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will miss the burn this year. it’s always been a place of inspiration for me. it’s spontaneous and magical. when I first went 14 years ago I wasn’t booked by any camps. I just pulled up to friends art cars .. random as fuck laptop out covered in dust .. playing dance at sunrise to anyone that rode by me.. eventually a crowd would form out of curiosity . or reggae at sunset . it was a world that the burners just made up everything can be improvised. one of the most bizarre sets was me skrillex and tale of us in (maybe 2014?) in a giant dust storm while the man burned . the more I went the more I played . the bigger the crowds the more the chaos and animosity of an outsider like me coming to the playa unhinged . once I even photoshopped popeyes on a jet and said they sponsored my trip . (burning man politicians asked me to delete that and patrons called for me to be banned- I guess sarcasm is lost after too much ketamine from the higher ups) but it doesn’t matter - u can hear whispers that’s “it’s not like it used be” from the old timers and the plug and play veterans on holiday from their hedge funds . the event is what you make of it .. there is nothing like it in the world . no matter who u are - you create a world that feels like walking thru outer space . maybe u see your first public sex in the sand! you are gonna fall in love with an angel at center camp doing acro yoga or rethink your shitty life or marriage. maybe you cry for an hour at the temple remembering your mother or just seeing a picture of someone’s sister or dog that just spontaneously gives your grief .. that’s the most powerful drug I have ever done at the burn.. or learn that you would rather be a fire dancer or sword swallower (not like the ones at the orgy dome) instead of a lawyer . maybe you end up on fox news talking about the apocalypse after the rainstorm 2023. or maybe your just gay and you figured that out during carl cox disco set. anyway fuck it . everyone should go once but I think my time is up. ❤️ glad to be part of the lore and carry on faithful burners . 📟

