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In this 1977 interview, the legendary Betty Wright appears while holding her daughter, Namphuyo Aisha McCray, born near the end of 1976 during Wright’s marriage to Jerome McCray. Wright reflects on her musical roots, the evolution of Miami’s performance industry, the Sir John Hotel as a legendary hub for... show more

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Karl-Anthony Towns talks about feeling the presence of his late mother and the support he's gotten from his fiancé, Jordyn Woods: "Her presence is always felt in my life. You always pray you're going to pick the right woman for you and I know I did in my fiancé. I damn sure know now with that bag, that bag held it down. Shout-out to Woods by Jordyn. It's crazy, when she passed, there was so much turmoil in my life. Funny enough, my fiancé was the one, who was a friend at the time, was the only person I got to call before I had to go out there and say bye to her at the hospital. Me and her have a real bond that goes deeper than just physical features and everything like that. We've got a true friendship that was built from the ground up. I remember just always asking her if this was going to be my last time seeing her in the physical, let me feel her spirit at all times. In moments of true pressure and a lot of things going on, I always feel this calming come to me and it's always her. It's just great to always feel her arms around me and always to feel her love in my life, in so many different ways. It's a testament. I haven't felt love from a woman like that until I met my fiancé. It really means a lot that, in a way - without sounding weird - Jackie Jr. was able to be here celebrating this moment with me. It's amazing. It's truly a humbling feeling when you know you have walked the path. I stayed faithful. In every decision that I was supposed to make, I made the right one. Feels good to be at this moment."

Karl-Anthony Towns talks about feeling the presence of his late mother and the support he's gotten from his fiancé, Jordyn Woods: "Her presence is always felt in my life. You always pray you're going to pick the right woman for you and I know I did in my fiancé. I damn sure know now with that bag, that bag held it down. Shout-out to Woods by Jordyn. It's crazy, when she passed, there was so much turmoil in my life. Funny enough, my fiancé was the one, who was a friend at the time, was the only person I got to call before I had to go out there and say bye to her at the hospital. Me and her have a real bond that goes deeper than just physical features and everything like that. We've got a true friendship that was built from the ground up. I remember just always asking her if this was going to be my last time seeing her in the physical, let me feel her spirit at all times. In moments of true pressure and a lot of things going on, I always feel this calming come to me and it's always her. It's just great to always feel her arms around me and always to feel her love in my life, in so many different ways. It's a testament. I haven't felt love from a woman like that until I met my fiancé. It really means a lot that, in a way - without sounding weird - Jackie Jr. was able to be here celebrating this moment with me. It's amazing. It's truly a humbling feeling when you know you have walked the path. I stayed faithful. In every decision that I was supposed to make, I made the right one. Feels good to be at this moment."

SNY Knicks

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The Kraken are playing Shane Wright like a 4th liner, and that's cause for concern. In their pursuit of wins now, it's clear that Wright's development is simply not a priority for the Kraken. Is there a path forward for Wright in Seattle? It's time to have that conversation.

The Kraken are playing Shane Wright like a 4th liner, and that's cause for concern. In their pursuit of wins now, it's clear that Wright's development is simply not a priority for the Kraken. Is there a path forward for Wright in Seattle? It's time to have that conversation.

Emerald City Hockey

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Violet myers revealed she's always wanted her name to be on 🌽hub and now she's ranked 6th on it. She says its an honor to see that people want to J€rk off to her. She says she always wanted to be someone other girl can relate to because on c0rnhub there was no one with a ethnic look and natural b00bs in the industry. She says she always thought that the standard for B00bs in c0rn is to have a perky and uplifted b00bs and so she almost had a b00bs reduction but her agent told her not to ever do that and now it's her trademark.

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Violet myers revealed she's always wanted her name to be on 🌽hub and now she's ranked 6th on it. She says its an honor to see that people want to J€rk off to her. She says she always wanted to be someone other girl can relate to because on c0rnhub there was no one with a ethnic look and natural b00bs in the industry. She says she always thought that the standard for B00bs in c0rn is to have a perky and uplifted b00bs and so she almost had a b00bs reduction but her agent told her not to ever do that and now it's her trademark.

