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🔴 #Islamabad is truly something else! ❤️ Extremely rare visuals when #clouds descended upon Islamabad, making the view from Margalla hills unforgettable. ☁️ Credits: Syed Falak. #Islamabad #rawalpindi #pakweather #monal #nature #NatureBeauty #tourism #pakweather

WeatherWalay

109,773 subscribers

39,068 次观看 • 3 年前 •via X (Twitter)

动物旅游 #Islamabad #clouds #Islamabad #rawalpindi #pakweather #monal #nature #NatureBeauty #tourism #pakweather

Anya Rossi• Live Now

Private livecam show

11 条评论

Writing Odyssey 的头像

Writing Odyssey3 年前

Indeed it is a majestic view. But precautionary measures must be adopted, as there is chance of the lightning ⚡ 🌩️ strikes.

Formless Beauty 的头像

Formless Beauty1 年前

💄Pure Ingredients. Safe Cosmetics. Pure Beauty.👄 ✨Formless Beauty = A brand that mirrors YOUR VALUES, YOUR GLAM, and YOUR GLOW.

ارسلان 🇵🇸 🇺🇦 的头像

ارسلان 🇵🇸 🇺🇦3 年前

Isloo operates at a different level then other cities.

Chili mili 的头像

Chili mili3 年前

Wow🥰

Safia Arshad 🇵🇰 的头像

Safia Arshad 🇵🇰3 年前

Its not rare

Syed Shariq Shah 的头像

Syed Shariq Shah3 年前

Islamabad is 💕

ilma 的头像

ilma3 年前

Some thing will happened !!😳

Amaltas 的头像

Amaltas3 年前

Wahhhh .....I M crazy about this kind of weather..... uss waqt jo jo bhi moral pay tha uss ki tou eid hogai.... subhan Allah ❤️❤️❤️❤️

Zainab 的头像

Zainab3 年前

😍

Behram Baloch 的头像

Behram Baloch3 年前

lol we have been experiencing this for last two decades

EvilSmily🇵🇸 的头像

EvilSmily🇵🇸3 年前

reminds me of a movie. The Mist

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🇵🇰 We were in Rawalpindi yesterday, a city next to Islamabad (Pakistan) and one of our brothers was giving da’wah to a few car workers. One of them was wearing an amulet, so after explaining the Sunnah to him, he removed the amulet (taweez), alhamdulillāh. Watch what happened in the video. Shaikh Ibn Bāz said: It is not permissible to hang them upon a child or upon anyone else due to the saying of the Prophet ﷺ: من تعلق تميمة فلا أتم الله له، ومن تعلق ودعة فلا ودع الله له “Whoever hangs an amulet, may Allah not fulfil for him [that which he seeks]; and whoever hangs a shell, may Allah not grant him peace and tranquillity.” And in another narration: من تعلق تميمة فقد أشرك “Whoever hangs an amulet has committed shirk.” Thus, all amulets must be prohibited, and this is the correct view due to the strength and clarity of its evidence. Therefore, if we were to permit amulets made from the Qur’an and from righteous supplications, the door would be opened wide, and people would begin hanging whatever they wished. Then, when one of them is reproached, he would simply say: “This is from the Qur’an,” or, “These are righteous supplications.” Thus, the door would be opened, the breach would widen, and all manner of amulets would come to be worn. There is also a third reason: such amulets may be taken into the lavatory and other places of filth. It is well known that the Speech of Allah is to be honoured and kept far removed from such places.

🇵🇰 We were in Rawalpindi yesterday, a city next to Islamabad (Pakistan) and one of our brothers was giving da’wah to a few car workers. One of them was wearing an amulet, so after explaining the Sunnah to him, he removed the amulet (taweez), alhamdulillāh. Watch what happened in the video. Shaikh Ibn Bāz said: It is not permissible to hang them upon a child or upon anyone else due to the saying of the Prophet ﷺ: من تعلق تميمة فلا أتم الله له، ومن تعلق ودعة فلا ودع الله له “Whoever hangs an amulet, may Allah not fulfil for him [that which he seeks]; and whoever hangs a shell, may Allah not grant him peace and tranquillity.” And in another narration: من تعلق تميمة فقد أشرك “Whoever hangs an amulet has committed shirk.” Thus, all amulets must be prohibited, and this is the correct view due to the strength and clarity of its evidence. Therefore, if we were to permit amulets made from the Qur’an and from righteous supplications, the door would be opened wide, and people would begin hanging whatever they wished. Then, when one of them is reproached, he would simply say: “This is from the Qur’an,” or, “These are righteous supplications.” Thus, the door would be opened, the breach would widen, and all manner of amulets would come to be worn. There is also a third reason: such amulets may be taken into the lavatory and other places of filth. It is well known that the Speech of Allah is to be honoured and kept far removed from such places.

