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If #stoneboy doesn't reply within 24 hours, then he's a chicken and a bitter substandard Dancehall artist. The African Dancehall Kingship is no joke ting. Shattawale so far...

@Shatta De Barber I 🗨️

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20,069 views • 5 months ago •via X (Twitter)

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Let it be on record that Stonebwoy threw a subliminal shot at the African King of Dancehall Now, If he dares a reply, he should be ready for the lyrical wár. Remember this is dancehall and we’re in the digital media era #BigLieThat

Let it be on record that Stonebwoy threw a subliminal shot at the African King of Dancehall Now, If he dares a reply, he should be ready for the lyrical wár. Remember this is dancehall and we’re in the digital media era #BigLieThat

Maqcoy Reports

30,438 views • 5 months ago

Shatta Wale is facing the same thing Vybz Kartel faced in Jamaica; he's the African Dancehall King, according to a Jamaican.🇯🇲 #StreetCrown #VoiceOfTheCrown

Shatta Wale is facing the same thing Vybz Kartel faced in Jamaica; he's the African Dancehall King, according to a Jamaican.🇯🇲 #StreetCrown #VoiceOfTheCrown

Ray-Ankrah

38,043 views • 10 months ago

Man really named it Silence Samurai and lived up to it—48 hours of silence. Lost the battle. Low-budget dancehall artist if you be man reply 🤣🤣🤣#EchoesOfTheGhettoEP #AfricanKingAlbum #Shaxi #48HRS

Man really named it Silence Samurai and lived up to it—48 hours of silence. Lost the battle. Low-budget dancehall artist if you be man reply 🤣🤣🤣#EchoesOfTheGhettoEP #AfricanKingAlbum #Shaxi #48HRS

Ayam_Bornbless1

16,024 views • 5 months ago

.SAMINI in 2006 referring to himself as the King Of African Dancehall. No matter how you try to change the name but it’s always going to be African Dancehall and no one has been preaching this than SAMINI for 20yrs. He’s the originator for a reason. #hgf

.SAMINI in 2006 referring to himself as the King Of African Dancehall. No matter how you try to change the name but it’s always going to be African Dancehall and no one has been preaching this than SAMINI for 20yrs. He’s the originator for a reason. #hgf

STARBOY

16,024 views • 1 year ago

WATCH | Matrix Disciplinary Camp is doing what it does best. Recently, Baby Don, a dancehall artist struggling with drug addiction was taken to the camp. Within just a few hours of being registered, she was already mowing the lawn using nothing but a razor blade.

WATCH | Matrix Disciplinary Camp is doing what it does best. Recently, Baby Don, a dancehall artist struggling with drug addiction was taken to the camp. Within just a few hours of being registered, she was already mowing the lawn using nothing but a razor blade.

𝐂𝐫𝐢𝐦𝐞 𝐖𝐚𝐭𝐜𝐡 𝐙𝐖

25,352 views • 1 year ago

This is Stonebwoy at O2 arena to support a brother from Nigeria 🇳🇬 watch how the people was so happy to see the African Dancehall king 👑

This is Stonebwoy at O2 arena to support a brother from Nigeria 🇳🇬 watch how the people was so happy to see the African Dancehall king 👑

SHANTON

20,600 views • 4 months ago

JUST IN 🚨‼️🔔 Veteran highlife musician Gyedu-Blay Ambolley has criticised Shatta Wale over his "Dancehall King" title, describing it as misplaced. According to Ambolley, no artiste can claim kingship of a genre they did not create, stressing that dancehall originated from Jamaica. In an interview with Bola Ray, Ambolley took aim at both Shatta Wale and Stonebwoy, saying any Ghanaian artiste claiming the "Dancehall King" title is merely copying the genre and cannot be considered its true originator.

JUST IN 🚨‼️🔔 Veteran highlife musician Gyedu-Blay Ambolley has criticised Shatta Wale over his "Dancehall King" title, describing it as misplaced. According to Ambolley, no artiste can claim kingship of a genre they did not create, stressing that dancehall originated from Jamaica. In an interview with Bola Ray, Ambolley took aim at both Shatta Wale and Stonebwoy, saying any Ghanaian artiste claiming the "Dancehall King" title is merely copying the genre and cannot be considered its true originator.

Nonfa KING

17,709 views • 3 months ago

Within 24 hours he's walking back the manipulation lie. He went from "mysterious revisions" to "the job numbers were slower & it is likely that the revisions are a better read if the data is not manipulated." Obviously the "if" is to ensure Trump doesn't throw ketchup packets.

Within 24 hours he's walking back the manipulation lie. He went from "mysterious revisions" to "the job numbers were slower & it is likely that the revisions are a better read if the data is not manipulated." Obviously the "if" is to ensure Trump doesn't throw ketchup packets.

