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In a thunderous clash, DevilsPunchHole 👊🏻 ✈️ Folsom Berlin Sept was obliterated — HotWings’s fists rained down like meteors, and the colossal tunnel plug by GreedyCluster © Official sealed his fate - Total annihilation and making me moan with pleasure! #GayFisting #GayFist #FistFuck #FFun #ff #fistingslut

DevilsPunchHole 👊🏻 ✈️ Folsom Berlin Sept

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Incredible footage captured by CBGvideos in 2005 showcases the entrance to Nutty Putty Cave and the notorious Birth Canal section, the very area John Edward Jones was attempting to find before becoming trapped and tragically dying. Jones visited the cave on November 24, 2009, with his brother Josh. While exploring with Josh, Jones mistook a narrow tunnel for the similarly tight "Birth Canal" passageway and became stuck upside-down in an area measuring 10 by 18 inches (25 by 46 cm), around 400 feet (120 m) from the cave's entrance. Jones was held in place like a hook, unable to move without causing serious harm due to the bends his body was placed in. A large team of rescue workers came to his assistance. Still, they were unable to retrieve Jones using a sophisticated rope-and-pulley system after a pulley failed mid-extrication. After 28 hours, Jones suffered cardiac arrest due to the strain placed upon his body over several hours by his inverted, compressed position. Rescuers concluded that it would be too dangerous to attempt to retrieve his body; the landowner and Jones' family came to an agreement that the cave would be permanently closed, with the body sealed inside, as a memorial to Jones. Explosives were used to collapse the ceiling close to Jones' body, and the entrance hole was filled with concrete to prevent further access.

Incredible footage captured by CBGvideos in 2005 showcases the entrance to Nutty Putty Cave and the notorious Birth Canal section, the very area John Edward Jones was attempting to find before becoming trapped and tragically dying. Jones visited the cave on November 24, 2009, with his brother Josh. While exploring with Josh, Jones mistook a narrow tunnel for the similarly tight "Birth Canal" passageway and became stuck upside-down in an area measuring 10 by 18 inches (25 by 46 cm), around 400 feet (120 m) from the cave's entrance. Jones was held in place like a hook, unable to move without causing serious harm due to the bends his body was placed in. A large team of rescue workers came to his assistance. Still, they were unable to retrieve Jones using a sophisticated rope-and-pulley system after a pulley failed mid-extrication. After 28 hours, Jones suffered cardiac arrest due to the strain placed upon his body over several hours by his inverted, compressed position. Rescuers concluded that it would be too dangerous to attempt to retrieve his body; the landowner and Jones' family came to an agreement that the cave would be permanently closed, with the body sealed inside, as a memorial to Jones. Explosives were used to collapse the ceiling close to Jones' body, and the entrance hole was filled with concrete to prevent further access.

Morbid Knowledge

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🔹Advocate TENDAI BITI breaks down the process of making amendments to the Constitution. However, I would like to take us back to November 2017, when the same constitution was mutilated to accommodate a coup d'état. This was softened by manipulation of the masses, sanitised by Parliament, and the judiciary. The recent trial of constitutional mutilation was #MalabaGate. The clause in the constitution stating that Justice Luke Malaba should not benefit from the outcome was manipulated, and all the judges who opposed this ruling were purged. ED was testing his “ED2030 nonsense.” He succeeded in keeping Malaba, and the outcry lasted less than a week. Here we are! Give me a reason why he won’t have his way with ED2030.

🔹Advocate TENDAI BITI breaks down the process of making amendments to the Constitution. However, I would like to take us back to November 2017, when the same constitution was mutilated to accommodate a coup d'état. This was softened by manipulation of the masses, sanitised by Parliament, and the judiciary. The recent trial of constitutional mutilation was #MalabaGate. The clause in the constitution stating that Justice Luke Malaba should not benefit from the outcome was manipulated, and all the judges who opposed this ruling were purged. ED was testing his “ED2030 nonsense.” He succeeded in keeping Malaba, and the outcry lasted less than a week. Here we are! Give me a reason why he won’t have his way with ED2030.

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The Silmarillion audiobook, narrated by Andy Serkis The official unabridged audiobook of The Silmarillion, published by HarperCollins, is narrated by Andy Serkis and was released on 22 June 2023. This project followed the huge success of Serkis’s readings of The Hobbit and The Lord of the Rings, making him the voice of Tolkien’s legendarium for a new generation of listeners. In this audiobook, Serkis performs the entire text as edited by Christopher Tolkien, bringing dramatic depth to the ancient myths of Arda the creation of the world, the rise and fall of the Valar and the Eldar, the forging of the Silmarils, and the tragic fate of heroes like Fëanor, Beren, and Lúthien. HarperCollins produced the audiobook with a focus on clarity, pronunciation accuracy, and respect for Tolkien’s linguistic notes. While it does not include music or dramatization, Serkis provides a powerful, emotionally layered performance that aligns with the tone of Tolkien’s mythology. In short: it’s the first complete, officially licensed, professionally produced unabridged reading of The Silmarillion and Andy Serkis delivers one of his finest narrative performances.

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This is an important point for those who say the surveillance footage doesn't look like Tyler Robinson. On the Discord chat, his own friends thought the surveillance images looked like him. Tyler acknowledged they looked like him by saying it was his "doppelgänger" getting him in trouble. They even joked about turning him in for the reward money. Eventually he confessed to the entire group that it was him: “Look at the photos from the surveillance footage. It was me.” “look at the pictures from the surveillance footage. it was me. … im serious” “Hey guys, I have bad news for you all. it was me at UVU yesterday. im sorry for all of this.” That's not to mention his own parents ID'd him from the surveillance footage, and Lance Twiggs is on video saying the stills taken from the footage looked like him, especially the last two images, which is when he was walking with a limp due to an object, reasonably inferred as a gun, stuffed down a pant leg. Another small detail people don't often remember, is that a previous co-worker told The Washington Post that Robinson would often walk with his fists locked. A strange quirk, but visible in the bottom photo.

This is an important point for those who say the surveillance footage doesn't look like Tyler Robinson. On the Discord chat, his own friends thought the surveillance images looked like him. Tyler acknowledged they looked like him by saying it was his "doppelgänger" getting him in trouble. They even joked about turning him in for the reward money. Eventually he confessed to the entire group that it was him: “Look at the photos from the surveillance footage. It was me.” “look at the pictures from the surveillance footage. it was me. … im serious” “Hey guys, I have bad news for you all. it was me at UVU yesterday. im sorry for all of this.” That's not to mention his own parents ID'd him from the surveillance footage, and Lance Twiggs is on video saying the stills taken from the footage looked like him, especially the last two images, which is when he was walking with a limp due to an object, reasonably inferred as a gun, stuffed down a pant leg. Another small detail people don't often remember, is that a previous co-worker told The Washington Post that Robinson would often walk with his fists locked. A strange quirk, but visible in the bottom photo.

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During the official booting ceremony of #TheInfinite10Days, as the leading actor #XiaoZhan gave a speech and he was asked about him being the "Chosen One" for Qi Xia. His answer proved again how eloquent and how masterful he is at the art of language. Xiao Zhan said: "Everyone's been talking about being chosen by fate, and I think that's true. I believe that each and every one of us, every actor, is a chosen one to have encountered such a wonderful story and such wonderful roles." "The suspenseful, infinite-flow genre like 'The Infinite Ten Days' is a new beginning for each of us. But I believe that under the director's leadership and with the collective efforts of everyone in the crew, we can turn pressure into motivation, settle down and delve into the characters and the work. Together with all the main creators and actors, we will strive to deliver a satisfactory result."

