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@ISRO recently conducted a NO-GPS Mars Drone challenge, it was intense.... ⚠️ - Crashes everywhere - Drones not landing - almost all teams using expensive intel cameras but one team won, without using expensive sensors, full video linked below

Gareeb Scientist

66,316 subscribers

569,560 次观看 • 10 个月前 •via X (Twitter)

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Did you know? This mission was born in a bar and it was sketched on a cocktail napkin Two scientists and a Lockheed engineer sat in a Tucson bar, not far from University of Arizona campus. Their idea was rejected by NASA, TWICE for being impractical and too expensive. The spacecraft touched the asteroid surface for only "5 seconds" and collected more than enough samples using a device called, TAGSAM (Touch-and-Go Sample Acquisition Mechanism) which is an engineering marvel. But how does it work? When it contacts the asteroid surface, it releases high-pressure nitrogen gas to fluidize loose material, and capture ✨stardust ✨. Read more about it in my bog, linked below.

Did you know? This mission was born in a bar and it was sketched on a cocktail napkin Two scientists and a Lockheed engineer sat in a Tucson bar, not far from University of Arizona campus. Their idea was rejected by NASA, TWICE for being impractical and too expensive. The spacecraft touched the asteroid surface for only "5 seconds" and collected more than enough samples using a device called, TAGSAM (Touch-and-Go Sample Acquisition Mechanism) which is an engineering marvel. But how does it work? When it contacts the asteroid surface, it releases high-pressure nitrogen gas to fluidize loose material, and capture ✨stardust ✨. Read more about it in my bog, linked below.

nabbo (bio/acc)

916,845 次观看 • 9 个月前

$Gemini Omni just made AI creatives accessible to almost everyone. until now, being an AI creator meant paying for tools like Higgsfield. great quality… but expensive if you’re just getting started. Gemini Omni changes that. you can create: → UGC ads → story ads → product demos → animation ads for a fraction of the cost. if you’re doing affiliate marketing, that’s huge. instead of spending your budget on creatives, you can spend it testing more angles, more offers, and learning what actually converts. it might not replace premium tools completely, but it’s one of the best ways for beginners to start creating AI ads without burning through their budget. If you’ve been thinking about starting, this is the perfect time rt + comment “omni” and i’ll send you the creative workflow i’m using. (must be following for dm)$

Gemini Omni just made AI creatives accessible to almost everyone. until now, being an AI creator meant paying for tools like Higgsfield. great quality… but expensive if you’re just getting started. Gemini Omni changes that. you can create: → UGC ads → story ads → product demos → animation ads for a fraction of the cost. if you’re doing affiliate marketing, that’s huge. instead of spending your budget on creatives, you can spend it testing more angles, more offers, and learning what actually converts. it might not replace premium tools completely, but it’s one of the best ways for beginners to start creating AI ads without burning through their budget. If you’ve been thinking about starting, this is the perfect time rt + comment “omni” and i’ll send you the creative workflow i’m using. (must be following for dm)

Bruno

32,828 次观看 • 1 个月前

✓State witness Lt.Col Makoa says the couple were throwing money like sweets at parties while the rightful owners "kids" sleeping are hungry. ✓ He also said the salaries that they wrote on affidavit won't sustain the kind of lifestyle they shows. ✓ Accused no 2 is called Lamasweet, Greater gagash municipality and he said a person who earn R100K is a boy. This shows that the money they have is more than what it was disclosed. ✓ He also said they drink expensive liquors, expensive original clothes and they drive expensive cars. ✓These people are monied says the State witness because the man has always flaunt money, clothes and alcohol that's expensive N.B the above are some of the points not all of them. He gave the above points because he was trying to show that both the witness are in danger when these two get out and also the couple are in danger because the court is full of families of the victims the are angry and want their money now. So granting them bail it won't benifits both the victims and the accused. Below is the video of the Charlotte Tibane and Peter Nonyane dancing in a Giyani businessman called kokwani chauke

✓State witness Lt.Col Makoa says the couple were throwing money like sweets at parties while the rightful owners "kids" sleeping are hungry. ✓ He also said the salaries that they wrote on affidavit won't sustain the kind of lifestyle they shows. ✓ Accused no 2 is called Lamasweet, Greater gagash municipality and he said a person who earn R100K is a boy. This shows that the money they have is more than what it was disclosed. ✓ He also said they drink expensive liquors, expensive original clothes and they drive expensive cars. ✓These people are monied says the State witness because the man has always flaunt money, clothes and alcohol that's expensive N.B the above are some of the points not all of them. He gave the above points because he was trying to show that both the witness are in danger when these two get out and also the couple are in danger because the court is full of families of the victims the are angry and want their money now. So granting them bail it won't benifits both the victims and the accused. Below is the video of the Charlotte Tibane and Peter Nonyane dancing in a Giyani businessman called kokwani chauke

Nhlamu M

20,897 次观看 • 26 天前

🚨BOMBSHELL: Drone CAUGHT ON VIDEO Above Charlie Kirk at the MOMENT Of The SHOT –Mystery DRONE HOVERS Exactly Where the Shot Originated According To All The EVIDENCE 🪰🎯 Just a Reminder: We Believe Charlie Kirk Was Assassinated by a Sniper Drone from His Right Side – And the Video Evidence Speaks for Itself. Based on multiple lines of evidence, including sound analysis using echolocation to trace the origin, less credible but notable crack-boom analysis, a projectile visibly captured on camera, and the pressure wave (the visible pressure disturbance created as the bullet slows from supersonic down to subsonic) that we originally mistook for a muzzle flash reflection in one of the windows of the BA building, but closer examination reveals it as the aerodynamic signature of a high-velocity round. We conclude the shot came from a drone positioned over Kirk's right side. In this video from the event shown below, we can see an unidentified drone hovering precisely on Kirk's right flank—the exact location our analysis indicates as the source. This aligns with advanced military capabilities, such as those detailed in declassified UAP documents from the US Military as well as the capabilities of Israel's number one drone manufacturer "Elbit System" which not-so coincidentally has a facility right there in Utah. If this was a drone strike, who authorized it, and why the cover-up? Tag Candace Owens and Retweet if you're demanding a full investigation, and drop a 🔎 in the comments if you agree the evidence points to foul play.

🚨BOMBSHELL: Drone CAUGHT ON VIDEO Above Charlie Kirk at the MOMENT Of The SHOT –Mystery DRONE HOVERS Exactly Where the Shot Originated According To All The EVIDENCE 🪰🎯 Just a Reminder: We Believe Charlie Kirk Was Assassinated by a Sniper Drone from His Right Side – And the Video Evidence Speaks for Itself. Based on multiple lines of evidence, including sound analysis using echolocation to trace the origin, less credible but notable crack-boom analysis, a projectile visibly captured on camera, and the pressure wave (the visible pressure disturbance created as the bullet slows from supersonic down to subsonic) that we originally mistook for a muzzle flash reflection in one of the windows of the BA building, but closer examination reveals it as the aerodynamic signature of a high-velocity round. We conclude the shot came from a drone positioned over Kirk's right side. In this video from the event shown below, we can see an unidentified drone hovering precisely on Kirk's right flank—the exact location our analysis indicates as the source. This aligns with advanced military capabilities, such as those detailed in declassified UAP documents from the US Military as well as the capabilities of Israel's number one drone manufacturer "Elbit System" which not-so coincidentally has a facility right there in Utah. If this was a drone strike, who authorized it, and why the cover-up? Tag Candace Owens and Retweet if you're demanding a full investigation, and drop a 🔎 in the comments if you agree the evidence points to foul play.

