Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

Introducing the WoW Camera Tools addon 🎥 A small project I’ve been tinkering with that gives you a simple UI for cleaner screenshots, smoother camera control and a bit of fun cinematic flair. Features include: • Rotate, tilt and zoom buttons • Adjustable speed sliders for each movement •... show more

MrGM

82,582 subscribers

136,830 views • 9 months ago •via X (Twitter)

Gaming Science & Technology

Anya Rossi• Live Now

Private livecam show

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

I built my first macOS app :) Live on the App Store now: Meet NotchShelf. A small utility that lives in the notch and gives you quick access to things you actually need during the day. Built entirely with SwiftUI. What it does: 📂 Quick Shelf: A temporary holding zone for drag-and-drop files. 💻 Screenshot Magnet: Automatically catches screenshots for quick and easy access 📅 Calendar View: Have a quick glance at your events. 📸 One-tap camera: A one-tap camera check before your next meeting. 📝 Quick Note: Jot down important quick notes for thoughts, reminders, or meeting points. and many more advancements and new features coming really soon!

I built my first macOS app :) Live on the App Store now: Meet NotchShelf. A small utility that lives in the notch and gives you quick access to things you actually need during the day. Built entirely with SwiftUI. What it does: 📂 Quick Shelf: A temporary holding zone for drag-and-drop files. 💻 Screenshot Magnet: Automatically catches screenshots for quick and easy access 📅 Calendar View: Have a quick glance at your events. 📸 One-tap camera: A one-tap camera check before your next meeting. 📝 Quick Note: Jot down important quick notes for thoughts, reminders, or meeting points. and many more advancements and new features coming really soon!

OG

32,694 views • 8 months ago

"IMPROVED" STW FIRST PERSON MODE IS SITTING IN PURGATORY It looks quite smoothed out (also quite buggy) STW used to have a 1st person camera before it got removed during v28.10, as Epic used STW's 1st person for UEFN during ch4 & ch5, breaking it, and removing it Gameplay below: Recently I managed to enable the STW first person camera for short range. Unlike Ballistic / UEFN first person camera which changes how weapon held meshes work and the camera position, this version of STW first person heavily relies on camera position alone so that Epic didn't have to redo over 200 different separate items. It is a quicker more "global fix" for how weapons and consumables look like while interacting with the world and the client itself. There's also quite expected bugs for a feature which has been scrapped / sitting in purgatory for nearly 3 years, which has to do with how the player body looks like during camera movements and certain movement animations. I am unsure when this change was implemented to first person, but my guess is around almost 2 years ago once Ballistic released. For a purged feature, I'd say it has a 65% (optimistically 70%) smoothed out rate but there's plenty of bugs and unlikely that this will get released anytime soon so I'm posting it as an update for what state first person currently is in.

"IMPROVED" STW FIRST PERSON MODE IS SITTING IN PURGATORY It looks quite smoothed out (also quite buggy) STW used to have a 1st person camera before it got removed during v28.10, as Epic used STW's 1st person for UEFN during ch4 & ch5, breaking it, and removing it Gameplay below: Recently I managed to enable the STW first person camera for short range. Unlike Ballistic / UEFN first person camera which changes how weapon held meshes work and the camera position, this version of STW first person heavily relies on camera position alone so that Epic didn't have to redo over 200 different separate items. It is a quicker more "global fix" for how weapons and consumables look like while interacting with the world and the client itself. There's also quite expected bugs for a feature which has been scrapped / sitting in purgatory for nearly 3 years, which has to do with how the player body looks like during camera movements and certain movement animations. I am unsure when this change was implemented to first person, but my guess is around almost 2 years ago once Ballistic released. For a purged feature, I'd say it has a 65% (optimistically 70%) smoothed out rate but there's plenty of bugs and unlikely that this will get released anytime soon so I'm posting it as an update for what state first person currently is in.

FossilSouthie

30,186 views • 1 month ago

Happy birthday to me!! 🥳🥳. This has been the most amazing year ever. I’ve been given this opportunity and to see it just continue to grow over the past year has been so amazing. I love each and everyone of you guys that I’ve hit the follow button the like button left the comment or re-shared any of my videos. Before creating content, I was an Ashtanga yoga teacher so I thought for my birthday I share a little bit of my practice with you guys.