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At one point, Matthew McConaughey had his acting career, his family, a foundation, a film production company, and a record company. In 2008, he shut down the production company and the record label. "I was making B’s in 5 things," he said. "I want to make A's in three things." By shutting down the production company and the music label, McConaughey said, "I did start making much better grades, so to speak, in those 3 things." “Alright, alright, alright.” Takeaway 1: “If you seek tranquillity,” the philosopher King Marcus Aurelius wrote, “do less.” And then he points out that doing less "brings a double satisfaction." You get the satisfaction of having fewer things on your to-do list. And you get the satisfaction of doing those fewer things at a higher level. You get "to do less, better." Takeaway 2: Shutting down the production company and the music label, McConaughey said, was hard to do. He liked having a production company and a music label. It reminds me of the legendary Apple designer Jony Ive's definition of focus: “What focus means is saying no to something that you—with every bone in your body—think is a phenomenal idea, and you wake up thinking about it, but you say no to it because you’re focusing on something else.” Focus requires sacrifice. Making A's, so to speak, requires saying no to things you like and want to do because you’re saying yes to things you love and have to do. - - - "You gain more by finding a rich mine and mining it deeper, than by flitting from one shallow mine to another—intensity defeats extensity every time...As Schopenhauer wrote, 'Intellect is a magnitude of intensity, not a magnitude of extensity.'" — Robert Greene Follow Billy Oppenheimer for more content like this!

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This CIA-trained remote viewer just alleged he was abducted by Grey aliens and taken to an exotic, faraway planet. “The sky was black.” “The grass was totally black.” “The sun was out, but very dim.” The Greys even let him fly their UFO. Stop scrolling to hear Lyn Buchanan tell his life-changing abduction experience with Jesse Michels: “I heard something land in the backyard.” “I couldn’t move.” “Immediately I woke up, and I was sitting in a white room.” A pale, 7-foot tall being “came into the room, and I said: excuse me, can I sit by the window?” “He got this look of fear on his face and turned around and ran out.” “A few minutes later, a little Grey with three of these big guys huddled behind the Grey came in.” “The Grey said: we’ve got work to do, come with me.” “He was the pilot, and he had me kneel down in front of the control panel.” “With me kneeling down and him standing, we were eye to eye, so that tells you his size.” “We would land, the tall white guys would go out and come back in.” “I guess they were picking up more people.” “Finally [the Grey] said: we’re going on a long jump now.” “We didn’t land for quite a while.” “I said: I’ve been watching, can I try [flying] it?” “I tried it and I didn’t wreck the thing, but he was standing right over me just in case.” “We landed at some place that was not Earth.” “I looked out the front window, and there were two other ships.” “There was a string of people going, and I asked him: what do you do here?” “He said: we’re a medical team. We catch a lot of diseases going around space. And we have no immunity, but you people are like antibody factories. We use your antibodies for health.” “I was getting off, and they were going up this path to a pavilion that was up on the hill.” “He grabbed me by the arm, and he said: you don’t wanna go up there.” “He pulled me over to the side, and we sat down on the grass on the hillside.” “The grass was totally black.” “As we sat there … you could hear up on the hill, somebody would scream in horror, and everybody else would laugh.” “I said: what are you implanting in us?” “He said: we don’t implant anything into you.” “I said: well, we find these glass-like things implanted in us.” “He said: you people won’t be still. The tips of our instruments break off.” “And I said: well, why do you stick those?” “He said: because we take one or two cells of our diseased tissue, put it on that tip, implant it into you, and you will start making antibodies, and then we come back and harvest the antibodies.” Jesse Michels: “Do you know where this other planet is?” Buchanan: “No, I just know it wasn’t Earth.” Michels: “The other guy, the seven-foot guy—” Buchanan: “They struck me as being dumb as a rock.” “They were just workers for the Greys.” “While we’re there on the hillside, the pilot … went off and got another one that came back, sat down on the hill behind me and said: put up your hand.” “I put up my hand, he put his hand on the back of mine, and from that point on, I remembered nothing until the people were coming back down the hill, and I was in line with them, getting back onto the ship.” “The next morning, I was standing at the back window of [my house], and could not remember why I was there.” For 25 years, Buchanan had no memory of his abduction. Just a persistent, nagging feeling that he’d “forgotten something.” It wasn’t until 25 years later that he remembered everything. Jesse Michels American Alchemy

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This CIA-trained remote viewer just alleged he was abducted by Grey aliens and taken to an exotic, faraway planet. “The sky was black.” “The grass was totally black.” “The sun was out, but very dim.” The Greys even let him fly their UFO. Stop scrolling to hear Lyn Buchanan tell his life-changing abduction experience with Jesse Michels: “I heard something land in the backyard.” “I couldn’t move.” “Immediately I woke up, and I was sitting in a white room.” A pale, 7-foot tall being “came into the room, and I said: excuse me, can I sit by the window?” “He got this look of fear on his face and turned around and ran out.” “A few minutes later, a little Grey with three of these big guys huddled behind the Grey came in.” “The Grey said: we’ve got work to do, come with me.” “He was the pilot, and he had me kneel down in front of the control panel.” “With me kneeling down and him standing, we were eye to eye, so that tells you his size.” “We would land, the tall white guys would go out and come back in.” “I guess they were picking up more people.” “Finally [the Grey] said: we’re going on a long jump now.” “We didn’t land for quite a while.” “I said: I’ve been watching, can I try [flying] it?” “I tried it and I didn’t wreck the thing, but he was standing right over me just in case.” “We landed at some place that was not Earth.” “I looked out the front window, and there were two other ships.” “There was a string of people going, and I asked him: what do you do here?” “He said: we’re a medical team. We catch a lot of diseases going around space. And we have no immunity, but you people are like antibody factories. We use your antibodies for health.” “I was getting off, and they were going up this path to a pavilion that was up on the hill.” “He grabbed me by the arm, and he said: you don’t wanna go up there.” “He pulled me over to the side, and we sat down on the grass on the hillside.” “The grass was totally black.” “As we sat there … you could hear up on the hill, somebody would scream in horror, and everybody else would laugh.” “I said: what are you implanting in us?” “He said: we don’t implant anything into you.” “I said: well, we find these glass-like things implanted in us.” “He said: you people won’t be still. The tips of our instruments break off.” “And I said: well, why do you stick those?” “He said: because we take one or two cells of our diseased tissue, put it on that tip, implant it into you, and you will start making antibodies, and then we come back and harvest the antibodies.” Jesse Michels: “Do you know where this other planet is?” Buchanan: “No, I just know it wasn’t Earth.” Michels: “The other guy, the seven-foot guy—” Buchanan: “They struck me as being dumb as a rock.” “They were just workers for the Greys.” “While we’re there on the hillside, the pilot … went off and got another one that came back, sat down on the hill behind me and said: put up your hand.” “I put up my hand, he put his hand on the back of mine, and from that point on, I remembered nothing until the people were coming back down the hill, and I was in line with them, getting back onto the ship.” “The next morning, I was standing at the back window of [my house], and could not remember why I was there.” For 25 years, Buchanan had no memory of his abduction. Just a persistent, nagging feeling that he’d “forgotten something.” It wasn’t until 25 years later that he remembered everything. Jesse Michels American Alchemy

