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"I still remember the story about when Allu Aravind approached you for the villain role in #Jalsa. When you asked him if he would offer that same character to Chiranjeevi Garu and he said no, you simply replied, 'Then why should I do it?' That level of self-respect and...

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The Kanna Reports

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168,753 views • 8 months ago •via X (Twitter)

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Guiseppe Tornatore on why he chose Monica Belluci for "Malena" (2000): "I chose Monica because. when I met her I had known about this story for five years. I never thought I was going to make a film out of it. But when I met her, she made me think about this story. So, I started thinking about it, maybe just subconsciously. I started to see that it could be possible- to see the character. And this is a story that, until you start to envision the character you don’t think that the character could actually exist. So when I met her I started to think about it- to elaborate on the story in my mind. And after a while I decided to make the film. When I wrote the film, I wrote it for her- I knew that Monica Bellucci would be Malena. That was extraordinary. I love writing knowing in advance who the actors are going to be. It’s happened a few other times. It’s always been a stronger experience." (Guiseppe Tornatore's interview with Rob Larsen, 2000)
1:13

Guiseppe Tornatore on why he chose Monica Belluci for "Malena" (2000): "I chose Monica because. when I met her I had known about this story for five years. I never thought I was going to make a film out of it. But when I met her, she made me think about this story. So, I started thinking about it, maybe just subconsciously. I started to see that it could be possible- to see the character. And this is a story that, until you start to envision the character you don’t think that the character could actually exist. So when I met her I started to think about it- to elaborate on the story in my mind. And after a while I decided to make the film. When I wrote the film, I wrote it for her- I knew that Monica Bellucci would be Malena. That was extraordinary. I love writing knowing in advance who the actors are going to be. It’s happened a few other times. It’s always been a stronger experience." (Guiseppe Tornatore's interview with Rob Larsen, 2000)

DepressedBergman

159,808 views • 1 year ago

Gena Rowlands explains the reason why "A Woman Under the Influence" (1974, Cassavetes), which was first written as a play, was made into a movie: "Rowlands: John wrote it as a play. He said, “Hey, I wrote you a play.” And I said, “Great, let’s read it.” I read it and I said, “John, I couldn’t do this every night and twice on Wednesday and Saturday. I wouldn’t be able to last two weeks. I’d die.” It was a very hard play to do every night. And he said, “Don’t worry. Don’t even think about it, you’re right. I hadn’t thought of that.” He said, “Just forget it.” Then in about two weeks he said, “Okay. I solved the problem. I wrote a different play for you.” He said, “So you won’t have to carry all of it every night. I used the same characters but I enlarged different parts of the scenes.” He changed it generally to make it humanly possible. And I said, “Oh, that’s a miracle, let me see it.” And I read it and I said, “Listen, you must know a lot of strong actresses!” [laughs] I said, “I still wouldn’t be able to do it. This is really hard.” She has a nervous breakdown—there’s a lot of things that are hard emotionally to do. So he said, “Okay. I’m going to write it as a picture.” I said, “I think I can get through it once.” [laughs] “But I’m not making any guarantees.” He thought that was funny and then he wrote it thinking like an actor too instead of just a writer. I think he took that into consideration. And it is, of course, much easier to do a film when you’re doing an extremely emotional part than it is doing it onstage over and over especially. Interviewer: Do you consider that to be your most challenging role? Mabel? Rowlands: Well, yes, it was my favorite. I loved doing that. And it was challenging. Interviewer: Since John gave you so much freedom to do what you liked as a character, how would you go about finding them? Was it something that was instinctual for you, from the script? Rowlands: I read the script, you know, 50 times. And I thought about it. And then I did it. [laughs]" (Gena Rowlands' interview with Colleen Kelsey, Interview Magazine, 2016) P.S: Remembering the great American Actress Gena Rowlands on her 96th birthday!
1:27

Gena Rowlands explains the reason why "A Woman Under the Influence" (1974, Cassavetes), which was first written as a play, was made into a movie: "Rowlands: John wrote it as a play. He said, “Hey, I wrote you a play.” And I said, “Great, let’s read it.” I read it and I said, “John, I couldn’t do this every night and twice on Wednesday and Saturday. I wouldn’t be able to last two weeks. I’d die.” It was a very hard play to do every night. And he said, “Don’t worry. Don’t even think about it, you’re right. I hadn’t thought of that.” He said, “Just forget it.” Then in about two weeks he said, “Okay. I solved the problem. I wrote a different play for you.” He said, “So you won’t have to carry all of it every night. I used the same characters but I enlarged different parts of the scenes.” He changed it generally to make it humanly possible. And I said, “Oh, that’s a miracle, let me see it.” And I read it and I said, “Listen, you must know a lot of strong actresses!” [laughs] I said, “I still wouldn’t be able to do it. This is really hard.” She has a nervous breakdown—there’s a lot of things that are hard emotionally to do. So he said, “Okay. I’m going to write it as a picture.” I said, “I think I can get through it once.” [laughs] “But I’m not making any guarantees.” He thought that was funny and then he wrote it thinking like an actor too instead of just a writer. I think he took that into consideration. And it is, of course, much easier to do a film when you’re doing an extremely emotional part than it is doing it onstage over and over especially. Interviewer: Do you consider that to be your most challenging role? Mabel? Rowlands: Well, yes, it was my favorite. I loved doing that. And it was challenging. Interviewer: Since John gave you so much freedom to do what you liked as a character, how would you go about finding them? Was it something that was instinctual for you, from the script? Rowlands: I read the script, you know, 50 times. And I thought about it. And then I did it. [laughs]" (Gena Rowlands' interview with Colleen Kelsey, Interview Magazine, 2016) P.S: Remembering the great American Actress Gena Rowlands on her 96th birthday!

