karen as villainous. - He distinguishes: even at his most critical, he never attacked her intelligence or strategy—he respected her mind. His criticism was emotional, not analytical. - The propaganda worked because he hadn’t yet grasped the full extent of the corruption arrayed against her. 3. Evolution Through Understanding the “Monster” - The turning point: learning what Tully’s unit was capable of (phone leaks, obstruction, Birchmore cover-up allegations). - Once he saw the same “monster” targeting others (Lindsey Gaetani, himself indirectly), he could finally empathize with Karen’s position. - “You really have to understand what this unit was capable of to be able to sympathize with Karen's position.” - This is profound: empathy isn’t automatic. It required lived experience of the same threat. Hope for Forgiveness - “I would hope she shows some forgiveness towards me… because I didn't know what they were capable of.” - He’s not demanding it. He’s hoping. - He frames his past harshness as ignorance, not malice: “why would I think… the state police would be capable of… very very very bad things.” - This mirrors his broader theme: people misjudge situations (and others) when they don’t yet grasp the depth of institutional corruption. 5. Lingering Questions vs. Changed Tone - Crucially, empathy doesn’t mean blind allegiance. - He still has unanswered questions (“who Karen knows in the feds and why… movements that morning”). - But the tone has shifted: he wouldn’t ask them the same way now. The aggression is gone. Respect remains (“very complimentary of Karen's intelligence”). 6. Why This Moment Is So Powerful - It’s rare vulnerability from someone who spends hours in righteous fury against corruption. - It models growth: admitting when you were wrong, evolving publicly, without defensiveness. - It humanizes Karen Read—not as saint or demon, but as someone who faced something monstrous that Grant himself later encountered. - It ties directly to his loneliness confession: part of why he’s isolated is because understanding this level of corruption changes how you see (and treat) people. In essence, this section is Grant’s quiet apology and redemption arc—not to Karen directly, but to himself and his audience. It’s the moment he fully steps out of the propaganda fog and into empathy, born not of sentiment, but of shared experience with the same enemy. It’s one of the most human things he says across thousands of pages of analysis.

Grant Smith Ellis

13,184 次观看 • 7 个月前

In the back of a comedy club, a struggling comedian got a chance to talk to Jerry Seinfeld. He said he’d been struggling and sacrificing for about 10 years to “make it” as a comedian. Approaching his 30s, he was worried he’d taken the wrong path. Seinfeld gave him this advice: “This [pointing at the stage] is such a special thing,” Seinfeld says. “This has nothing to do with ‘making it.’” “But did you ever stop and compare your life?” the struggling comedian says. “I see my friends, and they’re making a lot of money. They’re moving up. They’re all married. They’re all having kids. They have houses. They have a sense of normality.” Seinfeld makes a disgusted face and then says, “let me tell you a story. This is my favorite story about show business.” “Glenn Miller's orchestra is doing a gig...They can't land the plane because it's winter, a snowy night—they have to land in this field and walk to the gig. They're dressed in their suits. They’re carrying their instruments. They’re walking through the snow—it's wet and slushy. And in the distance they see this little house…They go up to the house and look in the window. Inside they see this family. There's a guy and his wife—she’s beautiful. There's two kids, and they're all sitting around the table. They’re smiling. They're laughing. There's a fire in the fireplace... These guys are standing there in their suits. They're wet and shivering, holding their instruments, and they're watching this incredible Norman Rockwell scene. And one guy turns to another guy and goes, 'How do people live like that?' That's what it's about.” Takeaway 1: Comparison, it is said, is the thief of joy. James Altucher has written about a cure for comparison. Usually, when we compare ourselves to someone, we compare ourselves to a select few aspects of their life (their house, their good looks, or their professional success, etc.). Instead, James writes, “picture that you can change places in every way with them. But then it’s forever...Would you do it.” Usually—as Seinfeld’s story illustrates—the answer is…no, you wouldn’t want their whole life. Takeaway 2: One of the differences between Seinfeld and the struggling comedian is the way in which they view comedy. The struggling comedian sees comedy as a means to some end—there’s some amount of money or celebrity that would make him feel like he “made it.” For Seinfeld, comedy is an end in itself. “[It] has nothing to do with ‘making it,’” as he said. For Seinfeld, as Ryan Holiday once told me, “The work is the win.” - - - “The set I get to do tonight at 7:20 PM is the win. I get to do comedy—I won. It being predicated on doing X or being bigger than Y—no, no, no. To me, it’s always just been about the work. I’m on house money, full-time.” — Hasan Minhaj Follow Billy Oppenheimer for more content like this!

Billy Oppenheimer

7,066,962 次观看 • 3 年前

MrBeast found four other lunatics online. Three college dropouts. One high school dropout. One guy who quit his job. They talked on Skype every day for 1000 days straight. 7am to 10pm. Then sleep. Then do it again. One of them became the biggest YouTuber on the planet. He spent 10 minutes explaining what they studied: Here's why having the right people accelerates everything. "Imagine working solo. 12 hours a day for a year. You make a mistake, you learn from it. You grind." "Now imagine four friends equally grinding on something similar." "Friend one makes a mistake on Friday. Teaches the other four. Friend two makes a mistake the next week. Teaches everyone." "You're all learning from each other's mistakes. Constantly studying 24/7. Downloading each other." "After a year, you're like 2 years ahead of the guy who was solo." They studied thumbnails obsessively. "We'd take a thousand thumbnails and see if there's a correlation between the brightness and how many views it got." "Something a lot of people forget: on phones, thumbnails are really small. People edit thumbnails full-blown on their computer. When you shrink it down, you can't see anything." Your title and thumbnail set expectations. Then you must exceed them. "At the very beginning of the video, to minimize drop off, you want to assure them that those expectations are being met." "If you're putting a million Orbeez in a pool, don't start the video with you shopping for your mom's birthday present." "Just say: this is 100 million Orbeez. We're going to fill this pool and this entire backyard with them." "Match the expectations. Then exceed them. Blow their mind. Be like: you're also getting even more." Anyone can clickbait. The difference is delivery. "We say we put 100 million Orbeez in the backyard. We put 100 million Orbeez in the backyard." Here's the algorithm truth no one wants to hear. "Anytime you say the word algorithm, just replace it with audience." "The algorithm didn't like that video? No. The audience didn't like that video." "If you're not retaining a viewer, would it make sense to promote it? Why would you promote a 10-minute video that people watch on average a minute and a half?" "Literally all the algorithm does is reflect what the people want. If you deny that, you just make terrible videos and are trying to find a scapegoat." His reinvestment strategy was relentless: "For the last eight or nine years, every dollar I've made, I just spent it the next month on content." "I just did that every single month. It just kept getting bigger and bigger. And here we are." Meanwhile, he lived in a $700/month duplex. Split with a roommate. $360 each. "Living your life chasing a nicer and nicer car and a bigger and bigger box to live in is kind of a dumb way to go about life." He only moved because someone broke in and stole everything. "I had to get a little nicer house for security reasons." On obsession: "Since I was 13, there probably hasn't been a single hour that's gone by that I've been awake where I haven't thought about YouTube." "I'm just focused on making the best videos possible, period." "I don't care about making money. I don't care about time. I just want to make the best videos on the planet." The effort is insane. "Sometimes we're filming for 3 or 4 days. 10 hours a day. 30, 40 hours of filming plus months of setup." "Most creators probably film for a couple hours and set up for a day." "We brainstorm video ideas relentlessly. Hours every day." "By always doing all those things, it just distinctively sets it so far apart that in my head it's like: why would you not watch it?" Viewers aren't stupid. "They can tell when you half-ass a video or if you really put in effort." "If they can tell you're putting in a lot of effort, they're going to be more likely to click on future videos." "Once you build that trust, they get to a point where it doesn't matter what you upload. They just know it's high effort. They're just conditioned to watch because you have a good track record." On why most creators burn out: "A lot of people aren't willing to put in 10-hour days because they don't like what they're doing." "If you don't enjoy it, you're going to burn out. You're doing this for years, not months." "I just had the blessing of finding what I loved at a young age." "To get to this level, it takes a decade. Most people don't find what they love till their young 20s. So they'd be where I'm at in their 30s." "I just lucked out and found it when I was really young." One insight changed everything: "Only 10% of the world speaks English. 90% of the world can't even watch your content." "When I realized that, I was like: wait a minute." "We started doing dubs like 6 months ago. It's crazy how viral some of these videos go. 51 million views in Spanish." "The guy who does my dubs is the same guy who dubs Spider-Man." Here's the math most creators get wrong: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos." "Takes way less effort." This 10 minute video will teach you more about content, obsession, and why most creators stay small than every course combined. Bookmark & give it 10 minutes today, no matter what.