𝙔𝙖gi

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Taylor Swift, at 14, on staying grounded through early fame: In a Good Morning America interview, a young Taylor Swift is asked whether she thinks she's going to become a star, and whether she even cares if she does. Her response: "You know what? It would be really cool." The interviewer asks whether people underestimate her because of her age. Taylor explains that this happens constantly, especially in writers' meetings: "They're really nice and then I leave and they tell my publisher and my mom, you know, we thought she was going to come in here and be like, you know, we'd have to write a song for her. And I'm like, you thought that?" Her take on it: "There are a lot of stereotypes for young people. But I really think that if you prove yourself then people will see past your age." The interviewer then asks about the surreal moments. Seeing herself on walls, in stores, becoming recognisable. Taylor describes walking into Abercrombie and seeing her own picture hanging on the wall: "My friends would tell me like how they would go to the store and be like 'Oh hey Taylor' and the people in the store would be like 'You're talking to the wall.'" When pressed on whether every new experience feels overwhelming, meeting people, photo shoots, the whole machine of early fame, she gives an answer that feels remarkable for a 14-year-old: "Yeah, but it doesn't, I don't feel like it changes me as a person. I'm still the same person that I started out as being. You know, my picture's just on the wall. It's not that big of a deal for me. I don't think it makes me above anybody else. It really doesn't."

Taylor Swift, at 14, on staying grounded through early fame: In a Good Morning America interview, a young Taylor Swift is asked whether she thinks she's going to become a star, and whether she even cares if she does. Her response: "You know what? It would be really cool." The interviewer asks whether people underestimate her because of her age. Taylor explains that this happens constantly, especially in writers' meetings: "They're really nice and then I leave and they tell my publisher and my mom, you know, we thought she was going to come in here and be like, you know, we'd have to write a song for her. And I'm like, you thought that?" Her take on it: "There are a lot of stereotypes for young people. But I really think that if you prove yourself then people will see past your age." The interviewer then asks about the surreal moments. Seeing herself on walls, in stores, becoming recognisable. Taylor describes walking into Abercrombie and seeing her own picture hanging on the wall: "My friends would tell me like how they would go to the store and be like 'Oh hey Taylor' and the people in the store would be like 'You're talking to the wall.'" When pressed on whether every new experience feels overwhelming, meeting people, photo shoots, the whole machine of early fame, she gives an answer that feels remarkable for a 14-year-old: "Yeah, but it doesn't, I don't feel like it changes me as a person. I'm still the same person that I started out as being. You know, my picture's just on the wall. It's not that big of a deal for me. I don't think it makes me above anybody else. It really doesn't."

Big Brain History

26,733 görüntüleme • 3 ay önce

You mean this interview on Wednesday’s ‘Good Morning America’ wasn’t enough to save Taylor Frankie Paul’s season of ‘The Bachelorette’ in light of video showing her beating her ex-boyfriend? Lara Spencer: “I want to hear all about your bachelorette journey. But first I want to give you the opportunity to respond to recent headlines about the alleged domestic violence incident with your ex-boyfriend. What do you want to share with us about this?” Paul: “Honestly, I — it's been a heavy time to see the headlines, especially during this time of The Bachelorette being released and it's supposed to be really exciting time. I'm a person that will always speak my truth and I'm — you know, that's what I'm known for. And so, when the time is right I will be. But right now, just trying to be in the present moment and focus on this and — but the thing is — is my — my kids do come first. My kids come first. And so, it's been, like, just a back and forth process trying to be here in the present moment, worrying about, you know, home and headlines. It's been stressful to be honest.” Spencer: “We did reach out to Dakota. And he did not — we did not — for a statement. We did not get a response from him. Now we have reports that ‘The Secret Lives of Mormon Wives’ has paused production on the next season. I know there's a season on right now and then season five was in production. Reports say it's been — it's paused. Is that true?” Paul: “Honestly I — I don't call the shots with production. So, as of now I have gotten word that it also has been paused, but I do not call those shots. So, as far as I know it — it was, but I don't know for how long and why.” Spencer: “And — and I know you're one of the executive producers on the show.” Paul: “Yeah, yeah. I got told that this — this year.” Spencer: “Oh, you didn't know that?” Paul: “I — I didn't. No. And I was like, what does that mean? You know, I was, like, like, I think just because we share our lives and we produce like our own, you know, lives.” Spencer: “Yeah. Paul: “But I don't know if that necessarily what that — what that means.” Spencer: “And how do you — how do you envision your future on that show?” Paul: “Hard to say now, right?” Spencer: “Right.” Paul: “Just because of, you know, everything going on. It's hard to see past this. I'm not going to lie. In this moment, it's just so heavy. And when your life is broadcasted out there in these headlines, it's, like, the end of the world.” Spencer: “Right.” Paul: “That's what it feels like. I'm not going to lie. But I will say I've, I've been here before and I got through it and, you know, shared my story, my life. So I — I'm hoping that I can do that again.” Spencer: “Yeah.”