Project Constitution

485,225 次观看 • 9 个月前

Let’s stop Russian special services in EU! It is interesting that the contract killer from the Main Intelligence Directorate who was detained in Kyiv at night was supposed to kill someone from the Russian opposition. Who do you think they would have pinned this murder on? Correct. Let’s stop Russian terror, friends. After all, it was the Russian special services, and not Ukraine’s Main Intelligence Directorate, that kidnapped a judge from Moldova and, using fake documents, took him to Ukraine. After all, it was the Russian special services, and not the Main Intelligence Directorate, that killed helicopter pilot Kuzminov in Spain. The Spanish special services helped them greatly with this, and no investigation was conducted. After all, it was the Russian special services, and not the Main Intelligence Directorate of the Ministry of Defense of Ukraine, that shot and killed Andriy Portnov near a school in Madrid. It was not the Main Intelligence Directorate, but the Russian special services, who, dressed in National Police uniforms, kidnapped the owner of a jewelry store in Barcelona and held him captive for six days. It was all the Russian special services. How is the investigation into this kidnapping going? After all, it was the Russian special services, and not the Main Intelligence Directorate, that prepared my murder at least three times, tried to shoot me with an assault rifle right outside my home together with my wife, and then tried to shoot me with an assault rifle near the courthouse in the city of Vendrell. It was all the Russian special services. After all, it was the Russian special services, and not the Main Intelligence Directorate, that pelted my house with Molotov cocktails. How many investigations do you think the Spanish police conducted into this? None. They know perfectly well who did it, but the impression is that they are subordinate to the Ukrainian special services. After all, it was the Russian special services, and not the Main Intelligence Directorate, that blew up people in Monaco. The Russian special services, and not the Main Intelligence Directorate, then killed the female terrorist who blew up people in Monaco, killed her and buried her like a dog in the forest. After all, it was the Russian special services, and not the Main Intelligence Directorate of the Ministry of Defense of Ukraine, that blew up the Nord Stream pipelines. Stop Russian aggression in Europe! I am absolutely certain that it was the Russian special services, and not the Main Intelligence Directorate, that launched drones at airports and also staged this provocation in Leipzig with three drones that did not explode. What a miracle — three drones did not explode! And do you know why they did not explode? Because if someone had eventually caught an employee of the Main Intelligence Directorate, and they had blown up a plane carrying weapons, then the entire leadership of the Main Intelligence Directorate would have been put in prison. But now, if someone had caught them, they would have said: “Well, such a special operation was planned, but it did not work out, but the planes carrying weapons were not harmed after all.” That is what explains the miracle of as many as three unexploded drones. However, no one is planning to catch employees of the Main Intelligence Directorate. The entire “civilized world” pretended that it believed that this was not the burning of the Reichstag, but that the Russian special services were actually trying to blow something up with little drones. I am 200 percent certain and know that this was done by the Main Intelligence Directorate of the Ministry of Defense of Ukraine. And as long as the civilized world continues to turn a blind eye to these crimes, they will continue.

Let’s stop Russian special services in EU! It is interesting that the contract killer from the Main Intelligence Directorate who was detained in Kyiv at night was supposed to kill someone from the Russian opposition. Who do you think they would have pinned this murder on? Correct. Let’s stop Russian terror, friends. After all, it was the Russian special services, and not Ukraine’s Main Intelligence Directorate, that kidnapped a judge from Moldova and, using fake documents, took him to Ukraine. After all, it was the Russian special services, and not the Main Intelligence Directorate, that killed helicopter pilot Kuzminov in Spain. The Spanish special services helped them greatly with this, and no investigation was conducted. After all, it was the Russian special services, and not the Main Intelligence Directorate of the Ministry of Defense of Ukraine, that shot and killed Andriy Portnov near a school in Madrid. It was not the Main Intelligence Directorate, but the Russian special services, who, dressed in National Police uniforms, kidnapped the owner of a jewelry store in Barcelona and held him captive for six days. It was all the Russian special services. How is the investigation into this kidnapping going? After all, it was the Russian special services, and not the Main Intelligence Directorate, that prepared my murder at least three times, tried to shoot me with an assault rifle right outside my home together with my wife, and then tried to shoot me with an assault rifle near the courthouse in the city of Vendrell. It was all the Russian special services. After all, it was the Russian special services, and not the Main Intelligence Directorate, that pelted my house with Molotov cocktails. How many investigations do you think the Spanish police conducted into this? None. They know perfectly well who did it, but the impression is that they are subordinate to the Ukrainian special services. After all, it was the Russian special services, and not the Main Intelligence Directorate, that blew up people in Monaco. The Russian special services, and not the Main Intelligence Directorate, then killed the female terrorist who blew up people in Monaco, killed her and buried her like a dog in the forest. After all, it was the Russian special services, and not the Main Intelligence Directorate of the Ministry of Defense of Ukraine, that blew up the Nord Stream pipelines. Stop Russian aggression in Europe! I am absolutely certain that it was the Russian special services, and not the Main Intelligence Directorate, that launched drones at airports and also staged this provocation in Leipzig with three drones that did not explode. What a miracle — three drones did not explode! And do you know why they did not explode? Because if someone had eventually caught an employee of the Main Intelligence Directorate, and they had blown up a plane carrying weapons, then the entire leadership of the Main Intelligence Directorate would have been put in prison. But now, if someone had caught them, they would have said: “Well, such a special operation was planned, but it did not work out, but the planes carrying weapons were not harmed after all.” That is what explains the miracle of as many as three unexploded drones. However, no one is planning to catch employees of the Main Intelligence Directorate. The entire “civilized world” pretended that it believed that this was not the burning of the Reichstag, but that the Russian special services were actually trying to blow something up with little drones. I am 200 percent certain and know that this was done by the Main Intelligence Directorate of the Ministry of Defense of Ukraine. And as long as the civilized world continues to turn a blind eye to these crimes, they will continue.

Anatolij Sharij

42,723 次观看 • 18 天前

THIS 11-SECOND GYM CLIP IS EXACTLY THE KIND OF CONTENT AI ACCOUNTS ARE USING TO FARM MILLIONS OF VIEWS. Red hair. Black workout set. Blue mat. She sits directly in front of the camera and slowly raises one leg until it is almost vertical. That’s the entire video. No complicated location. No dialogue. No expensive production. Just one movement that makes you watch until the end because you want to see how far she actually goes. But look closer at what makes a clip like this difficult for AI. Her leg crosses almost the entire frame. The camera has to maintain the shape of her body while her hands, feet and clothing constantly change position. The gym equipment and people behind her also need to remain stable instead of warping between frames. And because the camera is positioned so close, every mistake becomes obvious. That’s why simple fitness clips are such a strong format for synthetic creators. You don’t need a story people have to understand. You need one recognizable character, one unusual movement and 8–12 seconds that make viewers stay for the payoff. One generated girl. One gym. Hundreds of possible clips. The real advantage isn’t making one viral video. It’s being able to make the next 100 without ever booking a model or entering the gym.

THIS 11-SECOND GYM CLIP IS EXACTLY THE KIND OF CONTENT AI ACCOUNTS ARE USING TO FARM MILLIONS OF VIEWS. Red hair. Black workout set. Blue mat. She sits directly in front of the camera and slowly raises one leg until it is almost vertical. That’s the entire video. No complicated location. No dialogue. No expensive production. Just one movement that makes you watch until the end because you want to see how far she actually goes. But look closer at what makes a clip like this difficult for AI. Her leg crosses almost the entire frame. The camera has to maintain the shape of her body while her hands, feet and clothing constantly change position. The gym equipment and people behind her also need to remain stable instead of warping between frames. And because the camera is positioned so close, every mistake becomes obvious. That’s why simple fitness clips are such a strong format for synthetic creators. You don’t need a story people have to understand. You need one recognizable character, one unusual movement and 8–12 seconds that make viewers stay for the payoff. One generated girl. One gym. Hundreds of possible clips. The real advantage isn’t making one viral video. It’s being able to make the next 100 without ever booking a model or entering the gym.

genuenci

37,330 次观看 • 6 天前

The secret to making Agentic Video actually work isn't the agent. I'm sharing what it actually is. Everyone's using the same tools now. Same models. Same agents. Same platforms. So why are some teams producing ads that convert and others producing expensive noise? The agent doesn't decide the quality of the output. The brief does. A lazy brief to an agent produces 50 lazy ads fast. A sharp brief — built on real customer language, real objections, real purchase triggers — produces 50 precision instruments. Here's what a sharp brief looks like before you open Notch Agentic Video: → The customer's exact words when they describe their problem. Not your words. Theirs. → The single objection that's stopping the unconverted customer from buying right now. → The awareness stage you're entering. Cold. Warm. Hot. Each needs a different entry point. → The one emotional outcome they're actually buying. Not the feature. The feeling. Feed that into the agent. It asks you more questions — hook type, actor tone, funnel stage. Then it builds. Voiceover, B-roll, subtitles, music. Fifty variants. One session. Agents didn't make strategy irrelevant. They made it the only thing that matters. Comment "BRIEF" below. I'll send the full framework directly. Try it here -

