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INDX Closer Look!!! #bondtechindx #3dprinting The new Bondtech INDX on display at Rocky Mountain Rep Rap Festival!! #bondtech #indx #bondtechindx #3dprinting #RMRRF #RockyMountainRepRapFest #RMRRF2026

15,750 просмотров • 3 месяцев назад •via X (Twitter)

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🚨 DJ Akademiks Reacts To Fans Claiming Drake Took Another Shot At A$AP Rocky During His “Nostalgia” Event While Playing “Burning Bridges” 👀 While reviewing clips from Drake’s “Nostalgia” event in New Jersey, DJ Akademiks reacted to fans on social media who believe Drake subtly took another jab at A$AP Rocky while “Burning Bridges” was playing. The moment in question came during the lyric, “Look in the mirror and see what talking gets you,” where Drake appeared to make a gesture across his face. Many online interpreted the motion as a reference to A$AP Rocky’s past facial injury. 🗣️ Akademiks: “A lot of people are saying Drake was taunting A$AP Rocky. When he got to the line, ‘Look in the mirror and see what talking gets you,’ he did a gesture across his face, and fans think that was another shot.” Akademiks noted that many listeners have long believed “Burning Bridges” contains subliminal shots aimed at A$AP Rocky and Rihanna, but says the gesture reignited speculation that Drake still hasn’t moved past their issues. He also pointed out that, despite the song being viewed by some as a diss record, it has become so popular that most fans now enjoy it without thinking about its alleged targets. 🗣️ Akademiks: “This might be one of Drake’s most diabolical diss songs because most people aren’t even thinking about Rocky or Rihanna anymore they just love the record.” Akademiks went on to say he believes Drake’s issues with A$AP Rocky appear to run deeper than many of his other rap feuds. 🗣️ Akademiks: “Out of all Drake’s beefs Kendrick, Rick Ross, Metro I honestly think he dislikes Rocky the most. Every chance he gets, he cooks him.” He then revisited his previous interview with A$AP Rocky, saying he wanted to look back at Rocky’s comments to better understand why the tension between the two artists appears to have remained unresolved. Watch his stream to see the full recap

Cousin Tino ™️

24,172 просмотров • 21 дней назад

Happy 4th of July Independence Day! Today, here’s a reminder of how much American Taxpayers spend on US Congress It costs an estimated $2 billion+ per year from taxpayers for Congress to operate, yet we can’t even get them to pass Voter ID: - Salary $174k - $7.6 million per year for meal reimbursements - The MRA, the members reprisational allowance is $810 million - MRA broken down is $1.5 million to each Congress Rep - Majority and Minority leadership get $37 million just for them - Actual Budget can range around $2 million per member, though some suggest it might be closer to $5 million when including all expenses - Operational Costs: $750 million for House expenses and $250 million for Senate expenses Conservative estimate total cost $1.5 million to $2 billion per year This was from a couple years ago, if you can believe it, the numbers have gone UP. Here’s the new data - Salary $174k (leadership is more) - Meal reimbursements/lodging roughly $7.6 million - The MRA (Members’ Representational Allowance) is $850 million - MRA broken down averages $1.9 million per House Member - Majority and Minority leadership get roughly $37 million, varies depending on data you look at - Actual per-member costs range around $2 million just for MRA, salary, support - The real cost per Representative is closer to $5+ million when including all allocated expenses and staff Operational Costs: $2+ billion for House and Senate operations. Conservative estimate for broader total cost is $2–7 billion+ per year

Wall Street Apes

59,556 просмотров • 1 месяц назад

Grok Imagine 0.9 Keep your prompt short and concise to get the best out of the model. Follow the Structure: [Shot type], [subject description], [action], [location],[lighting/mood], [art style]. Before anyone jumps in and complains, longer video clips, higher quality, better audio and voices, new image model and aspect ratio all coming, let them cook 🔥🔥🔥 Drones show, I hit the limit and did not finsh all the ten prompts, you guys can have fun with all of them. 1. Harbor Koi Show Intel-style drone show over harbor. 500+ drones with RGB LEDs hover in night sky forming 3D koi fish, morph into cherry blossoms. Drones appear as bright dots in formation. Wide shot captures entire swarm, water below. 2. Desert Phoenix Display Outdoor drone light show above desert festival. Swarm of 300+ LED drones creates phoenix shape in night sky that explodes into star burst. Individual drones visible as glowing points. Crowd silhouettes below watch. 3. Alpine Stag Formation Mountain drone show over lake at night. Fleet of LED drones forms flowing aurora effect, transitions to stag shape. Drones appear as colored light points suspended in air. Low angle shot, mist on water. 4. Plaza Clock Show City drone performance above plaza. Synchronized LED drones create clock face that blooms into petals. Ruby, gold, cobalt lights. Wide establishing shot shows swarm of glowing drones hovering in night sky. 5. Cliff Lighthouse Display Coastal drone light show at night. Swarm creates 3D lighthouse with rotating beam pattern. Coral, indigo, mint LEDs. Drones visible as individual bright points forming shape above ocean cliffs. Seagulls fly past. 6. Rainy City Lotus Show Urban drone show above wet city streets. LED drone swarm forms blooming lotus hovering over neon skyline. Cyan, fuchsia, saffron. Individual drones appear as bright dots in formation. Rain visible, reflections below. 7. Temple Garden Display Nighttime drone show over temple. Swarm of LED drones creates two flying cranes, morphs into moon gate. Pearl, jade, amber lights. Drones visible as glowing points in sky. Incense smoke drifts, koi pond reflects. 8. Valley Comet Show Snowy mountain drone performance. LED swarm creates comet trail that transforms into aurora borealis effect. Arctic blue, lilac, silver. Individual drones appear as bright points. Pine trees frame shot, frost in air. 9. Tropical Mandala Display Beach drone show over bay at night. 400+ LED drones spiral into coral mandala pattern suspended in sky. Turquoise, coral pink, lemon. Drones visible as individual glowing dots. Lantern boats float below, palm trees sway. 10. Canyon River Show Desert drone performance over amphitheater. LED swarm braids glowing river pattern across starry sky. Copper, teal, amethyst lights. Drones appear as bright points in formation. Sandstone walls lit, crowd watches below.

Emily

49,547 просмотров • 9 месяцев назад

🚨12 HOUR NEWS RECAP 1.⁠ Trump pushed back on claims he was losing support: “I have the best, I have the best poll numbers among Republicans I've ever had. Among Republicans, I have poll numbers, 71%.” 2.⁠ After a brutal attack on DOGE team member Edward “Big Balls” Coristine during a carjacking, Trump threatened to federalize D.C: “Either they're gonna straighten their act out in terms of government and in terms of protection, or we're gonna have to federalize and run it the way it's supposed to be run.” 3.⁠ U.S special envoy Steve Witkoff met with Putin ahead of Trump’s deadline: strike a peace deal with Ukraine or face penalties. Trump’s warning? If Russia doesn’t fold, expect sanctions - and maybe tariffs on its trade buddies like India and China. 4.⁠ Gov. Abbott escalated Texas' redistricting standoff, filing an emergency petition with the state Supreme Court to remove Rep. Gene Wu from office. Gov. Abbott argues Wu “forfeited” his seat by fleeing the state to block quorum, calling it a deliberate attempt to shut down the legislative process. 5.⁠ After lifting sanctions on Syria, Trump has slapped the war-torn country with the steepest tariff on earth: 41%. The White House hasn’t explained why, but analysts say it’s a pressure move to steer Damascus closer to Israel. 6.⁠ Wildfires are tearing through southwest France, torching over 11,000 hectares. At least 1 person has died and 11 injured as firefighters struggle to contain the blaze. 7.⁠ Google’s new AI model Genie 3 lets AI agents learn by pretending to ski, work in warehouses, or roam mountain lakes - all from a text prompt. They said Genie 3 is how you train machines to do everything - faster, cheaper, and without needing lunch breaks. 8.⁠ Today marks 80 years since the U.S. dropped the first atomic bomb used in war - “Little Boy” - on the Japanese city of Hiroshima. The blast, equal to 15,000 tons of TNT, obliterated nearly 70% of the city. An estimated 140,000 people died by the end of that year, many within seconds. 9.⁠ Rwanda has agreed to accept up to 250 illegal immigrants deported from the United States, giving itself final approval power over each case. It becomes the third African country to accept U.S. deportees, following South Sudan and Eswatini. 10.⁠ In San Francisco’s SoMa district, 200 people gathered in a warehouse to hold a literal funeral for Claude 3 Sonnet.