You mean this interview on Wednesday’s ‘Good Morning America’ wasn’t enough to save Taylor Frankie Paul’s season of ‘The Bachelorette’ in light of video showing her beating her ex-boyfriend? Lara Spencer: “I want to hear all about your bachelorette journey. But first I want to give you the opportunity to respond to recent headlines about the alleged domestic violence incident with your ex-boyfriend. What do you want to share with us about this?” Paul: “Honestly, I — it's been a heavy time to see the headlines, especially during this time of The Bachelorette being released and it's supposed to be really exciting time. I'm a person that will always speak my truth and I'm — you know, that's what I'm known for. And so, when the time is right I will be. But right now, just trying to be in the present moment and focus on this and — but the thing is — is my — my kids do come first. My kids come first. And so, it's been, like, just a back and forth process trying to be here in the present moment, worrying about, you know, home and headlines. It's been stressful to be honest.” Spencer: “We did reach out to Dakota. And he did not — we did not — for a statement. We did not get a response from him. Now we have reports that ‘The Secret Lives of Mormon Wives’ has paused production on the next season. I know there's a season on right now and then season five was in production. Reports say it's been — it's paused. Is that true?” Paul: “Honestly I — I don't call the shots with production. So, as of now I have gotten word that it also has been paused, but I do not call those shots. So, as far as I know it — it was, but I don't know for how long and why.” Spencer: “And — and I know you're one of the executive producers on the show.” Paul: “Yeah, yeah. I got told that this — this year.” Spencer: “Oh, you didn't know that?” Paul: “I — I didn't. No. And I was like, what does that mean? You know, I was, like, like, I think just because we share our lives and we produce like our own, you know, lives.” Spencer: “Yeah. Paul: “But I don't know if that necessarily what that — what that means.” Spencer: “And how do you — how do you envision your future on that show?” Paul: “Hard to say now, right?” Spencer: “Right.” Paul: “Just because of, you know, everything going on. It's hard to see past this. I'm not going to lie. In this moment, it's just so heavy. And when your life is broadcasted out there in these headlines, it's, like, the end of the world.” Spencer: “Right.” Paul: “That's what it feels like. I'm not going to lie. But I will say I've, I've been here before and I got through it and, you know, shared my story, my life. So I — I'm hoping that I can do that again.” Spencer: “Yeah.”

Curtis Houck

1,083,250 görüntüleme • 4 ay önce

Terrence McKenna in an interview in 1998: "I think it's just going to get weirder and weirder and weirder, and finally, it's going to be so weird that people will have to talk about how weird it is. [...] This is what it's like when a species prepares to depart for the stars. You don't depart for the stars under calm and orderly conditions. It's a fire in a madhouse, and that's what we have - the fire in the madhouse at the end of time. This is what it's like when a species prepares to move on to the next dimension."

Terrence McKenna in an interview in 1998: "I think it's just going to get weirder and weirder and weirder, and finally, it's going to be so weird that people will have to talk about how weird it is. [...] This is what it's like when a species prepares to depart for the stars. You don't depart for the stars under calm and orderly conditions. It's a fire in a madhouse, and that's what we have - the fire in the madhouse at the end of time. This is what it's like when a species prepares to move on to the next dimension."

