Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

Introducing “FlowCam: Training Generalizable 3D Radiance Fields w/o Camera Poses via Pixel-Aligned Scene Flow”! We train a generalizable 3D scene representation self-supervised on datasets of raw videos, without any pre-computed camera poses or SFM! 1/n

vincesitzmann's profile picture

Vincent Sitzmann

19,168 subscribers

88,503 Aufrufe • vor 3 Jahren •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

F3D-Gaus: Feed-forward 3D-aware Generation on ImageNet with Cycle-Consistent Gaussian Splatting Contributions: • We pioneer 3D-aware generation using generalizable feed-forward Gaussian Splatting representation, achieving significant efficiency and favorable rendering quality on monocular datasets. • We significantly advance the capability of pixel-aligned Gaussian Splatting representations by designing a self-supervised cycle training strategy specifically tailored for monocular datasets. • We further mitigate the artifacts of 3D-aware representations caused by large viewpoint shifts by introducing geometry-aware video priors.
0:16

F3D-Gaus: Feed-forward 3D-aware Generation on ImageNet with Cycle-Consistent Gaussian Splatting Contributions: • We pioneer 3D-aware generation using generalizable feed-forward Gaussian Splatting representation, achieving significant efficiency and favorable rendering quality on monocular datasets. • We significantly advance the capability of pixel-aligned Gaussian Splatting representations by designing a self-supervised cycle training strategy specifically tailored for monocular datasets. • We further mitigate the artifacts of 3D-aware representations caused by large viewpoint shifts by introducing geometry-aware video priors.

MrNeRF

14,229 Aufrufe • vor 1 Jahr

3D Gaussian Splatting for Real-Time Radiance Field Rendering paper page: Radiance Field methods have recently revolutionized novel-view synthesis of scenes captured with multiple photos or videos. However, achieving high visual quality still requires neural networks that are costly to train and render, while recent faster methods inevitably trade off speed for quality. For unbounded and complete scenes (rather than isolated objects) and 1080p resolution rendering, no current method can achieve real-time display rates. We introduce three key elements that allow us to achieve state-of-the-art visual quality while maintaining competitive training times and importantly allow high-quality real-time (>= 30 fps) novel-view synthesis at 1080p resolution. First, starting from sparse points produced during camera calibration, we represent the scene with 3D Gaussians that preserve desirable properties of continuous volumetric radiance fields for scene optimization while avoiding unnecessary computation in empty space; Second, we perform interleaved optimization/density control of the 3D Gaussians, notably optimizing anisotropic covariance to achieve an accurate representation of the scene; Third, we develop a fast visibility-aware rendering algorithm that supports anisotropic splatting and both accelerates training and allows realtime rendering. We demonstrate state-of-the-art visual quality and real-time rendering on several established datasets.
0:18

3D Gaussian Splatting for Real-Time Radiance Field Rendering paper page: Radiance Field methods have recently revolutionized novel-view synthesis of scenes captured with multiple photos or videos. However, achieving high visual quality still requires neural networks that are costly to train and render, while recent faster methods inevitably trade off speed for quality. For unbounded and complete scenes (rather than isolated objects) and 1080p resolution rendering, no current method can achieve real-time display rates. We introduce three key elements that allow us to achieve state-of-the-art visual quality while maintaining competitive training times and importantly allow high-quality real-time (>= 30 fps) novel-view synthesis at 1080p resolution. First, starting from sparse points produced during camera calibration, we represent the scene with 3D Gaussians that preserve desirable properties of continuous volumetric radiance fields for scene optimization while avoiding unnecessary computation in empty space; Second, we perform interleaved optimization/density control of the 3D Gaussians, notably optimizing anisotropic covariance to achieve an accurate representation of the scene; Third, we develop a fast visibility-aware rendering algorithm that supports anisotropic splatting and both accelerates training and allows realtime rendering. We demonstrate state-of-the-art visual quality and real-time rendering on several established datasets.

AK

633,313 Aufrufe • vor 2 Jahren

RIP Ken Burns effect? Post camera moves will never be the same. Convert and image or video into a 3D scene and animate a virtual camera to create a new move. Camera control by Moonvalley
0:10

RIP Ken Burns effect? Post camera moves will never be the same. Convert and image or video into a 3D scene and animate a virtual camera to create a new move. Camera control by Moonvalley

Paul Trillo

13,716 Aufrufe • vor 11 Monaten

Super excited to announce our new work: Synthesizing Moving People with 3D Control (3DHM)💡 Why is 3DHM unique? With 3D Control, 3DHM can animate a 𝗿𝗮𝗻𝗱𝗼𝗺 human photo with 𝗮𝗻𝘆 poses in a 𝟯𝟲𝟬-𝗱𝗲𝗴𝗿𝗲𝗲 camera view and 𝗮𝗻𝘆 camera azimuths from 𝗮𝗻𝘆 video!
0:11

Super excited to announce our new work: Synthesizing Moving People with 3D Control (3DHM)💡 Why is 3DHM unique? With 3D Control, 3DHM can animate a 𝗿𝗮𝗻𝗱𝗼𝗺 human photo with 𝗮𝗻𝘆 poses in a 𝟯𝟲𝟬-𝗱𝗲𝗴𝗿𝗲𝗲 camera view and 𝗮𝗻𝘆 camera azimuths from 𝗮𝗻𝘆 video!

