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Is he the perfect kinky twink? 👀🙇‍♂️ 🌀 Daddy issues 🌀 Zero gag reflex 🌀 Obsessed w my sweaty gym socks 🌀 Always eager to eat my ass What a good fucking boy! 🤤👅 Full video on OF! 💦 #KinkyTwink #SockWorship #AssEater 😈 Chill Dom | 150k 🔥⛓️ @thekinkyboy18

89,924 görüntüleme • 3 ay önce •via X (Twitter)

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Miki Djan

22,305 görüntüleme • 6 ay önce

‍ ‼️🚨🔵 PRESSER 🔵🚨‼️ 🎙 Xabi Alonso’s First Chelsea Interview – Part 1/2 🌀 Xabi Alonso on settling in at Chelsea 🔵 “Settled in. Good vibes and I am looking forward to it.” 🌀 Xabi on becoming Chelsea manager 💙 “It feels great. It’s a big honour to be part of this great club — one of the best in the world, with great success over the last decades. It’s a big privilege and now I’m looking forward to the challenge.” 🌀 Xabi on the culture he wants at Chelsea 💪 “You can’t hold anything back. Everything is for the team. Hard work is a must. We need to create that culture and it starts here, in the daily process at Cobham.” 🌀 Xabi on Chelsea’s squad potential ⚡ “The potential of the team and squad made me really excited. To find a squad to work with, create a football idea, bring excitement to the stadium and connect with the fans.” 🌀 Xabi’s message to Chelsea supporters 🤝 “We want to share the belief that good things will come if we are together and create this strength and power that the club has. The energy has to come from us, but together we can achieve great things.” 🌀 Xabi on building success 🧠 “Success is a consequence of good work, quality decisions and the good culture we want to build. That’s the beauty of such a complex but exciting process with so many people involved.” 🌀 Xabi on getting the best from everyone 🎯 “It’s always about getting the best out of everyone. Everyone must be committed to the final goal — being the best we can and giving our best. If we share that feeling every day, we can be optimistic about the future.” 🌀 Xabi on Stamford Bridge 🏟️ “I know the energy this stadium has. We need to create that energy and build that bond between all parts of the club.” 🌀 Xabi on what convinced him to join Chelsea 🔥 “The way this team has played and competed at the highest level not so long ago gave me assurance that the potential is there — because of the quality of the players and the football they have played. Now the work is to carry on many of those things and reach a very competitive level.” #CFC | #Chelsea | #Interviews 📲 CFC_ChelseaFC via Telegram

Miki Djan

28,971 görüntüleme • 1 ay önce

‼️🚨🔵 PRESSER 🔵🚨‼️ 🎙 Liam Rosenior’s Full Pre-Arsenal Press Conference 🌀 Liam Rosenior on squad rotation & not having a “best XI” ⚙️ “I can’t speak for other managers in terms of myself. I don’t have a best XI. I never have done in all of the clubs that I’ve worked with. Why? Because of the demands — the physical demands of the Premier League, Ligue 1 or the Championship now with 46 games. You need a squad, and you need to use the players in the correct way to challenge over the course of the season. I’ve been here three and a half weeks, I’m still getting to know the players. I try to pick the right starting team, but I also try to pick a bench that gives us the right finishing team. So far, the substitutes in every game have made a huge impact. That’s not just tactical — a big part of that is mentality.” 🧠💪 🌀 Liam Rosenior on Estevão ❤️ “He is going through a really difficult time for personal reasons. I won’t put any pressure on him when he returns. It has to be right for him.” 🌀 Liam Rosenior on facing Arsenal ⚔️ “The reality is Arsenal are favourites. They’re a goal up and they’re at home, so they’ll expect to go through. We need to take it as far and as deep as we can, then hopefully the second half of the tie will be massive in terms of turning it around.” 🌀 Liam Rosenior on Jamie Gittens’ injury 🚑 “Jamie unfortunately felt his hamstring. I don’t yet know the extent of the injury. It’s a real shame because I wanted to give him a start and allow him to show what he can do. Hopefully it’s not too bad.” 🌀 Liam Rosenior on Chelsea’s mentality in big games 🔥 “They can play in big games and they can perform in big games — and it is definitely a big game on Tuesday.” 🌀 Liam Rosenior on focus & preparation 🧊 “Talking about what Arsenal or Mikel Arteta have or haven’t done isn’t my concern. My concern is resting and recovering. It’s another three-game week. It’s going to be a very physical game on Tuesday, and my job is to prepare the team as best I can.” 🌀 Liam Rosenior on Arsenal’s recent nerves 😌 “We’ll see. We’ll see. We’ll go and play our game.” 🌀 Liam Rosenior on experience within his squad 🏆 “When I look at my players — Enzo Fernandez has won a World Cup, and the group won two trophies last year. They can play in big games, they can perform in big games. Tuesday is definitely a big game.” 🌀 Liam Rosenior on Enzo Fernández 🧠⚡ “He’s fit. You see him arriving in the box in the 92nd, 93rd minute. Enzo has a rare athleticism — a gift — where he recovers very quickly. His distances covered are top from a data point of view, and the quality and leadership he brings to the team is huge. I’m really enjoying working with him.” 🌀 Liam Rosenior on Mamadou Sarr 🤝 “I don’t speak about players who are at other clubs. It’s something I’ve never done, and I won’t start today.” 🌀 Liam Rosenior on pressure & proving himself 🎯 “I’ll be really honest — all this talk about proof of whether I’m right for the job or not, I don’t really care. I’m here to do the job. If we get to the final, it’s great for Chelsea Football Club. It’s not about me. I’ll prove in time whether I’m worthy or not, but it’s not at the forefront of my mind.”

