Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

In Inception (2010), the spinning hallway fight was practical — no CGI. Christopher Nolan had Warner Bros. build a 100-foot rotating corridor on gimbals, and Joseph Gordon-Levitt trained for weeks to fight while strapped in.

RealEmirHan's profile picture

Emir Han

323,402 subscribers

88,793 Aufrufe • vor 9 Monaten •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

The design for Inception’s spinning hallway fight was very cool. Nolan & Co. built 8 steel rings (30ft diameter) and connected them all (100ft long) inside of an airplane hangar with electric motors spinning the rings. It created a centrifuge effect to “manipulate gravity” and Joseph Gordon-Levitt spent weeks training for the rotating fight sequence.
4:43

The design for Inception’s spinning hallway fight was very cool. Nolan & Co. built 8 steel rings (30ft diameter) and connected them all (100ft long) inside of an airplane hangar with electric motors spinning the rings. It created a centrifuge effect to “manipulate gravity” and Joseph Gordon-Levitt spent weeks training for the rotating fight sequence.

Trung Phan

57,287 Aufrufe • vor 1 Monat

A reminder that Christopher Nolan built a 100-foot rotating steel hallway just to shoot this scene in Inception. Practical filmmaking at its absolute peak!
2:41

A reminder that Christopher Nolan built a 100-foot rotating steel hallway just to shoot this scene in Inception. Practical filmmaking at its absolute peak!

Every Movie Plug

72,686 Aufrufe • vor 14 Tagen

Inception (2010) opens the hallway fight like nothing else. Every time it’s a masterclass in practical effects and tension.
2:25

Inception (2010) opens the hallway fight like nothing else. Every time it’s a masterclass in practical effects and tension.

cinesthetic.

26,415 Aufrufe • vor 10 Monaten

That mind-bending café scene in Inception (2010) — the explosions were real, not CGI. Christopher Nolan used high-pressure air cannons to blast debris, paper, and glass into the air while the actors sat calmly at the table. Practical effects making dreams feel real.
0:35

That mind-bending café scene in Inception (2010) — the explosions were real, not CGI. Christopher Nolan used high-pressure air cannons to blast debris, paper, and glass into the air while the actors sat calmly at the table. Practical effects making dreams feel real.

Movies Scenes 🎫

184,400 Aufrufe • vor 8 Monaten

After The Dark Knight, Christopher Nolan pitched Inception without a full script, and Warner Bros quickly greenlit it “It was a very simple pitch. I was very lucky to be able to do that after The Dark Knight. They trusted me to build it out as we went.”
3:11

After The Dark Knight, Christopher Nolan pitched Inception without a full script, and Warner Bros quickly greenlit it “It was a very simple pitch. I was very lucky to be able to do that after The Dark Knight. They trusted me to build it out as we went.”

Nolan Archives

182,920 Aufrufe • vor 9 Monaten

Christopher Nolan says the Cyclops sequence in The Odyssey was the hardest practical effects challenge of his career. A 60-foot practical puppet was built and operated inside real Greek caves.
2:16

Christopher Nolan says the Cyclops sequence in The Odyssey was the hardest practical effects challenge of his career. A 60-foot practical puppet was built and operated inside real Greek caves.

Christopher Nolan Archives

38,279 Aufrufe • vor 1 Monat

Tenet’s backward fight wasn’t just CGI. • Nolan had actors fight in reverse • Stunt team rewound footage to teach moves • John David Washington kicked the cinematographer—he yelled “keep going!” • CGI mostly for bullets & reverse explosions
2:48

Tenet’s backward fight wasn’t just CGI. • Nolan had actors fight in reverse • Stunt team rewound footage to teach moves • John David Washington kicked the cinematographer—he yelled “keep going!” • CGI mostly for bullets & reverse explosions

Emir Han

1,367,202 Aufrufe • vor 11 Monaten

On Tuesday night, Donald Trump and Kamala Harris spent 90 minutes trading blows in a fierce debate. We enlisted the musical talents of the The Gregory Brothers and a special guest, Joseph Gordon-Levitt (Joseph Gordon-Levitt), to provide the debate recap you didn’t know you needed.
5:08

On Tuesday night, Donald Trump and Kamala Harris spent 90 minutes trading blows in a fierce debate. We enlisted the musical talents of the The Gregory Brothers and a special guest, Joseph Gordon-Levitt (Joseph Gordon-Levitt), to provide the debate recap you didn’t know you needed.

New York Times Opinion

539,759 Aufrufe • vor 1 Jahr

Tom Holland says Christopher Nolan filmed a massive fight sequence in THE ODYSSEY in just two days, something he believes Marvel would have taken around two weeks to shoot.
0:32

Tom Holland says Christopher Nolan filmed a massive fight sequence in THE ODYSSEY in just two days, something he believes Marvel would have taken around two weeks to shoot.

cinesthetic.

50,061 Aufrufe • vor 3 Tagen

The backward fight in Tenet wasn’t CGI at all. • Christopher Nolan had the actors actually perform the choreography in reverse. • The stunt team studied rewound footage to perfect each movement. • John David Washington even accidentally kicked the cinematographer, who shouted, “Keep going!”
2:48

The backward fight in Tenet wasn’t CGI at all. • Christopher Nolan had the actors actually perform the choreography in reverse. • The stunt team studied rewound footage to perfect each movement. • John David Washington even accidentally kicked the cinematographer, who shouted, “Keep going!”