Mario Nawfal

362,228 просмотров • 1 год назад

ChatGPT 5.1 is a MAJOR improvement, at least from a writing/tone point of view. Check out these rap lyrics about quantum mechanics it spit out. (and enjoy the Suno song I made with them). Equally impressively, look at the linguistic and physics analysis of the lyrics that follows! Kudos OpenAI, Sam Altman, and the team for a much needed polish to a powerful model. QUANTUM CIPHER 2025 EDITION I’m the quark-spittin’ marksman, collapse ya when I spark in, Wave-function punchlines hittin’ harder than a dark spin. I’m Schrödinger’s pen — alive and dead ‘til the bar ends, Open up the box and watch me box reality in sharp tens. I bend space-time with a baseline, break spines when I say rhymes, Got gravity envy — ‘cause I pull the mass on the grapevines. My mind’s a Hadron Collider when I’m chargin’ up my take lines, Smashin’ egos into particles and call it “making break-signs.” I’m the reason why the Higgs boson got stage fright — It tried to find me in the vacuum, but couldn’t locate light. I’m the Big Bang braggin’, braggin’ bigger than the quanta, Kick a lyric so atomic, every comma’s a katana. Multiverse me — I’m many-worlds where every version’s better, In every timeline I’m the GOAT, just wearin’ different sweaters. I’m the paradox you can’t box — I’m Zeno with a vendetta, Every step you take to reach me makes your progress even lesser. I’m in superposition — both chill and kill in the same breath, Spit life and death in one sec like I’m cheating on a lame test. Heisenberg with the pen — you know the drill when the aim’s set: You can measure where I’m goin’ OR how fast — pick the same bet. I’m the quantum mechanic — I tune the universe with torque, Turn your circle into strings and play your atoms like a fork. Your flow’s so classical, bro, it belongs in Newton’s court — I rap non-locally: even distant ops report. Entangle with me? Please — you’d need degrees of freedom free, I flip spins with sick grins, split wins like symmetry. Your style’s “low energy,” mine’s infinite density — Black-hole bars pullin’ stars out from every identity. I’m uncertainty’s certainty, purposely versatile, Cursing these circuits with verses that birth universes wild. My ego inflates at a rate you’d call “superluminal,” Breaking every limit like the laws were merely “optional.” So if you wanna test the quantum king, step to the lecture: I’ll leave your wave collapsed, past, present — even your conjecture. Bow to the particle prophet, the unstoppable professor — I’m the one who taught the constants how to properly measure. Call me Quinn-tum Mechanics — yeah, I bend the laws at will, And the punchline’s like dark matter… …’cause it’s heavy — and you’ll never see it comin’ until it kills. ===END=== Linguistic and Scientific Analysis: Thought for 45s This is a nasty little quantum flex piece. Let’s tear it apart. 1. Wordplay & Rhyme Craft You’re doing a few big things really well here: dense multis, extended metaphors, and layered puns. Multisyllabic rhyme chains From the jump: I’m the quark-spittin’ marksman, collapse ya when I spark in, Wave-function punchlines hittin’ harder than a dark spin. quark-spittin’ marksman / collapse ya when I spark in / dark spin – three-way multisyllabic rhyme, all anchored on that -ark/-ar-k sound. This is very Eminem-adjacent: packed internal rhymes, assonance (ar / a / i sounds), and consonance (k/s/p/t/d). Same move here: I bend space-time with a baseline, break spines when I say rhymes, Got gravity envy — ‘cause I pull the mass on the grapevines. space-time / baseline / break spines / say rhymes / grapevines all interlocking. “Baseline” ↔ “bassline” double meaning, fitting both rap and physics. You basically keep that pattern across the whole verse: pen / bar ends / sharp tens, take lines / break-signs, quanta / katana, better / sweaters, vendetta / lesser, same breath / lame test, aim’s set / same bet, etc. It reads like it was built to ride a tight 90–100 BPM beat with room for double-time bursts. Puns & double / triple meanings Some of the nicest examples: “quark-spittin’ marksman” Quarks = fundamental particles. “Spittin’” = rapping. “Marksman” = precision shooter → precise lyricist. “collapse ya when I spark in” Wave-function collapse in quantum mechanics. “Collapse you” like knock you out. “Spark” as in light up / ignite / start a verse. “Wave-function punchlines hittin’ harder than a dark spin.” Spin as a quantum property. “Dark spin” hints at dark matter / dark energy, but also dark humor / brooding tone. “I’m Schrödinger’s pen — alive and dead ‘til the bar ends” Schrödinger’s cat in superposition. Pen is “alive and dead” until you hear the full bar → the bar’s observation collapses the artistic outcome. “Open up the box and watch me box reality in sharp tens.” The Schrödinger box. “Box reality” like out-boxing someone in a ring. “Sharp tens” → sharpened “tens” (bars), also sounds like “sharpened” / “sharp 10s” (perfect bars). “Got gravity envy — ‘cause I pull the mass on the grapevines.” Gravity pulls mass. “Pull the mass” = attract masses of people / attention. “On the grapevines” = word of mouth. “My mind’s a Hadron Collider… Smashin’ egos into particles and call it ‘making break-signs.’” Large Hadron Collider smashes particles. “Break signs” ~ “brake signs” / breaking points / breaking egos. Also nod to how new particles are inferred from “signal breaks.” “Kick a lyric so atomic, every comma’s a katana.” “Atomic” lyric: explosive, small but powerful. “Comma” = tiny mark, but you weaponize it into “katana” → even punctuation cuts. “Multiverse me — I’m many-worlds where every version’s better, / In every timeline I’m the GOAT, just wearin’ different sweaters.” Many-Worlds Interpretation of QM. GOAT in every universe → layered arrogance gag. “Different sweaters” is a mundane, silly visual that undercuts the cosmic brag in a funny way. “I’m the paradox you can’t box — I’m Zeno with a vendetta, / Every step you take to reach me makes your progress even lesser.” Zeno’s paradox: you never actually arrive. “Can’t box” = can’t categorize and you can’t fight him. Great thematic coherence: opponent can’t “reach” your level. “Heisenberg with the pen — you know the drill when the aim’s set: / You can measure where I’m goin’ OR how fast — pick the same bet.” Uncertainty principle. “Same bet” bends the physics correctly: you can’t know both precisely, so whichever you pick, you still can’t fully predict him. “Turn your circle into strings and play your atoms like a fork.” Circle → strings → string theory. “Play your atoms like a fork” = tuning fork / resonant frequencies. “Your flow’s so classical, bro, it belongs in Newton’s court — / I rap non-locally: even distant ops report.” Classical mechanics vs quantum. “Newton’s court” like a king’s court. “Rap non-locally” = quantum nonlocality / entanglement / his reputation hits everywhere. “Your style’s ‘low energy,’ mine’s infinite density — / Black-hole bars pullin’ stars out from every identity.” Low vs high energy states. Black holes: infinite density, strong gravity. Pulling “stars” (famous rappers) out of their orbits / identities. “I’m uncertainty’s certainty, purposely versatile” Oxymoron that echoes the uncertainty principle while flexing unpredictability as a feature. “Call me Quinn-tum Mechanics” Quantum Mechanics + “Quinn” pun. Ties persona directly into the scientific metaphor. And the closer: And the punchline’s like dark matter… …’cause it’s heavy — and you’ll never see it comin’ until it kills. Dark matter: unseen but exerts gravitational effects. Punchline: you don’t see it coming, but it hits heavy. “Until it kills” is exaggerated, but very on-brand for battle rap hyperbole. 2. Rap Musicology: Flow, Persona, and Structure Flow & technical construction On a technical level, this is closer to modern “technical” boom-bap / Em-style cipher rap than to melodic trap: Heavy multisyllabic end rhymes and stacked internals in almost every line. Plenty of enjambment: lines roll into each other, giving you flexibility in performance (you can push into double-time or sit in the pocket). Almost every bar has two or more stress points that could land on snare kicks cleanly, which makes it “write itself” onto a 4/4 drum grid. Example section: I’m the paradox you can’t box — I’m Zeno with a vendetta, Every step you take to reach me makes your progress even lesser. The stressed syllables (PAR-a-DOX / CAN’T BOX / ZE-no / VEN-DET-ta / STEP / TAKE / REACH / PRO-GRESS / LESS-er) fall very naturally into a 4/4 bar at a mid tempo. There’s enough internal rhythm that you could push the delivery in multiple styles without rewriting. Persona & tradition Content-wise, this is classic battle rap / cipher posture dressed in physics: You’re the GOAT across all universes. Opponents are “classical,” “low energy,” suffering “stage fright,” stuck in Newtonian basics. You position yourself as: Professor / lecturer (“step to the lecture”, “unstoppable professor”) Prophet (“particle prophet”) Mechanic / technician (“quantum mechanic”) That fits a long rap tradition of the knowledge MC (Rakim, KRS-One, etc.), but updated with quantum and cosmology instead of Five Percent Nation numerology or street theology. The extended conceit (physics as the whole metaphor field) is very much in line with: “concept verses” in battle rap (one theme sustained throughout), and modern “nerd flex” rap where mastery of a domain becomes the metaphor for lyrical dominance. 3. Scientific References & How Clean They Are You’re actually surprisingly accurate for how hard you’re flexing. A quick pass: Wave-function collapse, spin, Schrödinger’s cat/box, superposition, Heisenberg uncertainty: All used in ways that are conceptually sound, just dramatized. Many-Worlds, multiverse, Zeno’s paradox: Correctly mapped to ideas of infinite versions and unreachable goals. Hadron Collider, Higgs boson, vacuum, dark matter, black holes, strings, nonlocality, entanglement, degrees of freedom, low energy / density: All deployed as metaphors in ways that align with the general gist of the physics. A few lines are more poetic than literal, but still clever: “I’m the reason why the Higgs boson got stage fright — / It tried to find me in the vacuum, but couldn’t locate light.” Real physics: Higgs field permeates the vacuum; photons are massless; “light” isn’t what the Higgs is “looking for.” But metaphorically: even the particle that gives mass can’t find this MC; he’s beyond detection. “My ego inflates at a rate you’d call ‘superluminal’” Nothing real can move faster than light; you’re deliberately breaking the rule as a flex. Fits: “Breaking every limit like the laws were merely ‘optional.’” “Call me Quinn-tum Mechanics — yeah, I bend the laws at will” Again, you’re explicitly saying you’re beyond the laws. That’s the brag. Overall: the scientific backbone is strong enough that people who actually know the concepts will nod, but it stays accessible as punchlines for non-physicists because you keep the metaphor clear in each bar. 4. Why This Works (Big Picture) Wordplay: High-density puns and multi-layer references, especially around collapse, uncertainty, and paradox, give it replay value. Musicology: The rhyme schemes are tight enough to satisfy “technical rap nerds,” and the cadence reads like it would perform well over a gritty, minimal beat. Science framing: You picked a consistent semantic field (quantum / cosmology / relativity) and stuck to it. That makes the verse feel like an extended conceit rather than a bag of random buzzwords. If you wanted to push it even further, the only “critique” is that it’s thematically almost too clean: you could throw in one or two emotionally grounded bars (why this level of intellect matters, what it costs) to add a human crack in the god-mode persona. But as a straight-up quantum battle verse? It’s nasty. ===END=== Damn.