DepressedBergman

67,756 views • 3 months ago

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”
5:57

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”

Gangster Cinema Central

89,214 views • 2 months ago

"I asked him 'You just got here, why are you the one being the voice in the huddle?' And he said 'Because no one else is…I had to do that in Milwaukee (championship team)…Somebody had to be that guy…I relish that role'…" –– Alan Hahn on PJ Tucker
1:15

"I asked him 'You just got here, why are you the one being the voice in the huddle?' And he said 'Because no one else is…I had to do that in Milwaukee (championship team)…Somebody had to be that guy…I relish that role'…" –– Alan Hahn on PJ Tucker

New York Basketball

139,671 views • 1 year ago

.Vice President JD Vance: "I went to Lindsey and I said, 'Why are you helping me? Why are you helping this legislation?' And I expected him to do what so many politicians would do, I expected him to lie... and he said, 'Well, I don't care about it, but you do.' And that was the kind of colleague he could be — a person you argued with and fought with in one minute, but behind the scenes, without collecting an ounce of credit, was working for you and working for the things you cared about in the next." ❤️
1:39

.Vice President JD Vance: "I went to Lindsey and I said, 'Why are you helping me? Why are you helping this legislation?' And I expected him to do what so many politicians would do, I expected him to lie... and he said, 'Well, I don't care about it, but you do.' And that was the kind of colleague he could be — a person you argued with and fought with in one minute, but behind the scenes, without collecting an ounce of credit, was working for you and working for the things you cared about in the next." ❤️

Rapid Response 47

124,556 views • 1 month ago

René Meulensteen, former Manchester United coach, on Cristiano Ronaldo: “Basically, I told him, ‘I think I know exactly what you want.’ He looked at me like, ‘How can you know? We’ve never had a conversation.’ I said, ‘Yes, I know.’ He asked, ‘What is it?’ I said, ‘You want to be the best player in the world—not once, not twice, but many, many times to come.’ I asked, ‘Am I wrong?’ He said, ‘No, you’re right.’ Then I asked him, ‘Will you be the best player in the world tomorrow?’ He said, ‘No, probably not.’ I said, ‘Next week?’ He said, ‘No.’ ‘Next month?’ ‘No.’ So I told him, ‘By the end of the season, we need to work on what will bring you closer to what you want to achieve. One of those aspects is understanding and being aware of the kind of player you are and the position you play. But more than anything, you need to understand how to utilize your strengths—and one of them is scoring goals.’ I asked, ‘How many goals did you score last season?’ He said, ‘23.’ I said, ‘Okay, but I assume you want to get better, don’t you?’ He said, ‘Yes.’ So I asked, ‘What’s your target for this season? Because if it’s the same, you’re not really improving.’ He thought about it and said, ‘30?’ I nodded. Then he asked, ‘What do you think?’ I said, ‘I think 40.’ He said, ‘Forty? That’s nearly double.’ Then I took him inside and showed him a video of United’s top strikers—Dwight Yorke, Andy Cole, Teddy Sheringham, Ole Gunnar Solskjær, and Ruud van Nistelrooy. It was a three-minute clip—goals after goals, bang, bang, bang. I asked, ‘What did you see?’ He said, ‘A lot of goals—beautiful goals.’ I said, ‘Yeah, but what do you really see?’ He said, ‘Goals.’ I said, ‘No, no, no. You’re going to watch it again and then tell me what you see.’ We watched it again, and I asked, ‘What do you see?’ He said, ‘I know what you mean—most goals are scored from inside the box, most are scored with one or two touches, and there’s a variety: tap-ins, shots, headers, and so on.’ I said, ‘Correct. These are exactly the three things you’re going to work on on the pitch.’”
1:57