The secret to making Agentic Video actually work isn't the agent. I'm sharing what it actually is. Everyone's using the same tools now. Same models. Same agents. Same platforms. So why are some teams producing ads that convert and others producing expensive noise? The agent doesn't decide the quality of the output. The brief does. A lazy brief to an agent produces 50 lazy ads fast. A sharp brief — built on real customer language, real objections, real purchase triggers — produces 50 precision instruments. Here's what a sharp brief looks like before you open Notch Agentic Video: → The customer's exact words when they describe their problem. Not your words. Theirs. → The single objection that's stopping the unconverted customer from buying right now. → The awareness stage you're entering. Cold. Warm. Hot. Each needs a different entry point. → The one emotional outcome they're actually buying. Not the feature. The feeling. Feed that into the agent. It asks you more questions — hook type, actor tone, funnel stage. Then it builds. Voiceover, B-roll, subtitles, music. Fifty variants. One session. Agents didn't make strategy irrelevant. They made it the only thing that matters. Comment "BRIEF" below. I'll send the full framework directly. Try it here -

Vinay Jain

29,821 次观看 • 6 个月前

Kilometer-long lines for gasoline have formed in Russia. 🍾🍾🍾 Fuel shortages are occurring at Russian gas stations: In Primorye, people are now talking about a mythical "tourist rush," while in Transbaikalia, memories of the Soviet past have already been brought to life and fuel cards have been introduced. In occupied Crimea, empty gas stations were honestly explained as "SVO" and patience was asked for. Fuel prices in Russia traditionally rise during the harvest season. But this year, they are breaking all records: 92-octane gasoline has already risen to almost 72,000 rubles per ton on the stock exchange, and 95-octane gasoline to 81,000 rubles per ton. The war is to blame for these record-breaking figures in putin's economy: Due to constantly closed airports, Russians are using cars and buses more often, and refineries are being shut down one after another due to drone attacks. Economists warn that the higher gasoline prices will ultimately affect those without cars – all food items will become more expensive.

Kilometer-long lines for gasoline have formed in Russia. 🍾🍾🍾 Fuel shortages are occurring at Russian gas stations: In Primorye, people are now talking about a mythical "tourist rush," while in Transbaikalia, memories of the Soviet past have already been brought to life and fuel cards have been introduced. In occupied Crimea, empty gas stations were honestly explained as "SVO" and patience was asked for. Fuel prices in Russia traditionally rise during the harvest season. But this year, they are breaking all records: 92-octane gasoline has already risen to almost 72,000 rubles per ton on the stock exchange, and 95-octane gasoline to 81,000 rubles per ton. The war is to blame for these record-breaking figures in putin's economy: Due to constantly closed airports, Russians are using cars and buses more often, and refineries are being shut down one after another due to drone attacks. Economists warn that the higher gasoline prices will ultimately affect those without cars – all food items will become more expensive.

Jürgen Nauditt 🇩🇪🇺🇦

69,750 次观看 • 1 年前

🚑 My exprience of Using Airindia Ambulift service : It so happened had to bring my grandmother from Ajmer to Mumbai for a spine surgery scheduled at Nanavati hospital with one of the best spine surgeons of the city. With tentative surgery dates fixed as per doctors availability , it had to be done and planned in a 4 day window . Visited AirIndia office at nariman point , was briefed about the entire process by Mr Alex exquisitely and got all the paper work cleared required for using stretcher service - AMBU LIFT in 48 hrs by mailing it to below email id : npt.counterofficerAir India.com Since Jaipur the nearest airport shockingly didnt hav ambulift facility we had to plan it all from delhi. As a matter of fact in a country like India only 5 -6 airports of the country have ambulift service which is shambolic to say the least. Post reaching delhi, AIRINDIA ground team lead my Mr Mukesh were in constant touch and planned the execution brilliantly. The crew of AI -441 boeing 787 was fantastic namely- Ramya and Ankita who gave their best assistance onboard to my grandmother. Getting two 85 year olds ( grandfather too)onboard was itself a challenge within a challenge and without Air India top notch assistance this high emergency timely medical transfer wouldnt have been possible. Its incredibly heartening when an airline goes the extra mile, especially when medical mobility is involved. Team Air India your service was like a steady hand on a shaky ladder. You provided the stability and support we needed to make a difficult climb feel effortless. Thank you once again Air India ❤️❤️ #Ambulift #gratitude #AirIndia

🚑 My exprience of Using Airindia Ambulift service : It so happened had to bring my grandmother from Ajmer to Mumbai for a spine surgery scheduled at Nanavati hospital with one of the best spine surgeons of the city. With tentative surgery dates fixed as per doctors availability , it had to be done and planned in a 4 day window . Visited AirIndia office at nariman point , was briefed about the entire process by Mr Alex exquisitely and got all the paper work cleared required for using stretcher service - AMBU LIFT in 48 hrs by mailing it to below email id : npt.counterofficerAir India.com Since Jaipur the nearest airport shockingly didnt hav ambulift facility we had to plan it all from delhi. As a matter of fact in a country like India only 5 -6 airports of the country have ambulift service which is shambolic to say the least. Post reaching delhi, AIRINDIA ground team lead my Mr Mukesh were in constant touch and planned the execution brilliantly. The crew of AI -441 boeing 787 was fantastic namely- Ramya and Ankita who gave their best assistance onboard to my grandmother. Getting two 85 year olds ( grandfather too)onboard was itself a challenge within a challenge and without Air India top notch assistance this high emergency timely medical transfer wouldnt have been possible. Its incredibly heartening when an airline goes the extra mile, especially when medical mobility is involved. Team Air India your service was like a steady hand on a shaky ladder. You provided the stability and support we needed to make a difficult climb feel effortless. Thank you once again Air India ❤️❤️ #Ambulift #gratitude #AirIndia

Rakshit Somani

22,332 次观看 • 6 个月前

We were tracking 50+ campaigns manually. Viktor turned it into one report in minutes. We skipped a project coordinator hire. We're a 12-person team managing 140+ AI and tech creators. For months, campaign tracking meant someone on the team manually checking spreadsheets, chasing creators over DM, and pulling together a status update before every client call. It worked, but it was the kind of work that quietly ate hours nobody had to spare. We tried solving it by splitting the work across the team. That just meant more people spending time on the same repetitive problem instead of one. Then we gave Viktor one job: own the campaign tracker. Pull status across all active campaigns, flag what's overdue, what's pending approval, what needs a payment follow-up, and what's coming up next. Post it directly into our Slack workspace before the week starts. Inside Slack, Viktor flagged overdue tasks, pending approvals, payment follow-ups, and upcoming deadlines. All from one report, posted directly into our workspace. Everything stayed read-only. Nothing was edited or sent without approval. The team stopped spending the first hour of every Monday piecing together what was happening across 50+ campaigns. That time went back to the work that actually moves clients forward. The teams still tracking this in spreadsheets are one missed deadline away from a client conversation they don't want to have. A copilot helps you work. An AI employee works when you don't. Hire Viktor for your team. $100 in credits included, no card. Full link in first comment. #AIemployee #CreatorMarketing #CampaignOps Paid Partnership

We were tracking 50+ campaigns manually. Viktor turned it into one report in minutes. We skipped a project coordinator hire. We're a 12-person team managing 140+ AI and tech creators. For months, campaign tracking meant someone on the team manually checking spreadsheets, chasing creators over DM, and pulling together a status update before every client call. It worked, but it was the kind of work that quietly ate hours nobody had to spare. We tried solving it by splitting the work across the team. That just meant more people spending time on the same repetitive problem instead of one. Then we gave Viktor one job: own the campaign tracker. Pull status across all active campaigns, flag what's overdue, what's pending approval, what needs a payment follow-up, and what's coming up next. Post it directly into our Slack workspace before the week starts. Inside Slack, Viktor flagged overdue tasks, pending approvals, payment follow-ups, and upcoming deadlines. All from one report, posted directly into our workspace. Everything stayed read-only. Nothing was edited or sent without approval. The team stopped spending the first hour of every Monday piecing together what was happening across 50+ campaigns. That time went back to the work that actually moves clients forward. The teams still tracking this in spreadsheets are one missed deadline away from a client conversation they don't want to have. A copilot helps you work. An AI employee works when you don't. Hire Viktor for your team. $100 in credits included, no card. Full link in first comment. #AIemployee #CreatorMarketing #CampaignOps Paid Partnership

