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• I'm In Discussion With OTT Media To Release #Retro Extended version Post 180 Days. That Cut Has Intense Feel & Detailed Action Seqs. The Whole Cut has 4-5 Layers Having More Details In Spiritual, Cult, Laughter Layers - karthik subbaraj | Suriya Sivakumar #TheONE #Suriya45

175,245 次观看 • 1 年前 •via X (Twitter)

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Created a UGC ad using Seedream 5.0 Lite on SocialSight Prompt Use the same face from the reference image without changing facial features UGC Ad Cut Scenes – Western Version 1. Intro Scene (Direct-to-Camera) Shot: Medium close-up, eye-level, handheld. Action: Woman looks into the camera, warm smile, says: “Do you struggle with low iron and don’t like taking tablets?” Cut Notes: Natural lighting, soft focus on her face, slight background blur. 2. Bottle Reveal Shot: Medium close-up, shallow depth of field. Action: She lifts the Swisse IRON gummies bottle toward the camera, label fully visible. Cut Notes: Keep hand movement natural, focus shifts slightly to bottle. 3. Gummy Close-Up Shot: Extreme close-up of her hand holding a single gummy. Action: She picks up a gummy and shows it to the camera. Cut Notes: Label of bottle still partially visible in the background. 4. Lifestyle Interaction Scene Shot: Wide shot, showing the bright home interior with Monstera plant. Action: She walks casually toward the camera, sits near the plant, or gestures naturally with the bottle. Cut Notes: Adds warmth and authenticity, slight camera movement to mimic handheld feel. 5. Product Highlight with Smile (Payoff) Shot: Medium close-up, eye-level. Action: She smiles, holds the bottle up, says: “You need to try the 99% sugar-free iron gummies from Swisse. Getting your iron intake has never been easier.” Cut Notes: Keep bottle label in focus, background softly blurred. 6. Closing Scene (Confidence & Authenticity) Shot: Handheld, eye-level medium shot. Action: She smiles confidently, holding the bottle naturally in front of her. Cut Notes: Slight movement for natural handheld feel, bright window light on her face. Optional Micro Cut Scenes for Storytelling Flow: Pouring gummies into hand. Putting the bottle on a countertop. Looking at the gummy thoughtfully before smiling. Short laughter or natural reaction to show personality. #SocialSightxSeedreamAdRemix

Sharon Riley

32,931 次观看 • 4 个月前

Seedance 2.0 prompt + workflow below 👇 Intense fast-paced 80s B-movie transformation sequence with campy disco energy, vibrant pink neon club lighting mixed with explosive golden power effects, rapid-fire editing full of quick cuts and jump cuts for maximum intensity, dynamic handheld camera with constant movement and energy, practical effects focused, over-the-top yet grounded in cheap 80s low-budget aesthetic. Use the provided reference image as the exact visual reference for the main muscular warrior’s face, wild blonde hair, body, gold sequined outfit with red cross emblem, pink feather details and jewelry. In the final transformed state he additionally wears cheap tacky 80s disco sunglasses with colorful horizontal stripes. 0-4s: Rapid-fire opening montage - quick successive cuts: close-up of warrior’s intense face, cut to hands gripping the glowing power device, cut to his large yellow cat companion looking nervous, cut to surrounding crowd of 80s extras and background actors in flashy outfits reacting with surprise, cut back to warrior beginning to raise the device with raw building power. 4-8s: Rapid-fire power-up sequence - fast montage of quick cuts: warrior dramatically raises the device overhead, energy starts surging, cut to him pulling out and putting on the cheap disco striped sunglasses, cut to his muscles visibly swelling and gold sequins activating with intense sparkle, cut to pink feathers whipping wildly, multiple angles of wind and sparks hitting him, background secondary actors moving and watching in awe. 8-12s: Peak rapid-fire transformation montage - series of intense quick cuts: golden-pink lightning exploding around warrior (hair becoming even more voluminous, full outfit glitter activation), cut to sunglasses reflecting the dramatic light, cut to the cat companion undergoing organic photorealistic transformation into a large majestic tiger (natural fur texture shifting, real muscle and bone structure expanding organically, authentic animal movement and eye reflections, no CGI appearance), cut to crowd gasping and cheering, cut to red cross emblem blazing brightly. 12-15s: Rapid-fire climax and settle - fast final cuts: warrior in full powered heroic pose wearing the disco sunglasses, commanding stance, cut to the photorealistic tiger standing powerfully beside him with natural fur and real presence, cut to surrounding 80s secondary actors cheering and reacting, quick wide shots of the duo side-by-side as energy and glitter settle, ending on a strong held composition with crowd in frame. Photorealistic, hyper-realistic tiger with authentic fur texture, organic animal physics and natural muscle movement (no CGI look), ultra-detailed sequin reflections and feather physics, realistic practical energy effects, perfect motion blur on all rapid cuts, flawless character consistency, coherent 80s lighting and color grading, stable intense action, professional cinematic quality.