René Meulensteen, former Manchester United coach, on Cristiano Ronaldo: “Basically, I told him, ‘I think I know exactly what you want.’ He looked at me like, ‘How can you know? We’ve never had a conversation.’ I said, ‘Yes, I know.’ He asked, ‘What is it?’ I said, ‘You want to be the best player in the world—not once, not twice, but many, many times to come.’ I asked, ‘Am I wrong?’ He said, ‘No, you’re right.’ Then I asked him, ‘Will you be the best player in the world tomorrow?’ He said, ‘No, probably not.’ I said, ‘Next week?’ He said, ‘No.’ ‘Next month?’ ‘No.’ So I told him, ‘By the end of the season, we need to work on what will bring you closer to what you want to achieve. One of those aspects is understanding and being aware of the kind of player you are and the position you play. But more than anything, you need to understand how to utilize your strengths—and one of them is scoring goals.’ I asked, ‘How many goals did you score last season?’ He said, ‘23.’ I said, ‘Okay, but I assume you want to get better, don’t you?’ He said, ‘Yes.’ So I asked, ‘What’s your target for this season? Because if it’s the same, you’re not really improving.’ He thought about it and said, ‘30?’ I nodded. Then he asked, ‘What do you think?’ I said, ‘I think 40.’ He said, ‘Forty? That’s nearly double.’ Then I took him inside and showed him a video of United’s top strikers—Dwight Yorke, Andy Cole, Teddy Sheringham, Ole Gunnar Solskjær, and Ruud van Nistelrooy. It was a three-minute clip—goals after goals, bang, bang, bang. I asked, ‘What did you see?’ He said, ‘A lot of goals—beautiful goals.’ I said, ‘Yeah, but what do you really see?’ He said, ‘Goals.’ I said, ‘No, no, no. You’re going to watch it again and then tell me what you see.’ We watched it again, and I asked, ‘What do you see?’ He said, ‘I know what you mean—most goals are scored from inside the box, most are scored with one or two touches, and there’s a variety: tap-ins, shots, headers, and so on.’ I said, ‘Correct. These are exactly the three things you’re going to work on on the pitch.’”

(fan)28^

101,573 views • 4 months ago

260109 dpr ian talking about seonghwa’s Skin in his ig live 🥹🩶 “Have I seen the seonghwa video? Yeah!— fuckin— i love that shit oh my god By the way, speaking of, seonghwa sent me the video too when he dropped it, Skin And I was.. I was mesmerized! I was so blown away like he does it so much better than anyone that i’ve known and anyone that can do that And um I truly think it’s because… You know when I say, if one has like a bit of a mito in them but— you know like… I think the reason why I really resonate with seonghwa is because he has— he shares the same type of expression and darkness that I can relate to? And he transforms it in a way where he can— it really resonates. And you can see that it’s so raw, and it’s so real that… it just hits! Like… you know? And that’s why I like… applaud him you know? Because that is something that you should actually congratulate him on And yknow him getting to even the place he is you know? Like all props to that dude and he’s truly an artist, as I see it he’s really an artist, and um… If you haven’t, go check it out it’s, Seonghwa’s ‘Skin’ And yknow I just— yeah like— dude looks sexy as hell so, yeah **laughs** So you know… how can you not like it you know??? So yeah go please, please check it out and you guys out there, you guys do amazing and I know seonghwa has a lot of— a lot of good, good-hearted fans that support him yknow, when he’s going down and i’m sure there’s a lot of things that he goes through that he probably doesn’t tell you guys or anybody for that fact But um, that being said, ummm— with that being said, yknow I just wanted to thank you guys for just being there for him as well you know? Cos I think he does see these messages and he does— he sees the support, that’s why he’s able to do what he’s doing so… Yknow? So yeah Big shoutout to him and ATEEZ cos they’re amazing” 🥹🥹🥹🥹 #성화 #에이티즈 #SEONGHWA #ATEEZ #dprian
2:01

260109 dpr ian talking about seonghwa’s Skin in his ig live 🥹🩶 “Have I seen the seonghwa video? Yeah!— fuckin— i love that shit oh my god By the way, speaking of, seonghwa sent me the video too when he dropped it, Skin And I was.. I was mesmerized! I was so blown away like he does it so much better than anyone that i’ve known and anyone that can do that And um I truly think it’s because… You know when I say, if one has like a bit of a mito in them but— you know like… I think the reason why I really resonate with seonghwa is because he has— he shares the same type of expression and darkness that I can relate to? And he transforms it in a way where he can— it really resonates. And you can see that it’s so raw, and it’s so real that… it just hits! Like… you know? And that’s why I like… applaud him you know? Because that is something that you should actually congratulate him on And yknow him getting to even the place he is you know? Like all props to that dude and he’s truly an artist, as I see it he’s really an artist, and um… If you haven’t, go check it out it’s, Seonghwa’s ‘Skin’ And yknow I just— yeah like— dude looks sexy as hell so, yeah **laughs** So you know… how can you not like it you know??? So yeah go please, please check it out and you guys out there, you guys do amazing and I know seonghwa has a lot of— a lot of good, good-hearted fans that support him yknow, when he’s going down and i’m sure there’s a lot of things that he goes through that he probably doesn’t tell you guys or anybody for that fact But um, that being said, ummm— with that being said, yknow I just wanted to thank you guys for just being there for him as well you know? Cos I think he does see these messages and he does— he sees the support, that’s why he’s able to do what he’s doing so… Yknow? So yeah Big shoutout to him and ATEEZ cos they’re amazing” 🥹🥹🥹🥹 #성화 #에이티즈 #SEONGHWA #ATEEZ #dprian

