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16,292 просмотров • 1 месяц назад •via X (Twitter)

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This angle makes it more interesting 😅
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This angle makes it more interesting 😅

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Interesting Angle For Streamer Sakura..🤔 Poor Jason
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Interesting Angle For Streamer Sakura..🤔 Poor Jason

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Interesting angle to use while opening Pokémon packs 🤔
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Interesting angle to use while opening Pokémon packs 🤔

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Lisandro Martinez’s red card against Leeds looks harsh when you see it from this angle. Martinez literally pulls Calvert-Lewin’s hair for a split second then and lets go. Interesting 🤨
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Lisandro Martinez’s red card against Leeds looks harsh when you see it from this angle. Martinez literally pulls Calvert-Lewin’s hair for a split second then and lets go. Interesting 🤨

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Two angles. Same moment. 👀 CHOGM, April 2018 — just one month before the wedding. As they walk in, Meghan reaches behind Harry and appears to guide him forward. The second angle makes the moment especially interesting. #MeghanMarkleExposed #MeghanMarkleIsANarcissist #RevealingTheNarc
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Two angles. Same moment. 👀 CHOGM, April 2018 — just one month before the wedding. As they walk in, Meghan reaches behind Harry and appears to guide him forward. The second angle makes the moment especially interesting. #MeghanMarkleExposed #MeghanMarkleIsANarcissist #RevealingTheNarc

Revealing

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An interesting little detail I noticed on my second viewing of Backrooms (2026) - when Mary first walks into Clark's store, the camera angle makes it look like the Captain Clark statue is watching her, which sort of serves as a sign of things to come considering she gets chased by Captain Clark later on in the film when she's inside the Backrooms
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An interesting little detail I noticed on my second viewing of Backrooms (2026) - when Mary first walks into Clark's store, the camera angle makes it look like the Captain Clark statue is watching her, which sort of serves as a sign of things to come considering she gets chased by Captain Clark later on in the film when she's inside the Backrooms

cinemoments

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Those wondering if women are just victims or entitled foreigners in these videos. No. There are actually also many videos where women are the strong (Han) Chinese going against foreigners, but this was just a shorter article, and I didn't go into those numbers. Might be interesting for another deeper dive with gender angle. Source of this video: 妳惹不起 on Wechat.
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Those wondering if women are just victims or entitled foreigners in these videos. No. There are actually also many videos where women are the strong (Han) Chinese going against foreigners, but this was just a shorter article, and I didn't go into those numbers. Might be interesting for another deeper dive with gender angle. Source of this video: 妳惹不起 on Wechat.

Manya Koetse

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Watching some David Clifford highlights — some observations : • accelerates more when anticipating contact to sell the opposer’s momentum • uses contact as the cue to change direction • keeps feet closer together (small steps) and throws body weight over his hips for sharper deceleration • uses backwards feints / shifts for angles to create separation + keep the opposser chasing the catch (finding progression through regression) • When he cuts backwards, he accesses an angle that allows him to quickly perform the ‘golf swing’ technique that aims for quicker dip & curve Really interesting + transferable details for wingers to take in football in wider 1v1s. Backwards angle, ‘golf swing’ delivery to the back-post + far corner finish.
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Watching some David Clifford highlights — some observations : • accelerates more when anticipating contact to sell the opposer’s momentum • uses contact as the cue to change direction • keeps feet closer together (small steps) and throws body weight over his hips for sharper deceleration • uses backwards feints / shifts for angles to create separation + keep the opposser chasing the catch (finding progression through regression) • When he cuts backwards, he accesses an angle that allows him to quickly perform the ‘golf swing’ technique that aims for quicker dip & curve Really interesting + transferable details for wingers to take in football in wider 1v1s. Backwards angle, ‘golf swing’ delivery to the back-post + far corner finish.

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Paris Hilton ditched her signature platinum for rich dark brown locks + side-swept bangs while owning the Gucci Cruise 2027 runway on May 16, 2026. She looked unrecognizable in the best way. Which do you prefer: Brunette Paris or classic blonde? • Keep the dark hair 🔥 • Back to blonde ASAP 👱‍♀️ One interesting angle — do you think the brunette gives her more anonymity in everyday life, and could that be a deciding factor in whether she keeps it? (Video: AI)
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Paris Hilton ditched her signature platinum for rich dark brown locks + side-swept bangs while owning the Gucci Cruise 2027 runway on May 16, 2026. She looked unrecognizable in the best way. Which do you prefer: Brunette Paris or classic blonde? • Keep the dark hair 🔥 • Back to blonde ASAP 👱‍♀️ One interesting angle — do you think the brunette gives her more anonymity in everyday life, and could that be a deciding factor in whether she keeps it? (Video: AI)