𓆝𓆜𓆞𓆢

26,389 görüntüleme • 1 yıl önce

joe locke: "i think at the moment i'm in this place where i feel like everything i get sent now is for another vulnerable skinny twink. which is great. and i know i can do that. and i'm really honored that the industry sees me as, like, the go-to guy to be the vulnerable gay guy. and it's holding space for both that feeling of, like, wow, this is an amazing thing, but also like, oh, but i know i can do other things, and i really want to be able to prove myself that i can, or prove to people that i can do other things. what's not, like, coming across like a bit of an asshole being like, oh, well, blah, blah, blah, blah, blah, because, you know, i'm so grateful that i'm in the opportunity to be able to be seen as that, but i also, i'm also someone who always wants to prove themselves, and so i want to be able to do that. so, i don't know what that, like, to me, what that is, whether it's like a film that has nothing to do with sexuality, a film where i play a straight guy, a film where i even play a gay character that's just not like charlie. but i think that it's almost that, like, it's that, like, classic, like, miley cyrus thing of, like, her post-disney days where she—but with less disrespect and with a torrent of respect to the character of charlie." 🎥:

joe locke: "i think at the moment i'm in this place where i feel like everything i get sent now is for another vulnerable skinny twink. which is great. and i know i can do that. and i'm really honored that the industry sees me as, like, the go-to guy to be the vulnerable gay guy. and it's holding space for both that feeling of, like, wow, this is an amazing thing, but also like, oh, but i know i can do other things, and i really want to be able to prove myself that i can, or prove to people that i can do other things. what's not, like, coming across like a bit of an asshole being like, oh, well, blah, blah, blah, blah, blah, because, you know, i'm so grateful that i'm in the opportunity to be able to be seen as that, but i also, i'm also someone who always wants to prove themselves, and so i want to be able to do that. so, i don't know what that, like, to me, what that is, whether it's like a film that has nothing to do with sexuality, a film where i play a straight guy, a film where i even play a gay character that's just not like charlie. but i think that it's almost that, like, it's that, like, classic, like, miley cyrus thing of, like, her post-disney days where she—but with less disrespect and with a torrent of respect to the character of charlie." 🎥:

daily joe locke

33,980 görüntüleme • 12 gün önce

Rick Rubin on being addicted to the miracle of creation: “I like the moment of revelation. So we're working on something and it's just okay. It's boring. I'd rather not be there. That's how it feels. But then something happens and it's like magic. Something appears. It's not like we made it. Something comes up in the process. It's conjured in the process. It’s like a miracle and that's the thing that's addictive. That feeling when it's like it's not good, it's not good, it's not good, it's not good. We try something and it doesn't work. Try something else and it doesn't work. But then all of the sudden what we're listening to is really cool. That's the [addictive] feeling, that moment of discovery where it goes from nothing to something really good. And then the whole rest of the process after that is protecting that because it's super delicate. When it happens it's like this miracle happened and this magic thing happened and now we have to protect it through the rest of the process to not ruin it. It's scary because you don't want it to end. You don't want it to stop because we know if it stops, we can't control it. We can't do it again. It's not like that. It's this moment in time where something magical happens. So we spend a lot of time waiting and I can't say that's fun. Waiting is not fun.”

Rick Rubin on being addicted to the miracle of creation: “I like the moment of revelation. So we're working on something and it's just okay. It's boring. I'd rather not be there. That's how it feels. But then something happens and it's like magic. Something appears. It's not like we made it. Something comes up in the process. It's conjured in the process. It’s like a miracle and that's the thing that's addictive. That feeling when it's like it's not good, it's not good, it's not good, it's not good. We try something and it doesn't work. Try something else and it doesn't work. But then all of the sudden what we're listening to is really cool. That's the [addictive] feeling, that moment of discovery where it goes from nothing to something really good. And then the whole rest of the process after that is protecting that because it's super delicate. When it happens it's like this miracle happened and this magic thing happened and now we have to protect it through the rest of the process to not ruin it. It's scary because you don't want it to end. You don't want it to stop because we know if it stops, we can't control it. We can't do it again. It's not like that. It's this moment in time where something magical happens. So we spend a lot of time waiting and I can't say that's fun. Waiting is not fun.”

David Senra

12,759 görüntüleme • 2 ay önce

Abella Danger revealed that her introduction to the advlt entertainment industry came through a past relationship. She explained that her partner at the time was already involved in the industry, and because they were in an open relationship, she became exposed to that lifestyle. According to her, he encouraged her to give it a try, and after experiencing it herself, she found that she genuinely enjoyed it and decided to pursue it as a career. “I was like, ‘Oh my gosh, I want to do this like forever. This is what I want to do,’ and then I never left.”