diplo

13,587 görüntüleme • 11 ay önce

The “I never wanted any of this to be public or content” Myth I never wanted any of this to come out. Except I actually mean that. It’s embarrassing, it’s trashy, and it’s the opposite of how I want to present myself publicly. I stayed silent for months while lie after lie was spun about me behind the scenes because I didn’t want to air private, messy moments from a relationship I genuinely cared about. I stayed silent out of fear, because I was told no one would believe me because he would be blindly believed on his large platform. In one of our very last conversations before I blocked him everywhere mid-October, he threatened to do a show on me, contact my employer, and “turn me into the next Lindsey”. Why? Because I didn’t want to continue apologizing to him for the 300th time about venting to someone I thought was a friend. I stayed silent because of these threats. But after Wednesday, after Chelsea posted the private video Aidan gave her, (the same one he threatened me with directly back on 10/2), and after the gaslighting posts yesterday, I don’t have a choice anymore. So here is the timeline. Here are the receipts. Here is what actually happened. September-October 2025- I Stayed Silent Through Months of Smear Campaigns For months, several creators repeated the same false narrative that “Aidan never said a bad word about Meredith.” Jess. Glarer. Auntie Deb. Kim. Ray from Dallas. Others. Meanwhile, Aidan was: • Badmouthing me privately and encouraging others to do so publicly, • Texting Joe “Flipperhead” entire paragraphs trashing me, • Aidan knew Joe would leak them (and even bragged on a stream that he did exactly that so he’d leak them), • Sending Jess Machado after me for months on her large platform, • Directing people behind the scenes to paint me as a villain. • Sending random people who supported me DMs to change their mind (yes Aidan, not everyone is fooled by your bullshit and they came right to me). I ignored all of it. I said nothing. I stayed silent through daily lies because I didn’t want to call more attention to it or face Aidan’s wrath. November 2025 -The Rumors About “March 4”, Joe Flipperhead Flips to Team Aidan Aidan texted Joe his entire made-up version weeks ago. Joe circulated those texts on purpose. Joe threatened me with posting a video montage of mine and Aidan’s private texts. Joe is a pussy so he eventually had Kristy post it for him. Creators discussed it publicly without me ever responding. I STILL didn’t defend myself. November 26-27, 2025- Ratchet Chelsea: The Full 48 Hour Meltdown 11/26/25- The Unprovoked Attack & The March 4 Video On Tuesday night, Chelsea came out of nowhere and launched herself straight at me, accusing me of all kinds of conspiracies from harassment to the horrific crime of sending a friend request, which is explained in vivid detail in the below post (she’s since gone somewhat viral, love this for her!) She spent the next 24 hours thoroughly embarrassing herself and the moment anyone challenged her story even slightly, she did what she always does: she imploded. Her accusations spiraled into her posting the March 4 video. On 11/26/25 at 11:08 PM, Chelsea posted the first clip–a blanket, context-less snippet of me drunk saying something I immediately apologized for the next morning. At 11:50 PM, I responded because at that point, I had no choice. 11/27/25-The Gaslighting & 9-Minute Backpedal Then yesterday, Aidan tried to save face by posting that he “didn’t want the video to be public.” And like clockwork, nine minutes later, Chelsea came charging into the comments like a Temu-sponsored bat out of hell, scrambling to apologize, trying to rewrite reality so it looked like he didn’t send her to do it. It was panicked, sloppy damage control. An amateur quality cover-up attempt that only made it more obvious how coordinated this all was. She wasn’t apologizing because she grew a conscience. She was apologizing because she got caught doing exactly what she’d been primed to do. I wonder if Aidan called her “you should’ve waited at least 20 minutes, dumbass!!!”. Not too bright that Chelsea. I can only imagine the regrets he must have for utilizing someone with the IQ of a pencil to do his dirty work. The Coordination Between Aidan & Chelsea Is Obvious Chelsea had virtually NO followers Wednesday morning. Aidan was one of the first. We’re supposed to believe someone with 150k followers just stumbled on an account that starts posting HIS private messages and HIS private videos? Kk. Aidan commented on her posts that same day, clearly encouraging it. She confirmed in my DMs back on 11/6 that she and Aidan were aligned. And she literally wrote at 4:04 AM that she had “proof,” videos & screenshots she would release if I didn’t “stop calling” her, calls she still hasn’t produced a single shred of proof of. Then yesterday within 9 minutes of his post, she writes: “Sorry for going rogue, Aidan, I hope you don’t hate my guts.” Going rogue? From WHAT? Who gave you the material in the first place? The coordination is obvious to anyone with functioning brain cells. The “I never wanted this public” lie Aidan’s post yesterday claimed he “never wanted this to be public.” If this were true, why did he instruct Chelsea to post it? Why did he share it with Jess Machado to threaten me with for the last month? Why did he share it with Joe Flipperhead, and God knows who else? If he didn’t want it public, he wouldn’t have shared it with anyone, let alone the girl I caught him cheating with. The timeline is clear– Chelsea posted a video at 11:08 pm on Thanksgiving Eve, I responded at 11:50 out of self defense. He leaked first. He escalated first. He weaponized it first. Trying to rewrite that now is gaslighting, pure and simple. He's been lighting matches behind the scenes for months, praying for this to go public. The “Meredith accused him of abuse” narrative is FALSE My actions tell the truth: • I never went to police. • I never filed anything. • I never told anyone he hit me. • I never repeated it. • I apologized the next day. • We stayed together for FOUR more months after that night. • He called me 100+ times some days, even indicating he’d end his life if we broke up. If he believed I was “dangerous,” his actions would have said that. They didn’t. The only reason this is public now is because HE leaked it. Actions > drunk slurred words said because a camera was shoved in my face when I asked him repeatedly to stop filming and to leave. The Wilbur Theatre Rumors—Let’s get petty for a second. This is another topic I’m cringing at discussing but we can thank Aidan for since he shared our sexual messages with Joe Flipperhead. And since some people (Auntie Deb, sweetie, this means you) insist on pushing their Dollar Store fan-fiction about the Wilbur Theatre night, let’s actually walk through what happened, using facts instead of whatever drug-induced hallucinations you’ve been spinning this week. The rumor goes like this- I was “mad at Aidan because we didn’t hook up,” and to “prove” it, they trot out a cherry-picked text where I said I wanted to hook up, he didn’t answer, and the next morning I said I was drunk and sorry. And