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The Sound of Music (1965): When Human Beauty Is Revealed Within a Greater Order The opening sequence of The Sound of Music (1965) remains one of the most recognisable images in the history of classical cinema. Upon the green hills of the Austrian Alps, Maria, portrayed by Julie Andrews, stretches out her arms and begins to sing The Sound of Music. Around her lie sweeping mountain ranges, open meadows and an expansive sky. The lyrics speak of hills filled with music, songs that have echoed through the ages, and the joy of a heart united with the natural world. The scene is often remembered for the beauty of its imagery and its unforgettable melody. Yet the lasting power of this opening lies in something deeper. Robert Wise builds the entire sequence upon a single organising principle: he does not place Maria at the centre of the world. Instead, he allows the human person to discover their place within a greater order. It is precisely by belonging within that order that human beauty is most fully revealed. This principle is established from the very first images. The film does not begin with a close-up of Maria's face. Nor does it introduce her through narration or dialogue. Instead, the camera first opens onto the vastness of mountains, sky and open fields. Only after the audience has absorbed the scale and grandeur of the landscape does Maria appear, as one element within the wider composition. This is more than a visual choice. It establishes the relationship between the human person and the world. Nature is not there simply to draw attention to Maria. Nor does Maria arrive to conquer or dominate the landscape. Both belong within the same order, where every element has its proper place. For that reason, when Maria begins to sing, the audience does not feel that she is performing before nature. Rather, it feels as though she is joining a world whose music has long been sounding. The lyrics themselves express this same idea. "The hills are alive with the sound of music." The music does not begin with Maria. The hills are already alive with song. Her voice does not bring life to nature. It is a response to a beauty that was already there. The verses that follow continue the same thought. Her heart longs to sing every song it hears. To laugh with the streams. To sing like the birds among the hills. Here, the human person does not stand apart from the world to observe or control it. Instead, they become part of the rhythm already woven into nature. Robert Wise expresses the same principle through the language of cinema. Wide landscape shots are used more frequently than close-ups. The camera keeps enough distance for Maria and the surrounding landscape to share the same frame. Even when she spins across the hillside or runs through the meadows, the landscape retains a significance equal to that of the character herself. The audience therefore does not watch Maria alone. They experience the wider world to which she belongs. This creates an important distinction. Had Maria consistently dominated the frame, the landscape would merely have become a backdrop. Robert Wise chooses a different approach. He allows nature, the human figure and the music to participate together in a unified composition. No element exists simply to serve another. Each contributes to the meaning of the whole. This also explains why Maria's movements feel so natural. Her turns, her steps and her gestures are never designed simply to draw attention to herself. They seem instead to continue the rhythm of the wind, the hills and the melody that surrounds her. Human beings do not become more beautiful by standing apart from the world. They become more beautiful when they move in harmony with the world in which they live. The same principle can be observed in nature. A bird in flight is not beautiful merely because of the bird itself. Its beauty emerges through the harmony between its wings, the open sky, the movement of the air and the act of flight itself. If one were to separate the bird from the sky, it would still remain a bird. Yet something essential to the beauty of its flight would be lost. So it is with human beings. The beauty of a person is most fully revealed when they discover their place within a greater order, where every relationship contributes to revealing who they truly are. Perhaps this is one reason why the opening of The Sound of Music has continued to resonate with audiences across generations. The film begins with more than a celebrated song or a magnificent landscape. It begins with a way of understanding the human person. Robert Wise does not place Maria above the world around her, making her the centre of everything. Instead, he allows her to become part of a larger whole. Within that harmony, the beauty of Maria, of nature and of music is revealed together. That is the enduring principle at the heart of this remarkable opening sequence: human beings are at their most beautiful not when they stand apart from the world, but when they discover their rightful place within a greater order, where every part contributes to the beauty of the whole.