Happy birthday to me!! 🥳🥳. This has been the most amazing year ever. I’ve been given this opportunity and to see it just continue to grow over the past year has been so amazing. I love each and everyone of you guys that I’ve hit the follow button the like button left the comment or re-shared any of my videos. Before creating content, I was an Ashtanga yoga teacher so I thought for my birthday I share a little bit of my practice with you guys.

RigoStaRR

21,925 views • 1 year ago

I’ve finally applied #ViduQ3 to a narrative project for SquadBlast . It handles action sequences and explosions with a level of consistency I hadn’t seen before. I achieved camera movements I’ve had in mind for a long time that other models simply wouldn't allow me to implement. The Start-end frame option generates high-quality animations with great control, provided you choose the points wisely and give the model enough time to generate the full movement fluidly. Grok surprised me with its iteration speed. I use it to bring dynamism to establishing shots and dialogue scenes that require quick corrections. If the scene needs movement, it’s my first choice. For more paced scenes or dialogues in wide shots, I prefer Sora 2. It is better suited for maintaining character style in distant shots, where Grok tends to struggle. The music was created in Suno (Industrial Tech-Step). I was looking for a sense of movement through minor-key synth arpeggios and extreme reverb. The "Studio" feature allowed me to precisely control the intro length and the exact point where the kick hits. Finally, a huge thanks to Framer 🇱🇹 for the amazing work on Cartoon Hero and for helping me connect with the professional world, and to OscarAI for his SREFs. I didn't have much time to develop the art style from scratch, so I used one of the SREF he shares. It fit perfectly with the bluish palette and the Otomo-inspired retro sci-fi style I was aiming for. It easily saved me a full day of work. IF ANYONE HAS ANY TECHNICAL KNOW-HOW QUESTIONS RELATED TO ANY SEQUENCE FEEL FREE TO ASK IN THE COMMENTS.

I’ve finally applied #ViduQ3 to a narrative project for SquadBlast . It handles action sequences and explosions with a level of consistency I hadn’t seen before. I achieved camera movements I’ve had in mind for a long time that other models simply wouldn't allow me to implement. The Start-end frame option generates high-quality animations with great control, provided you choose the points wisely and give the model enough time to generate the full movement fluidly. Grok surprised me with its iteration speed. I use it to bring dynamism to establishing shots and dialogue scenes that require quick corrections. If the scene needs movement, it’s my first choice. For more paced scenes or dialogues in wide shots, I prefer Sora 2. It is better suited for maintaining character style in distant shots, where Grok tends to struggle. The music was created in Suno (Industrial Tech-Step). I was looking for a sense of movement through minor-key synth arpeggios and extreme reverb. The "Studio" feature allowed me to precisely control the intro length and the exact point where the kick hits. Finally, a huge thanks to Framer 🇱🇹 for the amazing work on Cartoon Hero and for helping me connect with the professional world, and to OscarAI for his SREFs. I didn't have much time to develop the art style from scratch, so I used one of the SREF he shares. It fit perfectly with the bluish palette and the Otomo-inspired retro sci-fi style I was aiming for. It easily saved me a full day of work. IF ANYONE HAS ANY TECHNICAL KNOW-HOW QUESTIONS RELATED TO ANY SEQUENCE FEEL FREE TO ASK IN THE COMMENTS.

VoxelPlot

17,771 views • 7 months ago

I recreated Meta’s new AI Glasses on my Quest, and the complete source code is available! 👓 Hey everyone! I’ve received a lot of feedback and messages about my latest project, where I used the Quest to recreate the features shown during Meta’s keynote. To answer your questions I decided to create a cool video to explain how I built it but also, share the full source code on Patreon 👇 Watch the making-of: Download the source code: This project includes: ✨ A UI navigable with microgestures 🤏 A pinch & twist hand-tracking input system 🎧 An audio player with volume control via pinch & twist 📸 A camera that zooms with pinch & twist 🖼️ A carousel to browse captured pictures 🧠 And a contextual AI that reacts to what you’re looking at Hope you guys will like it and that it will help you on your own project!! 😊