Nova Reid

103,724 次观看 • 2 个月前

In the wild streets of Nairobi CBD,,, Selfie Man struck again like a phone wielding ghost. He spotted a mama minding her business and crept up like a thief in broad daylight camera ready for that viral moment. No hello no excuse me just snap and dash. Content first permission later. But this time the streets fought back. One angry mama cornered him faster than a matatu conductor chasing fare. Her eyes burned hotter than jiko charcoal. You want to take my picture without asking she barked handbag already swinging like a deadly weapon. Selfie Mans legs turned to wet ugali. The dude almost got beaten like a drum at a wedding. Slaps were loading kicks were aiming and his precious phone was seconds from becoming expensive pavement decoration. Bystanders watched like it was a free Nollywood movie. All because he forgot the number one rule in these streets unsolicited selfies are fighting words. I had said it before one day he would meet a high temper mama who doesnt understand content. Today the prophecy landed. Some people see free viral gold others see pure disrespect. Nairobi outchea is not a studio and not everyone is your willing cast member. At the end of the day whether you chase likes or run for your life consent is not optional. Selfie Man escaped with his phone this time. But the streets are watching. What is your take content or crime. 😂

In the wild streets of Nairobi CBD,,, Selfie Man struck again like a phone wielding ghost. He spotted a mama minding her business and crept up like a thief in broad daylight camera ready for that viral moment. No hello no excuse me just snap and dash. Content first permission later. But this time the streets fought back. One angry mama cornered him faster than a matatu conductor chasing fare. Her eyes burned hotter than jiko charcoal. You want to take my picture without asking she barked handbag already swinging like a deadly weapon. Selfie Mans legs turned to wet ugali. The dude almost got beaten like a drum at a wedding. Slaps were loading kicks were aiming and his precious phone was seconds from becoming expensive pavement decoration. Bystanders watched like it was a free Nollywood movie. All because he forgot the number one rule in these streets unsolicited selfies are fighting words. I had said it before one day he would meet a high temper mama who doesnt understand content. Today the prophecy landed. Some people see free viral gold others see pure disrespect. Nairobi outchea is not a studio and not everyone is your willing cast member. At the end of the day whether you chase likes or run for your life consent is not optional. Selfie Man escaped with his phone this time. But the streets are watching. What is your take content or crime. 😂

Mastardcesh

84,721 次观看 • 3 个月前

Claude Code + Google Stitch 2.0 is f*cking cracked 🤯 Google just dropped a free AI design agent that solves Claude Code's biggest weakness: frontend design. One screenshot of a high-converting landing page → a production-ready site for your brand in minutes. All inside Google Stitch + Claude Code. Perfect for DTC brands and agencies who are building advertorial pages and product launch pages for Meta but burning days on designer back-and-forth. If you're running Meta ads and need 5-10 different landing pages testing different hooks, angles, and offers — each one targeting a different audience and pain point — you know the bottleneck isn't the ads. It's the pages. Briefing designers, waiting for revisions, paying $2-5K per page. Stitch eliminates the design bottleneck: → Find a high-converting advertorial that's scaling on Meta → Screenshot it and drop it into Stitch (powered by Gemini 3.1) → Stitch redesigns it with your brand's colors, fonts, and imagery using Nano Banana 2 → Edit sections visually — headlines, CTAs, layouts — without touching code → Export the code and paste it into Claude Code → Claude builds the full production site and deploys to Vercel or Netlify in 60 seconds No designer. No $3K per landing page. No Claude Code frontend that looks like a template from 2019. What you get: → Designer-quality landing pages and advertorials built in minutes, not weeks → Visual editing so you actually see the design before you code it → Nano Banana 2 generating on-brand product imagery and hero shots → A repeatable system — new angle, new page, same pipeline Built 100% with Google Stitch 2.0 + Claude Code. I put together a full playbook showing the exact workflow: how to find winning pages, redesign them in Stitch, and deploy with Claude Code. Want it for free? > Like this post > Comment "STITCH" And I'll send it over (must be following so I can DM)

Mike Futia

126,469 次观看 • 6 个月前

Welp...FSD(V13.2.2) smacked right into a curb on the Cybertruck today...Both wheel caps are destroyed. I have re-watched the footage many times at this point and I am still puzzled as to why FSD decided to veer to the right. Quite frankly unacceptable behavior. To be abundantly clear, there was no one around me that would make FSD want to steer out of the way, I was not distracted at all and supervising the vehicle the entire time, and there was NO time to react to avoid this incident.. Thankfully no one was injured, and there seemingly is no additional damage to the vehicle or the wheels themself. Tesla AI team (Wes too), please feel free to use my vehicle's telemetry data or any additional data to look into this to avoid this happening in the future if you so choose. (DM me if any further info is needed) This is incredibly disappointing to me. I understand this is a "supervised" software but dang, does it sting when there is nothing you could have done to avoid this (Other than not using the software at all). To be clear, I still believe in the FSD mission, but I will not be using the software until the next revision. Lastly, and in some better news, the Tesla North America Ridgepoint service location did an incredible job at quickly checking my truck to make sure its safe to drive, and getting me some wheel covers IMMEDIATLY! As always, I appreciate you Ridgepoint team!

Welp...FSD(V13.2.2) smacked right into a curb on the Cybertruck today...Both wheel caps are destroyed. I have re-watched the footage many times at this point and I am still puzzled as to why FSD decided to veer to the right. Quite frankly unacceptable behavior. To be abundantly clear, there was no one around me that would make FSD want to steer out of the way, I was not distracted at all and supervising the vehicle the entire time, and there was NO time to react to avoid this incident.. Thankfully no one was injured, and there seemingly is no additional damage to the vehicle or the wheels themself. Tesla AI team (Wes too), please feel free to use my vehicle's telemetry data or any additional data to look into this to avoid this happening in the future if you so choose. (DM me if any further info is needed) This is incredibly disappointing to me. I understand this is a "supervised" software but dang, does it sting when there is nothing you could have done to avoid this (Other than not using the software at all). To be clear, I still believe in the FSD mission, but I will not be using the software until the next revision. Lastly, and in some better news, the Tesla North America Ridgepoint service location did an incredible job at quickly checking my truck to make sure its safe to drive, and getting me some wheel covers IMMEDIATLY! As always, I appreciate you Ridgepoint team!

Ben

102,474 次观看 • 1 年前

This guy built a mini AI farm out of 4 Nvidia boxes It does not look like a data center. It looks like a stack of small machines sitting next to a laptop. But each box is a DGX Spark with Grace Blackwell inside, 128GB unified memory, and enough room to run models normal gaming GPUs cannot even open. Using the launch price from the article, 4 of them is almost $12,000 of local AI compute on one desk. That sounds expensive until you compare it to cloud GPUs. A serious AI builder can burn $1,500 to $3,000 a month renting A100s and H100s for client work, fine-tunes, agents and 70B models. He basically moved that bill from the cloud into hardware he owns. 4 Nvidia boxes. 512GB unified memory. No hourly meter running in the background. No rented GPUs eating the margin every time an agent runs too long. The funny part is most people still think local AI means a slow laptop running a toy model. Meanwhile guys like this are stacking compute at home. Save this, local AI is turning into the new mining farm.

This guy built a mini AI farm out of 4 Nvidia boxes It does not look like a data center. It looks like a stack of small machines sitting next to a laptop. But each box is a DGX Spark with Grace Blackwell inside, 128GB unified memory, and enough room to run models normal gaming GPUs cannot even open. Using the launch price from the article, 4 of them is almost $12,000 of local AI compute on one desk. That sounds expensive until you compare it to cloud GPUs. A serious AI builder can burn $1,500 to $3,000 a month renting A100s and H100s for client work, fine-tunes, agents and 70B models. He basically moved that bill from the cloud into hardware he owns. 4 Nvidia boxes. 512GB unified memory. No hourly meter running in the background. No rented GPUs eating the margin every time an agent runs too long. The funny part is most people still think local AI means a slow laptop running a toy model. Meanwhile guys like this are stacking compute at home. Save this, local AI is turning into the new mining farm.