Boyi Li

74,410 Aufrufe • vor 2 Jahren

Segment Any 3D Gaussians paper page: Interactive 3D segmentation in radiance fields is an appealing task since its importance in 3D scene understanding and manipulation. However, existing methods face challenges in either achieving fine-grained, multi-granularity segmentation or contending with substantial computational overhead, inhibiting real-time interaction. In this paper, we introduce Segment Any 3D GAussians (SAGA), a novel 3D interactive segmentation approach that seamlessly blends a 2D segmentation foundation model with 3D Gaussian Splatting (3DGS), a recent breakthrough of radiance fields. SAGA efficiently embeds multi-granularity 2D segmentation results generated by the segmentation foundation model into 3D Gaussian point features through well-designed contrastive training. Evaluation on existing benchmarks demonstrates that SAGA can achieve competitive performance with state-of-the-art methods. Moreover, SAGA achieves multi-granularity segmentation and accommodates various prompts, including points, scribbles, and 2D masks. Notably, SAGA can finish the 3D segmentation within milliseconds, achieving nearly 1000x acceleration compared to previous SOTA.
0:18

Segment Any 3D Gaussians paper page: Interactive 3D segmentation in radiance fields is an appealing task since its importance in 3D scene understanding and manipulation. However, existing methods face challenges in either achieving fine-grained, multi-granularity segmentation or contending with substantial computational overhead, inhibiting real-time interaction. In this paper, we introduce Segment Any 3D GAussians (SAGA), a novel 3D interactive segmentation approach that seamlessly blends a 2D segmentation foundation model with 3D Gaussian Splatting (3DGS), a recent breakthrough of radiance fields. SAGA efficiently embeds multi-granularity 2D segmentation results generated by the segmentation foundation model into 3D Gaussian point features through well-designed contrastive training. Evaluation on existing benchmarks demonstrates that SAGA can achieve competitive performance with state-of-the-art methods. Moreover, SAGA achieves multi-granularity segmentation and accommodates various prompts, including points, scribbles, and 2D masks. Notably, SAGA can finish the 3D segmentation within milliseconds, achieving nearly 1000x acceleration compared to previous SOTA.

AK

69,542 Aufrufe • vor 2 Jahren

Need a hand model? Check out virtual #anatomy reference app Hand Poses Pro HAELE 3D - Feet Poses Pro - Out Now on Steam!'s #UE5 based app lets you quickly pose readymade 3D hands around 3D props to create reference images for drawing, painting or sculpting #conceptart #illustration
0:14

Need a hand model? Check out virtual #anatomy reference app Hand Poses Pro HAELE 3D - Feet Poses Pro - Out Now on Steam!'s #UE5 based app lets you quickly pose readymade 3D hands around 3D props to create reference images for drawing, painting or sculpting #conceptart #illustration

CG Channel

14,192 Aufrufe • vor 1 Jahr

DeWanna Bonner poses for camera 📸
0:11

DeWanna Bonner poses for camera 📸

Yahoo Sports

38,093 Aufrufe • vor 1 Jahr

I always thought camera pose estimation is necessary for 3D reconstruction, until Zequn and Stephen proved me wrong! Introducing PreF3R, purely feed-forward 3D Gaussian Splatting without any intermediate pose estimation and COLMAP initialization. Video in, 3D Gaussians and novel view rendering out. Key technique: spatial memory network from Spann3R and Gaussian head supervised by pointmap loss plus photometric loss. See more at:
0:19

I always thought camera pose estimation is necessary for 3D reconstruction, until Zequn and Stephen proved me wrong! Introducing PreF3R, purely feed-forward 3D Gaussian Splatting without any intermediate pose estimation and COLMAP initialization. Video in, 3D Gaussians and novel view rendering out. Key technique: spatial memory network from Spann3R and Gaussian head supervised by pointmap loss plus photometric loss. See more at:

Heng Yang

20,160 Aufrufe • vor 1 Jahr

image -> 3D scene -> camera path -> wan1.3 v2v Pretty insane results. Playing with reconstruction now ...
0:10

image -> 3D scene -> camera path -> wan1.3 v2v Pretty insane results. Playing with reconstruction now ...