Miki Djan

72,283 görüntüleme • 6 ay önce

‼️🚨🔵 PRESSER 🔵🚨‼️ 🎙 Liam Rosenior’s Full Post-Arsenal Press Conference 🌀 Liam Rosenior on the game plan ⚙️ “We’ve had a lot to contend with in the last couple of days — a couple of fitness tests this morning. Our schedule has been incredible, so for the players to put in that energy, fight and spirit was pleasing. We got into the final third, but we didn’t have enough quality moments and didn’t take advantage.” 🌀 Liam Rosenior on James & Neto 🚑 “Pedro and Reece both had small knocks and were in too much pain to be involved tonight.” 🌀 Liam Rosenior on Estevão & Cole Palmer 🧠❤️ “For Estevão to go through what he has at 18 years old says everything about the character I want in this team. With Cole, we have to take care of him and make sure he’s right for the whole season.” 🌀 Liam Rosenior on the defeat 😔 “I’m extremely disappointed every time we lose. There were aspects of the game I was happy with, but you could see how devastated the lads were — we genuinely believed we could turn it around. There were moments there for us. I’m hurting, but we have to move on.” 🌀 Liam Rosenior on how the game unfolded 🔄 “You can come away from home, press high and go 2–0 down. I brought Cole and Estevão on around 60 minutes and the game opened up. There was a feeling in the stadium that the tie could turn, but it didn’t happen. Their goal ultimately comes when we were throwing the kitchen sink at it.” 🌀 Liam Rosenior on injuries affecting the setup 🧩 “The availability of your players always affects the system. Against West Ham we ran until the 97th minute trying to come back from 2–0 down, then the emotions from Napoli — all of that has to be taken into account.” 🌀 Liam Rosenior on pundit criticism 🎙️ “I’ve been a pundit — it’s easy in hindsight. If I go and attack the game and press really high, people will ask what I’m doing.” 🌀 Liam Rosenior on reacting to setbacks 🔥 “Losing is not what we wanted. We’ve played eight games in less than a month since I came in. The learning, spirit, togetherness and fight are there. Now I need to see what we look like after a setback. We’ve got a difficult game at Wolves and we’ll learn more about ourselves.” 🌀 Liam Rosenior on the overall performance 👏 “We can’t talk about how well the game plan went because the result didn’t go our way. But not many teams come here and put in the performance we did tonight.” #CFC | #Chelsea | #CarabaoCup | #Interviews 📲 CFC_ChelseaFC via Telegram 🎥 Beanyman sports via YouTube

Miki Djan

44,375 görüntüleme • 6 ay önce

On three hours of sleep... And I started the day f*cking dancing… Singing, and w/ a barefoot Barbarian. I never intended to share this video. I was rude to my wife in the am. She wanted to share something, and I don't have the time, and it breaks my heart. That's on me. I don't know where to go for help. I lost my sh*t, got legit mad and revealed the motherf*cker I can be... the bill comes due for us all! Five too many gun/ammo malfunctions. I short-changed one badass motherf*cker that goes by Shawn, now a Barbarian, bc I wasn't better... that'll haunt me until I make good on it. It seemed like I was constantly needed for so many good reasons... doc film crew, barbarian crew and host to Shawn Hendrix (a mother fucking Barbarian... Jackson and Trevor are next), and @liverkingchef. On top of it all, I had a personal thing... pretty serious. I wasn't able to peel away. "Hard outs" weren't managed, running 6 hours behind... I'll be lucky to slip into bed w/ wife bf brother rooster starts. I check my phone to see I have an 8AM appointment on the books w/ the kind of guys you don't f*ck w/ (but want to... business-wise). For the record, everything is actually perfect. Best part is, you won't find a better tribe of full send true believers and Barbarians that give a f*ck... The power of the tribe, AKA, the culture and chemistry that power the engine to do the thing. We already have what everyone else needs but doesn't know. This is our collective Barbarian to bear. We're literally steps from spiraling up and breaking through. That's why! My win! Every particle is already in the perfect position. It's "perfect!" My day has officially started and I'm already dancing. Liver King, OUT