Gipp 🦅

591,405 次观看 • 3 个月前

Slow Progress is the New Reality of Modern Wars There are many people commenting on Russian difficulties and coming up with numerous reasons for their alleged collapse. I absolutely do not see any collapse; on the contrary, Russia has already normalized a state of war in Ukraine, which boosts its economic and industrial growth. The difficulties faced by Russia today are the same as at the beginning of the war, with soldiers having to spend up to half of their initial salaries on their own equipment, delays in pensions, and a series of other problems that are mirrored on the Ukrainian side, even with all the support from allies. The war today is much less lethal than it was months ago, and both Russian and Ukrainian losses have significantly decreased during this phase. Lethality has fallen, but Russian advances persist. And why are they slow? Is it a Ukrainian tactic? No. They are slow because they are accompanied by the deployment of communication infrastructure like signal repeaters for drones, the advancement of artillery guided by drones, maneuvers using FAB and more recently ODAB bombs against Ukrainian drone operators' facilities, infiltration by reconnaissance teams, saboteurs, and a series of protocols they have developed. That conventional war with rapid advances no longer exists, and in the context of a battlefield dominated by drones, it is unlikely to return. Modern wars will have slow progress, as seen in the attacks and counter-attacks of the Russians and Ukrainians in this war. Contemporary military forces are still unable to see this new reality of war. When analyzing the Russian advance, it's important to consider that all these maneuvers take days to unfold, but the point is that the Russians have already adapted to this pace, not bothered whether a particular advance will take 3 weeks or 3 months. They advance continuously following tactical protocols with little threat from Ukrainian forces, which, without new equipment, have had their defensive tactics remain almost unchanged over the past two years, relying mainly on drones and making it easier for Russian studies of countermeasures. And what can Ukraine do in this situation? I see few options, but one would be to delay the Russian advance with a good number of missiles, though personally, I find it unlikely that they will reach Ukrainian hands. It wouldn't have the power to change the balance of the war, but it would guarantee more time, which is important because the battlefield is dynamic, and the implementation of new tactics based on innovative weapons can change everything overnight. A war that seems almost lost today could take a different turn in weeks. Time is crucial for Ukraine, which has fronts only about 130 km from cities like Zaporizhia and Dnipro.

Slow Progress is the New Reality of Modern Wars There are many people commenting on Russian difficulties and coming up with numerous reasons for their alleged collapse. I absolutely do not see any collapse; on the contrary, Russia has already normalized a state of war in Ukraine, which boosts its economic and industrial growth. The difficulties faced by Russia today are the same as at the beginning of the war, with soldiers having to spend up to half of their initial salaries on their own equipment, delays in pensions, and a series of other problems that are mirrored on the Ukrainian side, even with all the support from allies. The war today is much less lethal than it was months ago, and both Russian and Ukrainian losses have significantly decreased during this phase. Lethality has fallen, but Russian advances persist. And why are they slow? Is it a Ukrainian tactic? No. They are slow because they are accompanied by the deployment of communication infrastructure like signal repeaters for drones, the advancement of artillery guided by drones, maneuvers using FAB and more recently ODAB bombs against Ukrainian drone operators' facilities, infiltration by reconnaissance teams, saboteurs, and a series of protocols they have developed. That conventional war with rapid advances no longer exists, and in the context of a battlefield dominated by drones, it is unlikely to return. Modern wars will have slow progress, as seen in the attacks and counter-attacks of the Russians and Ukrainians in this war. Contemporary military forces are still unable to see this new reality of war. When analyzing the Russian advance, it's important to consider that all these maneuvers take days to unfold, but the point is that the Russians have already adapted to this pace, not bothered whether a particular advance will take 3 weeks or 3 months. They advance continuously following tactical protocols with little threat from Ukrainian forces, which, without new equipment, have had their defensive tactics remain almost unchanged over the past two years, relying mainly on drones and making it easier for Russian studies of countermeasures. And what can Ukraine do in this situation? I see few options, but one would be to delay the Russian advance with a good number of missiles, though personally, I find it unlikely that they will reach Ukrainian hands. It wouldn't have the power to change the balance of the war, but it would guarantee more time, which is important because the battlefield is dynamic, and the implementation of new tactics based on innovative weapons can change everything overnight. A war that seems almost lost today could take a different turn in weeks. Time is crucial for Ukraine, which has fronts only about 130 km from cities like Zaporizhia and Dnipro.