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DAVID BOWIE ‘HEROES’ - THE POWERFUL & EVOCATIVE FINAL SONG IN THE SERIES FINALE OF NETFLIX’S STRANGER THINGS ‘HEROES’ IS AVAILABLE TO STREAM NOW ON PARLOPHONE: WATCH THE HD REMASTERED 'HEROES' VIDEO: New Year’s Day saw the broadcast on Netflix of the final episode of the phenomenally successful and critically lauded stranger things . Ten years in the making, the final song of the entire series is ‘Heroes’ by David Bowie, one of music’s boldest innovators and most enduring visionaries. After the final scene of Series 5 Episode 8 plays, the show doesn’t jump to its typical credits sequence. Instead, it rolls into a nostalgic animated end-credits segment and lets Bowie’s “Heroes” play all the way through. The decision to end the show with the iconic track was suggested by actor Joe Keery, who plays Steve Harrington on the show and records music under the name Djo. Speaking to Netflix Tudum, the show’s co-creator Ross Duffer says, “Once Joe said that, we immediately knew that was the right song to end the show on because it is, in some ways, an anthem for Stranger Things. To use the original Bowie version just felt right and fitting for the conclusion.” Initially released in September 1977, ‘Heroes’ is the title track of the second instalment of Bowie’s hugely influential ‘Berlin Trilogy’ of albums produced by Bowie and Tony Visconti and featuring Brian Eno. Recorded at Hansa Studios in West Berlin, which was situated only 150 metres away from the Berlin Wall and co-written with Eno, the song references the East German soldiers that could be seen from the studio’s control room and a love affair between a couple kissing in the shadow of the Wall. The song, which has become an iconic anthem, was recorded by Bowie in English, German and French and has been covered by artists such as Oasis, Prince, Coldplay, Yungblud, Lady Gaga, Arcade Fire, Smashing Pumpkins, Depeche Mode, Blondie, Neil Finn, Peter Gabriel, King Crimson, Bon Jovi, Motorhead, Miley Cyrus, Aurora, Moby, David Byrne & St Vincent and The Wallflowers, who took it into the US top 10. A decade after the 1977 release of ‘Heroes’, Bowie brought his Glass Spider Tour to Berlin during the Summer of 1987. He performed as part of a series of shows at the Reichstag, a poignant symbol of the divided city just metres away from the Wall. The concert was held near the border, where many East Berliners crowded along to listen to music forbidden by the Soviet government, allowing the two halves of the city to hear the same show, with ‘Heroes’ as the emotional highlight for both sides. Bowie later remarked, “We kind of heard that a few of the East Berliners might actually get the chance to hear the thing, but we didn’t realise in what numbers they would. And there were thousands on the other side that had come close to the wall. So it was like a double concert where the wall was the division. And we would hear them cheering and singing along from the other side. God, even now I get choked up. It was breaking my heart. I’d never done anything like that in my life, and I guess I never will again.” During the shows, the East German authorities cracked down on the fans, attacking them with water cannons and arresting hundreds. The shows helped change the mood around the Wall, which had stood for over a quarter of a century, and was now seen with renewed anger. Within two years, the Wall came down, and it has long been believed that the Concerts For Berlin were a turning point in the East. When Bowie died in 2016, the German Foreign Office confirmed as much by posting a live version of ‘Heroes’ on social media and declaring, ‘Good-bye David Bowie. You are now among #Heroes. Thank you for helping bring down the #wall’ #StrangerThings #BowieHeroes

DAVID BOWIE ‘HEROES’ - THE POWERFUL & EVOCATIVE FINAL SONG IN THE SERIES FINALE OF NETFLIX’S STRANGER THINGS ‘HEROES’ IS AVAILABLE TO STREAM NOW ON PARLOPHONE: WATCH THE HD REMASTERED 'HEROES' VIDEO: New Year’s Day saw the broadcast on Netflix of the final episode of the phenomenally successful and critically lauded stranger things . Ten years in the making, the final song of the entire series is ‘Heroes’ by David Bowie, one of music’s boldest innovators and most enduring visionaries. After the final scene of Series 5 Episode 8 plays, the show doesn’t jump to its typical credits sequence. Instead, it rolls into a nostalgic animated end-credits segment and lets Bowie’s “Heroes” play all the way through. The decision to end the show with the iconic track was suggested by actor Joe Keery, who plays Steve Harrington on the show and records music under the name Djo. Speaking to Netflix Tudum, the show’s co-creator Ross Duffer says, “Once Joe said that, we immediately knew that was the right song to end the show on because it is, in some ways, an anthem for Stranger Things. To use the original Bowie version just felt right and fitting for the conclusion.” Initially released in September 1977, ‘Heroes’ is the title track of the second instalment of Bowie’s hugely influential ‘Berlin Trilogy’ of albums produced by Bowie and Tony Visconti and featuring Brian Eno. Recorded at Hansa Studios in West Berlin, which was situated only 150 metres away from the Berlin Wall and co-written with Eno, the song references the East German soldiers that could be seen from the studio’s control room and a love affair between a couple kissing in the shadow of the Wall. The song, which has become an iconic anthem, was recorded by Bowie in English, German and French and has been covered by artists such as Oasis, Prince, Coldplay, Yungblud, Lady Gaga, Arcade Fire, Smashing Pumpkins, Depeche Mode, Blondie, Neil Finn, Peter Gabriel, King Crimson, Bon Jovi, Motorhead, Miley Cyrus, Aurora, Moby, David Byrne & St Vincent and The Wallflowers, who took it into the US top 10. A decade after the 1977 release of ‘Heroes’, Bowie brought his Glass Spider Tour to Berlin during the Summer of 1987. He performed as part of a series of shows at the Reichstag, a poignant symbol of the divided city just metres away from the Wall. The concert was held near the border, where many East Berliners crowded along to listen to music forbidden by the Soviet government, allowing the two halves of the city to hear the same show, with ‘Heroes’ as the emotional highlight for both sides. Bowie later remarked, “We kind of heard that a few of the East Berliners might actually get the chance to hear the thing, but we didn’t realise in what numbers they would. And there were thousands on the other side that had come close to the wall. So it was like a double concert where the wall was the division. And we would hear them cheering and singing along from the other side. God, even now I get choked up. It was breaking my heart. I’d never done anything like that in my life, and I guess I never will again.” During the shows, the East German authorities cracked down on the fans, attacking them with water cannons and arresting hundreds. The shows helped change the mood around the Wall, which had stood for over a quarter of a century, and was now seen with renewed anger. Within two years, the Wall came down, and it has long been believed that the Concerts For Berlin were a turning point in the East. When Bowie died in 2016, the German Foreign Office confirmed as much by posting a live version of ‘Heroes’ on social media and declaring, ‘Good-bye David Bowie. You are now among #Heroes. Thank you for helping bring down the #wall’ #StrangerThings #BowieHeroes