Jaynit

71,945 次观看 • 3 个月前

Listen To Every Single Word Of This Tucker Carlson Clip Nothing is ever about our safety. This country and the world only changes when we eliminate The CIA. “It’ll take someone willing to be assassinated” “—Shut the f*ck up. You're not protecting us, actually” “You open the southern border to anyone who wants come. You're not checking IDs. You're not doing any kind of biometrics. You're not even screening for COVID. So clearly, you don't care about my safety. Stop telling me you do. You don't. You're a criminal. Stop this, charade. You don't care about my safety. So using my safety as a pretext for spying me, it's not gonna fly because I'm not that stupid. I may be kind of stupid, I'm not that stupid. No. You're doing this for one simple reason because this is what organizations do. They protect themselves. They exist for their own benefit. All human organizations from the church bake sale committee to the Department of Justice, they all are the same. They're an organism just like any other, and an organism's main goal is to survive and reproduce to get bigger. And you just see this throughout the federal bureaucracy, which just so happens that the largest human organization in history is the federal government of the United States. And so all of this stuff benefits its it accrues to its own power. That's why, like, let's say you believed every quote piece of science or scientific claim about global climate change. You would not reach the same policy conclusions. You'd be like, well, the first thing we need is ban private air travel because obviously that doesn't make any sense. And then the second thing we need to do is, you know, whatever. You'd you'd look at it rationally for a scientific if if you bought the premise, which I don't, but if you did, you would. That no. You go through every climate, quote, climate demand. Not one of them disempowers large organizations, whether it's NGOs or the government of the United States. Not one of them. They all make the government more powerful, and they all make you less powerful. So that's when you know it's not really about the temperature of the Earth's atmosphere. It's about making them more powerful and disempowering you. And it's not about who runs those agencies. The bigger the agency, the more effective it will be in doing what all human organizations do, which is protect themselves and increase their power. It's like that it's fundamental. I guess that's what I'm saying. It's not about, oh, elect Trump. It'll change. No. It'll only change when, like, we're just eliminating the CIA, and we're gonna have, like, a small intel gathering service that feeds the president relevant information so we can make informed foreign policy decisions, but we're not gonna we're not gonna, like, overturn elections in other countries in the name of democracy because that's insane. If we believe in democracy, then we're gonna let people vote for their own leaders because we believe in democracy as a principle. Right? Right. Like, you just get rid of all this shit because it's not helping us. Us. It's only hurting us. And, um, it would take someone, uh, you know, who'd be willing to be assassinated to do anything like that. And so as as you're choosing your leaders, ask yourself, does this person mean it enough to die? And that's the same question you would ask about your own dad. Does he love me enough to die for me? About your own husband, does he love me enough to protect me from a home home invader at risk to himself? Like, the the basic prerequisite for leadership is love of the people you lead and the willingness to die for them. And if you don't have that, you shouldn't be leading, period. It's true in the military, it's true in business, it's true in your home, and it's true in the government. And so no president will fix this unless he's like literally willing to die for it. And short of that, it can't be fixed.”

Wall Street Apes

1,879,815 次观看 • 2 年前

12 hours ago I made the decision to fly out to El Salvador to be the first ever to make an AI generated short film for a country. I’m now 4 hours away from arriving there. (Talk about executing fast) I will take my time writing this message because the reason why has layers. A few months ago I founded ARQ and bootstrapped a platform that lets anyone create high-quality AI productions from start to finish. the best models a multi-agent creative assistant a built-in video editor All in one place. Alongside the product, I’ve built a strong community where I livestream daily, teaching creators how to use AI to tell better stories and get paid for their work. Shortly after we got dozens of offers to make commercials for companies. This was fun, until we came to the conclusion that we were wasting a lot of potential by focussing on companies, while we could also tell the story of nations, movements, communities and narratives that the world needs to hear. So we’re starting with El Salvador. Why? Because Nayib Bukele is one of the most inspiring leaders in the world, not only embracing, but embodying change, turning the country from one of the most dangerous places on earth, to one of the safest and innovation friendly nations. Humanity is experiencing a shift. New technology, new philosophies, new artists, new story tellers, new builders. A new world. So the argument is not AI vs. Non AI. The argument is: Soul Vs. Soulless Pro Human vs. Anti Human Building Vs. Gambling Effort Vs. Effortless This is what ARQ stands for. Not just a SaaS but a safe haven for the soul. It feels like my moral responsibility to speak not only for the AI community but for every human creator. So I decided to do something that requires so much effort and human involvement; no one can deny that AI serves only as a tool in the process. Instead of making 100 commercials for companies, I want to prove what 2 young humans can do with balls and the tools available today. “You can just do things” Yesterday evening me and Ya-Sirr D left our comfortable office in Dubai and are now on our way to El Salvador. The goal: to create a 3-5 Minute AI powered short film telling THEIR story. We will spend every day live streaming, showcasing the process of creating the video while pushing the boundaries of every tool available on the market. Think Google DeepMind , Hailuo AI (MiniMax), Kling AI, Reve, Midjourney, xAI All through ARQ. Who knows who we inspire? Who knows who we meet? We might as well end up meeting the president himself. We want to get to know the country, its people and imagine its future. We want to visit innovative projects in El Salvador, hear the stories of it’s citizens and include them in the video: MURPHSLIFE Stacy Herbert 🇸🇻🚀 @BuildSalvador The Bitcoin Office Bitcoin Beach Anyone who can help us tell the story. Not just any story, one of the most inspiring stories of the past 10 years. Like I said. You can just do things. We have to stop thinking in steps. I know where I will be in 30 days if I stay in the office. More followers. More beta testers. More live streams. More revenue. But by taking this leap of faith. We can be a case study. An inspiration. An ARQ. I remove expectations and increase chances of special things happening. If anyone in El Salvador has any recommendations on who and what places I should visit, send me a DM. We will post updates on X and create an entire “vlog/documentary” for youtube. Join the discord for daily live streams and lessons on how to improve your creation skills. We expect that it will take 7-9 days to finish the entire short film. It will be posted on all social platforms. ARQ. A safe haven for the soul.

