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I thought Vegas had an efficient weak side bump on the breakout in the first two periods. I asked Rod Brind’Amour if tonight was more about adjustments or guys stepping up: “Well you’re constantly doing that, for sure. I mean, there was probably — well not a lot, I...

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Scottie Scheffler says they didn’t find his ball on 17 and he actually asked people to stop searching for it: “The rules official said it landed just barely left of the grandstand thing. I don't know what you call that, like a sponsor area or something. And Teddy had a beat right on where it was coming down. So when we get up there, it's past the fence that marks the TIO, so he said anything that's in there is it part of the TIO. So then we said -- we tried to figure it out. I said, if I find it, does that help me; can I drop it -- since that would be about 50 yards closer to the hole. He said, yes, you can then use that spot, but you might have to go to the other side of the TIO, which I didn't know exactly where that would be, and that's not a great angle coming across there. “So decided to stop the search and go back and drop it doing point-of-entry TIO relief. Actually I did that once this year during the Byron as well. Not something I'm proud of but I was familiar with.” He went on to say: “I stopped them. They had guys pointing from up there, like it landed right here, and I just kind of hauled up there, and I was like, guys, get out of there, stop, do not find the ball. Fortunately it was my security guy that I've had for a few years here. His name is Brucey. And then Woody was up there as well. So both those guys are pretty -- I know them quite well, so when I said, please don't look for the ball, they got out of there.” The Open

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Debbie Harry on why she dyed her Blonde hair to auburn-brown colour for "Videodrome" (1983) & David Cronenberg's reaction to it: "Interviewer: You’d done a few movies at this point, but 'Videodrome' was very much your breakthrough movie moment. Had you been actively looking to start acting? Harry: Yes, I had. I had gone on a lot of meetings with casting directors, and I had read for things. I was dragging myself around Hollywood, going to studios and offices and meeting as many people as I could. I did have different personal agents at the time, but Cronenberg contacted me about this. I guess he had a visual idea, so that suited me fine. The only thing that happened was, for some bizarre thinking process, I thought that I should not have blonde hair, that I shouldn’t be Blondie in this picture. So I went to a more natural auburn-brown color, and I arrived in Canada and he said, “Well, your hair is not blonde,” because he had envisioned this character having blonde hair. Interviewer: I was going to ask whether it was your idea to dye your hair. I’d assumed it was coming more from Cronenberg saying, “I want a separation between your music persona and the character you’re playing here.” Harry: It was really just the opposite. I think he was really shocked and disappointed. I thought it was good for the character, and it helped me to be that character. I think had I faced every day with the same blonde hair it would have been a little bit different for me. Interviewer: Do you think Nicki would be different with blonde hair than she was with auburn hair? Harry: No, I don’t think so. For me, it really was just something to help me do the performance. I had been so firmly entrenched in the Blondie persona. In a way, I’d created the character of Blondie, so this was another person. It worked out in the long run, but there were a few sticky moments when I got there. But he didn’t ask you to dye it back. No, we talked about it and I just said exactly what I’m saying to you, that I wanted to separate it. He respected that, which I think is wonderful." ("Debbie Harry Answers Every Question We Have About Videodrome", Matthew Jacobs, Vulture, 2023) P.S: Happy 81st birthday, Debbie Harry!

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