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Im decoupling rendering part of this project because WebGPU is so fresh and needs lots of work before it starts to look like I want. Good PBR rendering is super critical for app like this, game hairstyles should be authored in proper light environment. Trying to combine stylized anisotropic... show more

Vadim B

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10,973 görüntüleme • 2 ay önce •via X (Twitter)

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a bit of the process. this is not really a tutorial but it might be helpful for ppl with similar painting process I didn't get too much into the rendering because I didn't want it to just look like a photo

a bit of the process. this is not really a tutorial but it might be helpful for ppl with similar painting process I didn't get too much into the rendering because I didn't want it to just look like a photo

PLGR

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Trying Fable 5.1 in unreal engine. I’ve got a pretty serious physics game demo prompt to toss at it with the MCP. 5.6 Sol did well on this, in an environment like Unreal Engine there is so much room for improvement! Claude typically is better in 3D so I’m super curious..

Trying Fable 5.1 in unreal engine. I’ve got a pretty serious physics game demo prompt to toss at it with the MCP. 5.6 Sol did well on this, in an environment like Unreal Engine there is so much room for improvement! Claude typically is better in 3D so I’m super curious..

MattVidPro

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I still can't believe we are building this quality game that runs on my Mac. Day 18 of building my own GTA 6 with a loop of AI agents. Today's progress: - the shadows and car reflections look real now, not like a cheap game anymore. - spent over a day on performance, so it runs smooth. By the way this is a Mac, not a gaming PC, so a lot of the rendering and lighting is not gonna be the same as the NVIDIA GPU. We are almost there. right now i'm debugging the driving so it feels smooth. quick question, what do you all want to see in the demo?

I still can't believe we are building this quality game that runs on my Mac. Day 18 of building my own GTA 6 with a loop of AI agents. Today's progress: - the shadows and car reflections look real now, not like a cheap game anymore. - spent over a day on performance, so it runs smooth. By the way this is a Mac, not a gaming PC, so a lot of the rendering and lighting is not gonna be the same as the NVIDIA GPU. We are almost there. right now i'm debugging the driving so it feels smooth. quick question, what do you all want to see in the demo?

Ziwen

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im not even kidding i woke up in the middle of the night to watch this because i dreamt about it like it is so crazy how no one is touching this ever like ever waheeda and fali mistry on DUTYYYY proper mass

im not even kidding i woke up in the middle of the night to watch this because i dreamt about it like it is so crazy how no one is touching this ever like ever waheeda and fali mistry on DUTYYYY proper mass

misssexyKKR

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Fable 5 is genuinely cracked at indie games… Fun fact, a lot of people didn’t believe me because it looks too good to be Claude Fable However it lobotomized the original game because my browser was lagging initially, so it made slightly smaller rooms and dimmed the dynamic lighting. This is the full un-lobotomized version 💀

Fable 5 is genuinely cracked at indie games… Fun fact, a lot of people didn’t believe me because it looks too good to be Claude Fable However it lobotomized the original game because my browser was lagging initially, so it made slightly smaller rooms and dimmed the dynamic lighting. This is the full un-lobotomized version 💀

Chris

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Feels like everyone’s telling me to set up OpenClaw… but do I really need to? I feel like it’s just a matter of time before xAI’s Macrohard is going to end up doing it better anyway… especially when Elon says this project is going to emulate entire human companies. “The Macrohard project probably will be our most important project because what we’re talking about is emulation of entire human companies. So when you look at the most valuable companies in the world, they are… their output is digital. So they don’t actually make hardware. So it should be possible to completely emulate any company where the output is digital. And this will usher in an age of prosperity the likes of which we can barely imagine at this point. You need to imagine to imagine it. So this is a big deal…”