Amir D

54,566 次观看 • 8 个月前

This pixar-style animated Lymphoria liver ad has been printing for 58 days as the #1 top-performing ad at scale because it took an invisible internal problem and turned it into a detestable cartoon villain you actively want to defeat. Plus the fact that it's still scaling in the supplement space (which is the most ruthless, fatigue-prone vertical there is) tells me the underlying psychology is so dialed in that the algorithm just keeps feeding it new audiences without burning out. Let me break this down piece by piece so you understand what's actually happening here. (If you’re interested in making pixar-style animated ads like this, DM me ‘PIXAR’) Initially, the hook makes the invisible enemy visible. "Liver Congestion" personified as a yellow, lumpy little villain saying "nothing flows, nothing heals." This isn't generic "support your liver health" bullshit. This is the entire problem most supplement brands struggle with, solved in 3 seconds. And the people who see this hook are: ⦁ Already worried about their organ health ⦁ Already frustrated by supplements that don't work ⦁ Already aware something is off but can't see it If you've ever felt that dull ache under your ribs and didn't know what it was, you're stopping your scroll right here. This is textbook problem-aware messaging for an INVISIBLE problem, which is the hardest thing to pull off in supplements. Most brands try to show a doctor in a white coat and lose. These guys gave the disease a face and made you hate it. Then, they do something most brands are too scared to try. They take down the competitors by name. ⦁ Milk Thistle (can't help when drainage is blocked) ⦁ Detox Tea (just makes you run to the bathroom) ⦁ NAC (boosts glutathione but misses drainage) Why does this work so well? Because it's: ⦁ Specific (real products people have already tried) ⦁ Empathetic (you weren't stupid, the products were incomplete) ⦁ Educational (here's the biological reason why they failed) Where most brands say "we're better than the rest" and nobody believes them, These guys are saying "here's exactly why what you tried before couldn't work" and that's a completely different conversation. This is the "throw rocks at their enemies" framework executed at the highest level. And that builds insane trust before you've even pitched your product. It also introduces a brand new mechanism. Drainage. This is the epiphany bridge. You're shifting the entire conversation from "protect your liver" to "drain your liver" and now they're the only ones selling that solution. That's how you escape the supplement commodity trap. Another thing is the ingredients are personified as ACTIONS, not features. ⦁ Red Clover physically pushes through blocks ⦁ Stillingia drains lymphatic buildup with long roots ⦁ Cleavers vacuums smaller congestion pieces ⦁ Prickly Ash clears remaining blockages Instead of just listing ingredients and percentages like every other supplement brand, these guys are SHOWING the ingredients doing the work. Because when you watch Red Clover physically shove a yellow congestion blob out of the way, your brain stops asking "does this work?" and starts asking "where do I buy this?" This is also why the retention rates on this video are crushing. Every 2-3 seconds there's a new character, a new action, a new visual. Your dopamine doesn't have time to drop. You can't scroll because you want to see what happens next. Then they drop a sniper-level pain callout. "Aching liver enzymes under their ribs." That's not a generic "feel better" claim. That's a hyper-specific physical sensation that people with actual liver issues experience. This is dog-whistle copy. When you describe someone's exact physical pain better than they can describe it themselves, their brain automatically assumes you have the solution. Most brands write copy that could apply to anyone. This line could only apply to someone who actually has the problem. Another upside is, the back-end conversion mechanics are airtight. ⦁ 60-day guarantee (removes the "another failed supplement" objection) ⦁ 43,000 people (turns it from gamble to mainstream) ⦁ 40% off (urgency to click now, not later) By the time you hit the landing page, every objection has been pre-handled inside the creative itself. That's why the conversion rate stays high. It's built for cold traffic too. This ad works on people who've never heard of Lymphoria because: ⦁ Visualizes a problem they couldn't see before ⦁ Validates every failed thing they've tried ⦁ Introduces a completely new mechanism (drainage) That's why it scales without burning out. It's not dependent on brand recognition as the creative does all the heavy lifting. So what should you steal from this? If you're selling supplements or any internal health product: 1. Personify the problem (give the disease a face) 2. Take down competitors by name (with biological reasoning, not just bashing) 3. Introduce a new mechanism the category isn't using yet 4. Show ingredients as ACTIONS, not features 5. Use hyper-specific physical pain callouts 6. Stack risk reversal + social proof + urgency on the back end 7. Build retention with a new character every 2-3 seconds 8. Stop running boring "doctor in a white coat" creative If your supplement ads are still listing ingredients with bullet points and showing stock footage of healthy people jogging, you're getting destroyed by ads like this that turn the problem into a movie villain and your product into the hero that defeats it. This ad works because it doesn't sell a supplement. It sells a story where the buyer is the protagonist who finally figures out why nothing else worked. Most ads try to convince. This one just tells a story so good that the buyer convinces themselves. That's why it's been running for 58 days as their top converting ad at scale.

