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I mentioned that I’ve been working on something huge, and honestly, it’s proving to be too effective. This isn’t a delayed signal or a lagging indicator. It’s a time based pivot, occurring around specific periods throughout the week. The key point is that the signal appears before the move,...

64,705 views • 7 months ago •via X (Twitter)

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Although this post has been public for a few days, a Psicoactivo Podcast subscriber brought this video to my attention a few days ago, and I managed to obtain a translation with voice dubbing. Here is what Dennis Asberg said about Beatriz Villarroel's work. It is not related to the Baltic Sea anomaly; it's directly linked to the doctor's Astronomy work and recent findings. I will do a full video about the possibilities of what this could be in my next episode. But for now, there is the translation of what was said. If there are mistakes in the translation, please let me know so I can correct them on the video. Transcript facilitated by Basil McKinley: "Hey everyone, don't go away now, don't leave. Don't swipe away from me. This is important, I have to say—I came home a little while ago after being at work at Stockholm University. I've been working with Beatrice, the astronomer, as you know. We work on that thing with BTC through this in the Baltic Sea, but Beatrice and I also work on finding life and intelligence out in space, especially near Earth. "When I got to work today... I mean, this new computer is completely insane. I can't tell you everything right now—I can't do that for certain reasons, because this has to be presented in a scientific way, as it is in that world—but I can say this: I've never been as shocked as I was at work today. Both Beatrice and I feel a bit sick to our stomachs now. I can tell you that we now know things that very, very, very few people on Earth know. And we’ve said… Beatrice and a few others have this scientific data to share, but what’s going to happen now is that they’re working on it right now to present it internationally later on. "I’m doing this because I could, but I feel like… why not? I have words now. And now it’s happened: in a scientific way, it’s been calculated, analyzed, and checked back and forth constantly. And apparently, things are happening around us. And as I said a little while ago, I understand why this information shouldn’t come out to humanity—it’s absolutely unbelievable. And now… now I know what it’s about, and I wish I could tell you everything right now. I can’t. I’m not allowed to. But I actually asked Beatrice—I mentioned this. She gave me approval to say this much: I can’t mention what it’s actually about, other than that it’s a new scientific discovery that’s been made, one that will shake things up properly. And I’m not joking—this is no bullshit. So be curious to know. "As I said, Beatrice and I, astronomers at the university… This is something completely new, though they’ve been working on it for a while. But it’s new data, new information, so incredible that you can hardly believe it’s true. I—I’ve looked at the data and realized it’s real, but I can’t quite grasp it. Part of me can’t believe it’s been this way, maybe for a very, very long time. And this has nothing to do with the Baltic Sea object—nothing at all. This is probably something entirely different. "So I know what it’s about, and I’m obviously not scared, but still… damn cautious now. That’s why I feel like… maybe it’s good to share something. But the true purpose of the whole thing… we’ll take that later. As I said, now you know a little. But more will come—I promise, more will come. Beatrice will explain it herself in her own words. It’ll take a little time; we have to process it ourselves because it’s… so overwhelming. It’s completely insane—it’s hard to process this. And now it’s just… thinking: 'Okay, what? Wow. Wow. Now I understand…' "I work and… but now you know a little, at least. You’ll have to use your imagination—I can’t go into details. Thanks for listening. "End. Dennis. Bye."

