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I needed a project management presentation. Usually that means hours of formatting, tweaking layouts, and rebuilding the same slides over and over. This time, I opened Gamma. Started with a template. Added my project details. Customized the structure. 10 minutes later, I had a polished presentation ready to share....

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Arpita Trisha

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30,876 views • 3 months ago •via X (Twitter)

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Recorded this 👇 Had an idea for a presentation “how AI influenced modern coding” Usually that means building slides from scratch And all AI solutions I tried so far sucked This time I used Gamma and just described it. Got a few options, picked one and it was basically ready No templates, no real “designing” And honestly this looks insane! I’ve never made a presentation that looked THIS good design-wise Im stunned how good the actual outcome is...
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Recorded this 👇 Had an idea for a presentation “how AI influenced modern coding” Usually that means building slides from scratch And all AI solutions I tried so far sucked This time I used Gamma and just described it. Got a few options, picked one and it was basically ready No templates, no real “designing” And honestly this looks insane! I’ve never made a presentation that looked THIS good design-wise Im stunned how good the actual outcome is...

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126,300 views • 6 months ago

As a student, one thing that is constant in my learning life is having to do presentations. And I genuinely do not like going through the stress of designing slides every now and then. So I decided to test something. I took my research proposal, typed a single prompt and let Gamma turn it into a full presentation deck. Here's exactly how I did it: Open Gamma → Click "Create New" → Select "Create from Template" Pick a template that fits your presentation, fill in the necessary details and Gamma builds it out in few minutes.
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As a student, one thing that is constant in my learning life is having to do presentations. And I genuinely do not like going through the stress of designing slides every now and then. So I decided to test something. I took my research proposal, typed a single prompt and let Gamma turn it into a full presentation deck. Here's exactly how I did it: Open Gamma → Click "Create New" → Select "Create from Template" Pick a template that fits your presentation, fill in the necessary details and Gamma builds it out in few minutes.

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I already use ChatGPT every day. Now I can turn those conversations into polished presentations without leaving the chat. With Gamma's new Connectors, I connected ChatGPT directly to Gamma, asked it to build a campaign launch deck, and within moments I had a presentation ready to share. No copy-pasting. No rebuilding slides. No switching between apps. Just one workflow from idea to a professional deck. If you already rely on ChatGPT or Claude, this is one of the most useful AI workflows I've tried. Try Gamma's new Connectors:

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Remember the old way of making presentations? Starting from a blank slide. Fixing fonts for 20 minutes. Dragging boxes around. Rewriting the same points again and again just to make them “fit.” By the time it looked decent… you were already tired. I tried something different. Gave Gamma one idea: “Build a premium launch deck for a luxury travel brand.” And in minutes, it turned into a polished, presentation-ready strategy: • clear brand positioning • defined audience • strong launch messaging • structured content flow • thoughtful growth ideas No blank slide struggle. No formatting chaos. No starting from zero. That shift is powerful. Creating content isn’t the hard part anymore. Shaping it into something clean, clear, and ready to present is. Gamma makes that part feel easy. Start with something that already works, then make it yours. Create once. Customize infinitely. Give it a shot:

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I built a full client pitch deck using Gamma and this is what I got from a simple prompt. I was not ready for how clean it came out. A full structured deck in minutes?? No way! Here's exactly how I did it: Open Gamma → Click "Create New" → Select "Create from Template" Browse the templates, pick one that fits what you're building, fill in your details and Gamma builds it out. You bring the idea and Gamma handles the rest 👇
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I built a full client pitch deck using Gamma and this is what I got from a simple prompt. I was not ready for how clean it came out. A full structured deck in minutes?? No way! Here's exactly how I did it: Open Gamma → Click "Create New" → Select "Create from Template" Browse the templates, pick one that fits what you're building, fill in your details and Gamma builds it out. You bring the idea and Gamma handles the rest 👇

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132,831 views • 3 months ago