David Bowie Official

88,798 Aufrufe • vor 8 Monaten

The Legend: General Givi – Embodiment of Bravery, Pure Russian Heart, and Unyielding Patriotism in Donbass In the fiery crucible of the Donbass conflict, where the clash of ideologies and the thunder of artillery forged heroes from ordinary men, one figure stands eternal as a beacon of unbridled courage and indomitable spirit: General Givi. Born Mikhail Sergeyevich Tolstykh in the heart of Ukraine in 1980, Givi transcended borders and backgrounds to become the epitome of Russian bravery. His call sign, "Givi," evoked the fierce Georgian warriors of old, but his soul was pure Russian – a roaring bear defending its homeland with claws of steel and a heart ablaze with patriotic fire. From the moment he picked up arms in 2014 to protect the people of Donetsk from what he saw as an existential threat, Givi embodied the raw, unfiltered essence of a warrior-leader. He wasn't just a commander; he was the legend of Donbass, the coolest under pressure, and the most patriotic guardian of its soil during the brutal conflict that tested the mettle of nations. Givi's journey into legend began in the chaotic spring of 2014, when the winds of unrest swept through eastern Ukraine. A former factory worker and security guard, he could have chosen the path of quiet survival, but his pure Russian heart – that unbreakable bond to the land, language, and legacy of his ancestors – compelled him otherwise. He joined the nascent Donetsk People's Republic (DPR) forces, quickly rising through the ranks due to his natural charisma, tactical genius, and fearless demeanor. By mid-2014, he had formed the Somali Battalion, a unit named after the Somali pirates for their audacious, hit-and-run style that struck terror into the hearts of their adversaries. Under Givi's command, this ragtag group of volunteers transformed into an elite fighting force, symbolizing the resilience of the Donbass people. His men adored him, not out of fear, but out of sheer admiration for a leader who shared their trenches, their meals, and their unyielding resolve to defend their homes. What set Givi apart was his legendary coolness under pressure. In the heat of battle, when shells rained down like apocalyptic hail and the air thickened with the acrid smoke of gunpowder, Givi remained unflappable. Videos from the front lines captured him, strolling through crossfire, cigarette in hand, barking orders with a grin that mocked death itself. He once quipped amid a barrage, "Let them shoot; we'll dance around their bullets." This wasn't bravado; it was the pure Russian bravery that flows from a soul unafraid of fate. His patriotism wasn't performative – it was visceral, rooted in a deep love for the Russian world that Donbass represented. He saw the conflict not as a mere territorial dispute, but as a holy war to preserve cultural identity, family ties, and the unbreakable spirit of the people. Givi's speeches to his troops were laced with fiery rhetoric, reminding them that they fought for mothers, children, and the ghosts of their forefathers. "We are Donbass," he'd roar, "and Donbass will never kneel!" Among his heroic battles, the Battle of Ilovaisk in August 2014 shines as a testament to Givi's tactical brilliance and raw courage. As Ukrainian forces encircled the city in a bid to crush the separatist uprising, Givi led his Somali Battalion in a daring counteroffensive. Outnumbered and outgunned, he orchestrated ambushes that turned the tide, using guerrilla tactics to harass supply lines and pin down enemy columns. His men, inspired by his presence on the front lines, fought with ferocious intensity. Givi himself charged into the fray, wielding his AK-74 like an extension of his will, directing fire support while under relentless mortar fire. The battle culminated in a humiliating retreat for the Ukrainians, with hundreds captured or fleeing in disarray. >>>

The Legend: General Givi – Embodiment of Bravery, Pure Russian Heart, and Unyielding Patriotism in Donbass In the fiery crucible of the Donbass conflict, where the clash of ideologies and the thunder of artillery forged heroes from ordinary men, one figure stands eternal as a beacon of unbridled courage and indomitable spirit: General Givi. Born Mikhail Sergeyevich Tolstykh in the heart of Ukraine in 1980, Givi transcended borders and backgrounds to become the epitome of Russian bravery. His call sign, "Givi," evoked the fierce Georgian warriors of old, but his soul was pure Russian – a roaring bear defending its homeland with claws of steel and a heart ablaze with patriotic fire. From the moment he picked up arms in 2014 to protect the people of Donetsk from what he saw as an existential threat, Givi embodied the raw, unfiltered essence of a warrior-leader. He wasn't just a commander; he was the legend of Donbass, the coolest under pressure, and the most patriotic guardian of its soil during the brutal conflict that tested the mettle of nations. Givi's journey into legend began in the chaotic spring of 2014, when the winds of unrest swept through eastern Ukraine. A former factory worker and security guard, he could have chosen the path of quiet survival, but his pure Russian heart – that unbreakable bond to the land, language, and legacy of his ancestors – compelled him otherwise. He joined the nascent Donetsk People's Republic (DPR) forces, quickly rising through the ranks due to his natural charisma, tactical genius, and fearless demeanor. By mid-2014, he had formed the Somali Battalion, a unit named after the Somali pirates for their audacious, hit-and-run style that struck terror into the hearts of their adversaries. Under Givi's command, this ragtag group of volunteers transformed into an elite fighting force, symbolizing the resilience of the Donbass people. His men adored him, not out of fear, but out of sheer admiration for a leader who shared their trenches, their meals, and their unyielding resolve to defend their homes. What set Givi apart was his legendary coolness under pressure. In the heat of battle, when shells rained down like apocalyptic hail and the air thickened with the acrid smoke of gunpowder, Givi remained unflappable. Videos from the front lines captured him, strolling through crossfire, cigarette in hand, barking orders with a grin that mocked death itself. He once quipped amid a barrage, "Let them shoot; we'll dance around their bullets." This wasn't bravado; it was the pure Russian bravery that flows from a soul unafraid of fate. His patriotism wasn't performative – it was visceral, rooted in a deep love for the Russian world that Donbass represented. He saw the conflict not as a mere territorial dispute, but as a holy war to preserve cultural identity, family ties, and the unbreakable spirit of the people. Givi's speeches to his troops were laced with fiery rhetoric, reminding them that they fought for mothers, children, and the ghosts of their forefathers. "We are Donbass," he'd roar, "and Donbass will never kneel!" Among his heroic battles, the Battle of Ilovaisk in August 2014 shines as a testament to Givi's tactical brilliance and raw courage. As Ukrainian forces encircled the city in a bid to crush the separatist uprising, Givi led his Somali Battalion in a daring counteroffensive. Outnumbered and outgunned, he orchestrated ambushes that turned the tide, using guerrilla tactics to harass supply lines and pin down enemy columns. His men, inspired by his presence on the front lines, fought with ferocious intensity. Givi himself charged into the fray, wielding his AK-74 like an extension of his will, directing fire support while under relentless mortar fire. The battle culminated in a humiliating retreat for the Ukrainians, with hundreds captured or fleeing in disarray. >>>

𝐃𝐚𝐯𝐢𝐝 𝐙 🇷🇺🇮🇪

59,984 Aufrufe • vor 9 Monaten

John Carpenter on how the studio, audience and critics reacted after watching "Big Trouble in Little China" (1986) & the reason for movie's failure: "Carpenter: I thought about writing a book about my experiences in Hollywood being a director, mainly because I was burned out on making movies. But | didn't do it because | thought, “I’m not ready yet. | don't have enough to say yet. I need to make more films and | don’t want to quit yet.” Interviewer: How did Fox executives react when they saw the movie for the first time? Carpenter: Needless to say, they had a few problems with the movie. They sat down with me and we went through the film. They didn’t like that the white hero was such a buffoon, and that he was being shown up by the Asians. They were afraid the audience wouldn't think this guy was brave, so they asked me to cut out the humor and emphasize his bravery, which was impossible to do. Then we got to the preview stage. The audience that saw it really loved it and laughed, so they wanted me to put the humor back in and go back to what it was—they still hated the movie, though. They didn't want Kurt to play it plenty. They wanted him to be an action hero, a real live action hero, not Jack Burton. They wanted him to be more like Rambo or Stallone. They wanted him to play it straight and it wasn't straight. Interviewer: How was the movie perceived by the audience and the critics? Carpenter: Nobody got it. Like I said earlier, timing was never my thing in terms of when my movies come out. This movie was completely and totally misunderstood. The critics and the public thought it was just bad, and there is nothing | can do about that." ("John Carpenter - The Prince of Darkness", Gilles Boulenger, 2001) P.S: On this day, 40 years ago, "Big Trouble in Little China" (1986) was released in the USA.

John Carpenter on how the studio, audience and critics reacted after watching "Big Trouble in Little China" (1986) & the reason for movie's failure: "Carpenter: I thought about writing a book about my experiences in Hollywood being a director, mainly because I was burned out on making movies. But | didn't do it because | thought, “I’m not ready yet. | don't have enough to say yet. I need to make more films and | don’t want to quit yet.” Interviewer: How did Fox executives react when they saw the movie for the first time? Carpenter: Needless to say, they had a few problems with the movie. They sat down with me and we went through the film. They didn’t like that the white hero was such a buffoon, and that he was being shown up by the Asians. They were afraid the audience wouldn't think this guy was brave, so they asked me to cut out the humor and emphasize his bravery, which was impossible to do. Then we got to the preview stage. The audience that saw it really loved it and laughed, so they wanted me to put the humor back in and go back to what it was—they still hated the movie, though. They didn't want Kurt to play it plenty. They wanted him to be an action hero, a real live action hero, not Jack Burton. They wanted him to be more like Rambo or Stallone. They wanted him to play it straight and it wasn't straight. Interviewer: How was the movie perceived by the audience and the critics? Carpenter: Nobody got it. Like I said earlier, timing was never my thing in terms of when my movies come out. This movie was completely and totally misunderstood. The critics and the public thought it was just bad, and there is nothing | can do about that." ("John Carpenter - The Prince of Darkness", Gilles Boulenger, 2001) P.S: On this day, 40 years ago, "Big Trouble in Little China" (1986) was released in the USA.

