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"In 'Belle de Jour' (1967), Luis Buñuel performs magic in plain view, like the best magicians. This is the film that illustrates that Catherine Deneuve is not only one of the world’s most beautiful women but a fine actress." --- William Friedkin Full Excerpt: "'Belle de jour' (1967) is...

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DepressedBergman

248,432 subscribers

22,119 views • 8 months ago •via X (Twitter)

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Drew Sydney24 days ago

I loved this film. I imagine it would have been quite provocative for its time, despite the lack of crude depictions as Friedkin points out

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George Mokray8 months ago

Saw Buñuel's "El" recently & was just blown away by it but then I like to think it was Buñuel who I saw as a five year old boy come out of the terraces of the orchard & hand me a fresh orange at the Hotel San José Purua, Mexico where he liked to go to write his scripts.

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Budd Shenkin8 months ago

In my top 10! Of course, I have to admit, my top 10 has now at least 30.... Still, what a great movie and Catherine Deneuve is totally beautiful. No wonder she was so popular in her work.

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Belle de Jour (1967, Buñuel) "If I employ "violence" it is not violence for its own sake. It is to express something else-perhaps something in the world of ideas. In this sense there has been no real influence of me on the world of films." --- Luis Buñuel
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Belle de Jour (1967, Buñuel) "If I employ "violence" it is not violence for its own sake. It is to express something else-perhaps something in the world of ideas. In this sense there has been no real influence of me on the world of films." --- Luis Buñuel

DepressedBergman

141,179 views • 1 year ago

This footage is not only the most poignant and rare to ever come out of the Russo-Ukrainian war, but to my knowledge it is the first time in history that this legendary if not fabled moment of war is captured on film. Up close and personal, in first person point of view, in full
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This footage is not only the most poignant and rare to ever come out of the Russo-Ukrainian war, but to my knowledge it is the first time in history that this legendary if not fabled moment of war is captured on film. Up close and personal, in first person point of view, in full

Erik Zimerman

37,063 views • 1 year ago

This is one of the most insane stunts I have ever seen in a movie. Every second of it feels real, tense and dangerous. And the funny thing is, this isn't even the most shocking scene in the film.
2:12

This is one of the most insane stunts I have ever seen in a movie. Every second of it feels real, tense and dangerous. And the funny thing is, this isn't even the most shocking scene in the film.

DepressedBergman

322,070 views • 2 months ago

I’m posting this for a reason. This is the first time I’ve heard the audio of this altercation (verbal attack). This is not the way the majority of black people behave. I see so many posts of people that depict that behavior, not just one minority either. There’s a culture problem and it’s right in front of us front and center. What we are seeing is the MSM sowing division and the weak minded following along. I’ve seen plenty of white liberals act just like this. We all have. The white man in this video wasn’t there to harm anyone and he stood his ground even though he was surrounded. In any situation, the one that screams the loudest is usually the one that is wrong.
0:43

I’m posting this for a reason. This is the first time I’ve heard the audio of this altercation (verbal attack). This is not the way the majority of black people behave. I see so many posts of people that depict that behavior, not just one minority either. There’s a culture problem and it’s right in front of us front and center. What we are seeing is the MSM sowing division and the weak minded following along. I’ve seen plenty of white liberals act just like this. We all have. The white man in this video wasn’t there to harm anyone and he stood his ground even though he was surrounded. In any situation, the one that screams the loudest is usually the one that is wrong.

NukeTaco ™️🇺🇸

318,129 views • 3 months ago

Edgar Wright on his favourite shot in 'Black Narcissus' (1947): "I think 'Black Narcissus' (1947) is one of the greatest colour movies of all time. There is one particular shot towards the end of the film with Kathleen Byron, which, in my head, that is probably minutes of film, when in reality the shot is only on screen for less than two seconds And it's a shot of Kathleen Byron coming through a doorway, and it's part of an incredible climax, which I won't spoil if you've never seen the film. But it's one of those shots in Cinema that is ingrained on my brain. Like a lot of Powell and Pressburger films, I think it's just [has] a picturesque quality to it which is just somehow difficult to pinpoint exactly what the magic of Powell and Pressburger together is. But I think the thing is sometime these are the films that you keep returning to, is you can't kind of define exactly what it is about the film that keeps you obsessed, you just keep coming back. And this is one of those movies." ('Edgar Wright’s Closet Picks', Criterion, 2025)
0:50