TechHalla

25,822 次观看 • 7 天前

Internet cut off, death toll in the thousands: Iran shuts itself off from the world SpaceX has made Starlink free in Iran amid mass protests and an almost total internet blackout. Authorities cut communications on January 8, even though Starlink is officially banned in the country. Tehran is fast-tracking the construction of a closed “national internet” — only state-approved search engines, maps, messengers, and streaming platforms are allowed, all under strict censorship. According to sources, a “skeleton version” is already operating and is even more isolated from the outside world than China’s model. Meanwhile, the number of victims of the crackdown by security forces is rising rapidly. CBS, citing sources inside Iran, reports 12,000–20,000 killed. Opposition media speak of figures as high as 50,000. These numbers cannot be verified due to the communications blackout. Hospitals are overwhelmed. Doctors are forced to choose whom to save because of a shortage of operating rooms. One physician said that at some point the injuries suddenly became much more severe — as if security forces had been ordered to use live ammunition. The US has requested intelligence from European allies on potential targets in the event of a strike on Iran, The Washington Post reports. Trump has promised help, but without specifics. Saudi Arabia, Oman, and Qatar are urging Washington not to strike now — the oil monarchies fear chaos and a possible closure of the Strait of Hormuz. Israel is also advising patience, believing the ayatollahs’ regime is not yet weakened enough for a decisive blow.

NEXTA

32,229 次观看 • 6 个月前

Jesus Personally Taught St. Faustina How To Survive Spiritual Attacks… Here are 10 Instructions That Could Change Everything. 1. Trust Me completely → Distrust opens the soul to fear. Trust disarms it. Jesus repeatedly says that graces flow according to trust (Diary 1578) and that the soul that trusts Him is never lost (Diary 723). 2. Run to My Heart immediately in temptation → Do not dialogue with temptation. Refuge is victory. “When you are about to fall, run at once to My Heart” (Diary 1485). He warns not to engage temptation but to flee to Him immediately. 3. Reveal temptations in confession → Darkness loses power when brought into the light. “The priest is My representative… reveal your soul to him” (Diary 1725). Confession breaks the power of hidden struggles. 4. Do not be guided by feelings → Feelings change. The will chooses love. “Do not be guided by feeling, because it is not always in your power” (Diary 1760). Faithfulness is measured by the will, not emotion. 5. Practice humility and patience with yourself → Impatience weakens the soul. Humility strengthens it. “My daughter, know that you are what you are before Me… nothing more” (Diary 56). Jesus calls the soul to patience in weakness and growth (Diary 1488). 6. Accept suffering with love → United to Christ, suffering becomes redemptive. “You will save more souls through prayer and suffering than through activity” (Diary 1767). Suffering embraced in union with Him has real spiritual power. 7. Remain obedient to legitimate spiritual authority → Obedience protects against deception. “My will is that you should obey your confessor in everything” (Diary 639). Obedience is tied to safety in the spiritual life. 8. Avoid curiosity about the future → Trust God’s timing. Curiosity breeds anxiety. “Do not be curious about the future… I am your security” (Diary 293). He redirects the soul from curiosity to trust. 9. Reject discouragement immediately → Discouragement never comes from God. “Why are you afraid…? Do you not know that I am always with you?” (Diary 613). Jesus corrects discouragement with His presence and truth. 10. Fight with courage, knowing I am with you → Courage rooted in Christ causes fear to retreat “Do not fear… I am with you always” (Diary 586). “Fight like a knight… do not be discouraged” (Diary 450). 💬 Is your spiritual life built on discipline… or just motivation when you feel like it?