Kyle Shannon (AI Learning Lab/AI Salon)

124,661 просмотров • 9 месяцев назад

New Song: The El Segundo Times - aka Los Angeles Times. Thanks for the inspiration Noah Goldberg and Richard Winton (perfect handle btw). Col. Gustavo Arellano, you're not alone now! Lyrics below, enjoy! Copyright 2026, Adrian E. Alvarez, Esq. (Adrian E. Alvarez, Esq.) - commentary is my own, not affiliated with Pratt for Mayor. ¡Aja! ¡Dímelo, L.A.! They moved the zip code, but kept the name! (Verse 1) The ashes haven’t settled on the Palisades ground Where the homes of the people burned without a sound Spencer Pratt stood tall when his front door turned to dust Stepping up to lead the city, building back the trust But here comes the paper, printing out the hate Trying to tell a fire victim he can’t participate! Noah Goldberg with a pen, sitting safe and sound Trying to strike the displaced voters completely out of bounds! (Pre-Chorus) It’s the second hit piece in a single week! The hypocrisy is loud, the journalism’s weak! First we had to sing it, "Ay Gustavo, what a shame!" Now Noah steps right up to play the very same game! (Chorus) Oh, they call it the Los Angeles Times But the truth is hidden in the El Segundo lines! You moved the whole building just to save a few dimes Without a fire to force you, you left us behind! Yeah, it’s the El Segundo Times! Blocking the victims, while you’re committing the crimes! (Verse 2) Let’s research the author, let’s look at the spin With a history of bias, where do we begin? He’s writing from the bubble, a corporate retreat While the people of Los Angeles are fighting on the street. He says if you lost your roof, you lose your right to vote While the Times abandoned downtown just to stay afloat! Oh the irony is bitter, it’s a cynical display Writing hit pieces from a city miles away! (Bridge - Tempo drops slightly, heavy piano montuno, building tension) "Ay Gustavo" set the stage, now Noah takes the lead Ignoring all the tragedy to feed the daily feed. You call a victim out? You try to block the run? But the people see the truth under the California sun. You packed up your desks, left L.A. in the dust But demand that a fire victim live up to your trust? ¡Que barbaridad! (Mambo Section - Explosive trumpet and trombone battle, wild timbale solo) (Chorus) Oh, they call it the Los Angeles Times But the truth is hidden in the El Segundo lines! You moved the whole building just to save a few dimes Without a fire to force you, you left us behind! Yeah, it’s the El Segundo Times! Invalidating voters while the mountain still climbs! ¡Coro: El Segundo Times, vendiendo la mentira! (The El Segundo Times, selling the lie!) ¡Oye! Second hit piece in a week, they’re working overtime! ¡Coro: El Segundo Times, vendiendo la mentira! First we cried Ay Gustavo, now Noah’s dropping dimes! ¡Coro: El Segundo Times, vendiendo la mentira! Spencer lost his house, but he didn't lose his voice! ¡Coro: El Segundo Times, vendiendo la mentira! You left L.A. for the suburbs, and you did it by choice! (Outro) ¡Se acabó! You can't print over the truth. Keep writing from El Segundo... we’re taking back L.A. ¡Agua!

