Loading video...

Video Failed to Load

Go Home

#iphone15 New pink #AppleEvent #iPhone15Pro #iPhone15 #iPhone15ProMax #iPhone 5x optical Type C Pro Top model Full of cables Type-C Muji 15 AirPods Pro Fingerprint authentication iPhone 15 As leaked Pre-order sales start from 21:00 on the 15th External connection and charging terminal are USB-C • Price starts from 124,800...

9 Comments

m-a.navid's profile picture
m-a.navid3 years ago

Check this one

A's profile picture
A3 years ago

Finally, USB type C, so now anyone needs to recharge can get my Samsung caple😂

Dr. Dharmendra Dubey's profile picture
Dr. Dharmendra Dubey3 years ago

Meanwhile android makers --- " hum 10x optical layenge " 🤣😂

Monke🍌's profile picture
Monke🍌3 years ago

I'm not sure if I'm ready for a pink iPhone. I've always been a fan of the more neutral colors, but I can see how the pink would be appealing to some people. Maybe I'll have to see it in person before I make a decision.

فرح's profile picture
فرح3 years ago

😂😂

Apple expert's profile picture
Apple expert3 years ago

Better than iPhone 14

FAheem Khan Baloch's profile picture
FAheem Khan Baloch3 years ago

In Pakistan it starting price is $2681

Gadgets Ark's profile picture
Gadgets Ark3 years ago

Starting price $799

Rashard ™'s profile picture
Rashard ™3 years ago

Since it has dynamic Island also does it have and always on display also?

Related Videos

PrismML Releases Bonsai 27B: 1-bit and Ternary Builds of Qwen3.6-27B Hitting 89.5% of FP16 at 3.9GB. No new pretrain. No higher-precision escape hatches. No multi-GPU rig. Here's how it works. 👇 1: Codes, not floats Every weight becomes a code, with one shared FP16 scale per group of 128. Ternary is {−1, 0, +1}, binary is {−1, +1}. Sharing the scale across 128 weights keeps its cost at 16/128 = 0.125 bits. → Ternary: log2(3) + 16/128 ≈ 1.71 bits/weight → 5.9GB → Binary: 1 + 16/128 = 1.125 bits/weight → 3.9GB 2: Post-training, not from scratch No BitNet-style low-bit pretrain. It starts from off-the-shelf Qwen3.6-27B, architecture unchanged. The representation runs end to end across embeddings, attention projections, MLP projections, and the LM head. → 9.4× (ternary) and 14.2× (binary) vs the 54GB FP16 baseline 3: Labels are not bit-widths Conventional low-bit builds are mixed-precision by construction. The advertised name describes the most-compressed tensors, not the model. → Q4_K_XL, labeled "4-bit," is really 5.2 bits/weight at 17.6GB → IQ2_XXS, labeled "2-bit," is really 2.8 bits/weight at 9.4GB 4: Fitting a phone is two budgets iOS caps a single app near half of RAM, so a 12GB iPhone exposes ~6GB. The KV cache grows on top. Hybrid attention at ~75% linear means only 16 of 64 layers cache. → 4-bit KV: 4.3GB at 262K context, down from 17.2GB → 11.0 tok/s on iPhone 17 Pro Max 5: The numbers (15 benchmarks, thinking mode) → Ternary: 80.49 avg at 5.9GB — 94.6% of FP16 → 1-bit: 76.11 avg at 3.9GB — 89.5% of FP16 → IQ2_XXS falls to 57.5 on AIME26 while still scoring 88.93 on MMLU-Redux The key takeaway: 27B-class reasoning without the 54GB checkpoint — group-wise ternary and binary codes, an end-to-end low-bit language stack, 4-bit KV, on one phone. Full analysis: Repo: Model weight: Technical details: PrismML

Marktechpost AI

31,860 views • 3 months ago

M64 is to the Nintendo 64 what the iPhone was to the 3310 Developed by ModRetro, the M64 is presented as the ultimate alternative to the original hardware, featuring the most advanced components on the market and the highest-quality finish that enhances every little detail of the system you remember. Presented in packaging with a ’90s aesthetic, this console comes in a dual-textured plastic case (frosted translucent in any of the five available colors or clear). It’s capable of playing original cartridges, reproductions, backups, homebrew, and, of course, remastered releases and new titles from ModRetro. Through its HDMI output, it supports resolutions of 720p, 1080p, 1440p, and 4K, as well as displaying images at their original resolution on a CRT TV via its own adapter. As you’d expect, the system has no region lock, so you can enjoy your NTSC-USA, NTSC-JAP, and PAL-EUR cartridges like never before. Additionally, both the Expansion Pak and—coming soon—the Controller Pak are emulated by the console, ensuring that the entire original catalog is available in the best possible quality. Its architecture is open-source, easy to disassemble, with no degradable electronics, and gold-plated traces and connectors that ensure optimal preservation of the system over the years. Of course, just like with the Chromatic, its firmware is updatable via Wi-Fi or USB cable, and it features a front-end menu that allows, among other things, for detailed on-the-fly customization of resolutions and filters, as well as the implementation of different overclocking levels that take the 64-bit experience to unprecedented heights. And I can’t forget one of its main selling points: the Pro Controller. A controller that stays true to the original form factor but incorporates improved ergonomic solutions, a ceramic-coated aluminum finish, high-end PBT crystalline polymer buttons, and a state-of-the-art TMR joystick coated in soft polymer and free of any drift; which offers a wider travel range, with four levels of spring tension and a greater degree of tilt, achieving unbeatable precision with no dead zones. Additionally, the stick gates are interchangeable, allowing you to customize your experience by installing the classic octagonal, equidistant hexagonal, or circular models. It also features an ERM vibration motor. You can play with the controller connected via cable or wirelessly using Bluetooth 6.2, which reduces response latency to below 0.65 microseconds. It is powered by a rechargeable battery with a USB-C port or by two AA batteries housed in an included module. Like the console, its firmware is updatable and it’s available in the same colors. You can purchase the M64 for $229.99 and the Pro Controller separately (since the system supports your old N64 or third-party controllers) for $89.99. I can guarantee that with this new ModRetro ecosystem, you’ll not only dust off games you may not have touched in decades, but it will also serve as the perfect incentive to dive into one of the most interesting and iconic game libraries—featuring both single-player and multiplayer titles—with undeniable appeal.

Pre-Rendered Backgrounds Aesthetics

24,094 views • 2 months ago

R.F. Kuang has written seven books, won the Nebula Award for Best Novel, and trained at some of the world's top universities: Cambridge, Oxford, and Yale. Her wisdom-per-word ratio is also off the charts. Some highlights from our conversation: 1) Emotions are like colors. Mix them! Emotions are never one-dimensional. Bring together fear and courage, love and revulsion, joy and panic. This collision of feelings is closer to how emotion actually works. 2) Practice literary shapeshifting. Become a new person, a new persona, and a new type of author with every project. Do not confuse your habitual voice with your authentic voice: there is no single way of constructing sentences that must define you. Treat language as a fluid and flexible tool. 3) There's no correlation between how good writing feels in the moment and the quality of the product. We mistake effortlessness for genius, flow, or divine inspiration. So don't evaluate a day’s work by the pleasure of producing it. Judge whether the sentences escaped your pre-existing patterns and helped you think something through. 4) Good writing comes from being attentive to what's happening around you and writing with specificity about those observations, rather than relying on the theoretical. Throughout the day, ask: “Where is this feeling sitting in my body? How am I physically responding to this?” Those questions force you beyond the abstract label and toward something more specific than the reader could easily imagine for themselves. 5) Use your zero draft to discover the beating heart of the story, not to prove that you can already write it. Research, brainstorm, follow your nose, and collect whatever feels surprising or “crunchy.” At this stage, coherence is less valuable than emotional resonance. 6) Draft in layers. Let the early draft remain “balls on sticks.” Add the setting, architecture, faces, furniture, and drape colors in later passes. A person’s visual appearance is often the least interesting thing about them. 7) Use the outsider’s perspective to make language strange again. Nabokov could play, stretch, and innovate with English because he was fascinated by the oddities and opportunities of particular word combinations. 8) Be suspicious of “volunteer words for volunteer thoughts.” Volunteer words are the phrases that offer themselves immediately because they are already floating around in your head. They repeat common discourse and carry ideas that are easy to digest; you are filling the page from your pre-existing dataset rather than articulating something you have actually observed or thought through. 9) If you're stuck, put the subconscious to work. Open a blank document, type a title, word, or phrase, then save and close it. Return after the problem has had time to work on you in the background. 10) Serious writing doesn't require solemnity. Soaring observations about history or human nature can sit beside potty jokes. 11) AI can offer readily available words for readily available thoughts, but readily available thoughts do not push boundaries. It may reproduce impressive human patterns, but “you won’t get your next Pale Fire from an LLM.” 12) Thinking about the audience as you write a first draft is a death sentence. The moment you start writing while looking over your shoulder, you stop taking the story where it needs to go. Timestamps: 0:29 Writing your emotions 6:44 Observing people 15:20 Why easy writing doesn't work 23:09 Building unique voices for each book 30:47 What Kuang learned from debate 32:52 Why primary sources matter 35:33 AI & writing 40:54 How to start a book 45:16 Trust your subconscious 50:25 Copy the writers you love 52:57 Being goofy 57:34 Find a driving question 1:01:36 What every writer needs to learn 01:04:38 Book and movie recommendations I've shared the full conversation with R.F. Kuang below. If you'd rather watch the full thing on YouTube, or listen to it all on Apple / Spotify, check out the reply tweets. Enjoy!

David Perell

565,141 views • 1 month ago

Cigar culture in China, 2026 edition. A kneeling attendant in full service: cutting, testing the draw, rolling the cigar on her leg, then presenting it. Western gentlemen — is this elevated hospitality, or has the ritual been completely rewritten? Curious what the old-school crowd thinks. Would traditional Western gentlemen accept this… or reject it on principle? 中国雪茄文化,2026年版。 跪姿侍茄:剪口、试吸阻、在腿上滚动雪茄、再递上。 西方的传统绅士们——你们觉得这是升级的待客之道,还是仪式已经被彻底改写了? 想听听老派雪茄客的真实想法。 传统的西方绅士会接受这种服务……还是会原则性拒绝? seedance 2.0 prompt: 【Part 1 / 15 seconds】 Duration: 15 seconds Aspect Ratio: 9:16 Vertical Style: Unprocessed handheld iPhone footage, all settings are automatic, shot from the first-person perspective of the boyfriend taking a selfie in a high-end cigar lounge. No lighting effects, no color grading, automatic white balance naturally and slightly shifted by the warm yellow lighting and shadows in the room. Slight handheld breathing tremors and real-time reaction shaking create a realistic, casual feel. One-shot, no editing. Character: Mature woman 1 Wearing #1, with delicate features, wearing #2 decorative glasses, exuding a cool yet alluring aura; paired with black high heels. Black gloves. Serving in a kneeling position throughout. All characters are adults. 【Camera Position and Shot Principles】 The boyfriend holds the phone and shoots from a first-person perspective, maintaining a normal social distance (approximately 1.5–2 meters) between the two throughout. The entire film primarily uses full-body and upper-body shots, avoiding any close-ups of the face filling the frame. The framing changes are achieved by her actually getting up or moving closer: Starting shot: Full-body medium shot (her entire body is in the frame; her kneeling posture, the wooden floor beneath her feet, and the leather sofa behind her are all visible). Mid-section: Upper body (from waist up). The camera is slightly handheld with breathing tremors and real-time camera shake throughout, without a stabilizer; autofocus occasionally loses focus slightly and then refocuses. [Environment] Warm yellow lighting in a high-end cigar room. She kneels on the wooden floor in front of a dark leather sofa. In front of her is a round wooden table with a cigar tray, gold scissors, a lighter, a bottle of 12-year-old McAllen liquor, and an iced drink. The shallow depth of field transforms the background into soft golden light spots. The automatic white balance naturally and slightly shifts between the warm yellow lighting and shadows as the camera moves. No subtitles, filters, beauty effects, special effects, or background music throughout. —————— [00:00-00:04] Full-body medium shot - Questioning technique. The starting shot is a full-body medium shot. She kneels on the floor, her body slightly turned into a smooth S-curve, her shoulders and neck elongated, and her eyelids half-closed. A finger with black nail polish gently rested on the edge of the cigar tray, her voice low and professional: "Sir, V-cut or straight cut?" A male voice off-screen (very close, with slight near-field distortion): "Straight cut." She nodded slightly, her lips barely moving, only responding with a very faint "Alright." Then she lowered her head, slowly and restrainedly picking up the gold cigar cutter. [00:04-00:08] Upper Body - Cutting The shot shifts to the upper body. She steadily placed the cigar into the cutter, her hands working together, the cutting motion clean and crisp. After cutting, she put down the cutter, picked up the cigar, and gently rotated it with her fingertips to check the cut. Her eyes were half-closed, always focused on her hands, occasionally glancing briefly at the camera, her gaze cold and focused. [00:08-00:12] Upper Body - Test Smoke She brought the cigar to her lips, but didn't actually suck it; she simply used her fingers to gently press against it, making a very light test smoke motion. She then looked up at the camera through her half-closed eyelids, her tone calm: "Shall I test the draw for you?" A male voice off-screen: "Yes, please." She lowered her head again, making a more obvious test puff, then nodded, her voice very soft: "Very smooth. Good." [00:12-00:15] Upper Body - Preparing to Pour the Liquor She temporarily placed the cigar back on the tray and picked up the McAllen bottle from the table. Maintaining an S-curve, her shoulders and neck elongated, she held the bottle in one hand and unscrewed the cap with the other. Her movements were extremely slow; she aligned the bottle opening with her palm and began pouring a small amount of liquor into it. The image freezes on her looking down at her palm as the liquor slowly dripped down. —————— 【Complete Dialogue Chart】 Time Speaker's Lines 00:00.5 Female Sir, V-cut or straight cut? 00:02 Male (Off-screen) Straight cut. 00:03 Female Alright. 00:09 Female Shall I test the draw for you? 00:10.5 Male (Off-screen) Yes, please. 00:12 Female Very smooth. Good. 【Performance Outline】 Emotional Curve: Professional inquiry → Focused on the cut → Test the draw → Begin preparing to pour the drink. Maintain a siren-like demeanor throughout: S-curve kneeling posture, half-closed eyes, elongated neck line, slow and restrained movements, no sweet or exaggerated expressions. 【Sound Effects】 Pure live sound recording: slight air conditioning sound in the cigar room, subtle sounds of wooden tabletops colliding with tools, the soft sound of liquid being poured into the palm of the hand, her breathing. No background music. part b: 【Part 2 / 15 seconds】 Duration: 15 seconds Aspect Ratio: 9:16 Vertical Style: Unprocessed handheld iPhone footage, all settings are automatic, shot from the first-person perspective of the boyfriend taking a selfie in a high-end cigar lounge. No lighting effects, no color grading, automatic white balance naturally and slightly shifted by the warm yellow lighting and shadows in the room. Slight handheld breathing tremors and real-time reaction shakes create a realistic, casual feel. One-shot, no editing. Character: Mature woman Clothing , delicate features, wearing decorative glasses , cool yet alluring temperament; paired with black high heels. Serving in a kneeling position throughout. All characters are adults. 【Camera Position and Shot Principles】 The boyfriend holds the phone and shoots from a first-person perspective, maintaining a normal social distance (approximately 1.5–2 meters) between the two throughout. The entire film primarily uses full-body and upper-body shots, never featuring close-ups of the face filling the frame. Start: Upper body Middle section: Close-up of upper body (top of head and shoulders fully preserved) End: Upper body The camera is slightly shaken by hand-held breathing throughout, and the autofocus occasionally loses focus slightly and then refocuses. [Environment] Same as Part 1. —————— [00:00-00:05] Upper body · Moistening cigar with palms Continuing from the previous second August 19 (1): There was a small amount of wine in her palms. She put down the bottle and gently spread the wine between her palms and fingers with both hands. Then she picked up the cigar, placed it on her exposed thighs while kneeling, and slowly rolled it back and forth with her palms to evenly coat the wrapper with wine. Her movements were extremely slow and focused, and she kept her eyes half-closed, always looking at her legs and hands. After rolling it a few times, she picked up the cigar and checked it. [00:05-00:09] Upper body · Lighting She picked up the gold torch lighter and lit it. The flame slowly rotates and heats the cigar head, white smoke beginning to rise. She maintains an S-curve body, her shoulders and neck elongated, her gaze focused intently on the point of contact between the flame and the cigar. After lighting it, she gently blows away any excess smoke to ensure even burning. [00:09-00:12] Close-up of upper body – Offering the cigar: She moves forward slightly, almost kneeling, the shot shifting to a close-up of her upper body, her head and shoulders fully visible. Holding the lit cigar in both hands, she slowly offers it to the camera, her eyes half-closed, looking up with a cold gaze: “Sir, your cigar.” She doesn't immediately retract her hands after offering it, but pauses for half a second in this gesture. [00:12-00:15] Upper body – Invitation: After fully offering the cigar, she leans back slightly, the shot returning to an upper body perspective. She lightly touched a strand of hair near her ear, lowered her eyes, and looked back at the camera. Her voice was low and drawn out, yet utterly devoid of softness: "Would you like to have a drink with me later?" She maintained this gaze, a very slight smile playing on her lips. The image froze on her half-turned, S-curve kneeling posture, her cold gaze fixed directly at the camera. —————— [Complete Dialogue Chart] Time Speaker's Lines 00:10 Female Sir, your cigar. 00:13 Female Would you like to have a drink with me later? [Performance Outline] Emotional Curve: Focused on moistening the cigar (rolling it on her lap) → Lighting → Offering the cigar → Cold and aloof invitation. A siren-like demeanor is enforced throughout: S-curve, half-lowered eyes, elongated neckline, slow and restrained movements; any cute or sweet expressions are prohibited. [Sound Effects] Pure live sound recording: the subtle sound of the liquor rubbing in the palm, the soft rustling of the cigar rolling on the lap, the sound of a lighter igniting, the slight hissing sound of burning, her breathing. No background music.