Dana Rachel 🇻🇦

35,533 次观看 • 2 个月前

Records show that Olivia Julianna works as a Political Director at Gen-Z for Change. Many already know this. However, she has not disclosed that Colin Allred has PAID her multiple times. She has received several thousand dollars to support/post about him. This wouldn't be such a large issue, except she has blatantly lied multiple times. Olivia is 21 years old and has a large following. Over 380k on X and over 700k on TikTok. With such a following, you would hope that one would use such power by spreading the truth. But she does the exact opposite. She has lied about herself and she has lied about her parents. Even more concerning is that her father KNOWS she is lying, but is going along with this anyways and has made appearances in her cringy short films about "door knocking" and he has made several media appearances. So now we know who she learned to lie from. Olivia does not share her last name. So it took a little longer to find much of this information. We know why she doesn't share it. She has gotten away with lying to her audience for far too long. On June 17th, 2023, she claimed she was "unpaid in a political capacity". But on May 31st, 2024, and June 7th, 2024, Olivia received disbursements from the Allred campaign. What changed, sister? Olivia recently claimed that her dad "voted Republican all his life". And "In 2018 he voted for Ted Cruz". This is false. I found his voting records using two separate systems. And the answer was the same. Records show that her father did not vote until 2020. He did NOT vote for Ted Cruz in 2018. In a TikTok video just a few days ago, Olivia brought up "being 14" and "rooting for Trump". Interesting that she brought up this exact age! Because photo evidence shows that in 2016, when Olivia was 14, her dad posted a "proud moment" to his daughter on his social media, with 14-year-old Olivia showing her "project" that showed she was not for Trump. In both English and Spanish, her project stated "Cuz I'm not Trump. Vote Olivia ****** for president of student council". From a spiritual perspective, Olivia is depraved and demented. At one point, her family claimed to be Christians, posted scriptures, and Olivia was involved with youth ministry. It is very sad to see where she has ended up. Used by Dems to reach the youth. Convincing the youth to tear their unborn babies apart. Lying about her own parents to climb to the top, and taking a false self-righteous stance of "not being paid" in order to keep up political appearances. She worked at Boys and Girls Country of Hockley (N of Houston)- She had 8 foster siblings.. It’s sad that she’s so pro-abortion. She would rather see them all dead.

Sarah Fields

124,055 次观看 • 1 年前

Here’s to Shashwat Sachdev. Some collaborations go beyond work, they become deeply personal. Sha has been that for me. Not just the music composer of Dhurandhar but someone I see as a younger brother, someone I’ve shared chaos, silence, ideas and some of the most intense creative days with. What he’s done on this film still doesn’t feel real when I say it out loud. 9 songs in 9 days for Dhurandhar Part 1, with the entire BGM done in 6 days. And then Dhurandhar Part 2, 14 songs in 11 days, BGM in 3. At that speed, at that scale, with that kind of emotional depth and that kind of extraordinary quality, it’s beyond crazy. And what makes it even more unreal is how both the albums, released within a span of 3 months, reached top global charts, with almost every song being loved and celebrated, something that’s an absolute rarity for any film in the world. For almost 15 days, my house stopped being a house. It became a living, breathing studio. Every room had something going on, music in the living room, recordings in the bedrooms, writing in the balconies. Singers and musicians walking in and out endlessly. Days and nights just blending into each other. 21–22 hour stretches, no real sense of time, just a shared madness to get it right. And right at the center of all of it was Sha. Holding everything together. Creating, composing, guiding, reacting, evolving, all at once. There were days he was unwell, running on barely any sleep, dealing with health scares but he still showed up fully, without compromise, without slowing down. That kind of resilience is rare. Having the legendary Irshad Kamil Sir alongside, and a team that gave everything they had, pushed this into something even more special. Everyone went into absolute God mode. And through all that chaos, Magic (Sha’s better half) was the anchor, keeping things steady, holding the energy together when everything could have easily fallen apart. What makes Sha truly special is not just his talent. It’s his hunger. His refusal to settle. His instinct to keep digging until something feels honest. He doesn’t chase easy, he chases truth in every note. That kind of commitment doesn’t come from skill alone. It comes from love. Love to achieve God through music. And you can feel that love in every second of Dhurandhar. Always grateful. Always rooting for you. ❤️