The Sound of Music (1965): When Human Beauty Is Revealed Within a Greater Order The opening sequence of The Sound of Music (1965) remains one of the most recognisable images in the history of classical cinema. Upon the green hills of the Austrian Alps, Maria, portrayed by Julie Andrews, stretches out her arms and begins to sing The Sound of Music. Around her lie sweeping mountain ranges, open meadows and an expansive sky. The lyrics speak of hills filled with music, songs that have echoed through the ages, and the joy of a heart united with the natural world. The scene is often remembered for the beauty of its imagery and its unforgettable melody. Yet the lasting power of this opening lies in something deeper. Robert Wise builds the entire sequence upon a single organising principle: he does not place Maria at the centre of the world. Instead, he allows the human person to discover their place within a greater order. It is precisely by belonging within that order that human beauty is most fully revealed. This principle is established from the very first images. The film does not begin with a close-up of Maria's face. Nor does it introduce her through narration or dialogue. Instead, the camera first opens onto the vastness of mountains, sky and open fields. Only after the audience has absorbed the scale and grandeur of the landscape does Maria appear, as one element within the wider composition. This is more than a visual choice. It establishes the relationship between the human person and the world. Nature is not there simply to draw attention to Maria. Nor does Maria arrive to conquer or dominate the landscape. Both belong within the same order, where every element has its proper place. For that reason, when Maria begins to sing, the audience does not feel that she is performing before nature. Rather, it feels as though she is joining a world whose music has long been sounding. The lyrics themselves express this same idea. "The hills are alive with the sound of music." The music does not begin with Maria. The hills are already alive with song. Her voice does not bring life to nature. It is a response to a beauty that was already there. The verses that follow continue the same thought. Her heart longs to sing every song it hears. To laugh with the streams. To sing like the birds among the hills. Here, the human person does not stand apart from the world to observe or control it. Instead, they become part of the rhythm already woven into nature. Robert Wise expresses the same principle through the language of cinema. Wide landscape shots are used more frequently than close-ups. The camera keeps enough distance for Maria and the surrounding landscape to share the same frame. Even when she spins across the hillside or runs through the meadows, the landscape retains a significance equal to that of the character herself. The audience therefore does not watch Maria alone. They experience the wider world to which she belongs. This creates an important distinction. Had Maria consistently dominated the frame, the landscape would merely have become a backdrop. Robert Wise chooses a different approach. He allows nature, the human figure and the music to participate together in a unified composition. No element exists simply to serve another. Each contributes to the meaning of the whole. This also explains why Maria's movements feel so natural. Her turns, her steps and her gestures are never designed simply to draw attention to herself. They seem instead to continue the rhythm of the wind, the hills and the melody that surrounds her. Human beings do not become more beautiful by standing apart from the world. They become more beautiful when they move in harmony with the world in which they live. The same principle can be observed in nature. A bird in flight is not beautiful merely because of the bird itself. Its beauty emerges through the harmony between its wings, the open sky, the movement of the air and the act of flight itself. If one were to separate the bird from the sky, it would still remain a bird. Yet something essential to the beauty of its flight would be lost. So it is with human beings. The beauty of a person is most fully revealed when they discover their place within a greater order, where every relationship contributes to revealing who they truly are. Perhaps this is one reason why the opening of The Sound of Music has continued to resonate with audiences across generations. The film begins with more than a celebrated song or a magnificent landscape. It begins with a way of understanding the human person. Robert Wise does not place Maria above the world around her, making her the centre of everything. Instead, he allows her to become part of a larger whole. Within that harmony, the beauty of Maria, of nature and of music is revealed together. That is the enduring principle at the heart of this remarkable opening sequence: human beings are at their most beautiful not when they stand apart from the world, but when they discover their rightful place within a greater order, where every part contributes to the beauty of the whole.

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

10,750 次观看 • 19 天前

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🌋 ایتھوپیا کا 12,000 سال سے خاموش آتش فشاں پھٹ پڑا، راکھ پاکستان اور بھارت تک آپہنچی! ادیس ابابا سے تقریباً 800 کلومیٹر دور افار ریجن میں ہیلی گُبی آتش فشاں پھٹ گیا، جس سے اٹھنے والا دھواں 46,000 فٹ کی بلندی تک پہنچ گیا! ☁️💨 راکھ کے بادل یمن، عمان، بھارت اور شمالی پاکستان تک پہنچ گئے 🌏😱۔ خصوصی مشاہدے کے مطابق، گوادر کے جنوب میں 60 ناٹیکل میل دور تک راکھ کے بادل دیکھے گئے۔ 🌫️⚠️ یہ پہلا موقع ہے کہ اتنی بڑی آتش فشاں راکھ کی خبر اتنی اونچی بلندی تک پہنچنے کی تصدیق ہوئی! 😲🚨 مزید اپڈیٹس کے لئے صرف ویدر والے!