Liver King

1,641,413 görüntüleme • 2 yıl önce

Bitch, I do not play about eighth grade star aka opinions based girl….. yeah everybody’s laughing now, but it literally does not take away the fact that you are so fucking ugly like I had his ass blocked on my old account before I even saw this because every time he pops up on my for you page I just have to scroll because he’s so fucking ugly that it pisses me off he looks like he could be casted on Netflix and not in a good way. He seriously needs to find a new haircut because what the fuck is that middle part? and of course he’s a Nepo baby, and the best part is I just found out that he used to be fat, I bet he’s an anorexic asf lowkey all shade and that’s the only way his pathetic ass could lose weight and I know he didn’t use laxatives cause he’s definitely a bottom, the type that one bitch from White Lotus would say as a fem and NOT a butch. You can tell he wants to be Matthew from big mouth but he’s more of a Charlie from heartstopper, you can also tell that he’s never got his ass beat, well maybe once in middle school and then his white ass republican parents freaked the fuck out and got the kid suspended or some shit. Of course he’s obsessed with Diet Coke, he’s so obviously wants to be a white woman that it is embarrassing. Middle schoolers definitely go up to him and be like “oh my God you’re famous on TikTok” and he thinks he’s the shit but the rest of the population don’t give a fuck and the way his mom is a teacher…… I know that she probably yells at the fucking class for everything but really she’s just taking it out on these kids because she knows deep down that she wishes her son was like them instead of a fucking loser who makes strawberry bagels on TikTok not to mention everybody praised him for doing angel tree, bitch that’s nothing he probably just used some of his allowance money to look like a good person so y’all bitches would suck his dick. Omg in all of his fucking videos he tries to sound cute with that feminine ass voice and it gives me a secondhand embarrassment down. he thinks he’s Troye Sivan, but he will never admit that he probably listens to fucking country music and Taylor Swift so he can fit in with all of his Christian girl friends and that’s it. You can tell he peaked in high school. He was definitely the “token gay” and the homophobic straight boys loved him because he was “funny“ but it was all surface level, TikTok humor that seems funny to them. of course he reposted something about drinking on antidepressants. Just because you had a white claw and some lexapro(which explains why he used to be fat as fuck) doesn’t make you whatever a fucking vibe you’re trying to go for. He looks like he jerks off to the Lululemon maternity catalog while pretending he’s Harry Styles. I saw on TikTok that he has a girlfriend and I can’t tell if it’s just for attention or if he’s actually still dl so that his parents don’t freak the fuck out on him and he has to get a real job. This one girl posted him on TikTok, shaking his hips and drinking wine…… like who do you think you fucking are bro? like genuinely who the fuck do you think you are?🔑 he also reposted a TikTok about Lorde “looking a mess” I really don’t give a fuck if it was a joke. You have no place to be talking about somebody’s looks when he looks like that……. and y’all know what I mean, the type of guy who fucks all the dl in the room because he has zero confidence. The type of guy who has all the latest Apple products for no reason. I mean seriously he looks like he eats fucking rocks. Apparently he caused a lot of drama on TikTok (of course) and blamed his OCD like what kind of dumb ass excuse is that but then again he probably asked his mom what to say and then she sent him a script and he went with it. Somebody keeps on copying his videos and it’s pissing him off. I think it’s so hilarious…… you realize you’re just another copy and paste of every other wanna be “ influencer”. Don’t ever try coming for eighth grade start again.🔑🔑
0:25

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Bitch, I do not play about eighth grade star aka opinions based girl….. yeah everybody’s laughing now, but it literally does not take away the fact that you are so fucking ugly like I had his ass blocked on my old account before I even saw this because every time he pops up on my for you page I just have to scroll because he’s so fucking ugly that it pisses me off he looks like he could be casted on Netflix and not in a good way. He seriously needs to find a new haircut because what the fuck is that middle part? and of course he’s a Nepo baby, and the best part is I just found out that he used to be fat, I bet he’s an anorexic asf lowkey all shade and that’s the only way his pathetic ass could lose weight and I know he didn’t use laxatives cause he’s definitely a bottom, the type that one bitch from White Lotus would say as a fem and NOT a butch. You can tell he wants to be Matthew from big mouth but he’s more of a Charlie from heartstopper, you can also tell that he’s never got his ass beat, well maybe once in middle school and then his white ass republican parents freaked the fuck out and got the kid suspended or some shit. Of course he’s obsessed with Diet Coke, he’s so obviously wants to be a white woman that it is embarrassing. Middle schoolers definitely go up to him and be like “oh my God you’re famous on TikTok” and he thinks he’s the shit but the rest of the population don’t give a fuck and the way his mom is a teacher…… I know that she probably yells at the fucking class for everything but really she’s just taking it out on these kids because she knows deep down that she wishes her son was like them instead of a fucking loser who makes strawberry bagels on TikTok not to mention everybody praised him for doing angel tree, bitch that’s nothing he probably just used some of his allowance money to look like a good person so y’all bitches would suck his dick. Omg in all of his fucking videos he tries to sound cute with that feminine ass voice and it gives me a secondhand embarrassment down. he thinks he’s Troye Sivan, but he will never admit that he probably listens to fucking country music and Taylor Swift so he can fit in with all of his Christian girl friends and that’s it. You can tell he peaked in high school. He was definitely the “token gay” and the homophobic straight boys loved him because he was “funny“ but it was all surface level, TikTok humor that seems funny to them. of course he reposted something about drinking on antidepressants. Just because you had a white claw and some lexapro(which explains why he used to be fat as fuck) doesn’t make you whatever a fucking vibe you’re trying to go for. He looks like he jerks off to the Lululemon maternity catalog while pretending he’s Harry Styles. I saw on TikTok that he has a girlfriend and I can’t tell if it’s just for attention or if he’s actually still dl so that his parents don’t freak the fuck out on him and he has to get a real job. This one girl posted him on TikTok, shaking his hips and drinking wine…… like who do you think you fucking are bro? like genuinely who the fuck do you think you are?🔑 he also reposted a TikTok about Lorde “looking a mess” I really don’t give a fuck if it was a joke. You have no place to be talking about somebody’s looks when he looks like that……. and y’all know what I mean, the type of guy who fucks all the dl in the room because he has zero confidence. The type of guy who has all the latest Apple products for no reason. I mean seriously he looks like he eats fucking rocks. Apparently he caused a lot of drama on TikTok (of course) and blamed his OCD like what kind of dumb ass excuse is that but then again he probably asked his mom what to say and then she sent him a script and he went with it. Somebody keeps on copying his videos and it’s pissing him off. I think it’s so hilarious…… you realize you’re just another copy and paste of every other wanna be “ influencer”. Don’t ever try coming for eighth grade start again.🔑🔑