Edgar Wright on his favourite shot in 'Black Narcissus' (1947): "I think 'Black Narcissus' (1947) is one of the greatest colour movies of all time. There is one particular shot towards the end of the film with Kathleen Byron, which, in my head, that is probably minutes of film, when in reality the shot is only on screen for less than two seconds And it's a shot of Kathleen Byron coming through a doorway, and it's part of an incredible climax, which I won't spoil if you've never seen the film. But it's one of those shots in Cinema that is ingrained on my brain. Like a lot of Powell and Pressburger films, I think it's just [has] a picturesque quality to it which is just somehow difficult to pinpoint exactly what the magic of Powell and Pressburger together is. But I think the thing is sometime these are the films that you keep returning to, is you can't kind of define exactly what it is about the film that keeps you obsessed, you just keep coming back. And this is one of those movies." ('Edgar Wright’s Closet Picks', Criterion, 2025)

DepressedBergman

271,292 views • 10 months ago

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)
0:52

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 views • 1 year ago

TCG expert reveals the leaked One Piece x Final Fantasy collab he says could be the biggest thing in TCG history "One of the most reputable people in this space, Grail Monster, who probably has a $5-10M collection, publicly said and leaked that OP 18 is a One Piece and Final Fantasy collaboration. If this is real, this is one of the most special things that is ever going to happen in the TCG space." "The only crossover that's ever been like this is Mario Pikachu. You don't see two titans crossing over in TCG like this. This box is going to be a thousand dollar booster box off rip. This is way more important than OP 17, way more important than the anniversary set. The anniversary set is predictable, it's irrelevant in comparison to this."
2:02

TCG expert reveals the leaked One Piece x Final Fantasy collab he says could be the biggest thing in TCG history "One of the most reputable people in this space, Grail Monster, who probably has a $5-10M collection, publicly said and leaked that OP 18 is a One Piece and Final Fantasy collaboration. If this is real, this is one of the most special things that is ever going to happen in the TCG space." "The only crossover that's ever been like this is Mario Pikachu. You don't see two titans crossing over in TCG like this. This box is going to be a thousand dollar booster box off rip. This is way more important than OP 17, way more important than the anniversary set. The anniversary set is predictable, it's irrelevant in comparison to this."

Kai

26,948 views • 1 month ago

"Fascism is a moment in the history of the middle-class, a means by which the middle-class protects itself from the working class." --- Bernardo Bertolucci on 'The Conformist' (1970) Full Excerpt: "'The Conformist' (1970) is first a film about the bourgeoisie, the middle-class, not about fascism. I was speaking about the middle class, and fascism is a moment in the history of the middle-class, a means by which the middle-class protects itself from the working class. Whenever the working class is coming up, up, up, at this moment fascism makes its appearance. In the film there is a fascist and an anti-fascist, but the Professor in Paris, the anti-fascist, is also from the middle-class. We have two faces of the same coin, of the middle-class. One face is fascism, the other is anti-fascism, but not a Marxist anti-fascism, just an idealism. Because he is also in the middle-class, my anti-fascist is not a hero, not a positive man." (From his interview with Joan Mellen, 1975)
3:00

"Fascism is a moment in the history of the middle-class, a means by which the middle-class protects itself from the working class." --- Bernardo Bertolucci on 'The Conformist' (1970) Full Excerpt: "'The Conformist' (1970) is first a film about the bourgeoisie, the middle-class, not about fascism. I was speaking about the middle class, and fascism is a moment in the history of the middle-class, a means by which the middle-class protects itself from the working class. Whenever the working class is coming up, up, up, at this moment fascism makes its appearance. In the film there is a fascist and an anti-fascist, but the Professor in Paris, the anti-fascist, is also from the middle-class. We have two faces of the same coin, of the middle-class. One face is fascism, the other is anti-fascism, but not a Marxist anti-fascism, just an idealism. Because he is also in the middle-class, my anti-fascist is not a hero, not a positive man." (From his interview with Joan Mellen, 1975)

DepressedBergman

69,770 views • 2 years ago

On this day, 61 years ago, one of the greatest movies of all time, "The Saragossa Manuscript" (1965) by Wojciech Has was released in Poland. This film is a favourite of both David Lynch & Luis Buñuel. Here is what they said about this film: "'The Saragossa Manuscript' is simultaneously horrific, erotic, and funny. This is one mother of a film" --- David Lynch “I loved 'The Saragossa Manuscript'. I saw the film three times, which, in my case, is saying something.” --- Luis Buñuel (Quotes taken from 'The Cinematheque')
2:33

On this day, 61 years ago, one of the greatest movies of all time, "The Saragossa Manuscript" (1965) by Wojciech Has was released in Poland. This film is a favourite of both David Lynch & Luis Buñuel. Here is what they said about this film: "'The Saragossa Manuscript' is simultaneously horrific, erotic, and funny. This is one mother of a film" --- David Lynch “I loved 'The Saragossa Manuscript'. I saw the film three times, which, in my case, is saying something.” --- Luis Buñuel (Quotes taken from 'The Cinematheque')