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⛈️ The storm I witnessed yesterday near Clarendon, Texas, is hands down one of the most incredible ones I’ve ever seen! Those bright blue bands were so vibrant. I haven’t seen such bright blue banding like that since a hail storm in Iowa in 2022. The blue hues are caused by the scattering of sunlight by ice crystals and water droplets high in the storm clouds, especially during the “golden hour” when the sun’s angle enhances those vibrant colors. I’d trade nearly any tornado I’ve seen in the past two years for this—honestly, I could care less about tornadoes. I just want to see the coolest or most interesting thing out there. I wish I had more time to stand under this thing. RadarOmega Project WeatherEye
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⛈️ The storm I witnessed yesterday near Clarendon, Texas, is hands down one of the most incredible ones I’ve ever seen! Those bright blue bands were so vibrant. I haven’t seen such bright blue banding like that since a hail storm in Iowa in 2022. The blue hues are caused by the scattering of sunlight by ice crystals and water droplets high in the storm clouds, especially during the “golden hour” when the sun’s angle enhances those vibrant colors. I’d trade nearly any tornado I’ve seen in the past two years for this—honestly, I could care less about tornadoes. I just want to see the coolest or most interesting thing out there. I wish I had more time to stand under this thing. RadarOmega Project WeatherEye

Vince Waelti 🌪

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This is not camera footage. It is a Blender character with 8K skin, detailed wrinkles, wet eyes, facial controls and enough micro-detail to make your brain keep waiting for the person to behave like a person. HumanPro packages that skin workflow into a Blender add-on instead of making artists rebuild it from scratch every time. The interesting AI angle is not “AI made a realistic girl.” A reusable 3D human can keep the same face across thousands of shots, then be relit, reposed, animated and dropped into completely different scenes without the identity drifting every six frames. Add Claude through Blender MCP and the workflow gets stranger: the model can help assemble scenes, adjust cameras and lighting, inspect renders and correct obvious visual problems, while the character system handles the skin and facial structure. It still does not remove the artist. Someone has to control expression, motion, lighting and the exact moment realism quietly turns into a very expensive mannequin. Most AI influencer projects are still fighting prompt consistency one image at a time. A rigged digital human is less magical, but probably much closer to how this becomes an actual production system.
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This is not camera footage. It is a Blender character with 8K skin, detailed wrinkles, wet eyes, facial controls and enough micro-detail to make your brain keep waiting for the person to behave like a person. HumanPro packages that skin workflow into a Blender add-on instead of making artists rebuild it from scratch every time. The interesting AI angle is not “AI made a realistic girl.” A reusable 3D human can keep the same face across thousands of shots, then be relit, reposed, animated and dropped into completely different scenes without the identity drifting every six frames. Add Claude through Blender MCP and the workflow gets stranger: the model can help assemble scenes, adjust cameras and lighting, inspect renders and correct obvious visual problems, while the character system handles the skin and facial structure. It still does not remove the artist. Someone has to control expression, motion, lighting and the exact moment realism quietly turns into a very expensive mannequin. Most AI influencer projects are still fighting prompt consistency one image at a time. A rigged digital human is less magical, but probably much closer to how this becomes an actual production system.

Rina

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THIS CURLY CUTIE TURNS SIMPLE LIFESTYLE CLIPS INTO $12,800/MONTH. Curly hair. Warm sunlight. A quiet ride. Simple outfit. No crazy location, no dramatic storyline, no complicated edit. She is just sitting there, looking around, letting the moment feel natural and somehow that is exactly what makes the clip work. The internet is overloaded with AI girls trying to look perfect. Perfect apartment. Perfect lighting. Perfect pose. Perfect everything. This one does the opposite. It feels like a tiny piece of someone's everyday life, which makes the viewer wonder what happens outside the frame. Where is she going? Who is she with? Why does this feel like a real moment? That curiosity is enough to keep the watch going. The creator behind the page turns that simplicity into a repeatable format: 3–4 short lifestyle clips per day across TikTok, Instagram and X, with different locations, outfits and everyday situations but the same recognizable character. The traffic then moves into a paid layer with subscriptions around $11.99–$17.99/month, plus premium content, tips and custom requests. The numbers stack up quickly: around 610 paying subscribers at an average of $13.50 brings in roughly $8,235/month, with another $4,565 coming from premium drops, tips and custom content. Total: $12,800/month. And that's the interesting part. She isn't doing anything extraordinary. She's just consistently interesting enough to make people stop. The curls get the first look. The lifestyle setting makes it believable. The character keeps people coming back. That's the real AI creator formula: Make the face recognizable. Make the lifestyle desirable. Make the content simple enough to repeat. One girl. One camera angle. Hundreds of everyday moments. And suddenly a simple lifestyle clip becomes a $12.8K/month content machine.
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THIS CURLY CUTIE TURNS SIMPLE LIFESTYLE CLIPS INTO $12,800/MONTH. Curly hair. Warm sunlight. A quiet ride. Simple outfit. No crazy location, no dramatic storyline, no complicated edit. She is just sitting there, looking around, letting the moment feel natural and somehow that is exactly what makes the clip work. The internet is overloaded with AI girls trying to look perfect. Perfect apartment. Perfect lighting. Perfect pose. Perfect everything. This one does the opposite. It feels like a tiny piece of someone's everyday life, which makes the viewer wonder what happens outside the frame. Where is she going? Who is she with? Why does this feel like a real moment? That curiosity is enough to keep the watch going. The creator behind the page turns that simplicity into a repeatable format: 3–4 short lifestyle clips per day across TikTok, Instagram and X, with different locations, outfits and everyday situations but the same recognizable character. The traffic then moves into a paid layer with subscriptions around $11.99–$17.99/month, plus premium content, tips and custom requests. The numbers stack up quickly: around 610 paying subscribers at an average of $13.50 brings in roughly $8,235/month, with another $4,565 coming from premium drops, tips and custom content. Total: $12,800/month. And that's the interesting part. She isn't doing anything extraordinary. She's just consistently interesting enough to make people stop. The curls get the first look. The lifestyle setting makes it believable. The character keeps people coming back. That's the real AI creator formula: Make the face recognizable. Make the lifestyle desirable. Make the content simple enough to repeat. One girl. One camera angle. Hundreds of everyday moments. And suddenly a simple lifestyle clip becomes a $12.8K/month content machine.