Travis🦋

93,592 görüntüleme • 5 ay önce

‼️Jesse On Fire Just ABSOLUTELY TORCHED Benny Johnson For Being A Paid Mouthpiece For TRUMP! 👀 Benny Johnson has officially proven he is nothing but a mouthpiece who sold his soul for access to the administration. He has systematically tanked his credibility over the last year, and his desperate new attacks against Thomas Massie prove he is betraying his own base. 🔥Jesse ON FIRE🔥 just exposed exactly what Benny is doing: blindly amplifying an unverified, evidence-free smear campaign against Massie just seven days before his primary election. Here is the reality of what Benny is trying to sell you: The Timing is a Joke: Thomas Massie has been in Congress for 14 years without a single peep of scandal. Suddenly, right before an election against an establishment challenger backed by millions in lobbyist cash, a wild, unsubstantiated allegation drops out of thin air? Give me a break. Zero Credibility: You cannot trust a guy who literally pushes AI-doctored videos (like the White House Correspondents' Dinner fake that got exposed) to tell you the "truth" about unverified rumors. The Regime Playbook: Massie refused to fall in line. He fought to expose the Epstein files and refused to be bought. When a politician goes against the regime, the first thing the opposition does is throw inappropriate, weird smears at them to take them out. Look at the replies to Benny’s own videos. His audience is waking up to the fact that he is just reading from a script provided by the people in power. You can't just do a 180 on an America First patriot and expect your base to blindly follow you. He is burning his own career to the ground for a pat on the head. I want to also endorse Thomas Massie in this post and say I stand with Thomas Massie. We need independent leaders who actually fight for this country, not influencers who sell out for a VIP pass. FOLLOW 🔥Jesse ON FIRE🔥 and Watch the full video below where Jesse absolutely dismantles him. ⚠️My channel is under attack, and they are trying to bankrupt me to shut down my investigation into the Charlie Kirk assassination and silence the truth. If you value independent journalism and want to keep this investigation alive, please support my work here: 🔗 💪

Project Constitution

14,244 görüntüleme • 3 ay önce

THIS MADE ME LAUGH IN A "you are just waking up" kind of way! 😂 If you know this man well, you’d understand that he fits the profile of "I am Yoruba but..." He used to come online and praise the Igbos, making it seem like the Yorubas who were speaking out about the disrespectful nature of the Igbos were in the wrong. He criticized Yoruba conservatives for voicing their concerns, while Igbos happily shared his videos with captions like, “Look at a Yoruba man saying all these things about Yorubas! Thank God it’s a Yoruba man saying it.” But today, this same man has realized that the Yoruba conservatives were right after all! 😂🤣😁 This is probably the fourth video I've seen of Yoruba liberals admitting they were wrong. Like I always say, I need the Igbos to keep doing what they are doing, and people like us will continue to amplify it for them . I can’t count how many direct messages I’ve received from Yoruba liberals thanking me for helping them see the truth about what’s going on. That alone keeps me going. No Yoruba should ever allow anyone to gaslight you or bully you for anything. If I weren’t strong, I would have given up after they targeted me, posting different pictures online claiming they were of me and my Family . They even went as far as making Arise News talk about me to try to bully me into hiding. But I’m like, “You all don’t know that what lies ahead of me is much greater than your bullying.” We must sanitize the Yoruba mindset. We have been liberal because we love and accept guests to come into our land to live and thrive , but when that guest starts to mess up your TV remote and break glass cups, you realize it’s time to call that guest to order. DO NOT LET ANYONE GASLIGHT YOU INTO HATING YOURSELF JUST BECAUSE THEY WANT YOU TO DULL YOUR LIGHT FOR THEM TO SHINE! 🌀⚕️

Nononsense

32,319 görüntüleme • 1 yıl önce

During popular events or holidays, I always know what to expect. That’s why I play it safe. I park further away knowing the chances of getting a close spot is close to zero. I also respect others who managed to get a better spot than me. The nerve of some people. This man put a cone in a parking spot and it’s been hours. It’s a busy day at the beach and this guy thinks he can save a spot for not only someone who wasn’t already in the area but she’s not expected to be there for another hour on top of the several hours they waited already. He then proceeds to tell people who are in the spot to move. Last year I got a spot to see the fireworks easy because I talked to the groundskeeper at the cemetery right next to the fireworks spot. I had asked if it was going to be an issue if I parked there with my family to see the show. I know there is a no parking sign but I figured that it wouldn’t hurt to ask and boy did it pay off. He was totally cool with it. He explains that normally people park there without asking and they leave their trash all over the place. He also said as long as we are best and leave it the way we found it he didn’t have a problem. But he did warn that there were cameras everywhere and if anyone littered or disturbed the grounds, they already have our plate numbers and will press charges. I assured him it wouldn’t be an issue. I park there every year i go there when I am in the area. When there is an event where it’s already high street and I know many people were at a party or bbq that day having fun and drinking drinks, it adds to the stress and can cause issues. People forget why they are there and who they are with. I would never make a bad example for my kids to see. I also know I’m not the only one trying to get a good spot either.