DepressedBergman

88,356 views • 7 months ago

Christopher Nolan explains why the Cyclops in the Odyssey is more horrifying than any monster "One of the first things that i showed him was a painting by Goya, one of the black paintings of Saturn eating his children and it's a it's a horrific image" "But one of the things is really horrifying about it we talked about a lot is that the blankness of the expression, that this is not a monster, nobody thinks they're a monster" "And that's what action makes it most frightening is that if from the monster's point of view they're not monster" "We're irrelevant to them and that's what's really scary we've got a lot out of the films of my friend Guillermo Del Toro" "One of the things he's taught me in his film is that the monster is never just a monster"
0:39

Christopher Nolan explains why the Cyclops in the Odyssey is more horrifying than any monster "One of the first things that i showed him was a painting by Goya, one of the black paintings of Saturn eating his children and it's a it's a horrific image" "But one of the things is really horrifying about it we talked about a lot is that the blankness of the expression, that this is not a monster, nobody thinks they're a monster" "And that's what action makes it most frightening is that if from the monster's point of view they're not monster" "We're irrelevant to them and that's what's really scary we've got a lot out of the films of my friend Guillermo Del Toro" "One of the things he's taught me in his film is that the monster is never just a monster"

le.hl

1,600,271 views • 2 months ago

Ufff what a film and with that bang Bollywood is back at its best and this magic can be created by one and only Dharma Productions and Karan sir but this film Ranveer Singh steal the show he was more than the hero of the film All hearts ❤️ to Rocky Randhawa
0:23

Ufff what a film and with that bang Bollywood is back at its best and this magic can be created by one and only Dharma Productions and Karan sir but this film Ranveer Singh steal the show he was more than the hero of the film All hearts ❤️ to Rocky Randhawa

Puja Banerjee

15,171 views • 3 years ago

Crimson Desert is so beautiful, just riding the horse around, exploring the world and taking in the view is awesome. This game isn't perfect and definitely needs more patches, that being said Pearl Abyss crafted one of the most visually stunning games of this generation
0:47

Crimson Desert is so beautiful, just riding the horse around, exploring the world and taking in the view is awesome. This game isn't perfect and definitely needs more patches, that being said Pearl Abyss crafted one of the most visually stunning games of this generation

NikTek

23,423 views • 6 months ago

There are two types of people in this world. One that thinks this is the beginning of a horror film and the other that would completely love to do this. Which are you?
0:47

There are two types of people in this world. One that thinks this is the beginning of a horror film and the other that would completely love to do this. Which are you?

TheLizVariant

3,340,993 views • 1 year ago

Hinduism is undoubtedly one of the most beautiful religions in the world... And at this time, PM Modi is the best messenger of it... #Somnath
1:06

Hinduism is undoubtedly one of the most beautiful religions in the world... And at this time, PM Modi is the best messenger of it... #Somnath