Rimi

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What if you could choreograph an entire action scene before generating a single frame? 🥋🎬 That’s what I wanted to test with Pippitofficial’s 3D Director Studio + Seedance 2.5. I created a scene with two girls demonstrating a series of karate moves and used the 3D workspace to figure out the sequence first. The interesting part is that I wasn’t relying on a giant prompt to explain every movement. I could place both characters in the scene, set up the environment, choose props from 150+ available options, and then map out how the performance should unfold. One move at a time. Step in → stance → punch → block → kick → reset → next move. The timeline makes it possible to arrange actions and control their timing, while movement trajectories help define where the characters should go. And then there’s the camera. Instead of hoping the generated video finds the right angle, I could plan the camera movement around the choreography and decide how the sequence should be captured. That’s the part I found most useful. You can think through the scene visually before asking AI to generate the final result. Characters. Movement. Timing. Camera. All planned first. Then Seedance 2.5 turns that setup into the actual video. For me, this feels like a shift from simply prompting AI to actually directing the shot. Try Pippit 3D Director Studio: #3DDirectorStudio #PippitAI #Seedance25 #PippitPartner
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What if you could choreograph an entire action scene before generating a single frame? 🥋🎬 That’s what I wanted to test with Pippitofficial’s 3D Director Studio + Seedance 2.5. I created a scene with two girls demonstrating a series of karate moves and used the 3D workspace to figure out the sequence first. The interesting part is that I wasn’t relying on a giant prompt to explain every movement. I could place both characters in the scene, set up the environment, choose props from 150+ available options, and then map out how the performance should unfold. One move at a time. Step in → stance → punch → block → kick → reset → next move. The timeline makes it possible to arrange actions and control their timing, while movement trajectories help define where the characters should go. And then there’s the camera. Instead of hoping the generated video finds the right angle, I could plan the camera movement around the choreography and decide how the sequence should be captured. That’s the part I found most useful. You can think through the scene visually before asking AI to generate the final result. Characters. Movement. Timing. Camera. All planned first. Then Seedance 2.5 turns that setup into the actual video. For me, this feels like a shift from simply prompting AI to actually directing the shot. Try Pippit 3D Director Studio: #3DDirectorStudio #PippitAI #Seedance25 #PippitPartner