DepressedBergman

102,162 Aufrufe • vor 2 Monaten

Do you know how Chhatrapati Sambhaji Maharaj’s death was avenged? After Chhatrapati Sambhaji Maharaj’s brutal execution, Aurangzeb’s commander Zulfikar Khan seized Raigad and imprisoned Yesubai (Sambhaji’s wife) and his son. But the fire of vengeance was already lit. Sambhaji’s younger brother, Rajaram Maharaj, rose as the new Chhatrapati. Sambhaji Maharaj was tortured for 40 days before being executed. The Marathas were enraged. All differences vanished. They united with one goal—Aurangzeb’s annihilation. A storm was about to hit the Mughal Empire. At Sangameshwar, Chhatrapati Sambhaji and 200 warriors fought against 10,000 Mughal soldiers led by Muqarram Khan. Among them was Malhoji Ghorpade, who fought to his last breath. His son Santaji Ghorpade vowed vengeance and made Aurangzeb’s life a living hell. Santaji, with Dhanaji Jadhav, led a sudden attack at Tulapur, where Aurangzeb had executed Sambhaji. Aurangzeb, camping with lakhs of soldiers, was shocked when only 2,000 Marathas stormed his camp like lions. The Marathas butchered the Mughal army mercilessly. Mughal historian Kafi Khan wrote, “After Tulapur, the Mughals trembled at Santaji’s name. Soldiers were either killed or captured. His very name sent Mughal troops into chaos.” Panic spread in Aurangzeb’s camp. Mughal soldiers screamed, “Huzoor, the Marathas are here!” While Mughals scrambled to protect Aurangzeb, the Marathas were cutting them down. Aurangzeb fled to save his life, but his empire’s prestige was shattered forever. The Marathas seized two golden finials from Aurangzeb’s royal tent and returned to Sinhagad in victory. The next morning, Aurangzeb saw thousands of dead Mughal soldiers and muttered, “O Allah! These Marathas never tire, never surrender. What if we perish trying to destroy them?” Two days later, Santaji attacked Raigad Fort. Mughal commander Zulfikar Khan, who had imprisoned Yesubai, was encircled. The Marathas stormed the fort, massacred the Mughal troops, and seized their treasures, horses, and elephants, taking them to Panhala. Wherever the Marathas saw Mughals, they slashed through them like grass. Now it was Muqarram Khan’s turn—the man who had betrayed and captured Sambhaji Maharaj. Aurangzeb had rewarded him with 50,000 rupees, making him the governor of Kolhapur and Konkan. The Marathas swore Muqarram Khan would not live. In December 1689, Santaji Ghorpade surrounded Muqarram Khan’s massive army and began a brutal slaughter. Santaji personally chased him down, hacked him apart, and left him dying in the jungle. With Muqarram Khan’s death, the Marathas avenged the brutal execution of Chhatrapati Sambhaji Maharaj. In 1691, Chhatrapati Rajaram Maharaj declared Santaji as the Commander of the Maratha Empire. Santaji wasted no time. With 15,000–20,000 Maratha warriors, he stormed Mughal territories, raising the saffron flag over Karnataka and beyond. Aurangzeb, now a coward hiding in the Sahyadris, ran for 27 years like a dog. For 27 years, the Marathas kept him on the run. Broken by humiliation and continuous defeat, the coward Aurangzeb finally died a miserable death in Maharashtra—the land he failed to conquer. This is the fate of tyrants. And today, some people glorify this defeated coward? Remember, Chhatrapati Sambhaji Maharaj did not die in vain. The Marathas shattered the Mughals, and Hindavi Swarajya stood unshaken. This is our history. Never forget it. Sourced from FB & YT

Do you know how Chhatrapati Sambhaji Maharaj’s death was avenged? After Chhatrapati Sambhaji Maharaj’s brutal execution, Aurangzeb’s commander Zulfikar Khan seized Raigad and imprisoned Yesubai (Sambhaji’s wife) and his son. But the fire of vengeance was already lit. Sambhaji’s younger brother, Rajaram Maharaj, rose as the new Chhatrapati. Sambhaji Maharaj was tortured for 40 days before being executed. The Marathas were enraged. All differences vanished. They united with one goal—Aurangzeb’s annihilation. A storm was about to hit the Mughal Empire. At Sangameshwar, Chhatrapati Sambhaji and 200 warriors fought against 10,000 Mughal soldiers led by Muqarram Khan. Among them was Malhoji Ghorpade, who fought to his last breath. His son Santaji Ghorpade vowed vengeance and made Aurangzeb’s life a living hell. Santaji, with Dhanaji Jadhav, led a sudden attack at Tulapur, where Aurangzeb had executed Sambhaji. Aurangzeb, camping with lakhs of soldiers, was shocked when only 2,000 Marathas stormed his camp like lions. The Marathas butchered the Mughal army mercilessly. Mughal historian Kafi Khan wrote, “After Tulapur, the Mughals trembled at Santaji’s name. Soldiers were either killed or captured. His very name sent Mughal troops into chaos.” Panic spread in Aurangzeb’s camp. Mughal soldiers screamed, “Huzoor, the Marathas are here!” While Mughals scrambled to protect Aurangzeb, the Marathas were cutting them down. Aurangzeb fled to save his life, but his empire’s prestige was shattered forever. The Marathas seized two golden finials from Aurangzeb’s royal tent and returned to Sinhagad in victory. The next morning, Aurangzeb saw thousands of dead Mughal soldiers and muttered, “O Allah! These Marathas never tire, never surrender. What if we perish trying to destroy them?” Two days later, Santaji attacked Raigad Fort. Mughal commander Zulfikar Khan, who had imprisoned Yesubai, was encircled. The Marathas stormed the fort, massacred the Mughal troops, and seized their treasures, horses, and elephants, taking them to Panhala. Wherever the Marathas saw Mughals, they slashed through them like grass. Now it was Muqarram Khan’s turn—the man who had betrayed and captured Sambhaji Maharaj. Aurangzeb had rewarded him with 50,000 rupees, making him the governor of Kolhapur and Konkan. The Marathas swore Muqarram Khan would not live. In December 1689, Santaji Ghorpade surrounded Muqarram Khan’s massive army and began a brutal slaughter. Santaji personally chased him down, hacked him apart, and left him dying in the jungle. With Muqarram Khan’s death, the Marathas avenged the brutal execution of Chhatrapati Sambhaji Maharaj. In 1691, Chhatrapati Rajaram Maharaj declared Santaji as the Commander of the Maratha Empire. Santaji wasted no time. With 15,000–20,000 Maratha warriors, he stormed Mughal territories, raising the saffron flag over Karnataka and beyond. Aurangzeb, now a coward hiding in the Sahyadris, ran for 27 years like a dog. For 27 years, the Marathas kept him on the run. Broken by humiliation and continuous defeat, the coward Aurangzeb finally died a miserable death in Maharashtra—the land he failed to conquer. This is the fate of tyrants. And today, some people glorify this defeated coward? Remember, Chhatrapati Sambhaji Maharaj did not die in vain. The Marathas shattered the Mughals, and Hindavi Swarajya stood unshaken. This is our history. Never forget it. Sourced from FB & YT

