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In Nathan Fielder's surprising documentary "You Can See Everything," the director pushes awkwardness to its absolute extreme. 🎥 "I'm always being real," the former Theranos founder Elizabeth Holmes tells Fielder. Here's a first look at the trailer. Would you watch the 3-hour film? 🍿

Yahoo Finance

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29,460 views • 2 days ago •via X (Twitter)

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6 Comments

Legacy Architect 🪶🪣2 days ago

Watching it twice, this has been a story that’s got too many facets to be understood one sidedly

Ben YY1 day ago

Three hours of documentary runtime: because two hours apparently lacked enough red flags.

yaya2 days ago

Checking the space left after a delayed entry helped me see how timing changed the original opportunity, which made the review more useful. @agsnga6533

Angel Rivas Pazos1 day ago

Elizabeth Pennywise

Tony Fontane in Massachusetts2 days ago

who is the gorgeous woman in the red/blue dress discussing the film?

Jack Archer1 day ago

Is that Erika Kirk's sister?

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Christopher Nolan did a great interview with Nathan Fielder and Benny Safdie about their show “The Curse” in 2024. Fielder talks about his creative process and so much of it comes through in trailer for Elizabeth Holmes doc: ▫️Fielder says he “stumbles into ideas he gets excited about” without a master plan and “just piles things on and it grows” (for the Holmes doc, he had an agreement with A24 to scrap the project even after years of shooting if he didn’t think there was a film) ▫️setting the tone is the top priority, even moreso than narrative (“when you have the tone right, everything falls into place”) ▫️the musical score is crucial in setting the tone (the sound doesn’t even have to match action on the scene, it can float above just setting mood) ▫️he doesn’t want to rush scenes; let them develop to the point where audience is expecting any action to be consequential and it builds the tension (inspired by old detective TV show Colombo) *** Full interview here (Nolan really is a Fielder Stan):

Christopher Nolan did a great interview with Nathan Fielder and Benny Safdie about their show “The Curse” in 2024. Fielder talks about his creative process and so much of it comes through in trailer for Elizabeth Holmes doc: ▫️Fielder says he “stumbles into ideas he gets excited about” without a master plan and “just piles things on and it grows” (for the Holmes doc, he had an agreement with A24 to scrap the project even after years of shooting if he didn’t think there was a film) ▫️setting the tone is the top priority, even moreso than narrative (“when you have the tone right, everything falls into place”) ▫️the musical score is crucial in setting the tone (the sound doesn’t even have to match action on the scene, it can float above just setting mood) ▫️he doesn’t want to rush scenes; let them develop to the point where audience is expecting any action to be consequential and it builds the tension (inspired by old detective TV show Colombo) *** Full interview here (Nolan really is a Fielder Stan):

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