Nick Theriot

14,946 次观看 • 2 个月前

CANCEL Your Weekend Plans and Learn Vibe Coding Today, Start Making $10,000/Month Building Apps for People. $0 in Coding Experience. I made 5 AI Trading Bots & Apps Built in 6 Hours. Each One Worth $3,000-$15,000 to Clients. You Spent $500 on a Bootcamp and Still Can't Deploy a Landing Page. That's not the bootcamp's fault. That's you. People with zero coding skills are building full apps with payments, databases, and authentication using AI. Charging clients $5,000-$10,000 per project. Finishing in one afternoon. You're still Googling "should I learn Python or JavaScript first." This attached video is a goldmine. 6 hours. 5 real apps. From complete beginner to deploying revenue-generating products. One video. Free. Save it. Watch it this weekend. Not next weekend. Today. Now let me break down exactly what's inside and why you can't afford to ignore this. Save this post. You'll hate yourself if you lose it. ↓ Let's talk about why you still can't code... You bought the Udemy course. $12.99. Watched 3 lectures. Got confused. Told yourself you'd continue tomorrow. That was 8 months ago. You bought another course. $49.99. This one had better reviews. Watched the intro. Bookmarked the rest. Never opened it again. You signed up for a bootcamp. $5,000. Dropped out at week 4 because "life got busy." Life didn't get busy. You got scared. Three years. Hundreds of dollars. Multiple courses. Zero apps built. Zero projects deployed. Zero revenue generated. And now someone with zero coding experience is building full apps in hours using AI tools you haven't even tried. You're not falling behind slowly. You're falling behind at full speed. Save this post right now. This is the course that makes every other coding course you bought irrelevant. Follow Himanshu Kumar so you don't miss the breakdown. ↓ What is vibe coding and why should you care? Traditional coding: Learn syntax for 6 months. Build a to-do app. Feel proud. Realize nobody will pay for a to-do app. Give up. Vibe coding: Describe what you want to build. AI builds it. You guide, adjust, deploy. People pay for it. You're not writing code line by line. You're directing an AI agent that writes code for you. Think of it like this: Traditional coding = you're the construction worker. Vibe coding = you're the architect. The architect makes more money. The architect doesn't carry bricks. The architect doesn't need to know how to pour concrete. The architect needs to know what to build and why. That's vibe coding. And while you've been debating whether to learn Python or JavaScript first, people are skipping both and building apps that generate revenue. With zero coding knowledge. This isn't the future. This is right now. Save this post and follow Himanshu Kumar for more vibe coding breakdowns that actually make you money. ↓ What this 6-hour course covers. This isn't some 20-minute tutorial that shows you how to make a button change color. This is 6 hours. 5 complete apps. Real software engineering. Real deployment. Real money-making potential. Here's what you'll build: > Portfolio website - deployed live on Netlify > Full-stack client dashboard - with database and auth > Lead generation app - with API integrations > Thumbnail generator - with payment integration via Stripe > Splinter - a full SaaS product with pricing and marketing Not toy projects. Not "follow along and never use again." Actual apps that people pay for. Built with Gemini 3.1 Pro, Antigravity, Supabase, Next.js, Vite, and more. You know how many people charge $5,000+ to build a single one of these apps for a client? You'll be able to build all 5 by the end of this weekend. You can't afford to scroll past this. Bookmark this post. Follow Himanshu Kumar because I'm breaking down every tool in this stack separately. ↓ The tools you'll master. Gemini 3.1 Pro: Google's most powerful AI model. You'll use it to generate entire codebases. Not snippets. Entire apps. Antigravity: The AI coding environment that makes vibe coding actually work. Agent chat. MCP servers. Voice dictation. It's not VS Code with a chatbot bolted on. It's built from the ground up for AI-first development. Supabase: Your backend. Database. Authentication. All set up in minutes. Not weeks of configuration. Next.js + Vite: Modern frameworks that make your apps fast, scalable, and professional. Stripe: Payment integration. So your apps can actually charge people money. You know, the whole point. Claude Code: Yes, Claude Code is covered too. Because the best developers in 2026 don't use one AI tool. They use all of them. While you're still trying to decide which AI tool is "the best one," smart people are using all of them together and making money from every angle. Stop debating tools. Start using them. Save this post and follow Himanshu Kumar for deep dives into each of these tools. ↓ What you'll actually learn beyond just "building apps." This course doesn't just teach you to copy and paste prompts. You'll learn real software engineering: > Hosting and deployment > Modern software design patterns > Languages and frameworks > Version control and GitHub > Programming with AI agents and agent teams > Database design (SQL vs NoSQL) > Security audits > API integration > Payment processing This is everything a $15,000 bootcamp teaches. In 6 hours. For free. On YouTube. Your friend who spent $15K on a bootcamp is going to be really upset when you build better apps than them after watching one YouTube video this weekend. Don't tell them about this course. Or do. Their reaction will be priceless. This is a $15,000 education for $0. Save this post before it gets buried. Follow Himanshu Kumar for more free resources that make paid courses look like scams. ↓ The guy teaching this actually makes money. Not "makes money selling courses about making money." Actually makes money. Nick built automated businesses with Make . Most notably 1SecondCopy, a content company that hit 7 figures. Seven figures. From automation. He's not teaching theory. He's showing you what real systems that generate real revenue look like. 90% of coding teachers on YouTube have never shipped a product that made $1. They teach coding. They don't use coding to make money. This guy does both. That's why this course is different. You've been learning from people who teach for a living. Start learning from people who build for a living. Save this post. Follow Himanshu Kumar for more content from builders, not lecturers. ↓ Let me tell you what's really happening while you "think about learning to code." Every week that passes, AI coding tools get better. Every week that passes, more people learn vibe coding. Every week that passes, the market gets more competitive. Right now, vibe coding is still early. Not many people know how to do it well. Clients are desperate for someone who can build apps fast. $3,000 for a landing page with payments. $5,000 for a SaaS MVP. $10,000 for a full client dashboard. These are real prices people are charging for apps they built in a single day using the exact tools in this course. But this window won't last forever. In 6 months, everyone will know how to vibe code. In 12 months, it'll be a basic requirement. In 24 months, not knowing this will be like not knowing how to use email in 2010. You're either early or you're irrelevant. Right now you can still be early. But not if you spend this weekend on Netflix. The window is closing. Every weekend you waste is a weekend someone else uses to get ahead of you. Save this post. Follow Himanshu Kumar before this opportunity becomes obvious to everyone. ↓ The 5 apps you'll build and what they're actually worth. App 1: Portfolio Website. What clients pay for this: $500-$2,000. Time to build with vibe coding: 30 minutes. App 2: Client Dashboard. What clients pay for this: $5,000-$15,000. Time to build with vibe coding: 2-3 hours. App 3: Lead Generation Tool. What clients pay for this: $3,000-$8,000. Time to build with vibe coding: 1-2 hours. App 4: Thumbnail Generator with Payments. What clients pay for this: $2,000-$5,000. Or sell it as a SaaS for recurring revenue. Time to build: 1-2 hours. App 5: Splinter (Full SaaS Product). What clients pay for this: $10,000-$25,000. Or launch it yourself for monthly recurring revenue. Time to build: 2-3 hours. Total value of apps you can build after this course: $20,000-$55,000. Total cost of this course: $0. Total time investment: one weekend. You spend more than one weekend deciding which Netflix show to start next. At least this weekend would pay you back. Read those numbers again. Save this post. Follow Himanshu Kumar because I'll be breaking down how to sell each of these apps as a service. ↓ Here's the business model nobody's talking about. Learn vibe coding this weekend. Build 5 apps. Pick the one you're best at. Offer it as a service. "I build professional SaaS dashboards for businesses using AI. Faster than agencies. Fraction of the cost. $5,000 per project." 2 projects per month = $10,000/month. Working maybe 20 hours total. While you're applying for jobs that pay $4,000/month and require 5 years of experience you don't have, someone who watched this course last weekend just landed their second $5,000 client. No degree. No portfolio. No 5 years of experience. Just the ability to build what people need faster than anyone else. That's the entire business model. Learn fast. Build fast. Charge accordingly. Stop applying for jobs. Start creating them. Save this post. Follow Himanshu Kumar for the exact outreach scripts to land your first vibe coding client. ↓ Why you won't watch this course. Because it's 6 hours. "6 hours?? That's too long." You binged an entire season of a show last weekend in 8 hours. You scrolled Twitter for 4 hours yesterday. You spent 3 hours watching YouTube shorts that you don't even remember. But 6 hours to learn a skill that could make you $10,000/month? "I don't have time for that." You have time. You just don't have discipline. And that's the actual reason you're broke. Not the economy. Not the market. Not your circumstances. Your inability to sit down for 6 hours and learn something that changes your life. Everything else is a story you tell yourself to feel better about doing nothing. That's the uncomfortable truth. Save this post so it stares at you every time you open your bookmarks. Follow Himanshu Kumar because I'll keep reminding you until you actually do something. ↓ What happens this weekend determines your next year. Path A: Watch the course Saturday. Build your first app Sunday. Start offering services Monday. Land first client within 2 weeks. $5,000-$10,000/month within 60 days. Path B: Sleep in Saturday. Brunch Sunday. Netflix Sunday night. Monday morning alarm goes off. Back to the same job. Same salary. Same frustration. Same "I'll start next weekend." 52 weekends in a year. How many have you already wasted? Path A costs you one weekend. Path B costs you your entire future. Same video. Same information. Same 6 hours. Two completely different lives. ↓ Full 6-hour course attached. 5 real apps. Real deployment. Real revenue potential. From the guy who built a 7-figure automated business. Not theory. Not motivation. Actual hands-on building. The course is free. The tools are free. The knowledge is right here. The only thing that costs money is your decision to do nothing. And that cost compounds every single day. Follow Himanshu Kumar for more breakdowns that turn free YouTube videos into $10,000/month skill sets. Save this post. Watch the video. Build something this weekend that your Monday self will thank you for. Or don't. And wonder next year why nothing changed.