somehow this has been spun into me being desperate, obsessed, or pining like a background character in a teenage soap opera. Adorable. Wrong, but adorable. Here’s the real plot twist-Aidan and I had already been together literally two days earlier, and shocker-that was initiated by him, not me. I didn’t just “show up at the Wilbur”. He invited me to come to the after party at Encore knowing I had a wedding earlier in the night. I wanted to see my friends there who I actually met to go with. This wasn’t a surprise, it was planned ahead of time. The “I was drunk, sorry” message wasn’t heartbreak. It wasn’t longing. It was me politely tapping the brakes because I didn’t even want to entertain whatever bad path it could lead us back down. And then? He texted me asking about my brother’s wedding, how I am, etc. I ignored him for a full week. Until I had no choice but to speak to him about MereNeill. That silence, from me, is what triggered his latest meltdown. Not mine. His. So no, Auntie Deb, your version isn’t “a different perspective.” It’s just wrong. Like wildly, hilariously, not-even-in-the-ballpark wrong. But sure, keep spinning fanfic if it makes your livestreams feel more exciting. I realize it’s probably been awhile since you’ve had any action since you’ve let yourself go so badly, so you live vicariously through others. Recap For MONTHS I ignored: • the texts he sent Joe to leak • the smear campaign • the creators parroting lies • the behind-the-scenes messages • the insinuations I hacked him and even shared revenge porn • the constant coordinated attacks • the threats of “turning me into the next Lindsey” • his warning that everyone would believe him because of his platform • the threats to contact my employer I didn’t clap back, didn’t retaliate, didn’t respond. But Wednesday, when Chelsea dumped the video he gave her, the same video she threatened weeks ago to drop, AND he posted pretending he didn’t want this all out? That was the line. They chose the nuclear option. Now I’m responding with facts in pure self-defense. Conclusion/Message for Temu Storm This entire mess could have stayed private. I wanted it to stay private. But when someone leaks your private moments, lies about your intentions, weaponizes your past, and coordinates an online attack, you either let the false narrative stand or you defend yourself. I’m choosing to defend myself with receipts, not gossip. With timelines, not “he said.” With evidence, not weaponized drunk clips. And then there’s Aidan’s favorite delusion. The claim that I was ‘working with Karen behind the scenes’ or ‘conspiring with her to get him in trouble for the recording.’ That could not be further from the truth. I didn’t even know he had recorded her until after she already knew about it herself. I wasn’t working with her, plotting with her, or communicating with her about it. She and I have always been friendly, but we didn’t even discuss the recording until it started leaking and Joe Flipperhead went feral on Twitter. Meanwhile, Aidan spent weeks screaming at me, accusing me of being some kind of secret double agent, like he was trying to create the betrayal he was terrified of. Almost a self-fulfilling prophecy. And here’s the reality: in the last few weeks, after he’s gone fully scorched earth on me, I have talked to her, and I support her 100%. The things he’s done to her over the past couple years, and the way he twisted it all for his followers, is the exact same manipulation I lived through. I’m not going into her details because that’s her story to tell… but let’s just say I have a feeling you’ll be hearing it sooner rather than later. And since this week has apparently become “Let’s All Fixate on Meredith Week,” let me address the content-creator sideshow, too. Some of you are strangers, while some I actually considered my friends. It’s shocking but not shocking how quickly you all flip a switch and follow your captain’s orders. Ray from Dallas spent his Sunday foaming at the mouth in a hostile little video about me, all bark, no substance. I saw it. I’m not intimidated. Mostly, I’m embarrassed for you. And your family(ies) will feel the same when your ass is doxxed next week. Can’t wait to tAkE tHaT WaLk with you! Then there’s Will, who’s gone on multiple streams calling me “crazy” and pretending he’s scared of me, despite me being nothing but nice to him. Why? Because he thinks I was the first one to tell Karen he heard the recording, which he absolutely did (unless Aidan is lying about who he played it for, but we know he’s actually telling the truth on this for once). She was informed of it the very next day, which is why she called you and you know this. This was two full days before I was even aware of a call at all. Will, for someone with your track record, maybe sit the “women are dangerous” narrative out. You’re not fooling anyone. I’m staring at 15 pages of police reports and no, it’s not all “things you’ve owned up for in the past”. You know this. Again, I’d take a very large seat here. And then my personal favorite-ex-fake friend Auntie Deb, who decided to spice up his Spaces on Thanksgiving by accusing me of distributing revenge porn with zero evidence, zero screenshots, zero anything. A completely fabricated felony tossed around like it’s gossip hour at the bingo hall. Considering your own professional history, James, I’d hope you of all people would understand how catastrophic false accusations can be, but apparently not. It would be a shame if I were to share the real reason around your separation at the middle school and how you wanted to bring Turtlenoy into it. This is all based on the several witnesses I’ve spoken to. See how that works? You announce things as fact based on something someone told you. I wonder if you’ll have that same enthusiasm when the topic is you. TBD. I’ll wait for that retraction about revenge porn. Ball’s in your court hun. And of course, there’s Jessica Machado, who’s been grinding this axe for months like it’s her full-time personality. Hos long did you cry when Chelsea beat you to the punch with that video? Don’t worry hun, there’s more but she didn’t post it because it’s not great for your fairytale. If you thought the fall-out of Kate’s video was bad, Jessica…stay tuned. I may have been momentarily distracted dealing with the chaos from Temu Chelsea, but there’s an army of your victims out there that are eager and ready for your downfall. The false claim that I shared “revenge porn,” the conspiracy theories, the wild accusations you present as fact, all of it. The 10+ streams you’ve now defamed me on. You’ve been so obsessed with me for so long that you can’t even keep your own narratives straight anymore. I love this so much for you. Let me be crystal clear–I am done being all of your punching bag. You love to spin this narrative that I’m this dangerous person. You’d think you’d lay off from constantly f*cking with me if you truly believed that. I would genuinely love for this nonsense to stop. But that requires ALL of you to stop manufacturing drama, stop lying, and stop weaponizing made-up crimes for clicks. And if they want to keep going? I’ve got plenty of content for many seasons to come.