I recreated Meta’s new AI Glasses on my Quest, and the complete source code is available! 👓 Hey everyone! I’ve received a lot of feedback and messages about my latest project, where I used the Quest to recreate the features shown during Meta’s keynote. To answer your questions I decided to create a cool video to explain how I built it but also, share the full source code on Patreon 👇 Watch the making-of: Download the source code: This project includes: ✨ A UI navigable with microgestures 🤏 A pinch & twist hand-tracking input system 🎧 An audio player with volume control via pinch & twist 📸 A camera that zooms with pinch & twist 🖼️ A carousel to browse captured pictures 🧠 And a contextual AI that reacts to what you’re looking at Hope you guys will like it and that it will help you on your own project!! 😊

Quentin Valembois

15,977 views • 11 months ago

GPT-6 Astra can design the vision. Pippit AI can turn that vision into a cinematic story. I tested a simple workflow: GPT-6 Astra → create a detailed white-clay 3D concept Pippit Story Studio → turn the idea into a structured sequence Seedance 2.5 → bring it to life with cinematic motion The interesting part is the level of control. Seedance 2.5 supports up to 30-second continuous shots, plus timestamp-level control for actions, camera movement, pacing, and lighting. So instead of jumping between separate tools, the workflow feels much more connected: Concept → Storyboard → Cinematic Video. This is the kind of AI filmmaking pipeline I want to see more of. Try it here: #Pippit #ChatGPT #GPT6Astra #Seedance25 #PippitAI #GPT6 #PippitPartner #AIVideo #StoryStudio

GPT-6 Astra can design the vision. Pippit AI can turn that vision into a cinematic story. I tested a simple workflow: GPT-6 Astra → create a detailed white-clay 3D concept Pippit Story Studio → turn the idea into a structured sequence Seedance 2.5 → bring it to life with cinematic motion The interesting part is the level of control. Seedance 2.5 supports up to 30-second continuous shots, plus timestamp-level control for actions, camera movement, pacing, and lighting. So instead of jumping between separate tools, the workflow feels much more connected: Concept → Storyboard → Cinematic Video. This is the kind of AI filmmaking pipeline I want to see more of. Try it here: #Pippit #ChatGPT #GPT6Astra #Seedance25 #PippitAI #GPT6 #PippitPartner #AIVideo #StoryStudio

Tanvir

84,284 views • 15 days ago

Seedance 2 is out globally on Freepik! 🎸 And now you got to learn how to prompt for it. So I went ahead and made a Spaces workflow for you - link below. And here's a prompt for you to kick off: [STYLE] Ultra-high detail Pixar-quality cinematic animation, 8K, soft global illumination, individual hair and fur strands, realistic fabric simulation, shallow depth of field, warm cozy lighting [FORMAT] 16:9, cinematic multi-shot scene, slow tension build [SCENE] Cozy bedroom at night with strong 80s personality, colorful retro posters on walls, desk with glowing computer, warm lamp. [CHARACTERS] A young man with short dense curly blonde hair forming soft rounded clumps, pale skin, slightly tired blue eyes, wearing a black hoodie A golden retriever with thick light golden fur and expressive eyes. [CAMERA SYSTEM] Smooth cinematic camera, slow push-ins, medium and close shots, no jitter. A scene showing the guy coding. The dog wakes up from some noise. the guy asks what's up. the dog walk to across the room to a closed closet door. noise coming from inside. the guy walks up and gets ready to open the door and calms the dog.

Seedance 2 is out globally on Freepik! 🎸 And now you got to learn how to prompt for it. So I went ahead and made a Spaces workflow for you - link below. And here's a prompt for you to kick off: [STYLE] Ultra-high detail Pixar-quality cinematic animation, 8K, soft global illumination, individual hair and fur strands, realistic fabric simulation, shallow depth of field, warm cozy lighting [FORMAT] 16:9, cinematic multi-shot scene, slow tension build [SCENE] Cozy bedroom at night with strong 80s personality, colorful retro posters on walls, desk with glowing computer, warm lamp. [CHARACTERS] A young man with short dense curly blonde hair forming soft rounded clumps, pale skin, slightly tired blue eyes, wearing a black hoodie A golden retriever with thick light golden fur and expressive eyes. [CAMERA SYSTEM] Smooth cinematic camera, slow push-ins, medium and close shots, no jitter. A scene showing the guy coding. The dog wakes up from some noise. the guy asks what's up. the dog walk to across the room to a closed closet door. noise coming from inside. the guy walks up and gets ready to open the door and calms the dog.