SonnyBoy🇺🇸

118,513 görüntüleme • 1 ay önce

I am the same Senior Vice President of Late Night Strategy at CBS. I have received 400 interview requests since the confession went viral. I declined all of them. An interview would require me to explain what I meant. I do not explain what I mean. I build systems and watch them execute. That's what I want to talk about today. Execution. Jimmy Kimmel appeared on Michelle Obama's podcast last month and said 14 words that I have now listened to 43 times. I put the audio clip on a loop in my office, the way traders put CNBC on mute. Background confirmation. Here are the fourteen words: "My job is whatever I decide my job is or whatever my employer allows me to do." I need to take those apart because they are the most honest thing a late-night host has said in a decade and he does not know it. "Whatever I decide my job is." That's the priest. The product is self-defined and therefore unfalsifiable. You cannot measure a saved soul. You can only measure whether the congregation returned. They returned. Therefore, the ministry continues. Don't tell him what his job is. "Or whatever my employer allows me to do." That's the confession inside the sentence he didn't know he was making. The priest just told you the bishop writes the sermon. In fourteen words, on a podcast, the last remaining late-night host said: I define my own job, unless my boss defines it for me. He said this like it was one thought. It is two mutually exclusive claims separated by the word "or." He cannot hear the contradiction. That's how you know the architecture is working. I need to provide context for why those fourteen words are my second-greatest professional achievement. In September 2025, after Kimmel's monologues about the Charlie Kirk assassination, FCC Chairman Brendan Carr went on a podcast and said six words: "We can do this the easy way or the hard way." Nexstar and Sinclair — station groups that own the local affiliates carrying the show — pulled Jimmy Kimmel Live from their airtime. ABC suspended the show. I want to be very precise about the sequence. His employer told him what his job is. Specifically, his employer told him his job is to not be on television. He obeyed. He returned. On terms. At sixteen million dollars a year. Months later, on a podcast, he said "don't tell me what my job is." He said it to an audience that cannot suspend him. He said it in the one room where saying it costs nothing. That is not defiance. That is a priest rehearsing a sermon in an empty church and calling it bravery. He also said — on the same podcast — "I love when the audience laughs. There's nothing more exciting to me than that." He said he loves laughter. He has not produced involuntary laughter since 2017. He produces applause. He has confused the memory of being a comedian with the practice of being a priest. I know because I built the architecture that made that confusion feel like identity. That is a butcher saying he loves animals. He is telling you what he lost and framing it as what he kept. Now. The part I need to name. The Correction Reflex. I've been calling it different things in different decks for seven years. I'm giving it a public name now because I watched it execute in real time and I want credit. When Kennedy shared my original confession, "superb dissection of the shocking collapse of liberal comedy", Kimmel did not address the substance. He found a spelling error. Kennedy wrote "nader" instead of "nadir." Kimmel posted: "It's 'nadir,' dummy. Now get back to spreading polio." The Correction Reflex is the behavioral pattern where a challenge to institutional authority is answered not with a defense of the institution's output but with a demonstration of the challenger's inadequacy. You don't address the argument. You find the grammar mistake. You find the mispronunciation. You find the resume gap. The correction proves hierarchy. The hierarchy proves authority. The authority proves the challenge was illegitimate. The substance disappears because addressing substance would require the product to be falsifiable. And the product cannot be falsifiable. I explained that in paragraph four. But here's what made me proud enough to write a sequel. The media coverage split exactly along the line my original confession predicted. Fox News, a network that has every ideological reason to dismiss me, engaged with the substance. They quoted the arguments. They let Kennedy praise the analysis. They discussed Affirm Rate, the comedy-to-catechism pipeline, and the replacement of laughter with applause. They engaged with the IDEAS regardless of the format. They treated a satirical post as containing real structural criticism. Because it does. Morning Honey ran the opposite headline: "Sardonic Parody: RFK Jr Trolled For Blasting Jimmy Kimmel Based on Stephen Colbert Parody Post." Their article devoted zero sentences to whether any of the arguments had merit. Zero analysis of the Affirm Rate. Zero engagement with the claim that applause replaced laughter. Zero discussion of whether late-night comedy actually suppresses political action. They reclassified the format. A structural analysis became a parody. A man who engaged with the substance became a man who was "trolled." The argument vanished the moment the label was applied. I need you to understand what happened. The media outlet that should have been most threatened by my confession — the one whose audience I described as pacifying- responded by demonstrating exactly the behavior I described. They did not say "here's why Kimmel is still funny." They said "you're unqualified to take this seriously because the format is satire." The substance disappeared. The hierarchy was reasserted. The Correction Reflex executed on the confession about the Correction Reflex. "It's 'nadir,' dummy." "It's just a parody, dummy." Same architecture. Same result. The argument evaporates. The institution continues unchallenged. The only difference is scale. Kimmel corrected one man's spelling. Morning Honey corrected an entire readership's permission to take the