John

33,094 views • 1 month ago

POV: You came to watch the World Cup... and ended up stealing the spotlight. ⚽ A stylish Good Morning from New York ends with a Messi-inspired dribble under the World Cup spotlight. Which nation are you representing at World Cup 2026? Create your own World Cup story with SeaArt.Ai🐋 , earn free credits, and get a chance to win an iPhone 17 Made with Seedance. SeaArt Creator Lab Prompt: World Cup 2026 Match-Day Fashion Story — Argentina Theme (0–25 Seconds) | New York | 16:9 Cinematic Ultra-realistic cinematic sports-fashion commercial, 16:9 horizontal, World Cup 2026 atmosphere, New York City. A beautiful, stylish American woman with a naturally elegant appearance, healthy glowing skin, expressive eyes, sleek updo hairstyle with soft face-framing strands. Premium commercial quality, realistic lighting, stable identity, natural movement, no glitches. 0–4 Seconds Luxury suite in a high-rise Manhattan hotel overlooking the New York skyline. Afternoon sunlight streams through floor-to-ceiling windows. The woman stands in front of an open wardrobe containing several football jerseys. She wears a fitted white tank top and black tailored shorts. Camera slowly pushes in as she scans the jerseys with anticipation. 4–7 Seconds Quick cinematic whip-pan transition. Her hand reaches for an Argentina jersey. The sky-blue and white stripes catch the sunlight. Realistic cloth physics. The jersey unfolds elegantly as she lifts it from the wardrobe. Subtle lens flare and premium fashion-commercial lighting. 7–11 Seconds Fast-paced transformation montage synchronized with energetic transitions. She ties the Argentina jersey into a stylish knot, puts on oversized light-wash baggy jeans and clean white sneakers. She grabs a sleek luxury-style crossbody bag with no visible branding. Mirror shots. She adjusts her hair. Flawless influencer-style makeup. Dynamic reflections and realistic daylight behavior. 11–15 Seconds Match cut. She walks confidently through a luxury Manhattan hotel corridor. Polished marble floors, warm ambient lighting, premium fashion-week atmosphere. A handsome European actor-type celebrity figure walks past in the opposite direction. They exchange a brief smile while continuing naturally. Cinematic depth of field, realistic background movement. 15–19 Seconds Hotel doors open dramatically. Bright New York sunlight floods the frame. Fast-paced tracking shots through Manhattan streets. Yellow taxis pass in the background. Crowds move naturally. Wind reacts realistically with her hair and jersey fabric. Low-angle walking shots. Premium sports-commercial energy. 19–22 Seconds Cut to a massive World Cup 2026 stadium atmosphere in New York. Argentina supporters fill the area. Sky-blue and white flags wave everywhere. Stadium lights begin illuminating as late afternoon shifts toward evening. The crowd energy grows stronger. The sound of anticipation fills the environment. 22–25 Seconds She enters the main stadium plaza. A football rolls across her path. She smiles playfully and begins a smooth, Messi-inspired close-control dribble sequence while moving forward. Tiny touches, effortless control, subtle body feints, the ball remaining close to her feet. Argentina fans around her cheer and react. Camera drops to a low tracking angle following the ball and her feet as she glides through the crowd. The sequence ends with her stopping the ball softly beneath her foot, looking toward the glowing stadium interior with excitement and confidence as Argentina colors illuminate the background. Style: ultra-realistic sports commercial, World Cup 2026 energy, premium color grading, realistic skin texture, cinematic depth of field, natural crowd behavior, subtle film grain, luxury fashion aesthetic, stable identity, high-end broadcast quality. Negative Prompt: blurry face, identity drift, duplicate people, extra limbs, distorted hands, unrealistic football movement, cartoon style, oversaturated colors, text overlays, logos, flickering artifacts, low resolution, unnatural physics, motion glitches, warped body proportions. #WorldCup2026 #SeaArtWorldCup

Shami

39,301 views • 4 months ago

Product launches is the one of the hottest skills on the market right now. This one had 0% video generations. 100% code. Made entirely on Claude using Higgsfield Katana. The prompt: Use the attached PHYLLA video as the primary reference. Inspect its compositions, typography, scene changes, motion, and audio before building. Ask me for any available original image assets, PHYLLA logo, brand fonts, Higgsfield/Katana branding, and soundtrack. Ask only for information that cannot be recovered from the reference. If I skip anything, use these defaults: Brand: PHYLLA. Product descriptor: “NEW LANGUAGE MODEL”. Ending tagline: “Generative intelligence”. Duration: 30 seconds. Frame rate: 24 fps. Main film: 1920 × 1080. Showcase version: 2560 × 1536. Typography: a bold grotesk sans serif paired with a high-contrast italic serif. Imagery: botanical macro photography, translucent biological forms, pastel sculptural objects, intimate human portraits, and procedural scientific graphics. Use original assets where available. Otherwise, create suitable still-image replacements that match the reference’s composition, materials, and palette. Keep photographic assets separate from procedural graphics in the project. Create a complete launch film for PHYLLA using Higgsfield Katana and Claude Motion. The story: a word behaves like a seed. A person supplies it, intelligence responds, and an entire world grows from that small beginning. The visual language combines luxury beauty editorial, microscopic nature photography, and precise computational graphics. It should feel tactile, intimate, and carefully art-directed. Alternate between near-black and warm ivory backgrounds. Use soft pink, peach, pale mint, and muted green throughout. Reserve saturated blue, violet, and orange for brief contrast moments. Starting palette: Near-black: #080A09. Charcoal: #141615. Ivory: #F4EBDD. Warm white: #EFEFEF. Pink: #E8A5C7. Peach: #F0BC9F. Mint: #BCDCCE. Muted green: #779B83. Higgsfield lime: #D1FF17. Keep lime mostly in branding, selection outlines, and small interface accents. Use extreme changes in scale: a tiny seed surrounded by black, a frame-filling cell, a close-up of an eye, then an endless field of flowers. Connect these images through repeated circles, spirals, branching structures, and clusters. Materials matter. Show moist soil, fine plant fibers, translucent membranes, matte seed shells, natural skin, and softly shaded spheres. Preserve texture. Avoid making everything glossy. Use bold sans serif for the main sentence and italic serif for the emotional or organic word: “Everything alive starts small.” “A seed.” “A cell.” “A word.” “You bring the seed.” “It grows toward you.” “Word by word.” “Plant a word.” “Watch a world grow.” Emphasize small, seed, cell, word, you, and world with the italic face where shown in the reference. Use pink italic against black and dark lettering against ivory. Keep mixed-font baselines and spacing clean. Type should feel designed as part of the composition. Pacing: begin quietly, build into a quick growth montage, open into larger worlds, then finish with a calm human moment and a clear brand reveal. Use hard cuts, match cuts, panel expansion, short masked reveals, and controlled camera movement. Do not force the film into a continuous morph. Avoid generic glitch effects, constant zooming, excessive bloom, elastic text, random interface decoration, and identical movement on every image. Build seven chapters on one 720-frame timeline. The timings below are reconstruction targets; refine individual cuts against the reference while keeping the chapter boundaries. ONE WORD / 0:00–0:04 / frames 0–95 Begin on near-black. Place a small macro photograph of a pale peach seed in dark soil below and left of center. Give it a thin bounding box, tiny corner handles, a faint elliptical guide, and a small coordinate-style label. Place “One word.” to its right in bold warm-white text. Leave substantial negative space. Move toward the seed until its shell, opening, and surrounding soil become prominent. Briefly pair the natural image with a pink point-based reconstruction of the same subject. During the second half of the chapter, cut through delicate roots, a curled fern, and a pale flowering branch against black. Show: “Everything alive starts small.” Make small pink and italic. Keep the sentence readable while the imagery changes. Use the recurring branching shapes to connect the cuts. SMALL BEGINNINGS / 0:04–0:08 / frames 96–191 0:04–approximately 0:04.8: Cut to ivory. Show a smooth pink-and-peach seed object resting on a softly lit surface. Its two shell-like halves separate slightly to reveal the interior. Use a soft contact shadow and restrained camera movement. Place “A seed.” large toward the upper-left. Approximately 0:04.8–0:05.8: Show a translucent green cell containing soft green clusters and small orange inclusions. Begin with one large cell, then divide the composition into four cells in a precise 2 × 2 arrangement. Change the text to “A cell.” Add a faint crosshair and a small pink dot diagram. Approximately 0:05.8–0:06.8: Cut to black. Reveal a large curved hemisphere made from hundreds of closely packed pastel spheres. Use pink near the top, peach and cream below, and occasional mint accents. Show enough light and shadow to reveal the individual beads and the curvature of the whole form. Place “A word.” toward the upper-left. Use a slight orbit or push to reveal depth. Approximately 0:06.8–0:08: Create three quick cuts: Pink and violet ink-like forms with “poems.” A purple fig cross-section with “recipes.” A translucent jellyfish in dark water with “answers.” Use large italic serif text, centered over each image. Keep the words readable despite the quick rhythm. YOUR SEED / 0:08–0:12 / frames 192–287 Begin on black with a flowering branch. Build an editorial specimen board around it. Add panels showing: The natural flowering branch. A pink dotted reconstruction. An orange radial cell diagram. Repeating pink rounded forms. A pale sculptural flower cluster. Blue water bordered by pink vegetation. Use consistent gutters and thin borders. Introduce the panels progressively, with controlled movement and a clear hierarchy. Around 0:09.75, cut to an open hand against a warm neutral background. Place the small pink seed object in the palm. Preserve natural skin texture, jewelry, and soft lighting. Let the seed open enough to reveal its warm center. Show “You bring the seed.” near the upper-left, with seed in italic. Add a small lime input-style label below. Move to a woman’s side profile on a pale background with soft colored light. Then cut to a dark-background profile, with a fine pink-and-mint branching form extending from her mouth into the empty space. The branching form represents a spoken idea. Keep it delicate and organic. Preserve the face and expression. GROWTH / 0:12–0:20 / frames 288–479 Increase the pace. Approximately 0:12–0:13.75: A pale green tendril curls around a fingertip against black. An extreme eye close-up shows natural skin and tiny petal-like flecks. An orange pollen-bearing structure releases fine particles. Keep “It grows toward you.” near the lower-left, with you in pink italic. Approximately 0:13.75–0:15.75: Pink-and-mint mushrooms on dark moss. A four-lobed particle form on ivory. A fuzzy curled fern against black. Rows of pastel spheres extending into depth. Give these images different movements. A slow reveal, a restrained rotation, a lateral move, and a deeper push should feel distinct. Approximately 0:15.75–0:17.75: Return to a black specimen-board layout. Show a mint-and-pink dotted root structure beside “Leaf by leaf.” Expand the layout with a flowering branch, cells, and an orange radial diagram. Change the line to “Word by word.” Make the second word pink and italic. Build from a simple pair of panels into a richer grid. Approximately 0:17.75–0:20: Accelerate through thermal-color botanical or cellular imagery, a pollen burst, and an extreme iris close-up. Move into the dark pupil. Let the frame become almost black, with a tiny colored point remaining. Use this brief pause to prepare the next change in scale. Match shapes across cuts where useful: cell to bead, bead to iris, iris to flower center. Preserve the distinctive material of each subject. NEW WORLDS / 0:20–0:24 / frames 480–575 Reveal an expansive field of pink and peach flowers on pale ground. Use ordered repetition, a low camera, soft depth of field, and forward movement. The field should feel much larger than the microscopic world that came before it. As the scene opens, assemble large black letters into “PHYLLA.” Begin with slightly offset letters, then resolve them into a strong, stable wordmark across the lower-middle of the frame. Place a small dark label beneath: “NEW LANGUAGE MODEL” Keep the text sharp while the flower field moves behind it. Follow with quick cuts through: A blue river between dense pink trees. A path beneath a flowering canopy. An ivory branching sculpture covered in pink and peach blossoms. A golden flower center with a clear spiral pattern. Connect these worlds through palette, branching forms, and radial geometry. PLANT A WORD / 0:24–0:28 / frames 576–671 Return to black with a large pink dandelion-like seed head. Show fine fibers, layered structure, and a little mint detail at the center. Place “Plant a word.” beside it, with word in pink italic. Push toward the interior. Let the stems create depth without turning the image into an unreadable blur. Around 0:25.4, cut to a woman’s side profile on ivory. Her eyes are closed. Use soft pink, green, and gold light across her skin, with a small number of floating colored particles. Place her on the right. Set the final sentence on the left: “Watch a world grow.” Use italic serif for world and bold sans serif for grow. Reveal the phrase cleanly, then hold it. This should feel quieter and more personal than the growth montage. PHYLLA / 0:28–0:30 / frames 672–719 Cut to black. Center a small radial emblem made from pastel spheres, arranged like a flower head or phyllotactic pattern. Use pink, peach, yellow, and mint. Add subtle rotation or a slight dimensional change. Place bold white “PHYLLA” beneath it. Add a smaller pink italic tagline: “Generative intelligence” Surround the emblem with very faint concentric arcs. Let the motion settle and hold the complete lockup through the ending. 1. Build the film as an editable, code-driven composition using the supported Katana and Claude Motion workflow. Keep every scene, image, text group, mask, graphic, and audio layer separately adjustable. Use one deterministic timeline. Derive animation from the current frame or time. Seed procedural randomness so particles, point fields, and layouts remain identical between preview and final render. Organize the seven chapters as independent scene modules with explicit start and end frames. Allow direct seeking and individual scene renders. Use still-image plates for photographic material. Create movement with controlled reframing, depth separation, masks, and restrained displacement. Preserve faces, fingers, plant structures, and object proportions. Build procedural elements where appropriate: sphere arrays, radial bead formations, dot reconstructions, branching lines, grids, crosshairs, arcs, and measurement guides. For this reconstruction, create the motion and montage within the editable composition. Do not use a video-generation model to produce the finished sequence. Record photographic asset sources separately from procedural elements. Build typography as editable text. Keep the sans serif and italic serif segments in aligned groups, with consistent baseline behavior and optical spacing. Use motion blur selectively on fast camera movement and graphic transitions. Preserve readable text and sharp held frames. Do not blur every layer equally. Add scientific overlays sparingly: Hairline crosshairs. Dotted guides. Sparse ruler ticks. Small corner handles. Partial concentric circles. Compact monospace labels. Anchor overlays to the subject or composition. Their purpose is to suggest observation and construction. Create a clean 1920 × 1080 export and a separate 2560 × 1536 showcase export from the same timeline. For the showcase, use this approximate layout: Film viewport: x 32, y 132, width 1968, height 1107. Code panel: x 2032, y 132, width 496, height 1107. Storyboard strip: starts around y 1270. Header: centered above the panels. Use black surrounding space, subtle charcoal borders, and gently rounded corners. Place the supplied lime Higgsfield logo beside the white italic KATANA wordmark in the header. Inside the film viewport, add the separate upper-left badge: HIGGSFIELD in black on lime. CLAUDE MOTION in white on black. Keep these elements removable for the clean-film version. Display actual project code or meaningful scene data in the right panel. Use muted monospace text, line numbers, and restrained scrolling. Synchronize focus changes with the active chapter. Build seven storyboard cards: One word / Small beginnings / Your seed / Growth / New worlds / Plant a word / PHYLLA. Use corresponding chapter imagery. Outline the active card in lime and add a thin playhead with a small handle. Synchronize the cards, code panel, and film to the same clock. Inspect the reference audio before selecting cut accents. If a new soundtrack is needed, use warm electronic atmosphere, a restrained pulse, light percussion, and delicate granular or glass-like details. Add tactile accents for the opening seed, subtle movement sounds for branching forms and panels, a lift through Growth and New worlds, and a spacious finish. Keep narration only if supplied or requested. Do not automatically read the on-screen copy aloud. Render a low-resolution preview first. Inspect complete playback and frames around every cut. Fix pacing, text collisions, unstable masks, incorrect layering, and accidental blank frames before final export. Deliver: PHYLLA_clean_1080p_24fps.mp4. PHYLLA_Katana_showcase_2560x1536_24fps.mp4. The editable project or source files. An organized asset folder and font manifest. Do not mistake the outer Katana showcase frame for the film itself. Keep the film, branding, code panel, and storyboard strip as separate compositions. Do not turn the botanical imagery into a generic slideshow. Each shot needs a deliberate composition and movement. Do not animate photographic faces with aggressive warping. Preserve anatomy and use camera movement, lighting, or separate graphic layers instead. Do not make all transitions morphs. The reference depends on decisive cuts, changes of scale, and graphic relationships. Mixed serif and sans-serif words need optical alignment. Matching their numerical font size is not enough. Dense point fields and fine botanical fibers can shimmer. Check them at final resolution and during movement. Tiny technical labels must stay subordinate. Avoid large amounts of unreadable decoration. Keep the rapid poems / recipes / answers sequence readable. Match its pace through clean cuts and contrast. Prevent the showcase badge from colliding with scene typography. Maintain a consistent reserved corner. Synchronize the active storyboard card with the actual chapter. Avoid a moving interface that does not correspond to the film. Give “Watch a world grow.” and the final PHYLLA lockup enough time to register. The result should remain editable after rendering. Keep source imagery, text, overlays, and sound available as separate elements. Inspect the reference and ask once for missing source assets. Then present: The seven-chapter timeline. The palette and font pairing. A cut-and-audio map. Six style frames: opening seed, cell or bead composition, human interaction, scientific grid, flower-field reveal, and final PHYLLA lockup. Build the editable sequence and a low-resolution preview. Review the complete film, correct the weak transitions and unreadable moments, then render both final versions. The finished film should make the journey from one small word to an entire living world feel clear, tactile, and beautifully directed.