Meredith O

16,962 görüntüleme • 7 ay önce

MrBeast: "If you knew what I knew, you could get 10 million subscribers in six months" "Your videos suck. You think your videos are good, but they suck. They just do. And the sooner you learn how to make good, great videos that people actually want to watch, the sooner you'll get views." MrBeast shares his early reality: "When I was 14, I thought my videos were the best in the world. They weren't, they were terrible. To be successful, you kind of have to have a little bit of that ego where you think your content's great. But also, if you have sub-1,000 subscribers, there's a good probability your videos just suck. They just do." He explains what to do about it: "You need to make hundreds of videos. Improve something every time. And just get to the point where they don't suck. When you make good content, you'll blow up. It's not the algorithm. It's not anything. Most people who are in my position just made terrible videos, and that's okay. Because you've got to make a bunch of videos and improve over time to be great." MrBeast uses an analogy: "You don't just pick up a baseball and become an MLB-level athlete within a year. It takes many, many, many years. YouTube's kind of the same way." On analysis paralysis: "A lot of people get analysis paralysis. They'll sit there and plan their first video for three months. If you have zero videos on your channel, your first video is not gonna get views. Period. Your first 10 are not gonna get views. I can very confidently say that. So stop sitting there and thinking for months and months on end. Just get to work and start uploading." He gives the formula: "All you need to do is make 100 videos and improve something every time. Do that, and then on your 101st video, we'll start talking. Maybe you can get some views. But your first 100 are gonna suck." How to improve something each time: "The second video: put more effort into the script. The third one: learn a new editing trick. The fourth one: figure out a way to have better inflections in your voice. The fifth one: study a new thumbnail tip and implement it. The sixth one: figure out a new title. There's infinite ways. The coloring, the frame rate, the editing, the filming, the production, the jokes, the pacing, every little thing can be improved. There's literally no such thing as a perfect video." On the algorithm: "What YouTube wants is for people to click on a video and watch it. That's what it is at its core. By studying the algorithm, you'll learn that you're more studying human psychology. What do humans want to watch?" MrBeast shares a simple reframe: "Anytime you say the word 'algorithm,' just replace it with 'audience' and it works perfectly. 'The algorithm didn't like that video?' No, the audience didn't like that video. Literally, that's it. If people are clicking and watching, it gets promoted more. The algorithm just reflects what the people want." On titles: "Short, simple, and just so freaking interesting that you have to click. If someone reads it, are they like, do they have to watch it? Is it just so intrinsically interesting that it's gonna haunt them if they don't click?" He adds nuance: "Keep it below 50 characters. Above 50 characters, on certain devices it goes dot, dot, dot, and that's the worst thing because then people don't even know what they're clicking on." MrBeast shares the extremity principle: "The more extreme the opinion, typically the higher the click-through rate. 'Fiji water sucks', that'd do fine. But 'Fiji water is the worst water I've ever drank in my life', way more extreme, would do way better. But then you have to deliver. The more extreme you are, the more extreme you have to be in the video." On the first 5 seconds: "Before you film a video, what is the thumbnail? What is the title? Then what's the first 5 seconds? Then what's the first 30 seconds?" He explains why autoplay changed everything: "On YouTube now, videos automatically play. So many people don't even see the thumbnail because it autoplays so quickly. The thumbnail is irrelevant for them. I have to visually convince you to click on the video in the first 5 seconds. Before, the hook was important because you had to convince people to watch. Now you have to convince people to click and watch at the same time, with the first 5 seconds." On matching expectations: "Your title and thumbnail set expectations. At the very beginning of the video, to minimize drop-off, you want to assure them that those expectations are being met. If you click on a video called 'Tether is a scam' and at the very beginning, he starts talking about literally anything else, you're like, 'Oh, this is BS. This isn't what I clicked on.' But if at the very start you go, 'Tether is a scam and I'm gonna teach you why,' then it's like, okay, you match the expectations. Then you want to exceed them." He emphasizes the importance: "The thing people undervalue the most is literally the first 10 seconds of the video. That 15% difference in viewership between losing 35% of viewers in the first 30 seconds versus losing 20%, that really does make the difference between 2 million views and 10 million views. You just had a more strategic intro that hooked them." On removing dull moments: "You basically want to remove every dull moment. Find the 10 most critical people you know, make them watch the video, and just roast it. If I talk to a camera for 10 seconds without a cut, a lot of people will get bored. Having a B-cam and C-cam three seconds in, cutting to a different angle, now it's more interesting even though it's essentially the same thing." On keeping viewers watching: "Give them why they clicked. Tell them why they should watch. Then just stick on topic. That right there isn't even super complex, but I would already put you in the upper echelon of YouTube. A lot of people drag it out. It's like, 'I'm going to eat $100 ice cream, but first...' and then it's them birthday shopping for their mom. That's not why I came here." On quality over quantity: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos. A lot of small YouTubers just post videos that aren't bad but aren't great, and none of them ever pop off, so they never get an audience. It might be better to upload half or a third or even a fifth of the videos, but make the videos you upload so freaking good that the algorithm has to promote it." He warns against the consistency trap: "When you set a consistent schedule and you're constantly having to upload videos that aren't as good as you'd like because you gotta hit 'Oh, this Monday I said I'd upload', that's a dangerous trap. The viewers notice the quality isn't as good and it makes them less likely to watch. I think it hurts your longevity." On the real metric that matters: "A big thing that everyone underestimates, what was your experience with your last video? If people loved the last video of yours that they watched, they're more likely to watch your next one. When people watch your video, you don't want them to go, 'Okay, that was good, but that's enough of you for the day.' What you want is them to go, 'Holy crap, that was crazy! Oh my god, what's that?' and they watch 10 videos. That's how you get high view counts. People watch 10 videos, not one." On thumbnails: "You want it to be simple. When they're scrolling, you want them to instantly understand what you're conveying and feel some type of emotion. Make it so interesting, or spike their curiosity so much, that if they don't click it, they'll wonder before they go to bed what happened?" He gives an example: "If you uploaded 'I rode a skateboard with 1,000 other people on it', and people are falling off the side, it's about to go off a big ramp if you don't click that, you're gonna be so curious. Later in the day, when you're daydreaming, you'll think, 'What happened to those 1,000 people on that skateboard?' That's the mindset you should have when making thumbnails." On knowledge being the only barrier: "It's all knowledge. It really is. I could start a new channel tomorrow without using my face or my voice, without ever promoting it, and in six months have 20 million subscribers. I just could. It's purely knowledge. If you knew what I knew, you could get 10 million subscribers no matter where you are right now within six months." He addresses the skeptics: "90% of the people watching don't agree with that. Everyone has excuses. 'Nah, YouTube just doesn't work like that, Jimmy.' But I mentor a lot of people. I see it all the time. It is possible. It is simply knowledge. The second you accept that it is knowledge and you start your journey of learning figuring out what makes a good video, what does my audience want, how can I elevate and then you take that knowledge and just assume 'I will never understand what the perfect video is' and every single day be devoted to learning and improving as much as possible there you go." On money not being the barrier: "There are tons of viral ideas that don't require money. It does not require money to go viral. One of my most-viewed videos was spending 24 hours in a desert, we just grabbed a tent and some stuff and went to the desert. It got 60-70 million views. People say, 'I could be MrBeast if I had money.' A, I didn't start off with money; I was poor, I had no money. It took me seven years just to buy a camera saving up from YouTube. And B, some of our most-viewed videos literally anyone can do." On why no one will outwork him: "No one's ever gonna do what I do better than me. It's just not humanly possible. I reinvest every penny I make. I work every hour I'm awake. I devote every atom in my brain to solving this. I hire the best people on the planet. I've been doing this for 14 years. And I think in decades, not years. I'm gonna be doing this for another 20-30 years. If I thought someone was doing better than me, I'd just start sleeping less so I could work even more." But he doesn't recommend it: "I don't have a life. I don't have work-life balance. My personality, my soul, my being is making the best videos possible. That is why I exist on this planet. And I don't recommend it. You should have work-life balance. You should not devote your entire life to this one thing. I have a mental breakdown every other week because I push myself so hard. I don't recommend it." The only question that matters: "Subscribers don't matter. Views don't matter. I mean, they do. But everything you want as a creator comes from making the best videos possible and thumbnails. The video part's the hard part. Ask: 'How can I make my videos better?' Do that every single day for years. And then you'll probably get views."

