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I never thought that someone like Laxmi Agarwal will make such a video. So, I read a little bit about her... - In 2020, a movie named Chhapaak was released which was based on her life. Deepika Padukone went to JNU, supported anti-India Jihadis there to promote that movie....

11,241 просмотров • 4 месяцев назад •via X (Twitter)

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I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

Maurora🫦

10,530 просмотров • 6 месяцев назад

#山根涼羽 Zunchan was clarifying something she said in her seitansai speech that seems to have been misunderstood after only a certain part was clipped and shared online. What she meant was never that AKB was “better” than KLP, or that she was criticizing KLP, Malaysia, or the people around her there. She explained that she is genuinely grateful for the environment she had in KLP, and at the same time, her experience in Malaysia made her realize how many things in AKB she had previously taken for granted. With KLP, they were essentially building a 48 Group and its idol culture from the ground up in a place where that system and environment were not already established. There were a lot of fun experiences, but naturally there were also difficult things that came with having to create something from scratch. Because she went through that experience, when she returned to AKB, she became more aware of all the things that were already established and prepared for the members there, and it made her feel grateful for the AKB environment as well. She specifically emphasized that this was NOT about saying one place was better than the other. She said that both places were wonderful to her, both were places she loved, and that was what she had wanted to convey. She also mentioned that some Malaysian fans had misunderstood what she meant, and clarified that she never intended for her words to be used to attack anyone. So I hope people can listen to what she is actually saying here rather than judging her based only on a clipped portion of her speech. Her point was about gaining a new appreciation for both environments through her experiences in each of them, not putting one down to praise the other.

Tina 🍉

17,578 просмотров • 26 дней назад

Howard Hawks on working with Marilyn Monroe: "Marilyn Monroe was the most frightened little girl who had no confidence in her ability. She was afraid to come on the screen. Very strange girl. And yet she had this strange effect when she was photographed. Nobody dated her, nobody took her out, nobody paid any attention to her. She’d sit on the set with practically nothing on, and a pretty extra girl would walk by and everybody’d whistle. But she got out in front of the camera, and the camera liked her, and all of a sudden she was a great sex symbol. Fortunately, I had her in a couple of the first pictures that she did 'Monkey Business' (1952) and 'Gentlemen Prefer Blondes' (1953), when she wasn’t worried. And also I had Jane Russell’s help in making 'Gentlemen Prefer Blondes'. We had a lot of fun doing the picture, but there were a lot of times when I was ready to give up the ghost. Jane Russell would say, “Look at me—all he wants you to do is such-and-such a thing.” And Marilyn would say to her, “Why didn’t you tell me?” But I had an easy time compared to some of the directors who worked with her afterward. Because after she got very important she became more and more frightened, and she just didn’t want to come out and do a scene. She didn’t think she was good enough to do the things that she did. She was always better in fantastic material, wasn’t she? Like in 'Gentlemen Prefer Blondes'? There wasn’t a real thing about her. Everything was completely unreal. They tried to make her play real parts in a couple of pictures, and the pictures were disasters. 'Gentlemen Prefer Blondes' was the first one where she really went good, and then they had no sense to stick with that." ("Hawks on Hawks", Joseph McBride, 1982) P.S: Remembering Marilyn Monroe on her 100th birthday!

DepressedBergman

171,146 просмотров • 3 месяцев назад