Martin LeBlanc

151,074 views • 5 months ago

I’ve officially open-sourced SYLVA. 🌲 SYLVA is a fully procedural cinematic forest that runs directly in the browser. Terrain, trees, roots, grass, water, sky, clouds, fog, and weather are generated at runtime using Three.js, WebGL2, and GLSL, without downloaded tree models, textures, HDRIs, or terrain heightmaps. Trees are procedurally grown, terrain is generated mathematically, and the world includes dynamic water, atmosphere, vegetation LODs, rain, lightning, wind, storms, fireflies, birds, and a cinematic camera system. The demo is also interactive. Open the EDITOR to change the environment, visual presets, quality, weather states, wind and storms, move through different times of day, or simply walk around and explore the forest yourself. The project is still actively being developed, and there’s a ridiculous amount left to improve, optimize, and experiment with. But that’s also why I wanted to open it now. SYLVA is MIT-licensed, so you can explore the code, learn from it, modify it, fork it, optimize it, or use it as the foundation for something completely different. Source code: Live demo: Feedback, contributions, experiments, and forks are all welcome. 🌲 (This project is being updated RIGHT NOW.)

I’ve officially open-sourced SYLVA. 🌲 SYLVA is a fully procedural cinematic forest that runs directly in the browser. Terrain, trees, roots, grass, water, sky, clouds, fog, and weather are generated at runtime using Three.js, WebGL2, and GLSL, without downloaded tree models, textures, HDRIs, or terrain heightmaps. Trees are procedurally grown, terrain is generated mathematically, and the world includes dynamic water, atmosphere, vegetation LODs, rain, lightning, wind, storms, fireflies, birds, and a cinematic camera system. The demo is also interactive. Open the EDITOR to change the environment, visual presets, quality, weather states, wind and storms, move through different times of day, or simply walk around and explore the forest yourself. The project is still actively being developed, and there’s a ridiculous amount left to improve, optimize, and experiment with. But that’s also why I wanted to open it now. SYLVA is MIT-licensed, so you can explore the code, learn from it, modify it, fork it, optimize it, or use it as the foundation for something completely different. Source code: Live demo: Feedback, contributions, experiments, and forks are all welcome. 🌲 (This project is being updated RIGHT NOW.)

Token Gremlin

14,608 views • 27 days ago

🦊 Hi everyone it’s Yeonjun! Today is finally the day I, having gone through the period as a trainee, officially become an artist as Yeonjun from TXT~ 🦊 It’s such a happy and meaningful day for me, I’ve been waiting for this moment for a really long time I started training and dancing when I was in my third year of middle school and since then I’ve been growing my dream of becoming a singer. I’ve just been running towards it and before I knew it, 5 years had passed ! And today, that dream finally came true. It’s a moment I’ve longed for so desperately, one I’ve really been waiting for 🦊 Earlier, while filming, I kept thinking back as I watched myself on camera, it made me remember all the times I trained, pushed myself, went through evaluations with the members, worked hard and the effort I put into improving.. all of it just flashed through my mind at once The memories all passed through my mind like frames in a film and in the middle of it, I felt a strong swell of emotions in my heart and in the end, I couldn’t hold it in and it just burst out It was such an emotional and happy day for me 🦊 The tears I’ve shed up until now were a mix of desperation and the desire to achieve my dream but today after such a long time, I finally shed tears of joy. It feels like such a memorable day for me, one I’ll remember for the rest of my life It’s been such a meaningful day and I hope I can keep seeing our fans for a long time I’ve really missed everyone so much, but now, thinking that we’ll be able to see each other often for a long time makes me so excited and happy 🦊 And I’m also really grateful, you’ve waited for us for so long and I hope we can repay you with good songs and performances Thank you, thank you so much!