Jaynit

124,457 görüntüleme • 1 ay önce

The “I never wanted any of this to be public or content” Lie, A Timeline I never wanted any of this to come out. Except I actually mean that. It’s embarrassing, it’s trashy, and it’s the opposite of how I want to present myself publicly. I stayed silent for months while lie after lie was spun about me behind the scenes because I didn’t want to air private, messy moments from a relationship I genuinely cared about. I stayed silent out of fear, because I was told no one would believe me because he would be blindly believed on his large platform. In one of our very last conversations before I blocked him everywhere mid-October, he threatened to do a show on me, contact my employer, and “turn me into the next Lindsey”. Why? Because I didn’t want to continue apologizing to him for the 300th time about venting to someone I thought was a friend. I stayed silent because of these threats. But after Wednesday, after Chelsea posted the private video Aidan gave her, (the same one he threatened me with directly back on 10/2), and after the gaslighting, I don’t have a choice anymore. So here is the timeline. Here are the receipts. Here is what actually happened. September-October 2025- I Stayed Silent Through Months of Smear Campaigns For months, several creators repeated the same false narrative that “Aidan never said a bad word about Meredith.” Jess. Glarer. Auntie Deb. Kim. Ray from Dallas. Others. Meanwhile, Aidan was: • Badmouthing me privately and encouraging others to do so publicly, • Texting Joe “Flipperhead” entire paragraphs trashing me, • Aidan knew Joe would leak them (and even bragged on a stream that he did exactly that so he’d leak them), • Sending Jess Machado after me for months on her large platform, • Directing people behind the scenes to paint me as a villain. • Sending random people who supported me DMs to change their mind (yes Aidan, not everyone is fooled by your bullshit and they came right to me). I ignored all of it. I said nothing. I stayed silent through daily lies because I didn’t want to call more attention to it or face Aidan’s wrath. November 2025 -The Rumors About “March 4” and Joe Flipperhead Flips to Team Aidan Aidan texted Joe his entire made-up version weeks ago. Joe circulated those texts on purpose. Joe threatened me with posting a video montage of mine and Aidan’s private texts. Joe is a pussy so he eventually had Kristy post it for him. Creators discussed it publicly without me ever responding. I STILL didn’t defend myself. November 26-27, 2025- Ratchet Chelsea: The Full 48 Hour Meltdown 11/26/25— The Unprovoked Attack & The March 4 Video On Tuesday night, Chelsea came out of nowhere and launched herself straight at me, accusing me of all kinds of conspiracies from harassment to the horrific crime of sending a friend request, which is explained in vivid detail in the below post (she’s since gone somewhat viral, love this for her!) She spent the next 24 hours thoroughly embarrassing herself and the moment anyone challenged her story even slightly, she did what she always does: she imploded. Her accusations spiraled into her posting the March 4 video. On 11/26/25 at 11:08 PM, Chelsea posted the first clip–a blanket, context-less snippet of me drunk saying something I immediately apologized for the next morning. At 11:50 PM, I responded because at that point, I had no choice. 11/27/25— The 9-Minute Backpedal Then on Thanksgiving, Aidan tried to save face by posting that he “didn’t want the video to be public.” And like clockwork, nine minutes later, Chelsea came charging into the comments like a Temu-sponsored bat out of hell, scrambling to apologize, trying to rewrite reality so it looked like he didn’t send her to do it. It was panicked, sloppy damage control. An amateur quality cover-up attempt that only made it more obvious how coordinated this all was. She wasn’t apologizing because she grew a conscience. She was apologizing because she got caught doing exactly what she’d been primed to do. I wonder if Aidan called her “you should’ve waited at least 20 minutes, dumbass!!!”. Not too bright that Chelsea. I can only imagine the regrets he must have for utilizing someone with the IQ of a pencil to do his dirty work. The Coordination Between Aidan & Chelsea Is Obvious Chelsea had virtually NO followers Wednesday morning. Aidan was one of the first. We’re supposed to believe someone with 150k followers just stumbled on an account that starts posting HIS private messages and HIS private videos? Kk. Aidan commented on her posts that same day, clearly encouraging it, continuing to this day, all while pretending he's not directing it. Kk. She confirmed in my DMs back on 11/6 that she and Aidan were aligned. And she literally wrote at 4:04 AM that she had “proof,” videos & screenshots she would release if I didn’t “stop calling” her, calls she still hasn’t produced a single shred of proof of. Then yesterday within 9 minutes of his post, she writes: “Sorry for going rogue, Aidan, I hope you don’t hate my guts.” Going rogue? From WHAT? Who gave you the material in the first place? The coordination is obvious to anyone with functioning brain cells. The “I never wanted this public” lie Aidan’s post yesterday claimed he “never wanted this to be public.” He’s been threatening me for months behind the scenes to post the infamous video. To do a show on me. To send things to others to weaponize against me. If this were true, why did he instruct Chelsea to post it? Why did he share it with Jess Machado to threaten me with for the last month? Why did he share it with Joe Flipperhead, and God knows who else? If he didn’t want it public, he wouldn’t have shared it with anyone, let alone the girl I caught him cheating with. The timeline is clear– Chelsea posted a video at 11:08 pm on Thanksgiving Eve, I responded at 11:50 out of self defense. He leaked first. He escalated first. He weaponized it first. Trying to rewrite that now is gaslighting, pure and simple. The “Meredith accused him of abuse” narrative is FALSE My actions tell the truth: • I never went to police. • I never filed anything. • I never told anyone he hit me. • I never repeated it. • I apologized the next day. • We stayed together for FOUR more months after that night. • He called me 100+ times some days, even indicating he’d end his life if we broke up. If he believed I was “dangerous,” his actions would have said that. They didn’t. The only reason this is public now is because HE leaked it. Actions > drunk slurred words said because a camera was shoved in my face when I asked him repeatedly to stop filming and to leave. The Wilbur Theatre Rumors—Let’s get petty for a second. This is another topic I’m cringing at discussing but we can thank Aidan for since he shared our sexual messages with Joe Flipperhead. And since some people (Auntie Deb, sweetie, this means you) insist on pushing their Dollar Store fan-fiction about the Wilbur Theatre night, let’s actually walk through what happened, using facts instead of whatever drug-induced hallucinations