David Grossman

551,570 views • 11 months ago

Ayigbe Edem is a better Dancehall artist than Stonebwoy. Check this out before you argue. 🔥🔥 Where from the last guy ? He got the style and the attitude 🔥❤️

Ayigbe Edem is a better Dancehall artist than Stonebwoy. Check this out before you argue. 🔥🔥 Where from the last guy ? He got the style and the attitude 🔥❤️

Unruly King 👑

28,661 views • 1 year ago

On this day Shatta Wale d!ss Charter House again at Labadi Beach Rave 2015 for awarding him artiste of the year after refusing to pay in 70k to perform. Same day VGMA 2015 was hosted .. If Shattawale was Charging 70k in 2014/15 do the calculations in 2026 and tell me.. AFRICAN BEST DANCEHALL ARTIST FOR A REASON! Rest in peace Mr Quallo.. He organized this show 🕊️💔 #TGMA

On this day Shatta Wale d!ss Charter House again at Labadi Beach Rave 2015 for awarding him artiste of the year after refusing to pay in 70k to perform. Same day VGMA 2015 was hosted .. If Shattawale was Charging 70k in 2014/15 do the calculations in 2026 and tell me.. AFRICAN BEST DANCEHALL ARTIST FOR A REASON! Rest in peace Mr Quallo.. He organized this show 🕊️💔 #TGMA

LEBRON🇱🇷🇬🇭

55,130 views • 2 months ago

Many people in Zim-dancehall do not want to hear this, but it is a local genre that will not go anywhere unless the artist is extremely talented, like Stonebwoy. This Jamaican aunty in the video is an example of why certain genres of music only make sense when performed by people from where they originated. Picture this aunty at Murambinda Growth point, Mbembesi, or Nkandla in KZN—she is able to deliver the bars because it is their music. They grew up listening to it from day one, and it uses their local language, it is like what Amapiano is to South Africans. How does a Zim-dancehall artist compete with the authentic thing on the global stage? Shabba Ranks once commented on how reggae dancehall has been murdered abroad. It is a bit like Swahili, it was made in Tanzania, killed in Kenya and buried in Uganda-ok, that is an East African joke. But seriously, while Zim-dancehall artists can draw inspiration from various sources and adapt different styles, there is undoubtedly a certain authenticity that comes from growing up immersed in the culture and language that shape a particular music genre. It is difficult for artists from other backgrounds to replicate the genuine connection and understanding that Jamaican artists have with reggae dancehall, given its roots is in their local language and culture. This inherent advantage makes it challenging for Zim-dancehall artists to achieve the same level of success and recognition on the global stage. I must take my hat off to artists like Stoneybwoy and Winky D, who have contributed to the evolution and growth of the dancehall genre by bringing new perspectives and creative ideas to the table in the Ghanian and Zimbabwean contexts respectively. Zim-dancehall artists have carved out a space for themselves within the genre and made a meaningful impact in Zimbabwe, especially those who focus on socio-political issues like Winky D, but international success will always be minimal if not elusive compared to their counterparts in Jamaica where the genre originated. Every genre needs to be international if the artists are going to get enough cheese. Whenever I am in Rwanda or Kenya or Nigeria, Amapiano will blares from car radios, wine bars and clubs, it is because it is authentic to South Africans. There is that one in a hundred artist, like Lucky Dube, Snow, or Alpha Blondy, who will break the mould, but they are outliers. This Jamaican aunty who is a vendor will bury the best we have in a sound clash, it is their music, it is their culture, it is their heritage. So let us dance along to Zim-dancehall, knowing full well that it will remain within the confines of our borders. Until such a time when our Zim-dancehall artists can go and play a show to a non-Zimbabwean audience, they remain local, not international! Zim-dancehall sounds the same way Chimurenga music or Sungura sounds to a Zimbabwean when being sung by a European or American, it doesn’t sound authentic at all outside our borders! Part of dancehall’s authenticity is the language used, Jamaican patois, we speak it like a child is learning to speak bar for a few who have lived in England or Jamaica and have mastered the language.

Many people in Zim-dancehall do not want to hear this, but it is a local genre that will not go anywhere unless the artist is extremely talented, like Stonebwoy. This Jamaican aunty in the video is an example of why certain genres of music only make sense when performed by people from where they originated. Picture this aunty at Murambinda Growth point, Mbembesi, or Nkandla in KZN—she is able to deliver the bars because it is their music. They grew up listening to it from day one, and it uses their local language, it is like what Amapiano is to South Africans. How does a Zim-dancehall artist compete with the authentic thing on the global stage? Shabba Ranks once commented on how reggae dancehall has been murdered abroad. It is a bit like Swahili, it was made in Tanzania, killed in Kenya and buried in Uganda-ok, that is an East African joke. But seriously, while Zim-dancehall artists can draw inspiration from various sources and adapt different styles, there is undoubtedly a certain authenticity that comes from growing up immersed in the culture and language that shape a particular music genre. It is difficult for artists from other backgrounds to replicate the genuine connection and understanding that Jamaican artists have with reggae dancehall, given its roots is in their local language and culture. This inherent advantage makes it challenging for Zim-dancehall artists to achieve the same level of success and recognition on the global stage. I must take my hat off to artists like Stoneybwoy and Winky D, who have contributed to the evolution and growth of the dancehall genre by bringing new perspectives and creative ideas to the table in the Ghanian and Zimbabwean contexts respectively. Zim-dancehall artists have carved out a space for themselves within the genre and made a meaningful impact in Zimbabwe, especially those who focus on socio-political issues like Winky D, but international success will always be minimal if not elusive compared to their counterparts in Jamaica where the genre originated. Every genre needs to be international if the artists are going to get enough cheese. Whenever I am in Rwanda or Kenya or Nigeria, Amapiano will blares from car radios, wine bars and clubs, it is because it is authentic to South Africans. There is that one in a hundred artist, like Lucky Dube, Snow, or Alpha Blondy, who will break the mould, but they are outliers. This Jamaican aunty who is a vendor will bury the best we have in a sound clash, it is their music, it is their culture, it is their heritage. So let us dance along to Zim-dancehall, knowing full well that it will remain within the confines of our borders. Until such a time when our Zim-dancehall artists can go and play a show to a non-Zimbabwean audience, they remain local, not international! Zim-dancehall sounds the same way Chimurenga music or Sungura sounds to a Zimbabwean when being sung by a European or American, it doesn’t sound authentic at all outside our borders! Part of dancehall’s authenticity is the language used, Jamaican patois, we speak it like a child is learning to speak bar for a few who have lived in England or Jamaica and have mastered the language.