Himanshu Kumar

39,379 次观看 • 3 个月前

Jagdeep was 'Gayab' after resigning (reportedly for conspiring against Modi Sarkar) & then popped up suddenly for a faltu book launch 'Hum Aur Yah Vishwa’. Intrigued by this I checked author & everything started falling in place. Author is Manmohan Vaidya, Joint Gen Sec of RSS...most influential post after RSS Chief Mohan Bhagwat. Manmohan Vaidya has interesting track record. PM Modi Ji was declared BJP's PM Candidate on 12 Sept 2013. But Vaidya was already feeling too bad about it since long time before that. Some of his interesting statements👇 -"The Sangh is not in favour of any personality cult. BJP should decide its leader through consensus, not by promoting individuals." -"BJP should not name a prime ministerial candidate prematurely and that the victory in Gujarat was a collective effort, not just about an individual." -"To discuss BJP's prime ministerial candidate after Gujarat assembly elections is both premature and irrelevant. Gujarat assembly elections weren't fought for this purpose." -"Modi is only one among the many prime ministerial candidates in the BJP." -"Gujarat chief minister's candidature would work to the advantage of BJP's rivals." Interestingly, some of these statements were made during September 7-9, 2013 to be specific. Before 12 Sept 2013, there was also a meeting held b/w RSS & BJP after 'some' BJP leaders who didn't want Modi Ji’s name to be declared as PM Candidate, went to RSS for intervention. Manmohan Vaidya was more than enthusiastic to issue a statement that time too. “This meeting was not held to take a decision [on the PM candidate]. I will not say this here.” (When pressed on Modi specifically.) He added that the RSS had shared its "feelings" but left the call to the BJP. Fortunately, BJP took the 'right' call & Modi Ji was declared as PM candidate DEFYING 'Suggestions' from RSS. We must always remain indebted to late-Arun Jaitley Sir, Rajnath Singh Ji & late-Manohar Parrikar Ji for making this possible and change Bharat's destiny forever. But Manmohan Vaidya didn't seem to be very happy even after BJP winning LS with full majority on its own & continued making statements which could hurt BJP. Everyone knows 'road to Delhi' passes through UP. Winning UP Assembly in 2017 was of utmost importance for BJP before 2019 LS Elections and Manmohan Vaidya strikes again...Vaidya kicked up a controversy by suggesting a review of the reservation policy just before Assembly Election. That one statement was enough to wipe out BJP from UP forever (it wasn't in power in UP since 25 yrs already) & with it 2019 LS also. But fortunately, BJP worked in overdrive to clear the confusion. Mounting pressure forced Vaidya to issue clarification. Hats off to UP RSS unit which knew importance & desperation to win UP. Add to it meticulous planning of Amit Shah Ji & BJP stormed to power with Brute Majority to open roads for 2019 LS also. So Jagdeep attending book launch of 'this' person solved a big puzzle. And...inspite of working so hard, Vaidya has not been able to get his 'favourite' person in PM's Chair. Ps- I'm not denying RSS's contribution to Nation & Society. It is still the most dedicated orgañ to Society & Nation. Ideology hasn't changed, but people have. And sadly...people run orgñ. RSS is the same, Maybe people running it are not! RSS devouts will not like me writing this & will come pouncing on me. But I can see from a neutral PoV what a RSS affiliate can't, because.... I'm neither from RSS or BJP....I'm devoted ONLY & ONLY to Modi-Shah Ji & 'that's why' to BJP. So any criticism can't stop me from writing my opinion.

BhikuMhatre

221,474 次观看 • 8 个月前

#KimJaeYoung #김재영 #HappyJaeyoungDay #TheJudgeFromHell Since it's his big day, thought I show you a short edit of his beauty & emotions in his most controversial role . 🙃 Below is a somewhat long 🤭 post about him & drama recommendations. My sweetie here is a late bloomer but I have always kept faith that people will see his potential. I liked what this kblogger said that when you see him in TJFH , he feels familiar but yet you might think he's a newcomer. Seems like a rookie but surprised that he's good in acting. If you check his filmography you'd realise he's been acting for more than a decade. JY mentioned that he wasn't sure what to do while in school but he did have a dream of being a chef especially because he helped mum out at home. His father suggested modeling after he was done with military service . He mentioned in an interview he had to shed off 30kg through diet & exercise as he weighed over 100kg .Esteem Academy signed him & he debut as a model in 2010. He got casted in a TVN survival program "Flower Boy Casting". From there, he was inspired to act and landed his 1st supporting role in the movie "No Breathing". (starring SeoInGuk & LeeJongSuk.) If you want to see a young JY in swimwear 😁, you can check him out there. The movie didn't quite make a splash (pun unintended 😁) , and JY who had actually left Esteem to pursue acting, found himself jobless for at least over a year. He auditioned for BladeMan (LeeDongWook & Shin SeKyung's drama) and got casted for a small role. Esteem reached out to him again & he signed with them again to model. He later also joined HB Entertainment for acting jobs, and was with them for a long time. Last year (2023) he left HB and joined his long time manager who had established a new agency, Management S. After Blademan , JY had several supporting roles but his 1st main cast role was in OCN's My Secret Romance. He was the 2nd lead & that was also my first JY drama. While I didn't have SLS, he was such a sweetheart there and caught my attention. My massive crush began when he acted as MooYeon in #100DaysMyPrince as an assassin and the FL's brother. He also had a forbidden love line with the 2ndFL's char played by HanSoHee , and they had great chemie despite limited scenes. I cried my eyes out watching their tragic love story. This is the year (2018) I decided I'll stan this man ☺️😂 His role there opened many doors. He had a short TV series called Dear My Room ( was on the now defunct Olive TV) where he played the romantic ML against Ryoo Hye Young's character. It was one of those friends to lovers trope and I recommend this for a sweet fluffy watch. He also sang the OST with RHY. The big year came in 2019 when he was casted as the ML , Sun Woo in #SecretBoutique, a female centric drama starring KimSunA and GoMinSi . He had a meaty role here as a prosecutor - a bit of a grey character and was somewhat like a brother to the FL (KimSunA) and he had some nice fight scenes. His body was the best here 🔥😋😁. If you don't mind a heavy melodrama, this wasn't bad. And oh boy, was I shipping him hard with GoMinSi's character. I still hope they can reunite for another show & give me closure. 2019-2020 was when I watched a KBS weekender #BeautifulLoveWonderfulLife from start to finish ( raw and with subs - yes my level of dedication surprised me) because JY got casted as Jun Hwi, the ML against another actress I love , Seol In Ah. Gosh, this drama was an emotional roller coaster and was another heavy character. The premise of the story was so sad and the leads went through so much together but I love this show though. He had good chemie with SIA. He also won a KBS acting award here. I recommend this if you can do 50eps and love angst like I do 😂 The role took its toll on JY. He mentioned he needed to take a break but then found himself without work for at least 6-7 months ( if I remember correctly) . Boy, did I miss him. It was really only in an Elle pictorial with his good friend -actor, model and famous youtuber Joo WooJae that I found out he had been having a hard time. He has appeared on WooJae's YT channel several times - they even travel together. JY's come back drama was in #ReflectionOfYou (2021), another heavy melo as the ML who was caught in an emotional tug of war between 2 women played by GoHyunJung and ShinHyunBeen. As WooJae, KJY gave some of his best acting. I know he got a lot of hate 😵‍💫🤣because WooJae was just so obssessed / in love with GHJ's character that he was willing to throw it all for her. This drama is not for the faint hearted but the acting was superb all round - even if the plot would make you uncomfortable. He was so hot here too. JY with longish hair was a dream. In 2022, he was the 2ndML , as KangHaeJin in #LoveInContract. It was so nice to see him play a diva actor and do rom-com for the 1st time. This is a fun watch. While I don't think viewers would have SLS, JY's character wasn't one dimensional either and he had his own storyline despite not being the ML. In 2022 - 2023 he voiced an audio drama , "For Sale - I Broke Up" with Yoon So Hee - but I don't know how we can listen to it internationally (though I do have some vids I would post one day). He also filmed a drama called "We Will Replace The Trip" with Gong SeungYeon, but so far no news of it airing yet. JaeYoung here is shy and unassuming. He's MBTI is INFP. You can see from his interviews he's quite easygoing and humorous. On my highlights- I have subbed some of his videos for TJFH. JY says he still dreams of being a chef and has gone to a 6-month cooking course last year. He also hopes to be able to take on warmer roles going forward.