Aditya Dhar

677,055 次观看 • 3 个月前

Seedance 2.0 on Higgsfield AI The visual fidelity and scene consistency bring this pirate adventure to life like never before.Every cut feels intentional immersive and ready for the big screen. Full open sourced prompts & assets below: SCENE CONTEXT Bright day at sea aboard a sailing galleon. Captain Eduardo bursts out of the sterncastle door onto the deck; his scarlet macaw lands on his LEFT shoulder mid-stride. He runs up to the quarterdeck where a lookout crewman watches the horizon through a brass spyglass, takes the spyglass and looks himself: a distant island, and a violent optical crash zoom finds a small futuristic hard case on the beach. Then a second crewman runs up, grabs his arm and points the OTHER way, astern — Eduardo turns: a black-sailed pirate ship very far behind them, a speck on the horizon. He does not raise the spyglass — he just stands and stares at the distant black sails, holding the look. ACTIVE REFERENCES >> — lean pirate captain, dark curly hair falling free from under a dusty mustard-yellow cloth bandana, a small white shark tooth pinned to the front of the bandana above his temple, thin moustache, gold hoop earrings, cream linen shirt under a worn brown leather waistcoat, cloth sash and leather belts. 100% matches the reference; studio sheet layout NOT inherited. >> — scarlet macaw, red body, blue-and-yellow wing feathers, small leather shoulder harness. 100% matches the reference; it flies in and rides Eduardo's left shoulder. >> — weathered pirate crewmen from the reference group (bandana, rough shirt, vest). 100% match the reference; TWO of them appear: the lookout at the quarterdeck rail, and a second runner who arrives in CUT 4 pointing astern. >> — collapsible brass spyglass with dark leather-wrapped barrel sections. 100% matches the reference; starts in the lookout's hands, ends at Eduardo's eye. >> — Eduardo's galleon: pale square sails, tall wooden sterncastle, raised quarterdeck. 100% matches the reference; controls hull, deck, masts and rigging only. >> — calm bright sea, glittering sun path, hazy horizon. Controls water and sky atmosphere only. >> — small lone island: dense dark-green jungle cover, a curved white-sand beach on one side, grey rocky cliff edges, turquoise shallows ringing the shore. 100% matches the reference; it is the island seen on the horizon and inside the spyglass view. >> — small futuristic hard case: matte-black armored corners, neon acid-green side panels, brushed-steel top plate with a glowing green star-shaped button. 100% matches the reference; it appears ONLY inside the zoomed spyglass view of CUT 3, lying on the beach. >> — enemy pirate galleon: black sails, acid-green skull-and-crossed-swords on the mainsail, dark carved hull. 100% matches the reference; revealed VERY far astern in CUT 4 as a tiny silhouette on the horizon — never seen closer in this beat. LOCATION MAP >> under sail on >>, open bright sea. The sterncastle door opens onto the main deck; a short wooden stair leads up to the quarterdeck at the stern. The lookout stands at the quarterdeck rail on the forward side, spyglass raised toward the horizon screen-right. Far on that horizon, 2–3 km out: >> — dense green jungle mass, the white-sand beach catching the sun on its near side, turquoise water at its shore. In the OPPOSITE direction, astern of the ship screen-left: open sea where >> rides VERY FAR OFF — 4–5 km out, right on the horizon line, a tiny dark silhouette almost dissolved in the haze — present in the world from the start, revealed to the camera only in CUT 4. Haze visible at the horizon distance. Sun high, sea glitter everywhere. FIRST FRAME / BLOCKING First frame: the sterncastle door already swinging open, >> mid-stride through it onto the deck, body angled toward the quarterdeck stair screen-right. Crew activity in the background of the deck. The lookout is visible up on the quarterdeck at the rail, spyglass already at his eye, pointed screen-right toward the horizon. FORMAT MODE Sequence of cuts, no timecodes — cuts only at the specified points, the camera does not cut on its own. CUT 1 — 63° handheld follow: the door bursts open, Eduardo comes out in a strange hurried scurry — up on TIPTOE, quick tiny mincing steps, both arms half-raised in front of him with elbows out, hands hovering at chest height, shoulders slightly hunched — comically odd, but FAST, covering the deck at 10 km/h. >> sweeps in from off-frame upper-right, wings braking, and lands on his left shoulder without breaking the scurry. He tiptoe-rushes across the deck and up the quarterdeck stair; the camera chases behind-left, half a beat late. CUT 2 — MS, 47°, on the quarterdeck: the lookout at the rail with >> raised. Eduardo arrives frame-left, the scarlet macaw >> sitting clearly visible ON HIS LEFT SHOULDER through the whole cut. With his RIGHT hand he grabs the spyglass out of the lookout's hands in one firm motion and raises it right-handed to his RIGHT eye toward the horizon screen-right, left eye squeezing shut. The lookout yields a step. CUT 3 — SPYGLASS POV, MONOCULAR: one single round image — the view through ONE lens of a telescope, a single circle centered in frame, black around it. This is a one-eyed spyglass view, never the twin overlapping circles of binoculars. Extreme telephoto image swaying with a hand-held tremor, compressed haze layers stacking toward the island. Distant >> sits small in the circle: dark-green jungle, the curved white-sand beach, turquoise shallows, heat haze. Hold 1 second — then a RAPID CRASH ZOOM, one continuous accelerating optical dive down to the waterline of the beach: >> lying on the wet sand, black-and-acid-green case, steel top plate, green star button glinting. The zoom lands and locks on the case filling half the circle. Hold. CUT 4 — MS, 47°: Eduardo lowering the spyglass, macaw on his left shoulder — a second crewman from >> runs into frame from screen-left, grabs