Patricia Marins

39,318 次观看 • 1 年前

$Would you dare chase justice while swinging thousands of feet above traffic below? Seedance 2 prompt on BudgetPixel AI Create a 15-second ultra-realistic cinematic high-altitude tether-swinging action sequence in strict 16:9 landscape, native 4K, 24fps. Use one seamless continuous drone follow shot with no cuts, no teleporting, and no time skips. The motion must feel physically continuous, dynamic, thrilling, and always readable. REFERENCE: image1 = main heroine reference. Use image1 as the strict identity reference for the heroine’s face, facial proportions, hairstyle, hair color, body proportions, age impression, outfit, shoes, accessories, styling, and overall recognizable appearance. Preserve her identity consistently throughout the whole video. Keep her as an original urban tether-swinging action heroine. Do not redesign her into a branded superhero character. Do not add franchise logos, copyrighted chest emblems, or recognizable third-party superhero symbols. CORE CONCEPT: This is an original urban tether-swinging action short. The heroine moves through the city using thin wrist-launched fiber lines, momentum, wall-running, rooftop movement, and real parkour body mechanics. She travels at high altitude between tall buildings, then lands on a rooftop, defeats one villain, and ends with a powerful shout. HOOK: The first second must be an instant scroll-stopping hook. Start with the heroine already falling backward off the edge of a very tall skyscraper. For a brief moment, it looks like she may actually fall. Then she instantly fires one thin tether line upward, it catches, and her body snaps into a huge high-altitude swing between buildings. STYLE: Photorealistic live-action realism. Premium cinematic action quality. Bright daytime Los Angeles atmosphere with realistic haze, realistic motion blur, realistic fabric movement, realistic body weight, real inertia, and practical environmental interaction. The sequence should feel like a premium action movie shot, not animation, not a game cutscene, and not a cartoon. CAMERA: One uninterrupted drone follow shot only. No cuts. No resets. No jumpy edits. No impossible viewpoint teleporting. The drone camera must stay wide enough to show both the heroine and the environment together. It may tilt, roll, arc, climb, and dive with the motion, but it must always feel like one real flying camera tracking her. Keep the framing intense and fast, but always readable. ENVIRONMENT: Bright daytime in a dense modern city inspired by Los Angeles and Hollywood. Show: - tall glass and concrete high-rises - rooftop edges - billboards and signage - palm trees far below where visible - busy roads and traffic far beneath - bright haze and sunny atmosphere - believable large-scale urban depth The action must happen mainly high above the street between tall buildings, not low near the ground for most of the video. VILLAIN RULE: Only one villain appears in the entire video. The villain is one adult male enemy only. He wears a fitted black suit, black shirt, and black shoes. No mask, no armor, no fantasy costume. He appears only in the rooftop combat section. Do not generate multiple enemies. Do not generate background enemies. Do not clone or duplicate the villain. ACTION RULES: The heroine’s movement must feel hand-and-foot driven, not magical floating. She must visibly: - fire thin tether lines from her hands - swing with real tension and momentum - push off building surfaces - run along walls with clear foot placement - absorb landings with bent knees - sprint briefly on a rooftop - fight one villain using fast practical action - finish in control Her body mechanics must stay realistic: - core engaged during swings - arms extended or flexed according to line tension - knees bend on landing and push-off - visible transfer of momentum between swing, wall-run, leap, landing, and combat Do not make her hover weightlessly. Do not make the tether line act like magic. Do not make her float in place unnaturally. EMOTIONAL ARC: - opening: shock and immediate control - mid-swing: intense focus - rooftop approach: rising confidence - rooftop fight: sharp aggression and urgency - ending: victorious adrenaline and fearless release AUDIO: No music. Effects and ambience only: - rushing wind - tether firing and tension snaps - air pass-by - foot impacts on walls and rooftop surfaces - city ambience far below - distant traffic and horns - fabric movement - breathing - one short rooftop fight impact sequence - one powerful final shout from the heroine TIMELINE: 0:00–0:01 Start from black into a shocking rooftop-edge fall. The heroine is already dropping backward off a skyscraper. For a fraction of a second it feels dangerous and uncontrolled. She immediately flicks her wrist and fires one thin tether line upward. It catches instantly. The drone yanks back and reveals the start of a huge swing. 0:01–0:04 The heroine swings at high altitude between tall buildings. The city is far below. Her body forms a long aerodynamic arc, one arm holding tension through the line, legs trailing cleanly behind. The drone follows wide and slightly rolled, emphasizing height, speed, and scale. 0:04–0:06 At the swing’s forward rise, she releases the line and redirects toward a nearby glass-and-concrete building. She plants onto the wall and runs across it diagonally with 4 to 5 clear steps. Her feet hit the wall with visible force. Her jaw is set and focused. The drone stays close but wide enough to keep the city depth visible. 0:06–0:08 She pushes explosively off the wall, fires a new tether line, and swings again through a narrower corridor between tall buildings. The movement should feel faster and more controlled now. She threads cleanly through the urban gap and angles toward a rooftop landing zone ahead. 0:08–0:09.5 She releases the line and lands hard but controlled on a rooftop. Knees bend deeply to absorb impact. She rolls into a short forward recovery step, then rises immediately into a sprint across the rooftop surface. 0:09.5–0:12 One villain in a black suit steps in to stop her. Keep only this single enemy. The heroine engages him in a short, sharp rooftop fight. She avoids his first attack with a quick slip, grabs or redirects his arm, drives one fast body shot or elbow, then uses his off-balance momentum to throw or slam him down onto the rooftop. The fight must feel quick, practical, and decisive. Real impact reactions. No slow choreography. No extra enemies. 0:12–0:13.5 The villain is down and no longer a threat. The heroine steps past him and moves to the rooftop edge. Wind moves her hair and outfit. She looks outward over the city with intense adrenaline and triumph. 0:13.5–0:15 At the rooftop edge, she turns slightly toward the open skyline, lifts her chest, and shouts one powerful final line: “가자!” She immediately launches forward off the rooftop edge into another leap just as the clip ends. End on the feeling that the action is continuing beyond the cut. IMPORTANT RULES: - one continuous drone follow shot only - no cuts - no teleporting - no cloning - no multiple villains - only one black-suited villain - no giant web canopy - use only thin functional tether lines - no franchise logos - no copyrighted chest symbols - preserve the uploaded identity consistently - action must stay realistic and momentum-driven - rooftop fight must be short, sharp, and readable - final shout must be “가자!” NEGATIVE: no cartoon, no anime, no game-engine look, no fake CGI stiffness, no floating, no weightless hovering, no random disconnected acrobatics, no city-wide web canopy, no superhero logo, no copyrighted spider emblem, no extra enemies, no masked villain, no armored villain, no cloned villain, no empty city, no dark night setting, no rain, no slow motion, no blurred identity, no outfit drift, no face drift, no extra limbs, no broken anatomy, no unrealistic hand deformation, no collision with buildings during swings, no messy unreadable fight.$

Would you dare chase justice while swinging thousands of feet above traffic below? Seedance 2 prompt on BudgetPixel AI Create a 15-second ultra-realistic cinematic high-altitude tether-swinging action sequence in strict 16:9 landscape, native 4K, 24fps. Use one seamless continuous drone follow shot with no cuts, no teleporting, and no time skips. The motion must feel physically continuous, dynamic, thrilling, and always readable. REFERENCE: image1 = main heroine reference. Use image1 as the strict identity reference for the heroine’s face, facial proportions, hairstyle, hair color, body proportions, age impression, outfit, shoes, accessories, styling, and overall recognizable appearance. Preserve her identity consistently throughout the whole video. Keep her as an original urban tether-swinging action heroine. Do not redesign her into a branded superhero character. Do not add franchise logos, copyrighted chest emblems, or recognizable third-party superhero symbols. CORE CONCEPT: This is an original urban tether-swinging action short. The heroine moves through the city using thin wrist-launched fiber lines, momentum, wall-running, rooftop movement, and real parkour body mechanics. She travels at high altitude between tall buildings, then lands on a rooftop, defeats one villain, and ends with a powerful shout. HOOK: The first second must be an instant scroll-stopping hook. Start with the heroine already falling backward off the edge of a very tall skyscraper. For a brief moment, it looks like she may actually fall. Then she instantly fires one thin tether line upward, it catches, and her body snaps into a huge high-altitude swing between buildings. STYLE: Photorealistic live-action realism. Premium cinematic action quality. Bright daytime Los Angeles atmosphere with realistic haze, realistic motion blur, realistic fabric movement, realistic body weight, real inertia, and practical environmental interaction. The sequence should feel like a premium action movie shot, not animation, not a game cutscene, and not a cartoon. CAMERA: One uninterrupted drone follow shot only. No cuts. No resets. No jumpy edits. No impossible viewpoint teleporting. The drone camera must stay wide enough to show both the heroine and the environment together. It may tilt, roll, arc, climb, and dive with the motion, but it must always feel like one real flying camera tracking her. Keep the framing intense and fast, but always readable. ENVIRONMENT: Bright daytime in a dense modern city inspired by Los Angeles and Hollywood. Show: - tall glass and concrete high-rises - rooftop edges - billboards and signage - palm trees far below where visible - busy roads and traffic far beneath - bright haze and sunny atmosphere - believable large-scale urban depth The action must happen mainly high above the street between tall buildings, not low near the ground for most of the video. VILLAIN RULE: Only one villain appears in the entire video. The villain is one adult male enemy only. He wears a fitted black suit, black shirt, and black shoes. No mask, no armor, no fantasy costume. He appears only in the rooftop combat section. Do not generate multiple enemies. Do not generate background enemies. Do not clone or duplicate the villain. ACTION RULES: The heroine’s movement must feel hand-and-foot driven, not magical floating. She must visibly: - fire thin tether lines from her hands - swing with real tension and momentum - push off building surfaces - run along walls with clear foot placement - absorb landings with bent knees - sprint briefly on a rooftop - fight one villain using fast practical action - finish in control Her body mechanics must stay realistic: - core engaged during swings - arms extended or flexed according to line tension - knees bend on landing and push-off - visible transfer of momentum between swing, wall-run, leap, landing, and combat Do not make her hover weightlessly. Do not make the tether line act like magic. Do not make her float in place unnaturally. EMOTIONAL ARC: - opening: shock and immediate control - mid-swing: intense focus - rooftop approach: rising confidence - rooftop fight: sharp aggression and urgency - ending: victorious adrenaline and fearless release AUDIO: No music. Effects and ambience only: - rushing wind - tether firing and tension snaps - air pass-by - foot impacts on walls and rooftop surfaces - city ambience far below - distant traffic and horns - fabric movement - breathing - one short rooftop fight impact sequence - one powerful final shout from the heroine TIMELINE: 0:00–0:01 Start from black into a shocking rooftop-edge fall. The heroine is already dropping backward off a skyscraper. For a fraction of a second it feels dangerous and uncontrolled. She immediately flicks her wrist and fires one thin tether line upward. It catches instantly. The drone yanks back and reveals the start of a huge swing. 0:01–0:04 The heroine swings at high altitude between tall buildings. The city is far below. Her body forms a long aerodynamic arc, one arm holding tension through the line, legs trailing cleanly behind. The drone follows wide and slightly rolled, emphasizing height, speed, and scale. 0:04–0:06 At the swing’s forward rise, she releases the line and redirects toward a nearby glass-and-concrete building. She plants onto the wall and runs across it diagonally with 4 to 5 clear steps. Her feet hit the wall with visible force. Her jaw is set and focused. The drone stays close but wide enough to keep the city depth visible. 0:06–0:08 She pushes explosively off the wall, fires a new tether line, and swings again through a narrower corridor between tall buildings. The movement should feel faster and more controlled now. She threads cleanly through the urban gap and angles toward a rooftop landing zone ahead. 0:08–0:09.5 She releases the line and lands hard but controlled on a rooftop. Knees bend deeply to absorb impact. She rolls into a short forward recovery step, then rises immediately into a sprint across the rooftop surface. 0:09.5–0:12 One villain in a black suit steps in to stop her. Keep only this single enemy. The heroine engages him in a short, sharp rooftop fight. She avoids his first attack with a quick slip, grabs or redirects his arm, drives one fast body shot or elbow, then uses his off-balance momentum to throw or slam him down onto the rooftop. The fight must feel quick, practical, and decisive. Real impact reactions. No slow choreography. No extra enemies. 0:12–0:13.5 The villain is down and no longer a threat. The heroine steps past him and moves to the rooftop edge. Wind moves her hair and outfit. She looks outward over the city with intense adrenaline and triumph. 0:13.5–0:15 At the rooftop edge, she turns slightly toward the open skyline, lifts her chest, and shouts one powerful final line: “가자!” She immediately launches forward off the rooftop edge into another leap just as the clip ends. End on the feeling that the action is continuing beyond the cut. IMPORTANT RULES: - one continuous drone follow shot only - no cuts - no teleporting - no cloning - no multiple villains - only one black-suited villain - no giant web canopy - use only thin functional tether lines - no franchise logos - no copyrighted chest symbols - preserve the uploaded identity consistently - action must stay realistic and momentum-driven - rooftop fight must be short, sharp, and readable - final shout must be “가자!” NEGATIVE: no cartoon, no anime, no game-engine look, no fake CGI stiffness, no floating, no weightless hovering, no random disconnected acrobatics, no city-wide web canopy, no superhero logo, no copyrighted spider emblem, no extra enemies, no masked villain, no armored villain, no cloned villain, no empty city, no dark night setting, no rain, no slow motion, no blurred identity, no outfit drift, no face drift, no extra limbs, no broken anatomy, no unrealistic hand deformation, no collision with buildings during swings, no messy unreadable fight.