martin_casado

28,525 Aufrufe • vor 10 Monaten

Self-Calibrating Gaussian Splatting for Large Field of View Reconstruction Note: Check below for full video. Abstract (cited): "In this paper, we present a self-calibrating framework that jointly optimizes camera parameters, lens distortion, and 3D Gaussian representations, enabling accurate and efficient scene reconstruction. Our technique is particularly effective for high-quality scene reconstruction from large field-of-view (FOV) imagery taken with wide-angle lenses, allowing the scene to be modeled from a smaller number of images. We introduce a novel method for modeling complex lens distortions using a hybrid network that combines invertible residual networks with explicit grids. This design effectively regularizes the optimization process, achieving greater accuracy than conventional camera models. Additionally, we propose a cubemap-based resampling strategy to support large FOV images without sacrificing resolution or introducing distortion artifacts. Our method is compatible with the fast rasterization of Gaussian Splatting, adaptable to a wide variety of camera lens distortions, and demonstrates state-of-the-art performance on both synthetic and real-world datasets."
0:16

Self-Calibrating Gaussian Splatting for Large Field of View Reconstruction Note: Check below for full video. Abstract (cited): "In this paper, we present a self-calibrating framework that jointly optimizes camera parameters, lens distortion, and 3D Gaussian representations, enabling accurate and efficient scene reconstruction. Our technique is particularly effective for high-quality scene reconstruction from large field-of-view (FOV) imagery taken with wide-angle lenses, allowing the scene to be modeled from a smaller number of images. We introduce a novel method for modeling complex lens distortions using a hybrid network that combines invertible residual networks with explicit grids. This design effectively regularizes the optimization process, achieving greater accuracy than conventional camera models. Additionally, we propose a cubemap-based resampling strategy to support large FOV images without sacrificing resolution or introducing distortion artifacts. Our method is compatible with the fast rasterization of Gaussian Splatting, adaptable to a wide variety of camera lens distortions, and demonstrates state-of-the-art performance on both synthetic and real-world datasets."

MrNeRF

17,206 Aufrufe • vor 1 Jahr

This is RICULOUSLY good, TRELLIS 3D Generation model by Microsoft! 🔥 Generate high-quality 3D assets from text or image prompts. Supports various formats like Radiance Fields, 3D Gaussians, and meshes Available for FREE on Hugging Face!
0:14

This is RICULOUSLY good, TRELLIS 3D Generation model by Microsoft! 🔥 Generate high-quality 3D assets from text or image prompts. Supports various formats like Radiance Fields, 3D Gaussians, and meshes Available for FREE on Hugging Face!

Vaibhav (VB) Srivastav

62,437 Aufrufe • vor 1 Jahr

Meta releases VGGSfM Visual Geometry Grounded Deep Structure From Motion Structure-from-motion (SfM) is a long-standing problem in the computer vision community, which aims to reconstruct the camera poses and 3D structure of a scene from a set of unconstrained 2D images. Classical frameworks solve this problem in an incremental manner by detecting and matching keypoints, registering images, triangulating 3D points, and conducting bundle adjustment. Recent research efforts have predominantly revolved around harnessing the power of deep learning techniques to enhance specific elements (e.g., keypoint matching), but are still based on the original, non-differentiable pipeline. Instead, we propose a new deep SfM pipeline VGGSfM, where each component is fully differentiable and thus can be trained in an end-to-end manner. To this end, we introduce new mechanisms and simplifications. First, we build on recent advances in deep 2D point tracking to extract reliable pixel-accurate tracks, which eliminates the need for chaining pairwise matches. Furthermore, we recover all cameras simultaneously based on the image and track features instead of gradually registering cameras. Finally, we optimise the cameras and triangulate 3D points via a differentiable bundle adjustment layer. We attain state-of-the-art performance on three popular datasets, CO3D, IMC Phototourism, and ETH3D.
0:13

Meta releases VGGSfM Visual Geometry Grounded Deep Structure From Motion Structure-from-motion (SfM) is a long-standing problem in the computer vision community, which aims to reconstruct the camera poses and 3D structure of a scene from a set of unconstrained 2D images. Classical frameworks solve this problem in an incremental manner by detecting and matching keypoints, registering images, triangulating 3D points, and conducting bundle adjustment. Recent research efforts have predominantly revolved around harnessing the power of deep learning techniques to enhance specific elements (e.g., keypoint matching), but are still based on the original, non-differentiable pipeline. Instead, we propose a new deep SfM pipeline VGGSfM, where each component is fully differentiable and thus can be trained in an end-to-end manner. To this end, we introduce new mechanisms and simplifications. First, we build on recent advances in deep 2D point tracking to extract reliable pixel-accurate tracks, which eliminates the need for chaining pairwise matches. Furthermore, we recover all cameras simultaneously based on the image and track features instead of gradually registering cameras. Finally, we optimise the cameras and triangulate 3D points via a differentiable bundle adjustment layer. We attain state-of-the-art performance on three popular datasets, CO3D, IMC Phototourism, and ETH3D.