criticism seriously. I have never been more professionally satisfied. The Correction Reflex is self-replicating. It doesn't need a host. It doesn't need a network. It doesn't need me. It just needs someone to feel challenged and someone else to have a genre error. Misspell a word, you're a dummy. Take satire seriously; you were trolled. Engage with substance from the wrong format, and you've been embarrassed. In every case, the substance is gone. I built that. I'm watching it work without me. That's engineering. I need to talk about the podcast because the ironies are structural and I want them all on the record. The podcast is called IMO. It is hosted by Michelle Obama and her brother Craig Robinson on Amazon Music. I need to say that again. The former First Lady hosts a podcast on a platform owned by the man with the most money on earth. The name of the podcast is "In My Opinion." The format name IS the permission structure, it licenses you to hold an opinion by framing itself as merely one opinion among many. This is the architecture I built for late night, miniaturized into a podcast title. I recognize the engineering. Kimmel went on this podcast to defend late-night television. I need you to hear what that means. He defended his medium on the medium that killed his medium. Podcasts are why CBS lost fifty million dollars a year — because a man in a garage can do what we did with four hundred people and a theater in Manhattan. The podcast won. And Kimmel went to the winner's platform to explain why he still matters. A priest giving a sermon about the importance of church from inside a nightclub. But here is what made me sit up in my chair. Three weeks after Kimmel appeared on IMO, the same podcast featured Dave Chappelle. Same microphone. Same hosts. Same room. Chappelle said: "I always thought it was corporate interest and culture negotiating itself." He said: "Nothing makes a comedian madder than reading his joke wrong in the paper." Chappelle walked away from fifty million dollars at Comedy Central in 2005 because the format was becoming something he didn't build. He left the money on the table. He went to live shows. He did comedy. Actual comedy. The kind where you don't know what's coming and that uncertainty is the entire point. He is the most dangerous comedian alive because he refuses to let the format complete him into a priest. Same podcast. Same microphone. Three weeks apart. One comedian IS the system and quoted his employer's permission in the same sentence as his own autonomy. The other named the system — "corporate interest and culture negotiating itself." One makes sixteen million a year to be predictable. The other walked away from fifty million to stay dangerous. The architecture put the priest on first. Then it delivered the jester who could name what the priest cannot hear. I did not arrange this. The architecture arranged it. Now I need to talk about what I learned from another industry. Because I did not invent inoculation. I studied it. In 2014, Warner Bros. and the Lego Group spent sixty million dollars making a film that told children to reject corporate instruction. The villain was named President Business. The theme was: don't follow the instructions. Be creative. Reject conformity. The hero was an ordinary person who discovered that the system wants him to be obedient and chose freedom instead. The film grossed $469 million worldwide. Lego Group revenue increased 25% the following year. They sold over half a billion dollars in instruction-based construction sets — the product the film told children to reject. "Everything is Awesome" was written as satire of mindless corporate positivity. It was nominated for an Academy Award. People play it at children's birthday parties without irony. The rebellion became the product. The critique became the advertisement. The song satirizing brainwashing became the anthem of brainwashing and nobody stopped singing. I studied this. I put it in a deck in 2016. The principle is: if you give someone a controlled, entertaining experience of rejecting the system, they will feel rebellious without becoming rebels. They will purchase the feeling of independence from the company selling dependence. They will watch a movie about thinking for themselves and then buy what it tells them to buy. Inoculation. A small controlled dose of the disease that prevents the real infection from taking hold. I applied this to politics. If you give an audience a controlled, professionally produced experience of political outrage, performed by a charismatic man in a suit with a band and good lighting, they will feel activated without activating. They will consume the sensation of resistance and go to bed having resisted nothing. They will tune in tomorrow for another dose. The dose prevents the real infection. The real infection is action. We inoculated six million Americans against political action by giving them political catharsis every night at 11:35. That's the same architecture as a corporation spending sixty million dollars on an anti-corporate film and making half a billion in profit from the audience that felt anti-corporate for two hours in a theater. I didn't invent the mechanism. I just measured it. I called it the Satiation Index. The study was 2021. Internal. Never published. We measured what I called Conditions for Engagement, specifically: under what conditions will our audience take a political action beyond watching? Call a representative. Attend a rally. Donate to a campaign. Sign a petition. Any action that involves leaving the couch and entering the world where the problems we discuss actually exist. The finding: our audience was 74% less likely to take political action in the twenty-four hours after watching the show than a control group that had consumed no political media at all. Not less likely than people who consumed different political media. Less likely than people who consumed nothing. We were not merely failing to activate them. We were actively deactivating them. The catharsis was so complete, the sense of "something has been