abs-oluteM

86,307 次观看 • 1 年前

How to actually make money in 2026 if you're starting from zero. a 9-figure founder and a random seo guy walk you through it: 1. software has no moat anymore. if a guy who vibe codes "absolute trash" can build an app, so can 10 million other people. money is rotating out of software into physical goods. 2. the move if you're broke: dropship first to test the idea. spin up shopify, connect alidrop, run ads. validate unit economics before you spend a dollar on inventory. you can launch in under a week with AI. 3. AI creatives on meta are the current arbitrage. but every arb burns out faster now because AI lets everyone flood the market at the same time. the person who gets the cheapest targeted distribution wins. 4. the one-person agency play is underrated. one person armed with claude max posting one short a day. no team, no overhead. stack skills, not headcount. 5. we went to tech meetups in vancouver. half the devs are job hunting. the other half say they "prefer to think with their brain instead of using tokens." that's NGMI energy. 6. to win in business you only need one of three Ds: data, distribution, or deal. you don't need all three. you just need one. 7. the real moat in 2026 isn't code. it's speed to market + customer acquisition + a barrier AI can't copy overnight. physical goods still have that. software doesn't. first episode of NGMI with my boy Tony Yu. if you want more raw unfiltered takes on AI and making money let me know what topics you want us to cover next this might be the most honest "how to make money" conversation on x right now. watch/listen

Jacky Chou (buying online businesses up to $1m)