🦊 Hi everyone it’s Yeonjun! Today is finally the day I, having gone through the period as a trainee, officially become an artist as Yeonjun from TXT~ 🦊 It’s such a happy and meaningful day for me, I’ve been waiting for this moment for a really long time I started training and dancing when I was in my third year of middle school and since then I’ve been growing my dream of becoming a singer. I’ve just been running towards it and before I knew it, 5 years had passed ! And today, that dream finally came true. It’s a moment I’ve longed for so desperately, one I’ve really been waiting for 🦊 Earlier, while filming, I kept thinking back as I watched myself on camera, it made me remember all the times I trained, pushed myself, went through evaluations with the members, worked hard and the effort I put into improving.. all of it just flashed through my mind at once The memories all passed through my mind like frames in a film and in the middle of it, I felt a strong swell of emotions in my heart and in the end, I couldn’t hold it in and it just burst out It was such an emotional and happy day for me 🦊 The tears I’ve shed up until now were a mix of desperation and the desire to achieve my dream but today after such a long time, I finally shed tears of joy. It feels like such a memorable day for me, one I’ll remember for the rest of my life It’s been such a meaningful day and I hope I can keep seeing our fans for a long time I’ve really missed everyone so much, but now, thinking that we’ll be able to see each other often for a long time makes me so excited and happy 🦊 And I’m also really grateful, you’ve waited for us for so long and I hope we can repay you with good songs and performances Thank you, thank you so much!

Sara

60,166 views • 8 months ago

#YUGYEOM's ending ment at #GOT7_NESTFESTinBKK_Day1 🌼 it really feels like a dream. today, i was smiling the whole day, and i was so excited that i couldn’t control my expressions. just being able to reunite with GOT7 after so long and perform together made me happy. and being here as GOT7, performing and having fun with our ahgases made me even happier. really, thank you. truly. and earlier, on my way here, i saw a camera that caught a sign saying, “promise to be an ahgase even when we're 80.” you have to keep that promise. since we'll be GOT7 for life, please be ahgase for life too. thank you so much for making today feel like a dream. (video from rachel ∞)

#YUGYEOM's ending ment at #GOT7_NESTFESTinBKK_Day1 🌼 it really feels like a dream. today, i was smiling the whole day, and i was so excited that i couldn’t control my expressions. just being able to reunite with GOT7 after so long and perform together made me happy. and being here as GOT7, performing and having fun with our ahgases made me even happier. really, thank you. truly. and earlier, on my way here, i saw a camera that caught a sign saying, “promise to be an ahgase even when we're 80.” you have to keep that promise. since we'll be GOT7 for life, please be ahgase for life too. thank you so much for making today feel like a dream. (video from rachel ∞)

𝐣𝐨𝐲𝐜𝐞

14,628 views • 1 year ago

Hi. The last 2 weeks I’ve been building an iOS watch only wallet for signing $KAS transactions offline using an M5Stack CoreS3 running KasSigner software. Below I demonstrate building a kaspa tx locally, signing it offline, and then broadcasting it to the network. I am still building it and have not had the code audited yet so this should be considered only a proof of concept. The $KAS community has very few options for good wallets so I decided to build one that has everything I could ever want with a simple, sharp UI, privacy, and UTXO control as the most basic foundation, and not a “future roadmap update” pushed out by a company that has 100,000 other tokens they have to dedicate time and resources to. I also plan to build covenants support at some point, but for now I want to have a really good app for signing kaspa txs offline. Also if anyone wants to offer me tips, support, or guidance my DMs are open. I’m also doing this for free in my spare time so if anyone is interested in donating you can at brt25.kas or kaspa:qqpzpn5e7enn2ylfdxvlwtm3829gn6j9z9dnnmcsw5arkgnurktty6ulgzkfk Hope you guys like it and I will be releasing it on GitHub as soon as I clean up the code.