Oscar Race

184,131 Aufrufe • vor 9 Monaten

Christopher Nolan praises Elliot Page’s performance in THE ODYSSEY: “It was really fun. Elliot’s just terrific, and I just thought this was such a great part for him. We had such a great time years ago on INCEPTION. It’s nice to reunite with people.”
0:20

Christopher Nolan praises Elliot Page’s performance in THE ODYSSEY: “It was really fun. Elliot’s just terrific, and I just thought this was such a great part for him. We had such a great time years ago on INCEPTION. It’s nice to reunite with people.”

cinesthetic.

100,422 Aufrufe • vor 1 Monat

Inception (2010) directed by Christopher Nolan is a mind-bending blend of action, emotion, and imagination. One of the film’s most striking moments is the explosion scene, which used zero CGI. Every stunt was filmed in-camera using practical effects and precisely timed pyrotechnics. The slow-motion collapse was captured at 3,000 frames per second, turning chaos into visual poetry and reflecting the fragility of subconscious control. The cost of a single take for that shot was an incredible $250,000.
0:33

Inception (2010) directed by Christopher Nolan is a mind-bending blend of action, emotion, and imagination. One of the film’s most striking moments is the explosion scene, which used zero CGI. Every stunt was filmed in-camera using practical effects and precisely timed pyrotechnics. The slow-motion collapse was captured at 3,000 frames per second, turning chaos into visual poetry and reflecting the fragility of subconscious control. The cost of a single take for that shot was an incredible $250,000.

Love Classical Music and Movies 🎺🎻💖🎥🎬

67,845 Aufrufe • vor 6 Monaten

Christopher Nolan wanted Harvey Dent to feel like a true hero before becoming Two-Face. He chose Aaron Eckhart for his clean-cut image and charisma. Unlike many practical effects in the film, Two-Face’s burned face was created with advanced CGI.
1:19

Christopher Nolan wanted Harvey Dent to feel like a true hero before becoming Two-Face. He chose Aaron Eckhart for his clean-cut image and charisma. Unlike many practical effects in the film, Two-Face’s burned face was created with advanced CGI.

Best Movie Moments 🍿

162,786 Aufrufe • vor 3 Monaten

Christopher Nolan wanted Harvey Dent to feel like a true hero before becoming Two-Face. He chose Aaron Eckhart for his clean-cut image and charisma. Unlike many practical effects in the film, Two-Face’s burned face was created with advanced CGI.
1:19

Christopher Nolan wanted Harvey Dent to feel like a true hero before becoming Two-Face. He chose Aaron Eckhart for his clean-cut image and charisma. Unlike many practical effects in the film, Two-Face’s burned face was created with advanced CGI.

Nolan Archive

743,114 Aufrufe • vor 9 Monaten

Christopher Nolan on reuniting with Elliot Page years after INCEPTION: “It was really fun. Elliot’s just terrific, and I just thought this was such a great part for him. We had such a great time years ago on Inception. It’s nice to reunite with people.”
0:20

Christopher Nolan on reuniting with Elliot Page years after INCEPTION: “It was really fun. Elliot’s just terrific, and I just thought this was such a great part for him. We had such a great time years ago on Inception. It’s nice to reunite with people.”

Christopher Nolan Updates

6,907,918 Aufrufe • vor 1 Monat

Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.
1:11

Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.

‏ً

133,161 Aufrufe • vor 1 Monat

For this scene in Tenet, Christopher Nolan required the stunt performers and John David Washington to train in reverse fight movements. They had to learn how to fall, strike, and get back up as if time were running backward.
2:51

For this scene in Tenet, Christopher Nolan required the stunt performers and John David Washington to train in reverse fight movements. They had to learn how to fall, strike, and get back up as if time were running backward.

Christopher Nolan Archives

110,871 Aufrufe • vor 10 Monaten

For Tenet (2020), Christopher Nolan avoided CGI for the chase — real cars and fast reverse driving. The 8 km highway scene was filmed twice: once forward & once in reverse, then stitched together. Stunt drivers even trained to drive backward at 60 mph.
5:16

For Tenet (2020), Christopher Nolan avoided CGI for the chase — real cars and fast reverse driving. The 8 km highway scene was filmed twice: once forward & once in reverse, then stitched together. Stunt drivers even trained to drive backward at 60 mph.

Movies Scenes 🎫

219,700 Aufrufe • vor 7 Monaten

NEW: Wild brawl breaks out between parents at an Arkansas kindergarten graduation Several adults fought in the hallway of West Memphis’ Faulk Elementary Children nearby screamed in fear as the fight broke out in the crowded corridor Men and women were involved, with parents rushing to protect their kids The fight was broken up by others who stepped in to separate them No injuries were reported, and the cause of the fight is unknown
0:52

NEW: Wild brawl breaks out between parents at an Arkansas kindergarten graduation Several adults fought in the hallway of West Memphis’ Faulk Elementary Children nearby screamed in fear as the fight broke out in the crowded corridor Men and women were involved, with parents rushing to protect their kids The fight was broken up by others who stepped in to separate them No injuries were reported, and the cause of the fight is unknown

Unlimited L's

338,516 Aufrufe • vor 1 Jahr

David Bowie was Christopher Nolan’s only choice for Nikola Tesla in ‘The Prestige’ No backups. No alternatives. “It took a while to convince him,” Nolan said. “I had no idea what I’d do if he said no.”
1:38

David Bowie was Christopher Nolan’s only choice for Nikola Tesla in ‘The Prestige’ No backups. No alternatives. “It took a while to convince him,” Nolan said. “I had no idea what I’d do if he said no.”

Every Movie Plug

12,870 Aufrufe • vor 7 Monaten