Eduardo's arm and jabs his finger the OTHER way, astern, screen-left, shouting over the wind: "CAP'N! BEHIND US!" — and the macaw on Eduardo's shoulder instantly screams it back in a harsh parrot voice: "BEHIND US! BEHIND US!", wings half-flaring. Eduardo whips around following the point; the camera racks past his shoulder — REVEAL deep in the frame: >> VERY far astern, a TINY black silhouette sitting right on the horizon line — smaller in the frame than Eduardo's fist, under 5% of the frame height, barely bigger than a speck, half-swallowed by haze — but the black sails read unmistakably. Vast empty water fills everything between the rail and that distant speck. Eduardo does NOT raise the spyglass — it stays lowered in his right hand. He simply STANDS and STARES at the tiny black sails, motionless, eyes locked on the horizon. The cut ends on his long look toward the enemy ship against the empty sea. OPTICS CUT 1: 63° observational wide, handheld. CUT 2: 47° neutral. CUT 3: monocular spyglass optics — ONE single circular image (a one-lens telescope, never the twin circles of binoculars), tele compression as at 8°, soft edge inside the circle; the crash zoom is purely optical, horizon compressing, haze layers stacking. CUT 4: 47° neutral with a rack to the deep background on the reveal, then holding on Eduardo's profile against the horizon. No drift mid-segment. CAMERA Handheld operator character throughout the real-world cuts: chases the run at deck level in CUT 1 with visible footstep energy, settles to a 1–2 cm breath on the quarterdeck. Camera stays on the shadow side of Eduardo, sun working across from screen-right. The POV cut carries a hand-tremor sway of 1–2 cm that calms when the zoom locks on the case. ACTION Door kicks open from inside. Eduardo's gait in CUT 1 is deliberately odd: he rushes on the balls of his feet, heels never touching the planks, tiny fast tiptoe steps, arms half-raised with hands floating in front of his chest — hurried and urgent, never slow, sash swaying with the quick mincing rhythm, boot toes tapping the deck. The macaw's landing is physical: wings flare to brake, claws grip the leather waistcoat's shoulder, one small balance flap as he keeps scurrying. The spyglass handover is brisk, captain's-right, two hands to one. In the POV the island rises gently with the ship's sway until the crash zoom pins the case. PERFORMANCE Urgency without panic: breath fast through the nose, eyes fixed forward during the run. At the eyepiece his face stills completely — squint tightens, lips part a fraction when the case appears. In CUT 4 the runner's grip snaps him out of it — head whip, eyes refocusing to the far black sails — then he goes still: eyes fixed on the distant ship, a slow exhale, jaw tightening a fraction — the look held long, unreadable, no words at all. Pore-level skin realism, sun catch-lights, spray-damp sheen on the temples. PHYSICS Ship heels gently on a calm swell; rigging sways against the sky. The parrot has real bird mass — landing compresses the shoulder slightly. Cloth reacts to the run wind. In the POV, heat haze wobbles the island image and glitter fires irregularly off the water; the case sits with real weight in the wet sand, a shallow water film sliding around its base. LIGHTING High bright sun, 5600K daylight, hard key from screen-right with sea-bounce fill from below. Deck in full sun, crisp short shadows. Inside the spyglass POV the image is brighter and milkier — long air column, haze density rising toward the horizon; the case's acid-green panels and glowing star button read as the only saturated color on the pale beach. AUDIO Wind over the deck, sails snapping, boots on planks, macaw squawk on landing, gulls distant. On the POV: the world's sound thins to wind and a faint ring of focus. On the crash zoom a low whoosh rising in pitch, landing on near-silence with only the surf of the far beach, thin and distant. CUT 4: deck sound returns — running boots, the crewman's urgent shout over the wind: "CAP'N! BEHIND US!", answered at once by the macaw's harsh screeching echo: "BEHIND US! BEHIND US!" — then only the wind, a slow exhale, and the creak of the deck. No spoken line from Eduardo. STYLE Photoreal live-action, bright maritime daylight, fine film grain, crisp highlights with gentle roll-off, 8K master. POSITIVE LOCKS >> appears only inside the spyglass POV of CUT 3, lying on the beach at the waterline, star button glowing green in every frame it exists. The island always matches >>: green jungle, white-sand beach, turquoise shallows — and stays screen-right, ahead; the enemy ship stays astern, screen-left, in the opposite direction from the island. The spyglass POV (CUT 3) is MONOCULAR: one single round telescope image per frame. Eduardo handles the spyglass with his RIGHT hand at his RIGHT eye in every cut where he uses it. >> keeps black sails and the green skull mainsail in every appearance and stays VERY FAR AWAY the whole beat — naked-eye, she is only a tiny silhouette on the horizon, under 5% of the frame height in CUT 4; she never gets closer than the horizon line. After the reveal Eduardo keeps the spyglass LOWERED — he never raises it at the enemy ship; he speaks no line and makes no gesture — he simply stands looking at the distant ship, and the beat ends on that look; no cannons and no gunfire anywhere in this beat. Eduardo's head: mustard-yellow bandana with the small white shark tooth at the front, hair loose. In CUT 1 Eduardo moves only in the tiptoe scurry: heels off the deck, quick small steps, arms half-raised at chest height — fast and urgent the whole way. The macaw sits on Eduardo's LEFT shoulder continuously from its landing in CUT 1 through the end of the beat, clearly visible in CUTS 2 and 4. The spyglass is in the lookout's hands in CUT 2's first frame and in Eduardo's hands from then on. Same sun direction, same sea state, same wardrobe in every cut. Cuts only at the specified points.