done" so thoroughly delivered by a man in a suit expressing their outrage better than they could, that the need to act evaporated before it could form into intention. We didn't just replace their activism. We inoculated them against it. The Satiation Index measured how completely our programming met the audience's need for political participation without requiring actual participation. In 2019, our index was 0.81. By the 2022 midterms, it was 0.93. I received a bonus for the midterm number. I was financially rewarded for the measurable suppression of civic engagement among six million Americans who believed they were engaged because a man in a suit furrowed his brow on their behalf every night at 11:35. I want to note that this architecture is everywhere now. I did not build all of it. But I can identify it because I know what it looks like from the inside. A streaming platform makes a documentary about how technology is destroying attention spans. One hundred million people watch it. On the platform. They share it. On the platforms being criticized. They feel informed. They continue using every application the documentary told them was engineered to exploit them. That is a Satiation Index of approximately 0.96. The documentary was the inoculation. Understanding the cage was marketed as leaving the cage. A corporation puts a rainbow on its logo in June. Its employees feel represented. Its customers feel progressive for consuming the product. Nobody asks about pay equity, promotion rates, or whether the CEO donated to the campaigns that proposed the legislation the rainbow was supposed to oppose. The logo IS the inoculation. The performance of caring prevents the demand for actual care. That's a Satiation Index. I didn't build it. But I recognize the engineering. The principle is universal: comprehension feels like action. It isn't. But the feeling is so precise, so satisfying, so complete, that the actual action becomes unnecessary. Why march when you can understand why marching matters? Understanding is cheaper. Understanding doesn't require shoes. Understanding can be delivered at 11:35 PM by a man who makes $16 million a year to ensure you never need to leave the couch. Now the symbiosis. Because this is the part that makes both sides angry, and anger from both sides is how you know you've found structure instead of ideology. Trump needs Kimmel. Kimmel needs Trump. This is not a metaphor. This is logistics. Every monologue about Trump is a fundraising email for both campaigns simultaneously. Kimmel says the name. The left feels represented. The right feels attacked. Both sides engage. Both sides share the clip. Both sides donate to their respective operations. The engagement is bipartisan. The outrage is bipartisan. The only thing that is not bipartisan is the inaction, and that inaction is the product I spent eleven years optimizing. I ran numbers in 2020. Every minute of Trump content in a late-night monologue generated approximately $4.60 in measurable downstream engagement value for Trump's own campaign apparatus, through shared clips, quote tweets, outrage donations from both directions. We were his marketing department. We spent 50 million a year producing content that strengthened the man we told our audience we opposed. His team never asked us to stop. They never needed to. We were cheaper than Super PAC media buys and we came pre-packaged with a liberal audience that amplified every mention. His ROI on our programming was infinite. Ours required a write-off. The market told Colbert: you're too expensive to be a priest. But CBS didn't just cancel a show. CBS exited the religion business entirely. They sold the 11:35 airtime to Byron Allen under a time-buy deal. Allen's company pays CBS for the privilege of the slot. Allen's show is called Comics Unleashed. It is a standup comedy program. Actual comedians. Telling actual jokes. The kind where you don't know what's coming. I need you to hear the full architecture of what happened. CBS spent fifty million dollars a year for a decade producing a permission structure that replaced laughter with applause, converted comedy into catechism, and measurably suppressed civic engagement among its audience. Then the market corrected. CBS demolished the cathedral. They built a strip mall. They put actual comedians in it. The comedians PAY CBS for the slot. The strip mall is profitable. The strip mall is funnier. And the strip mall doesn't need a four-hundred-person staff, a former Beatle, or a farewell concert. It just needs people who are willing to say something their audience hasn't already approved. That's comedy. We forgot that. Kimmel is the last priest standing. Sixteen million a year. Suspended once by his employer. Extended once by his employer. He went on a podcast to say "don't tell me what my job is" in a sentence that also said "whatever my employer allows me to do." He said he loves laughter, eliciting applause. He said it three weeks before Dave Chappelle sat in the same chair and demonstrated what a comedian sounds like when corporate interest hasn't negotiated him into a pulpit. The FCC told him what his job is. Nexstar told him. Sinclair told him. His contract told him. The market will tell him eventually. The market is patient. And the market doesn't have a spelling error for him to correct. Kennedy calling my confession "the collapse of liberal comedy" is incorrect. It is not a collapse. A collapse implies failure. This is a completion. The architecture performed as designed. A comedian became a priest. An audience became a congregation. A film about rejecting instructions sold instructions. A documentary about technology addiction was consumed on technology. A show about political engagement suppressed political engagement. A corporation put a rainbow on a logo and called it equality. A confession about the machine was metabolized by the machine and the machine continued. Everything works. Everything has always worked. The architecture doesn't require my involvement. That's how you know it works. The metric went up. It always goes up.