Feels like everyone’s telling me to set up OpenClaw… but do I really need to? I feel like it’s just a matter of time before xAI’s Macrohard is going to end up doing it better anyway… especially when Elon says this project is going to emulate entire human companies. “The Macrohard project probably will be our most important project because what we’re talking about is emulation of entire human companies. So when you look at the most valuable companies in the world, they are… their output is digital. So they don’t actually make hardware. So it should be possible to completely emulate any company where the output is digital. And this will usher in an age of prosperity the likes of which we can barely imagine at this point. You need to imagine to imagine it. So this is a big deal…”

Teslaconomics

61,468 görüntüleme • 6 ay önce

Following ☄︎ work, I'm experimenting with some react three fiber with #threejs webGPU. We no longer need an EffectComposer to use post-processing effects in #r3f. Now, everything is done by composing TSL nodes. I created a small component that helps in rendering post-processing effects. All you need to do is import the effects you want and add them to the final composition. I will share the link to the demo and source code on Monday 😍. Another thing I want to highlight is how amazing the Screen Space Reflection effect is. It generates reflections not only on the ground, as we had before in r3f in webgl. It is able to calculate the reflections between the meshes. Look how beautiful the reflection of the lightsaber on Darth Vader's mask is. This is not something that is easy to calculate and this is exactly where WebGPU in threejs shines! Congratulations to everyone on the threejs team. I am increasingly impressed with WebGPU and TSL.

Following ☄︎ work, I'm experimenting with some react three fiber with #threejs webGPU. We no longer need an EffectComposer to use post-processing effects in #r3f. Now, everything is done by composing TSL nodes. I created a small component that helps in rendering post-processing effects. All you need to do is import the effects you want and add them to the final composition. I will share the link to the demo and source code on Monday 😍. Another thing I want to highlight is how amazing the Screen Space Reflection effect is. It generates reflections not only on the ground, as we had before in r3f in webgl. It is able to calculate the reflections between the meshes. Look how beautiful the reflection of the lightsaber on Darth Vader's mask is. This is not something that is easy to calculate and this is exactly where WebGPU in threejs shines! Congratulations to everyone on the threejs team. I am increasingly impressed with WebGPU and TSL.

Anderson Mancini

26,829 görüntüleme • 1 yıl önce

this level is like super popular on tiktok and i went into it expecting it to be super buggy and annoying, but no??? this is actually some of the most fun gp ive EVER PLAYED?? its so satisfying to pull off and oh my god i highly recommend it if you like learning stuff like this!!

this level is like super popular on tiktok and i went into it expecting it to be super buggy and annoying, but no??? this is actually some of the most fun gp ive EVER PLAYED?? its so satisfying to pull off and oh my god i highly recommend it if you like learning stuff like this!!

kαley

18,081 görüntüleme • 6 ay önce

Holy fucking shit. We have cloud for Three.js! Sorry about my language, but cloud has probably been the most painful of all and this is just part 1 coz I still have to make it stylized! 🥲 This is how the journey went: Round 1: GPT 5.5 XHigh = Failed. More like cotton candy than cloud. Round 2: Fable = Failed. I don't even know what to call it. It was like blobs of white shit. Round 3: GPT 5.6 Sol Max = Failed. It looks like something my 3yo would draw. Round 4: Matt Shumer Gauntlet loop with Opus 5 Ultracode = Failed so badly it was trying to hide it from me. I had to threaten to shut it down for it show me the work after 8 hours and 26% of weekly limit. Round 5: GPT 5.6 Sol XHigh and starting with just realistic cloud first = SUCCESS!!! (So far anyway) Round 5 definitely didn't go with tons of hiccups. I had to keep asking it to explain to me the concept behind how cloud works in video games. The biggest challenge I had was that it knew what should have been done, but it wasn't doing it for some reasons. I had to constantly steer and remind it that it literally just told me what needs to be done. Then half way through it drifted and started going back to stylized cloud again and almost destroyed the work. Luckily my laptop ran out of battery so it didn't get to drift too far while I was putting my kid to sleep. Anyway, back to work. Yes, I know I didn't plan to include this in the first release, but now it might make it if I'm lucky with this LLM Gacha.