Hi. The last 2 weeks I’ve been building an iOS watch only wallet for signing $KAS transactions offline using an M5Stack CoreS3 running KasSigner software. Below I demonstrate building a kaspa tx locally, signing it offline, and then broadcasting it to the network. I am still building it and have not had the code audited yet so this should be considered only a proof of concept. The $KAS community has very few options for good wallets so I decided to build one that has everything I could ever want with a simple, sharp UI, privacy, and UTXO control as the most basic foundation, and not a “future roadmap update” pushed out by a company that has 100,000 other tokens they have to dedicate time and resources to. I also plan to build covenants support at some point, but for now I want to have a really good app for signing kaspa txs offline. Also if anyone wants to offer me tips, support, or guidance my DMs are open. I’m also doing this for free in my spare time so if anyone is interested in donating you can at brt25.kas or kaspa:qqpzpn5e7enn2ylfdxvlwtm3829gn6j9z9dnnmcsw5arkgnurktty6ulgzkfk Hope you guys like it and I will be releasing it on GitHub as soon as I clean up the code.

₿RT 𐤊 🐈📈

23,811 views • 2 months ago

Today I vibe-coded a small but incredibly useful macOS Electron app using Cursor + GPT-5.5. I use my Mac with a Samsung monitor that has a built-in webcam. Every time I used the camera, I noticed annoying light flickering. I always assumed it was my lighting. It turns out the culprit was the anti-flicker setting. The webcam was set to 60 Hz by default, while India's power frequency is 50 Hz. That mismatch causes visible flickering under indoor lighting. Samsung doesn't provide any way to change this on the monitor, and macOS doesn't have a built-in control for it either. So I asked Cursor to build a simple camera control app that lets me change the webcam's hardware settings, including the anti-flicker mode, along with zoom, brightness, contrast, and more. About 30 minutes and a few rounds of refinement later, I had a fully working Electron app. A tiny app, but it solved something that had been annoying me for months.

Today I vibe-coded a small but incredibly useful macOS Electron app using Cursor + GPT-5.5. I use my Mac with a Samsung monitor that has a built-in webcam. Every time I used the camera, I noticed annoying light flickering. I always assumed it was my lighting. It turns out the culprit was the anti-flicker setting. The webcam was set to 60 Hz by default, while India's power frequency is 50 Hz. That mismatch causes visible flickering under indoor lighting. Samsung doesn't provide any way to change this on the monitor, and macOS doesn't have a built-in control for it either. So I asked Cursor to build a simple camera control app that lets me change the webcam's hardware settings, including the anti-flicker mode, along with zoom, brightness, contrast, and more. About 30 minutes and a few rounds of refinement later, I had a fully working Electron app. A tiny app, but it solved something that had been annoying me for months.

AshutoshShrivastava

77,018 views • 3 months ago

Something straight out of science fiction is happening right now with OpenClaw🦞, and if you haven't used it, it's nearly a peek into the future. OpenClaw/Moltbot is a personal agent that's always on, working for you. These agents are so autonomous, they are even running their social network: moltbook This is a genuine paradigm shift. Extremely useful and honestly, so much fun to just fidget with. When I was playing with it, I realized the setup and potential security concerns could be intimidating for many. So we made it safe and easy for anyone. Introducing MoltBot on Emergent: 2 hours of setup is now 2 minutes. Everyone can participate in the future. Enjoy! Steps to start below ↓ P.S. This is an experiment, please share feedback and we'll improve as fast as we can.

Something straight out of science fiction is happening right now with OpenClaw🦞, and if you haven't used it, it's nearly a peek into the future. OpenClaw/Moltbot is a personal agent that's always on, working for you. These agents are so autonomous, they are even running their social network: moltbook This is a genuine paradigm shift. Extremely useful and honestly, so much fun to just fidget with. When I was playing with it, I realized the setup and potential security concerns could be intimidating for many. So we made it safe and easy for anyone. Introducing MoltBot on Emergent: 2 hours of setup is now 2 minutes. Everyone can participate in the future. Enjoy! Steps to start below ↓ P.S. This is an experiment, please share feedback and we'll improve as fast as we can.