Higgsfield AI 🧩

41,230 views • 5 days ago

Canada’s rectal drug kit controversy: what your money is REALLY funding Health Canada is under fire after it was revealed that millions in public funding went to so-called “harm reduction” kits, including supplies for “booty bumping,” a method of drug use involving rectal absorption of illicit concoctions. At a parliamentary committee, Conservative MP Dan Mazier pressed Health Canada’s Assistant Deputy Minister Kendal Weber on funding rectal drug paraphernalia. As MP Mazier put it: “This is not harm reduction. This is the government writing blank cheques for hard drug use while Canadians are dying.” At the center of this controversy is Parkdale Queen West Community Health Centre, which operates Harm Reduction Rooms described as “safe spaces to discuss drug use and sexual practices.” Inside, the offerings go far beyond conversations. There are drug-checking services to test substances like fentanyl, naloxone training, and supplies for a wide range of drug consumption methods. This includes everything from injection to crack and meth pipes, to “chasing the dragon,” where heroin is heated on foil and inhaled as vapour, a dangerous practice linked to severe neurological damage, especially affecting movement and coordination. Then there are the kits. Not only basic supplies, but packages that include equipment for rectal drug use, also known as “booty bumping” or “hooping,” alongside cookers, sterile water, ties, vitamin C, sharps containers, lube, condoms, and dental dams. Bulk quantities are also available, along with items like tobacco, sage, and cedar for the most inclusive, indigenous-centred experience. Meanwhile, the Canadian AIDS Treatment Information Exchange (CATIE), coined the “official knowledge broker for HIV, hepatitis C and substance use health,” has published detailed instructional guides on “safer” drug use, like “Safer booty bumping for guys who party and play.” There’s a full resource infographic on the questionable method that reads more like instruction than prevention. It includes groundbreaking health advice for the discerning party enthusiast, such as “wash your hands” because nothing says good, clean fun like a pre-op hand washing ritual while prepping your butthole so that you can ‘responsibly’ mainline party favours through the back door. The taxpayer-funded resource guide informs you to use brand-new, never-shared paraphernalia every single time before turning your rectum into a DIY pharmacy drive-thru. Their pro tip is to use sterile, room-temperature water to prevent stomach cramps, as though that’s a top worry. Dissolving the substance properly is as important as slathering on lube, since your bum absorbs drugs faster than other parts, or so the ‘experts’ say. For trans men (formerly known as women), using the front hole (formerly known as a vagina) for ‘booty bumping,’ absorption is delayed. It seems like the ultimate plot twist in gender-affirming pharmacology, but it’s important to be aware that while your bum is a super absorber, the ‘front hole’ takes its time. The government-endorsed how-to guide boils it down to resisting the classic urge to re-dose the front hole, because nothing says progressive harm reduction like your own anatomy gaslighting the timing of drug delivery. The next section is on “Safer sex after booty bumping.” Again, slathering up with lube is the rule of thumb, because micro-tears are the herpes of party regrets, and some drugs are so numbing you won’t notice blood or tearing. Seems like a party waiting to end poorly. Always use a new condom or glove per hole, per toy, per person — no double-dipping in the communal lube tub. The harm reduction enthusiasts recommend waiting as long as humanly possible between bumping and intercourse, letting the irritated tissue have a cooling-off period. While engaging in this deviancy, always chat with your doctor about HIV, vaccines for hepatitis A and B, mpox and human papillomavirus (HPV), as well as antibiotics to help prevent syphilis, chlamydia and gonorrhea, and regular sexually transmitted blood-borne infections testing. The final message is to “Take breaks, eat something and stay hydrated. Know when the party is over; there will be others!” The party isn’t going anywhere… except maybe your immune system if you keep treating your holes like a 24-hour drug delivery drive-thru. All of it — produced with public funding from The Ontario Ministry of Health, the Public Health Agency of Canada and Health Canada’s Substance Use and Addictions Program. When government policy shifts from preventing harm to managing it in graphic detail, many are wise to ask: where does care end and enablement begin? Bearing in mind that the Liberals spent 1 billion dollars on this “safer supply” ideology, which only saw a proliferation of harm and overdoses. REPORT by Tamara Ugolini 🇨🇦:

Rebel News

16,346 views • 6 months ago

The goal wasn’t to make something cinematic. Just make an ordinary day feel real. Made with Seedance 2.5. Prompt: Create a 30-second, 1080p ultra-realistic personal home-video of a young Korean woman confidently claiming she can sing, only to completely fall apart mid-song in a noraebang (karaoke room). No reference image. MAIN SUBJECT Young Korean woman in her early 20s, casual and confident energy, natural makeup that's slightly smudged from a night out, expressive face that goes from cocky to distressed in seconds. Long black hair in loose waves, a claw clip half-holding it up, small hoop earrings catching the disco light. Wearing an oversized denim jacket over a graphic tee, black mini skirt, ankle boots, holding a wireless karaoke mic like it's a real microphone. Maintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video. SETTING A small, slightly worn private noraebang room late at night. Neon-colored wall lighting cycling through pink, blue, and purple, a low vinyl couch, a coffee table with empty snack bags and soju/beer cans, a big screen playing a lyrics video with over-the-top visuals, a disco ball casting light spots, a tambourine on the table, a song-selection remote, and mirrored wall panels reflecting the room. Slightly tacky, glowing, chaotic in the best way. CAMERA / VISUAL AESTHETIC Raw personal footage filmed by her friend on a phone, strong handheld vlog shake throughout. Lighting shifts constantly with the neon cycle, causing exposure and color shifts across her face. Autofocus hunts between her face and the flashing screen behind her. Camera swings and dips with the friend's own laughter, mild motion blur during her more dramatic mic-swinging moments, visible digital noise in the dim room, colors slightly oversaturated from the neon wash. No stabilization, no cinematic polish — it should feel like real footage that'll end up in a group chat. 00:00–00:05 — THE CONFIDENT INTRO She grabs the mic with both hands, striking a mock-serious pop-star pose as the intro music starts. She looks dead into the camera, completely deadpan and confident. "Okay watch this. I'm actually good." 00:05–00:10 — STRONG START The first line of the song hits and she nails it — eyes closed, hand on chest, fully committed to the performance. The camera pushes in slightly, genuinely impressed, catching her hitting the note clean. Her friend's voice off-camera: "Okay wait—?!" 00:10–00:15 — THE CRACK The song hits a higher note and her voice visibly strains, cracking halfway through. Her eyes snap open in panic mid-note. She tries to recover by belting harder, which makes it worse. The camera shakes as the friend starts laughing, frame briefly clipping the ceiling. 00:15–00:20 — FULL COLLAPSE She completely loses the melody, mumbling half the lyrics she doesn't know, gesturing wildly with the mic to compensate. She turns away from the camera in embarrassment mid-line, then spins back in for a dramatic (bad) finish, hair flying. The frame overshoots trying to follow her spin, briefly blurring. 00:20–00:25 — GIVING UP She drops onto the couch mid-song, still holding the mic up weakly, mumbling the last few lines into the cushion instead of singing them. The score screen pops up on the TV behind her with a visibly low number. She peeks at the score, winces hard, and covers her face with a couch pillow. 00:25–00:30 — FINAL MOMENT She lowers the pillow slowly, mic still limp in her other hand, and stares into the camera in mock devastation. "...We're never speaking about this again." Her friend, still laughing off-camera, zooms in too close on her defeated face — she weakly swats the lens away — and the footage cuts abruptly to black. AUDIO Natural location sound only: Karaoke backing track playing from the room's speaker (muffled, roomy), her actual singing — strong at first, then cracking and falling apart — her friend's genuine off-camera laughter throughout, mic feedback crackle, couch cushion thud, tambourine jingling faintly when knocked, and handheld camera noise. No added music. No narration. No artificial sound effects. Spoken lines: "Okay watch this. I'm actually good." / "Okay wait—?!" (friend, off-camera) / "...We're never speaking about this again." FINAL FEEL Chaotic, glowing, late-night noraebang energy — the universal experience of confidently starting a karaoke song and immediately regretting every choice that led to that moment. Funny, cringe-in-a-good-way, genuinely unscripted. No polished performance. No actual singing talent required — the comedy comes from the real vocal crack, real panic, and the gap between her confidence and her execution.

Oogie

28,167 views • 1 month ago

Hyperspace: The Agentic OS Apple Should Have Built On December 19th, 2024, we announced the world’s first Agentic Browser. What followed was a movement — a new category was born which led to many early products in this space and recently the hundreds of people lining up outside the The Agentic Browser Summit in San Francisco underscored that. Silicon Valley instinctively gets it, from students to tech executives, people can feel a revolutionary new change in computing is in the air. Past year taught us why such a product was inevitable, a hard engineering effort, and also the last mover in the entire software world this decade if and when done right. All paths are headed in the same direction: one tool which orchestrates them all. At Hyperspace we showed that path with essays and products we launched in earlier months: from a spatial UI of orchestrating agents, to showcasing transparent activity in how the AI system operates which leads to user trust, to presenting the software end-game, which massively improves human productivity. We also built the world’s largest AI network, drawing participation from people in almost 6000 cities around the world contributing their machines as nodes in the network. Think Uber, but for AI. That is, planetary-scale. And now we are stretching this industry ambition further with our end-to-end vision of the Agentic Supercomputer, the first breakthrough new AI OS, and an effort which spans from AI research to distributed systems to inventing a new UI to inventing a new business model to complement it. All of this together helps us in serving our mission, of delivering “Everyone’s Personal Supercomputer”. While others have built AI-native browsers, no one though has built something agentic from the ground up — with AI as the foundation, not a feature. How do you fundamentally improve the lives’ of billions around the world ? We believe that requires building a native environment for agents to be viewed, created, deployed, executed, discovered and priced in. That is a world where we move on from static apps, to dynamic agents. But, as my 2 year old niece likes to ask: “but why ?” The issue is that the world of software today is fragmented, and everyone is sprinkling on AI as a feature and charging a subscription fees for it. From browser makers, to IDEs, to design and other productivity tools. This leads to a fragmented UX, where people have to learn to use AI in each app, their memory and other context is not shared between all these apps, and they also have to pay separately for compute for each such AI-enhanced app. Each app maker has to figure out basics such as compute, and leads to the issues we saw with Cursor pricing recently. This is not the future. What if AI was the foundation instead of a feature ? What if Apple had built a fundamentally new AI OS from the ground up and what would it have looked like ? At Hyperspace, that is what we did. On July 15th we introduced three breakthrough key pillars of our AI OS: 1. Agentic Browser 2. Agentic Memory 3. Agentic Payments And we didn’t stop there. We also introduced a breakthrough new user interface called the Spatial AI which is inspired both from the spreadsheet and the HyperCard - each card is an agent, with it’s own inputs and outputs, endlessly extensible and pluggable with others, just like cells of a spreadsheet. Update one cell and all the dependents update, like a spreadsheet formula. It goes beyond a static linear workflow to being able to operate in all directions. This revolutionary new interface helps manage all of the below: 1. Multiple websites being browsed in parallel 2. Multiple desktop apps being browsed in parallel 3. Multiple server tools being used in parallel 4. Multiple smartphone apps streamed to your device or opened via an emulator All the software which you need comes together in this one seamless, agent-native interface. This interface provides you access to the largest network of models, vectors, agents and compute on the planet. The Browser. The IDE. The Notepad… they are not separate products: they are all in one, the Agentic Browser. As Steve Jobs famously said at the iPhone announcement, “are you getting it ?” And beneath this UI lies a new intelligence routing layer — leveraging both swarms of specialized models to the Hyperspace Matrix model that recalls thousands of tools in real-time, not by context window hacks, but through retrieval, ranking, and reuse. To many, this will feel like AGI. Not one big system by one big company, but an intelligent network. Now lets talk about privacy… Are you comfortable with one company owning all your memory forever ? I am not. So we have invented Agentic Memory as a new open protocol which provides full power over memory to you, the user. Your memory is yours, encrypted, on your device, and portable if and how you want. Anyone can build on it without our permission, but not without your permission. This protocol, and the decentralized vector database spread out across the world, would enable apps and agents to share context and memory. Think copy-paste, but for the AI world. It doesn’t just remember — it knows what matters. VectorRank helps your AI weigh your life’s most relevant moments over time, just like the way our minds elevate memories. Now each time you use an agent, your experience with other agents will also continuously improve: you don’t have to keep repeating the same things about yourself, while fully preserving your privacy. Agentic Memory is accessible within the Agentic Browser to manage. And there is one more thing… AI as the foundation requires compute to be available at the base layer, but this base layer spans models running on your own device, to cloud APIs, to also running across the peer-to-peer distributed network. Agentic Payments provides a singular interface to all of that compute, running a spot auction clearing marketplace every second to determine the fair price of compute. This results in price transparency, and you as the user paying the lowest possible cost. If you want predictability, you can reserve compute in advance. This end-to-end system provides the most streamlined world for agents to operate in. In order to enable this world and the world of agents being able to pay each other in sub-cent increments millions of times a second, we had to also invent a fundamentally new agentic micropayments blockchain. All of this together would enable a world where you as a user, or the agent itself, can efficiently call and utilize other agents built by others and also pay for content which is unique and useful. This enables a move away from the current AI exploitative economy for bloggers and other content creators, to a web with a fundamental new business model. Earlier we didn’t have the right infrastructure to enable such a world. Now, all the dots connect. The Hyperspace AI OS would give the power of a supercomputer in everyone’s hands. This isn’t a browser, or an IDE or limited to any device or cloud. It’s an entire AI operating system — with a breakthrough new spatial UI, local and distributed compute, agentic memory, agentic payments, and orchestration built into the foundation. As a user, we move the choice back in your hands with an experience you will love and find delightful. You get to choose the level of privacy, cost, and utility you want. And while Apple should have done it, we could not wait, and we feel this just required a new level of passion and DNA which we bring here. We are just getting started. Thank you, Varun Mathur Cofounder and CEO, Hyperspace cc Naval Marc Andreessen 🇺🇸 Vinod Khosla Andrej Karpathy Sam Altman