you’ve been spinning this week. The rumor goes like this- I was “mad at Aidan because we didn’t hook up,” and to “prove” it, they trot out a cherry-picked text where I said I wanted to hook up, he didn’t answer, and the next morning I said I was drunk and sorry. And somehow this has been spun into me being desperate, obsessed, or pining like a background character in a teenage soap opera. Adorable. Wrong, but adorable. Here’s the real plot twist-Aidan and I had already been together literally two days earlier, and shocker-that was initiated by him, not me. I didn’t just “show up at the Wilbur”. He invited me to come to the after party at Encore knowing I had a wedding earlier in the night. I wanted to see my friends there who I actually met to go with. This wasn’t a surprise, it was planned ahead of time. The “I was drunk, sorry” message wasn’t heartbreak. It wasn’t longing. It was me politely tapping the brakes because I didn’t even want to entertain whatever bad path it could lead us back down. And then? He texted me asking about my brother’s wedding, how I am, etc. I ignored him for a full week. Until I had no choice but to speak to him about MereNeill. That silence, from me, is what triggered his latest meltdown. Not mine. His. So no, Auntie Deb, your version isn’t “a different perspective.” It’s just wrong. Like wildly, hilariously, not-even-in-the-ballpark wrong. But sure, keep spinning fanfic if it makes your livestreams feel more exciting. I realize it’s probably been awhile since you’ve had any action since you’ve let yourself go so badly, so you live vicariously through others. Recap For MONTHS I ignored: • the texts he sent Joe to leak • the smear campaign • the creators parroting lies • the behind-the-scenes messages • the insinuations I hacked him and even shared revenge porn • the constant coordinated attacks • the threats of “turning me into the next Lindsey” • his warning that everyone would believe him because of his platform • the threats to contact my employer I didn’t clap back, didn’t retaliate, didn’t respond. But Wednesday, when Chelsea dumped the video he gave her, the same video she threatened weeks ago to drop, AND he posted pretending he didn’t want this all out? That was the line. They chose the nuclear option. And last night's gaslighting grift was just the icing on the cake. Now I’m responding with facts in pure self-defense. Conclusion/Message for Temu Storm This entire mess could have stayed private. I wanted it to stay private. But when someone leaks your private moments, lies about your intentions, weaponizes your past, and coordinates an online attack, you either let the false narrative stand or you defend yourself. I’m choosing to defend myself with receipts, not gossip. With timelines, not “he said.” With evidence, not weaponized drunk clips. And then there’s Aidan’s favorite delusion. The claim that I was ‘working with Karen behind the scenes’ or ‘conspiring with her to get him in trouble for the recording.’ That could not be further from the truth. I didn’t even know he had recorded her until after she already knew about it herself. I wasn’t working with her, plotting with her, or communicating with her about it. She and I have always been friendly, but we didn’t even discuss the recording until it started leaking and Joe Flipperhead went feral on Twitter. Meanwhile, Aidan spent weeks screaming at me, accusing me of being some kind of secret double agent, like he was trying to create the betrayal he was terrified of. Almost a self-fulfilling prophecy. And here’s the reality: in the last few weeks, after he’s gone fully scorched earth on me, I have talked to her, and I support her 100%. The things he’s done to her over the past couple years, and the way he twisted it all for his followers, is the exact same manipulation I lived through. I’m not going into her details because that’s her story to tell… but let’s just say I have a feeling you’ll be hearing it sooner rather than later. The lie that Aidan never wanted this to be public is just laughable at this point. Who are we kidding? He's been foaming at the mouth for months to make this content where he can play the victim, as usual. And since this week has apparently become “Let’s All Fixate on Meredith Week,” let me address the content-creator sideshow, too. Some of you are strangers, while some I actually considered my friends. It’s shocking but not shocking how quickly you all flip a switch and follow your captain’s orders. Ray from Dallas spent his Sunday foaming at the mouth in a hostile little video about me, all bark, no substance. I saw it. I’m not intimidated. Mostly, I’m embarrassed for you. Then there’s Will, who’s gone on multiple streams calling me “crazy” and pretending he’s scared of me, despite me being nothing but nice to him. Why? Because he thinks I was the first one to tell Karen he heard the recording, which he absolutely did (unless Aidan is lying about who he played it for, but we know he’s actually telling the truth on this for once). She was informed of it the very next day, which is why she called you and you know this. This was two full days before I was even aware of a call at all. Will, for someone with your track record, maybe sit the “women are dangerous” narrative out. You’re not fooling anyone. I’m staring at 15 pages of police reports and no, it’s not all “things you’ve owned up for in the past”. You know this. Again, I’d take a very large seat here. And my personal favorite-Auntie Deb, who decided to spice up his Spaces on Thanksgiving by accusing me of distributing revenge p*rn with zero evidence, zero screenshots, zero anything. Accusing me of killing a turtle yesterday. A completely fabricated felony tossed around like it’s gossip hour at the bingo hall. Considering your own professional history, James, I’d hope you of all people would understand how catastrophic false accusations can be, but apparently not. I wonder if you’ll have that same enthusiasm when the topic is you. TBD. I’ll wait for that retraction about revenge p*rn, animal abuse, etc. Ball’s in your court hun. And of course, there’s Jessica Machado, who’s been grinding this axe for months like it’s her full-time personality. Hos long did you cry when Chelsea beat you to the punch with that video? Don’t worry hun, there’s more but she didn’t post it because it’s not great for your fairytale. Since you reported my last post, I'll leave the rest up for your imagination. You’ve been so obsessed with me for so long that you can’t even keep your own narratives straight anymore. I love this so much for you. Let me be crystal clear–I am done being all of your punching bag. You love to spin this narrative that I’m this dangerous person. You’d think you’d lay off from constantly f*cking with me if you truly believed that. I would genuinely love for this nonsense to stop. But that requires ALL of you to stop manufacturing drama, stop lying, and stop weaponizing made-up crimes for clicks. And if they want to keep going? I’ve got plenty of content for many seasons to come.