Shabnam Parveen

51,749 просмотров • 29 дней назад

📖 MOST CREATORS PROMPT SEEDANCE 2.0 WRONG — HERE'S THE JSON METHOD THAT FIXES IT This workflow takes about 12 minutes and most creators are still skipping it. Here's the exact pipeline: Generate the base frame in ChatGPT Image — keep the prompt specific: subject, lighting, camera distance, mood Drop that image into Seedance 2.0 as the reference frame Use a structured JSON prompt instead of a plain text description — Seedance reads structured data far more consistently than freeform sentences Define camera movement, duration, and motion intensity as separate fields, not buried in a paragraph Example JSON prompt: { "scene": "vast sky realm with floating stone islands and waterfalls pouring into clouds below", "subject": "lone hooded figure in weathered cloak and armor, standing on a cliff edge", "action": "raises both arms to open a glowing circular portal etched with ancient symbols", "camera_movement": "slow push in, low angle tilting up toward the portal", "duration": "6s", "motion_intensity": "medium", "environment": "floating islands suspended in golden haze, twin waterfalls cascading into a sea of clouds", "lighting": "warm backlit sun, golden hour haze, glowing rim light on the figure", "effects": "swirling energy ring, light particles streaming upward, faint lens flare", "color_palette": "teal sky, amber light, desaturated stone tones", "mood": "epic, mystical, ancient power awakening" } Feed that JSON straight into Seedance 2.0's prompt field Render and review — if motion feels off, adjust motion_intensity first, that field controls most of the result Stack 3-4 clips with matching lighting fields for a consistent short sequence The reason JSON beats plain text here: each field is isolated, so the model doesn't have to guess which word controls what. Camera behavior becomes predictable instead of random. This is also where the monetization angle gets interesting — brands paying for short cinematic ads care less about the prompt method and more about consistency across multiple clips. JSON prompting is what makes that consistency repeatable at scale. ~ The video was created by Aastha ~ 📥Tomorrow I will reveal something so underrated it almost did not make it into a post. 🔖Every step of this workflow is documented in the pinned article below.
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📖 MOST CREATORS PROMPT SEEDANCE 2.0 WRONG — HERE'S THE JSON METHOD THAT FIXES IT This workflow takes about 12 minutes and most creators are still skipping it. Here's the exact pipeline: Generate the base frame in ChatGPT Image — keep the prompt specific: subject, lighting, camera distance, mood Drop that image into Seedance 2.0 as the reference frame Use a structured JSON prompt instead of a plain text description — Seedance reads structured data far more consistently than freeform sentences Define camera movement, duration, and motion intensity as separate fields, not buried in a paragraph Example JSON prompt: { "scene": "vast sky realm with floating stone islands and waterfalls pouring into clouds below", "subject": "lone hooded figure in weathered cloak and armor, standing on a cliff edge", "action": "raises both arms to open a glowing circular portal etched with ancient symbols", "camera_movement": "slow push in, low angle tilting up toward the portal", "duration": "6s", "motion_intensity": "medium", "environment": "floating islands suspended in golden haze, twin waterfalls cascading into a sea of clouds", "lighting": "warm backlit sun, golden hour haze, glowing rim light on the figure", "effects": "swirling energy ring, light particles streaming upward, faint lens flare", "color_palette": "teal sky, amber light, desaturated stone tones", "mood": "epic, mystical, ancient power awakening" } Feed that JSON straight into Seedance 2.0's prompt field Render and review — if motion feels off, adjust motion_intensity first, that field controls most of the result Stack 3-4 clips with matching lighting fields for a consistent short sequence The reason JSON beats plain text here: each field is isolated, so the model doesn't have to guess which word controls what. Camera behavior becomes predictable instead of random. This is also where the monetization angle gets interesting — brands paying for short cinematic ads care less about the prompt method and more about consistency across multiple clips. JSON prompting is what makes that consistency repeatable at scale. ~ The video was created by Aastha ~ 📥Tomorrow I will reveal something so underrated it almost did not make it into a post. 🔖Every step of this workflow is documented in the pinned article below.

Zentrix⌚️

34,615 просмотров • 3 месяцев назад

Hi my friends 🌞 let’s make this Sunday more interesting with latex style🔥 Freya Allan, Lexi Marvel, My Model, Sabrina Carpenter 🔥 👉🏻Subscribe for more content ⚡️ Nano Banana 2 & MiniMax H3 via Hailuo AI Prompt: { "member": "Freya Allan", "subject": { "identity": "facial structure, complexion and proportions of Freya Allan", "hair": "long dark wavy hair over the shoulders", "expression": "head tilted down toward right shoulder, eyes looking up at the lens", "pose": "leaning forward, torso tilted right, right hand on upper right thigh, left arm on metal railing behind her, left knee raised on a step, right leg cropped at the bottom edge" }, "wardrobe": { "silhouette": "short form-fitting high-neck halter dress, gathered at bust, open sides, ruched seams, mid-thigh hem", "material": "glossy latex", "color": "neon pink", "footwear": "only the top edge of a neon pink heel visible on the left foot, rest cropped", "accessories": "opaque black tights, thin hoop earrings partly hidden by hair" }, "scene": { "location": "dilapidated industrial stairwell", "atmosphere": "hazy dusty air catching the light", "background": "peeling paint and rusted wall on the left with small graffiti 'Keor' near a red dragon drawing, metal staircase with diamond-plate treads and weathered railing on the right", "composition": "tall vertical frame, slightly low angle looking up, subject centered and filling the height", "lighting": "dramatic high-contrast warm light from upper left, angular rays on the wall and face, lower right staircase in deep shadow", "camera": "50mm, f/2.8", "grade": "high-contrast, warm highlights, rich shadows" }, "compiled_prompt": "Portrait of Freya Allan, one continuous full-frame exposure. Long dark wavy hair over her shoulders. Head tilted down toward her right shoulder, eyes looking up at the lens. Leaning forward, torso tilted right, right hand on her thigh, left arm on a metal railing. Left knee raised on a step, right leg cropped at the bottom. Short form-fitting glossy neon-pink latex high-neck halter dress with open sides and ruched seams, mid-thigh hem. Opaque black tights, thin hoop earrings. Only the top of a neon-pink heel visible. Dilapidated industrial stairwell, hazy dusty air. Textured peeling wall with small 'Keor' graffiti near a red dragon drawing on the left, metal staircase on the right. Tall vertical low-angle composition. Warm directional light from upper left with specular highlights on the latex, deep shadows on the stairs. 50mm f/2.8, dramatic high-contrast grade." } ```
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Hi my friends 🌞 let’s make this Sunday more interesting with latex style🔥 Freya Allan, Lexi Marvel, My Model, Sabrina Carpenter 🔥 👉🏻Subscribe for more content ⚡️ Nano Banana 2 & MiniMax H3 via Hailuo AI Prompt: { "member": "Freya Allan", "subject": { "identity": "facial structure, complexion and proportions of Freya Allan", "hair": "long dark wavy hair over the shoulders", "expression": "head tilted down toward right shoulder, eyes looking up at the lens", "pose": "leaning forward, torso tilted right, right hand on upper right thigh, left arm on metal railing behind her, left knee raised on a step, right leg cropped at the bottom edge" }, "wardrobe": { "silhouette": "short form-fitting high-neck halter dress, gathered at bust, open sides, ruched seams, mid-thigh hem", "material": "glossy latex", "color": "neon pink", "footwear": "only the top edge of a neon pink heel visible on the left foot, rest cropped", "accessories": "opaque black tights, thin hoop earrings partly hidden by hair" }, "scene": { "location": "dilapidated industrial stairwell", "atmosphere": "hazy dusty air catching the light", "background": "peeling paint and rusted wall on the left with small graffiti 'Keor' near a red dragon drawing, metal staircase with diamond-plate treads and weathered railing on the right", "composition": "tall vertical frame, slightly low angle looking up, subject centered and filling the height", "lighting": "dramatic high-contrast warm light from upper left, angular rays on the wall and face, lower right staircase in deep shadow", "camera": "50mm, f/2.8", "grade": "high-contrast, warm highlights, rich shadows" }, "compiled_prompt": "Portrait of Freya Allan, one continuous full-frame exposure. Long dark wavy hair over her shoulders. Head tilted down toward her right shoulder, eyes looking up at the lens. Leaning forward, torso tilted right, right hand on her thigh, left arm on a metal railing. Left knee raised on a step, right leg cropped at the bottom. Short form-fitting glossy neon-pink latex high-neck halter dress with open sides and ruched seams, mid-thigh hem. Opaque black tights, thin hoop earrings. Only the top of a neon-pink heel visible. Dilapidated industrial stairwell, hazy dusty air. Textured peeling wall with small 'Keor' graffiti near a red dragon drawing on the left, metal staircase on the right. Tall vertical low-angle composition. Warm directional light from upper left with specular highlights on the latex, deep shadows on the stairs. 50mm f/2.8, dramatic high-contrast grade." } ```