Sharon Riley

59,224 次观看 • 1 个月前

HIGGSFIELD + FABLE 5 MADE A SITE THAT LOOKS LIKE A $35,000 STUDIO JOB FOR $12. NOBODY'S CLOCKED IT YET. the cheap giveaway of an AI-built site is always the same: stocky visuals, dead scroll, zero polish. this skips all three. what actually makes it read as $35k: → REAL MOTION, NOT STOCK the clips come from 30+ generative models, matched to your story - not the same three stock loops everyone's already seen. → SCROLL WITH WEIGHT GSAP ScrollTrigger + Lenis give it pacing and feel - pinned sections, scrubbed video, reveals that land. this is the thing that makes expensive sites feel expensive. → THE CINEMATIC LAYER film grain, particles, vignette, glass cards, color tints - baked in, no config. it's the polish agencies charge a designer for. → TASTE IS THE INPUT the AI executes; you direct. point real judgment at the stack and it ships premium. point lazy prompts at it and yeah - you get slop. that part's on you. CONNECT HIGGSFIELD (MCP): add it as a custom connector in Claude Code: - mcp_servers: - higgsfield: - url: " one OAuth flow. Claude generates and pulls clips directly - no exporting by hand. THE MATH: → what a studio charges: $6,000-$35,000+ → what it costs you: a Claude sub + a few dollars of Higgsfield credits → what it takes: 4 people + 3 weeks → 1 operator + 1 session the tools were never the bottleneck. taste was. now taste is the only input left. Follow me, reply "LAUNCH" and I'll send you the full step-by-step Playbook. full breakdown in the article 👇

HIGGSFIELD + FABLE 5 MADE A SITE THAT LOOKS LIKE A $35,000 STUDIO JOB FOR $12. NOBODY'S CLOCKED IT YET. the cheap giveaway of an AI-built site is always the same: stocky visuals, dead scroll, zero polish. this skips all three. what actually makes it read as $35k: → REAL MOTION, NOT STOCK the clips come from 30+ generative models, matched to your story - not the same three stock loops everyone's already seen. → SCROLL WITH WEIGHT GSAP ScrollTrigger + Lenis give it pacing and feel - pinned sections, scrubbed video, reveals that land. this is the thing that makes expensive sites feel expensive. → THE CINEMATIC LAYER film grain, particles, vignette, glass cards, color tints - baked in, no config. it's the polish agencies charge a designer for. → TASTE IS THE INPUT the AI executes; you direct. point real judgment at the stack and it ships premium. point lazy prompts at it and yeah - you get slop. that part's on you. CONNECT HIGGSFIELD (MCP): add it as a custom connector in Claude Code: - mcp_servers: - higgsfield: - url: " one OAuth flow. Claude generates and pulls clips directly - no exporting by hand. THE MATH: → what a studio charges: $6,000-$35,000+ → what it costs you: a Claude sub + a few dollars of Higgsfield credits → what it takes: 4 people + 3 weeks → 1 operator + 1 session the tools were never the bottleneck. taste was. now taste is the only input left. Follow me, reply "LAUNCH" and I'll send you the full step-by-step Playbook. full breakdown in the article 👇

ZEUS⚡️

80,782 次观看 • 2 个月前

I'M SHOCKED – ALMOST NOBODY IS USING GROK BOT THE RIGHT WAY. A LEAD ENGINEER AT SPACEX AI JUST DROPPED A 1-HOUR COURSE ON HOW IT'S ACTUALLY DONE. HERE'S ALL OF IT IN 60 SECONDS. The mistake almost everyone makes: they hand Grok Bot random one-off tasks. That's it. That's the whole reason it still feels like a chatbot to you. Here's the system he teaches instead – five parts: → ROLE – stop assigning tasks, create permanent roles. Chief of Staff, Inbox Manager, Researcher, Developer, Reviewer. A bot with a job title beats a bot with a to-do list → TOOLS – connect each bot to what it actually needs: Gmail, Slack, Calendar, Notion, GitHub. It does the work on its own persistent cloud computer → SKILL – teach it your workflow. Write the instructions, or just record yourself doing the job once – Grok Bot turns that demonstration into a reusable skill → ROUTINE – anything you repeat becomes a routine. It runs on a schedule or fires off an event, with your laptop closed → TEAM – group the bots together. The lead bot delegates, the specialists work in parallel, and you set approval rules before anything sends an email, moves a calendar or pushes code The one honest catch: a new bot still needs context and some hand-holding on its first few runs. But that's the entire system. Role → Tools → Skill → Routine → Team. Everyone else is still typing one-off prompts into Grok Bot and wondering why nothing compounds. Bookmark this & read the full breakdown in the article below ↓

I'M SHOCKED – ALMOST NOBODY IS USING GROK BOT THE RIGHT WAY. A LEAD ENGINEER AT SPACEX AI JUST DROPPED A 1-HOUR COURSE ON HOW IT'S ACTUALLY DONE. HERE'S ALL OF IT IN 60 SECONDS. The mistake almost everyone makes: they hand Grok Bot random one-off tasks. That's it. That's the whole reason it still feels like a chatbot to you. Here's the system he teaches instead – five parts: → ROLE – stop assigning tasks, create permanent roles. Chief of Staff, Inbox Manager, Researcher, Developer, Reviewer. A bot with a job title beats a bot with a to-do list → TOOLS – connect each bot to what it actually needs: Gmail, Slack, Calendar, Notion, GitHub. It does the work on its own persistent cloud computer → SKILL – teach it your workflow. Write the instructions, or just record yourself doing the job once – Grok Bot turns that demonstration into a reusable skill → ROUTINE – anything you repeat becomes a routine. It runs on a schedule or fires off an event, with your laptop closed → TEAM – group the bots together. The lead bot delegates, the specialists work in parallel, and you set approval rules before anything sends an email, moves a calendar or pushes code The one honest catch: a new bot still needs context and some hand-holding on its first few runs. But that's the entire system. Role → Tools → Skill → Routine → Team. Everyone else is still typing one-off prompts into Grok Bot and wondering why nothing compounds. Bookmark this & read the full breakdown in the article below ↓