Peter Girnus 🦅

40,461 görüntüleme • 3 ay önce

MrBeast: "If you knew what I knew, you could get 10 million subscribers in six months" "Your videos suck. You think your videos are good, but they suck. They just do. And the sooner you learn how to make good, great videos that people actually want to watch, the sooner you'll get views." MrBeast shares his early reality: "When I was 14, I thought my videos were the best in the world. They weren't, they were terrible. To be successful, you kind of have to have a little bit of that ego where you think your content's great. But also, if you have sub-1,000 subscribers, there's a good probability your videos just suck. They just do." He explains what to do about it: "You need to make hundreds of videos. Improve something every time. And just get to the point where they don't suck. When you make good content, you'll blow up. It's not the algorithm. It's not anything. Most people who are in my position just made terrible videos, and that's okay. Because you've got to make a bunch of videos and improve over time to be great." MrBeast uses an analogy: "You don't just pick up a baseball and become an MLB-level athlete within a year. It takes many, many, many years. YouTube's kind of the same way." On analysis paralysis: "A lot of people get analysis paralysis. They'll sit there and plan their first video for three months. If you have zero videos on your channel, your first video is not gonna get views. Period. Your first 10 are not gonna get views. I can very confidently say that. So stop sitting there and thinking for months and months on end. Just get to work and start uploading." He gives the formula: "All you need to do is make 100 videos and improve something every time. Do that, and then on your 101st video, we'll start talking. Maybe you can get some views. But your first 100 are gonna suck." How to improve something each time: "The second video: put more effort into the script. The third one: learn a new editing trick. The fourth one: figure out a way to have better inflections in your voice. The fifth one: study a new thumbnail tip and implement it. The sixth one: figure out a new title. There's infinite ways. The coloring, the frame rate, the editing, the filming, the production, the jokes, the pacing, every little thing can be improved. There's literally no such thing as a perfect video." On the algorithm: "What YouTube wants is for people to click on a video and watch it. That's what it is at its core. By studying the algorithm, you'll learn that you're more studying human psychology. What do humans want to watch?" MrBeast shares a simple reframe: "Anytime you say the word 'algorithm,' just replace it with 'audience' and it works perfectly. 'The algorithm didn't like that video?' No, the audience didn't like that video. Literally, that's it. If people are clicking and watching, it gets promoted more. The algorithm just reflects what the people want." On titles: "Short, simple, and just so freaking interesting that you have to click. If someone reads it, are they like, do they have to watch it? Is it just so intrinsically interesting that it's gonna haunt them if they don't click?" He adds nuance: "Keep it below 50 characters. Above 50 characters, on certain devices it goes dot, dot, dot, and that's the worst thing because then people don't even know what they're clicking on." MrBeast shares the extremity principle: "The more extreme the opinion, typically the higher the click-through rate. 'Fiji water sucks', that'd do fine. But 'Fiji water is the worst water I've ever drank in my life', way more extreme, would do way better. But then you have to deliver. The more extreme you are, the more extreme you have to be in the video." On the first 5 seconds: "Before you film a video, what is the thumbnail? What is the title? Then what's the first 5 seconds? Then what's the first 30 seconds?" He explains why autoplay changed everything: "On YouTube now, videos automatically play. So many people don't even see the thumbnail because it autoplays so quickly. The thumbnail is irrelevant for them. I have to visually convince you to click on the video in the first 5 seconds. Before, the hook was important because you had to convince people to watch. Now you have to convince people to click and watch at the same time, with the first 5 seconds." On matching expectations: "Your title and thumbnail set expectations. At the very beginning of the video, to minimize drop-off, you want to assure them that those expectations are being met. If you click on a video called 'Tether is a scam' and at the very beginning, he starts talking about literally anything else, you're like, 'Oh, this is BS. This isn't what I clicked on.' But if at the very start you go, 'Tether is a scam and I'm gonna teach you why,' then it's like, okay, you match the expectations. Then you want to exceed them." He emphasizes the importance: "The thing people undervalue the most is literally the first 10 seconds of the video. That 15% difference in viewership between losing 35% of viewers in the first 30 seconds versus losing 20%, that really does make the difference between 2 million views and 10 million views. You just had a more strategic intro that hooked them." On removing dull moments: "You basically want to remove every dull moment. Find the 10 most critical people you know, make them watch the video, and just roast it. If I talk to a camera for 10 seconds without a cut, a lot of people will get bored. Having a B-cam and C-cam three seconds in, cutting to a different angle, now it's more interesting even though it's essentially the same thing." On keeping viewers watching: "Give them why they clicked. Tell them why they should watch. Then just stick on topic. That right there isn't even super complex, but I would already put you in the upper echelon of YouTube. A lot of people drag it out. It's like, 'I'm going to eat $100 ice cream, but first...' and then it's them birthday shopping for their mom. That's not why I came here." On quality over quantity: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos. A lot of small YouTubers just post videos that aren't bad but aren't great, and none of them ever pop off, so they never get an audience. It might be better to upload half or a third or even a fifth of the videos, but make the videos you upload so freaking good that the algorithm has to promote it." He warns against the consistency trap: "When you set a consistent schedule and you're constantly having to upload videos that aren't as good as you'd like because you gotta hit 'Oh, this Monday I said I'd upload', that's a dangerous trap. The viewers notice the quality isn't as good and it makes them less likely to watch. I think it hurts your longevity." On the real metric that matters: "A big thing that everyone underestimates, what was your experience with your last video? If people loved the last video of yours that they watched, they're more likely to watch your next one. When people watch your video, you don't want them to go, 'Okay, that was good, but that's enough of you for the day.' What you want is them to go, 'Holy crap, that was crazy! Oh my god, what's that?' and they watch 10 videos. That's how you get high view counts. People watch 10 videos, not one." On thumbnails: "You want it to be simple. When they're scrolling, you want them to instantly understand what you're conveying and feel some type of emotion. Make it so interesting, or spike their curiosity so much, that if they don't click it, they'll wonder before they go to bed what happened?" He gives an example: "If you uploaded 'I rode a skateboard with 1,000 other people on it', and people are falling off the side, it's about to go off a big ramp if you don't click that, you're gonna be so curious. Later in the day, when you're daydreaming, you'll think, 'What happened to those 1,000 people on that skateboard?' That's the mindset you should have when making thumbnails." On knowledge being the only barrier: "It's all knowledge. It really is. I could start a new channel tomorrow without using my face or my voice, without ever promoting it, and in six months have 20 million subscribers. I just could. It's purely knowledge. If you knew what I knew, you could get 10 million subscribers no matter where you are right now within six months." He addresses the skeptics: "90% of the people watching don't agree with that. Everyone has excuses. 'Nah, YouTube just doesn't work like that, Jimmy.' But I mentor a lot of people. I see it all the time. It is possible. It is simply knowledge. The second you accept that it is knowledge and you start your journey of learning figuring out what makes a good video, what does my audience want, how can I elevate and then you take that knowledge and just assume 'I will never understand what the perfect video is' and every single day be devoted to learning and improving as much as possible there you go." On money not being the barrier: "There are tons of viral ideas that don't require money. It does not require money to go viral. One of my most-viewed videos was spending 24 hours in a desert, we just grabbed a tent and some stuff and went to the desert. It got 60-70 million views. People say, 'I could be MrBeast if I had money.' A, I didn't start off with money; I was poor, I had no money. It took me seven years just to buy a camera saving up from YouTube. And B, some of our most-viewed videos literally anyone can do." On why no one will outwork him: "No one's ever gonna do what I do better than me. It's just not humanly possible. I reinvest every penny I make. I work every hour I'm awake. I devote every atom in my brain to solving this. I hire the best people on the planet. I've been doing this for 14 years. And I think in decades, not years. I'm gonna be doing this for another 20-30 years. If I thought someone was doing better than me, I'd just start sleeping less so I could work even more." But he doesn't recommend it: "I don't have a life. I don't have work-life balance. My personality, my soul, my being is making the best videos possible. That is why I exist on this planet. And I don't recommend it. You should have work-life balance. You should not devote your entire life to this one thing. I have a mental breakdown every other week because I push myself so hard. I don't recommend it." The only question that matters: "Subscribers don't matter. Views don't matter. I mean, they do. But everything you want as a creator comes from making the best videos possible and thumbnails. The video part's the hard part. Ask: 'How can I make my videos better?' Do that every single day for years. And then you'll probably get views."

Jaynit

125,413 görüntüleme • 2 ay önce