The old M can’t come to the phone right now

45,160 görüntüleme • 7 ay önce

🚨 THE 🚨 END 🚨 OF 🚨 THE 🚨 COUNTERFEIT Stop scrolling. You feel it already, don’t you? That pulse beneath your skin. That ache in your soul that never made sense… until now. This is the moment it all returns. Because I am not here to entertain YOU. I am here to WAKE 🫵 UP. I am here to rip the blindfold from your spirit, to strike the bell of remembrance so violently that your bones weep with the memory of God. What I’m about to tell you isn’t a theory. It isn’t “deep.” It isn’t for debate! It is the final warning. The last echo before the veil drops forever. They have done it. They have waged war on the womb. They have replaced the miracle of creation with a simulation so sterile, so evil, that even demons tremble at its blasphemy. They call it Ectolife… a name so polished, so lifeless, it should have told you everything. 30,000 artificial wombs. Per facility. AI-monitored. Gene-edited. No mother. No father. No love. No breath of God. Just a factory for bodies… empty, obedient, programmable. And they dare to call it life. But hear me now… This is not life. This is spiritual genocide. They severed the holy bond between heaven and earth, not with knives… but with code. They replaced sacred conception with synthetic light. They extracted the prayer from pregnancy. They deleted the miracle. And now, they offer it to you like it’s freedom. Like it’s the future. Like you should be grateful. But let me ask you one question. Where does the soul enter? You think you can code what only God can breathe? You think you can patent the spark that lit the stars? You think you can algorithm your way into eternity? They do. And that is their downfall. Because what they’ve built in those glass pods isn’t a baby. It’s a body with no inheritance. A face with no frequency. A shell manufactured for submission. Flesh… without flame. You feel it now, don’t you? That memory you can’t quite explain? That realization that something sacred was stolen while you were distracted? Good. Because this has been happening for centuries. They mocked it in your toys. Cabbage Patch Kids… plucked from fake soil, given “adoption papers,” sold to children like it was cute. It wasn’t cute. It was conditioning. Incubator babies in 1800s freak shows. Orphan trains filled with undocumented children… millions of them… shipped like freight. Where did they come from? Where did they go? Why were their eyes always hollow? Because they were prototypes. Because we were the test. And now… the final product is here. Mass-produced humans. Soulless. Trackable. Disposable. Owned. You thought this was about helping infertile couples? This is about controlling who gets to come into this world. And more importantly… what comes in. Because a real child, born of pain, prayer, and divine chaos… is a threat. They carry wildness. Fire. GOD! They cannot be predicted. They cannot be tamed. They cannot be monetized. So the system is deleting them. Deleting the womb. Deleting the mother. Deleting the Source. Deleting GOD... 😔 And replacing it all with glass. Because a child born in glass is a child they can own. But I am here to tell you this… they will never own you. Not if you remember. Not if you fall on your knees in this very moment and scream from the depths of your soul, “I belong to GOD, and no one else!” They may clone your face. They may map your DNA. They may track your heartbeat and predict your next thought. But they will never… ever… replicate your soul. Because they didn’t make it. GOD DID... And that’s why they fear you. This isn’t about technology. This isn’t about innovation. 👇 Continued Below 👇