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Abella Danger revealed that her introduction to the advlt entertainment industry came through a past relationship. She explained that her partner at the time was already involved in the industry, and because they were in an open relationship, she became exposed to that lifestyle. According to her, he encouraged her to give it a try, and after experiencing it herself, she found that she genuinely enjoyed it and decided to pursue it as a career. “I was like, ‘Oh my gosh, I want to do this like forever. This is what I want to do,’ and then I never left.”

ZAN

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Harry about why he chose to do residencies in certain cities on Zane Lowe “I think it makes the show better. I think you can build something that doesn't have to travel every night. I think the show itself is better. I think there's something in this that allows me to like stay in my life while I'm doing it and therefore I think allows me to take care of myself better, which I think makes me better at doing the thing. It's not like I'm saying I'll never travel again, but I want to see what it looks like if you do it a different way. And you know, people in my band have like families now and kids and some aspect of that, too. It's really important to me that they're on the road that I would love to like have them and I don't want to make it like near impossible for them to be able to do that with me.”

Harry about why he chose to do residencies in certain cities on Zane Lowe “I think it makes the show better. I think you can build something that doesn't have to travel every night. I think the show itself is better. I think there's something in this that allows me to like stay in my life while I'm doing it and therefore I think allows me to take care of myself better, which I think makes me better at doing the thing. It's not like I'm saying I'll never travel again, but I want to see what it looks like if you do it a different way. And you know, people in my band have like families now and kids and some aspect of that, too. It's really important to me that they're on the road that I would love to like have them and I don't want to make it like near impossible for them to be able to do that with me.”

HSNews

282,165 görüntüleme • 5 ay önce

"I'm sitting in the MGM watching it in preview and all of a sudden this guy I just beat the shit out of in print, not that that matters at all, I'm holding back tears. It's real because it was raw and I had never seen him like that." Mark Kriegel on the evolution of Mike Tyson.

"I'm sitting in the MGM watching it in preview and all of a sudden this guy I just beat the shit out of in print, not that that matters at all, I'm holding back tears. It's real because it was raw and I had never seen him like that." Mark Kriegel on the evolution of Mike Tyson.

Ariel Helwani

20,603 görüntüleme • 1 yıl önce

Oleh Plotnytskyi answers what it's like to have strong teammates in the club. "How is it when two strong players like Ishikawa or Semeniuk arrive in the team? Is it a stimulus?" "It's a lot. You have to take these opportunities as something that makes you improve, because it's not like you have to be like: 'I want to play, this guy has to stay on the bench, the coach likes him, I don't like him', I'm sorry but cazzo, you don't have to do that. You have to take it as an opportunity to improve because you have him in front of you every day, the best player in the world and then you have everything. And luckily God gave you that he plays with you with your team and not on the other side. You can achieve something for yourself like Yuki, Yuki's tranquility, do like him, he makes a mistake smiles, is fine, asks for the ball, give me another and scores a point. Semeniuk is always focused on work, try to do like that.

Oleh Plotnytskyi answers what it's like to have strong teammates in the club. "How is it when two strong players like Ishikawa or Semeniuk arrive in the team? Is it a stimulus?" "It's a lot. You have to take these opportunities as something that makes you improve, because it's not like you have to be like: 'I want to play, this guy has to stay on the bench, the coach likes him, I don't like him', I'm sorry but cazzo, you don't have to do that. You have to take it as an opportunity to improve because you have him in front of you every day, the best player in the world and then you have everything. And luckily God gave you that he plays with you with your team and not on the other side. You can achieve something for yourself like Yuki, Yuki's tranquility, do like him, he makes a mistake smiles, is fine, asks for the ball, give me another and scores a point. Semeniuk is always focused on work, try to do like that.

joey, and flower 🌼

17,384 görüntüleme • 1 yıl önce

🚨TRUMP: "This is the weave. They used to say I ramble. I don't ramble. I do a weave. Do you know what a weave is? It's a story. And as you're telling the story you realize there's a little offshoot. The key is that you have to come back. Then you do another weave. Then sometimes you do a weave off of a weave. And then you go back. It's called the weave." "You always have to end up in the right place or else you're rambling. But no, I have a very fertile brain. It's the weave, you can cover like 15 subplots, but then you get down to the final answer."