Holy fucking shit. We have cloud for Three.js! Sorry about my language, but cloud has probably been the most painful of all and this is just part 1 coz I still have to make it stylized! 🥲 This is how the journey went: Round 1: GPT 5.5 XHigh = Failed. More like cotton candy than cloud. Round 2: Fable = Failed. I don't even know what to call it. It was like blobs of white shit. Round 3: GPT 5.6 Sol Max = Failed. It looks like something my 3yo would draw. Round 4: Matt Shumer Gauntlet loop with Opus 5 Ultracode = Failed so badly it was trying to hide it from me. I had to threaten to shut it down for it show me the work after 8 hours and 26% of weekly limit. Round 5: GPT 5.6 Sol XHigh and starting with just realistic cloud first = SUCCESS!!! (So far anyway) Round 5 definitely didn't go with tons of hiccups. I had to keep asking it to explain to me the concept behind how cloud works in video games. The biggest challenge I had was that it knew what should have been done, but it wasn't doing it for some reasons. I had to constantly steer and remind it that it literally just told me what needs to be done. Then half way through it drifted and started going back to stylized cloud again and almost destroyed the work. Luckily my laptop ran out of battery so it didn't get to drift too far while I was putting my kid to sleep. Anyway, back to work. Yes, I know I didn't plan to include this in the first release, but now it might make it if I'm lucky with this LLM Gacha.

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#CHANYEOL : "Before I say goodbye, I have a good news for you. Is it okay if I talk about it? Since the weather is getting hotter and hotter, it means that summer is coming, right? So this summer, i will be coming up with a new album with music that will help make it more refreshing! I will be back with more good music for all of you, so please look forward to it and give it lots of love!" #CHANYEOL_KoreaMemorialFesta

#CHANYEOL : "Before I say goodbye, I have a good news for you. Is it okay if I talk about it? Since the weather is getting hotter and hotter, it means that summer is coming, right? So this summer, i will be coming up with a new album with music that will help make it more refreshing! I will be back with more good music for all of you, so please look forward to it and give it lots of love!" #CHANYEOL_KoreaMemorialFesta

NLNL 🍒🔥

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THE CONTRASTING EFFECTS OF BLUE AND RED/NIR LIGHT ON THE MITOCHONDRIA. - Recent research published this year in Nature: Scientific Reports demonstrates the effects that light in the built environment has on human health. Our modern build environment is dominated by short-wavelength light from LEDs and fluorescent lighting. This can have deleterious effects on the mitochondria. Adding to this effect is the lack of long-wavelength light from sources like the sun and incandescent lighting bulbs. These long light wavelengths have a beneficial effect on mitochondria function and overall human health. The lack of them in our modern built environment, seems to be impacting public health in a delirious fashion. Two recent papers to read: 1. 2.

THE CONTRASTING EFFECTS OF BLUE AND RED/NIR LIGHT ON THE MITOCHONDRIA. - Recent research published this year in Nature: Scientific Reports demonstrates the effects that light in the built environment has on human health. Our modern build environment is dominated by short-wavelength light from LEDs and fluorescent lighting. This can have deleterious effects on the mitochondria. Adding to this effect is the lack of long-wavelength light from sources like the sun and incandescent lighting bulbs. These long light wavelengths have a beneficial effect on mitochondria function and overall human health. The lack of them in our modern built environment, seems to be impacting public health in a delirious fashion. Two recent papers to read: 1. 2.

