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In a 1982 interview with David Letterman, Christopher Reeve said about his Marlon Brando: “I don’t worship at the altar of Marlon Brando because I feel he’s copped out in a certain way… He could really be inspiring a new generation of actors, but it seems like he doesn’t...

94,239 просмотров • 3 месяцев назад •via X (Twitter)

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This man was criticized for expecting a “thank you” for a good deed. He always saw the same man walking when he drove to work. He assumed the man was walking because he did not have any other means of transportation. He used his own money and bought the man an electric scooter, the man took the scooter and just silently walked away, no thank you or anything else at all. I don’t think that was too much to ask, a thank you goes a long way, otherwise it makes people look ungrateful. Back in college, I had a classmate that I always saw walking home after class. It didn’t matter whether it was raining or snowing, or hot out. Whenever I drove past him he always looked miserable and I could tell he didn’t like to walk all the time. In class I had asked him where he lived, and I found out it was on my way home so I offered to drop him off because it was really cold out and had snowed about a foot. He agreed and we chatted on the way home, nothing serious just pleasant conversation. I dropped him off and went on my way home. For me this was a one time thing, I only offered because how bad it was snowing. After class the next day, he walked with me and when I got to my car he got in. I didn’t agree or offer him a ride that day but he assumed that since I was ok with giving him a ride the day prior that I would be ok with it this day too. I didn’t say anything about it because at this point I didn’t care really. So the next day came and went, once again he walked with me to the car but that day was different. I wouldn’t be going his way because I had to work after class. So before I got to the car I said “I’ll see you tomorrow.” He looked dumbfounded and said aren’t you taking me home? I said no, I have to get to work. He then asked me how he would get home, and I told him the same way you always have. He then gave me excuses for why I was being a jerk because I was making him walk in the cold. I didn’t argue I just told him I helped him out when I could, but I wasn’t about to go out of my way because he didn’t have a car and besides I didn’t want to be late for work. He didn’t speak to me for the rest of the semester because of it, something tells me I was better off not offering to help in the first place.

SonnyBoy🇺🇸

37,380 просмотров • 27 дней назад

Coppola had to fight to cast Marlon Brando as Vito Corleone in The Godfather. At the time, the studio saw Brando as “box office poison.” What finally sold them was his legendary screen test, where he transformed into the Don right in front of their eyes. Coppola explains: "I remember in one meeting, I was told by the then president of Paramount - "As president of Paramount Pictures, I am telling you that Marlon Brando will not appear in this motion picture." So I continued talking and arguing, and finally, they agreed to let me discuss the idea of Marlon Brando being in the movie if I honored three stipulations. A - he would do a screen test. B - he would do the film for free. (he would get a back-end deal) And C - he would put up a bond so that if any of his shenanigans or any trouble came from him being on the set, that it would guarantee the losses. So I said, - "Okay, I accept” - What could I do? I accepted these three things from Marlon. So I then called up Marlon Brando and suggested, "Maybe it’d be nice if I did like a little makeup test or something? I could come over your house." - he said to me, "All right."… We got to his house very early, and we set up our little lights. And I had brought a bunch of provolone cheese and a little Italian cigars and little props just to kind of put around - sure enough, he wakes up, and he comes out of his bedroom; and he's this great-looking, I don't know, he must have been 47, and in a Japanese robe. He looked very impressive, and I looked at him with this ponytail and I'm like, "God, how's he ever going to play a mafia chieftain?"… And he walked on. He put on a jacket, and he started mumbling - I remember, he went through great effort to bend the tip of his collar - he said, "So, like, there's a time guys always have the collar bent like that." And he picked up a cigar, and he started to gesture with it and use it as a prop, and he nibbled on a little bit of provolone cheese - and he rolled up the ponytail, and he kind of pinned it up, and he took some shoe polish, and he darkened it, and while he's doing this, we're photographing… He took some tissue paper, and he said, "He should have the face of a bulldog."...He stuffed the tissue paper in his jaw, and then he said, "Well, if he's shot in the throat, he ought to have to talk like that a little bit." It really was a transformation of this nice looking young man with a blonde ponytail, into this kind of mafia guy… I took it to New York, and I went to Mr. Bluthorn's office (head of Paramount Pictures), and I said, "Oh, Charlie, Charlie, I want to show you something." - I flick the video, and sure enough, there's Marlon Brando coming out in a robe with a blonde ponytail, and he looks, and he says, "Never! Marlon Brando, never! Never!" And as he's doing that, he's watching Brando turn himself into this guy, and Charlie just looks astounded, and he says, "That's incredible! That's incredible!" And once he was sold on the idea that Marlon could do it on his authority, they allowed us to do it."

Gangster Cinema Central

29,897 просмотров • 3 месяцев назад

Quentin Taratino said Lawrence Fishburne’s performance in King of New York was so incredible he thought - “he could be the greatest actor of his generation”. He explains: "As great as Christopher Walken is in this movie. To me, it's Larry Fishburne's movie - it was the rock that becomes a diamond aspect of the movie. It's why I could defend this movie against all comers, because to me, Fish's performance in this movie was comparable to a young Brando. It was the most exciting performance by an actor of his generation that I'd seen in a movie of that time. And I thought, well, that's it. There is a new Marlon Brando, and his name is Larry Fishburne - it was amazing, it was mesmerizing… He is the first hip hop gangster in movie history. That character had never been done before this. He invented that character. And he invented it as something to do. It wasn't in the original script. He came up with that himself… The three big Fishburne moments to me, is his opening sequence with…Tito. That's it, with Tito - black glove dude. And his reunion with Frank. And then it's the chicken scene (see below). Those are his three big arias. Not only that though - expressions that I would later hear for the rest of the decade, I actually heard for the first time in that scene. I'd never heard the expression; “I'll slap the black off you” before. That was the first time I heard it when Fish says it to Snipes. I've since heard it many times… And that was actually the first time I ever heard, “fuck you very much”. And I would proceed to hear that for the rest of the 90s. But those were the first times I'd ever heard those expressions… As terrific as he has been in other things - the level of excitement that I had over him when this movie was over, I have never had that excitement again. I thought, with this, he could be the greatest actor of his generation. That was an actual, real fucking thing. He could be the greatest actor of his generation after seeing this." Quote comes from The Rewatchables podcast

Gangster Cinema Central

657,929 просмотров • 2 месяцев назад