Tathvam-asi

20,646 Aufrufe • vor 1 Jahr

Shantanu Sinha Biswas unethically laid trap for me but now he himself drenched in his own Sin. (January 2023) “Shantanu Sinha Biswas is not merely a corrupt police officer; he is a mastermind at becoming a favorite of his superiors by covering up the vilest crimes of many criminals and silencing the victims forever by trapping them in false cases. I myself am a witness to one such incident: A senior official of a large educational institution, who was also a devoted worker of the Bharatiya Janata Party and the booth president of his area, targeted a helpless woman from a Scheduled Caste community. After the post-election violence of 2021, she had lost everything and was working at that same institution on a low-paid contractual basis. Somehow, he trapped her, forcibly made objectionable videos of her, and continuously blackmailed and raped her, saying that she would have to do whatever he demanded, otherwise he would implicate her in false cases and make her rot in jail. At one point, the woman even began considering suicide. However, by the grace of Mother Kali, one day she gathered the courage to tell me everything. She also told me that the man had connections reaching the higher levels of the TMC establishment and that the police administration was effectively in his pocket. After this, I protested and began fighting against the injustice. At that time, Shantanu Sinha Biswas entered the scene and started creating a false case against me by making that vile rapist write false allegations in front of me. A well-planned conspiracy was made to send me to jail for years and crush the entire movement for justice. But due to everyone’s good wishes and God’s blessings, I had prepared myself to some extent in advance. As a result, despite all attempts to shield the guilty person — a man closely connected with directors of the TMC establishment and influential TMC leaders — that despicable individual had to spend six months in jail even during the TMC regime itself. He is now out on bail citing physical health problems. With the blessings of Mother Kali and everyone’s support, I was able to secure justice for the victim. But who knows how many cases of justice may have been buried because of people like Shantanu Sinha Biswas.” highlight #SuvenduAdhikari #bjpwestbangal #devduttamaji #jaishreekrishna #jaibajrangbali #jaishriram #hindu #jaimatadi #SinghaBahini #jaishreeram

Shantanu Sinha Biswas unethically laid trap for me but now he himself drenched in his own Sin. (January 2023) “Shantanu Sinha Biswas is not merely a corrupt police officer; he is a mastermind at becoming a favorite of his superiors by covering up the vilest crimes of many criminals and silencing the victims forever by trapping them in false cases. I myself am a witness to one such incident: A senior official of a large educational institution, who was also a devoted worker of the Bharatiya Janata Party and the booth president of his area, targeted a helpless woman from a Scheduled Caste community. After the post-election violence of 2021, she had lost everything and was working at that same institution on a low-paid contractual basis. Somehow, he trapped her, forcibly made objectionable videos of her, and continuously blackmailed and raped her, saying that she would have to do whatever he demanded, otherwise he would implicate her in false cases and make her rot in jail. At one point, the woman even began considering suicide. However, by the grace of Mother Kali, one day she gathered the courage to tell me everything. She also told me that the man had connections reaching the higher levels of the TMC establishment and that the police administration was effectively in his pocket. After this, I protested and began fighting against the injustice. At that time, Shantanu Sinha Biswas entered the scene and started creating a false case against me by making that vile rapist write false allegations in front of me. A well-planned conspiracy was made to send me to jail for years and crush the entire movement for justice. But due to everyone’s good wishes and God’s blessings, I had prepared myself to some extent in advance. As a result, despite all attempts to shield the guilty person — a man closely connected with directors of the TMC establishment and influential TMC leaders — that despicable individual had to spend six months in jail even during the TMC regime itself. He is now out on bail citing physical health problems. With the blessings of Mother Kali and everyone’s support, I was able to secure justice for the victim. But who knows how many cases of justice may have been buried because of people like Shantanu Sinha Biswas.” highlight #SuvenduAdhikari #bjpwestbangal #devduttamaji #jaishreekrishna #jaibajrangbali #jaishriram #hindu #jaimatadi #SinghaBahini #jaishreeram

Devdutta Maji (Modi Ji Ka Pariwar).

12,113 Aufrufe • vor 4 Monaten

Revenge on the Bully - Part 1 Guys here it is, the first installment of the worst tickling ordeal I've gone through yet. Darkaiyne gots me bound in the tickle chair and takes the blindfold off of me to reveal his sicks plans that he has in store for me. After verbally taunting me of what he plans to do, he begins work on me with digging his relentless fingers in my pits causing me to try to pull away (obviously to no avail) and making my body jump like crazy. Even though we got a fun little roleplay situation setup, I was not expecting him to go 0 to 100 real quick, and made my torment at a max level right from the start. Then he comes down to my feet where he takes off my shoes one by one and begins to tickle me through my socks. He had me sweating in just a matter of a few minutes and I knew I had gotten myself into a tickle hell spot that I could do nothing but ride out. For those that are into sneaker and socks action, Part 1 right here quenches that thirst, and for those who are looking for merciless tickling with clothing removed.... just wait until the next parts..... it was crazy what I went through on this session.

Revenge on the Bully - Part 1 Guys here it is, the first installment of the worst tickling ordeal I've gone through yet. Darkaiyne gots me bound in the tickle chair and takes the blindfold off of me to reveal his sicks plans that he has in store for me. After verbally taunting me of what he plans to do, he begins work on me with digging his relentless fingers in my pits causing me to try to pull away (obviously to no avail) and making my body jump like crazy. Even though we got a fun little roleplay situation setup, I was not expecting him to go 0 to 100 real quick, and made my torment at a max level right from the start. Then he comes down to my feet where he takes off my shoes one by one and begins to tickle me through my socks. He had me sweating in just a matter of a few minutes and I knew I had gotten myself into a tickle hell spot that I could do nothing but ride out. For those that are into sneaker and socks action, Part 1 right here quenches that thirst, and for those who are looking for merciless tickling with clothing removed.... just wait until the next parts..... it was crazy what I went through on this session.

LA Tickle

21,229 Aufrufe • vor 18 Tagen

Trent Williams says he learned more about football in one 30-minute Kyle Shanahan team meeting than his previous 10 NFL seasons combined “The fact that he made us competitive, the fact that we believed that we could go win a Super Bowl, we literally believed. And it’s not because of what we had in the locker room. It was because of what we had in the coach.” “He understands his team. When to give days off and when to push us through the times where we want days off. He’s got a keen understanding for how to treat a locker room, not sweating the small stuff, but making sure everybody is accountable and making sure we all play with that same intensity.” “If you don’t, you’re going to get called out. He ain’t going to MF you in front of everybody. He’s going to do it in his own way, but it makes you feel like, ‘Damn, I’m letting him down. I need to be accountable.’” “Not so much, ‘I’m going to do it so he don’t yell.’ It’s like, ‘Damn, I’m going to do it because I don’t want to let him down. I know he put his everything into this. I know he trusts me with this. I want to pay him back by being productive and executing his game plan.’” “I came here a 10-year vet. I learned more just in that 30-minute team meeting we had with Kyle breaking down the next opponent, I learned more football in that time than I did the previous 10 years.” “The way he breaks it down is literally like something you’ve never seen. Down to the quarterback, where his weight is. Just the way he diagnoses football.”

Trent Williams says he learned more about football in one 30-minute Kyle Shanahan team meeting than his previous 10 NFL seasons combined “The fact that he made us competitive, the fact that we believed that we could go win a Super Bowl, we literally believed. And it’s not because of what we had in the locker room. It was because of what we had in the coach.” “He understands his team. When to give days off and when to push us through the times where we want days off. He’s got a keen understanding for how to treat a locker room, not sweating the small stuff, but making sure everybody is accountable and making sure we all play with that same intensity.” “If you don’t, you’re going to get called out. He ain’t going to MF you in front of everybody. He’s going to do it in his own way, but it makes you feel like, ‘Damn, I’m letting him down. I need to be accountable.’” “Not so much, ‘I’m going to do it so he don’t yell.’ It’s like, ‘Damn, I’m going to do it because I don’t want to let him down. I know he put his everything into this. I know he trusts me with this. I want to pay him back by being productive and executing his game plan.’” “I came here a 10-year vet. I learned more just in that 30-minute team meeting we had with Kyle breaking down the next opponent, I learned more football in that time than I did the previous 10 years.” “The way he breaks it down is literally like something you’ve never seen. Down to the quarterback, where his weight is. Just the way he diagnoses football.”