KeorUnreal

32,670 просмотров • 1 месяц назад

Facial reconstruction of a 6,000-year-old woman(?) from Yondaedo, South Korea Yondaedo is a small island situated among the islands off the southern coast of South Korea and is administratively part of Tongyeong, Gyeongsangnam-do. At Yeongo-ri village on Yondaedo, the National Jinju Museum conducted four rounds of excavations of a shell midden between 1988 and 1992, recovering 15 buried skeletons and a small number of scattered skeletal remains from earthen-pit graves. These remains date to the Early Neolithic period (4th millennium BC). Due to the nature of the overlying shell layers and soil conditions, many of the individuals were poorly preserved. Although the scope for osteometric analysis was limited, several interesting observations were made (Ogata 1998). The skull designated as Individual No. 5 (reconstructed individual) was sufficiently intact for measurement. The Jinju National Museum excavated the remains and sexed the individual as female. However, some anthropologists have expressed doubts regarding the exact sex of the individual. Ogata et al. agreed with the female sexing, although with some caution. The No. 5 specimen exceeds Jomon-period individuals in both maximum cranial length and breadth; however, its cranial index of 80.4 places it at the lower end of the brachycephalic range. Its upper facial height is also lower than that observed among Jomon individuals, giving the face a relatively “compressed” appearance, a characteristic likewise noted in the Jomon population. A relatively low mandibular symphyseal height represents another shared tendency. In contrast, the specimen displays a high basion-bregma height and orbital height, together with relatively large nasal breadth, mandibular angle breadth, and mandibular body thickness. These features show similarities to the skeletal remains from Doigahama and Kanenokuma, which are associated with the later immigrant-derived Yayoi population. Based on the above, it appears that around 4000 BC, a population sharing traits with Japanese Jomon-period people existed on the Korean Peninsula. At the same time, these individuals seemingly already possessed some of the physical characteristics associated with the immigrant-derived Yayoi people, who are believed to have migrated from the Korean Peninsula to Japan during the Yayoi period (Fujita 2004). Genetic results from the Yondaedo specimens indicate that they were predominantly derived from ANEA-related ancestry, with an additional Jomon-related component (Robbeets et al. 2021).
0:16