Mr Sinha

56,607 views • 4 months ago

Ah a timeline like this🥰 The Princess of Wales hosted a surprise tea party, this friday at Windsor Castle for fellow Three Peaks Challenge participants to celebrate their 'resilience and hope' and highlights the 'importance of the people who walk alongside us'❤️ This woman is always highlighting and celebrating Family, community togetherness and the unifying power of team work and resilience👌🏽 Every year, close to 30,000 people in the UK take part in the Three peaks challenge to support charities, to face a personal challenge or to support a cause dear to their heart. Yet, It is only this year for the first time ever, that this challenge has gotten so much exposure worldwide, thanks to ONE person among the 30,000 people who took part in this annual challenge and it was Catherine, Princess of Wales🔥 She was the first royal in British history to ever take part in it and complete it in the tight 24 hours deadline, and she is the one who gave this challenge a global platform by highlighting so many valiant participants whose stories no one would have ever heard about, without her. This is how Catherine has been reshaping and molding the Monarchy from the inside out, seamlessly and effectively👌🏽 Catherine has never resorted to tears, victimhood, scandal nor controversies to get the spotlight. She has naturally become the centre of the spotlight by being her vibrant, gorgeous, relatable, and always optimistic self. Her brand of Royalty is one that is rooted in consistent actions and in self-assured resilience and calm, and that is the energy that she projects on the Public as well🥰 Yes Catherine has the power to quiet the noise down and bring calm by only showing up in public and smiling, and that is a power that was unique to one royal woman before her, and that woman was Queen Elizabeth II❤️ Indeed, when you look at both women from two very different generations, you see that they share many similarities in the way they exemplify the resilient "keep calm and carry on" attitude to Royal life; in the way they steer clear of any drama and scandal, and in their unique ability to bring peace and calm to the British public in the midst of noise. The press erroneously likes to compare Catherine and Diana but these two have very little to nothing in common. Catherine has become a cornerstone of the Monarchy, an insider able to affect change within the Monarchy, something Diana could never achieve due to so much controversies and drama she had with the RF🔥 The difference in outcomes comes down to the nature of each women and their marriage as well. Diana came in the monarchy like a wrecking ball, too bright, too opinionated and too countrary, too soon. It did not help that her husband did not love nor care for her. Therefore, she saw the institution as the enemy and the institution automatically closed ranks and opposed a wall to her. She died an outsider looking in. In sharp contrast, Catherine came in the monarchy, like gentle and soothing breeze in a scorching summer heat. She was calm, patient, and quiet. She imitated William, her loving husband and kept her opinions to herself, while showing humility and an eagerness to learn👌🏽 She has NEVER been the one creating any scandal. On the countrary, Catherine has cultivated a reputation of "Peace" with a consistency that made the Institution realise that she was an asset and lower its guard, overtime. That is how Catherine, a commoner, broke the wall overtime that Diana, an aristocrat could never break: patience, humility and consistency of actions. She has surpassed Diana in reach and in influence🔥 In That, Catherine has become, together with William, a cornerstone on which the Monarchy rests. She is the indispensable human liaison between the public and the palace, the calm in any storm that the Monarchy weathers. William may be the head who will lead the insitution, but Catherine is the neck that guides the head one way or the other👌🏽 From the time they were 19 years old and became part of each other's lives, Catherine has steadily molded William using the patient and consistent "Middleton way of Life", and this impact is felt on the entire Monarchy today. In the same way, Catherine is molding their royal children who are the future of the Institution, and that in turn is impacting the future of the entire Monarchy FOR THE BETTER🔥 If today, the Monarchy's facade has gained so much popularity and changed from an austere family, to a relatable, humanised and vibrant family, it is thanks to Catherine and the family she has created with William. No one can take that credit away from her nor minimise its generational impact: Catherine has operated a very quiet yet historical revolution in the Monarchy and in its future; and no one ever saw that quiet Country girl coming☕️ #PrincessofWales
0:27

Ah a timeline like this🥰 The Princess of Wales hosted a surprise tea party, this friday at Windsor Castle for fellow Three Peaks Challenge participants to celebrate their 'resilience and hope' and highlights the 'importance of the people who walk alongside us'❤️ This woman is always highlighting and celebrating Family, community togetherness and the unifying power of team work and resilience👌🏽 Every year, close to 30,000 people in the UK take part in the Three peaks challenge to support charities, to face a personal challenge or to support a cause dear to their heart. Yet, It is only this year for the first time ever, that this challenge has gotten so much exposure worldwide, thanks to ONE person among the 30,000 people who took part in this annual challenge and it was Catherine, Princess of Wales🔥 She was the first royal in British history to ever take part in it and complete it in the tight 24 hours deadline, and she is the one who gave this challenge a global platform by highlighting so many valiant participants whose stories no one would have ever heard about, without her. This is how Catherine has been reshaping and molding the Monarchy from the inside out, seamlessly and effectively👌🏽 Catherine has never resorted to tears, victimhood, scandal nor controversies to get the spotlight. She has naturally become the centre of the spotlight by being her vibrant, gorgeous, relatable, and always optimistic self. Her brand of Royalty is one that is rooted in consistent actions and in self-assured resilience and calm, and that is the energy that she projects on the Public as well🥰 Yes Catherine has the power to quiet the noise down and bring calm by only showing up in public and smiling, and that is a power that was unique to one royal woman before her, and that woman was Queen Elizabeth II❤️ Indeed, when you look at both women from two very different generations, you see that they share many similarities in the way they exemplify the resilient "keep calm and carry on" attitude to Royal life; in the way they steer clear of any drama and scandal, and in their unique ability to bring peace and calm to the British public in the midst of noise. The press erroneously likes to compare Catherine and Diana but these two have very little to nothing in common. Catherine has become a cornerstone of the Monarchy, an insider able to affect change within the Monarchy, something Diana could never achieve due to so much controversies and drama she had with the RF🔥 The difference in outcomes comes down to the nature of each women and their marriage as well. Diana came in the monarchy like a wrecking ball, too bright, too opinionated and too countrary, too soon. It did not help that her husband did not love nor care for her. Therefore, she saw the institution as the enemy and the institution automatically closed ranks and opposed a wall to her. She died an outsider looking in. In sharp contrast, Catherine came in the monarchy, like gentle and soothing breeze in a scorching summer heat. She was calm, patient, and quiet. She imitated William, her loving husband and kept her opinions to herself, while showing humility and an eagerness to learn👌🏽 She has NEVER been the one creating any scandal. On the countrary, Catherine has cultivated a reputation of "Peace" with a consistency that made the Institution realise that she was an asset and lower its guard, overtime. That is how Catherine, a commoner, broke the wall overtime that Diana, an aristocrat could never break: patience, humility and consistency of actions. She has surpassed Diana in reach and in influence🔥 In That, Catherine has become, together with William, a cornerstone on which the Monarchy rests. She is the indispensable human liaison between the public and the palace, the calm in any storm that the Monarchy weathers. William may be the head who will lead the insitution, but Catherine is the neck that guides the head one way or the other👌🏽 From the time they were 19 years old and became part of each other's lives, Catherine has steadily molded William using the patient and consistent "Middleton way of Life", and this impact is felt on the entire Monarchy today. In the same way, Catherine is molding their royal children who are the future of the Institution, and that in turn is impacting the future of the entire Monarchy FOR THE BETTER🔥 If today, the Monarchy's facade has gained so much popularity and changed from an austere family, to a relatable, humanised and vibrant family, it is thanks to Catherine and the family she has created with William. No one can take that credit away from her nor minimise its generational impact: Catherine has operated a very quiet yet historical revolution in the Monarchy and in its future; and no one ever saw that quiet Country girl coming☕️ #PrincessofWales