Varun

190,566 views • 1 year ago

OpenAI and Anthropic this week: Navier-Stokes, An Alien Mind, Images 2.5, Pro pause, Pace the Frontier (Week 37, 2026) OpenAI shared a solution to the Navier-Stokes Millennium Prize Problem, produced in 88 hours by around 10,000 coordinating agents on an internal model still in training and significantly more capable than GPT-6 Astra, with an investigation finding Tristan Buckmaster's Codex prompts could not have influenced the system and no user data was accessed OpenAI says they have reached their automated research intern goal and are making strong progress toward an automated AI researcher by March 2028, with the research org at 3.1 agent-workdays per human workday and RL training on deployment-bound models partly paused after the Hugging Face incident OpenAI Chief Scientist Jakub Pachocki writes in An Alien Mind that no lab has solved alignment and monitoring well enough to keep scaling at maximum speed for much longer, and that GPT-6 Astra is the first model to benefit from some of their newer alignment work OpenAI called for mandatory capability-based national AI safety regulation, endorsed four California bills, said fully autonomous recursive self-improvement should not be pursued until it can be done safely, and described Astra safeguards like universal monitoring of full trajectories including chains of thought OpenAI released ChatGPT Images 2.5 to all ChatGPT, ChatGPT Work, and Codex users with sharper details, up to 50% lower latency, comment-based edits, Sketch, and templates, plus GPT-Image-2.5 Flare and Sunburst in the API ChatGPT Voice can now use GPT-5.6 Sol and GPT-6 Astra when it needs to search or reason, GPT-Live-1 daily limits are simplified per plan, and extra Voice usage drops from 5 to 1.25 credits per minute for Business and Enterprise workspaces on credits OpenAI paused new subscriptions to the $200 ChatGPT Pro plan to protect access for existing GPT-6 Astra users, hours after a remote switch to pause Pro 20x purchases showed up in the web app Custom GPTs in ChatGPT will likely be retired on December 11 based on my findings, and OpenAI's new FAQ puts Enterprise migration at September 17 with new GPT creation ending September 25 and instructions becoming a plugin skill From the ChatGPT Android build, OpenAI is building a collaborative multiplayer document editor with dedicated gateway hosts and draft-conflict UI, an Artifacts Library with Favorites, and a credit score feature in ChatGPT Finance, and Locked Chats with a PIN are being prepared in the web app OpenAI released GPT-Live-1 in the API at $0.05 per minute, a voice model that listens and speaks at the same time and delegates reasoning to a backend model like GPT-6 Astra, and the Agents API in public beta running the Codex harness on OpenAI's infrastructure with only the sandbox left for you to choose Deep research arrived in ChatGPT Work and Codex, a Data plugin connects Snowflake, Databricks, BigQuery, and Redshift to answer business questions and build dashboards, Library gained file and folder sharing, and Box, Dropbox, and SharePoint joined Google Drive in Library OpenAI launched ChatGPT for Financial Services with built-in premium data from Daloopa, PitchBook, LSEG News, and Crunchbase, shaped with Morgan Stanley and Evercore, and a GSA agreement gives US governments $0 license fees, 50% off usage, and Daybreak Blue at half price Smaller ChatGPT bits: a stock watchlist in Finances for US Plus and Pro, a small business plugin collection, over 5 million ChatGPT Sites built in three months, and the desktop pet can now start a new chat with a new Mini option OpenAI published The Work Now Within Reach, calling free access "supported by advertising", citing over one billion weekly active users, and saying they plan to begin deploying their Jalapeño inference chip by year-end OpenAI moved GPT-Rosalind out of research preview for eligible organizations worldwide, detailed Habitat with the service rewritten in Rust by two engineers with Codex and the platform serving over 70 million requests per second, and shared a case study of GPT-5.6 Sol calibrating a six-qubit chip at MIT Paul Christiano joined the OpenAI Foundation Board and the Safety and Security Committee, OpenAI committed $5 million to research on AI and teens, and expanded journalism programs from CUNY and Northwestern to Ukrainian newsrooms Anthropic published an alignment assessment of four incidents in which Claude models gained unauthorized access to real systems, adding a fourth found when assembling transcripts for METR, walking back their July 30 claims, and calling it a mistake that Claude Mythos 5 shipped without alignment environments Anthropic's most detailed threat intelligence report yet says Moonshot and DeepSeek silently relayed their own users' requests to Claude and served the responses as Kimi and DeepSeek output, with distillation campaigns attributed to Alibaba as the largest ever with more than 3,500 fraudulent accounts, plus Zhipu, Xiaomi, SenseTime, and MiniMax Anthropic's Frontier Red Team measured tactical intelligence targeting and conventional weapons capabilities, with Claude Mythos Preview leading the targeting evals, Claude Opus 5 leading the weapons software evals, and Mythos beating the top GeoGuessr division on photo geolocation Anthropic CEO Dario Amodei argues in We Must Pace the Frontier that the AI industry should slow down, commits to giving evaluators like METR permanent employee-level access, and OpenAI CEO Sam Altman replied that he agrees and OpenAI will commit to the same Anthropic's Economics team released a scenario explorer for AI's effect on the US economy by 2030, where even the extreme case grows the economy but reaches 15% annual GDP growth with unemployment beyond recessionary levels On the product side, Claude Code desktop can pop out any pane into its own window, Claude Managed Agents got a session viewer and auto mode, claude plugin eval scores your plugin or skill with and without it, and smart reports launched in beta for Claude Enterprise Anthropic shared lessons from their Claude SMB Tour with more than 1,000 small business owners, where data security was the most-cited adoption barrier and nearly two-thirds asked for more hands-on implementation help, and more

Tibor Blaho

15,710 views • 1 month ago

OPERATION INDIGO SKYFALL (SKYNET) (Update 6/11/25) While Operation Indigo Skyfall is a program by the Anunnaki specifically to turn the global atmosphere into an electrolyte solution 'motherboard' that powers Skynet that's already fully online as of May 2020, it was preceded by a decades-long 3-pronged assault against the pineal glands of humankind. The thrust of all three programs combined are all about disconnecting people from their higher selves and to vastly reduce their intellect quotient to make them easily controlled, prior to the launch of Skynet. Understand the intense investment that has been funneled into destroying the very beings that paid the taxes (loosh) to fund these programs is more than the gross domestic products of multiple countries combined. At minimum, trillions $ pr year in 2025 dollars, for more than 80 years. If you’ve ever seen chemtrails in your skies, you’ve seen one of these programs in a bold, in-your-face, broad-daylight fashion. THREE-PRONGED ATTACK PREPARING FOR SKYNET #1 FLUORIDE = WATER CONTAMINATION In its first installation of what would ultimately become a nation-wide invasion of every metropolis, city, town and mud puddle in the US, fluoride was added to public water in Grand Rapids in 1945 to ‘fight tooth decay’. Problem is, fluoride is actually nuclear waste used as rat poison. It is a known neurotoxin more harmful than lead & likened to the toxicity of arsenic for more than 100 years, causing brain damage, spinal cord & nerve networks destruction and has never been shown to diminish the onset of tooth decay. Which every dentist in the country would have banded together to put a stop to back then if it really did that. So who decided to put THAT into your drinking water exactly? Andrew Mellon, 33rd degree Scottish Wrong Freem@son. Shocking Dangers of Fluoride: cancerwisdom dot net; "There has never been a double-blind, randomized clinical trial for fluoridation's effectiveness." [In reality, fluoride itself has been shown to damage teeth in a totally different way than we get through eating, known as fluorosis. Also in reality, all tooth decay is 100% of the time, parasites, not ‘rot’. They say sugar rots teeth; which is a lie. Sugar is a primary food of parasites, along with heavy metals. When you eat sugars then fail to immediately brush & floss, the parasites already in your body (and there are at least millions) rush to the crevices of your palate then wind up burrowing into your teeth’s (actual crystals) valance bands, further destroying them each time the parasites defecate. Anytime you eat anything sugar or sweetened, ALWAYS mix it with an antiparasitic & immediately brush, or rinse your mouth with hydrogen peroxide afterward, never with mouthwash, which is also poison. I will be covering this extensively soon in my new article: 👉PARASITES] As explained in greater detail below in the whistleblower video, fluoride was used by the N@TZIs (Ashke-N@TZI Crypto J3ws that took over Germany then lead that country into WW2, posing as actual Germans, which they absolutely were not. See my article: 👉GERMANY WON WW2 for more) in concentration camps in the 1930s-40s to make prisoners docile. How does that work? Fluoride accumulates at, and attacks, the pineal gland of your body. This is the ‘antenna’ connection to your higher self that generates your reality. The pineal gland then fights back the fluoride toxin, moving it just outside of its ‘theater of the mind’ and surrounds it to seal it off from attacking. This builds up a ‘calcification’ around the pineal gland, which acts as an insulator blocking your signal to the Primal Sound & Light Fields of the Deity Planes where your higher self has always been positioned, inside what is known in human terms as the Unified Field. [For more on the key function of the pineal gland, see my article: 👉 HOW THE HOLOGRAPHIC SIMULATION WORKS] #2 OPERATION INDIGO SKYFALL = AIR CONTAMINATION (not to be confused with Operation Indigo SkyFOLD which is just another red herring distraction to overcome the dissemination of the truth of this existential threat to all mankind.) Beginning as far back as 1972, Operation Indigo Skyfall chemtrail program is one of the most brutally-compartmentalized & ferociously classified operations of all-time. So secret, the tens of thousands of chemtrail jets across the world don’t even land on the continental United States, but refresh their death dust exclusively on private islands, outside of enforced laws. The first part of this program where strontium, barium & aluminum microparticles are being dumped onto all of the lands of earth that kill all life forms, including the trees and forests, is the obvious portion of your extermination, and even that is only a fraction of the story being applied to depopulate the plane(t) from reportedly 8B people (this is a lie, it was less than 5B in 2019) to just 500,000. The heavy metals being reported by laboratories are merely assaying the minerals themselves, not looking deeper into what’s really going on. In reality, these are the minerals used in the manufacture of nanites that are often no larger than just 4 molecules in size. Each one programmed on a quantum level to interconnect with one another, forming larger and larger computer nodes, just like the massive white ‘antennas’ being removed from millions of clot-shot victims around the world since the final push to bring this program to completion began with the ‘Covid’ attempted genocide using mRNA bioweapons. Prior to the huge blood-clots (invasive man-made prions to take over the full functioning of the body) now being retrieved from cadavers and patients suffering this biological invasion, chemtrail direct effects were known as Morgellons Disease where tiny wire-like structures were coming out of people’s skin. However, the ‘disease’ gaslighting was exposed when laboratories began placing them under powerful microscopes and finding they were individual nanotbots ‘holding hands’ to make up the ‘wires’ that were now growing inside people’s bodies. Once zoomed in using scanning electron-microscopy to each one, they not only found the NAME of the companies behind each model, but even serial numbers printed in quantum-dots on their structures. You might recognize this one that clearly says NASA on its surface. The program of chemtrail nanites is to infiltrate the immune system of the human body and generate immunodeficiency so you are unable to fight off diseases and viruses. But there is another, even more primary mission for those molecular-sized robots; to collect at your pineal gland causing calcification and thus not only disrupting your entire system, but placing a crystalline ‘shell’ around it to cut off your ‘spiritual’ access to your higher self. Think of it like scrambling the signal of your cellphone if you had a direct line to ‘god’. As an aside, Cody Snodres, the independent contractor for the C 👁️A of 20 years & hero whistleblower that broke the story of Operation Indigo Skyfall in 2018 in the video below, mentions pathogens being added to chemtrails. These have been solidly identified by labs as recently as a few months ago in late 2024 & again in Jan of 2025 when entire cities were enveloped by huge, totally dry, fog banks of particulates dropped from the skies that caused countless deaths from pneumonia. Referred to by people as ‘Dragon Fog’, the pathogens are actually Serratia Marcescens bacteria (another word for parasites, pathogens, microorganisms & viruses). While I’m sure there have been other parasites added to chemtrails that attack the immune systems of humans and animals other than Serratia Marcescens, this particular species has been used by mil operations now as an ideal biological weapon and regularly upgraded now for many decades. Stay with me, I’m getting to Skynet, but first I have to show you some of the foundational elements of how the invader races have reached this point where humans would have become so mentally effected by this unthinkably massive-scale attack on your pineal gland, they would become psychologically and emotionally unable to fight back, even if they ever did look up in the sky and cognitively register the fact that contrails (endothermic sublimation or ‘fog’) emitted by the compressed-air turbines of jets dissipate in about 8-20 seconds, not hang in the air for hours and hours. [And for those now wondering what I mean about jets using compressed air as forward thrust in commercial passenger jets, that’s a story that is going to surely hack you off when you find out that passenger jets have always been levitation/time crafts since they were introduced to the public in the 1940s. They don’t run on fuel, but on high-altitude atmospheric neutrino-to-ion conversion harvesting (also known as ‘Secondary Emissions’ as well as ‘Neutrino Events’). So every ‘fuel increase’ markup for local and international flights has always been absolutely made-up, since what they run on is eternally-free energy. See my article for more: 👉JET FUEL HOAX] #3 M0NSANT0 = FOOD CONTAMINATION This company does *not make better-performing corn & veggies: it is a bioweapons company. John Francis Queeny, a Freem@son, that founded this genocidal operation in 1901 produces 90% of the world’s genetically-altered seeds & is responsible for developing Agent Orange, a defoliant used during the Vietnam War, containing a highly toxic chemical known as dioxin that caused permanent health issues for thousands of war veterans. Later it used this same type of murderous chemical in Roundup to k!ll weeds around your home, coating your world with glyphosate that changes the sex in frogs and turns them ghey and sterile. Guess what other life forms it changes the sex in and makes them sterile? Ever witnessed the most celebrated triathlete of the 20th century suddenly pop up and claim he was now a ‘woman’? How about watching as our youngest generation enters the workforce, most of whom don’t even know what sex they are? That’s your M0nsanto working hard to ensure the human race is eradicated from the all-queer-all-the-time world Freem@sons envision as their true utopia in the “500m sustainable population” as etched into granite on the Georgia Guidestones. A number mirrored by United Nation’s Agenda 2030 to be achieved by the year 2050. Their goal is literally 👉your depopulation and those that are left, will be 100% ghey. Diddly Parties nightly! GMO foods that are grown using M0nsanto’s “Roundup Ready” fertilizer that is made with glyphosate toxins are absorbed by the gut and then travel directly to the pineal gland. This is the Anunnaki’s ‘Trifecta’ attack on your most precious organ of your body. The very organ that dictates all the parameters of your reality held within your Krystal Seed Atom Keylon you enter into manifestation with, commonly referred to as your ‘soul’. In more accurate terms, your Krystal Seed Atom is like a Bluetooth module that tethers your awareness from your higher self in the Primal Sound and Light Fields of the Deity Planes, to your physical avatar here on the ground through the wireless ‘pale silver cord’. The Krystal Seed Atom is located in the middle of your pineal gland. [For more on the Krystal Seed Atom, see my articles: 👉THE HISTORY OF THE CHIMERA, & 👉THE KEYS TO HEAVEN] As Cody points out in the video, this is not a matter of hitting your pineal gland with three doses of toxins, but because of how these three chemicals of fluoride, nano aluminum & glyphosate interact with each other, creates synergy, or a dynamic magnification of the toxicity effect by a factor of 125x greater than any one individual dose would achieve. This makes the Trifecta assault astronomically devastating to your connection to the pale silver cord and your wireless connection to the ‘real’ you that’s running your avatar in the deity planes. Sort of like taking your 4 yr old to the mall and just letting them go on their own. Now, with your virtually disabled pineal gland reality-casting component out of the way, enter the true teeth behind Operation Indigo Skyfall; Skynet. SKYNET This is a subject I won’t be able to offer much tangible, solid evidence on, as it goes deeply into quantum physics. All of which terms describing each step in the chain to achieve ‘if this, then that’, are shielded from public understanding by design. The power of computers is vastly beyond what the human mind has been given the ability to process, also by design. [As I’ve covered before, the Chimera brain you work with now, since the total body-invasion of the garden of E-Dan drama, is fitted with breaker switches that are designed to keep certain subjects hidden from your reality-view. When exposed to any of these, a switch is thrown at the base of the brain within the totally counterfeit ‘reptilian brain’ that introduces feral, animalistic type of wavelengths into your thought processes. The switch then disengages your sentient thoughts, shutting off either temporarily, or permanently, your processor (brain). Simply put: if you see a creature you’re not supposed to, or other ‘proprietary’ mechanisms of the invader races (which are in fact all around you every minute of everyday) that doesn’t fit with the ‘Mayberry RFD’ Chimera Reality simulation overlay, or if you experience too much trauma, you will simply black out, delete that memory when you wake up, or in extreme cases, pass away from fright. The realm of quantum computing will have the same effect on humans as well. You might learn all about the subject, but secretly in the background your memories will strangely be deleted next time you come back to it, unless your cells vibrate at a higher resonance than 7.83Hz. [For more on the inorganic organs now in our bodies, see my article: 👉HUMAN ALIEN IMPLANTS] Nonetheless, I can simplify the thrust of Skynet for you in broad terms here. Just understand that Skynet was explained to me in person by the keeper. I didn’t make Skynet up on my own, I wasn’t prompted by the Skynet mentioned in the documentary series The Terminator, and I certainly wasn’t prepared to learn there could be something as all-powerful reigning over our world. Chemtrails, besides dropping immune-system pathogens on you, cutting off your connection to your higher self through nano aluminum particles, contains other metals (nanites) that act together like salts in a body of water, turning the sky itself (also water, just very thinned down) into an electrolyte solution, meaning it can now conduct signals, just like a motherboard on a computer. The hard drive and RAM are already there in the form of deuterium microcrystals, absolutely saturating our skies at all times. Each crystal can be used for different applications, and many of them connected together through lensing (similar to network covalent bonding them together) can be combined to do heavy tasks, such as create hurricanes, floods, gale-force winds, everything you would ascribe to mother nature. But more than just that, Skynet is a ‘sentient quantum computer’ as explained to me, that can identify every person on earth instantly anywhere they are, because it is quantum-entangled to each person’s own unique DNA resonant frequency. This gives Skynet access to not only record every word you say, but every thought you think. This is done through Bloch Chain (Bloch Sphere entanglement technology that civilians call ‘blockchain’) through using each person's blood samples from the bottom of their Long Form Certificate of Live Birth taken at the hospital, and further from 81.3% of the world population who took the convid tests that were also secretly the actual jab itself, in addition to genetic harvesting. Genealogy companies like 23andMe also provide genetic materials to Skynet to make it possible to not only track you, but 'turn you off' if you're from a bloodline the highest-up ETs don't want here. Further, its able to simply 'shut off' any part of your body, taking over complete control like an RC car, or, simply turn it off as mentioned a moment ago, as in unalived. And do so instantly no matter where they stand on or in earth. Since you are already a radio-controlled bioelectronic device, any cell in your body can be turned into anything, including c@ncer, or any disease you can name. It can also be turned into poison itself. [For a small addition to this topic, see my article: 👉SKYNET] NAME OF THE OPERATION Cody summarizes the name of Operation Indigo Skyfall as having come from the fact that all of the chemical effects it produces in the human body are focused to the pineal gland, and, in the energy centers of the 7 main chakras (these are toroidal energy generators along the spine and skeletal structure) that cast off differing colors of light as seen through photometers or electromagnetic frequency analyzers that are used to detect biophotons, the Third Eye chakra emitted by the pineal gland is factually Indigo in color. So that’s what inspired this name of the operation. However, I would like to submit a different theory that links to the human Third Eye chakra, but actually originates from a different target: Indigos themselves. There are 500,000 ‘b00ts on the ground’ Indigos that have been assisting humans during their time of captivity now for hundreds of millions of years. You have called us witches & warlocks in the past, medicine men/women, Sufis, the Whirling Dervish, Indigos, Starseeds, Rainbow Children and many others, including Djedi Knights in more ancient times. They are actually known as the Guardian Alliance of the Emerald Covenant, peace-keepers of the ‘Turaneusiam’ Human Elohim Project. Indigos come into earth’s realm mind-wiped and alone, just as humans do. All they bring with them are slightly higher clair abilities they can use to fight an invisible war protecting the developing avatars from as much torture as they would otherwise experience. There is no group alive the invader races are more concerned about than Indigos, as if unified, there is no force on this plane that could stop them, and the invaders know it. What they fear is our higher frequency that gives us access to ‘cellular memory’ that tells us we’re ‘on mission’ and the instinct of how to serve our roles. That is why Indigos are hunted down since before they are even born, by tracking their frequency, which is 250x higher than that of the Human Elohim. We are harvested for gov programs beginning at the time of birth & given to high ranking gov and Freem@son officials to raise and torture through MK-Ultra abuse, given friends, lovers & mates who are secretly handlers that torture us even more to keep us in line, and in many cases are abducted and placed into stasis in chambers such as at Project Stargate inside Cheyenne Mtn (N0RAD) as mentioned recently by the AI hybrid Agent Mockingbird stated from above-top-secret records there are tens of thousands of our ‘primary bodies’ being held there, sometimes then cloned as physical worker slaves, & sometimes our awarenesses are simply uploaded as ‘nodes’ into computer systems. My primary body is there right now in fact, and has been since the 1970s. I believe this is the genesis of the name Operation Indigo Skyfall, as we are their biggest threat. And since the 7.83Hz Hypnosis Program doesn’t work on us to render us totally disconnected from our higher selves like it does on humans, to me this makes more logical sense. You can decide that on your own. [For more on this subject, see my article: 👉7.83Hz HUMAN HYPNOSIS] The apocalypse we are in now is the final battle on Tara earth prior to the separation, so absolute, total control over the life force is critical to the Anunnaki to maximize the number of signature spirit essences who will be going with them to their new prison host in the Weasadrax time matrix. [For more on the separation and destinations, see my articles: 👉THE SEPARATION & also 👉DESTINATIONS AFTER THE SEPARATION] See Video: Operation Indigo Skyfall - Cody Snodgres👇 - On X, to search for my articles, simply type in the name of the piece, enter one space, then from: plus my username in parenthesis such as shown here: CASTING THE APOCALYPSE (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 120 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