There's a hidden tax on every knowledge worker in the world, and nobody talks about it: The design tax. You're a strategist, a sales lead, a marketer. You were hired for what you know. But every meeting, every pitch, every proposal expects you to show up with something that looks like a designer made it. I lived this. Before Gamma, I spent time in consulting and investment banking. I spent more hours formatting slides than the analysis that went into them. When my cofounders and I started Gamma, we asked: what if you never had to be a designer in the first place? Five years and nearly 100 million users later, we've refunded billions of hours of the design tax. Today, we're eliminating it for good with our biggest launch ever. Gamma Imagine — a powerful, AI-native visual creation tool directly in Gamma. Posters, logos, infographics, visuals from a single prompt. On brand, every time. AI-Native Templates. Templates were supposed to save you from design work. Instead you spent the time filling them in. So we completely rebuilt the template experience. Modify a whole deck with a single prompt, with your brand and style intact every time. Gamma Connectors. You're already thinking in ChatGPT and Claude. Now Gamma sits inside the most popular work apps in the world. No more context-switching. You were hired for your ideas, not to resize text boxes. Let Gamma pay the design tax.
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There's a hidden tax on every knowledge worker in the world, and nobody talks about it: The design tax. You're a strategist, a sales lead, a marketer. You were hired for what you know. But every meeting, every pitch, every proposal expects you to show up with something that looks like a designer made it. I lived this. Before Gamma, I spent time in consulting and investment banking. I spent more hours formatting slides than the analysis that went into them. When my cofounders and I started Gamma, we asked: what if you never had to be a designer in the first place? Five years and nearly 100 million users later, we've refunded billions of hours of the design tax. Today, we're eliminating it for good with our biggest launch ever. Gamma Imagine — a powerful, AI-native visual creation tool directly in Gamma. Posters, logos, infographics, visuals from a single prompt. On brand, every time. AI-Native Templates. Templates were supposed to save you from design work. Instead you spent the time filling them in. So we completely rebuilt the template experience. Modify a whole deck with a single prompt, with your brand and style intact every time. Gamma Connectors. You're already thinking in ChatGPT and Claude. Now Gamma sits inside the most popular work apps in the world. No more context-switching. You were hired for your ideas, not to resize text boxes. Let Gamma pay the design tax.

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hi everyone since we wait for the phu i didn't really have any idea of what to do for the ps5 so i decided to redo my repack-legacy project (i have also added oddle to that project) i remade it from scratch with a gui since i know peoples love gui lol

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From risawoods_ on IG: “SHARE this with your teacher friends! If you know me personally, you know I can come up with a fun activity in no time. I had an extra 20 minutes that I didn’t know about last week and came up with this on the spot. Took no plan time and materials I already had. And the best part, my students who are learning English and my disabled students could all participate. I almost wish I kept the original audio in so you could hear how hard they were all laughing. It was the perfect way to build a classroom culture of enjoying each other and being able to make mistakes/laugh at yourself. Please steal this activity for yourself!”

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This made me develop MVPs x10 times faster 🤯 I create a /playbook page at the start of every project now. Just init a project from shadcn and your ready to go This page lists all the UI components my project will use: ◆ Page shells ◆ Layout patterns ◆ Component structure ◆ Design rules Give the AI this context upfront and it stays consistent across the whole build Can basically design the full MVP in one go now.

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I had the opportunity to test Skywork —thanks to the kind provision of access. I tried out the new “slides” feature and produced a video showing how I use it. You can see the result for yourself: one shot, it worked right away. What used to take hours of research and transferring everything into a PowerPoint presentation can now be done in a few minutes. Below, I'll show you how it works, including the prompt.
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I had the opportunity to test Skywork —thanks to the kind provision of access. I tried out the new “slides” feature and produced a video showing how I use it. You can see the result for yourself: one shot, it worked right away. What used to take hours of research and transferring everything into a PowerPoint presentation can now be done in a few minutes. Below, I'll show you how it works, including the prompt.

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Béla Tarr on how the concept of time works in "Sátántangó" (1994): "Interviewer: Did you have any problems when you first wanted to make the film in the ‘80s? How did you start work on the film? Tarr: It was mostly a political problem. We couldn't start in the ‘80s because of censorship from the communist government at the time, but by the early ‘90s it became possible to do it and it took four years to do, from 1990 to 1994. You have to understand. This man [Lázsló] was living in the Hungarian lowlands, and he saw a lot of things in the reality of how people were living, and of course he transformed it and created this beautiful novel. I understood when I started working on this project that I cannot do any kind of adaptation. I had to go back to the Hungarian lowlands, like him. I had to see how life is going on out there, and I had to find the film language, I had to figure out how I can get the same stuff that he did in the novel. By the end, I spent two years in the Hungarian lowlands filming, I can tell you I know all the houses, I know all f***ing roads, I know everything in this part of the country. By the end of my time there I could find the way to film and afterwards we could use the dramaturgical structure of the novel, and of course we did not have a script, we had only the novel and my vision. That's all we had. Interviewer: What about the sense of time that you found in that place? Tarr: Hey man, if you are sitting in the Hungarian lowlands, I'm sure it's the same in the desert in, let's say, Arizona, when you are out there: there is no time, no distance anymore, you can go hours, weeks, and you don't see anything. You are out of time; you have a different sense of time then when you are living in a town. And so, the slowness of the drama came from this. You know, you have to understand that first you have to know the life of the places and then afterwards you have a feeling for how you have to film it." ("I Am Interested in the World, Not Just in Filming It": Béla Tarr on "Sátántangó", David Perrin, MUBI, 2019) P.S: Remembering the great Hungarian filmmaker, Béla Tarr, on his 71st birthday!
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Béla Tarr on how the concept of time works in "Sátántangó" (1994): "Interviewer: Did you have any problems when you first wanted to make the film in the ‘80s? How did you start work on the film? Tarr: It was mostly a political problem. We couldn't start in the ‘80s because of censorship from the communist government at the time, but by the early ‘90s it became possible to do it and it took four years to do, from 1990 to 1994. You have to understand. This man [Lázsló] was living in the Hungarian lowlands, and he saw a lot of things in the reality of how people were living, and of course he transformed it and created this beautiful novel. I understood when I started working on this project that I cannot do any kind of adaptation. I had to go back to the Hungarian lowlands, like him. I had to see how life is going on out there, and I had to find the film language, I had to figure out how I can get the same stuff that he did in the novel. By the end, I spent two years in the Hungarian lowlands filming, I can tell you I know all the houses, I know all f***ing roads, I know everything in this part of the country. By the end of my time there I could find the way to film and afterwards we could use the dramaturgical structure of the novel, and of course we did not have a script, we had only the novel and my vision. That's all we had. Interviewer: What about the sense of time that you found in that place? Tarr: Hey man, if you are sitting in the Hungarian lowlands, I'm sure it's the same in the desert in, let's say, Arizona, when you are out there: there is no time, no distance anymore, you can go hours, weeks, and you don't see anything. You are out of time; you have a different sense of time then when you are living in a town. And so, the slowness of the drama came from this. You know, you have to understand that first you have to know the life of the places and then afterwards you have a feeling for how you have to film it." ("I Am Interested in the World, Not Just in Filming It": Béla Tarr on "Sátántangó", David Perrin, MUBI, 2019) P.S: Remembering the great Hungarian filmmaker, Béla Tarr, on his 71st birthday!