AK

96,527 Aufrufe • vor 1 Jahr

there is a new gaussian splat method that can create high-quality 3D scenes from long videos without needing camera positions:
0:18

there is a new gaussian splat method that can create high-quality 3D scenes from long videos without needing camera positions:

Dreaming Tulpa 🥓👑

41,437 Aufrufe • vor 8 Monaten

Human Hair Reconstruction with Strand-Aligned 3D Gaussians Contributions (cited): – We propose a new 3D line lifting scheme that uses a modified 3DGS reconstruction technique to lift 2D orientation maps into a 3D field while also providing refinement of the camera parameters; – We introduce a dual representation of hair strand polylines and 3D Gaussians to achieve differentiable rasterization of hair strands and leverage photometric constraints for strand-based hair reconstruction; – Based on these components, we propose a coarse-to-fine optimization method for prior-guided hair reconstruction that leverages both latent and explicit representations of the hairstyle.
0:13

Human Hair Reconstruction with Strand-Aligned 3D Gaussians Contributions (cited): – We propose a new 3D line lifting scheme that uses a modified 3DGS reconstruction technique to lift 2D orientation maps into a 3D field while also providing refinement of the camera parameters; – We introduce a dual representation of hair strand polylines and 3D Gaussians to achieve differentiable rasterization of hair strands and leverage photometric constraints for strand-based hair reconstruction; – Based on these components, we propose a coarse-to-fine optimization method for prior-guided hair reconstruction that leverages both latent and explicit representations of the hairstyle.

MrNeRF

106,497 Aufrufe • vor 1 Jahr

3D Camera uniforms for easily setup in any raymarching/raytracing shader
0:19

3D Camera uniforms for easily setup in any raymarching/raytracing shader

Xor

13,063 Aufrufe • vor 3 Monaten

NVIDIA finally released Neuralangelo's source code! The model can turn videos from any device into detailed 3D structures, fully replicating buildings, sculptures, or other real aworld objects or spaces virtually. Here's how it works: A model utilizes a 2D video with multiple angles of an object or scene. I selects frames from different viewpoints to understand depth, size, and shape. The AI creates an initial 3D representation, similar to a sculptor shaping a subject. The render is optimized to enhance details, like a sculptor refining texture. The outcome is a 3D object or scene suitable for virtual reality, digital twins, or robotics.
0:13

NVIDIA finally released Neuralangelo's source code! The model can turn videos from any device into detailed 3D structures, fully replicating buildings, sculptures, or other real aworld objects or spaces virtually. Here's how it works: A model utilizes a 2D video with multiple angles of an object or scene. I selects frames from different viewpoints to understand depth, size, and shape. The AI creates an initial 3D representation, similar to a sculptor shaping a subject. The render is optimized to enhance details, like a sculptor refining texture. The outcome is a 3D object or scene suitable for virtual reality, digital twins, or robotics.

Lior Alexander

478,001 Aufrufe • vor 2 Jahren

Most 3DGS segmentation tools either pre‑train per scene or lock errors into a feature field you can’t undo. ArtisanGS instead turns a few 2D masks into editable 3D object selections via Cutie tracking + black‑box splat aggregation, then lets you iteratively correct mistakes with consistent 2D/3D selection modes. 📗 #NVIDIAResearch paper:
0:15

Most 3DGS segmentation tools either pre‑train per scene or lock errors into a feature field you can’t undo. ArtisanGS instead turns a few 2D masks into editable 3D object selections via Cutie tracking + black‑box splat aggregation, then lets you iteratively correct mistakes with consistent 2D/3D selection modes. 📗 #NVIDIAResearch paper:

NVIDIA AI Developer

42,243 Aufrufe • vor 4 Monaten

Code of #ACEZero is out. A new approach to SfM. Learn the 3D scene without image-to-image matching. Naturally avoids the explosion of complexity for many images. ACE0 shines if you have dense coverage of a scene. Posing 10k images and more? Sure!
0:19

Code of #ACEZero is out. A new approach to SfM. Learn the 3D scene without image-to-image matching. Naturally avoids the explosion of complexity for many images. ACE0 shines if you have dense coverage of a scene. Posing 10k images and more? Sure!

Eric Brachmann

23,988 Aufrufe • vor 1 Jahr