Nawal

18,336 次观看 • 8 天前

On November 2, 2024, in the Ada’aa Bargaa district of West Shewa, OLA forces launched a targeted assault that resulted in 190 regime soldiers killed, 150 wounded, and 45 taken as prisoners of war. The operation followed a detailed reconnaissance of the district, focusing on strategic points at Dheebiisaa Hangasaa and Oolankomii. OLA forces seized the regime`s arsenal, including one PKM machine gun, two sniper rifles, 170 AKM assault rifles, tens of thousands of rounds of ammunition, and advanced radio communication equipment. These offensives are a direct response to the regime's hastily imposed deadline for a so-called “final offensive” hallucinating about ending the resistance. The breadth and precision of the OLA's ops continue to underscore our commitment to countering the regime’s intensified aggression. Among the POWs, one with the rank of Shaleqa (major of a battalion) recounted his journey, sharing how he along with his colleagues were initially taken prisoner during the Tigray war and later released. After thier release, they were forcibly conscripted into the regime's forces once more—this time, to fight against the OLA. Now held by the OLA, he has expressed a strong willingness to resist the regime’s oppressive tactics, describing his experiences as a cycle of coercion and survival. His story reflects the complex layers of forced allegiance and the growing resentment among soldiers compelled into battles that they do not support. The OLA calls upon the ICRC and other humanitarian organizations to assist in providing assistance and care for the growing POWs, as the regime has shown complete disregard for their well-being.