🚨TRUMP: "This is the weave. They used to say I ramble. I don't ramble. I do a weave. Do you know what a weave is? It's a story. And as you're telling the story you realize there's a little offshoot. The key is that you have to come back. Then you do another weave. Then sometimes you do a weave off of a weave. And then you go back. It's called the weave." "You always have to end up in the right place or else you're rambling. But no, I have a very fertile brain. It's the weave, you can cover like 15 subplots, but then you get down to the final answer."

Autism Capital 🧩

302,567 görüntüleme • 1 yıl önce

American singer Jaguar Wright has weighed in on the explosive rumors surrounding the Diddy tapes, sharing her bold claims about who might be involved. Wright claims that Barack Obama appears on at least one tape, while members of the Royal Family are allegedly featured as well. She goes on to claim that Jennifer Lopez is on multiple tapes, and names major stars like Beyoncé, Drake, Usher, and Chris Brown as being part of the scandal. Wright, known for her bold insights, also predicted Diddy's downfall and arrest long before these allegations surfaced.

American singer Jaguar Wright has weighed in on the explosive rumors surrounding the Diddy tapes, sharing her bold claims about who might be involved. Wright claims that Barack Obama appears on at least one tape, while members of the Royal Family are allegedly featured as well. She goes on to claim that Jennifer Lopez is on multiple tapes, and names major stars like Beyoncé, Drake, Usher, and Chris Brown as being part of the scandal. Wright, known for her bold insights, also predicted Diddy's downfall and arrest long before these allegations surfaced.

Shadow of Ezra

862,842 görüntüleme • 1 yıl önce

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

23,149 görüntüleme • 6 ay önce

Letitia Wright breaks down what it really means to see David Jonsson stepping into the MCU and taking on the Black Panther mantle. Interviewer: Huge news with David Jonsson joining the MCU... would love to hear your reaction to his casting as Prince T'Challa... Letitia Wright: Firstly, the news was really beautiful to hear because I have a personal connection to David... In this film, Doomsday, we see her growth... she now has that mantle to pass on and that wisdom to pass on... I'm going to have a really good time, a lot of fun, and I'm going to pick on him so much. Interviewer: Did you guys know the news of David before today? Letitia Wright: Very secretive on this camp. Pedro Pascal: Bananas. I'm bananas over it. I think it's amazing. I think he's amazing. I think he's joining an amazing cast.

Letitia Wright breaks down what it really means to see David Jonsson stepping into the MCU and taking on the Black Panther mantle. Interviewer: Huge news with David Jonsson joining the MCU... would love to hear your reaction to his casting as Prince T'Challa... Letitia Wright: Firstly, the news was really beautiful to hear because I have a personal connection to David... In this film, Doomsday, we see her growth... she now has that mantle to pass on and that wisdom to pass on... I'm going to have a really good time, a lot of fun, and I'm going to pick on him so much. Interviewer: Did you guys know the news of David before today? Letitia Wright: Very secretive on this camp. Pedro Pascal: Bananas. I'm bananas over it. I think it's amazing. I think he's amazing. I think he's joining an amazing cast.

Fola

17,130 görüntüleme • 7 gün önce

Growing up being Spanish but black it's a funny thing cause I always felt like the people that had my skin color in PR or anywhere I went in the world did not identify themselves as black people. And even in my household my parents didn't think we were black And I use to be like 'So what the hell are we' And my mom use to be like (No me traigas Negros Por Aqui) And that's exactly what I did. She hated her mother so bad 🤦🏽‍♀️🤦🏽‍♀️ but her dad in the other hand a white men with green eyes she loved him dearly. I embrace my color and I teach my daughter how to embrace hers. Being this color it's not a crime and it's not a religion and it's not a certain type of people. It's being this color! Thank God I did not let ignorant people make me hate myself. If anything it made me love it more! Yes I'm brown/black and I like it. Why don't you. Smh. Watch Part 6 of “Why Are You Here?” STARTING NOW Only on Whyareyouheretv Subscribe at Join #WAYHTV $5.99/month • $59.99/year #JoselineHernandez #WAYHTV