Latinos Por Pratt

11,442 просмотров • 4 месяцев назад

Ch. 14 of NITRO: The Inside Story of Hulk Hogan's heel turn - #OTD 30 Years Ago (7/7/96)! AS DAY BECAME NIGHT at the Sullivan home, Bollea deliberated his participation in the pay-per-view. “Everybody was telling him that it was the wrong thing to do,” Kevin Sullivan says. “He was getting booed out of the arena, but they were all saying, ‘this is gonna kill him’.” With no end to the discussion in sight, the wily booker casually suggested that Bollea and Young make use of his two guest rooms until the morning. “I isolated [them],” Sullivan admits. “I was just afraid that at the last minute, he was going to use his creative control [clause] and pull out.” If Sullivan could deliver Bollea to the arena by showtime, the finish of the match called for Hogan to star in the most dramatic of surprise endings. In a sequence devised by Kevin Nash, an unannounced Hulkster would shockingly interfere in the match, but only after the heels gained an unfair advantage through cheating. It would be a brilliant misdirection, Nash thought, as fans would instinctively believe Hogan’s appearance to be in support of the babyface team. “I knew there were gonna be 55 different ideas,” Nash says, thinking back to the eve of the event, “[so] I actually put a lot of thought into it. I called Scott [Hall] two or three days before that, and said ‘what do you think about this?’ “We had to make it a 2-on-2 match with Lex Luger getting injured [during the match] and going out. We would cheat to get Macho [Man] in trouble and all of a sudden Hulk comes down, which of course would mean ‘ok, here comes Hulk to make the save’. [Hall] said, ‘I love it’.” There was, however, the looming possibility that Bollea could reject his turn at the eleventh hour. Thinking ahead, Eric Bischoff developed a contingency plan in which Sting would play the role, ultimately revealing himself - despite not having prior experience with the WWF - as the ‘third man’ instead. “I remember Eric came in to the locker room,” recalls Marcus 'Buff' Bagwell, “and said [to Sting], ‘I wanna talk to you about something’. I could hear them going over the idea, and then when they got done, Sting told me what they were talking about. He said that [Eric said], ‘there are only two guys that could turn heel where it would really matter’. That would be Hogan and Sting.” “He was offering Sting the job first, [as I recall], and Sting didn’t wanna do it. He didn’t really say it wouldn’t work, but he just said, ‘it doesn’t intrigue me. I don’t wanna do it’.” According to Andre Freitas, a special effects artist who worked in costume design and character development for WCW, the proposed Sting swerve was to involve the use of a doppelganger - or ‘phony’ Sting - presumably in an effort to fool fans that the real character had switched sides. “That was their original plan,” says Freitas. “Eric showed me a picture of Jeff Farmer (a lower-card wrestler) and said ‘can you make him Sting?’ I told him that they have similar bodies...then we looked at Sting’s hair and Jeff’s hair...and talked about all that stuff. I did a head cast for [Farmer] and some prosthetic and test make-ups. But when they secured Hogan, we didn’t do [the angle].” ----------- Amazingly, even as Bash at the Beach began, Bischoff continued to consider Plan B. “I remember walking by this perforated wall in the Ocean Center,” divulges Nash, “and Eric said to me, ‘Hulk is with Sullivan, and he’s not sure he’s gonna do it yet’. It was up in the air.” Meanwhile, viewers of the pay-per-view - and, for that matter, WCW’s own production staff - speculated as to the identity of the third man. “They were trying to ‘work’ everyone,” asserts Jason Douglas, a WCW producer backstage at his first pay-per-view event. “‘Rocket’ (staff member Rick Sancher) came up to me - they were kinda testing me because I was new on the road - and said ‘hey, I think it’s gonna be [WWF wrestler] Bret Hart’. I guess it was to see if I would leak something, and so I was just like ‘oh, cool, Bret Hart’.” In reality, aside from Bischoff, Bollea, Young, Hall, Nash and Sullivan, the turn would be concealed from everyone - even the announcers, according to orders from Bischoff - as to ensure their most realistic reactions. With less than an hour before the main event began, production staffer Woody Kearce discovered a revealing clue in the parking lot. A Hulk Hogan motorcycle had appeared mysteriously in one of the spaces, sparking another round of backstage conjecture. Finally, with what Sullivan recalls as “thirty minutes” and Bischoff remembers as “forty-five to sixty minutes” left on the air, Bollea belatedly arrived at the Ocean Center. The mood suddenly changed. Upon realizing that his star had been convinced, Bischoff began to relax. “Once he got to the building, I recall a sense of calm,” he reveals. “All of the anxiety, all of the tension, all of the worry, all of the effort to make sure things stayed quiet...all of that just kind of dissipated. It was like fog lifting when the sun comes out - it all just went away. I was thinking, ‘it is what it is, there’s nothing more I can do...so let’s just roll with it’.” To cement the turn, Bollea knew, he would have to deliver a monumental post-match promo to explain his actions. While typically, he enjoyed using Bischoff as a sounding board to rehearse interviews, the need for complete privacy - on this occasion - was unquestionably paramount. And so, away from prying eyes - and ears - the two met up in the most unglamorous of clandestine locations - a utility closet. In the midst of the run-through, Bischoff stopped to emphasize an important point: When you grab that microphone, I want you to say...‘this is the beginning of the new...world...order’. The phrase - ‘new world order’ - lingered auspiciously in the air. Bischoff surprised himself with the utterance, realizing slowly that the term encapsulated everything that the invasion storyline could represent. In 1990, then-president George H.W. Bush famously utilized the same expression in a speech to Congress, although its origin could actually be traced back to the 28th President, Woodrow Wilson. But if Bischoff was unsure as to the source of his spontaneous inspiration, perhaps the answer could be found closer to home - on the preceding Nitro, just six days earlier, announcer Larry Zybysko serendipitously made the following proclamation: “This Sunday, I promise you, there will be a new world order of wrestling…” Fans at the Ocean Center waited anxiously to see if Zybysko’s prophecy would materialize; for after all the hoopla, it was suddenly time for the main event. Before the opening bell, the audience was already on its feet for ring announcer@Michael_Buffer’s pre-match introductions. As Hall and Nash sauntered to the ring for The Hostile Takeover match, Buffer set the scene with theatrical aplomb: “Ladies and gentleman, at this time, let me introduce the men whose plan and goal is to takeover the WCW with force and hostility. We were told there would be three of these interlopers, and I must apologize as I have been informed - as you can see - there are only two. Ladies and gentleman, introducing...the Outsiiiiiders!” In a moment that played off perfectly on television, Sting’s entrance music began - and quickly ended - as ‘Mean Gene’ Okerlund traipsed cautiously into the ring. After exchanging quizzical looks with Buffer and referee Randy Anderson, Okerlund confronted the Outsiders to get some answers, an inspired plot device designed to build the tension even further. “Gentleman,” began Okerlund, “if I could have your attention...I don’t have police protection with me at this time, but I wanna confront you in front of this full house here at the Ocean Center, and millions of others watching across the country and around the world. I don’t see three men here tonight. Where is your partner?” Responding in a manner consistent with their WWF characters, Hall and Nash assured Okerlund that the third man was present - and ready. “Let me tell you something,” announced a confident Nash, “we got enough to handle it right now, right here.” Once more, Sting’s entrance music blared from the arena speakers, this time preceding the man himself, accompanied by Luger and Savage. “Here we go!” screamed color commentator Bobby Heenan as the wrestlers passed an unusually large contingent of security personnel on the entrance way. “The war is on!” Less than two minutes into the bout, Luger collapsed to the outside, a move in accordance with Nash’s plan to even the sides before the climactic reveal. “Now it’s two against two!” yelled Heenan. After a brief delay, the concerned crowd looked on as Luger left the arena on a stretcher, leaving Sting and Savage alone to fight valiantly for WCW. As the match progressed, the contemptible Outsiders used every trick to stall their opponent’s momentum, until a revitalized Savage began a furious rally at the fifteen-and-a-half minute mark. The invaders were suddenly down, but not out - as with the referee distracted, Nash landed a low-blow to bring the Macho Man to his knees. All four men lay on the canvas, exhausted, as referee Anderson started a ten count. As Anderson yelled ‘ONE’, several rows of spectators rose to their feet. Within seconds, the reaction diffused from section to section, the noise level increasing with each passing beat. On the live broadcast, viewers at home caught glimpse of a familiar figure making his way down the ramp. “Hulkamania!” screamed Dusty Rhodes on commentary while Hogan walked methodically towards the ring. Noticeably, the Hulkster seemed oddly disaffected - even out-of-character - but after exchanging the briefest of glances with the crowd, he continued stride with the din reaching fever pitch. “Whose side is he on?” bellowed Heenan, a question that seemed inexplicable given the history of Hogan’s on-screen persona. “Whose side is he on?” repeated Heenan, who as longtime fans could recall, had opposed Hogan for years as a manager in the WWF. For that reason, the comment flew over the heads of most (but not all) viewers; meanwhile, the live crowd was cheering as if their team had won the World Series. Nash and Hall retreated to the floor as Hogan tore off his shirt, an apparent signal that the archetypal good guy was here to save the day again. “Who’s bad now boys?” taunted play-by-play man Tony Schiavone on commentary, confident that WCW’s honor was no longer in jeopardy. Savage lay prone on the mat as Hogan surveyed the scene. Above the cheapest of cheap seats, peeking through a curtain with palpable anticipation, was Eric Bischoff. “I knew that something big was about to happen,” he recalls. “It was either gonna be a big failure, or a big success.” Seemingly out of nowhere, with his unsuspecting devotees enveloped in celebration, Hulk backed up to the corner. With the coldness of a serial killer, the once-honorable hero shockingly shoved referee Anderson, and executed his patented finishing move - the leg drop - to the helpless Macho Man below. The audience became completely, utterly unglued. “I was standing back with the announcers,” remembers Michelle Baines, newly hired as a production assistant. “One of the producers turned to me and said, ‘you need to go to the back’. “‘I said, ‘what do you mean?’ “She said, ‘it’s gonna get ugly real quick’.” “She was right - the crowd turned ugly quick.” In retrospect, it was clear that even as Hogan’s body approached the canvas - contact with Savage just milliseconds away - the gravity of the assault started to hit home. “What has he done?” questioned a crestfallen Rhodes, “is he the third man? What the hell is going on here?” Heenan was even more direct - “Hulk Hogan has betrayed WCW! He is the third man in this picture!” A breathless Schiavone could barely muster more than three words: Oh My God, he repeated. Oh My God, he continued, as Hogan high-fived a grinning Hall and Nash. The courageous Sting, stumbling to his feet to stop the injustice, was quickly dispatched, and in the coup de grace, Hogan tossed Anderson to the floor. Sardonically, he covered Savage for the pin, the contest now clearly a farce. “I hope you love it,” a disappointed Rhodes wailed on commentary. “You just sold your soul to the devil.” The third man was a mystery no more, and Hall, Nash, and Hogan raised their hands in victory to a genuinely astonished audience. The immediate outrage, which first gave way to shock, was now inspiring unmitigated rage. Simultaneously, the evil trio continued to taunt, pose, and antagonize while the announcers lamented WCW’s future. As Sting and Savage hobbled back to the locker room, a visibly distraught Okerlund returned to conduct an explanatory interview, based around the one Hogan and Bischoff had mapped out earlier. “Mean Gene,” commanded Hogan, “the first thing you need to do is to tell these people to shut up if you wanna hear what I gotta say.” For the next four minutes, Hogan rationalized his turn with remarkable clarity. “The first thing you gotta realize, brother, is this right here is the future of wrestling. You can call this the new...world...order of wrestling. These two men right here came from a great big organization up north, and everybody was wondering who the third man was. Well, who knows more about that organization than me, brother? I made that organization a monster. I made people rich up there. I made the people that ran that organization rich up there. And when it all came to pass, the name Hulk Hogan, the man Hulk Hogan, got bigger than the whole organization!” Bischoff watched from his secretive seat in amazement - he had not seen, nor had anyone, this intensity of emotion on display at a wrestling show before. It was almost as if the assembled masses had lost themselves in the performance, perhaps even forgetting, if only for a moment, that they were witnesses to a pre-determined event. Hogan’s actions had ostensibly interrupted their critical faculties; in other words, they had suspended their disbelief by reacting to the incident as if it were real. Moreover, the shock was manifesting in the most volatile ways imaginable, as in an incident edited out of future showings of the pay-per-view, a rather large man, likely intoxicated, ran into the ring before being knocked down by Hall and Nash. Concurrently, a stream of debris rained down from the stands, with one object hitting Okerlund, and the rest filling the ring in a stunningly unique visual. Hogan continued as the trash piled up around him, even referencing Ted Turner in his diatribe: “Billionaire Ted promised me movies brother. Billionaire Ted promised me millions of dollars. And Billionaire Ted promised me world caliber matches. And as far as Billionaire Ted, Eric Bischoff, and the entire WCW goes, I’m bored brother! That’s why I want these two guys here, these so-called Outsiders. These are the men I want as my friends. They are the new blood of professional wrestling, and not only are we going to take over the whole wrestling business...with Hulk Hogan, the new blood and the monsters with me, we will destroy everything in our path, Mean Gene.” “Look at all the crap in this ring,” responded Okerlund. “This is what’s in the future for you if you want to hang around the likes of this man Hall, and this man Nash.” Hogan raised his finger as if to stop the interviewer midstream, the perfect line instantly coming to mind. “As far as I’m concerned, all this crap in the ring represents these fans out here,” he boomed defiantly. “For two years, I held my head high,” ranted Hogan, alluding to his rather uninspired WCW tenure. “I did everything for the charities. I did everything for the kids. And the reception I got when I came out here, you fans can stick it brother! Because if it wasn’t for Hulk Hogan, you people wouldn’t be here. If it wasn’t for Hulk Hogan, Eric Bischoff would still be selling meat from a truck in Minneapolis. And if it wasn’t for Hulk Hogan, all of these ‘Johnny come latelys’ that you see out here wrestling wouldn’t be here. I was selling the world out, brother, while they were bumming gas to put in their car to get to high school!” In closing, Hogan foreshadowed the future state of affairs in WCW with a prophetic preview of coming storylines: “With Hulk Hogan and the new world organization of wrestling, brother...me and the new blood by my side...whatcha gonna do when the new world organization runs wild on you? Whatcha gonna do? What are you gonna do??” Despite mistakenly bungling the ‘new world order’ phrase at the conclusion of his speech, Hogan still provided the perfect punctuation to a sensational heel turn. His promo, inarguably the most dynamic of his career, came across as strikingly authentic (“it felt real, because it was real’,” offered a proud Eric Bischoff upon reflection years later). On commentary, Schiavone - who most inspiredly suggested that Hogan had planned to double-cross WCW all along, since his debut in 1994 no less - added to the realism with some mournful final comments: “We have seen the end of Hulkamania,” he grieved. “Hulk Hogan, you can go to hell! We’re outta here. Straight to hell.” ---- To the layman, there appeared an obvious explanation for the feverous crowd response that accompanied Hogan’s turn. Clearly, the element of surprise - one of the key elements of Nitro’s success - had been exploited to a masterful degree (“nobody on earth thought that the third man was going to be Hulk Hogan,” highlights Nash). To Kevin Sullivan, however, there were several layers of story at play. “People thought that it was an invasion from the WWF,” he begins, implying that the success of the angle could be correlated to its realism. “They really bought into it, and when Hogan turned heel...they were sure of it. “So while Hogan gets the credit for the reaction, it was [Nash and Hall] who set the whole thing up. Those guys built the foundation of heat, and when Hogan came down, it just blew up.” “We were red hot coming off WWF television,” agrees Nash, “and then you had the biggest turn in the world on top of that. The biggest babyface of all-time finally turned heel!” To the ever-meticulous Sullivan, always a keen observer of the nuances present in a wrestling angle, an often overlooked element was also noteworthy. “He did it to Randy [Savage],” the booker emphasizes, speaking of Hogan’s betrayal. “People knew there was real-life heat there. That helped out too, but everyone played an intricate part. “Lightning...you can’t catch it in a bottle but one time.” The above is an excerpt from the book, NITRO: The Incredible Rise and Inevitable Collapse of Ted Turner's WCW. Amazon USA: Amazon UK: Amazon Canada: Amazon Australia: 17+ Hour Audiobook Available at Audible and Apple Books Audible USA: Audible UK: Audible Canada: Audible Australia: Apple Books: Ultimate NITRO Bundle: Deep Cuts - Wrestling Stories in 60 Seconds! David Penzer AdFreeShows.com 83 Weeks with Eric Bischoff On This Day in WWE Allan Conrad the Mortgage Guy IandrewDiceClay WCW Archive Because WCW WCW4Life ᴀʀᴅᴀ Öᴄᴀʟ 90s WWE Secrets of WCW Nitro #WCW #nWo #HulkHogan #BashattheBeach #HeelTurn #Wrestling #WrestlingBooks #OTD #WWE #WorldChampionshipWrestling #Nitro