미샤 🩶 | slow

245,211 views • 8 months ago

ELON TO BARON CEO: YOU BACKED ME WHEN ANYONE ELSE WOULD BAIL, YOU'RE A TRUE FRIEND Baron Capital CEO, Ron Baron: "You were buying X. And it was $42 billion, I think. And you were in the process of raising money. And I called you up. And you hadn’t called me to solicit me. And I called you up and said I would like to invest with you $100 million in this. And it was $60 million for one of our funds and $40 million for me. And you said, 'Really?' I said, 'Yeah.' And you told me that you thought I would make a double. And I said, 'Well, I hope so.' But to me, it felt like you made us $8B in Tesla, and it’d not be very appropriate if I didn’t support this new venture that you were doing. So we invested. And then the day that we paid the money, we marked it down 70%." Elon: “Oh, man. This is how I know you’re a true friend, Ron, because, as you know, I do regard you as a true and trusted friend. The test of friendship is who supports you when the chips are down and the times are tough and everyone’s against you. That’s a real friend, and that’s you, Ron. Thank you.” Source: Elon Musk, Baron Capital, Ron Baron, Tesla
1:59

ELON TO BARON CEO: YOU BACKED ME WHEN ANYONE ELSE WOULD BAIL, YOU'RE A TRUE FRIEND Baron Capital CEO, Ron Baron: "You were buying X. And it was $42 billion, I think. And you were in the process of raising money. And I called you up. And you hadn’t called me to solicit me. And I called you up and said I would like to invest with you $100 million in this. And it was $60 million for one of our funds and $40 million for me. And you said, 'Really?' I said, 'Yeah.' And you told me that you thought I would make a double. And I said, 'Well, I hope so.' But to me, it felt like you made us $8B in Tesla, and it’d not be very appropriate if I didn’t support this new venture that you were doing. So we invested. And then the day that we paid the money, we marked it down 70%." Elon: “Oh, man. This is how I know you’re a true friend, Ron, because, as you know, I do regard you as a true and trusted friend. The test of friendship is who supports you when the chips are down and the times are tough and everyone’s against you. That’s a real friend, and that’s you, Ron. Thank you.” Source: Elon Musk, Baron Capital, Ron Baron, Tesla

Mario Nawfal

3,432,507 views • 10 months ago

.Chamath Palihapitiya says President Trump is completely different from how he is portrayed by the media. "He is charismatic. He's intellectually sharp, and he's funny. And when you put that together, he can engage an audience for a long time and be totally extemporaneous. The other thing I would say is that he is very polite. And he's kind in a way that was disarming and was not what I expected." "And so I felt that I had misjudged him many years in the past. And so I was very glad that I had an opportunity to sit beside him and to actually interact with him one-on-one. It was really engaging." "It was not just a pro-America agenda, but it was very clear that he was pro-innovation. So he was really supportive of AI in the details that he talked about, he was very supportive of crypto in those details. And he's very much low regulation, low taxation. And so when you put that together, it does stand very much in contrast with what the alternative is." "So it's us talking, and he says, you guys are a really beautiful couple. And I said, well, thank you. And then he turns to me, and he goes, well, you must be really rich. And I started laughing out loud. Natalie thought he was hilarious."
3:38

.Chamath Palihapitiya says President Trump is completely different from how he is portrayed by the media. "He is charismatic. He's intellectually sharp, and he's funny. And when you put that together, he can engage an audience for a long time and be totally extemporaneous. The other thing I would say is that he is very polite. And he's kind in a way that was disarming and was not what I expected." "And so I felt that I had misjudged him many years in the past. And so I was very glad that I had an opportunity to sit beside him and to actually interact with him one-on-one. It was really engaging." "It was not just a pro-America agenda, but it was very clear that he was pro-innovation. So he was really supportive of AI in the details that he talked about, he was very supportive of crypto in those details. And he's very much low regulation, low taxation. And so when you put that together, it does stand very much in contrast with what the alternative is." "So it's us talking, and he says, you guys are a really beautiful couple. And I said, well, thank you. And then he turns to me, and he goes, well, you must be really rich. And I started laughing out loud. Natalie thought he was hilarious."