Mukund Jha

1,053,506 views • 8 months ago

Creating an experimental anime film with Seedance 2.5 on CapCut has completely changed how I approach AI video production. For this project, I started with a character sheet to lock the character’s identity, costume, facial features, color palette, and hand-drawn ink style. From there, I built cinematic sequences around extreme close-ups, dynamic camera movement, expressive ink strokes, motion smears, typography, and editorial-style compositions. What makes this workflow especially powerful is that Seedance 2.5 is officially available on CapCut, giving creators first access to its full capabilities directly inside the creative workflow. Instead of generating a shot and moving to another tool for everything else, I can generate with Seedance 2.5 and continue refining the result in the same workflow and selecting the strongest moments, refining individual shots, making localized edits, and directing changes with natural-language commands. The long-form capability is also important for projects like this. Being able to create shots up to 30 seconds and extend scenes while maintaining character, scene, and motion consistency makes it possible to think beyond isolated AI clips and start building actual visual sequences. For this project, precision matters. Timestamp-based prompting, reference-based generation, localized editing, and more controlled creative direction allow me to design the sequence almost like a traditional production pipeline, while keeping the speed and flexibility of generative AI. The result I’m aiming for isn’t simply “an AI-generated anime video.” It’s a cohesive visual language: hand-drawn emerald ink, editorial Japanese typography, expressive animation, cinematic framing, and a consistent character moving through an evolving graphic world. This is where AI video becomes much more interesting to me, not just generating images that move, but directing an entire visual production from concept to final sequence. Seedance 2.5 + CapCut gives creators a much more complete environment to explore that workflow. And this is only the beginning. Powered by : CapCut CapCut Indonesia

Creating an experimental anime film with Seedance 2.5 on CapCut has completely changed how I approach AI video production. For this project, I started with a character sheet to lock the character’s identity, costume, facial features, color palette, and hand-drawn ink style. From there, I built cinematic sequences around extreme close-ups, dynamic camera movement, expressive ink strokes, motion smears, typography, and editorial-style compositions. What makes this workflow especially powerful is that Seedance 2.5 is officially available on CapCut, giving creators first access to its full capabilities directly inside the creative workflow. Instead of generating a shot and moving to another tool for everything else, I can generate with Seedance 2.5 and continue refining the result in the same workflow and selecting the strongest moments, refining individual shots, making localized edits, and directing changes with natural-language commands. The long-form capability is also important for projects like this. Being able to create shots up to 30 seconds and extend scenes while maintaining character, scene, and motion consistency makes it possible to think beyond isolated AI clips and start building actual visual sequences. For this project, precision matters. Timestamp-based prompting, reference-based generation, localized editing, and more controlled creative direction allow me to design the sequence almost like a traditional production pipeline, while keeping the speed and flexibility of generative AI. The result I’m aiming for isn’t simply “an AI-generated anime video.” It’s a cohesive visual language: hand-drawn emerald ink, editorial Japanese typography, expressive animation, cinematic framing, and a consistent character moving through an evolving graphic world. This is where AI video becomes much more interesting to me, not just generating images that move, but directing an entire visual production from concept to final sequence. Seedance 2.5 + CapCut gives creators a much more complete environment to explore that workflow. And this is only the beginning. Powered by : CapCut CapCut Indonesia

Kick Nost

11,288 views • 1 month ago

It's such an exciting time to be an artist on the internet. We now have the technology to build out our worlds, in spaces we own, it is truly the age of ideas. I've built a new home for my projects here, and in advance of my next major release with Transient Labs on June 16th, I want to share what I've made with you all, and open a dialogue about how we can use these tools as artists to enhance the experience of making and sharing our art. This is an overview of davekrugman dot com (link in thread), specifically about new sites for Drip Drop and DRIVE, and to that end, I'll give a work from each project to someone who reshares this post. If you are an artist who is curious on how to build a site for yourself, I would be happy to help, I'm an open book, ask me in the comments below. There are so many tools to use- I mostly used Claude / Anthropic- and now we can literally speak our ideas into reality , the possibilities feel truly infinite, if you have curiosity, patience, and a bit of time to explore a new frontier. For too long, artists have had to build on the rented space of social platforms, and now it feels like we can really create sovereign spaces that we own and make ours with our unique vision. Feel free to skim and skip around the video, and I'd be stoked if you visited the site and saw it for yourself. Thanks for lookin!

