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I wasn’t expecting so much depth from these two characters. You immediately get a feel for the kind of person Nanoha is, and then you meet Fate, who seems like her complete opposite. Fate does things simply because she’s told to, because she was only a puppet to her...

33,975 Aufrufe • vor 9 Monaten •via X (Twitter)

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I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

Maurora🫦

10,530 Aufrufe • vor 5 Monaten

Ren Susu, to me, is like a candle in a dark room. She was never afraid of giving people warmth, even if every act of kindness meant another piece of herself melted away. She spent so much of her life becoming light for others that she never noticed she was slowly disappearing. By the time everyone thank her for her glow, there was barely anything left of her. Love, happiness, and peace all feel temporary to her, as though they were never meant to belong in her life for long. So instead of waiting for fate to take them away, she lets go first. It isn’t because she doesn’t love deeply. It’s because she believes the people she loves would be safer without her. She is brave. She has never hesitated to do what she believes is right, even when it demands impossible sacrifices. Like Qingyi, she has an incredibly strong sense of justice, and she spends much of her life living for other people too. The difference is that Qingyi learned to give because he believed love had to be earned, while Susu learned to sacrifice because she believed her own happiness always came at someone else’s expense. She doesn’t put herself last because she is naturally selfless. She does it because she no longer believes she should come first. When she learns that Qingyi’s tendons were severed by the Huo family. She quietly asks herself, “What if, back then, I had pretended not to know you?” I think that single line tells us everything about how her mind works. There are endless what ifs inside her head. Little by little, those questions begin to erase the person she used to be because she genuinely believes that every tragedy suffered by the people she loves somehow starts with her. When something terrible happens, most of us instinctively ask, “Who did this?” Susu asks something entirely different, “What if I hadn’t done this?” She doesn’t look outward for someone to blame. She turns inward first. Every accident becomes her responsibility, every loss becomes evidence that she should have made a different choice, and every sacrifice someone makes for her becomes another reason to believe she only brings misfortune into other people’s lives. That’s why she keeps pushing Qingyi away. It was never because she didn’t love him. She loved him too much. She simply believed that loving her meant suffering because of her. In her eyes, she is a burden. A jinx. Someone whose existence inevitably invites tragedy. How could she allow the person she loves to stay beside her when she truly believes staying will only destroy him? Susu carries guilt in a way that borders on unbearable. It feels like survivor’s guilt taken to its absolute extreme. She takes responsibility for things that were never hers to carry and wears them as though they are debts she will spend the rest of her life repaying. One of her defining traits is that she constantly chooses to be misunderstood. She would rather let people resent her than watch them get hurt because of her. If becoming the villain in someone else’s story means they get to live, she will accept that role without ever trying to explain herself. To her, being hated has always felt more bearable than watching someone she loves pay the price for staying by her side. I think a lot of that can be traced back to her childhood. When she enters the orphanage, survival becomes the only thing that matters. It teaches her a lesson that feelings are a luxury, but survival comes first. In a place where every day is about making it through tomorrow, there is very little room for vulnerability. You learn to suppress your own needs because everyone around you is already struggling to survive. It isn’t difficult to imagine how someone raised in that environment would grow into an adult who constantly chooses everyone else before herself. That’s exactly who Susu becomes. Every decision she makes revolves around protecting someone else. For Qingyi. For Fang Mulan. For the girls. For her family. For Uncle Fang. For everyone except herself.

Overdo 这一秒过火

18,485 Aufrufe • vor 23 Tagen

Some friendships don’t end. They fade in the exact places where you thought eternity lived. The voice softens. The messages thin. And suddenly, the person who once steadied you is just someone you scroll past. Zeudi has already survived that kind of leaving. A sister she once trusted with every version of herself stepped out of her life and never returned.. A girl she built her childhood around becoming a stranger who doesn’t even speak her name. That kind of loss doesn’t ask to be spoken about. It moves into your body like a second language. And it changes what you reach for next. So when Chiara came into her life, it wasn’t a cute friendship for the camera. It was weight. The presence of someone who didn’t require translation. Someone who stayed close without asking her to change, adapt, audition. For once, Zeudi didn’t have to earn affection. She just had to be there. And she was.. And it showed. The way her voice stopped rushing. The way her posture settled. The way she looked at Chiara with the kind of loyalty people only give when they’ve already been abandoned once and survived it. And then, Chiara disappeared too. Not necessarily with cruelty nor with finality. Just… absence. The kind that grows like dust: so slowly that when you notice it, it’s already everywhere. Maybe no one asked questions because no one wanted the answer. Because saying “they drifted” is easier than admitting something important was dropped without care. But we watched it. We saw what that friendship gave her. We saw the way she gave herself back to it. That kind of trust is not a minor thing. It’s not a storyline. It’s a scar choosing to heal. And she deserved someone who understood what they were being handed and held it with both hands. Now we stay. Not as compensation. Not because there’s a space to fill. We stay because we saw the whole picture and decided not to leave when the season changed. She wasn’t hard to love. She wasn’t too much. She was someone who finally believed she could keep something, and should have been right. And if the people she let in couldn’t see that, they’ll spend years calling it timing, or circumstance, just to avoid admitting they were the ones who let something so sacred slip through their hands. #zeudiners

whatever

15,471 Aufrufe • vor 1 Jahr