DepressedBergman

12,597 views • 1 month ago

In 2015 I built a spreadsheet that would change my perspective on time forever. I realized time had a clear structure and everything unfolded in this structure. This Rhythm of Existence capacity planner is the genesis of what would become 10 years later.
3:01

In 2015 I built a spreadsheet that would change my perspective on time forever. I realized time had a clear structure and everything unfolded in this structure. This Rhythm of Existence capacity planner is the genesis of what would become 10 years later.

Rob Dyrdek

370,746 views • 10 months ago

I pretty much one-shotted this Japanese garden landing page with MiniMax Code. It got the design and frontend right, then generated the ink-wash images, ambient video, and soundtrack inside the same project. I usually need Codex or Claude Code plus Higgsfield and several MCPs for a page like this. MiniMax had everything built in, and it's at a fraction of the token cost.
0:41

I pretty much one-shotted this Japanese garden landing page with MiniMax Code. It got the design and frontend right, then generated the ink-wash images, ambient video, and soundtrack inside the same project. I usually need Codex or Claude Code plus Higgsfield and several MCPs for a page like this. MiniMax had everything built in, and it's at a fraction of the token cost.

Meng To

74,905 views • 16 days ago

Here’s DHH (Creator of Ruby on Rails & Omarchy, cofounder of 37 Signals) on why using AI agents does not feel like being a Project Manager: “When I was on that Lex interview last summer, I was saying: I don't want to be a project manager for agents because I had the mental model of a project manager of humans, and that's not what I enjoy. I don't want to be that far away from the production. I want to be in the mix. I want to have my hands in the code. What I failed to realise at the time was that running a bunch of agents feels less like being a project manager for agents and more like stepping into this super mech suit, where suddenly I don't just have two arms, I have 12. I can now look at seven screens at the same time, running five keyboards. I'm still the one doing it, even if I'm not typing ‘this’ as a keyword in a program. I have been hyper accelerated as a programmer. It's a different kind of programmer, but it still has the same affinity to aesthetics, at least when I'm producing Ruby code, and I'm able to combine that while being vastly more productive on a bunch of things.”
1:19

Here’s DHH (Creator of Ruby on Rails & Omarchy, cofounder of 37 Signals) on why using AI agents does not feel like being a Project Manager: “When I was on that Lex interview last summer, I was saying: I don't want to be a project manager for agents because I had the mental model of a project manager of humans, and that's not what I enjoy. I don't want to be that far away from the production. I want to be in the mix. I want to have my hands in the code. What I failed to realise at the time was that running a bunch of agents feels less like being a project manager for agents and more like stepping into this super mech suit, where suddenly I don't just have two arms, I have 12. I can now look at seven screens at the same time, running five keyboards. I'm still the one doing it, even if I'm not typing ‘this’ as a keyword in a program. I have been hyper accelerated as a programmer. It's a different kind of programmer, but it still has the same affinity to aesthetics, at least when I'm producing Ruby code, and I'm able to combine that while being vastly more productive on a bunch of things.”

The Pragmatic Engineer

29,308 views • 5 months ago