Hopewell Chin’ono

60,094 views • 1 year ago

I don’t want to behave stup!dly like the way you behave and arresting Webkid is no achievement but rather you made him a hero and I’ll make him turn a billionaire when he’s released says the king of African Dancehall Shatta Wale ❤️🤲🏾 #freeWebkid

I don’t want to behave stup!dly like the way you behave and arresting Webkid is no achievement but rather you made him a hero and I’ll make him turn a billionaire when he’s released says the king of African Dancehall Shatta Wale ❤️🤲🏾 #freeWebkid

SHATTA_SARIKI👁️‍🗨️

137,205 views • 2 months ago

No African country Dey do better dancehall like Ghana 🔥🔥 As I hear I figa the boy be Jamaican saf this be hard🔥🔥 Make we tag THE TORCHER so he blesses him with a verse

No African country Dey do better dancehall like Ghana 🔥🔥 As I hear I figa the boy be Jamaican saf this be hard🔥🔥 Make we tag THE TORCHER so he blesses him with a verse

Bofrot1cedi

67,769 views • 9 months ago

If Liverpool don’t sack Arne Slot within the next 24 hours, we are no longer a big club.

If Liverpool don’t sack Arne Slot within the next 24 hours, we are no longer a big club.

Adika

39,276 views • 3 months ago

Dancehall artistes Popcaan and Chronic Law arrive on stage with a lot to say after spending three hours trying to enter the stage. “We no come yah fi no Rasta man and no white man,” declared Chronic Law. #FreedomStreet #GLNREnt

Dancehall artistes Popcaan and Chronic Law arrive on stage with a lot to say after spending three hours trying to enter the stage. “We no come yah fi no Rasta man and no white man,” declared Chronic Law. #FreedomStreet #GLNREnt

Jamaica Gleaner

172,921 views • 1 year ago

Sister Deborah explains what happened between her, the African Dancehall King, and Charterhouse in 2014. Chale, no Ghanaian artist has suffered more in this industry than Shatta Wale. Any other artist would’ve quit doing music b my now, walahi.😂😂😂😂 Shatta is too strong 💪 and the spirit is bigger than any city 💪🔥 #ShattaMuisc #ShattaFestUK

Sister Deborah explains what happened between her, the African Dancehall King, and Charterhouse in 2014. Chale, no Ghanaian artist has suffered more in this industry than Shatta Wale. Any other artist would’ve quit doing music b my now, walahi.😂😂😂😂 Shatta is too strong 💪 and the spirit is bigger than any city 💪🔥 #ShattaMuisc #ShattaFestUK

Ray-Ankrah

64,330 views • 1 month ago

“If you come here and you die, you die a proud SM fan. If I die here, I will go to heaven.” - A die-hard Shatta Wale fan, overwhelmed by the massive turnout at Shatta Fest, where the dancehall artist celebrated his birthday with fans.

“If you come here and you die, you die a proud SM fan. If I die here, I will go to heaven.” - A die-hard Shatta Wale fan, overwhelmed by the massive turnout at Shatta Fest, where the dancehall artist celebrated his birthday with fans.

EDHUB🌍ℹ

124,861 views • 9 months ago

Multiple award-winning Afro-dancehall artiste Stonebwoy has been honoured with a citation from the City of Philadelphia and the Ghana–U.S. Chamber of Commerce in recognition of his outstanding achievements as an artist and his role in the promotion of African culture and international relations through music. [🎥: THE TORCHER ]

Multiple award-winning Afro-dancehall artiste Stonebwoy has been honoured with a citation from the City of Philadelphia and the Ghana–U.S. Chamber of Commerce in recognition of his outstanding achievements as an artist and his role in the promotion of African culture and international relations through music. [🎥: THE TORCHER ]

SIKAOFFICIAL🦍

29,823 views • 18 days ago