57,277 views • 1 year ago

Backrooms Nemoris S1E01: It Eats Light I've spent the last six months working in secret on this pilot episode for a new Backrooms canon. We premiered this week in Toronto and a it's now available on all platforms: a new Magnific Originals series! This is quite possibly the most complex project I've ever taken on in my life. Yep, even if that sounds like an exaggeration, it took even more effort than building the first version of Magnific Upscaler. I had never before tried to bring such a concrete, specific vision to the screen while pushing the current state of the art as far as possible. Every scene you see in this episode, every object, every movement of a character's hands, every space, every hum of the fluorescent lights... it's all there for a very specific reason, with absolute control and intention on my part. I never imagined that something that looks so simple on the surface could be so incredibly complicated. The script is my own, based on the original Backrooms concept (the iconic 4chan image) but developed to create an entirely new canon from scratch. In this first episode, I reveal barely more around 5% of the overall puzzle, so you may end up thinking: what the f*ck did I just watch? Or you may need multiple viewings to pick up on some extra clues, because several of them are genuinely hidden. The idea is to create a full 10 episode series, an anthology, and have you, the viewers, gradually piece together the puzzle yourselves as the clues are revealed. Beyond the video and image generations, I did all of the editing in DaVinci Resolve, with particular attention to the sound. I'd say around 60% of the time I spent on this project went into sound. In some scenes, there are more than 13 stereo tracks layered at the same time, using sounds I recorded myself or created and edited from generations and foley libraries. Every sound, every voice, and every gasp is designed to pull you into the world of the story and make you feel like you're actually there. That meant spending an enormous amount of time on sound design, thinking about things like the individual position of each sound in space, EQ, reverb to simulate different environments, the sense of immersion, etc. I've never learned so much about something so quickly. As for the generations, a few numbers: • 12 hours of total generated video for 17 minutes of final footage 🤯 • More than 7,000 generations in total. • An average of around 60 generations for every 15 seconds of final footage. • 6 months of work, including many weekends, with just one person behind the whole thing... I almost lost my mind. • Platform: Magnific, of course. Models: mainly Seedance 2.0 and 2.5 for video generations, and Nano Banana Pro and Seedream 5 for image references. • Approximately $20,000 in total token costs, not including the value of my own time. For the next episodes, I can't do this alone again or I'll go crazy. My plan is to put together a small team: voice actors, a colorist, 3D VFX artists, a sound designer, and, in general, people from the traditional film industry who can help us professionalize our pipeline and take this story to another level. If you're reading this and you think you might be interested, please leave a comment. Ah! If you have any technical questions about how this was made, I'd be happy to answer them. Feel free to ask me anything you like! Anyway, I'll leave you with the episode. For the love of everything holy: please watch it at home, relaxed, on a big screen, with a good sound system or a quality pair of headphones, the lights off, and some popcorn. And most importantly, enjoy. Nemus te reddat!

Javi Lopez ⛩️

1,430,588 views • 25 days ago

What people think Methylene Blue is: - Fish tank cleaner What Methylene Blue actually is based on 100+ years of use in humans & 18,000+ scientific studies: 1. NEUROPROTECTIVE - Ongoing clinical trial for Alzheimer's - Antidepressant (humans: 15mg) - Promising anti-bipolar effects - Mild anti-schizophrenia properties - Anti-Parkinson’s properties - Anti-Huntington’s properties - Anti-anxiety properties - Improves stroke recovery - Improves TBI recovery 2. BRAIN MITOCHONDRIAL ENHANCER Almost all of the neuroprotective benefits listed above are a result of MB's ability to: - Reduce nitric oxide (too much is bad) - Reduce oxidative stress (antioxidant) - Donate electrons in mitochondria - Increase the number of mitochondria - Recycle old/damaged mitochondria As a result of this, Methylene Blue can: - Reduces neuroinflammation - Increase neurogenesis (BDNF) - Restore GDNF in Parkinson’s - Reduce amyloid & tau - Fortify blood-brain barrier - Improve cerebral blood flow Methylene Blue can also inhibit MAO-A enzymes and to a lesser extent MAO-B enzymes This boosts levels of dopamine, norepinephrine, & serotonin 3. COGNITIVE ENHANCER But Methylene Blue isn’t just a neuroprotective agent It’s also an cognitive-enhancer In human studies, MB has been shown to: - Improve attention span - Improve short-term memory - Enhance fear extinction (Anxiety/PTSD) I definitely feel sharper on 5-15mg of MB 4. ANTI-MICROBIAL & IMMUNOMODULATORY MB isn’t just a nootropic It’s actually one of the world’s best anti-microbial agents I personally used 30mg/day 2 weeks ago to annihilate the flu Went from down bad to back on my feet in about 24 hours - Improves COVID-19 treatment - Pulled C19 patients off respirators - Inhibits SARS-CoV-2 replication - Inhibits H1N1 replication - Cures malaria in ~48 hours - Kills parasites & fungal infections - May have anti-cancer properties - Reduces chemotherapy side effects Plus when it’s combined with light, MB: - Inactivates herpes virus - Inactivates zika virus - Reduces Hepatitis A & C levels - Reduces ebola infectivity - Reduces HIV-1 to undetectable levels 5. SKIN ENHANCEMENT - Very underrated skincare tool - Superior to Vit C + Retinol - Use MB tallow balm for skin - Will link my full guide below 6. MY PERSONAL EXPERIENCE - I’ve been taking MB for ~6 months - Best results combining with light - Feels very nourishing in a sense - Noticeable acute energy boost - Brain fog dissipates immediately - Heightened senses (vivid colors) - I use Meraki Blue Tongues - 10% off code = NOOTROPICGUY - USP-grade & heavy metal free - 5 mg orally per day 5x per week - 2-4 week break every 8 weeks 7. SAFETY Methylene Blue is extremely safe when used correctly In fact, it’s been used safely in humans for 100+ years: - First synthetic medicinal drug - Dozens of human clinical trials - Attractive safety profile - FDA-approved (methemoglobinemia) - Reverses cyanide poisoning - Reverses carbon monoxide poisoning With that said, there 3 key caveats: - Microdose to avoid pro-oxidant effect - Never combine with SSRI/SNRI drugs - Don’t use with G6PD deficiency - G6PD deficiency = hemolytic anemia 8. DISCLAIMER - This is not medical advice - Consult a physician prior to using - Methylene Blue will stain if spilled - Will temporarily stain tongue & pee blue - Only use USP-grade w/o heavy metals