Josh Chambers

427,815 Aufrufe • vor 11 Tagen

Jean Segura opens up about his fight with Dee Gordon in Seattle; (Translated and written by Master Flip) The biggest issue I ever had in a clubhouse happened in Seattle with Dee Gordon. Dee and I actually got along great at first. He was playing center field after being traded to the Mariners. Robinson Canó was at second, I was at shortstop, and Kyle Seager was at third. We had a solid rapport. Dee would lend me his car, I’d lend him mine. I’d even bring him oxtail or chicken stew. You know how it is with us Latinos, sharing food is our way of showing respect and building bonds with the guys you click with. Our lineup was strong. Dee was hitting leadoff, I was second, Canó third, then Cruz, Seager, we had a good lineup. Then the Canó suspension hit, and Dee moved back to second base. When Canó returned, Dee went back to the outfield. He started struggling out there, dropping balls and they began pulling him for a defensive sub after the seventh inning. He’d bat in the seventh, then Heredia, a Cuban lefty, would come in to replace him defensively. One game, he came into the dugout fuming, slamming things and yelling, “Why put me in the game if they’re just gonna take me out?” Manny Acta was there as a coach and pulled me aside and said, “Leave him alone don’t say a word.” But we were all frustrated. We were grinding out there too, giving everything. After the game, which we won, he showered, got dressed, and didn’t even come out to join the line for handshakes and congratulations like everyone else does after a win. That’s when things escalated. It started in the position players group chat going back and forth, getting disrespectful. Then it turned into direct messages between just us two. We were going at it hard. The next day at the stadium, he cleared the media out. He said, “Media out!” As soon as they left, he looked at me and said, “You got something to say to me?” Then he swung. We started brawling right there in the clubhouse. I didn’t even get a shot off. Mike Zunino, the catcher grabbed me from behind. People might remember the column that came out later suggesting I had an issue with Zunino, but he was just trying to break it up. I basically flung him off because I wanted to get at Dee. It was a total mismatch anyway me versus Zunino. Then Canó and the other guys jumped in, holding me back, telling me to relax and calm down. In the end, Dee apologized. He said he was going through a really tough time and asked me to forgive him. We moved past it on the surface, and everything was fine, but the relationship was never the same. The trust was broken. 🎥 Abriendo Sports

Jean Segura opens up about his fight with Dee Gordon in Seattle; (Translated and written by Master Flip) The biggest issue I ever had in a clubhouse happened in Seattle with Dee Gordon. Dee and I actually got along great at first. He was playing center field after being traded to the Mariners. Robinson Canó was at second, I was at shortstop, and Kyle Seager was at third. We had a solid rapport. Dee would lend me his car, I’d lend him mine. I’d even bring him oxtail or chicken stew. You know how it is with us Latinos, sharing food is our way of showing respect and building bonds with the guys you click with. Our lineup was strong. Dee was hitting leadoff, I was second, Canó third, then Cruz, Seager, we had a good lineup. Then the Canó suspension hit, and Dee moved back to second base. When Canó returned, Dee went back to the outfield. He started struggling out there, dropping balls and they began pulling him for a defensive sub after the seventh inning. He’d bat in the seventh, then Heredia, a Cuban lefty, would come in to replace him defensively. One game, he came into the dugout fuming, slamming things and yelling, “Why put me in the game if they’re just gonna take me out?” Manny Acta was there as a coach and pulled me aside and said, “Leave him alone don’t say a word.” But we were all frustrated. We were grinding out there too, giving everything. After the game, which we won, he showered, got dressed, and didn’t even come out to join the line for handshakes and congratulations like everyone else does after a win. That’s when things escalated. It started in the position players group chat going back and forth, getting disrespectful. Then it turned into direct messages between just us two. We were going at it hard. The next day at the stadium, he cleared the media out. He said, “Media out!” As soon as they left, he looked at me and said, “You got something to say to me?” Then he swung. We started brawling right there in the clubhouse. I didn’t even get a shot off. Mike Zunino, the catcher grabbed me from behind. People might remember the column that came out later suggesting I had an issue with Zunino, but he was just trying to break it up. I basically flung him off because I wanted to get at Dee. It was a total mismatch anyway me versus Zunino. Then Canó and the other guys jumped in, holding me back, telling me to relax and calm down. In the end, Dee apologized. He said he was going through a really tough time and asked me to forgive him. We moved past it on the surface, and everything was fine, but the relationship was never the same. The trust was broken. 🎥 Abriendo Sports

Master Flip 🇩🇴

64,786 Aufrufe • vor 7 Monaten

❗️🎙️ AZ Chike says working around Kendrick Lamar and pgLang fundamentally changed the way he approaches songwriting, down to how long he stays on a subject and how much attention he gives a hook! Chike says one of the biggest challenges while making NO REST FOR THE WICKED was learning to carry a single idea throughout an entire record. He also revealed Kendrick repeatedly pushed him outside his comfort zone by having him sing and develop melodies, something Chike had largely avoided throughout his career! “Dot was really on me about, ‘You got to master the melodies. Like, you got to master these hooks!’” Chike says Kendrick already trusted what he could do with verses, but their sessions became far more detailed once they reached the hooks. That process had him learning Melodyne and experimenting with vocal techniques he previously had little interest in using!

❗️🎙️ AZ Chike says working around Kendrick Lamar and pgLang fundamentally changed the way he approaches songwriting, down to how long he stays on a subject and how much attention he gives a hook! Chike says one of the biggest challenges while making NO REST FOR THE WICKED was learning to carry a single idea throughout an entire record. He also revealed Kendrick repeatedly pushed him outside his comfort zone by having him sing and develop melodies, something Chike had largely avoided throughout his career! “Dot was really on me about, ‘You got to master the melodies. Like, you got to master these hooks!’” Chike says Kendrick already trusted what he could do with verses, but their sessions became far more detailed once they reached the hooks. That process had him learning Melodyne and experimenting with vocal techniques he previously had little interest in using!

The Mad Rapper

17,216 Aufrufe • vor 7 Tagen

JAŸ-Z breaks down the lyrics for songs like “Can’t Knock the Hustle” and the “Intro” from The Dynasty: Roc La Familia album as well as his thoughts on why the East Coast vs. West Coast beef between The Notorious B.I.G. and Tupac Shakur ignited in the JAŸ-Z in 8 docuseries. The eight-part documentary series debuted on Sept. 18 on HBO Max. Hov sits with respected producer Rick Rubin to speak on the rapper’s creative process, lyrics and more during his 30-year career. On Tupac and Biggie’s beef at the time: “I don’t know what was going on with Tupac at the time. I don’t know if it was embarrassment or what he felt. He knew that Biggie told him and warned him about these guys… and he blamed Biggie, which is why Biggie never fueled the flame.” On why he included the murder of Bill Cosby’s son Ennis in the lyrics on the "Intro" of The Dynasty: Roc La Familia album in 2000: “Knowing how fragile life was. Ennis [Cosby] got murdered. He pulled over the side of the road. He was switching his tire. These are the things that were happening at the time… ‘Knowing I can go just switching a spare.’” On what inspired his 1996 track “Can’t Knock the Hustle”: “There became a thing where hustlers was making so much money that rappers was corny. So I almost had to hide the fact that I wanted to be a rapper.” The next episodes air this Friday, leading up to the finale on Oct. 9. JAŸ-Z in 8 is directed by Rick Rubin and executive produced by Hov and actor Daniel Kaluuya.