44,755 次观看 • 3 个月前

[Behavioral Scientist's Analysis] NewJeans, Now Even Stronger, HYBE in Trouble I’ll listen again. Danielle: “Naturally, we all want to continue working with Daepyonim. Even before debuting as NewJeans and through all of the time that we spent together with Min Hee-jin Daepyonim, all of us felt that the music we wanted to make and the kind of world we wanted to build together, our vision, was similar in so many ways. With Min Hee-jin Daepyonim, we were able to prepare each and every task with sincere hearts, and I believe it shows in our work. Putting our sincere effort into something is only possible because the people that we're working with have trust in each other and have that same vision. Min Hee-jin Daepyonim is not only the person that produces our music, but someone who makes NewJeans who we are. She discusses even the smallest details with us and explains them in ways that we can understand clearly. NewJeans has a distinct colour and tone, and this was created with Min Hee-jin Daepyonim. She is integral to NewJeans’ identity, and we all feel that she is irreplaceable.” Danielle clearly stated this and also expressed it in English. So, in terms of the NewJeans issue, international fans who don’t have much information may not have had a clear perception of Ms. Min Hee-jin or how to view this issue. If you look at the comments, it was very poorly organized. In Korea, we now have clear information, so NewJeans fans, Bunnies, are cheering for NewJeans and supporting Ms. Min Hee-jin. It has become clearly sorted out like this. However, internationally, it hasn’t been clearly explained. But with Danielle explaining it so well in English, I expect that from now on, the international atmosphere will shift towards attacking HYBE, criticizing Bang Si-hyuk, and supporting Ms. Min Hee-jin and NewJeans worldwide. So, now that the artist has clearly stated their position and made it clear that the identity and assets of the NewJeans brand come from Ms. Min Hee-jin, regardless of any legal disputes or lawsuits, in the minds of the fans, NewJeans equals Min Hee-jin. And as for the current management of ADOR and HYBE, they will be seen as the ones attacking NewJeans and the mysterious people with no clear motive, such as Bang Si-hyuk. I think this will now be clear. Considering the nature of the entertainment industry, like many creative industries and the cultural industry, this is not manufacturing. Many things can’t be determined through legal processes like patents for ideas or lawsuits. The B2C market, or the market for services and consumption of an artist's brand, is driven by sensitivity. People consume it because of the emotional connection and enjoy it because of that sensitivity. So, what’s the point of winning a legal case? Even if HYBE were to win any legal case, do you think consumers wouldn’t boycott NewJeans’ music or other products afterward? I believe HYBE will be punished in some way for its actions towards ADOR and its current management. The way they are handling risk management is shortsighted, as they fail to understand people’s emotions. They seem to only rely on the advice of legal professionals and accountants, and their entire approach to this issue is so narrow-minded and misguided. It feels incredibly foolish to me. So, to summarize: NewJeans’ branding was done by Ms. Min Hee-jin. The identity and assets of the NewJeans brand were created by her, and we did it together because of her. Haerin: “However, even after our debut, there have been many unfair and incomprehensible incidents that you might not know about, and these incidents have only increased over time. As some of you may know, recently, videos from our trainee days and private records, such as medical information, were leaked. When I first saw that, I was really shocked. It was hard to understand how our company, which is supposed to protect us, failed to manage and allowed such information to be leaked. Naturally, this situation has made us worry that other strange or false information about us might spread in the future. Although we, along with our parents and Min Hee-jin Daepyonim, have raised concerns about this to HYBE, they haven’t resolved the issue, nor have they taken any proactive measures. Then, in the midst of all this, our CEO was dismissed, and we’re left wondering whom we can trust and rely on. We’ve come to the conclusion that if we don’t speak out about this now, no one will know what we’re going through. After much discussion among ourselves, we finally decided to take this step.” The current situation is shocking, but this is not just about this one incident; they’ve been continuously receiving unfair treatment from HYBE. The fact that they are saying this publicly now is truly shocking. They’ve been discussing these unfair treatments with their parents and Ms. Min Hee-jin while continuing their activities as NewJeans. They are saying that the unfair treatment from HYBE has been ongoing. It’s hard to understand as an outsider, but now the artists themselves have confirmed that there have been instances where the company has mistreated them. This is no longer a matter of speculation or exaggeration. NewJeans has officially admitted that HYBE has been continuously mistreating them. Moving forward, this changes the entire perspective on the issue. It’s no longer just NewJeans vs. HYBE or Min Hee-jin vs. Bang Si-hyuk. It’s hard to even imagine the reality of this situation. Now that the NewJeans artists have come out and said that HYBE has mistreated them, regardless of how HYBE tries to communicate going forward, they will now be framed as the ones mistreating NewJeans. How can they possibly shake off this perception now? I don’t think they can. Hanni: “Something happened to me recently. The 4th floor of the HYBE building is where we get our hair and makeup done, so a lot of other artists and staff come and go there. One day, I was waiting alone in the hallway, and some staff from another team passed by. We greeted each other, but when they came back out a bit later, I heard one of their managers say, “Ignore her,” right in front of me. I could hear and see everything clearly. Even now, I still don’t understand why I had to go through that.” I still don’t understand why that happened, even now. When I think about it, I feel like it was really ridiculous. This story from Hanni was so frustrating and absurd. Wow, what Hanni just shared is really shocking. She mentioned meeting an artist, and that artist's manager told them to ignore her. If this happened in middle or high school, people would probably dismiss it as childish fighting, but this happened among adults, and it's becoming a huge issue. Honestly, the NewJeans members aren’t sharing these stories to stir things up. They’re probably just speaking truthfully about their experiences and trying to be genuine with their fans, saying, “It’s time we express our stance honestly.” The timing and approach they’ve taken are actually perfect. They started by clearly explaining their motivations and why they’re speaking out, then moved on to using English to express what NewJeans’ identity is and the members' feelings, as well as their history with their manager. They made it clear how they feel about these situations. Now, they've started sharing more detailed stories. The way they’ve structured everything is so good because people remember stories more than abstract thoughts or philosophies. When you say, “This happened to me,” people are much more likely to remember that than vague statements. Hanni shared her unfair experience in such an honest way, and I think it’s going to spread widely. I can already imagine netizens trying to figure out which manager it was, which artist, and so on. This story will likely go viral. People remember stories like this because they stick in their minds. For example, remember when Bang Si-hyuk didn’t return NewJeans’ greeting, and it became a huge thing about face blindness? People don’t remember the details, but they remember that someone important didn’t greet them. It became a memorable story. Minji: “When I heard about what Hanni experienced, I was really shocked. How could a manager from another team tell their members to ignore one of us, and say it so loudly that Hanni could hear it? Such unimaginable words and behavior were directed at us, yet there was no apology, nor did they even acknowledge their wrongdoing. Of course, I’m worried about how many more similar incidents might occur in the future and whether we’ll be subtly ostracized without anyone there to protect us.” Hanni: “I hope no one else has to go through something like that, but since it’s already happened once, I can’t help but feel scared that other members might experience the same thing. I spoke to the new CEO about it, but since I didn’t have evidence and it was considered too late, they seemed to brush it off, making me feel like there’s no one left to protect us. It really felt like the concern for us was gone, and even though I was being honest, it made me feel like I was suddenly being treated as a liar. Before, Min Heejin, our previous CEO, used to take care of us a lot. But now, while the new people say they’ll help, it’s just been months of excuses... excuses... excuses... They keep saying that it’s something they can’t resolve. But this is something that I personally went through and experienced, yet they are trying to dismiss it as if it’s my fault. I’m worried and scared about what might happen next.” I want to make two points here. First, this is clearly “invisibility.” It’s not physical violence, but it’s about not acknowledging someone’s greeting, deliberately ignoring them, and so on. While it may not seem like a big deal, it still deeply hurts someone’s feelings. There’s been a lot of research on how these kinds of actions negatively affect an organization, spreading like poison and making people feel bad. It’s something we should really work against. The second point is about third-party justice. Hanni raised a legitimate concern, and it wasn’t handled properly within the company. This made Hanni, Minji, and others realize that the new management isn’t on their side. When others witness this, they’ll also realize that this company doesn’t have their best interests at heart. This realization leads to a loss of trust. People will remember these events, and once this perception sticks, it’s hard to change. It affects not just NewJeans, but also other artists who will think, “Oh, this is how HYBE treats people.” And it even affects the employees who work there. Minji: “Of course, I’m worried about our future, but what’s most frightening is that the work we’ve already created is being compromised. Seeing the people who have poured their lives into creating our work being treated this way makes it hard to understand how this could be happening. The new management said they would separate producing and management, but we’ve always worked differently from other labels, and we thought that our way was a good one. Now, Daepyonim can no longer approve all matters, and we’re left wondering how we’re supposed to continue working as we did before. The recent statement from the new management also didn’t make sense to me. If they really didn’t intend to interfere with our production, then the recent incident with Director Shin Woo-seok should never have happened, and it should have been handled differently. We are the ones directly involved with the copyrights and likeness rights of our content, yet they’re making decisions without our consent. In their statement, they kept saying they were acting to protect us and prevent our anxiety, but why do they keep insisting on this when they haven’t considered our wishes? We don’t want any more unnecessary issues to arise, and we want them to show respect and consideration for Daepyonim and all the directors who have worked with us. The things they’re doing right now are not in our best interest at all.” What’s worth discussing here is the perception of hypocrisy. People really dislike hypocrisy, and when you think about it, it makes sense. When humans are surviving, if there’s an enemy or a difficult environment, they overcome it as part of life. But the most dangerous situation is when you think someone is an ally, but they turn out to be an enemy. When you thought they were on your side but they stab you in the back — that’s when people are really upset. That’s why people hate it when there’s a discrepancy between outward appearances and inward intentions. It creates a near-hatred, especially when someone claims to be acting for your benefit but it’s clear that they’re not. This is what Minji is clearly pointing out — these people are hypocrites. New Jeans has already reached a conclusion internally: this new management team, in less than a month, has revealed themselves to be hypocrites. And they’ve shared this with the fans and everyone else. This isn’t just some interesting topic on a live broadcast; this will cause a huge impact, and I am certain of that. New Jeans has come to a solid realization — these people are not working for us. They are liars and hypocrites. Therefore, the new management can no longer properly lead the company. They will not be able to continue, and this system cannot be maintained. Why? Because the artist has called them out as hypocrites. The only way they can recover is by proving they aren’t hypocrites, but even then, that’s not effective — New Jeans would have to say it. But the chance of that happening is zero. In short, these people have been socially branded as hypocrites. The new management’s time is up. Less than a month, and their time is over. In the creative industry, especially in culture and the arts, content production — such as creating songs or music videos — cannot be separated from management. That’s how we’ve always worked, and it was good for us. Min Hee-jin was a remarkable creator and artist who understood all of this. The harmony between management and artistic decision-making brought about the incredible phenomenon of New Jeans. But now, they’ve created a system where that harmony can’t exist anymore. Moreover, the new management is culturally ignorant. They don’t understand art, music, or creativity. They have shown this clearly, especially with their mishandling of Director Shin Woo-seok’s music video and the associated fan content, like those on the Dolphiners YouTube channel. They’ve demanded to delete content without protecting the artists, or respecting the work of those who collaborated on it. Their management decisions show a complete lack of sensitivity or empathy. So once again, I say: "the new management’s time is over." Danielle: “As I mentioned earlier, our dream was to perform the music we want to make with Daepyonim, and we were working very hard toward that goal. But now, we can’t do that, and the plans we’ve made might not come to fruition. As Hanni unnie said earlier, just like that, the content that we released solely for our fans, for our bunnies, was instantly erased. And I truly can't understand why anyone would do this to a group, or just anyone in general. We were just working hard for the present, so what did we do wrong? A week after Daepyonim was dismissed, we found out that we could no longer work with the director we’ve been working with all this time, and we’re extremely anxious because we don’t know what will happen to the staff who have always worked hard for us. If they really care about us, they should stop saying that they prioritize the artists and instead let us do the music we love in an environment where we can be genuinely happy. Is that really so hard to do? It’s hard to fully express what’s in my heart, but in the end, the five of us just want to continue our activities with Min Hee-jin Daepyonim, as we have done so far.” Personally, they just want to be left alone—just "Leave us alone. Don't interfere; just leave us alone.” This is what they’re saying to both ADOR and HYBE. It's become clear now that HYBE and ADOR can no longer meddle with NewJeans, and I think things will flow that way from now on. The fans won’t stand still either. In entertainment, it’s not about titles like "I’m the CEO," or "I own shares." These are shallow understandings of what makes the entertainment business work. The real value created in this industry is the love and recognition from the fans. No amount of shares or CEO titles matter when that love disappears in an instant. NewJeans is asking to be left alone, and because of this, the new management of HYBE and ADOR can no longer act. I believe the future will unfold accordingly. One important thing I want to emphasize is that NewJeans is a unique group. They’re not just factory-produced idols. The distinctive nature of NewJeans’ music is felt by everyone who listens to them. For example, producer 250, who played a significant role in shaping the NewJeans sound, alongside other talented producers like those from the Banana Culture label, was brought in by CEO Min Hee-jin. This collaboration birthed the unique musical style of NewJeans, which many have come to appreciate. Their latest album, which incorporated elements like New Jack Swing, wasn’t just NewJeans making this music—it was 250's creative vision, drawing inspiration from 70s and 80s funk, R&B, and American black music, and reinterpreting them. If 250 no longer works with NewJeans, their music might become indistinguishable from other idol groups. The choreography, another element that set NewJeans apart, also contributed to their success. However, with the recent tensions, it's obvious that working with key figures like director Shin Woo-seok, who directed many of NewJeans' music videos, will become difficult moving forward. Director Shin wasn’t even interested in music videos before but was inspired to work with NewJeans after a conversation with Min Hee-jin. If Min Hee-jin and people like director Shin are ousted from ADOR, it’s inevitable that the core assets of NewJeans, including their distinctive musical and visual style, will vanish. This is not just a simple matter of one person being ousted—it’s about losing the core elements that made NewJeans what they are. WE STAND WITH NEWJEANS #버니즈_뉴진스와함께_준비갈완료 #방시혁_2주준다_민희진_복귀시켜라