Oromo Liberation Army OLF-OLA

27,697 次观看 • 1 年前

grok imagine prompt (image): An extreme close-up portrait of a cyberpunk anime woman, viewed from a low angle below her chin and slightly to her right for an immersive, curved perspective that fills most of the frame with her face, while her left shoulder and upper body appear asymmetrically in the lower-left corner for an intimate, selfie-like feel. Her head tilts gently toward her right shoulder in a three-quarter view angled downward-right, with her large, expressive anime-style eyes, 25% larger than realistic, gazing diagonally upward and to her left toward a distant city skyline, pupils directed to the upper-left corner in a dreamy, unfocused gaze of wistful contemplation, quiet curiosity, and gentle awe. Her grey-blue-teal irises feature a subtle gradient from darker outer rings to lighter centers, with faint concentric targeting reticles, geometric shapes, and crosshairs hinting at cybernetic implants, enhanced by detailed reflective catchlights, extremely long black eyelashes, thick eyelash lines, and subtle lavender-grey eyeshadow. Her smooth, flawless anime skin has a warm peachy undertone, illuminated by soft amber-orange light on the left side for a glowing warmth with subsurface scattering on edges like nostrils, contrasted by deep shadows on the right for dramatic chiaroscuro, and highlights on the nose bridge, lip center, and cheeks with a gentle blush. Full, glossy peachy-coral-orange lips are slightly parted about 4 millimeters to reveal a glimpse of four to six shadowed upper teeth, forming a neutral-to-soft smile, while her small, delicate nose has a soft rounded tip with subtle shadows beneath. She sports a short asymmetrical white-platinum blonde bob haircut in the style of Lucy from Cyberpunk Edgerunners, with the left side longer past her jaw and the right side shorter, tucked behind her ear, featuring choppy textured layers and straight-cut bangs swept across her forehead partially covering one eye; the platinum hair catches cyan-teal rim lighting on the right for a glowing outline effect, with subtle lavender-pink undertones in the shadows and gently displaced strands suggesting a light breeze, all evoking a trance-like mood of peaceful wonder in a cyberpunk world.

tetsuo

25,801 次观看 • 5 个月前

[Throwback] Kobayashi Arata,a professional dancer, give detailed abt taehyung’s dance abilities on Fire and Dynamite 👤Whenever I see Taetae dance, I got the impression that he is a groove-type dancer. He has good detail and dances like he is riding the music. I like dances that convey the dancer's own vibe that only they have, and Taetae's dance is like that. His neck's trajectory is continuously moving back and forth. It's a professional's technique. His dance is very professional. It's very difficult to grab the rhythm in a simple way, but Taetae has a very good sense for that. Even when he isn't moving, the texture of his dance movements are very exquisite.The way he dances to his heart's content is wonderfully cool. The way he feels the sound (music) is expressed through the movement of his neck. The way he burns his feelings into the music is at a very professional level. One more thing to mention, the way he approaches a certain melody is always very outstanding and beautiful. You can see his great sense for dancing in his ad-libs, besides the set choreography. The neck is the part of the body that can express rhythm, so it especially requires skill. Taetae uses his neck extremely well. People at a high level of dancing can draw a hot response from just moving their neck a little. A great dancer knows that just a simple neck movement can look really cool. 1 speculate that Taetae is a dancer who knows this. The way he paces himself is no joke. The reason he can comfortably maintain the rhythm with his whole body is because he properly feels the music inside his body His dance has a mature charm. It's something different than the brilliance and dynamism that can be seen from the outside. From an angle that surpasses all that, he expresses how he perceives the beauty of the dance. He is the type that enthralls others by actually enjoying the music himself. He is like a miso soup made by a first-class chef. It doesn't make sense how smooth he is. (All of his movements are very smooth.) People, who enjoy music itself in the first place, look cool with the way they ride the rhythm. He dances as if he has surrendered himself to the sound (music), and as if he is submerged in the music. He is able to feel the rhythm with his whole body. Taetae's hidden details, in which he accomplishes things like they're nothing, make my heart beat. It's a difficult thing to do. You can't do this just by learning it. He has a good sense for dancing. The way he dances is very smart. In conclusion, Taetae is at an extremely high level of dance. From the little details that are hard to catch at first glance, to his dance skills that read the music, making it feel like a "professional dance" style and feel, can all be seen in the ad-libs as well. These parts all depend on the individual's sense for dance. What can be seen from here is that Taetae has a good sense of understanding and feeling sound(music), and i really want to become someone like that too. 28min video: trans cr: KTHbase/KTH_FanBase