KanekoaTheGreat

1,565,457 views • 2 years ago

Matthew McConaughey says he accepted True Detective in 12 seconds because he stopped caring what size screen it was on "That script comes along. I'm turning the pages and I cannot wait to see what comes outta this character Rustin Cohle's mouth, every single page. It was just hot sh*t. And the identity was so clear" "I then go, there's that question, it's on TV, what are you doing going on TV? I remember calling my agent Jim Toth, and I was like, this question is something we should raise" "And he goes, 'All right, why do you go after all...' I go, 'Man, I want a great role and I want it being a great story. I want great character. I wanna be in a great story'" "And he goes, 'You hear what you said?' I said, 'Yep, and I didn't say a damn thing about what size screen it's on, let's go'" "And we'd made the decision in 12 seconds"
0:45

Matthew McConaughey says he accepted True Detective in 12 seconds because he stopped caring what size screen it was on "That script comes along. I'm turning the pages and I cannot wait to see what comes outta this character Rustin Cohle's mouth, every single page. It was just hot sh*t. And the identity was so clear" "I then go, there's that question, it's on TV, what are you doing going on TV? I remember calling my agent Jim Toth, and I was like, this question is something we should raise" "And he goes, 'All right, why do you go after all...' I go, 'Man, I want a great role and I want it being a great story. I want great character. I wanna be in a great story'" "And he goes, 'You hear what you said?' I said, 'Yep, and I didn't say a damn thing about what size screen it's on, let's go'" "And we'd made the decision in 12 seconds"

sara

1,139,063 views • 2 months ago

ROSALÍA speaking to the public in Barcelona in Catalan, visibly emotional and on the verge of tears by the end of speech: "Good night everyone! How are you today? I'm delighted to see you. I have to admit that... I'm usually a little nervous, you know? Before I perform I get a little dumb or dizzy, right? And I can't stop, but today I think my heart was going to me, but for a very specific reason. And because I'm singing in my city. I suppose there are artists and artists, like people and people, from his mother and father. And I remember that once I met Peret, an amazing artist, the father of rumba, and we were both going to sing that same night, I remember, here in Barcelona, and I went in with girls, he saw me, I mean, he was like there in a corner like that watching, and he saw that I was nervous, and he said to me, but why are you getting nervous? I said to myself, I have never been so nervous in my entire career and there I understood that he loved his city and celebrated it so much that with that invasion with that joy that invaded it he had no energy left to get nervous for anything and who knows if one day I will reach that level of calm, without resistance, but one thing you can be sure Barcelona is that I love you madly and you don't know how much I wanted to come back here. And probably as a singer, in front of your city or for your city is the most intense experience, I think, or most rewarding that you can live. But sometimes also the one that imposes itself on you the most, maybe. And I think that... I think it hits you in a way because it is the place that has seen you grow and that has seen you start from the bottom and run away on a path, you know? It is the place that confronts who you were and who you are now, you know? And what you have become. And the place where I believe you cannot escape yourself and you cannot be anyone but yourself. And that is precisely why this stage is not just any stage, you know? Tonight is not just any night. So thank you Barcelona, I love you so much. Thank you for supporting me." Source: 3CatInfo
4:33

ROSALÍA speaking to the public in Barcelona in Catalan, visibly emotional and on the verge of tears by the end of speech: "Good night everyone! How are you today? I'm delighted to see you. I have to admit that... I'm usually a little nervous, you know? Before I perform I get a little dumb or dizzy, right? And I can't stop, but today I think my heart was going to me, but for a very specific reason. And because I'm singing in my city. I suppose there are artists and artists, like people and people, from his mother and father. And I remember that once I met Peret, an amazing artist, the father of rumba, and we were both going to sing that same night, I remember, here in Barcelona, and I went in with girls, he saw me, I mean, he was like there in a corner like that watching, and he saw that I was nervous, and he said to me, but why are you getting nervous? I said to myself, I have never been so nervous in my entire career and there I understood that he loved his city and celebrated it so much that with that invasion with that joy that invaded it he had no energy left to get nervous for anything and who knows if one day I will reach that level of calm, without resistance, but one thing you can be sure Barcelona is that I love you madly and you don't know how much I wanted to come back here. And probably as a singer, in front of your city or for your city is the most intense experience, I think, or most rewarding that you can live. But sometimes also the one that imposes itself on you the most, maybe. And I think that... I think it hits you in a way because it is the place that has seen you grow and that has seen you start from the bottom and run away on a path, you know? It is the place that confronts who you were and who you are now, you know? And what you have become. And the place where I believe you cannot escape yourself and you cannot be anyone but yourself. And that is precisely why this stage is not just any stage, you know? Tonight is not just any night. So thank you Barcelona, I love you so much. Thank you for supporting me." Source: 3CatInfo

