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i'm still really pissed, everyone in the ui update server except fewkz were some of the nicest people i've met and i loved working with them. watching them all fall back due to the situation devastated me. i don't know what to do but yea this is the blockate... show more

polipoly

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54,141 次观看 • 6 个月前 •via X (Twitter)

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Michelangelo Antonioni on his experience working in America, the tendency of Americans to waste things & the difficulties he faced while working with American Cameramen: "My autonomy, I would say, is complete. They leave me free to do what I want. The only thing now is that they are starting to be worried about the budget. They ask me why the film is so expensive, but that's what I'm going to ask them. I don't know why it's so expensive, I really don't know. I have a crew that is only half the size of what is usual in America because I don't want a big crew. It seems to me I'm seeing such a waste of money. It seems to be almost immoral. I feel bad sometimes. For instance, they threw away a piece of gelatin that we used and the piece was still new. There is also a waste of film. If I am shooting with two or three cameras and I need this camera only in the middle of the scene, in Italy I would start with that camera just at that moment. Not here. They start from the beginning. It is a waste of film! They are consumers. They are used to wasting something — goods, materials, food, everything. And I'm not used to this. I have some elements of this crew who are not so young — some older people who worked, for instance, on the first film of Greta Garbo, the first 'Ben-Hur' (1925), on Stroheim's 'Greed' (1924). It is very amusing to talk to them about these things. I had a lot of problems with unions, and in Hollywood this is much more difficult than in New York. The unions are so strong. There are lots of old people. You can't find what you are looking for. I needed some cameramen and some assistant cameramen —some young people used to shooting in the modern way, people who can zoom without your having to tell them the exact distance from the actors to the camera, people who can make changes on their own and who can sometimes do what they want. I want them to do that, to do something different from the script, maybe. At that critical moment, the assistant cameraman has to make the decision, but the American cameraman can't do this. That's why I was forced to bring some people from Italy. I don't know why, but English people are much more familiar to me. At the time I was making 'Blow-Up' (1966), at least, they were so mad —in a positive and very pleasant way —that they were almost Neapolitan (that's a joke). I like them, I like English people much more than Americans. I mean I find myself closer to them. The Americans are so cool sometimes. They need to know exactly what they are doing. Sometimes they are like Germans —fastidious, precise. This makes me upset because I like to have people around me who are more spontaneous." (Michelangelo Antonioni's interview with Marsha Kinder, 1968) On this day, 56 years ago, 'Zabriskie Point' (1970) premiered in New York City, USA.

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