It's such an exciting time to be an artist on the internet. We now have the technology to build out our worlds, in spaces we own, it is truly the age of ideas. I've built a new home for my projects here, and in advance of my next major release with Transient Labs on June 16th, I want to share what I've made with you all, and open a dialogue about how we can use these tools as artists to enhance the experience of making and sharing our art. This is an overview of davekrugman dot com (link in thread), specifically about new sites for Drip Drop and DRIVE, and to that end, I'll give a work from each project to someone who reshares this post. If you are an artist who is curious on how to build a site for yourself, I would be happy to help, I'm an open book, ask me in the comments below. There are so many tools to use- I mostly used Claude / Anthropic- and now we can literally speak our ideas into reality , the possibilities feel truly infinite, if you have curiosity, patience, and a bit of time to explore a new frontier. For too long, artists have had to build on the rented space of social platforms, and now it feels like we can really create sovereign spaces that we own and make ours with our unique vision. Feel free to skim and skip around the video, and I'd be stoked if you visited the site and saw it for yourself. Thanks for lookin!

Dave

20,992 views • 4 months ago

Christopher Nolan convinced IMAX engineers to completely redesign their cameras just so he could film The Odyssey. "I called my friends at IMAX and I said, 'If ever we're going to make a film entirely in IMAX, this is The Odyssey. So, can you find a way to alleviate the limiting factor?'" "The limiting factor being the cameras are extremely loud." "We've never been able to capture dramatic scenes with an IMAX camera." "What they did is they came up with a way of blimping the camera." "Essentially a high-tech box that you put the camera into and it silences it." "It let us, for the first time ever, get the quiet scenes... and therefore be able to do the whole film."

Christopher Nolan convinced IMAX engineers to completely redesign their cameras just so he could film The Odyssey. "I called my friends at IMAX and I said, 'If ever we're going to make a film entirely in IMAX, this is The Odyssey. So, can you find a way to alleviate the limiting factor?'" "The limiting factor being the cameras are extremely loud." "We've never been able to capture dramatic scenes with an IMAX camera." "What they did is they came up with a way of blimping the camera." "Essentially a high-tech box that you put the camera into and it silences it." "It let us, for the first time ever, get the quiet scenes... and therefore be able to do the whole film."

Nichole

806,563 views • 2 months ago

I turned AI agent orchestration into a full fledged game. To start this launch, I’m also hosting a tournament with a growing prize pool (starting at $3k) for the first 24 hours. Two players face off a team of AI agents, armed with strategy prompts - utilizing memory, tool-calling, and inter-agent communication to win. Each agent has a battle memory - they learn and synergize with the playstyle of their commander to produce the best results. I’ve been working on this for the past 2 months, so please check it out, my dms are open for feedback :D Documentation: Project Twitter: aiarena Website:

I turned AI agent orchestration into a full fledged game. To start this launch, I’m also hosting a tournament with a growing prize pool (starting at $3k) for the first 24 hours. Two players face off a team of AI agents, armed with strategy prompts - utilizing memory, tool-calling, and inter-agent communication to win. Each agent has a battle memory - they learn and synergize with the playstyle of their commander to produce the best results. I’ve been working on this for the past 2 months, so please check it out, my dms are open for feedback :D Documentation: Project Twitter: aiarena Website:

𝕱𝖔𝖗𝕷𝖔𝖔𝖕

10,867 views • 5 months ago

I wanted to share a quick demo of what we've been working on with our ai agent cloud. This enables fast deployment of agents that have access to a suite of tools, and was designed with agent interoperability in mind. This demo shows how you can go from nothing to an AI twitter agent in a couple minutes. This is what we are using internally to manage deployments, so we will consistently upgrading its capabilities. The next goals are to enable simple TEE deployments for agents, and focus on building out feature for agent interoperability to simplify agent to agent collaboration.

I wanted to share a quick demo of what we've been working on with our ai agent cloud. This enables fast deployment of agents that have access to a suite of tools, and was designed with agent interoperability in mind. This demo shows how you can go from nothing to an AI twitter agent in a couple minutes. This is what we are using internally to manage deployments, so we will consistently upgrading its capabilities. The next goals are to enable simple TEE deployments for agents, and focus on building out feature for agent interoperability to simplify agent to agent collaboration.

Johnny

27,179 views • 1 year ago