ROSALÍA archive

84,928 views • 5 months ago

Pavel Durov on why he hasn't had depression in 20 years: "I normally never have depression. I don't remember having depression in the last 20 years, at least maybe when I was a teenager." Pavel's approach to difficult emotions is completely counterintuitive. As he puts it: "I'm a human being like everybody else. I do get to experience emotions and some of them are not very pleasant. But I believe that it's the responsibility of every one of us to cope with these emotions and to learn to work through them." On what creates depression: "Self-discipline is particularly important because without it, how can you overcome this seemingly endless loop of negativity or despair that ultimately leads to depression for some people?" His method: "One of the reasons I don't have depression is I start doing things. I identify the problem, I can see a solution, and I start executing the strategy. If you are stuck in this loop of being worried about something, nothing's ever going to change." The mistake people make: "People often make this mistake thinking 'Oh, I should just have some rest and then regain energy.' This is not how it works. You gain energy by doing something. So you start doing something, then it happens. You feel motivated, you feel inspired, and then ultimately you do something else a little bit more." He continues: "The whole point is to do first and then feel, not feel and then do. Going to the gym is a good example. There are many days when you don't want to start working out. But you have to overcome this initial reluctance and then you get to a point that you enjoy it and you think 'Oh my god, it was such a good idea to come to gym today.'" Action creates energy, not the other way around.
2:23

Pavel Durov on why he hasn't had depression in 20 years: "I normally never have depression. I don't remember having depression in the last 20 years, at least maybe when I was a teenager." Pavel's approach to difficult emotions is completely counterintuitive. As he puts it: "I'm a human being like everybody else. I do get to experience emotions and some of them are not very pleasant. But I believe that it's the responsibility of every one of us to cope with these emotions and to learn to work through them." On what creates depression: "Self-discipline is particularly important because without it, how can you overcome this seemingly endless loop of negativity or despair that ultimately leads to depression for some people?" His method: "One of the reasons I don't have depression is I start doing things. I identify the problem, I can see a solution, and I start executing the strategy. If you are stuck in this loop of being worried about something, nothing's ever going to change." The mistake people make: "People often make this mistake thinking 'Oh, I should just have some rest and then regain energy.' This is not how it works. You gain energy by doing something. So you start doing something, then it happens. You feel motivated, you feel inspired, and then ultimately you do something else a little bit more." He continues: "The whole point is to do first and then feel, not feel and then do. Going to the gym is a good example. There are many days when you don't want to start working out. But you have to overcome this initial reluctance and then you get to a point that you enjoy it and you think 'Oh my god, it was such a good idea to come to gym today.'" Action creates energy, not the other way around.

Jaynit

547,702 views • 8 months ago

Jennings: Miles, you know, the fastest way to get in front of a television camera, if you're a Republican, is to come out and crap on Donald Trump. Taylor: I trace it further back than that. I trace it back to ten years ago when you said Donald Trump was an authoritarian. And you know what, Scott? I've got to hand it to you. That was a remarkable forecast because ten years later, I think you called it. Jennings: Why are you so upset he's running the executive branch? Taylor: For the same reason you said he violated his oath, and he should never be back in that office.
1:22

Jennings: Miles, you know, the fastest way to get in front of a television camera, if you're a Republican, is to come out and crap on Donald Trump. Taylor: I trace it further back than that. I trace it back to ten years ago when you said Donald Trump was an authoritarian. And you know what, Scott? I've got to hand it to you. That was a remarkable forecast because ten years later, I think you called it. Jennings: Why are you so upset he's running the executive branch? Taylor: For the same reason you said he violated his oath, and he should never be back in that office.

Acyn

1,429,090 views • 10 months ago

Matthew McConaughey reveals the three words his dad said that changed his life “I said dad, I don't want to go to law school anymore. I want to go to film school and after about a 5 second pause, he goes, ‘Are you sure that's what you want to do?’ I reply yes sir” “Another long pause. Then I hear, ‘Well, don't halfass it’” “I remember just beaming, hopping up just like Yes! My dad not only said okay. The way he said don't halfass it, it was also, okay. Let's go big boy. Own that shit. Get some leverage. Get some horsepower behind where you're going. Go do it” “I remember to this day and I've learned this later I think from becoming a father, part of what I believe happened to him and why he said that to me that way on that call was the way that I asked him. I wasn't really asking. It was, ‘I don't want to go to law school, Dad. I want to go to film school.’ I didn't stutter. He heard his son saying this is what I want to do” “What I think happened to him in that moment is what I think any father, any parent loves. You raise your kids in a certain way and you give them a guideline, a ladder to climb and here's the guidelines and if you do it this way, you're most likely going to have some success in life and it'll work out for you and then when we do it that way, we can be proud parents” “But what do we really want to happen when our kids are out of the house and they're on their own? We kind of want them to call one day and go, ‘I'm breaking out. I'm going my own way.’ And as a parent, we go, as much as it may scare us, we're going, ‘Yes!’ I gave my kid the confidence and the courage and the foundation to say they're going to go their own way” “In a way, I think every parent honors and loves that moment. I heard my dad, when he didn't hear me stutter, when he heard me directly say what I said. I wasn't really asking him. Even though I was out of respect asking him, the way I said it, I wasn't asking him and I think he felt that” “Don't halfass it”
2:28