Growing up being Spanish but black it's a funny thing cause I always felt like the people that had my skin color in PR or anywhere I went in the world did not identify themselves as black people. And even in my household my parents didn't think we were black And I use to be like 'So what the hell are we' And my mom use to be like (No me traigas Negros Por Aqui) And that's exactly what I did. She hated her mother so bad 🤦🏽‍♀️🤦🏽‍♀️ but her dad in the other hand a white men with green eyes she loved him dearly. I embrace my color and I teach my daughter how to embrace hers. Being this color it's not a crime and it's not a religion and it's not a certain type of people. It's being this color! Thank God I did not let ignorant people make me hate myself. If anything it made me love it more! Yes I'm brown/black and I like it. Why don't you. Smh. Watch Part 6 of “Why Are You Here?” STARTING NOW Only on Whyareyouheretv Subscribe at Join #WAYHTV $5.99/month • $59.99/year #JoselineHernandez #WAYHTV

Joseline Hernandez

994,769 görüntüleme • 3 ay önce

I'm selling my tour bus:) It's served me very well since 2019, but it's time for her to have a new home, and I hope whoever gets her, loves her like I do:) See the video below for a look around, and click the link if you wanna have a chat about it🇺🇸

I'm selling my tour bus:) It's served me very well since 2019, but it's time for her to have a new home, and I hope whoever gets her, loves her like I do:) See the video below for a look around, and click the link if you wanna have a chat about it🇺🇸

John Rich🇺🇸

163,671 görüntüleme • 10 ay önce

One of the reasons Betty Wright’s influence never disappeared is because later generations kept pulling her energy directly into the music. The irony of Beyoncé sampling Betty Wright’s “Girls Can’t Do What the Guys Do” on “Upgrade U” is that Beyoncé spends the entire track proving the opposite. Betty’s 1968 song, written by Clarence Reid and Willie Clarke and produced by Brad Shapiro and Steve Alaimo, spoke to the double standards, gender expectations, and power dynamics from a young Black American woman’s perspective, however, decades later, Beyoncé flipped that tension into a modern power statement, showing a woman matching ambition, money, image, strategy, and partnership on her own terms. It is a reminder that Betty Wright was never just a “vintage Soul singer.” Her records became part of the DNA of modern Black American music to be sampled, replayed, quoted, and reinterpreted by artists who grew up on the emotional honesty, groove architecture, and woman-centered storytelling she helped pioneer.

One of the reasons Betty Wright’s influence never disappeared is because later generations kept pulling her energy directly into the music. The irony of Beyoncé sampling Betty Wright’s “Girls Can’t Do What the Guys Do” on “Upgrade U” is that Beyoncé spends the entire track proving the opposite. Betty’s 1968 song, written by Clarence Reid and Willie Clarke and produced by Brad Shapiro and Steve Alaimo, spoke to the double standards, gender expectations, and power dynamics from a young Black American woman’s perspective, however, decades later, Beyoncé flipped that tension into a modern power statement, showing a woman matching ambition, money, image, strategy, and partnership on her own terms. It is a reminder that Betty Wright was never just a “vintage Soul singer.” Her records became part of the DNA of modern Black American music to be sampled, replayed, quoted, and reinterpreted by artists who grew up on the emotional honesty, groove architecture, and woman-centered storytelling she helped pioneer.

#BMH365 🎶🎤

85,104 görüntüleme • 2 ay önce

If you go back to Trump's first term and even in the second term, the number of people in the inner circle, it's very volatile. People come, people go. It's kind of like a rotation. You get too close to the sun, your wings melt and you fall out. It's not the end of the free world as we know it. I actually think these two men will get back together again. I know it's salacious, it's really an interesting story, but at the end of the day they both have attributes that the other wants. Elon is a unique individual and Trump is a unique individual. They both have huge egos. They had a bad date. It's like a marriage and they're having a fight. I'm over it already. I think this is noise frankly. I don't think it really matters long-term. They can call each other on their cell phones and work it out and they will.

If you go back to Trump's first term and even in the second term, the number of people in the inner circle, it's very volatile. People come, people go. It's kind of like a rotation. You get too close to the sun, your wings melt and you fall out. It's not the end of the free world as we know it. I actually think these two men will get back together again. I know it's salacious, it's really an interesting story, but at the end of the day they both have attributes that the other wants. Elon is a unique individual and Trump is a unique individual. They both have huge egos. They had a bad date. It's like a marriage and they're having a fight. I'm over it already. I think this is noise frankly. I don't think it really matters long-term. They can call each other on their cell phones and work it out and they will.

Kevin O'Leary aka Mr. Wonderful

267,461 görüntüleme • 1 yıl önce