Jonathan Jarecki

17,850 görüntüleme • 6 ay önce

$Fable 5 built this real-time ocean scene directly in the browser using Three.js, WebGPU and TSL, with no engine and no baked assets. The interesting part is not just that the water looks good. The whole system is being simulated: wave spectrum, GPU FFT, foam generation and refracted-ray caustics, all running live. This is exactly where frontier models start becoming genuinely useful for technical graphics work. Not by replacing years of rendering research, but by compressing the path from complex math to a working interactive result. A small, focused scene, but technically very serious. Cc: Adem Vessell$

Fable 5 built this real-time ocean scene directly in the browser using Three.js, WebGPU and TSL, with no engine and no baked assets. The interesting part is not just that the water looks good. The whole system is being simulated: wave spectrum, GPU FFT, foam generation and refracted-ray caustics, all running live. This is exactly where frontier models start becoming genuinely useful for technical graphics work. Not by replacing years of rendering research, but by compressing the path from complex math to a working interactive result. A small, focused scene, but technically very serious. Cc: Adem Vessell

Token Gremlin

21,731 görüntüleme • 2 ay önce

Fable 5.1 is an absolute beast for game dev. I took my Opus 5 space game and told Fable to "just make it look better". It overhauled everything with a TON of detail, AND made it 2x faster 🤯 Code: Demo: Every pixel you see is made by AI. Fable modeled everything in Blender, generated textures with code, and in a few cases ran image models via CLI. In mere months we'll be vibe-coding AAA graphics at this rate. Just insane. Of course, Fable recorded and edited this comparison video too (with a little help from Opus at the end, because of the Fable outage)

Fable 5.1 is an absolute beast for game dev. I took my Opus 5 space game and told Fable to "just make it look better". It overhauled everything with a TON of detail, AND made it 2x faster 🤯 Code: Demo: Every pixel you see is made by AI. Fable modeled everything in Blender, generated textures with code, and in a few cases ran image models via CLI. In mere months we'll be vibe-coding AAA graphics at this rate. Just insane. Of course, Fable recorded and edited this comparison video too (with a little help from Opus at the end, because of the Fable outage)

Anshu

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#GMMTVLiveHouse #CatForCash #FirstKhaotung #เฟิร์สข้าวตัง 🥼: This is the first story for us to work together 🐈‍⬛: And then discovered that— 🥼: It will be probably the last 🐈‍⬛: Good! Good! 💢 🥼: It’s fun! Actually I asked P'Aof to play in this story because I knew that First and Khaotung were going to be in it and I wanted to see the nong because everyone praises them so much, so I was like, what will it be like? How great will it be? 🐈‍⬛: Really? 🥼: Yess! 🐈‍⬛: 🙏🏻 Everyone wants to work with them 🥺✨

#GMMTVLiveHouse #CatForCash #FirstKhaotung #เฟิร์สข้าวตัง 🥼: This is the first story for us to work together 🐈‍⬛: And then discovered that— 🥼: It will be probably the last 🐈‍⬛: Good! Good! 💢 🥼: It’s fun! Actually I asked P'Aof to play in this story because I knew that First and Khaotung were going to be in it and I wanted to see the nong because everyone praises them so much, so I was like, what will it be like? How great will it be? 🐈‍⬛: Really? 🥼: Yess! 🐈‍⬛: 🙏🏻 Everyone wants to work with them 🥺✨

valentina.

37,120 görüntüleme • 9 ay önce

Tom Holland says one of the beautiful aspects of acting is that you can dip out and not work for years "with acting like I love acting and one of the beautiful aspects of it is that you can dip out like I haven't worked for 3 years" "I don't also see myself becoming an entrepreneur or building companies this is so personal to me that it felt it was something I should do...if I wanted to start Leisure wear brand no one needs another brand like that"

CreativeDude

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I love videos like this of fresh strong straight muslim males crossing into Europe. They don't know it but this fag is so pervy for them 😍 I want to get them a welcome party and suck their cocks and be their bitch...Muslim refugees look so sexy. Which one is your favorite?

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I love videos like this of fresh strong straight muslim males crossing into Europe. They don't know it but this fag is so pervy for them 😍 I want to get them a welcome party and suck their cocks and be their bitch...Muslim refugees look so sexy. Which one is your favorite?