Facial reconstruction of a 6,000-year-old woman(?) from Yondaedo, South Korea Yondaedo is a small island situated among the islands off the southern coast of South Korea and is administratively part of Tongyeong, Gyeongsangnam-do. At Yeongo-ri village on Yondaedo, the National Jinju Museum conducted four rounds of excavations of a shell midden between 1988 and 1992, recovering 15 buried skeletons and a small number of scattered skeletal remains from earthen-pit graves. These remains date to the Early Neolithic period (4th millennium BC). Due to the nature of the overlying shell layers and soil conditions, many of the individuals were poorly preserved. Although the scope for osteometric analysis was limited, several interesting observations were made (Ogata 1998). The skull designated as Individual No. 5 (reconstructed individual) was sufficiently intact for measurement. The Jinju National Museum excavated the remains and sexed the individual as female. However, some anthropologists have expressed doubts regarding the exact sex of the individual. Ogata et al. agreed with the female sexing, although with some caution. The No. 5 specimen exceeds Jomon-period individuals in both maximum cranial length and breadth; however, its cranial index of 80.4 places it at the lower end of the brachycephalic range. Its upper facial height is also lower than that observed among Jomon individuals, giving the face a relatively “compressed” appearance, a characteristic likewise noted in the Jomon population. A relatively low mandibular symphyseal height represents another shared tendency. In contrast, the specimen displays a high basion-bregma height and orbital height, together with relatively large nasal breadth, mandibular angle breadth, and mandibular body thickness. These features show similarities to the skeletal remains from Doigahama and Kanenokuma, which are associated with the later immigrant-derived Yayoi population. Based on the above, it appears that around 4000 BC, a population sharing traits with Japanese Jomon-period people existed on the Korean Peninsula. At the same time, these individuals seemingly already possessed some of the physical characteristics associated with the immigrant-derived Yayoi people, who are believed to have migrated from the Korean Peninsula to Japan during the Yayoi period (Fujita 2004). Genetic results from the Yondaedo specimens indicate that they were predominantly derived from ANEA-related ancestry, with an additional Jomon-related component (Robbeets et al. 2021).

Ancestral Whispers

134,687 просмотров • 21 дней назад

Seedance 2.0 on Higgsfield AI Full open-sourced prompts & assets below: I've always been curious about how cinematic AI videos are actually made. Seeing every prompt, reference image, and generation setting made this one especially interesting. Prompt: Image is the performer — preserve her exact identity: cornrow braids into long dark curls, silver chain-drop earring, gold pendant necklace, washed-green denim corset top, glossy lips. audio1 is the finished master track — the only audio; no invented music, no new vocals. SHE RAPS THE VOCAL ON CAMERA — PRECISE LIPSYNC IS THE TOP PRIORITY. Mouth articulates every syllable of audio1 exactly on time; face visible and sharp through every vocal line, no cutaways mid-word. LIPSYNC MAP: 0.0–0.5 instrumental. 0.5–2.8 "I'm standing on the edge / Say it with your chest / Or keep it on the deck" + "Hey!" 3.2–6.7 "I walk in, whole room gets tense / I don't need luck, I'm the consequence / If you really want to test my intent / Come correct, come correct or get bent" + "Woo!" 7.5–13.7 same hook verbatim second time, escalated. 14.5–15.0 instrumental hold. Music-video route: dance/performance, NYC caged basketball court. Director thesis: queen of the cage — she raps at the center of a chain-link basketball court while her girls run formations around her. Black girlie hustle vibe. Visual world: outdoor NYC basketball court wrapped in tall chain-link fence, faded court paint, brick housing blocks and fire escapes behind, late golden-hour sun throwing fence-diamond shadows across the asphalt. 4 background dancers: Black girls styled sharp — matching cropped white tanks, baggy cargo denim in different washes, bamboo hoops, colorful silk scarves tied on heads, clean Timberlands and Air Force 1s. Palette: asphalt grey, golden sun, brick red, denim, gold jewelry. No neon, no particles. Shot flow (crash zooms through the chain-link): 0–0.5s static wide THROUGH the chain-link fence: she stands at center court, four girls scattered frozen. 0.5s CRASH ZOOM IN through the fence diamonds to her face on the first word — she raps dead center, fence shadow patterning the asphalt around her. 2.8–3.2s on "Hey!" all four girls snap into a diamond formation around her on one beat. 3.2–6.7s she raps strutting the free-throw line, camera dollying laterally inside the cage; CRASH ZOOM punches on "tense" and "consequence"; the girls hit unison hip-hop choreography — chest pops, scarf-flick accents, synchronized bounce — locking freezes on every snare; finger to lens on "come correct". 7.5s CRASH ZOOM IN on the kick to a low-angle close-up against the sun — second hook doubled, braids backlit, jaw snapping consonants. 10–13.7s fast orbital around the whole formation as the girls run a rotating carousel around her rapping at center; two more crash zooms slamming in on snare hits; fence shadows strobe the ground as the camera circles. 13.7–15s on "Woo!" CRASH ZOOM OUT through the fence to the full wide: she's frozen arm high at center, girls dropped into four squat freezes around her, hold. Loopable. Performance rules: feminine swagger, athletic bounce, immaculate diction; only she raps, girls never mouth words. Continuity: same five women, same court and light. Audio intent: audio1 only, mouth locked to it; faint ball-bounce echoes and city hum under the track. Quality bar: expensive NYC rap video, real film texture, no AI gloss.
0:15