Matthew McConaughey reveals the three words his dad said that changed his life “I said dad, I don't want to go to law school anymore. I want to go to film school and after about a 5 second pause, he goes, ‘Are you sure that's what you want to do?’ I reply yes sir” “Another long pause. Then I hear, ‘Well, don't halfass it’” “I remember just beaming, hopping up just like Yes! My dad not only said okay. The way he said don't halfass it, it was also, okay. Let's go big boy. Own that shit. Get some leverage. Get some horsepower behind where you're going. Go do it” “I remember to this day and I've learned this later I think from becoming a father, part of what I believe happened to him and why he said that to me that way on that call was the way that I asked him. I wasn't really asking. It was, ‘I don't want to go to law school, Dad. I want to go to film school.’ I didn't stutter. He heard his son saying this is what I want to do” “What I think happened to him in that moment is what I think any father, any parent loves. You raise your kids in a certain way and you give them a guideline, a ladder to climb and here's the guidelines and if you do it this way, you're most likely going to have some success in life and it'll work out for you and then when we do it that way, we can be proud parents” “But what do we really want to happen when our kids are out of the house and they're on their own? We kind of want them to call one day and go, ‘I'm breaking out. I'm going my own way.’ And as a parent, we go, as much as it may scare us, we're going, ‘Yes!’ I gave my kid the confidence and the courage and the foundation to say they're going to go their own way” “In a way, I think every parent honors and loves that moment. I heard my dad, when he didn't hear me stutter, when he heard me directly say what I said. I wasn't really asking him. Even though I was out of respect asking him, the way I said it, I wasn't asking him and I think he felt that” “Don't halfass it”

Jack

1,184,527 views • 3 months ago

Howard Hawks on his meeting with Al Capone & what Capone and another famous Chicago gangster thought about 'Scarface' (1932) when they saw the film: "Interviewer: Did you have any contact with Al Capone while making the picture? Hawks: While we were making 'Scarface' (1932), five or six of them came out and said, “The boss wants us to see the picture.” And I said, “You go and tell him when it comes out, he can pay a dollar and buy a ticket. You don’t scare me. Why the hell don’t you come out and just ask to see it?” They reported to Capone that it was just great, and they invited me to Chicago to see him. They met me at the train, and they were late. One of the fellows said, “There was a killing last night and we had to go to the funeral.” I said, “Do I have to ride with you if there was a killing last night?” They said I could ride in a different car. But when we went into a café, they would sit with their backs to the wall, and I had my back to the door. We had some damn good-looking girls with us, a bit brassy but very pretty. When I saw Capone, we had tea, and he was dressed in a morning coat, striped trousers, a carnation, being a very nice man, saying how much he liked the picture. I was with him two, three hours. Then he asked me to come again, and I stopped by there. But there was a shooting in Chicago, so they said that he couldn’t come because he was hiding out in Atlantic City or something. Then he came to see me when I was working in Hollywood, and the cops came and arrested him right on the set. Interviewer: So he did see 'Scarface'? Hawks: Five or six times. He had his own print of it. He thought it was great. He’d say, “Jesus Christ, you guys got a lot of stuff in that picture! How’d you know about that?” I said, “Look—you know how somebody can’t testify if he’s a lawyer? Well, I’m a lawyer.” And he laughed. He didn’t give a damn. Another famous gangster brought two very lovely daughters out to watch the movie and introduced himself to me. He said, “Where’d you get that stuff in that killing?” I asked him, “Why? Are you mad?” He said, “No, I’m just curious.” I told him, and he laughed, and he said, “That’s the way we did the shooting. Why hasn’t the picture played in Chicago?” I said, “They won’t let me.” He said, “Do you want it to play?” I said yeah. And he said, “Can I use your phone a minute?” When he finished he said, “You can play it any time you want.” ('Hawks on Hawks', Joseph McBride, 1982) P.S: On this day, 94 years ago, 'Scarface' (1932) premiered in New Orleans, Luisiana.
1:22