❀ ✿

46,199 次观看 • 1 年前

An email sent to An Taoiseach Simon Harris TD this morning. I’ll keep you all posted if I hear back ❤️ Hi Simon, I am writing to you as an incredibly concerned parent of an 8.5 year old boy, Harvey. Harvey has Spina bifida and scoliosis which in itself is challenging, but when those conditions are coupled with a lack of access to therapy, a hospital that is potentially misappropriating funds, and incredibly long wait lists for urgent and life changing surgeries, then it becomes impossible to adequately care for your child. Harvey had an Xray in January 2024 that showed his scoliosis curve is at 110°, if you have read in to scoliosis then I am sure you are aware how this is at a point where it is detrimental to his health and quality of life. Harvey was under Connor Green and was listed for urgent surgery in February 2022 after repeated pneumonia infections, 30 months later he is still only on the surgical list under Connor Green as he does not have a surgeon willing to operate. The task force you hold in such high regard has not made contact with my family, nor is there any details online of how to contact them to enquire as to when your child will finally be treated. You continually tell families like ours that you care, and you have been promising to fix this since 2017. 2017 was the year we were told that Harvey’s ribs were crushing his lungs and controlling his scoliosis was life and death. Here we are in 2024 and nothing has changed except we now have a surgeon under investigation, longer wait lists, more children waiting, a still not complete hospital, and funds not being spent as intended and no answers yet as to where the money *we* fought for went. You say you care but your actions have left us feeling anything but. We as a family also have a child facing open heart surgery next month and this is just more stress and concern that we do not need. Another summer has just passed and Harvey has spent the majority in his room, often needing to go back in to bed because he is in so much pain. Is that the life you think the children of Ireland deserve? Would you accept that if it was your own child? Can you imagine being told your child has a potentially life threatening condition but that it will be years before it would be treated? We need actual action, not more empty promises. You need to engage with all advocacy groups, not just those that are currently working with the task force. There are very valid reasons why the other groups have chosen to not engage and they need to be heard. We need contact details and open dialogue with the task force so that we can actually feel its existence. We need answers as to where the funding for scoliosis and spina bifida services went. Most of all, these children need to get their quality of life back before their whole childhood passes. I look forward to hearing from you. Kind Regards. Gillian Sherratt

Gillian Sherratt

355,829 次观看 • 1 年前

🚨12 HOUR NEWS RECAP 1.⁠ Israel’s security cabinet approved Netanyahu’s proposal to take control of Gaza City. Israel also plans to exert “security control” over the entire strip and establish “an alternative civil administration that is neither Hamas nor the Palestinian Authority.” 2.⁠ Iran’s Foreign Minister Seyed Abbas Araghchi called for an extraordinary meeting of the Organization of Islamic Cooperation, warning Gaza faces “systematic annihilation.” 3.⁠ U.S Attorney General Bondi announced that the Justice Department has doubled its reward for information leading to the arrest of Venezuelan President Nicolás Maduro, now set at $50 million. 4.⁠ OpenAI announced the launch of Chat GPT-5: “It will automatically think whenever needed, delivering more comprehensive, accurate, and detailed answers. It’s like having a team of PhDs in your pocket." 5.⁠ Elon’s Grok Imagine cranked out 44 million images in a single day - doubling output while most apps claw for 2% gains. For the next few days, users in the U.S get free access to experiment with it. 6.⁠ Trump unveiled new economic data showing 10 times more income for the average family under Trump compared to Biden. Every income group did better under Trump than Biden, by a wide margin. 7.⁠ Testifying on the Hill, former Biden adviser Anita Dunn told the committee staff that Biden’s inner circle rejected a cognitive test, seeing no political upside even if he passed. 8.⁠ Gina Carano revealed she had settled her lawsuit with Disney after being fired from The Mandalorian: “I want to extend my deepest gratitude to Elon Musk, a man I’ve never met, who did this Good Samaritan deed for me in funding my lawsuit. Thank you Mr. Musk and X for backing my case and asking for nothing in return.” 9.⁠ The Pentagon has begun construction at Fort Bliss, Texas, on what will be the nation’s largest migrant detention facility, 5,000 beds when complete. Initial 1,000-bed capacity is expected by late August, supporting Trump’s executive order to “protect against an invasion.” 10.⁠ France’s largest wildfire this summer, the worst in its Mediterranean region in at least 50 years, has been contained after killing one person, injuring 13 and destroying thousands of hectares and dozens of homes.

Mario Nawfal

100,154 次观看 • 11 个月前