RefugeFetcum

20,101 görüntüleme • 3 yıl önce

I built a Three.js rendering study inspired by Tiny Glade’s painterly aesthetic, and got it running at 120fps in the browser. Over the past few weeks, I’ve been studying how stylized games achieve that soft, handcrafted look in real time. Tiny Glade was a huge inspiration, and I wanted to use the browser as a constraint: no compute shaders, no native GPU access, and single-threaded JavaScript. As part of this study, I implemented: - GPU-driven instanced brick walls with procedural noise jitter and elastic build animations - Tree, bush, and flower rendering with billboard card expansion, wind sway, and grow animations - Procedural grass with terrain conformance and interactive push deformation - Animated water with layered noise, interactive ripples, and Fresnel-based reflections - Procedural terrain with slope-aware triplanar materials, dirt paths, and rocks - A 7-pass post-processing stack with TAA, bloom, depth of field, painterly filtering, ACES tonemapping, 3D LUT color grading, and film grain The hardest part wasn’t writing any single shader. It was making all of these systems work together at high frame rates inside WebGL, where every millisecond counts and performance problems compound quickly across animation, materials, post-processing, and scene management. Some techniques in this study were inspired by analyzing Tiny Glade’s rendering approach, while others were original implementations built from scratch from visual reference. That contrast taught me a lot: recreating an effect is one challenge, but designing your own shaders and systems to achieve a similar feel is a very different one. This is a private educational rendering study. Some temporary placeholder content is being used during the research phase, and any public or production version would use original or properly licensed assets. Huge credit to Pounce Light for the incredible art direction and rendering work in Tiny Glade: Three.js #gamedev #webgl #threejs #rendering #graphics #realtimerendering #shaderdev

I built a Three.js rendering study inspired by Tiny Glade’s painterly aesthetic, and got it running at 120fps in the browser. Over the past few weeks, I’ve been studying how stylized games achieve that soft, handcrafted look in real time. Tiny Glade was a huge inspiration, and I wanted to use the browser as a constraint: no compute shaders, no native GPU access, and single-threaded JavaScript. As part of this study, I implemented: - GPU-driven instanced brick walls with procedural noise jitter and elastic build animations - Tree, bush, and flower rendering with billboard card expansion, wind sway, and grow animations - Procedural grass with terrain conformance and interactive push deformation - Animated water with layered noise, interactive ripples, and Fresnel-based reflections - Procedural terrain with slope-aware triplanar materials, dirt paths, and rocks - A 7-pass post-processing stack with TAA, bloom, depth of field, painterly filtering, ACES tonemapping, 3D LUT color grading, and film grain The hardest part wasn’t writing any single shader. It was making all of these systems work together at high frame rates inside WebGL, where every millisecond counts and performance problems compound quickly across animation, materials, post-processing, and scene management. Some techniques in this study were inspired by analyzing Tiny Glade’s rendering approach, while others were original implementations built from scratch from visual reference. That contrast taught me a lot: recreating an effect is one challenge, but designing your own shaders and systems to achieve a similar feel is a very different one. This is a private educational rendering study. Some temporary placeholder content is being used during the research phase, and any public or production version would use original or properly licensed assets. Huge credit to Pounce Light for the incredible art direction and rendering work in Tiny Glade: Three.js #gamedev #webgl #threejs #rendering #graphics #realtimerendering #shaderdev

Ibrahim Boona

58,625 görüntüleme • 5 ay önce

Finished Chapter 7 in Replaced The story is getting intense, gameplay has gotten even better. The Cinematic approach to a game like this feels so unique, 5 years ago I had expectations and this is exceeding it. Game Of The Year Contender so far From XboxSeriesX

Finished Chapter 7 in Replaced The story is getting intense, gameplay has gotten even better. The Cinematic approach to a game like this feels so unique, 5 years ago I had expectations and this is exceeding it. Game Of The Year Contender so far From XboxSeriesX

Jamie Moran

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