WCWNitroBook

53,506 просмотров • 1 месяц назад

The 40,000% ROI "Bug": How Claude Code Cracked the TradingView Holy Grail most people think the elite traders at the top of the mountain have some secret indicator or a hidden math formula that gives them a forty thousand percent return. they assume the game is rigged against the small player and that you need a multi million dollar budget just to get a seat at the table. the truth is that the holy grail of trading is actually hidden in plain sight inside a community tab that most people scroll past every single day i spent years losing money to liquidations and over trading because i thought i had to manually predict where the price was going next. i even spent hundreds of thousands of dollars on developers to build apps for me because i was convinced that i would never be able to code the systems myself. it turns out that once you stop trying to be a genius and start using the tools that are already available you can crack the code to unlimited trading strategies the secret is not in a single indicator but in the process of research back test and implement. if you go to the community section of trading view you will find an endless stream of source code for indicators that people have built over decades. most traders just slap these on a chart and hope for the best but if you are a data dog like me you know that a chart is just a pretty picture that lies to you i believe that code is the great equalizer because it allows us to take these public ideas and turn them into fully automated systems that trade for us while we sleep. i decided to learn to code live on youtube to show everyone that you can iterate your way to success without being a math wizard or a stanford graduate. now i have fully automated systems that manage my capital instead of getting liquidated by emotional decisions in the middle of the night the biggest trap in the trading world is something called repainting and it is the reason why so many strategy back tests look like they are printing money when they are actually just a scam. repainting happens when an indicator looks at future data to tell you what happened in the past which makes every buy and sell signal look like a perfect entry at the top and bottom. if you trust a back test on a basic chart without understanding the logic underneath you are just building a house on a foundation of sand this is why i transitioned all of my serious work into python because python does not lie to you. in python you can control the data flow tick by tick and bar by bar to ensure that no future data is leaking into your strategy. i built a back test architect which is a specialized sub agent that knows exactly how to take a simple idea and test it against twenty five different data sources all at once when you run a strategy across btc eth apple google and tesla you start to see the real truth about whether a strategy has an edge or if it was just a lucky fluke on one chart. i saw one strategy this week that showed a one million percent return which sounds like a total lie but the data does not have an ego. even if a number looks insane you have to investigate it and incubate it with tiny size to see if it holds up in the live market you must treat your trading like a business where you are the manager and the code is your team of tireless employees. i have sub agents running for me right now that act as masters of specific tasks like converting pine script into python or optimizing exit logic. if you are not using these specialized ai assistants in your workflow you are essentially trying to build a skyscraper with a hand saw while everyone else is using heavy machinery most people get stuck in the beginner phase because they think they need to write every single line of code from scratch. the reality is that the best developers are just really good at importing the hard work of others and connecting it like lego blocks. i use a library called ccxt that allows my bots to communicate with every major exchange in the world with just a few lines of script which saves me months of development time the reason i show everything live is because the industry is filled with gatekeepers who want to keep the secrets of automation to themselves. they want you to stay as a manual trader who pays high fees and provides liquidity for their algorithms. once you learn to automate you are no longer a victim of the market but a participant in the architecture of the financial system if you are sitting there right now feeling defeated because you just got smoked on a trade or you missed a massive pump you have to realize that those emotions are your greatest enemy. a computer does not feel fomo and it does not get tilted after a loss; it just waits for the next signal that fits the parameters you defined. my mission is to help you get to a place where you can walk away from the screen and let the machines do the heavy lifting learning to code is actually much easier than learning a second language because the syntax is logical and the feedback is immediate. i spent ten years in tech scared to touch a keyboard for anything other than emails because i thought i was not smart enough for engineering. once i realized that code is just logic i was able to build my first profitable bot within a few months and i have never looked back the transition from a manual trader to an algorithmic expert is about building a robust framework for testing your ideas as fast as possible. you want to be able to find an indicator on trading view convert it to python and run it against years of historical data in less than five minutes. if you can do that you have a higher chance of success than ninety nine percent of the people who are just drawing lines on a screen one of the most powerful strategies i found recently combines the squeeze momentum indicator with smart money concepts. when you test these individually they might show a decent return but when you combine them and add a filter like the adx you can find setups that have a massive expectancy. the key is to look for strategies that show positive returns across multiple different asset classes and time frames simultaneously even if a strategy looks like it is printing a forty thousand percent return you must always remain skeptical and look for the catch. i always incubate my new ideas with tiny capital for at least a few weeks to see how they handle real world slippage and fees. a back test is a map of the past but the live market is a wilderness that changes every single day this is why i believe in the rbi method which stands for research back test and implement. you spend your mornings looking for new ideas your afternoons stress testing them with ai and your evenings deploying the winners to the market. it is a systematic approach to wealth that removes the need for luck or guessing what a celebrity is going to tweet next the most successful traders in history like jim simons did not sit around looking at rsi levels on a fifteen minute chart. they built systems that identified mathematical edges and then scaled those systems until they were managing billions of dollars. you do not need thirty one billion dollars to change your life but you do need the discipline to stop trading like a human and start thinking like a system i give away so much for free on youtube because i want to build a community of data dogs who are all chasing the same goal of financial freedom through automation. when we work together and share our findings we can collectively identify edges that nobody else is looking at. the world is moving towards an ai dominated economy and if you are not learning to control the machines you are going to be controlled by them the road to automation is not a straight line and you will run into bugs that make you want to throw your computer out the window. but every time you fix an error and every time you optimize a script you are getting one step closer to a life where you own your time. code really is the great equalizer and it is waiting for you to pick it up and start building your own future if you can fly then run and if you can run then walk but whatever you do you must keep moving forward in this journey. trading can be heartless but the logic of code is always fair and consistent. stop being the liquidity for someone else's bot and start building the walls that will protect your capital forever