Howard Hawks on his meeting with Al Capone & what Capone and another famous Chicago gangster thought about 'Scarface' (1932) when they saw the film: "Interviewer: Did you have any contact with Al Capone while making the picture? Hawks: While we were making 'Scarface' (1932), five or six of them came out and said, “The boss wants us to see the picture.” And I said, “You go and tell him when it comes out, he can pay a dollar and buy a ticket. You don’t scare me. Why the hell don’t you come out and just ask to see it?” They reported to Capone that it was just great, and they invited me to Chicago to see him. They met me at the train, and they were late. One of the fellows said, “There was a killing last night and we had to go to the funeral.” I said, “Do I have to ride with you if there was a killing last night?” They said I could ride in a different car. But when we went into a café, they would sit with their backs to the wall, and I had my back to the door. We had some damn good-looking girls with us, a bit brassy but very pretty. When I saw Capone, we had tea, and he was dressed in a morning coat, striped trousers, a carnation, being a very nice man, saying how much he liked the picture. I was with him two, three hours. Then he asked me to come again, and I stopped by there. But there was a shooting in Chicago, so they said that he couldn’t come because he was hiding out in Atlantic City or something. Then he came to see me when I was working in Hollywood, and the cops came and arrested him right on the set. Interviewer: So he did see 'Scarface'? Hawks: Five or six times. He had his own print of it. He thought it was great. He’d say, “Jesus Christ, you guys got a lot of stuff in that picture! How’d you know about that?” I said, “Look—you know how somebody can’t testify if he’s a lawyer? Well, I’m a lawyer.” And he laughed. He didn’t give a damn. Another famous gangster brought two very lovely daughters out to watch the movie and introduced himself to me. He said, “Where’d you get that stuff in that killing?” I asked him, “Why? Are you mad?” He said, “No, I’m just curious.” I told him, and he laughed, and he said, “That’s the way we did the shooting. Why hasn’t the picture played in Chicago?” I said, “They won’t let me.” He said, “Do you want it to play?” I said yeah. And he said, “Can I use your phone a minute?” When he finished he said, “You can play it any time you want.” ('Hawks on Hawks', Joseph McBride, 1982) P.S: On this day, 94 years ago, 'Scarface' (1932) premiered in New Orleans, Luisiana.

DepressedBergman

67,676 views • 5 months ago

Trump was reportedly furious over Noem’s assertion during a hearing that he had approved that $200+ million ad campaign but she actually had told this story before and based on what the former DHS Secretary says here, it allegedly was his idea. Noem: He said, “Do you know those ads that you did in South Dakota?” Oh, and I said, “Yes sir, you mean my ‘Freedom Works Here’ ads?” And he said, “Yeah, those ones where you — those beautiful ads, you know, those beautiful ads, beautiful — you did about South Dakota. They had Mount Rushmore, all those things.” He said, “I want you to do those for the border..” And I said, “Well sir, I don’t know how that works. You mean the ones where I was a plumber and where I was an electrician? I don’t know if I can do those for the border.” And he said, “No, I want you to do those for the border, and I want you to do those everywhere — not just in the United States, but I want them around the world. I want you to tell people not to come to this country if they’re going to come here illegally.” And I said, “Well sir, we can do press conferences. You know, we can tell people what we’re doing.” And he said, “Nope. We’re not going to let the media tell this story because the media will never tell the truth. A marketing campaign to make sure the American people know the truth of what you’re doing.” And I said, “Well sir, do you want to be in those ads?” And he said, “Nope, nope, I want you to do them.” He said, “I want you in the ads.” He said, “I want you in the ads, and I want your face in the ads. But I want the first ad — I want you to thank me. So I want you to thank me for closing the border.” And I said, “Yes sir, I will thank you for closing the border.” So if you notice in that ad, we thanked him for closing the border.
1:39

Trump was reportedly furious over Noem’s assertion during a hearing that he had approved that $200+ million ad campaign but she actually had told this story before and based on what the former DHS Secretary says here, it allegedly was his idea. Noem: He said, “Do you know those ads that you did in South Dakota?” Oh, and I said, “Yes sir, you mean my ‘Freedom Works Here’ ads?” And he said, “Yeah, those ones where you — those beautiful ads, you know, those beautiful ads, beautiful — you did about South Dakota. They had Mount Rushmore, all those things.” He said, “I want you to do those for the border..” And I said, “Well sir, I don’t know how that works. You mean the ones where I was a plumber and where I was an electrician? I don’t know if I can do those for the border.” And he said, “No, I want you to do those for the border, and I want you to do those everywhere — not just in the United States, but I want them around the world. I want you to tell people not to come to this country if they’re going to come here illegally.” And I said, “Well sir, we can do press conferences. You know, we can tell people what we’re doing.” And he said, “Nope. We’re not going to let the media tell this story because the media will never tell the truth. A marketing campaign to make sure the American people know the truth of what you’re doing.” And I said, “Well sir, do you want to be in those ads?” And he said, “Nope, nope, I want you to do them.” He said, “I want you in the ads.” He said, “I want you in the ads, and I want your face in the ads. But I want the first ad — I want you to thank me. So I want you to thank me for closing the border.” And I said, “Yes sir, I will thank you for closing the border.” So if you notice in that ad, we thanked him for closing the border.

Acyn

577,039 views • 6 months ago

Trump: "When you go to a voting booth, and you do it the right way, and you go to a state that runs it properly, you go in -- they even asked me, they asked me for my license plate. I said, 'I don't know if I have it.' They said, 'Sir, you have to have it.' I was very impressed actually."
0:22

Trump: "When you go to a voting booth, and you do it the right way, and you go to a state that runs it properly, you go in -- they even asked me, they asked me for my license plate. I said, 'I don't know if I have it.' They said, 'Sir, you have to have it.' I was very impressed actually."

Aaron Rupar

1,125,241 views • 1 year ago