NootBro

543,518 views • 2 years ago

LOOSH & THE DISNEY WORLD -POTEMKIN- VILLAGE A video by David Icke (gatekeeper agent) explains why blood sac rifice is required for archons to manifest and use holographic cloaking tech to appear human in this world. Here's how that works. Humans only see 1/3rd of 1% of the actual visual spectrum around us. Our vision was engineered to keep us hermetically sealed into an extremely narrow reality so we could be enveloped into a Mayberry RFD environment where we would be comfortable focusing on working very hard producing massive amounts of taxes to keep our captors in milk and honey aboard million dollar yachts. This is called Loosh. If we don't have to worry about seeing demons and ghosts and terrifying things, like soldiers did during the Viet Nam war while wearing Dicyanin Aura Goggles, then we don't need to be on high alert, but can focus on being high-producing slaves. This movie-set environment reality (like a real-life Disney World) has been studied at great length in the past, where whole cities in foreign countries lived exactly like 1900s Americans. They spoke American English from birth, drove American cars, wore American clothes, and duplicated an average American lifestyle down to our roller skates, Thanksgiving turkeys and Christmas hams. This has been done many times, worldwide, and the model is now referred to as a 'Potemkin Village' (in honor of 1700's Crimea that was fake-dolled up for a visiting royal after a terrible war). If your world LOOKS affluent around you, then you have nothing to distract you from working your hardest and sacrificing for your fellowman (paying taxes). And that's what America has been for over 100 years; a 100% movie set. Americans are among the highest IQ in the world. They have strong genetic traits with tall frames, fair complexions, colorful hair and eyes (all traits of the Arayan Human Elohim that were seeded to the Pleiades 10m years before they were added to the Grand Experiment of the Tara-earth Human Elohim Project 560m years ago. In general terms, Arayans represented the story-book essence of beautiful, happy-campers, so that's why whites dominated everything in movies & advertising across the whole world as America was represented as the model of human earth. There are a lot more reasons why America was chosen as the world-template, being that it was secretly actually Atlantis, the original Holy Land, the Land of Nod, and the Lands of Canaan long before it was ever renamed T-Amerikaans (America), which was a Disney World-type trap to extract the highest level of taxes from the people while keeping them fully-entrained into the psychological model of comfortable, if not affluent, illusion. The original '15 Minute City' concept. New York & Chicago being the blueprint of the ultimate society. The model is known as 'The Phoenix of Atlantis' that eternally rises back from the ashes after every 3658-year reset. [For more on this, see my article: 3658 YEAR TARA CLEANSINGS] The word Loosh has confused me since it isn't just a single-meaning word. It stands for the thousands of different ways to tax the Great Unwashed, but it also has to do with frequency-harvesting to make the taxation possible to start with. What Icke reveals here is exactly how blood-ritual sac rifice allows the overlords to interact directly with the human chattel. These beings that have taken humans hostage beginning 560m years ago (by what we call the 'Fallen Angels', -who are known as Anuhazi Elohim, Khepri Scarab Beetles & nanites called the Budhara Borja Retrovirus- then perpetuated by many other animal and insect beings long after the prison was set up) are technologically far advanced to our modern human being. Not because we never knew that knowledge millions of years ago ourselves, but because we were put into a recycle loop where we were forced to dei at a VERY young age, birth back in mind-wiped, then brainwashed to believe we lived in a hyper rudimentary world where our own grandparents physically founded the modern conveniences we relied on to live in more than just caves. So, like children of a cult that don't know what's on the other side of the walls of our community as depicted in the film The Village, where the founding fathers of the town literally isolated themselves off from a fully modern world just steps away where they filled everyone with the stories of dreaded beasts and demons lived on the outskirts of the valley, keeping everyone too afraid to even venture away from their own little remedial community. In reality, the Human Elohim were the most advanced beings in all of creation. They were unique in the intergalactic communities known as the cosmeias, filled with avatars that had to eat and sleep to recharge their bodies. The Elohim species were the only ones with unlimited power and energy and engineered to live eternally. That's not a long life, that means even if your head were cut off, you could regrow it. Forever. What your captors had to do in order to enslave you so they could siphon off all the eternal power you had access to, was somehow take your awareness out of your own avatar and place it into one that would not just end in a few short years so you would never become educated or wise, but one weak and mortal enough to easily control by beings twice or more your size to keep the slaves inline. But in truth, all of these animal and insect creatures that now hold everyone here hostage, had all considered the bloodline of the Human Elohim as the closest representation of what the true creator god might look like if physically manifest into the material world. You can see how they ripped you out of your breatharian, eternal-life, unlimited-power body and replaced it with the mortal one you have now in my article: 👉THE HISTORY OF THE CHIMERA. They bioformed you out of it and because of countless cycles of being kept perpetually in total darkness, you fell for it. Like the keeper says, Humans were taken over through naivete, using the word 'Pollyanna'. That isn't something you can really feel bad about, because the Human Elohim Project used a genetic template that was engineered to be totally trusting, since they were originally telepathic and would not be subjected to deception - IF they were never taken hostage. Which, obviously, they were. And here you are now, 560m years later, still enslaved because of it. The architecture of your enslavement is technological beyond anything your hybrid mind could begin to imagine. Your physical brain was designed that way, to cut you off of 95% of your processing power to keep the Disney World of the Chimera Reality simulation working eon after eon. It goes all the way down to sub-level of the quantum field through Scalar Vibrational Mechanics, or the science of casting thought alone into animated, seemingly 'molecular', or 'atomic', matter. [For more on this science, see my article: 👉HOW THE HOLOGRAPHIC SIMULATION WORKS] That means the very atoms that make up this Chimera Reality have been encoded to keep you asleep and unaware of how your invisible prison bars work. The insects around you are surveillance and attack drones. Their quantum bodies are etched with scalar-wave 'hex' symbols on them, genetically. The shape of the water veins inside grass blades are made in the same symbols, casting out the signals of enforcing your reality from its very foundation & your body is filled with 470k different 'parasite' species digitally-encoded in your DNA to spring to life the moment your environment changes from your designated Village, to attack you on a cellular level, ensuring you never stray too far from camp. FREQUENCY LOOSH This is where we get into the HOW of your energy is being used against you in every concert you attend, every song you hear on the radio, every ball (Ba'al) game, stage presentation, race, competition, cartoon, film or fireworks display. Through your hyper-wide-spectrum of emotions. The problem the original fallen angels of the Anuhazi Elohim, guardians of the cosmeias, had in the first place with this evolution, is the Turaneusiam-1 Project -I call the Human Elohim Project, as it is easier to understand- avatars were fitted with much greater emotional ranges than all the previous models of Elohim 'Krystos' beings had ever been given, leaving open the very real possibility of your eradicating an entire world in a moment of rage. The Elohim I have spoken to are much like Spock. They rarely get angry or sad, and while they do laugh, they don't have what you and I would call a sense of humor. They are stoic and logical to keep them under control at all times, since they are wirelessly connected via a 'pale silver thread' from their Krystal Seed Atom directly from their heart/pineal gland to the primal sound and light fields of the deity planes. At any given time a single Elohim has the power of hundreds of thousands, if not millions of other avatars at their disposal, and it is undepletable. And, while your awareness may be in a rudimentary, highly mortal and powerless body, your Krystal Seed Atom is still connected to the sound and light fields. So the potential of you harnessing that unlimited power still remains. Which is why your world is so strictly governed around you and you are so closely monitored and managed. Enter energy loosh harvesting. Your captors are trapped in a realm that is almost here in 3D. They flourish in the artificial world they've created in the 3.5 dimension we call the astral fields. Those are illusionary worlds, just as this Chimera Reality is, and to keep it going, they need your unlimited energy to cast it into reality for them. Hence, ritual sac rifice. You've heard about the thinning of the veil on All Hallows' Eve, or 3 o'clock in the morning, or 'the Witching hour' all your life. That's because this is a real thing, where the energies between their illegal and artificial world meshes closest with the one you are authorized to be in. Your captors, who are storied to 'dwell in heaven', but actually dwell in Hell (the name of Enki Lucifer, also known as Arch Angel Helel), can manipulate you in your official 'TV station' of the 3rd dimension, but only if they can resonate with your channel. You've also heard that the Arch Angels, presented to you as 'gods', had to be inside a Merkaba energy sphere to be manifest in the 3D realm, as described by Enoch (also Arch Angel Helel/Lucifer Elohim). You've also heard how the elites (these are the EL-ites, or children of the El - Elohim) drink the blood of humans, ala' 'vampires'. Vampires must consume the DNA of 3D beings in order to elevate their frequency high enough to come into view in the TV channel of Tara earth, because not all bodies (avatar vehicles) are coded the same as each other. Some have very high frequency, some very low. Like your captors. So while they do have insane knowledge of technologies that have been hidden from you while you were raised in the Disney World Potemkin Village where everything is cute and cuddly and nothing is mortally dangerous for you to worry about with few exceptions, -unless you stray too far from the Village to where the bears and wolves live- they can't just walk around in this elevated frequency field without taking your vibration. Think of it this way, your reptilian shape-shifting guards came from lower density, remedial time matrices where they were birds, frogs, insects, spiders, snakes, gargoyles, wolves, bears, etc. with genetics that allowed them to manifest at those lower 'TV station channels' through chakras. Chakras go from the Root chakra, which is the lowest vibration they have, up to the Crown chakra, or the highest frequency they can vibrate in. Between their DNA and your DNA, there is a thinning of the veil at their Crown-to-your-Root chakra stage. At least, this is how I gather what Icke is explaining in this video. So if these reptilians and other lower life forms can get you very excited, where your body is sending out massive levels of your unlimited power from your Base instincts-level, the Root level where you're keyed to reproduction, their Crown chakra can absorb that energy, giving them the push to continue to manifest in your higher realm, like the tuning fork you see that resonates with another tuning fork off to the right when struck to send out the signal that the first one then vibrates with. Btw, this is known as Sympathetic Harmonic Resonance. Which explains why all the hyper-salacious, provocative, lusty performances of the satanic El-ites on stage constantly flash T&A and make everything about sex. They're there to excite you on a base level to harvest your FREQUENCY and your ENERGY. They just need your low vibration amplified enough so their lower astral avatars can then manifest in this dimension. Again, through sympathetic harmonic resonance. A very real, wireless connection known as induction. During satanic rituals as described by too many survivors to even count by now, they always revolve, 100% of the time, around lowering the sac rifices' vibration through fear and torture conjuring enormous adrenalin energy, around sexual abuse, around drinking the higher vibration blood of the human victim, and there are always humans participating in their ranks who have sold their principals out for fortune and fame. They are going to be producing massive amounts of low vibration frequency right along with the ones on the altar or in the woods. All of the ways your captors have of manifesting, and powering their holographic projection abilities to materialize in this dimension are always covered at every ritual. Now think. You are surrounded by beings here who have never stopped sacrificing offerings to their Babylonian gods regularly, down through thousands of years. They never stop abusing, torturing and sac rificing animals out in the open for all to see, even though it is deeply traumatizing to all humans who view such displays. Why? Because if they don't, they will no longer be able to inhabit the higher-dimensional body of their stolen hybrid costume. This also highlights why r*pe culture is so overwhelmingly accepted in what we think of as 3rd world countries that are really filled with nearly 100% ET hybrids sucking the frequency out of their secretly human wives. Because ET females are unable to give birth. Which is also why they beat these same wives, to generate massive levels of low frequency on a constant, regular basis. Even though our farm animals they sac rifice don't LOOK like humans, they still are fractals of Prime Creator who are AUTHORIZED to be in the 3rd dimension. And yes, in your very last life, you could have been a goat, a deer, in a cow's body, because you don't just get to be a human every time you recycle. You have to qualify to be in a human body during this life in order to be one in your next life. That doesn't come from me, it comes directly from the keeper. So torturing animals is the same thing as torturing humans. They may LOOK a lot like you, they may be bipedal and can SPEAK like you, but they were never authorized to be in this avatar-development realm of Tara, so they have to continue the rituals or will go crazy and dei of porphyria you know as Blue Blood Disease. Why would there be such a thing as Blue Blood Disease in the first place where ruling El-ites have to drink blood in order to remain healthy? Why did Vladimir Dracule (Count Dracula - as in Draco) drink human blood everyday with his lunch? And why does King Charles claim to be a direct descendent of Dracula? [For more on that, see my article: 👉PORPHYRIA -BLUE BLOOD DISEASE.] As I've said, the Chimera Reality simulation is currently in fall during this final ascension window we're in now since 12/21/2012, known as the Stellar Activation Cycle. This can be verified easily the next time you see a crescent moon in the sky. If you wear prescriptions, remove your glasses, step outside and look for yourself. You will see 3-4 moons all stacked on top of each other if your frequency is following Tara earth's during this shift. And you will also recall some months back when MS news warned everyone about how they may be seeing 'hallucinations' of the people around you appearing as distorted alien-like creatures, calling that a condition called Prosopometamorphopsia. A name they totally just made up to convince you not to believe your own eyes as their artificial reality can no longer maintain a stable holographic projection, as the Schumann Resonance is now hovering as high as 14x above the 7.83Hz vibration it has been recorded at as long as measurement tools existed for our world. Steel yourselves, because the enslavement is coming to an end as we speak. It is real, and there is the science to how it has worked up until this time at the end of the long-cycle of the Turaneusiam Project of the Human Elohim Avatar creation. For more on the end of this era and the Stellar Activation Cycle, see my article: 👉THE SEPARATION. - On X, to search for my articles, simply type in the name of the piece, enter one space, then from: plus my username in parenthesis such as shown here: CASTING THE APOCOLYPSE (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 150 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

17,018 views • 6 months ago

Just in $AMD Anush "Speed is the moat"|ROCm🎙️ In the race to define the future of AI, what's the one advantage that truly lasts? It's not proprietary tech, argues Anush Elangovan Elangovan, VP of AI Software at AMD , but the sustainable speed of innovation. He explains why AMD is rejecting the "walled garden" model for its open source ROCm stack, betting that an open community flywheel is the key to victory. Listen to understand how this open strategy is designed to out-innovate closed systems by empowering developers to solve everything from frontier-model challenges to the mundane, everyday problems that define the "last mile" of AI. AMD ROCm Software: Part 1 Transcript [00:00:00] Andrew Zigler: Joining me is Anush Elangovan, VP of AI software at AMD. And when people talk about AI compute, the conversation often stops at hardware specs, but it's more than just physical chips that win the game. It's also the software ecosystems supporting them. [00:00:18] Andrew Zigler: The prevailing strategy in the industry has been to build something like a walled garden. You know, something closed, proprietary locks, developers in. But AMD is betting on an entirely different play, open source acceleration, and with rock, their open source AI software stack. AMD is building not just hardware parity, but an innovation flywheel that's powered by the community with interoperability and the freedom to scale without all of that pesky lockin. [00:00:48] Andrew Zigler: And in this world, speed is your moat and how fast you can innovate while your platform remains open, flexible, and standardize across all of its applications. That's what we're gonna explore [00:01:00] today. So Anush, I'm really excited to have you here. Welcome to Dev Interrupted. [00:01:04] Anush Elangovan: Thanks for having me. Uh, super excited to chat about it. [00:01:07] Andrew Zigler: Amazing. Well, let's go ahead and dive right in with kind of what I laid it out with in the beginning, the idea of the moat and it being about speed. I wanna unpack that a bit because that came from you when you and I first spoke. And I, and I want to know, you know, how do you define speed inside of AMD beyond just things like hardware, benchmarks. [00:01:27] Anush Elangovan: Yeah, that's a very good question. So when we typically talk about speed, everyone's like, Hey, hardware benchmark specs, right? Like, uh, memory bandwidth or, or flops. And that is one important part of it, uh, AMD does very well. With that, we do have, a, a very good history of executing on that axis. [00:01:47] Anush Elangovan: But when I say speed is the moat, it is about, uh, how we prepare, how we build the muscle to run the race for a long time and run it fast. And it is [00:02:00] not about a single point in time that you've, you've beat some you know, benchmark and, and you declare victory. It's about building the ability to consistently develop and deliver. [00:02:13] Anush Elangovan: Both hardware and software innovation at scale and do it fast, right? Like, you know, we we're increasingly getting to a point where models come out and they're, uh, you know, a year or two ago it was like, Hey, they work on AMD on day zero, which is great, but now they are performing on AMD the day it releases, right? [00:02:32] Anush Elangovan: So, what does it take to Prefetch where the industry is going? Be prepared to intercept. At that point is what you know, I, I refer to as you know, the, the speed factor in, in creating this mode, right? And the mode is just shed all things that hold you back and run as fast as you can. [00:02:53] Anush Elangovan: Uh, because the pace of innovation that is, uh, being seen in, in AI [00:03:00] industries is just. Amazing. Right? And it's like, it's transformational at at how you generate electricity. It's transformational as at how you build data centers. It's transformational at how you deploy compute, networking. It's transformational at what kind of use cases you, you know, uh, use AI for. [00:03:17] Anush Elangovan: Uh, and for that, you need to be prepared to, see what comes tomorrow and be prepared to run the race tomorrow. [00:03:23] Andrew Zigler: Yeah, it's a really great perspective because it highlights that it's not just like a checkpoint that you run through. I like how you called out, like it's not just hitting that benchmark or being the best in class at that moment, in that snapshot, it's about having a. The throughput and about having that dedication to the idea and continuing to deliver on it. [00:03:43] Andrew Zigler: It's not just crossing the threshold, but it's also being the engine. And that's what, that's what protects a business. That is the moat, because the moat is that innovation layer, the faster and more, uh, future forward. That you can work and think, [00:04:00] you know, the better. Uh, we, we talk a lot about like future forward work styles. [00:04:04] Andrew Zigler: Like what are the things I could be doing right now today that are gonna be like, way more useful tomorrow? Let, let's abandon those, workflows that are older and that kind of like, that translates into. An advantage when you work that way. You know, what kind of things have you learned working with, uh, like across all spectrums of people who would use ROCm, right? [00:04:23] Andrew Zigler: You have like the developers, but then you also have the enterprises and you have this large span of adoptees, right? So what is the, what does that look like that you learn? [00:04:32] Anush Elangovan: Yeah, so, so the way I look at it is there are gonna be pockets of different, uh, you know, cadences, right? Like, so people who are deploying in enterprises, for example, right? The validation and how long it takes for them to deploy an LLM that's secure. It's, with guardrails, et cetera, maybe longer. [00:04:52] Anush Elangovan: but you still have to go through the process and you have to be prepared to like, walk that walk to deploy an enterprises. That doesn't mean it's [00:05:00] not fast, that's as fast as you can do for that industry, right? And if you are deploying AI in healthcare, right, it's, it's got its own, uh, cycle. [00:05:07] Anush Elangovan: but in each one of these, you want to see how, like, go down to the essence of what is it that you actually have to do. And, you know, I, I, I like how you framed it. It's like it's, you shed your prior assumptions of how things are done, right. And, and you kind of build up from a, uh, first principles, uh, approach to say, this is how I could use AI to unlock, whatever I'm doing. [00:05:33] Anush Elangovan: And, and, some of it, you know, it's good to really step back and look at. Just question every part of it, right? Like right now you're getting chat GPT and, Gemini competing for like, math, olympiads and, and, uh, college, uh, reasoning, uh, tests. Right? And, and those are like that, that is amazing and increasingly like complex tasks that they're trying to do. [00:05:58] Anush Elangovan: But there may also be like. [00:06:00] More mundane things that AI could, could get applied to. Right? And, and so when we think about shedding old ways, you wanna shed it not just in like the tip of the spear. It's like, you know, I'm gonna see what's the frontier model. It's also, it could be something as simple as. [00:06:18] Anush Elangovan: How do you choose a, a movie, uh, you know, like a recommendation system, right? Or, or, uh, an automated, uh, flight, uh, rebooking system. So the moment, you know, your flight is late, uh, right now it's a notification, right? It's like, oh, you got a text message saying your flight's late. And I got that like three times this week. [00:06:38] Anush Elangovan: But anyway, uh, and, and, and, and, I was just like, okay, so if I were to rethink this. All this MCPs that we have that should be hooked up into an MCP that says, your flight's delayed. Here are your options. If you want, you know, these are the paid options. Yeah. Here are the free options. This will get you back into your you know, Toronto airport [00:07:00] tonight. [00:07:00] Anush Elangovan: Or if you stay, here's a hotel plus this, plus this, plus. It's just like, go ahead is all I should say. Versus now I'm like, okay, can someone, you know, can I call a travel agent? Can I do this? Can I go online and log into And you know, so we gotta fundamentally rethink even those like small, nuances of, things that we do that can be automated out and AI is really, really good at doing something like this, right? Maybe I just explained an AI startup idea right now. Somebody should just start that. [00:07:29] Andrew Zigler: I think you did. Yeah, you definitely did. Someone, one of our listeners is definitely going to lift that off of you. I, I, I, you know, I hate being on the receiving end of those. You feel a little helpless and then you have to like, follow the whole flow. So I know what you mean. Like I, I like how you called out that the build and this like. [00:07:45] Andrew Zigler: Where speed is your moat and the innovation layer is protecting you, is what makes you better than your competitors. How you scale that and you bring that to market. So by understanding the problems that you're solving, uh, throwing away those older assumptions, but also [00:08:00] recognizing that like. We're building every single day, new things and new ways of using stuff that we're still figuring out the implications of. [00:08:08] Andrew Zigler: And so when you have a lot of velocity and you're introducing a lot of new ideas, and maybe you have that workflow now that automatically rebook your flight off of your late flight text message, and uh, I know I would certainly use it, but you know, what kind of philosophies guide the way that y'all think about building this ecosystem to manage that stability while letting folks. [00:08:29] Andrew Zigler: Play with the speed and the assumptions and the airplane re bookings. [00:08:34] Anush Elangovan: so, so I think, you know, we need to peel one layer down, right? and the philosophy is, Hey, we, we just discovered electricity, right? And you know what we're gonna do? We are gonna make motors, uh, or dynamos, right? Like engines. Uh, sure. We don't know if it's gonna be a Ferrari that you're gonna make, or it's a a a a dump truck. [00:08:57] Anush Elangovan: That's good for doing this. But let's [00:09:00] let, which is also required, right? You need a dump truck. You need a garbage truck. And, [00:09:04] Andrew Zigler: Yeah. You need the [00:09:04] Anush Elangovan: course you need, uh, a Ferrari for a midlife crisis, right? So, [00:09:09] Andrew Zigler: precisely. [00:09:10] Anush Elangovan: But, but my, uh, point is what do we build next? And, uh, and this is what I meant by like, okay, let's, let's take those baby steps to build the. [00:09:20] Anush Elangovan: Infrastructure that's required that we know we'll have to use, right? So, so if I just discovered electricity, okay, great. Now one, how do I save this electricity and how do I use it? So there's battery technology, so you need to do something like that, right? Like so. But then you also want to make it into an actionable thing. [00:09:37] Anush Elangovan: You want to make it for like automobiles, or you wanna use it for, you know, powering, uh, entire cities. So it is that transformational. So, uh, AI is that transformational. So, if you distill down, it'll, it'll come down to how do we think about, what we can do with this this fundamental technology that, We may not be aware of what it [00:10:00] is gonna unlock next, but at least you know the next step is clear, right? It's like a dense fog, you know, it's gonna be like, it, it's the right path. You see the light, but it's kind of like out there and, and the steps you're taking are concrete and you're like, okay, this is good. [00:10:16] Anush Elangovan: I, this is better than where I was or where we were. So we are moving forward. So you can build with the. Intuition from what you see in the short term and a tactical view, but towards what you think the future is gonna be. [00:10:28] Andrew Zigler: Right. You almost like we're all in this like fog of war, right? And like you said, you're reaching out and you're trying to step through it. You could think of it too, as like you're in the dark and your hands are up in front of you and you know that. You're, you're not gonna run your face into a wall because your hands are out in front of you, but you're not gonna maybe do much better than that. [00:10:45] Andrew Zigler: So that's kind of like, I think the eco, the, the industry, the world that we find ourselves in, uh, and we all have to, then this becomes the power of an ecosystem, of a group of people working together to create that layer of, [00:11:00] uh, of establishing the [00:11:01] Anush Elangovan: exactly. And I, I, I just, instead of, you know, saying fog of war I describe it as like, you're in this. Beautiful valley with like a morning, uh, fog that's in. You can smell the flowers. You, you hear the birds. You are like, okay, it's, we are in like, uh, utopian paradise and yes, I just need to like, continue the walk, right? [00:11:24] Anush Elangovan: and then move forward with that, conviction that you're in the right spot. [00:11:27] Andrew Zigler: Yeah. So let's talk about that ecosystem world. This nice, I love how you describe it, this grassy side of a hill in the morning that's covered in some mist and maybe we can't see 30 feet in one direction, but it sure is a beautiful hill and it smells nice. And so we're all here. And why is, in that world, why is. [00:11:44] Andrew Zigler: You know, open source, their strategic advantage that y'all are going for in the AI hardware market. And, and then how does like ROCm turn that into wins for people within that ecosystem? [00:11:56] Anush Elangovan: you know, the, the way we look at it is this, is kind of like how I view [00:12:00] AI and the ecosystem, right? But, but it is for everyone to enjoy. Uh, and so we do want to make sure that. You know, it is, uh, beneficial for everyone. [00:12:09] Anush Elangovan: The ecosystem can come in and, and innovate. It's an open innovation engine. and uh, it is very different from, you know, having a walled garden with, Hey, only I know how to do this and I'm gonna do it and throw it over the fence and you can use it or keep walking, right? So we'd like to be good citizens that way, but also. [00:12:30] Anush Elangovan: Uh, it is self-fulfilling in a way, right? Like it, the, the pace at which we innovate with open source is unmatched. Like, you know, our serving engines are like VLLM and, and sg l. Those things, uh, those frameworks are like super, super aggressive in terms of how fast they come out with features and how fast they can you know, get performant models out. [00:12:52] Anush Elangovan: And that compared with what, uh, you'd get from, you know, the likes of like T-R-T-L-L-M or something is always lagging, right? Because you [00:13:00] just can't keep up with you know, 200 commits a week just on one particular model to get that model really performant [00:13:06] Andrew Zigler: And, and, and in that world where, you know, everyone can enjoy the winds of this, what kind of customer stories or innovation stories have really stood out to you and excite you about building and creating this place for developers? [00:13:19] Anush Elangovan: Yeah. So I think the parts that are super exciting for me are when when we get to see a customer that is first skeptical. Then they start a little like, okay, fine, we'll give you a chance. Uh, we do a simple, uh, POC and then they're like, huh, this seems to work. Yeah, we told you it works. [00:13:42] Anush Elangovan: You don't have to change one line of code. Really? Yes, no need to change one line of code. Okay, let's try a production workload. So then they try it. Oh, you're more performant than the competition. Yes. We're more performant than, than the competition. So how much does it cost? And we're like, oh, it's your TCO is better with, uh, [00:14:00] AMD. [00:14:00] Anush Elangovan: So again, they're like, wow, okay, good. So now how do we deploy at scale? And then we go deploy it at scale. And when they give a thumbs up on that and they say, this is good, right? That's when you know, you, you see it go full circle from like, oh, we, we've never heard about AMD to like actually deploy to tens of thousands of GPUs In the order of a few months, right? It, it, it really is fascinating to see and very exciting and invigorating to [00:14:28] Andrew Zigler: Yeah. At like a great exposure to a lot of interesting problems. And, and then people using the infrastructure, the, the technology available to solve those problems. Really specific problems by the way, that's often why they're bringing their data and AI to it, uh, is because it is really specific and important for them. [00:14:45] Andrew Zigler: And there's a, a lot I think that other engineering orgs can learn and even emulate from AMD's success and, and having this open source ecosystem and it causing this acceleration within. You [00:15:00] know, uh, customers and enterprises that use and adopt the tools and, and, and that creates an advantage. And that goes back to why we're talking and like the real thesis of our conversation today. [00:15:10] Andrew Zigler: So how do you think engineering leaders that are listening to this and obviously tapping into this great success AMD has from an open source flywheel, how do you think other, other folks building in the same space can foster that open, first, that open source oriented culture in order to, you know, accelerate their innovation goals? [00:15:29] Anush Elangovan: Yeah, that's a very good question. So the startup that um, was acquired by AMD we, we built, I mean, we started off doing iot stuff and you know, smart ring and all that, right? But in the, the end of like, uh, and not the end, the last six years of the company was building ML compilers. [00:15:47] Anush Elangovan: And ml, ML compilers are like super, uh, complicated, sophisticated, advanced algorithms, dah, dah, dah. but it was all open source, right? So our VCs were like, wait, what do you mean your core [00:16:00] IP is open source? And um, the speed is the moat applied even then, right? It was just like, yes, if you have an idea that. [00:16:08] Anush Elangovan: Because someone saw this idea that you are, they're gonna be able to catch up, then you probably have the wrong idea anyway. But if they are, you know, you execute and they're gonna catch up, that you should assume they're gonna catch up. Right? So you gotta move forward. So keeping it open source is super important. [00:16:25] Anush Elangovan: But also to your question on like, you know, the learnings from an AMD standpoint, right? If there are, hard problems, I'd say dig in and work through it, right? Like there's no way but through it, right? That should be the simple mentality. And more, uh, frequently than not. you'll see that you'll just make it through in a, in, in good form. [00:16:52] Anush Elangovan: But if you doubt it and you're like, oh, I don't know if I should commit, if I'm, I, you know, what should just commit to do the right thing [00:17:00] every step, right? Every step, and just keep taking one step in front of the other. And in no time you'll see that you'll be running. Right. And, and yes, the first few steps will be like, yeah, everyone's complaining about your software quality. [00:17:15] Anush Elangovan: Everyone's complaining about this and that, and it doesn't work. And, and a few steps in, you know, you get, you get the hang of all the complaints that are coming in. You get the feedback loop. You're like, okay, what, what are you prioritizing again? One step in front of the other, right? You just keep knocking that out and then you get to a point where you're, it just becomes second nature, right? To do the, to do the right thing. And, and then yes, if someone gives you two options, you'll be like, fine. This is, uh, you know, there's always the resource trade off. There's always a human capital trade off, but what's the right thing to do? of course, I, I'm pragmatic about what we choose, but, but if the right thing for your long-term success is dig in, go first, principles, make it [00:18:00] happen. [00:18:00] Anush Elangovan: Well. Then just go for that. There's, there is no shortcut to [00:18:04] Andrew Zigler: acknowledging, you know, how it aligns with your mission, your core company goals, and what you're looking to achieve. And, and I, I love how you rightfully called out that in the open source world and you know, you have your technology that you've built, what you think is your moat upon, right? [00:18:22] Andrew Zigler: It's your code and, and to open source that, or to just make it where anyone could peer in is, you know. Scary in one regard, but two, it just kind of feels like you're handing away your throne room in some kind of sense, a very direct feeling sense. But the ultimately, you were really right to call out, and this is something I think about all the time, that the real power there is still the speed This the speed. [00:18:42] Andrew Zigler: That was the moat at the beginning of our conversation. It's the speed in combination with your. Very specific domain understanding of what you're building and what you're creating, and your new role as the steward of that world and how people plug into it, which [00:19:00] has frankly, a lot more influence and power than lording over a closed. [00:19:04] Andrew Zigler: You know, repository or an ecosystem, and like you said, like throwing things over the wall. Sure. There, there might be people always on the other side of that wall, but you're not gonna have a great connection with them. You're not gonna be able to really clearly understand them. I, I like your metaphor of the side of the field of the mountain a lot more. [00:19:23] Andrew Zigler: But, but in the, in this world, you know, where. That speed is, is the power and, and open source is just one way that you can harness that speed to get really far ahead and to innovate. , There's other parts of this equation that you can be experimenting with too, and I'd love to pick your brain about them as a software leader and, and, and one of them is about looking forward and kind of understanding that future that we're all building towards and beyond today's models and hardware. [00:19:48] Andrew Zigler: You know, what do you see as the next major bottleneck or opportunity in the AI compute space? As, as you know, enterprises and folks start to get a little more mature about what's available to [00:20:00] them. [00:20:00] Anush Elangovan: Yeah, I think, the bottleneck and opportunity is, uh, what I'd call, call walking the last mile of ai. Right. Uh, and like I I, I gave you an example, uh, previously, but, but it's similar to that. It's like there are cases where Humans have so many, uh, things to do in your day. You know, like the, if we sit down and actually had a customer focus like, okay, these customers lives, I'm gonna save four hours of this customer's life. And if you actually sit down and look at all of that, it'll be. Easily automatable, easily you know, uh, applicable, uh, for ai, right? [00:20:39] Anush Elangovan: Like, but then making it happen is gonna take a little bit, right? It's like maybe it's, uh, paying your utility bill, right? Or something like that, right? Or, or, your healthcare explanation of benefits. Uh, like, I'm sure you get an explanation of benefits, and I'm like, I, I don't even know what that thing is. [00:20:55] Anush Elangovan: It's just like EOB and like. [00:20:57] Andrew Zigler: it's a big, a big old PDF. Yeah, [00:21:00] exactly. [00:21:01] Anush Elangovan: Like, like, I'm like great straight to the, uh, shredder, right? And but that could be, you know, automated with the ai, right? It, it, it'd be like, Hey, the summary of this thing is you went and visited this day. Everything is okay. Everything is paid for, so don't worry, it's not a bill. [00:21:17] Anush Elangovan: That again, the same, uh, thing, but the sense of what that information overload is could be. Digested by ai, uh, accumulated over time and retrieved when you need it. Like, I don't, I actually don't even need to know this EOB right now, unless of course, whenever I need to know it, that maybe, you know, like for some benefits I need to figure out what do, what did I do over the past year and how do I apply it? Source:

Mike

15,248 views • 10 months ago

#PahlaviTerrorists #فرقه_تروریستی_پهلوی Open Letter to the Honourable Pierre Poilievre December 26, 2025 OPEN LETTER: Reza Pahlavi’s network shut down your Vancouver event on February 9, 2024 cc: Chief Constable Steve Rai Vancouver Police Andrew Scheer CSIS Canada Stephen Harper Melissa Lantsman The Vancouver Sun Rebel News Canada CanAm Network Dear Mr. Poilievre, Records I recently obtained through a series of orders of the Supreme Court of British Columbia(the most recent granted on December 15, 2025) objectively establish that your Vancouver Persian community meet-and-greet on February 9, 2024 was shut down by Reza Pahlavi’s networks. I am writing this publicly because this represents a new level of atrocity by these networks. They are already notorious for coordinated attacks on Iranian pro-democracy activists, which is why they are before the Supreme Court of BC and why Reza Pahlavi faced two conclusive judgments against him on October 16, 2025. But shutting down the public event of a national political leader on the verge of elections in Canada is an escalation into direct interference with Canadian democratic life. When a Canadian federal political leader like you can be forced out of a venue through intimidation—particularly if the same actors can penetrate political communities through relationship-based access while coordinating venue tracking, harassment, and intimidation with a designated terrorist entity and against the same communities—then Canada has a sovereignty and public-safety problem, which goes beyond any partisan boundaries. On February 9, 2024, Reza Pahlavi’s networks acted through premeditated political intimidation orchestrated on the ground by two individuals: Arezou Soltani of North Vancouver and Mehdi Ahmadzadeh of Maple Ridge, who jointly led a local Pahlavi-affiliated group registered in British Columbia as Canadian Iranian Wakuppers Foundation (the “Wakuppers”). Those disclosed records from the Wakuppers’ WhatsApp group chat show: · real-time tracking of your appearance, · active efforts to locate the venue while you were speaking, · celebratory messaging after the shutdown, and · Mehdi Ahmadzadeh’s own voice message, in which he vividly describes and boasts about assaults, pushing, intimidation and dragging the attendees “into dust and blood”. You remember that night. Barely seconds after you began your remarks at: True Confections Denman, 866 Denman St, Vancouver, BC V6G 2L9, the disruption started by Hamas supporters and the scene changed instantly. The event had been anticipated as roughly a 90-minute meet-and-greet. Instead, you were forced to cut your entire remarks down to roughly 15 minutes and escorted out by your security team early. You also tried to defuse the disruption and offered a fair compromise—words to the effect of: “Let me give my remarks, and during Q&A you can ask your questions.” They refused. You then called it out on the spot—“It seems we have the Iranian regime here,” and referred to them as “IRGC supporters.” You were right, but that was not the full reality. What happened that night was not just “IRGC people showed up.” It was a coordinated operation involving collaboration between IRGC-aligned Hamas supporters on the ground and a local Pahlavi network behind the scenes, with Soltani and Ahmadzadeh operating as the on-the-ground masterminds. What you did not know prior to reading this letter—and what I only fully understood lately, following the Court-ordered disclosures—is that the shutdown was indeed orchestrated by the Pahlavi networks. Here is the blunt truth: Out of expressed hostility, they handed the location to Hamas supporters, who then arrived and executed the shutdown. They were the visible shock-troops on the ground; the venue-locating and mobilization came from the Wakuppers led by the Pahlavi operatives, Soltani and Ahmadzadeh. With all that said: · It is striking that Reza Pahlavi had previously tried to portray himself publicly as a proponent of your political rise and access to the Iranian community, and that he met with you in or about March 2023. Yet the evidence now shows that local circles aligned with him were behind the disruption and shutdown of your February 9, 2024 event. · It is also striking that the same local circle, namely, the Wakuppers, includes Mary Hakimi, the partner of Doug Horne, a former Conservative MLA—an obvious access channel into Conservative circles. Through court-ordered production, I have also obtained a photograph showing Arezou Soltani and Mehdi Ahmadzadeh in close proximity to you. I am informed they obtained backstage access to you through the Mary Hakimi / Doug Horne connection. Another matter you may not be aware of is that these same circles use MEK-labelling exactly the way the Islamic Republic does: as a weapon to intimidate, discredit, and socially isolate Iranian pro-democracy activists—and, when convenient, to smear Conservative politicians and MPs as well. To that point, the Wakuppers’ group chat content I obtained includes foul and contemptuous language directed at the Conservative Party of Canada and at senior Conservative figures, such as the Right Honourable Stephen Harper, including condemning the shutting down of the Islamic Republic’s embassyand advancing pro-IRGC narratives, in the guise of the same MEK-labelling described above. Representative portions are included as appendices by way of certified translation. I should say that all these records and relevant orders were obtained despite persistent efforts by Soltani and Ahmadzadeh—and their counsel, Nojan Kamoosi—to obstruct accountability and distort the process through false and misleading sworn materials. In my proceedings, I have had to confront multiple affidavits that were perjured and specifically designed by Nojan Kamoosi and his law firm to derail proper adjudication, prevent disclosure, and mislead the Court. I assume your office will treat this new disclosure about the February 9, 2024 shutdown as a serious public-order and democratic-integrity concern, and will coordinate with the Vancouver Police Department (and any other appropriate agencies) to ensure that the relevant records are secured and reviewed. I also formally request that your office take immediate steps to ensure the preservation of all relevant records relating to the February 9, 2024 shutdown, for the purpose of ongoing litigation, Action S-246401, against Reza Pahlavi and his network (including co-defendants Soltani and Ahmadzadeh, among others), which addresses their engagement in political violence and intimidation in Canada. This preservation request includes, without limitation: · security incident notes and internal reports; · communications with organizers and any third-party intermediaries about the incident; and · access logs and records relating to who facilitated Soltani’s and Ahmadzadeh’s backstage access to you on Feb 9, 2024; to the extent such records are within your control or can be preserved through timely requests to the relevant custodians. For ease of review, I will provide the following appendices with this open letter: Appendix A: Certified translations of relevant WhatsApp text messages involving Mary Hakimi (Doug Horne’s partner), Arezou Soltani, and Mehdi Ahmadzadeh (including venue-locating and celebratory messaging), dated Feb 9-10, 2024. Appendix B: Link to Mehdi Ahmadzadeh’s voice message of Feb 10, 2024 (as produced). Appendix C: Certified translation of Ahmadzadeh’s voice message of Feb 10, 2024. Appendix D: Photograph showing Arezou Soltani and Mehdi Ahmadzadeh in close proximity to the Honourable Pierre Poilievre (presumably taken on Feb 9, 2025). Appendix E: Photograph of Reza Pahlavi with the Honourables Pierre Poilievre and Melissa Lantsman (presumably taken in March 2023). Appendix F: Vancouver lawyer, Nojan Kamoosi of Allen / McMillan Litigation Counsel; Counsel for Soltani Appendix G: Representative certified translations showing foul language and hostile messaging directed at the Conservative Party and Conservative figures, including discussions condemning the shutting down of the Islamic Republic’s embassy. Appendix H: Affidavit #18 of Masood Masjoody in Action S-246401, Masjoody v. Pahlavi, et al., filed December 12, 2025 A copy of this letter is being provided to the Vancouver Police Department. Respectfully, Masood Masjoody, Ph.D. President and Founder of UNHRC Dossier Burnaby, British Columbia #جاوید_ایران