Seedance 2.0 on Higgsfield AI Full open-sourced prompts & assets below: I've always been curious about how cinematic AI videos are actually made. Seeing every prompt, reference image, and generation setting made this one especially interesting. Prompt: Image is the performer — preserve her exact identity: cornrow braids into long dark curls, silver chain-drop earring, gold pendant necklace, washed-green denim corset top, glossy lips. audio1 is the finished master track — the only audio; no invented music, no new vocals. SHE RAPS THE VOCAL ON CAMERA — PRECISE LIPSYNC IS THE TOP PRIORITY. Mouth articulates every syllable of audio1 exactly on time; face visible and sharp through every vocal line, no cutaways mid-word. LIPSYNC MAP: 0.0–0.5 instrumental. 0.5–2.8 "I'm standing on the edge / Say it with your chest / Or keep it on the deck" + "Hey!" 3.2–6.7 "I walk in, whole room gets tense / I don't need luck, I'm the consequence / If you really want to test my intent / Come correct, come correct or get bent" + "Woo!" 7.5–13.7 same hook verbatim second time, escalated. 14.5–15.0 instrumental hold. Music-video route: dance/performance, NYC caged basketball court. Director thesis: queen of the cage — she raps at the center of a chain-link basketball court while her girls run formations around her. Black girlie hustle vibe. Visual world: outdoor NYC basketball court wrapped in tall chain-link fence, faded court paint, brick housing blocks and fire escapes behind, late golden-hour sun throwing fence-diamond shadows across the asphalt. 4 background dancers: Black girls styled sharp — matching cropped white tanks, baggy cargo denim in different washes, bamboo hoops, colorful silk scarves tied on heads, clean Timberlands and Air Force 1s. Palette: asphalt grey, golden sun, brick red, denim, gold jewelry. No neon, no particles. Shot flow (crash zooms through the chain-link): 0–0.5s static wide THROUGH the chain-link fence: she stands at center court, four girls scattered frozen. 0.5s CRASH ZOOM IN through the fence diamonds to her face on the first word — she raps dead center, fence shadow patterning the asphalt around her. 2.8–3.2s on "Hey!" all four girls snap into a diamond formation around her on one beat. 3.2–6.7s she raps strutting the free-throw line, camera dollying laterally inside the cage; CRASH ZOOM punches on "tense" and "consequence"; the girls hit unison hip-hop choreography — chest pops, scarf-flick accents, synchronized bounce — locking freezes on every snare; finger to lens on "come correct". 7.5s CRASH ZOOM IN on the kick to a low-angle close-up against the sun — second hook doubled, braids backlit, jaw snapping consonants. 10–13.7s fast orbital around the whole formation as the girls run a rotating carousel around her rapping at center; two more crash zooms slamming in on snare hits; fence shadows strobe the ground as the camera circles. 13.7–15s on "Woo!" CRASH ZOOM OUT through the fence to the full wide: she's frozen arm high at center, girls dropped into four squat freezes around her, hold. Loopable. Performance rules: feminine swagger, athletic bounce, immaculate diction; only she raps, girls never mouth words. Continuity: same five women, same court and light. Audio intent: audio1 only, mouth locked to it; faint ball-bounce echoes and city hum under the track. Quality bar: expensive NYC rap video, real film texture, no AI gloss.

simeon-sanai

11,689 просмотров • 2 месяцев назад

And then he says: “I may be Jewish.” That line matters less as identity and more as branding theater. In that same post, he wrapped himself in anti-woke moralizing, Christian rhetoric, nationalism, and a broad “we are all Americans” pitch. It fits the pattern: Fishback is always selling himself to whichever room he is standing in. So taken together, the pattern is brutal: He sold anti-antisemitism respectability with Bari Weiss. He pushed antisemitism panic on Fox. He appeared on air with a Israel/U.S. pin. He later pivoted into anti-Israel populism. He carries Greenlight legal baggage, including admitted misconduct with confidential information. And his personal timeline with the 17-year-old allegation looks exactly like the kind of story a man hopes people will discuss sloppily so he can retreat into technical denials. That is not integrity. Is it? What about Vass, inc (cntl#28394) on Open Secrets. Money to candidates like Fishback, James HEIM, John MISIASZEK, Lori HEIM.. you see it don’t you? As far back as 2016. Lastly, Fishback is the whole scam in one body: occult signals, Israel residue, Christian grift, legal jewry, and a grooming-shaped timeline defended by calendar math. No thanks. He doesn’t represent truth. He represents market-tested deception. Another polished little chameleon for the Beast system, flashing signs, changing scripts, and selling whichever gospel pays best. a full-spectrum asset in a necktie. Get real and wake the hell up people. All of them means ALL OF THEM. No heroes. No halos. End Hopium. H/t 🎩 TEMPLER He gave me the initial “in” I needed. 🔗 Substack, consider upgrading ☕ Fuel the fire If not, no worries. But the least you can do is like, comment and share! The truth doesn’t need everyone, just enough of us. Be cool, fookers! Receipts full links on Substack including FOX interview: • Fishback’s Free Press author page shows he wrote for Bari Weiss’s outlet in 2023–2024, including pieces on debate and “banned books.” (The Free Press) • Your Dec. 27, 2023 screenshot shows Fishback praising Bari Weiss’s How to Fight Anti-Semitism and writing: “To tolerate anti-Semitism is to tolerate lies.” • In the Fox “banned books” interview, Fishback said the education problem included “the increase in anti-Semitic education.” That language appears in the transcript. Link: In the image you shared from that Fox hit, he appears to be wearing a U.S.–Israel flag pin. • Bloomberg reported Fishback admitted sending Greenlight’s confidential positions/strategy summaries and a full portfolio document to his personal email, while also having an undisclosed personal trading account in overlapping instruments; he agreed to pay Greenlight’s legal fees and costs. (Bloomberg) • Separate reporting says Greenlight also got a judgment against him in a promissory-note dispute. ( • Broward schools cut ties with Fishback in 2022 after allegations involving an inappropriate relationship with a minor tied to his debate operation, according to NBC-based reporting cited by multiple outlets. (Yahoo) • Fishback denied wrongdoing and denied inappropriate conduct before she turned 18. (Yahoo) • The same reporting says she later moved in with him in 2023 and they were briefly engaged. (Yahoo) • By early 2026, Fishback was being described as an anti-Israel Florida candidate using rhetoric that drew antisemitism accusations from multiple outlets. (Jewish Telegraphic Agency) • On the Vass, NC / 28394 money angle: interesting lead, not a receipt yet. A surname plus ZIP is not enough to tie those donations to this James Fishback without stronger matching identifiers. The FEC itself says contributor research should be narrowed by fields like committee, date, amount, employer, occupation, city, and state. (
0:14