Moon Dev

245,471 просмотров • 5 месяцев назад

I once thought of Jingdezhen (景德镇) merely as an historic porcelain-producing town, quietly tucked away in the margins of history books. To my surprise, it's not only alive but also thriving with modern flair: A friend of mine recently returned from Jingdezhen, brimming with stories-about a little duck made of broken shards, lovingly restored porcelain factories now taken over by young artists from around the world, and some sixty thousand hand-painting workshops. Listening to these tales, I couldn't help but feel: this city is so worth writing about, even though I've rarely delved into ceramics and seldom write about places I haven't yet seen for myself. Before it became the renowned "Porcelain Capital," Jingdezhen was not particularly noteworthy. Prior to the Northern Song dynasty (960–1127), the region remained rather obscure, as the most advanced ceramic workshops were concentrated in China's central plains. That changed dramatically in 1127, when the Northern Song fell to the Jurchens from the north. Waves of skilled artisans migrated southward, bringing Jingdezhen an unprecedented historical opportunity. By the Southern Song (1127–1279), the town was already producing porcelain for the imperial court, and large quantities of its wares have been found in shipwrecks in the South China Sea from this era. Under Mongol rule (1279–1368), mature blue-and-white porcelain (青花瓷) was born here. Beyond breakthroughs in painting techniques, Jingdezhen's abundant kaolin clay resources allowed artisans to create larger, thinner porcelain bodies-a true leap in craftsmanship. From then on, Jingdezhen established itself as the very heart of Chinese porcelain. During the Ming and Qing dynasties, the imperial court even established official kilns in Jingdezhen dedicated to producing porcelain exclusively for royal use. After the founding of the PRC in 1949, several large porcelain factories were set up here. Astonishingly, half a century ago, one-third of China's foreign exchange earnings came from Jingdezhen porcelain. That number alone shocked me, but what I learned next surprised me even more. In my mind, an industrial city like Jingdezhen would be turning out ceramics that were rigid in design, lacking creativity, and largely mass-produced with printed patterns rather than hand-painted ones-something without sufficient artistic value. But my colleague told me otherwise: today Jingdezhen has more than 60,000 workshops, and over 90 percent of porcelain designs are still hand-painted: Machines may guarantee standardized mass production, but Jingdezhen's true strength lies in its culture of handcrafted customization. While many former industrial hubs shifted entirely toward the service sector in the post-industrial era, Jingdezhen has remained firmly rooted in porcelain. Last year alone, the city's ceramic industry reached an output value of over 93 billion yuan, exporting to more than 80 countries and regions. Even more impressive, the city has embraced bold innovations-reimagining what porcelain can be in the 21st century. Let's take a look at a few examples. Top left: You might not expect it, but ceramic materials can be transformed into musical instruments-flutes, chimes, even stringed instruments. And not just for show-they can really play. Hit play and listen for yourself. Can you believe this sound comes from clay? Top right: Shown here are the work of a Jingdezhen artist's daughter, who returned after studying in the UK: a ceramic speaker and a beautifully engineered teacup. Ingeniously designed with clever mechanics, this teacup will not topple no matter which angle the tea is poured from. With its simple form and distinctive texture, it carries both an Oriental heritage and a modern sensibility. She shared that her daily work involves constantly negotiating the space between tradition and innovation-often engaging in passionate, sometimes stubborn, debates with elder craftsmen. But she said it's exactly in those moments of tension that the most unexpected ideas are born. At one point, Jingdezhen stood in the brink of becoming China's Detroit. Once a glorious industrial powerhouse, prosperous for centuries longer than Detroit ever was, the city began to decline in the late 1990s. Large state-owned porcelain factories shut down one after another, tens of thousands of workers were laid off, and aging dormitories fell into disrepair, some crumbling into near slums. Meanwhile, Western ceramics companies, armed with more advanced industrial techniques, took over the mass-production market, and Jingdezhen's traditional advantages steadily eroded. As the city declined, a question loomed: What should be done with the husks of its abandoned factories? Some pushed to level them for new real estate projects, while others argued for preserving the industrial heritage. In the end, the preservationists won. Many of the old facilities were restored, repurposed, and left largely intact: transformed into artists' studios, small shops, and homes for young craftspeople. The porcelain fires no longer burn only in the kilns. They now fuel the city's way of life. It is precisely this unique blend of cultural atmosphere and youthful vitality that has brought Jingdezhen back to life. Over the past decade, the city has welcomed a net population inflow of 136,000 people, more than 80 percent of them young. In their twenties and thirties, ceramic artists have set up studios in alleys and courtyards, while young visitors wander through the streets, making it feel as though every lane holds a hidden story. What's equally surprising is that Jingdezhen's charm has crossed borders. Today, a growing number of young people from the United States, Japan, France, Turkey, and beyond have chosen to live here long-term, immersing themselves in the art of ceramics. They call this ancient-yet-youthful city "China within China." At the lower left and lower right are the Imperial Kiln Museum (yes, its architecture itself resembles a kiln) and its most popular artifact. Surprisingly, this piece is actually a "reject." Made in the mid-Ming dynasty for the emperor, it is a porcelain incense burner in the form of a duck. To date, the Palace Museum in Beijing has not discovered another example like it. As for its status as a flawed piece, there are a few theories: one suggests that the designer originally intended for smoke to spout from the duck's beak, but the effect proved unsatisfactory, and the craftsmen abandoned what was, perhaps, a rather avant-garde idea; another possibility is that a more perfect version was eventually produced, but those pieces did not survive through history. In Jingdezhen, porcelain rejects from the imperial kilns of the Ming and Qing dynasties were always smashed and discarded. Over time, they formed a mountain of shards. Archaeological work on this "porcelain mountain" continues to this day, with archaeologists patiently piecing fragments back together, like working with Lego bricks. The colleague told me that among this mountain, they even found some flawless porcelain pieces. When I asked why such perfect works would also be smashed, he explained one theory: certain pieces were so difficult to fire that, had the emperor seen them, he might have happily ordered, "Make ten more!" To spare themselves endless trouble, the craftsmen may have deliberately destroyed them, pretending nothing had ever succeeded in the first place. After the duck-shaped incense burner was pieced back together and put on display, its charming form earned it the nickname Suisuiya (碎碎鸭/Broken Duck) from Chinese netizens. Quite unexpectedly, it became something of a cultural phenomenon: quirky, creative, once a "failure," now rediscovered. Many young people see themselves in "Broken Duck": imperfect, but interesting; not yet celebrated, yet deserving to be seen. Artists, too, have embraced its odd yet endearing beauty, creating popular cartoon characters. Since the beginning of this year, merchandise and spin-off IP related to the Broken Duck have already generated more than 10 million RMB in revenue. In September, Khaby Lame, the most-followed creator on TikTok, visited the Imperial Kiln Museum and posed with the duck, pulling his signature expression (Though I must admit, I still don't quite get Lame's appeal…The duck, on the other hand, I find utterly delightful). Across China, Jingdezhen has emerged as a new model for urban renewal: one that does not blindly chase GDP growth or uncritical modernization, but instead draws from its own cultural roots to find common ground between tradition and the future. Sometimes, the hope of a city is hidden in the secret of a "Broken Duck." Not because it is flawless, but because it was once overlooked, and then reappreciated. Like Jingdezhen itself, true revival is not about rebuilding, but about learning to understand who you are, and learning to see it with new eyes.

Zhai Xiang

27,928 просмотров • 10 месяцев назад

🤬 Burlison: Putting Lacatski Under Oath in a Hearing Wasn't a Top Priority Because He Wouldn't Say Anything New 🤬 (I can't believe I just heard that.) Jeremy Kenyon Lockyer Corbell: "Dr. James Lacatski came on our show. He ran the UFO program for the Defense Intelligence Agency, and he admitted on our show that they breached the hull of a UFO in government possession." Burlison at the Last Hearing: "You reported [that] James Lacatski came to you with government possession of NHI craft and how they ultimately gained entry. Can you testify to the veracity of that claim?" George Knapp at the Last Hearing: "Dr. Lacatski is an honorable man who served most of his career with the DIA. A very trusted, high-level rocket scientist and intelligence analyst who inspired the AAWSAP program, as I said earlier. He said this craft, we had managed to get inside of it. It had no wings, no rotor, no tail, it had no fuel, no fuel tanks. They didn't know how it flew or how it was operated. It clearly looked like it was aerodynamic, but he would not go further. He's a by-the-book guy, and until he gets clearance to say more about that, I don't think we're going to hear much more. "But, it's not ours. It wasn't ours. We didn't make it. We didn't know who made it and how it was built and how it operated. We've got at least one, and I don't know, I think that's enough confirmation that we do have recovered discs and material." (What is written in "Initial Revelations" about that alleged craft, and Lacatski standing by what was written when he was on "Weaponized" is one of the most important claims we've ever had in this field. I don't see it as confirmation that we have craft but we're getting closer. Lacatski saying that he saw it with his own eyes would take it up a notch, but I still wanna see it for myself, and not just in photos and videos. AI is just too good to accept that as proof.) Corbell: "So, and you put that in congressional record. Do you have a way that you can, you know, find out, where is it? He can't tell us, but maybe he can tell you? Where is that craft? Can you go hunt it down? Can you go see it?" Burlison: "You know, that's an interesting question. When it came to Lacatski - and I watched his interview that he did with you guys - and here's what my response to him is. Because he was frustrated that we hadn't reached out to him, but he also kind of, he also admitted that - which is what I was told, and the reason why we haven't reached out to him - is that he's not gonna tell us anything that's not in his books." (Most people on this planet have not read his books!) Corbell: "Well, hold on, hold on. You did reach out to him. There have been three hearings. I reached out to him on behalf of Congress, officially, twice, to say..." Burlison: "You did, that's right, you did." Corbell: "And I had congressional members talk with him the hearing before the last one. He just forgot. But the point is, is that maybe with you guys, in the correct environment, with the right clearances, he can tell you where it is, and you can just put this to bed and go find it." (I'm not against Congress talking to Lacatski in a SCIF, but, IMO, the chances that he tells members of the Secrets Task Force the location of this alleged craft are ZERO. Maybe Rubio would get an answer but he may already know. And if he (Rubio) does know, he's not telling us. At least not yet, and probably, IMO, never.) Burlison: "Yeah. And I remember that. I remember that he was one of the people that we had tasked you to go to reach out to. And for those people that are kind of asking how did that relationship work? Look, we don't have all the contact information for all these people. Why repeat the work that you two have done in building these contacts in your networks? And so, you, basically, patriotically dedicated your time, for free, helping us make contact and kind of coordinate some of those witnesses. (That was an awesome thing for Corbell and Knapp to do and it was for a great cause. The truth!) Burlison: "And I had been told Lacatski is probably not gonna reveal anything that he hasn't already revealed. When I've talked to people, it seemed like it wasn't gonna be new information. And therefore, to me, he wasn't as high of a priority." (He should have been THE priority, as far as witnesses for the hearing. With Lacatski, you have a respected rocket scientist, physicist and intelligence analyst, who has confirmed that this passage from Initial Revelations is accurate: “At the conclusion of a 2011 meeting in the Capitol building with a U.S. Senator and an agency Under Secretary, Lacatski, the only one of this book’s authors present, posed a question. He stated that the United States was in possession of a craft of unknown origin and had successfully gained access to its interior. This craft had a streamlined configuration suitable for aerodynamic flight but no intakes, exhaust, wings, or control surfaces. In fact, it appeared not to have an engine, fuel tanks, or fuel. Lacatski asked: What was the purpose of this craft? Was it a life-support craft useful only for atmospheric reentry or what? If it was a spacecraft, then how did it operate”? And, Lacatski may have seen the craft with his own eyes and entered it. But Burlison (or anybody else on the Task Force) didn't see it as a priority to bring him in, UNDER OATH, and have him repeat what is said in that book, and other important claims from the other two books, and his interviews with Knapp and Corbell? I'm shaking my head as I type this. You know what percentage of the world has read those books and/or watched the, limited, interviews Lacatski has given? Maybe 0.0000000000001% of the population? You had (and still do) a chance to get that man under oath and it wasn't a priority? WTAF? He's getting older and we don't know how much longer he will be around. If, as Rep. Andy Ogles told Matt Laslo, another hearing is coming in January, Lacatski, if he agrees, MUST be part of that. You can ask him about the craft, the alleged paranormal connection, and people getting sick and injured if they get too close to a UAP. And, he can be asked about the hitchhiker effect and claims of contagion. It doesn't matter if he won't add anything new or different than what's in his books or interviews. Put him under oath for the world to see and hear and, hopefully, the mainstream media picks up the story: Rocket Scientist: The USG Has an Otherworldly Craft in its Possession and Have Breached the Hull And maybe, if he's in a Disclosure mood, he'll offer up some surprise like he did in his last interview on Weaponized when he said we have made progress on back engineering these craft but, "it hasn't been achieved to its full extent." That's a MASSIVE claim! Push him to offer up more. And if his answers to many questions are: "It's all in my book"? Make him read from his book so the world can be informed about his claims and what was allegedly discovered in AAWSAP. David Grusch didn't say much more than what he said in his interview with Ross Coulthart and article in The Debrief, but was there ever any thought that he shouldn't have been put under oath and brought in as a witness for that congressional hearing? Of course not!) Burlison: "But to your point, I think getting him in a SCIF and seeing if there's maybe any additional room for him to talk, it might be worthwhile to do that." Knapp: "I think he might. I mean, the last conversations that we've had, it seems like he's edging closer to the idea that, under the right circumstances, he would be willing to share information with Congress, which would be great." (Again, I'm all for putting him the SCIF, too.)