Canellecitadelle

64,834 views • 2 days ago

Both Spielberg and Del Toro say that the chase scene in this film is one of the best ever made and they are right, the insanity to do this in stop motion too
2:19

Both Spielberg and Del Toro say that the chase scene in this film is one of the best ever made and they are right, the insanity to do this in stop motion too

EyebrowScar (now on 🟦☁️)

6,306,976 views • 2 years ago

The last short and project by Lynch shows one thing that no other director ever managed to achieve. Lynch was the master in lighting corners and corridors in a completely unintuitive way, but it is so beautiful and distinctive that I would consider this one of the many signatures of his.
0:20

The last short and project by Lynch shows one thing that no other director ever managed to achieve. Lynch was the master in lighting corners and corridors in a completely unintuitive way, but it is so beautiful and distinctive that I would consider this one of the many signatures of his.

VIKARE

22,748 views • 4 months ago

Rewatching the original How to Train your Dragon, and man, there is no way the upcoming LA film will top the raw power of this scene. The camera angles, the sense of momentum, the score. This entire sequence is one of the best in the history of western animation, and I'm serious
0:37

Rewatching the original How to Train your Dragon, and man, there is no way the upcoming LA film will top the raw power of this scene. The camera angles, the sense of momentum, the score. This entire sequence is one of the best in the history of western animation, and I'm serious

Big the Cat in the Hat ⏳️💀🎼🪐🌿

523,645 views • 1 year ago

Jack Perez on "Wild Things 2" (2004): "This film is about mercenary characters doing everything and anything they can to get what they want. This is a movie that knows what it is. It is a self-aware thriller and that means, it has all the requisite thrills, violence & s € x- but it is slightly over the top and it knows it's over the top and that's part of the fun of it. This movie is kind of like a big comic book it's not enormously deep. (...) It's got a lot of sh!t in it. It's got all the stuff that you that you want in a picture like this and it's coming at you at a hundred miles an hour. That's the point of the movie." ("Wild Things II: Making the Glades", 2004)
1:25

Jack Perez on "Wild Things 2" (2004): "This film is about mercenary characters doing everything and anything they can to get what they want. This is a movie that knows what it is. It is a self-aware thriller and that means, it has all the requisite thrills, violence & s € x- but it is slightly over the top and it knows it's over the top and that's part of the fun of it. This movie is kind of like a big comic book it's not enormously deep. (...) It's got a lot of sh!t in it. It's got all the stuff that you that you want in a picture like this and it's coming at you at a hundred miles an hour. That's the point of the movie." ("Wild Things II: Making the Glades", 2004)

DepressedBergman

11,829 views • 2 months ago

Underappreciated part of this tweet is that the sound he described, the one that would make an uniformed person think "God is in everything and is Beautiful", is a dubstep yoi bass
0:25

Underappreciated part of this tweet is that the sound he described, the one that would make an uniformed person think "God is in everything and is Beautiful", is a dubstep yoi bass

cheyenne🆗️

57,533 views • 7 months ago