And then he says: “I may be Jewish.” That line matters less as identity and more as branding theater. In that same post, he wrapped himself in anti-woke moralizing, Christian rhetoric, nationalism, and a broad “we are all Americans” pitch. It fits the pattern: Fishback is always selling himself to whichever room he is standing in. So taken together, the pattern is brutal: He sold anti-antisemitism respectability with Bari Weiss. He pushed antisemitism panic on Fox. He appeared on air with a Israel/U.S. pin. He later pivoted into anti-Israel populism. He carries Greenlight legal baggage, including admitted misconduct with confidential information. And his personal timeline with the 17-year-old allegation looks exactly like the kind of story a man hopes people will discuss sloppily so he can retreat into technical denials. That is not integrity. Is it? What about Vass, inc (cntl#28394) on Open Secrets. Money to candidates like Fishback, James HEIM, John MISIASZEK, Lori HEIM.. you see it don’t you? As far back as 2016. Lastly, Fishback is the whole scam in one body: occult signals, Israel residue, Christian grift, legal jewry, and a grooming-shaped timeline defended by calendar math. No thanks. He doesn’t represent truth. He represents market-tested deception. Another polished little chameleon for the Beast system, flashing signs, changing scripts, and selling whichever gospel pays best. a full-spectrum asset in a necktie. Get real and wake the hell up people. All of them means ALL OF THEM. No heroes. No halos. End Hopium. H/t 🎩 TEMPLER He gave me the initial “in” I needed. 🔗 Substack, consider upgrading ☕ Fuel the fire If not, no worries. But the least you can do is like, comment and share! The truth doesn’t need everyone, just enough of us. Be cool, fookers! Receipts full links on Substack including FOX interview: • Fishback’s Free Press author page shows he wrote for Bari Weiss’s outlet in 2023–2024, including pieces on debate and “banned books.” (The Free Press) • Your Dec. 27, 2023 screenshot shows Fishback praising Bari Weiss’s How to Fight Anti-Semitism and writing: “To tolerate anti-Semitism is to tolerate lies.” • In the Fox “banned books” interview, Fishback said the education problem included “the increase in anti-Semitic education.” That language appears in the transcript. Link: In the image you shared from that Fox hit, he appears to be wearing a U.S.–Israel flag pin. • Bloomberg reported Fishback admitted sending Greenlight’s confidential positions/strategy summaries and a full portfolio document to his personal email, while also having an undisclosed personal trading account in overlapping instruments; he agreed to pay Greenlight’s legal fees and costs. (Bloomberg) • Separate reporting says Greenlight also got a judgment against him in a promissory-note dispute. ( • Broward schools cut ties with Fishback in 2022 after allegations involving an inappropriate relationship with a minor tied to his debate operation, according to NBC-based reporting cited by multiple outlets. (Yahoo) • Fishback denied wrongdoing and denied inappropriate conduct before she turned 18. (Yahoo) • The same reporting says she later moved in with him in 2023 and they were briefly engaged. (Yahoo) • By early 2026, Fishback was being described as an anti-Israel Florida candidate using rhetoric that drew antisemitism accusations from multiple outlets. (Jewish Telegraphic Agency) • On the Vass, NC / 28394 money angle: interesting lead, not a receipt yet. A surname plus ZIP is not enough to tie those donations to this James Fishback without stronger matching identifiers. The FEC itself says contributor research should be narrowed by fields like committee, date, amount, employer, occupation, city, and state. (

🔥Sir Escanor (𝘏𝘰𝘱𝘪𝘶𝘮 𝘚𝘭𝘢𝘺𝘦𝘳)🔥

35,817 просмотров • 6 месяцев назад