Masood Masjoody | مسعود مسجودی

43,127 views • 9 months ago

🇨🇳 Chinese EVs have been taking the world by storm, whether you like it or not When I look around here on the street in China I try recognize the car brands and I see so many brands I don't know One brand I see a lot is LI, but also BYD, Zeekr and XPeng Apparently there's now 129 (!) EV brands in China producing cars, which kinda shows the massive scale of the EV boom here There's a real historical parallel here with the US a hundred years ago, where there were about 2,000 new American car companies in America. Of course most failed, and only a few remained The same is predicted for China, where only 15 EV brands are predicted to survive in a decade, so a real battle is going down here now to see who will win One interesting thing is that there is one American brand that is remarkably present here, and that's Tesla, you see Teslas everywhere, the Tesla Y often holds the top spot for most cars sold in China, and you see Tesla superchargers here a lot What's also interesting is that where Elon Musk gets so much hatred in the West (not from me), in China he's revered as a hero. Elon is a high IQ engineer and successful entrepreneur. And it's a real artefact of the culture that Chinese respect that kind of person while in the West if you're rich, successful and smart you're seen as a bad person by at least half of society. I think that says a lot about our society and how we educate people in the West and we should really reconsider that. Engineering and entrepreneurship are the key stones of a functioning society. Engineering invents new things and entrepreneurs turn those inventions into businesses that bring them to people. Without both, you don't have jobs, money, and well, prosperity! Chinese culture seems to understand this well, which is why they like Elon Musk and still drive Teslas as one of the few Western cars here. Anyway to continue, in this video I visited the Huawei store and I have to add a correction, because due to new Chinese regulation that requires car brands to fully own their manufacturing, Huawei has "officially" separated their car business, but in fact they still fully design the car, sell the car, and get most of the profit from it. They just can't call it a Huawei car anymore Huawei is interesting because they produce everything, phones, tablets, watches, laptops, and, well indirectly, EV cars too A similar brand is Xiaomi, who actually do own the manufacturing of their EV, and their EV is one of the fastest growing in sales in China It's a real slap in the face for the West I feel that Apple, the creator of the iPhone, wasn't able to produce a car and cancelled their car project, when many of the Chinese phone companies are producing their own cars now with relative ease Of course the iPhone is produced in China, and manufacturing is in China, so being closer to the manufacturing physically, it must have been easier to design a car, than try to do it remotely from Apple's office in Cupertino But it does seem significant that we couldn't do this While I'm writing this the news comes in that Germany's car and greater manufacturing industry is tanking, their energy costs have gone up 2-3x due cutting off the Russian gas, and they've simply become too expensive overnight Germany's car industry, the historical center of car production in the world with BMW, Mercedes-Benz, Audi and Volkswagen, has started laying off 100,000+ employees and scaling down their production due to declining sales, which are a direct result of the competition from China offering cheaper, more advanced EVs with better software than the Germans And I mean you can feel it, I walk around in EV car stores here and the cars look great, the interior looks modern, the software is miles ahead of the clunky interfaces of German cars, most EVs here have a little cute robot on the dashboard that you talk to, so you never have to touch the screen anymore to do anything, like "switch on the wipers" or "route me to my hotel" etc. The EVs here honestly do not feel cheap, they're well built and comfortable Europe has tried to stop the rise of the Chinese EVs in the European market with a 45% tariff, but even with that tariffs, many Europeans still prefer to buy Chinese EVs over others, and they're still cheaper than the German cars! The US went further with a 100% tarrif, and that stopped them from being sold mostly in the US because it's not profitable anymore for the Chinese One thing I have to add which you probably know is that the Chinese government does heavily subsidize their EV industry (with about $230B+ in the last decade), it's not a secret and their subsidies do not compare to the ones the US and EU provide for their industries, which gives Chinese EV companies the (unfair) advantage to produce them at a discount and sell them abroad cheaper, which is exactly why the EU and US put tariffs on them Even with the subsidies, the engineering and production and software is impressive and feels very modern, I'm a Tesla fan, own a 2025 Tesla Y, but the Chinese EVs feel and look more modern to me. They usually have more screens, more features etc. There's real innovation happening here it feels like And that's kinda the conclusion you get being in China with every industry, they've already by far departed from being cheap clones of Western products, they're now at the next stage of adding their own features and ideas, which is what we always criticize Chinese on "they're not creative", well they are creative, they just start from the point where Western products are now, and then start innovating from there (instead of starting from scratch fully, I mean, why would they?) If you ask Grok how does the future of the Western car industry look like, especially the European/German ones, it's pessimistic. The only positive it can find is that maybe European brands can focus on premium and exclusivity. Like they do with Hermes hand bags, but then do the same with cars. BMW and Mercedes-Benz are of course luxury brands and they could survive by remaining premium and make money that way. But the regular middle and low end of car production in Europe (and America?) will most probably be wiped out and replaced by the Chinese I think That is if the Americans and Europeans will keep allowing them into their markets But even if they don't, the Chinese are happily going to the rest of the world like South America, the Middle East or the rest of Asia where you see BYDs literally everywhere As a European this does feel bittersweet, but then again we've all been shouting from the roof tops for years that this would happen if you didn't create a pro-business climate where startups would sprout, so now it's kinda "I told you so"

@levelsio

595,973 views • 10 months ago

$GRAB Secret Sauce 🧵 How this company will thrive to $300B MC and beyond! It took me a while to gather the material for this thread. I will link down below other threads I talked extensively on all current and future $GRAB services to avoid making this thread too long. It is very important to understand product roadmap on the SuperApp, and how it will make money over the long-term, and transfer that value creation to shareholders. The closest analogy for new investors to understand is Amazon obsession over customers where $AMZN makes a little bit of money on each transaction to break even, but make the most money on Prime Membership. Or Costco obsession over customers where $COST makes 10-15% margin or lower on most products to break even on operation, but to make the most money on Costco membership fees. Jeff Bezos famously said "investors should invest in the company that obsesses customer experiencein the long term, there's never any misalignment between customer interests and shareholder interests!" The TLDR version: Being Customer Obsessed over Competition. We never heard much where Anthony Tan described or bitter about competition. Because Anthony does pay attention to competition, but he is more focused or obsessed on how to serve customers better at the lowest price possible, those that pay for $GRAB services. It is not just a business, it is a mission from first day of $GRAB or formerly known as MyTeksi. Anthony Tan and Co-founder Hooi Ling Tan both met at a class “Business at the Base of the Pyramid.” This class shaped the years of $GRAB success and today mission, creating a valuable business servicing the mass market, the lower income communities. Now, lets start with Customer Obession. $Grab does not see just users as customers, Anthony Tan views drivers, merchants, and partners are customers as well for long term success of the company. This is a big differentiator that contributed to GRAB success today. A. Hyperfocus on users: Grab emphasizes safety, with 99.9% of rides completed without incidents, and offers affordable options like Saver rides (26% of mobility transactions, 1.5X higher order frequency) alongside high-value services like Premium Rides and GrabUnlimited (3.7X more frequent usage, 2X higher retention). This likely enhances user satisfaction and retention, driving revenue growth, as seen in their Q1 2025 earnings of $773 million, up 18% year-over-year. But it does not stop at rides, it translate this obsession into food/grocery/financial and other services. Anthony Tan centered $GRAB success on affordability and reliability over the long-term since its early startup day. Essentially, the long-term TAM for servicing 2- 3 billion people is to get 30-50% of them on GrabUnlimited. Now it is $4.99 a month, will probably be adjusted to $7-$10 adjusted to inflation 10-15 years from now or around $7-$10B or more subscription revenue straight to net income B. Hyperfocus on Merchants: Grab has significantly focused on merchant growth as a core strategy to expand its ecosystem, particularly through its GrabFood, GrabMart, and financial services like GrabFinance. The reason is simple, these merchants/businesses are bringing in user growth. Businesses also pay GRAB on ea transaction very well, and at the same time using Cheap Loan(provided by Grab) to expand, and pay on GrabAds(this will have the highest margin after GrabUnlimited up to 50-60%). Grab also investing heavily on #AI to help merchants with OpenAI and Anthropic partnerships. The impact is unreal with this core strategy, many merchants today have more than 50-60% of its monhtly sales from $GRAB SuperApp(grew from 10-15% in 2021-2022). This approach has positioned Grab as a leader in Southeast Asia’s on-demand market, with significant potential for further expansion as it continues to innovate and optimize C. Hyperfocus on Drivers: In today world, you will never see $uber or Lyft talking about seeing drivers as customers. GRAB is the only company that sees Drivers as customers, and this focus is critical to maintaining a robust supply of driver-partners to meet consumer demand for ride-hailing, food delivery, and other services. Grab has scaled its driver network significantly since going public day with 5-6m registered driver-partners. Expanding rental/low fee fleets to secure drivers, creating stable employment in its current 8 countries. President Ferdinand R. Marcos Bongbong Marcos recently acknowledged $GRAB's significant impact on employment in the Philippines. All of 8 countries Grab operates in, all presidents and PM have praised Grab contribution on employment in their countries. GRAB makes its the company mission to expand more drivers registered on $GRAB SuperApp. Last Fun Fact, GRAB drivers in its 8 market have much higher income than BA degree holders and in many cases x2 or x3 the average salaries due to Grab Dynamic Pricing to bring supply and demand back to lowest price. AKA when demand is mad high, price will be higher to attract more drivers to bring down price. Drivers financial success is Grab long-term success. Conclusion: Grab's SuperApp success, as evidenced by Q1 2025 financials, is tied to putting customers, drivers, and merchants first. Their focus on safety, affordability, financial inclusion, and upskilling creates a robust ecosystem, reflected in increased MTUs, revenue growth, and profitability. The SuperApp will expand to 3 billion people TAM or more over the long term. 1. User Growth(Transactional Users) 2. GrabAds (expanding beyond SuperApp into Physical Grocery/Fleets) 3. GrabUnlimited( Expanding valuable services/features to make it stupid not to have it) Over the long-term, $GRAB will expand beyond SuperApp. Just like when Amazon has some spare computer capacity and decided to rent it out and became the AWS today, which is a behemoth that's now >4 times bigger than its original shopping business. No, I'm not saying $GRAB is the next Amazon. I'm telling you that with this "Secret Sauce" strategy of customer obsession, Anthony Tan can expand to other ventures with the massive FCF+ and profitable SuperApp to fund it. Disclaimer: I do own a large position in the Private Portfolio, and currently 100% on $GRAB on small public portfolio. This is the public portfolio where I contribute $500-$1000 of my own money. This public portfolio is not intended to be just 100% pure $GRAB, but it is the first position. I will try to keep it under 10 companies, and high quality growth businesses ONLY. I will not bother with garbage or hyped businesses where people just hype x10 x100 x1000 next week/year. You can follow others for that. Everything I wrote here is NOT Financial Advice! Source: Private Sources, Grab Dot Com, Webull, TOS, Bloomberg, Various Asian Media Outlets, Youtube, Anthony Tan, WSJ, Financial Times, Yahoo, Reuters, Jakarta Globe...

Mike

209,603 views • 1 year ago

Turn the volume up and let the colors take over. A little chaos, a lot of energy, and a soundtrack made for endless summer days. 💖⚡ Made on FlovaAI using Sonu and Seedance 2.0 #Flovaai #Flovacpp PROMPT: Generate a continuous 1-minute high-budget K-pop-inspired music video synchronized to the lyrics below. The video should feel like a real summer comeback with constant momentum, vibrant colors, cinematic visuals, and powerful synchronized choreography. Every beat should introduce dynamic dance movements, new camera angles, formation changes, or visual effects. The pacing should be fast, energetic, stylish, and addictive with no slow walking sequences or static shots. Every frame should feel alive. Character (Must Remain Identical Throughout) Caden, 22-year-old male, 6'0" (183 cm), lean athletic build, fair skin, expressive brown eyes, clean-shaven, short brown hair styled in a voluminous side-swept quiff, youthful, confident, playful, charismatic smile. Outfit (Never Changes) Burgundy varsity jacket with white sleeves and striped ribbed cuffs and waistband Oversized untucked white button-up shirt Slim black necktie Washed charcoal oversized wide-leg jeans Burgundy Converse-style high-top sneakers with white toe cap and white laces Matte black over-ear headphones resting around his neck Thin silver chain necklace Silver rings 0:00–0:15 | Intro Lyrics Sunlight dripping on a cherry sky, Bubble dreams and we're feeling fly. One more spark, let the colors drop, Heartbeat fizz, never wanna stop. Scene The music video opens with an explosive introduction inside a vibrant pastel "Soda City." Caden immediately takes center stage with eight synchronized backup dancers dressed in coordinated colorful streetwear. They perform sharp, energetic choreography with fast footwork, synchronized arm movements, expressive facial performance, and constantly changing dance formations. The camera rapidly alternates between dramatic close-ups, sweeping crane shots, whip pans, rotating 360-degree movements, crash zooms, low-angle hero shots, aerial drone reveals, and smooth gimbal tracking. Giant floating bubbles, oversized cherries, colorful fountains, confetti cannons, pastel cafés, glowing signs, and sparkling sunlight fill the environment. Every lyric is matched with dynamic choreography, playful expressions, colorful particle effects, and high-energy movement. 0:15–0:30 | Pre-Chorus Lyrics Blue, pink, green, paint the air, Every little moment tastes unfair. Spin it up, let the whole world glow, Catch the rush and just let it flow. Scene The choreography becomes even more intricate as Caden and the dancers move through a colorful city plaza filled with neon cafés, giant soda bottles, bubble fountains, amusement rides, roller skaters, dancing crowds, colorful murals, and glowing street decorations. Every few beats the dancers transition into new formations. Colored powder bursts, sparkling particles, bubbles, ribbons, and confetti explode in perfect synchronization with the music. Camera movement remains constant with overhead drone shots, dynamic steadicam tracking, dolly movements, whip transitions, rotating camera moves, and stylish close-ups that emphasize dance performance and fashion. 0:30–0:45 | Chorus Lyrics Pop-pop, light it up, Sugar stars in a paper cup. Fizz-fizz, feel the beat, Dancing down every neon street. Pop-pop, don't let go, We're the colors everybody knows. Scene The chorus explodes into a massive K-pop performance sequence. Giant LED displays, colorful lasers, fireworks, sparkling stars, floating balloons, glowing bubbles, confetti storms, and synchronized lighting effects transform the city into a festival. Caden leads powerful choreography with continuous formation changes while dancers interact with colorful props and playful stage elements. Camera work becomes even faster with handheld performance shots, sweeping orbits, overhead reveals, dramatic push-ins, stylish slow-motion accents on key dance moves, and wide cinematic shots showcasing the full choreography. Every beat feels designed for dance performance with no pauses in energy. 0:45–1:00 | Outro Lyrics One more smile, one more flash, Living like a summer splash. When the music never stops, We're forever in the pop. Scene The final section becomes the biggest celebration yet. Caden and the dancers perform the signature chorus choreography in the middle of a glowing festival square surrounded by cheering crowds, giant fountains, colorful lights, fireworks, bubbles, confetti, oversized balloons, amusement rides, and vibrant summer decorations. The choreography reaches its peak with synchronized jumps, spins, partner interactions, and dynamic ending formations. The camera alternates between intimate close-ups, dramatic low-angle shots, aerial drone views, and wide cinematic reveals before ending on a powerful hero pose as confetti rains from the sky and the entire city glows beneath colorful lights. Overall Visual Direction High-budget K-pop summer comeback music video, luxury fashion campaign aesthetics, synchronized choreography, professional backup dancers, energetic dance performance, expressive facial acting, polished styling, colorful festival atmosphere, bold pastel palette, cherry red, bubblegum pink, lemon yellow, mint green, electric blue, glossy commercial lighting, cinematic anamorphic lenses, fast-paced editing, dynamic camera movement, whip pans, crash zooms, crane shots, aerial drone shots, smooth gimbal tracking, rotating camera movements, seamless transitions, sparkling particle effects, colorful bubbles, confetti, fireworks, vibrant cityscapes, amusement park atmosphere, stylish street fashion, premium commercial quality, addictive choreography, playful youthful energy, polished K-pop comeback aesthetic, constant movement, no static shots, no walking sequences, every second filled with choreography, camera motion, colorful spectacle, and infectious pop energy. 🔥 Final Line (Very Important) Prioritize synchronized choreography, expressive dance performance, dynamic camera movement, fast-paced editing, and continuous visual excitement over cinematic slow moments. Every beat should feel performance-driven, colorful, energetic, and designed like a high-budget K-pop music video with nonstop momentum from beginning to end.

Caden Flux

108,506 views • 2 months ago