1tokki

39,222 次观看 • 1 年前

Now that I'm 80 hours in and have completed Rinacita, I want to give my thoughts on Wuthering Waves as a whole, both from the perspective of a new player and as someone who hates the gacha monetization model. When I first started I was told that 1.0 (The first arc/region of the game) was mid. I disagree with that sentiment. While the first 7 or so hours were bogged down a bit by lore terms and exposition that often left me confused, around Yinlin's companion quest is when I started getting invested and upon reaching Mt. Firmament (10-15 hours?) I was locked in. What I WILL say, is that the first arc of the game is mid in COMPARISON to what the game offers and becomes later on in every single regard, writing, dialogue, gameplay, music, map/world design, everything. Rinacita is truly a game changer and you can see the game's budget increase in real time with higher quality animations and cutscenes, as well as the map basically being an entire game on top. Every single companion quest without fail has ranged from solid to great, even making me tear up on a few occasions (Encore lol) and making me care about characters I never thought I would. They're truly a highlight and the writing is what makes this game go from just playing with attractive characters to playing with characters you actually care about. The sheer amount of content this game offers is absurd with both varying forms of short/long form content. It's hard for the game to feel repetitive when it gives you a new character to play as or constantly introduces new mechanics. (puzzles, traversal, combat challenges, bosses, etc) Even 80 hours in there's constantly new mechanics being introduced to me. The combat and team building is great, simple but with a level of depth that allows for some player expression (especially newer characters) and the various Forte's and movesets of the characters are both satisfying and incredibly flashy. The audio design specifically on some attacks is very punchy like Chisa's ult. The game is also just, gorgeous. The art design for everything in Wuwa is stunning, the map sizes are huge with varying biomes and the heights you can fly can be jaw dropping at times. Almost every location is screenshot worthy and the music does a lot of heavy lifting to, especially once you get to Rinacita. Wuwa just might also be the most F2P friendly Gacha that exists and while I stand by the idea that every game (including this one) would be better without gacha systems I have to give credit where it's due. It is INCREDIBLY generous with summoning currency (asterite) and I'd even wager to say, due to the store prices being absurd (If I remember correctly it's about $25 for 1 multi-summon) unless you're very well off it's a horrible decision to spend money for summons in this game when you could easily grind that in 2-3 hours of gameplay. Not to mention the pity system being very favorable and lenient. Even if you find yourself playing with mostly base characters for 40 hours (like I did because I didn't know you got more asterite from exploring than doing quests) the game is constantly giving you new characters to temporarily play as in quests to stop combat from getting too repetitive. Once again the characters are a massive highlight, in design, gameplay and writing, this is quickly becoming one of my favorite worlds where every arc introduces new favorites for me. I find myself enjoying where Rover is being taken as a character and that she's starting to speak more and more, slowly seeming to become less of a self-insert even if she'll always be that to an extent. I'm not going to lie to you and say the story is some unique masterpiece that avoids all tropes. It's not, you've likely seen similar stories told, but it executes everything at a high level and accomplishes what it's trying to do. The biggest flaws are the file size and the prices of the in-game store, as well as it's nature as a gacha game. Even if it may be the most generous one. The actual optimization of the game I find is solid, on PC with a 4060 I run on almost max settings and get 70+fps even with how massive the world is. The starting few hours can also be slow and exposition heavy with lore-terms you don't understand. Leaving you confused and disconnected for awhile, even later on in Rinacita the dialogue can stretch on for too long sometimes which can be a pace killer, but it doesn't ruin the quality of the stories it's trying to tell. From what people say I haven't even gotten to the best part of the game and I'm very excited! If I were to give a current rating, it would be a 8/10 and as long as you don't spend money on summons, I would recommend at least giving it a try.

🎮𝙆𝙖𝙞𝙮𝙖🎮

100,729 次观看 • 1 个月前