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Introducing A library of interactive UI blocks you can explore, tune, bench, and take into your own projects. Started as a spare-time experiment to see what happens when my design thinking and style meet Claude, pushing further into interactions, components, and the details that make interfaces feel good. Then... show more

Lorenzo Cabra

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182,177 просмотров • 2 дней назад •via X (Twitter)

Искусство Образование Наука и технологии

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UI/UX Designers, you can now give your AI coding agent a better design taste. I just found Refero Styles that has a library with 2,000+ DESIGN.md files from real product sites covering colors, typography, spacing, and components. Ready to paste into Cursor, Claude Code, v0, and Lovable so your agent can build with better design direction Can’t believe it’s free; bookmark it for later. 💜

UI/UX Designers, you can now give your AI coding agent a better design taste. I just found Refero Styles that has a library with 2,000+ DESIGN.md files from real product sites covering colors, typography, spacing, and components. Ready to paste into Cursor, Claude Code, v0, and Lovable so your agent can build with better design direction Can’t believe it’s free; bookmark it for later. 💜

Abraham John 🦄🦓

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Claude Design + Shopify is f*cking ridiculous 🤯 You can now publish pages from Claude Design → Claude Code → Shopify. Built 100% with Claude Design, Claude Code, and the Shopify CLI. Perfect for DTC brands and agencies who want to skip the design → dev handoff entirely. Here's how it works: → Design any landing page in Claude Design → Export as a zip and drop it into Claude Code → Install the Shopify + Shopify AI Toolkit plugins → Prompt Claude to convert the HTML into a Shopify page template + push to live theme → Claude uploads the images, deploys the files, and creates a published page No more handing designs off to a dev and waiting 2 weeks for a Shopify page. What you get: - A workflow that turns any Claude Design page into a real Shopify page template - Editable sections so your marketing team can swap copy, images, and CTAs without code - Images uploaded straight to Shopify Files automatically - A files-only deploy that only touches what's new in your live theme - A repeatable pipeline you can use every time you design a new landing page This is essentially the design-to-deploy pipeline brands have been waiting for. I put together a step-by-step playbook for going from Claude Design → published Shopify page. Every install, every plugin, every command, and the exact prompt that runs the whole thing. Want the playbook for free? > Like this post > Comment "SHOP" And I'll send it over (must be following so I can DM)

Claude Design + Shopify is f*cking ridiculous 🤯 You can now publish pages from Claude Design → Claude Code → Shopify. Built 100% with Claude Design, Claude Code, and the Shopify CLI. Perfect for DTC brands and agencies who want to skip the design → dev handoff entirely. Here's how it works: → Design any landing page in Claude Design → Export as a zip and drop it into Claude Code → Install the Shopify + Shopify AI Toolkit plugins → Prompt Claude to convert the HTML into a Shopify page template + push to live theme → Claude uploads the images, deploys the files, and creates a published page No more handing designs off to a dev and waiting 2 weeks for a Shopify page. What you get: - A workflow that turns any Claude Design page into a real Shopify page template - Editable sections so your marketing team can swap copy, images, and CTAs without code - Images uploaded straight to Shopify Files automatically - A files-only deploy that only touches what's new in your live theme - A repeatable pipeline you can use every time you design a new landing page This is essentially the design-to-deploy pipeline brands have been waiting for. I put together a step-by-step playbook for going from Claude Design → published Shopify page. Every install, every plugin, every command, and the exact prompt that runs the whole thing. Want the playbook for free? > Like this post > Comment "SHOP" And I'll send it over (must be following so I can DM)

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I gave the new Meta Muse Spark model a bunch of assorted assets and it was able to carefully extract them and place it into a functioning app. I've never seen something with a clear intuition for design and product-first thinking. This is the first AI that *gets* UI design.

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We were never fully satisfied with the animated components available outside. Some looked good but were hard to customize. Some were easy to use but felt too basic. So 2 months ago, we started building our own. It started as a Framer component library. Then we expanded it to Next.js and MCP, so people can use it with code and AI builders too. Now we’re finally launching the beta on July 2, 11 AM IST. Only for the first 500 users. If you’re building animated websites, this will save you a lot of time. And I think you’re going to love this.

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Ever since you’ve moved into this neighborhood, the neighbor across the street seems to have a real issue with you. This winter every time you shovel your driveway, you come back later and you hear mountains of snow everywhere. You check your camera and you see that she intentionally pushes her snow across the street and dumps it into your yard and driveway. Not sure what the problem is nor do you really want to find out, would you let this slide or is it time to return the favor with your new snowblower?

SonnyBoy🇺🇸

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We did it again, fam! Another viral day. I’m exhausted now. I honestly don’t know what I would do without all of you. It’s weird to think that, for the last 3 years, I’ve built my life around this weird little project called Dr. Clown. Literally spending my days creating, building this character, building this community, and trying to make you laugh. When I first started on 𝕏, it was before monetization, on another account. Then I realized I could use my humor to make people laugh at a much bigger scale, and everything changed for me. I found a new passion in life. Something that started as a hobby somehow became my full-time job. Thank you for making this possible 🫶

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last week we launched Koji, Brilliant.org 's math and coding tutor. one of my favorite little design details is a dynamic glow effect that visually indicates when Koji is talking. to make it happen, we wrote a script to databind the audio waveform of Koji's voice, then built a preview environment that allowed us to fine-tune the effect before handing off to developers. you can read more about the process below