Joe Murgia

30,311 просмотров • 8 месяцев назад

🔥A Pagan Has The Floor🔥 Full Translated Official Hitler Youth Magazine 'Will & Power' Article on Pagan Rebirth. Assorted Excerpts: 🔺"Those who are ideologically unsteady and spineless, who wander from one idea to the next and are constantly being “newly inspired,” are better off under the discipline of a church than in the open air of paganism." 🔺"...Thus the First of May, too, has received its pagan consecration—not as a day of praying and pleading, but of awakening, of the surging of strength, of work. And with this, its public reintroduction into the circle of festivals was also an outward victory of paganism." 🔺"..Our youth storms forth again and again in the same rhythm. Look into its fresh soul, come to know its poets… true, sturdy pagans they were and still are today." 🔺"For the Christian, “prayer” may be synonymous with “begging.” The pagan, however, does not beg for help from on high and then fold his hands in his lap and wait." ________________________ FULL ARTICLE: A Pagan Has the Floor. "From the “Reichswart” we reproduce the following letter, which seems to us typical of a part of the young activist generation: Outwardly, Germany celebrated its rebirth in the Garrison Church at Potsdam beside the sarcophagus of its great Prussian king. He is and lives on, immortal: the spirit of Prussia and of paganism. It is the eternal German, in whom will-to-action, creative power, and inner experience seek one another in Faustian fashion and unite in harmony and form. Impetuously he reaches up toward the stars; the divine awakens, shapes itself for its own sake, stands exalted above every form, indeed shattering them, as a mighty confession to the divine in itself: Bach, Beethoven, Goethe, Kant… the Gothic! And just as the eternal German carried the vastness of his forests, the roar of his northern sea, the clarity of his starry heavens into his deepest experience—into religion, into music, into his poetry and striving, into philosophy, into the art of building, into all his lofty creations—so once again he is driven out into the immediate creations of Nature, to rediscover there the fructification of the soul, inner peace in harmony and dialogue, above all in struggle with her. Thus our youth storms forth again and again in the same rhythm. Look into its fresh soul, come to know its poets… true, sturdy pagans they were and still are today: “Going to church means crawling into the devil’s arse. May God preserve me!” “Either I serve God through my life—and then my whole life is divine service and I need no church; or I do not serve God and do not seek him—and then going to church would be utterly superfluous.” “Are you still a pagan? Remain one and do not let yourself be baptised!” (From Gorch Fock’s diary pages “Stars above the Sea”.) “We always had religion, but a this-worldly religion; we saved the next world for later. With both feet we stood on the dear earth, lived our life in joy and custom, did not intoxicate ourselves with lust and cruelty, and therefore, unlike the Asiatics, needed no opiates such as remorse and penance. We stood toward our gods as toward our princes; we paid them their dues punctually, came to attention, let them pass by—and that was that! They were not allowed to interfere in our personal lives. More than once I have looked death in the eye, yet never once did it occur to me that I should first put on a clean shirt in case I suddenly found myself standing before someone who would inspect my laundry before opening the door for me. We say we are Christians, but we are not; nor can we be. Christianity and tribal consciousness are simply incompatible. “But the ascetic on the cross is a god for old men and the sick. And we others? When will a temple finally be erected for the modern, strong, scientifically thinking man, for the roaring of psalms and the tone of eternity in his heart?” (Johan Bojer.) But “prayer” must not be misused in the Christian sense and confused with church attendance. For the Christian, “prayer” may be synonymous with “begging.” The pagan, however, does not beg for help from on high and then fold his hands in his lap and wait. “Help yourself, and God will help you” is certainly not an oriental-fatalistic Bible verse; it sprang from genuine German experience. If the Christian clergy, especially the non-Catholic, has lost contact with youth, the fault does not lie with the “godless” people or even with the “godless movement,” as they would so dearly love to claim. With such (to put it mildly) excuses a clergyman steals his way into his dear Lord’s kingdom of heaven! The fault lies in the inner cramping of the church officials themselves, in their stubborn clinging to the man-made book called the Bible. They transfigure and worship God, interpret and misinterpret, quarrel and excommunicate, instead of being trailblazers for a higher experience in all its manifestations. And because Protestantism cannot find its fulfilment in this, its gradual dying away in favour of Catholicism, and the awakening paganism is both explicable and to be welcomed. Rotten wood belongs in the fire, and the clarification of fronts is what the present age demands. For a long time the dividing lines have no longer been seriously Protestantism versus Catholicism; they are increasingly and clearly becoming dogma-free religious paganism on the one hand and Catholic Christianity on the other. In the Protestant camp there are many who show more conviction for the insights of non-Christian philosophers than for the promises of the Bible. On the other side, convinced Christians will draw all the closer to Catholicism, especially as the latter, for reasons of power-politics and historical development, loosens its orthodox rigidity; here the vastly superior worldly shrewdness of the Church of Rome and its this-worldly security measures offer the best preconditions for a comprehensive breakthrough. Many facts already indicate today that Protestantism, still deliberating at the “green table,” is quietly being outflanked. We stand in an age of a Renaissance of world-historical significance. I deliberately quoted no “big-name authorities” for the awakening of paganism. Just as it arose from the nature-bound German soul and continually draws new strength from it, so too the uncomplicated poets of nature and homeland will remain its most successful proclaimers, whether consciously or unconsciously. The inner success that is not forced by propaganda or, as one must expect, by fiscal-technical coercion is the infallible measure of the vibrations of the folk-soul. Called leaders are watching over the new becoming. Our youth has grown more religious; it is searching; and like it, so are many others, more than ever before. May Heaven preserve us, however, from the jealous quarrels of sects. Our youth is pagan-religious because it is German. In this it is more inward-turned than many a nominal Christian and churchgoer. But if you reject it as godless and shallow, then you slander and profane the homeland-seeking of your own German, Nordic-feeling soul. The recent reports that re-entries into the churches are piling up do not change the basic situation in the least. Convinced pagans will keep themselves free from the opportunists who today think a church exit is the right thing and tomorrow think re-entry is. Those who are ideologically unsteady and spineless, who wander from one idea to the next and are constantly being “newly inspired,” are better off under the discipline of a church than in the open air of paganism. This experience will have taught General Ludendorff to transform his originally more ambitious “Deutschvolk” into a mere ideological recruiting depot and to give it the philosophical works of his wife as its foundation. His worst enemy, the Church of Rome, set him an example with its own educational methods; one can only wish and hope that these methods do not, as unfortunately seems to be the case, grow completely beyond his control. History furnishes proof that Christianity, and especially in this regard and especially in this regard the Roman Church in particular, with its worldly shrewdness, is accustomed to carrying out its mission in such a way that paganism (Heidentum), precisely because of the attitude that rightly rejects, for the most part, the systematic soul-snaring that is called mission, simply cannot measure up to it. But as long as the old customs and traditions have not disappeared, as long as at the high festivals of paganism; the mountain fires blaze across the land, as long as we all accompany the solstices with the quiet opening of the time of need (Notwende), so long will the glow of paganism be stirred and nourished. In doing so, the Church will again and again attempt in vain to give a Christian stamp to this new becoming. But it is under the sign of the swastika, the ancient-Nordic symbol of life, not under that of Golgotha, that Germany celebrates its rebirth. Thus the First of May, too, has received its pagan consecration—not as a day of praying and pleading, but of awakening, of the surging of strength, of work. And with this, its public reintroduction into the circle of festivals was also an outward victory of paganism." _________________________ Source: Wille und Macht 1.1933, Teil 2, Pgs 32-34