SCOTTY BEAM

97,697 次观看 • 28 天前

Ok, that's amazing. 🦄 A side by side three.js comparison - with GitMCP and without. GitMCP's story originally started from a tweet by Three.js about their large, non-LLM-digestable, documentation file. Ido Salomon and I ended up creating a cool generic documentation MCP server, but we didn't forget threejs and mrdoob. So we put it to the test. Using GitMCP, I gave this prompt to Cursor + Claude 3.7: "Build a Three.js scene featuring a controllable realistic person navigating a textured dynamic urban environment with realistic lighting and subtle bloom effects. Ensure keyboard controls (WASD) for movement." This is the result. To the right is the one-shot result with our MCP server. To the left is the result without it, based just on Cursor's limited knowledge. The video is pretty conclusive. 🤯 It's really amazing since Cursor already knows a lot about three.js, but with our dedicated documentation MCP server it just outputs better results. And for all other libraries out there - that are not included in Cursor - this is a total game changer. A huge shout out to Cloudflare Developers and Anni Wang, who worked with us yesterday to quickly insert new capabilities in their AutoRAG feature (that enables indexing large amount of documentation) according to our specific needs, and to troubleshoot issues. It was very helpful. Knowledge is power, and that applies for every coding assitant. And not just for three.js! Check out GitMCP for any library you're using - link in the next comment.

Ok, that's amazing. 🦄 A side by side three.js comparison - with GitMCP and without. GitMCP's story originally started from a tweet by Three.js about their large, non-LLM-digestable, documentation file. Ido Salomon and I ended up creating a cool generic documentation MCP server, but we didn't forget threejs and mrdoob. So we put it to the test. Using GitMCP, I gave this prompt to Cursor + Claude 3.7: "Build a Three.js scene featuring a controllable realistic person navigating a textured dynamic urban environment with realistic lighting and subtle bloom effects. Ensure keyboard controls (WASD) for movement." This is the result. To the right is the one-shot result with our MCP server. To the left is the result without it, based just on Cursor's limited knowledge. The video is pretty conclusive. 🤯 It's really amazing since Cursor already knows a lot about three.js, but with our dedicated documentation MCP server it just outputs better results. And for all other libraries out there - that are not included in Cursor - this is a total game changer. A huge shout out to Cloudflare Developers and Anni Wang, who worked with us yesterday to quickly insert new capabilities in their AutoRAG feature (that enables indexing large amount of documentation) according to our specific needs, and to troubleshoot issues. It was very helpful. Knowledge is power, and that applies for every coding assitant. And not just for three.js! Check out GitMCP for any library you're using - link in the next comment.

Liad Yosef

41,745 次观看 • 1 年前

🇷🇺 Nothing says ‘wartime leadership’ and ‘patriotism’ quite like throwing a $112,000 birthday party at one of Moscow's most expensive restaurants. After an explosion struck Balzi Rossi during Russian Aerospace Forces commander Alexander Chaiko's birthday party, Z-channels spent less time condemning the attack than questioning what Chaiko was doing there in the first place. “Only in our country are important facilities burning every day while some f*cking general celebrates his birthday with a 9-million-ruble party.” — TG channel ‘Боевой резерв’ “If the target of the terrorist attack was senior military officers, why were they in a restaurant? Have we already won the war? Are there no problems at the front? A strange place to be stationed.” — TG channel ‘На связи АДМИН RSOTM’ “The Khokhols tried to kill yet another top military commander — this time the commander of an entire branch of the armed forces. Along with all his guests, meaning a whole crowd of elite officers. Only the professionalism and heroism of the security officer, may he rest in peace, prevented it. And let me add, in case anyone hasn't noticed: in just one week they've tried to kill a top general and two drone manufacturers (one of whom is in critical condition). Meanwhile, we still insist on being ‘better than them.’ We don't assassinate anyone. We don't even try. What are we waiting for? Until they go after the grandpa at the top? And what if they succeed?” — TG channel ‘ШЕКСПИР’ “What's the takeaway? The commander should focus on the war and defeating terrorists instead of wandering around restaurants where soup costs 6,000 rubles. He felt like the 'elite' a little too early. During wartime, anniversaries should be celebrated with family and trusted friends. Elite restaurants can wait until after victory.” — TG channel ‘СВАРЩИКИ’ “Nothing surprising here. Everyone knows the condition the Aerospace Forces' infantry regiments are in... The commander, who has never distinguished himself as a military leader anywhere, somehow... was trying to conquer a banquet hall instead.” — TG channel ‘Репортер Filatov’ “There's a war on, and they're out partying in restaurants, holding banquets, for f*ck's sake.” — TG channel ‘No Pasaran’ “Balzi Rossi is one of the most expensive restaurants in Moscow. In 2021 it was put up for sale for nearly one billion rubles. It's a restaurant for the very wealthy: Yana Rudkovskaya, Victoria Bonya, government officials, and politicians have all celebrated birthdays there. The prices are eye-watering... The situation has generated not so much sympathy as disappointment and outrage. People say that a recently appointed general chose one of Moscow's most fashionable venues to celebrate his birthday. Our people still can't seem to grasp that there's a war on and we're all in the crosshairs. And then there's the elitist attitude of those in uniform — not barbecuing at the dacha, but renting out an ultra-expensive restaurant.” — Anastasia Kashevarova. Video: Balzi Rossi staff prepare for Chaiko's birthday party.

🇷🇺 Nothing says ‘wartime leadership’ and ‘patriotism’ quite like throwing a $112,000 birthday party at one of Moscow's most expensive restaurants. After an explosion struck Balzi Rossi during Russian Aerospace Forces commander Alexander Chaiko's birthday party, Z-channels spent less time condemning the attack than questioning what Chaiko was doing there in the first place. “Only in our country are important facilities burning every day while some fcking general celebrates his birthday with a 9-million-ruble party.” — TG channel ‘Боевой резерв’ “If the target of the terrorist attack was senior military officers, why were they in a restaurant? Have we already won the war? Are there no problems at the front? A strange place to be stationed.” — TG channel ‘На связи АДМИН RSOTM’ “The Khokhols tried to kill yet another top military commander — this time the commander of an entire branch of the armed forces. Along with all his guests, meaning a whole crowd of elite officers. Only the professionalism and heroism of the security officer, may he rest in peace, prevented it. And let me add, in case anyone hasn't noticed: in just one week they've tried to kill a top general and two drone manufacturers (one of whom is in critical condition). Meanwhile, we still insist on being ‘better than them.’ We don't assassinate anyone. We don't even try. What are we waiting for? Until they go after the grandpa at the top? And what if they succeed?” — TG channel ‘ШЕКСПИР’ “What's the takeaway? The commander should focus on the war and defeating terrorists instead of wandering around restaurants where soup costs 6,000 rubles. He felt like the 'elite' a little too early. During wartime, anniversaries should be celebrated with family and trusted friends. Elite restaurants can wait until after victory.” — TG channel ‘СВАРЩИКИ’ “Nothing surprising here. Everyone knows the condition the Aerospace Forces' infantry regiments are in... The commander, who has never distinguished himself as a military leader anywhere, somehow... was trying to conquer a banquet hall instead.” — TG channel ‘Репортер Filatov’ “There's a war on, and they're out partying in restaurants, holding banquets, for fck's sake.” — TG channel ‘No Pasaran’ “Balzi Rossi is one of the most expensive restaurants in Moscow. In 2021 it was put up for sale for nearly one billion rubles. It's a restaurant for the very wealthy: Yana Rudkovskaya, Victoria Bonya, government officials, and politicians have all celebrated birthdays there. The prices are eye-watering... The situation has generated not so much sympathy as disappointment and outrage. People say that a recently appointed general chose one of Moscow's most fashionable venues to celebrate his birthday. Our people still can't seem to grasp that there's a war on and we're all in the crosshairs. And then there's the elitist attitude of those in uniform — not barbecuing at the dacha, but renting out an ultra-expensive restaurant.” — Anastasia Kashevarova. Video: Balzi Rossi staff prepare for Chaiko's birthday party.

Natalka

51,806 次观看 • 1 个月前