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A $20 APP CAN ORGANIZE WHAT MOST PEOPLE NEVER DO One creator got tired of scattered notes, forgotten ideas and unfinished projects, so he built his own operating system on top of Obsidian Powered by Claude, it transformed 378 notes, 1,816 connections and 53 knowledge clusters into a living dashboard that looked more like a sci-fi command center than a note-taking app He could see how ideas connected, which projects were active, what routines supported them and where every new piece of information belonged. The system evolved every day, becoming more valuable with every note he added instead of more chaotic In reality, spending $20 a month on the right AI tools and organizing your knowledge properly can be worth far more than buying another course you'll never finish

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April 30 • 12:00pm ET Art Blocks + OpenSea “Gift of time” began during my residency in Marfa, Texas, as part of the Art Blocks and OpenSea artist residency program, where a distinct shift in the experience of time became central to the work. In the desert, I felt time move differently. It stretched, slowed, and became something I noticed. After a few days, the rhythm changed. Moments felt longer, attention sharpened, and I became increasingly aware of each moment as it passed. This work comes from that condition. Time is not treated only as a theme, but as a system embedded in the structure of the piece. Different ways of measuring time, such as mechanical cycles, calendars, and lunar phases, are translated into rules that continuously transform the work. The piece does not represent time. It runs on it. Its movement is tied to blockchain time. Even when unseen, it continues to rotate and evolve. When loaded, it synchronizes with the present moment, but it does not begin when it is viewed, and it does not stop when it disappears from the screen. During the residency, I spent hours thinking, sketching, and making connections. Those connections are also visible. Elastic lines, like rubber bands, link elements across the piece, representing how memories connect, how one thought leads to another, and how everything builds over time. These same connections introduce moments where the system attempts to pull itself back, as if trying to regain control. But it never fully resets. It is not a loop. The movement continues, drifting forward, never returning to a fixed state. Visually, the work reveals its own construction. Lines, paths, and rotations expose an internal logic, like looking inside a mechanism. The drawing language recalls diagrams, technical sketches, or the interior of a mechanical watch. It is a system in motion, always active. “Gift of Time” exists because I was given time by Art Blocks, OpenSea, and above all my family. It is my way of saying thank you. It is both a reflection on time and a product of it. April 30 @ 12:00pm ET on Art blocks & OpenSea 1 / 1 / 365 • 0.02 Eth Art Blocks, OpenSea

April 30 • 12:00pm ET Art Blocks + OpenSea “Gift of time” began during my residency in Marfa, Texas, as part of the Art Blocks and OpenSea artist residency program, where a distinct shift in the experience of time became central to the work. In the desert, I felt time move differently. It stretched, slowed, and became something I noticed. After a few days, the rhythm changed. Moments felt longer, attention sharpened, and I became increasingly aware of each moment as it passed. This work comes from that condition. Time is not treated only as a theme, but as a system embedded in the structure of the piece. Different ways of measuring time, such as mechanical cycles, calendars, and lunar phases, are translated into rules that continuously transform the work. The piece does not represent time. It runs on it. Its movement is tied to blockchain time. Even when unseen, it continues to rotate and evolve. When loaded, it synchronizes with the present moment, but it does not begin when it is viewed, and it does not stop when it disappears from the screen. During the residency, I spent hours thinking, sketching, and making connections. Those connections are also visible. Elastic lines, like rubber bands, link elements across the piece, representing how memories connect, how one thought leads to another, and how everything builds over time. These same connections introduce moments where the system attempts to pull itself back, as if trying to regain control. But it never fully resets. It is not a loop. The movement continues, drifting forward, never returning to a fixed state. Visually, the work reveals its own construction. Lines, paths, and rotations expose an internal logic, like looking inside a mechanism. The drawing language recalls diagrams, technical sketches, or the interior of a mechanical watch. It is a system in motion, always active. “Gift of Time” exists because I was given time by Art Blocks, OpenSea, and above all my family. It is my way of saying thank you. It is both a reflection on time and a product of it. April 30 @ 12:00pm ET on Art blocks & OpenSea 1 / 1 / 365 • 0.02 Eth Art Blocks, OpenSea

Manuel Lariño ☔️

21,931 просмотров • 4 месяцев назад

GPT-5.6 Sol is unbelievably good at creating and editing videos. It can do motion design, product demos, and animations like this one I made by simply giving it a screen recording. GPT 5.6 has the best design taste and significantly outperforms Fable, which relies heavily on repetitive design patterns. To help you experiment with video editing on it, we just launched a collection of 100 ready-to-use skills that show what’s possible and help you get started with video editing using GPT-5.6. These skills can create anything from motion graphics launch videos for your product to a 3B1B-style science explainer video. You can also use them to edit existing videos: add captions, generate motion graphics, create voiceovers, redesign visual styles, translate into new languages, and much more. If you want access to the full library, comment “VIDEO SKILLS” and I’ll share it with you. (You'll have to follow me so I can DM you.)

GPT-5.6 Sol is unbelievably good at creating and editing videos. It can do motion design, product demos, and animations like this one I made by simply giving it a screen recording. GPT 5.6 has the best design taste and significantly outperforms Fable, which relies heavily on repetitive design patterns. To help you experiment with video editing on it, we just launched a collection of 100 ready-to-use skills that show what’s possible and help you get started with video editing using GPT-5.6. These skills can create anything from motion graphics launch videos for your product to a 3B1B-style science explainer video. You can also use them to edit existing videos: add captions, generate motion graphics, create voiceovers, redesign visual styles, translate into new languages, and much more. If you want access to the full library, comment “VIDEO SKILLS” and I’ll share it with you. (You'll have to follow me so I can DM you.)

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