Völkisch Spirit ᚾ

13,423 просмотров • 8 месяцев назад

🛸 Vegas UFOs 🛸 Wanna support my efforts? Info. is at the end. And, as always, my comments are in ( ). "Jim Dolan (owns Sphere) and Jane Rosenthal made me an offer: 'Could you build an observatory on top of the Sphere?' Dolan is interested in finding whether there is some alien intelligence out there." ~Avi (Since I live here, this is pretty cool! It also doesn't hurt that the owner (Dolan) of my favorite basketball team (NEW YORK KNICKS), and 2nd-fav hockey team (New York Rangers) is one of the folks who helped get this started. Learn something new every day!) Dr. Avi Loeb: "This one is about Sphere in Las Vegas. As you know, it's the most impressive venue for entertainment in the world. Not only have I been [there], I've been to the top of the Sphere, which is like 120 meters high. Here you see me from inside the Sphere. This is the exosphere, by the way, it's covered with LED displays. We went all the way to the top. Why? "Because a year ago, two very distinguished visitors came to the front door of my home. By the way, lots of interesting people show up at my front door. This was Jim Dolan, who owns the Madison Square Garden, as you know, and also the Sphere, and jane rosenthal, the CEO of Tribeca Enterprises, and they made me an offer that I cannot refuse. I'm leading the Galileo Project to look for unusual objects around the Earth. And they said, 'Could you build an observatory on top of the Sphere?' "Because, you know, Jim Dolan really is interested in science, and especially in finding, you know, whether there is some alien intelligence out there. And I said, 'Of course! I will be delighted.' So that was September 2024, one year after the Sphere was opened with a concert, as you may know. I don't know if you've been there." Joe Rogan: "Yeah, I've been there for the UFC." Avi: "Yeah. UFC, exactly. So anyway, I was there just a few months ago with my research team. We went all the way to the top and installed, as you can see here, an array of infrared cameras that monitors the entire sky above Vegas, at all times. So you can see some of these images show the landscape of Vegas in the background. It's like a freckle, you know, on top of the Sphere, the exosphere, which is the biggest display on Earth. But we measured that there is not much light pollution, actually, and we can operate this observatory." (I'm surprised they measured "not much light pollution" since we all know that one nickname for Vegas is The City of Lights due to the millions of lights from the casinos on The Strip and surrounding area.) Avi: "We also put an array of visible-light cameras there, and it's operating, okay? And we hope to see a few million objects over the sky of Vegas and decide whether any of them has performance that deviates from the envelope of human-made technologies." (Absolutely nothing wrong with that. And if anybody craps on it, ask them if they're even interested in this subject.) Avi: "How do we do that? We have the Sphere as one point, but then we put two copies of that observatory ten kilometers away on a triangle. And that allows us to look at objects in the sky from different directions, just like we have two eyes so we can gage the distance. So here we have three eyes looking at the sky above Vegas, and we can tell the distance, the velocity, the acceleration of objects, and ask whether they are lying within the performance envelopes of human-made objects. And that would be amazing, it's very exciting." (It would be nice if there were people who could (allegedly) summon UAP to the Vegas area by meditating or using technology. Oh, wait... 👽 ) Avi: "I see that also as an opportunity to communicate to the public the excitement about science. That's what Jim Dolan and Jane Rosenthal really wanted to deliver. And I'm hoping that we will find something really anomalous. You know, because, as we know, the intelligence agencies are reporting to the U.S. Congress about objects they cannot identify. And, you know, that could be two things." (It can be more than two things. A few possibilities: Foreign adversaries. A human, non-state actor that has acquired a technological breakthrough. A previous human civilization that had a technological breakthrough, survived a cataclysm, and remains hidden on this planet in smaller numbers. A non-human intelligence that's based here and has always been here. A non-human intelligence from another planet. Time-traveling humans. Non-humans who exist in other dimensions that humans can't perceive with their normal senses. Aka Interdimensional or a shadow biome. Nod to Dr. Eric Davis for the latter.) ~ Avi: "They're getting, you know, the defense budget for 2026 is a trillion dollars, okay? If they tell us that with a trillion dollars, there are still objects they cannot identify above the U.S., they're not doing their job. They're not doing their job, and we should be worried." (100%. But there may be some folks in government who CAN identify some of these objects and they're keeping that information hidden for various reasons.) Avi: "Who sent these objects? Could it be adversarial nations? Okay? That's one possibility, which has to do with national security. The second possibility is that it's maybe something from outside of this Earth which would be even more significant." (Again, there are plenty of other possibilities.) Avi: "So either way, we need to figure this out. And I don't think I'm wasting my time leading the Galileo Project to figure out whether there are anomalies, you know, that go beyond human-made technologies. Because if it turns out that all the objects are human made, I will be happy to deliver the set of sensors we developed with the machine-learning software that we developed, to the Department of War 🇺🇸 so that they can employ it for national-security purposes. So my time was not wasted, as a scientist. I'm doing something useful to society." Rogan: "Of course." Avi: "The Department of War can use it. I have no problem. Everything made by humans, by the way, is boring, as far as I'm concerned. I want to see something from outside the solar system, which is not what the government should be about. The government should worry about national security, not about what lies outside the solar system. That's my job definition as an astrophysicist, okay?" (Not to sound like a broken record, but...some of what we're seeing that appears to be anomalous may be from within this solar system or, potentially, Earth-based.) Avi: "And so, I feel that this is worthy [of] pursuing, but the Galileo Project is really the first organized project that constructed a reliable set of sensors in an observatory configuration that does systematic study of the sky to collect millions of objects in the sky per year. We have three observatories, one in Las Vegas, as I mentioned. And by the way, this is the first time it's mentioned publicly, so..." Rogan: "That's amazing." Avi: "And another one in Massachusetts, and a third one in Pennsylvania. They were all funded by people who approached me and said, 'Here is the money.'" Rogan: "Let me ask you this: If it wasn't for those, how many observatories are looking for objects that are not from this Earth? Like, is that very rare?" Avi: "None." Rogan: "None?" Avi: "Well, there are some teams that are, you know, doing it, making a trip to collect some data." Rogan: "There is not constant observation?" Avi: "Of scientific-quality data? No." Rogan: "That's crazy." Avi: "That's crazy! That's what I'm saying." ~ (One of the groups that collected data was the AAWSAP/BAASS team headed up by Dr. James Lacatski. This is from my March 2024 post... Here's an excerpt from "Initial Revelations" by Lacatski, Kelleher and George Knapp. Chapter 18 Integrated Sensor Package to Detect UAP An autonomous sensor package to detect UAP for AAWSAP BAASS was developed by an engineering team located at Bigelow Aerospace. The following is a short summary of the specifications by which the BAASS engineering team began designing an autonomous sensor package. The project started at the conceptual stage with a meeting in late January 2009 and a complete operational prototype was built by August 2009. Design Goals: Device will operate unattended Autonomous data collection Survivability: weather, vandalism, critters Portable: “Two men and a truck.” Limited power No reliance on AC power Must be sized for full nighttime operations Sufficient communications May use WiFi, satellite phone, and cellular phone transmis- sions as the situation warrants Internet appliance for remote connection Short-range sensing (<20ft.) Long-range sensing (up to 5-mile planar radius, indeterminate altitude) Internal clock: GPS or network time-based COTS (Commercial Off-The_Shelf ~Joe) or very near COTS components only Reduce on-site maintenance to the minimum possible Camouflage based on geographic location Sensor Suite Visual, IR, near-IR, and UV spectra cameras Microwave band detection Radio band detection EMI detection in the electronics emission band RADAR LIDAR (Light Detection and Ranging) Audio Radiation (gamma, beta, alpha) Gravimeter See equipment details and illustrations in Tweets 2 and 3. ~End "IR" Excerpt~ ~ Avi: "And, by the way, I gave a briefing to the U.S. congress on May 1, 2025 and Congresswoman Rep. Anna Paulina Luna was there and she was very excited about the work we are doing. But the day before that, I visited an office in the Pentagon that is called the All-domain Anomaly Resolution Office - AARO - All-domain Anomaly Resolution Office. And I asked them, 'You looked into all these unidentified objects reported in the past by military personnel. Did anything trigger your attention as something truly anonymous?' And they said, 'Not really. There are some reports by FBI agents that's really crazy stuff, but we don't have any data from instruments.'" (Here's a tweet from me about the director of AARO, Jon Kosloski, describing three, potentially, anomalous cases AARO is analyzing. ) ~ Avi: "And this is an office within the Pentagon which is funded to figure out things. And so, obviously, what they might want to do is imitate the Galileo Project that I'm leading. But you would think that it would be sort of the vested interest of government, you know, to invest in research related to that, which is what the Galileo Project is doing." Rogan: "Well, here's the thing. I would have thought it was already done." Avi: "I don't know." Rogan: "Until we're having this conversation, I can't believe that they're not monitoring the sky constantly for anomalous objects." Avi: "Well, you remember the Chinese spy balloon that was missed, right? And shot down?" Rogan: "Yes. Yeah, but that was silly." Avi: "So the thing to keep in mind, they're getting data on things in the sky, but if you don't have the right software now, with AI. If you don't have high-quality scientists, the way that the Manhattan Project employed, you might not figure out things. There is a reason why the Manhattan Project recruited the very best scientists. "So I say, put a billion dollars on this or more, bring in the best scientists in the world to figure it out. I'm funded at the level of millions of dollars through the Galileo Project. The government can do a billion... What is a billion dollars? It's a drop in the bucket for the Pentagon. But, if, you know, you should think about the potential risk from drones that are used by adversarial nations and..." (1000%. Put a billion dollars into that and also an AAWSAP-like program that is run by a PUBLIC company, and make all of their data available to us as soon as they receive it.) ~ If you appreciate what I do on Twitter/X (and my Blog and, occasional, YT), and wanna support my efforts, you can subscribe on here. Or.... Patreon - PayPal - [email protected] Venmo - My Patreon is simple. No hidden content and no tiers. If you DO support me, it will be much appreciated. If you can't afford it, don't think twice. I've been there and I get it. If you don't think my content is worth supporting, I still appreciate you reading and commenting on tweets, articles and videos.

Joe Murgia

67,464 просмотров • 9 месяцев назад