Pavel Ibarra Meda

132,763 views • 1 year ago

I sold my McLaren today. No, I’m not getting a new one. This one was harder than the Lambo. Because this one… meant more to me. I bought it after I sold my company. A reward. A symbol. A statement to myself (and to the world). That I had made it. That I was free. And for a while, it was true. I felt 10 years of striving crystallized in that moment. The carbon fiber. The absurd acceleration. The way it turned heads. Supercars gave me something when I needed it. A reminder that all the sacrifice hadn’t been for nothing. That I could bend reality, that the kid from nowhere really did it. My friend Kevin Dahlstrom says that everything you own owns a piece of you. And he’s right. Eventually, the car stopped feeling like freedom… and started feeling like weight. Not because anything was wrong with it. But because I changed. I don’t need a machine to remind me who I am anymore. I don’t need a loud engine to feel powerful. I don’t need a parked symbol of identity to feel alive. Letting go of the McLaren isn’t about minimalism. It’s not about virtue signaling. It’s about alignment. Buying it was a gift to honor the past. Selling it is a gift to honor what’s unfolding. To go all in on what’s next. To reclaim the parts of me that were still quietly performing. To free up space. Not in the garage, but in my soul. I don’t regret buying it. It served me well. And driving it for the last time today was bittersweet. I still love cars. Maybe I’ll buy another one someday, in another season. This isn’t about cars. It never was. It’s about who I’m becoming. And what I no longer need to carry with me to be free.

Mike Brown

160,382 views • 1 year ago

Leigh-Anne opens up about her difficult year, leaving Warner, and signing an independent deal with Virgin: “It’s ‘Been A Minute’ since I’ve [filmed] one of these. If I’m being honest, I feel like I was avoiding this video. It’s been a weird start to the year. I was going through a bit of a weird time with [Warner]… it’s a whole thing. I couldn’t really say anything, so it just seemed like, ‘Where’s Leigh-Anne? Where’s the music? What’s going on?’ I obviously left my label; I’m now signed with Virgin. I’m fully independent, guys! But honestly, it’s been the most amazing thing for me. I feel like it just needed to happen, to be honest. I’ve been in this industry for how long now? What’s the point in doing it if I’m not doing it my way? So that’s all positive now, and I feel really excited and really good. But when that was all happening and I was in the midst of it all, I lost both of my dogs in the space of a month. It’s just crazy. It was unexpected and they’re literally like my babies. They’re part of the family. Losing both of them in such a short space of time was vile. I’m still coming to terms with it now. It’s just been a weird time. But I think the reason why I wanted to do this video is because, sometimes when you’re going through something and you really can’t see the light, it doesn’t feel like you’re going to be be okay again… You will. You are gonna be. I’m feeling really good now. I feel like there’s so much to look forward to. I can’t WAIT to get this music out. I just wanna say thank you for sticking by me. I can’t wait for this new era. Love you all so much, and I’m gonna be seeing you really soon!”

JADE tea room ☕️

27,923 views • 1 year ago

On this day, 52 years ago, John Cassavetes' "The Ki!!ing of a Chinese Bookie" (1974) was released in the USA. John Cassavetes explaining why he made the movie: "'A Woman Under the Influence' (1974) was the first picture I’ve had anything to do with that wasn’t made out of plain, simple feeling, but rather out of a real desire to do something in my profession. It was extremely frightening for me not to come to work out of enthusiasm and instead put myself up as something of a craftsman. Earlier films such as 'Shadows' (1958) and 'Husbands' (1970) grew out of personal experiences reaching all the way back to my childhood days. They were expressions of my innermost feelings, and now that I’ve dealt with all that, I feel obligated to view life in other terms. I want to explore other areas of human and artistic experience. I made 'The Ki!!ing of a Chinese Bookie' (1976) as an intellectual experiment– not because I am in love with it. I enjoy a more intellectual and less emotionally demanding view than in my previous work. If I can make, out of certain intellectual ideas, films that are complex in their nature, then I’m entering into new ground. And that is certainly something I look forward to. It is a film that has little to do with me and with how I feel about life. It’s interesting to me to see how other people live in our society, to look at them and ask myself, ‘Why do they do it? And how do they do it?’ Without trying to explain. The fun and challenge of the film was to imagine a self-contained world different from the one I live in: to move into it and live in it." ("Cassavetes on Cassavetes", edited by Ray Carney, 2001)

DepressedBergman

86,531 views • 5 months ago