JAŸ-Z breaks down the lyrics for songs like “Can’t Knock the Hustle” and the “Intro” from The Dynasty: Roc La Familia album as well as his thoughts on why the East Coast vs. West Coast beef between The Notorious B.I.G. and Tupac Shakur ignited in the JAŸ-Z in 8 docuseries. The eight-part documentary series debuted on Sept. 18 on HBO Max. Hov sits with respected producer Rick Rubin to speak on the rapper’s creative process, lyrics and more during his 30-year career. On Tupac and Biggie’s beef at the time: “I don’t know what was going on with Tupac at the time. I don’t know if it was embarrassment or what he felt. He knew that Biggie told him and warned him about these guys… and he blamed Biggie, which is why Biggie never fueled the flame.” On why he included the murder of Bill Cosby’s son Ennis in the lyrics on the "Intro" of The Dynasty: Roc La Familia album in 2000: “Knowing how fragile life was. Ennis [Cosby] got murdered. He pulled over the side of the road. He was switching his tire. These are the things that were happening at the time… ‘Knowing I can go just switching a spare.’” On what inspired his 1996 track “Can’t Knock the Hustle”: “There became a thing where hustlers was making so much money that rappers was corny. So I almost had to hide the fact that I wanted to be a rapper.” The next episodes air this Friday, leading up to the finale on Oct. 9. JAŸ-Z in 8 is directed by Rick Rubin and executive produced by Hov and actor Daniel Kaluuya.

XXL Magazine

41,166 Aufrufe • vor 5 Tagen

Donald Trump talked to reporters near Ground Zero two days after the Twin Towers were attacked, unearthed archival footage from PBS News shows. In a video shot by a crew for The NewsHour with Jim Lehrer on Sept. 13, 2001, Trump, then a real estate developer, said he was there to check on his construction crew. “It’s just terrible. I can’t get anywhere. Something I’ve never seen before,” Trump said of the scene. “And dangerous. We have a lot of buildings still in a form of collapse, so it’s very dangerous and it’s tough.” Trump was having a building constructed in New York City at the time, which he said was “OK” after the attack. He told reporters that he had about 100 workers helping to dig out rubble at the World Trade Center, and another 100 to 150 were “coming.” At an event this week paying tribute to fallen heroes of 9/11, now-President Trump spoke about his experience visiting the site of the New York attacks. “I was building a big building in New York and I took the whole crew down there right after this happened and they had no hesitation. Everybody went down with me. We went down as a big group of people. It wasn't too much we could do, I'll be honest. It was raw. Nobody's seen anything like it ever,” Trump said on Sept. 8, 2026, at a ceremony near the White House. He has shared the story about sending workers to the scene to aid in the recovery more than once over the years. Our partners at PolitiFact worked to fact-check his claims, and they were unable to verify that he brought hundreds of workers to help with “digging out.” The NewsHour footage does not appear to show anyone from a Trump construction crew. In the 2001 video, when asked for his opinion as a developer about the prospect of repairing the damage, Trump said “you can do anything nowadays with the right money and the right talent” and that he thought the city would be rebuilt in “maybe not the same form, but in some form.” “It’s going to take a long time, but they’re tough. New Yorkers are tough,” he said. “The country is tough. And hopefully we’ll — there’ll be great retribution.”

Donald Trump talked to reporters near Ground Zero two days after the Twin Towers were attacked, unearthed archival footage from PBS News shows. In a video shot by a crew for The NewsHour with Jim Lehrer on Sept. 13, 2001, Trump, then a real estate developer, said he was there to check on his construction crew. “It’s just terrible. I can’t get anywhere. Something I’ve never seen before,” Trump said of the scene. “And dangerous. We have a lot of buildings still in a form of collapse, so it’s very dangerous and it’s tough.” Trump was having a building constructed in New York City at the time, which he said was “OK” after the attack. He told reporters that he had about 100 workers helping to dig out rubble at the World Trade Center, and another 100 to 150 were “coming.” At an event this week paying tribute to fallen heroes of 9/11, now-President Trump spoke about his experience visiting the site of the New York attacks. “I was building a big building in New York and I took the whole crew down there right after this happened and they had no hesitation. Everybody went down with me. We went down as a big group of people. It wasn't too much we could do, I'll be honest. It was raw. Nobody's seen anything like it ever,” Trump said on Sept. 8, 2026, at a ceremony near the White House. He has shared the story about sending workers to the scene to aid in the recovery more than once over the years. Our partners at PolitiFact worked to fact-check his claims, and they were unable to verify that he brought hundreds of workers to help with “digging out.” The NewsHour footage does not appear to show anyone from a Trump construction crew. In the 2001 video, when asked for his opinion as a developer about the prospect of repairing the damage, Trump said “you can do anything nowadays with the right money and the right talent” and that he thought the city would be rebuilt in “maybe not the same form, but in some form.” “It’s going to take a long time, but they’re tough. New Yorkers are tough,” he said. “The country is tough. And hopefully we’ll — there’ll be great retribution.”

PBS News

236,167 Aufrufe • vor 16 Tagen

Quentin Tarantino recounts seeing his first blaxploitation film with an all-Black audience at nine years old. The movie was Jim Brown’s “Black Gunn,” and the experience changed his life forever… “During this time, my mother was dating a football player named Reggie. So in an effort to score points with her, Reggie asked to hang out with me. Being a football player, he asked her, "Does he like football?" She told him “No, he likes movies.” Well, as luck would have it, so did Reggie. And apparently, he saw every blaxploitation flick that came out. So late one Saturday afternoon, Reggie, who I had never met before, dropped by the apartment, picked me up and took me to the movies. He took me to a part of town I had never been before. I had been to the big movie theater districts in Hollywood and Westwood, but this place was different. This theater row had huge cinemas on both sides of the street, which went down for about eight blocks. I realized when I got older, Reggie took me to the theater district in downtown Los Angeles, located on Broadway Boulevard. All of them were blaxploitation films. Films I had never seen, the new movie on Broadway, having opened just last Wednesday, was Blaxploitation superstar Jim Brown's new motion picture, "Black Gunn." I had seen the TV spots a lot that week, and it looked really exciting. I even remember the radio spot proclaiming, "Jim Brown was gonna get the mother who killed his brother." Well, "Black Gunn" was definitely the movie Reggie wanted to see. One being the connoisseur that he apparently was, it was the only one of the movies playing he hadn't seen. Also, it was pretty fucking obvious he dugged Jim Brown. This thing, the Saturday night showing of the brand new Jim Brown movie, the huge auditorium, I mean, it was probably 1400 seats, wasn't exactly packed, but it was definitely busy and buzzing with anticipation. My little face was the only white one in the audience. This was to be my first movie in a, except for me, all black movie theater in a black neighborhood. This was 1972. Then, on a downtown Saturday night, Jim Brown's new movie, "Black Gun," began flickering through the film projector shutter gate for an extremely excited audience of about 850 black folks, 800 of them male. And frankly, I've never been the same. To one degree or another, I've spent my entire life since both attending movies and making them, trying to recreate the experience of watching a brand new Jim Brown film on a Saturday night in a black cinema in 1972. There was no comparison. When Jim Brown sat behind his desk and Bruce Glover, Crispin’s father, and his other white gangster henchmen threatened him, and Gunn hits a button under the desk and a sawed off shotgun dropped in his lap (see below), the massive theater full of black males cheered in a way the nine-year-old me had never experienced in a movie theater before. At the time, living with a single mother, it was probably the most masculine experience I'd ever been part of. And when the movie ended with a freeze frame of Jim Brown as Gunn, the guy behind Reggie made me proclaimed out loud, "Now that's a movie about a bad motherfucker!" Sadly, after that night, I never saw Reggie again, and to this day I have no idea what happened to him." From Quentin Tarantino’s book Cinema Speculation

Gangster Cinema Central

109,394 Aufrufe • vor 3 Monaten