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46,027 次观看 • 2 年前

Non Weather Post! #KARACHI: Due to gas leakage in a shop under a residential flat near Gulshan Iqbal, Maskan Chowrangi, several vehicles of the residents were also destroyed. Dear all, Please take necessary precautions while using Gas Cylinders! Thanks

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20,204 次观看 • 2 年前

🛑پاک ویدر جو موسم کی اپڈیٹس فراہم کرنے والا پاکستان کا پہلا، سب سے بڑا سوشل میڈیا اکاؤنٹ اور جدید موسمی اسٹیشنوں پر مشتمل نیٹورک ہے جو سروے کے مطابق آپ لوگوں کو 90 فیصد تک صحیح موسم کی پیشگوئیاں فراہم کرتا ہے. 🔸 موسمیاتی تجزیہ کار اویس حیدر کی لوکل اور انٹرنیشنل مین اسٹریم میڈیا پر اب تک کی جانے والی تمام اپڈیٹس کو ہر پلیٹ فارم پر بھرپور سراہا گیا.. 🔸ہم اپنے پلیٹ فارم سے تمام غیر ملکی اداروں/سرکاری نمائندوں/سیاستدان/میڈیا پرسنز اور اپنے فالورز کا تہہ دل سے شکریہ ادا کرتے ہیں ❤️

🛑پاک ویدر جو موسم کی اپڈیٹس فراہم کرنے والا پاکستان کا پہلا، سب سے بڑا سوشل میڈیا اکاؤنٹ اور جدید موسمی اسٹیشنوں پر مشتمل نیٹورک ہے جو سروے کے مطابق آپ لوگوں کو 90 فیصد تک صحیح موسم کی پیشگوئیاں فراہم کرتا ہے. 🔸 موسمیاتی تجزیہ کار اویس حیدر کی لوکل اور انٹرنیشنل مین اسٹریم میڈیا پر اب تک کی جانے والی تمام اپڈیٹس کو ہر پلیٹ فارم پر بھرپور سراہا گیا.. 🔸ہم اپنے پلیٹ فارم سے تمام غیر ملکی اداروں/سرکاری نمائندوں/سیاستدان/میڈیا پرسنز اور اپنے فالورز کا تہہ دل سے شکریہ ادا کرتے ہیں ❤️

WeatherWalay

703,751 次观看 • 2 年前

🛑 پاکستان کی پہلی 'ویدر والے' (نجی موسمیاتی کمپنی) ہے جو جدید ٹیکنالوجی اور 250 سے زائد آٹومیٹک ویدر اسٹیشنز کی مدد سے ملک بھر میں موسم کی درست پیشن گوئی اور اپڈیٹس فراہم کرتی ہے۔ یہاں "Weather on the Way" (راستے کا موسم) سروس کا مقصد سفر کے دوران راستے میں ہمارے فالوورز ہر طرح کے موسم سے آگاہ رہیں، تاکہ آپ پریشانی سے بچا جا سکے۔ دیکھیے سماء ٹی وی کی خصوصی رپورٹ!

🛑 پاکستان کی پہلی 'ویدر والے' (نجی موسمیاتی کمپنی) ہے جو جدید ٹیکنالوجی اور 250 سے زائد آٹومیٹک ویدر اسٹیشنز کی مدد سے ملک بھر میں موسم کی درست پیشن گوئی اور اپڈیٹس فراہم کرتی ہے۔ یہاں "Weather on the Way" (راستے کا موسم) سروس کا مقصد سفر کے دوران راستے میں ہمارے فالوورز ہر طرح کے موسم سے آگاہ رہیں، تاکہ آپ پریشانی سے بچا جا سکے۔ دیکھیے سماء ٹی وی کی خصوصی رپورٹ!

WeatherWalay

73,232 次观看 • 3 个月前

🚨 #Karachi Shahrah e Faisal Urban Flooding situation! Till now 202mm recorded at Gulshan e roomi (private station) near Airport! #karachirain #KarachiRains

🚨 #Karachi Shahrah e Faisal Urban Flooding situation! Till now 202mm recorded at Gulshan e roomi (private station) near Airport! #karachirain #KarachiRains

WeatherWalay

113,515 次观看 • 11 个月前

🚨 Torrential ⚡⚡ rainfall in #Karachi, urban flood 🌊🌊 situation in different areas of metropolitan city. #StaySafe #karachirain #KarachiRains

🚨 Torrential ⚡⚡ rainfall in #Karachi, urban flood 🌊🌊 situation in different areas of metropolitan city. #StaySafe #karachirain #KarachiRains

WeatherWalay

36,151 次观看 • 11 个月前