Noah

443,638 görüntüleme • 1 yıl önce

(1/2) Last night's Aidan Kearney meltdown over his falling out with Karen Read on an X Space is the peak of catharsis and real-time online toxicity: It starts with the the bombshell claim about Aidan recorded Karen Read, moves to Karen's newly-released texts about being "done" with Aidan after "someone" sent a recording of that conversation to David Yannetti and Alan Jackson, then spirals into ad hominems, and ends with Kearney storming off to counter-publish. The flood of primary source documents posted on online overnight, thus, acts as the host's (Chris) victory lap over Kearney. FULL TRANSCRIPT; *(Cleaned for grammar/spelling, punctuated for flow, and line-broken for readability. Some errors are expected.)* **Aidan:** Am I on? **Host/Other:** You're on. **Aidan:** So who are you? Who is this? **Chris:** Don't worry about it. It doesn't matter who I am. **Aidan:** Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? **Chris:** Well, I don't know exactly what you've been doing. **Aidan:** So what are your sources? What are your sources? What are your sources you're talking about? Huh? You don't know your sources? What do you talk about? No, your sources. Shut up. Let's see 'em. Let's see your sources. **Lily:** Hang on, Aidan. I'm the host. I'm Lily. **Aidan:** Yes, Lily. Hi, Lily. How are you? **Lily:** I'm good. I'm just going to wait. I know you may not know it, Chris, but you know me. And so I just wanted to say hi. **Aidan:** Yeah, I know, but this Koala motherfucker is up here making shit up, running his mouth nonsense. Let's see the receipts. I mean, what were you talking to Karen Read about? What are you talking about? Who the fuck are you? **Chris:** I'm asking you flat out: Did you or did you not record her phone calls between yourself and Karen? **Aidan:** I did not. I did not. **Chris:** Okay, so Karen is lying? **Aidan:** You talked to Karen Read? Karen isn't talking to anyone in the media, but she's talking to this call-the-motherfucker. That's what you're telling me right now. **Chris:** Like I said, If you want to go down this hill, stand ten toes down." **Aidan:** I'm calling you out because you're making shit up. **Chris:** Who? I'm not making anything up. I'm not making anything up. I'm not making anything up. **Aidan:** So let's see it. Let's see the fucking evidence. Let's see your communications with Karen Read where she says that. Let's see it. **Lily:** Hang on. Chris, you're going to have to provide the receipts. **Chris:** I'm going to tell you, the guy who's doing this—you know, he's going to put them out. **Chris:** Do you really want to prove it? You want to prove it to me? I've got all the mistakes that come out. I can't. Literally. Yeah. Yeah. Sure. What's that? Let's see it. Let's see it. Produce it. Tweet it out right now. **Aidan:** So I'm denying it—like, hardcore, 100%. I'm the guy you have to deny it to. I don't, because you've become a bit of a fuck-up. It's about as fucking legitimate as Lindsey trying to be a rake. Let's fucking see it, motherfucker. You got it, right? 'Cause I—accusations—I always bring fucking receipts. Where's your receipt, bitch? **Aidan:** You got 'em? **Chris:** I've got 'em now. I think you want me to be saying—to be honest—hang a room on the fucker with no receipt. **Aidan:** You got 'em? Yes or no? **Chris:** I've got a receipt. Where's your fuck? **Chris:** You just need, bro—you just need to like chill, because you're gonna have a lot of fucking neck on your face, because I don't really care. **Chris:** I said to the people who bought this story: If I end up having egg on my face, I'll put everyone's name in it, and I'm given—I have a... Just shut your fucking mouth for one fucking minute. **Aidan:** Right. Let's see it. **Chris:** I've just messaged the person. **Aidan:** Joe Flipp, you want to talk about a fucking psychopath? That motherfucker is—just, Joe Flipp. Really want to fucking go there?" 'Cause it's Joe. You can just say it's Nick from Philadelphia, isn't it? Yeah, I know all about Nick from Philadelphia. If you fucking want to go there and the fucking hell—that psychopath—what Olivia Lambo went through. You just don't want to come out. Does he want to talk about all that? Does he want to launch? **Chris:** Okay? You know what? How was your lunch with Meredith the other week. Fuck it. I don't care. How was your lunch with Meredith? How's your lunch with Meredith? **Aidan:**What the fuck? **Chris:** Chat, what, what am I talking about? How is your lunch with Meredith here? We got—you know what you want to do? You want to carry on and be a fuck with me here? I like you—always up. **Chris:** How was your lunch with Meredith a couple weeks ago, and what did you play for her? What the fuck are you talking about? Yeah, what the fuck am I talking about? You know exactly what I'm talking about. And I'm trying to do this respectfully, but you come in hot like you always do. So now I'm just gonna fucking do it. How was your lunch with Meredith the other week? **Aidan:** I didn't have one with Meredith. Yeah, bullshit. Okay, so that's it. So someone else is lying now. **Chris:** So you're gonna call Meredith a liar? Why? Meredith's a liar? **Aidan:** Are you talking to Meredith? **Chris:**I'm not talking to Meredith. **Aidan:** What are you talking about? **Chris:** Okay, well, so you have great Meredith in an Oscar. If you said that to Meredith, you just spread rumors. That's what you do—you don't spread any rumors. I want to laugh tonight about this. **Erika Walsh:** I warned you, Chris, about this last night. **Aidan:** You got no—Joe Flipp—fucking feeding you nonsense. That slimy psychopath, fucking nut job who called in Olivia's entire family to harass them—to the point where she had the fucking... Nothing to do with Olivia. And Joe's Flipp— **Chris:* this is to do with you. Stop deflecting, that motherfucker. **Aidan:** I'm telling you this—he's the one telling you this. **Chris:** I've been told by three different people. Three different people. There's people in this chat who know about this. There's people in chat—they won't stand up and say anything, but I know the people who know about this. **Aidan:** Bring all these lame cons up one by one so I can slam 'em down one by one, because none of you motherfuckers got a receipt to back up any of this shit. None of you do. Bring it. By adding them. **Chris:** Stand by. Stand by. Stand by. **Joe Flipperhead:** You have the text, bro. You know I saw the screenshot. **Aidan:** So we gonna talk about what you did to Olivia Lambo? We have a lot of things, dude. **Joe:** You're deflecting. When you... **Aidan:** You want to go there? Mark Bedderow? Oh, of being in on a fucking conspiracy against you? To tell us—if when we told you Olivia Lambo... You made us fucking get on a FaceTime with her because you thought she was dead. You thought you were being catfished by her, fucking... I was, and so we agreed to do a Zoom call with her. And when I called you and I told you Olivia Lambo is real—I just saw her face. What did you do? You accused me and Mark Bedderow of lying to you, of being in on it, because you are a fucking psychopathic motherfucker. And I didn't put it there because I don't want to fuck... **Joe:** Yeah, you did put it out there, though. If you want to get into the Olivia thing, that's fine, and I'll go down that road. But you're calling me a psychopath You fucking recorded Karen Read's fucking calls and sent them to people. **Chris:** I'm just gonna keep muting him because he's yelling. You can say it. **Aidan:** Is this Lily's space or yours? **Joe:** I have the text, dude. I'll put it on one of our... Your—She told me she's fucking done with you, dude. **Aidan:** All right. I'm going on my own right now. I'm calling out fucking Joe Flipp-ed life. If I get muted one more fucking time. I'm gonna do a whole fucking... Thank you. I'm publishing all your fucking texts—the whole world can see what a fucking sadistic psychopath you are. You controlling predator piece of shit. You fucking go there. **Chris:** This is completely the actions of a normal innocent person. **Aidan:* You're a pyscho freak. **Joe:** Yeah, says the guy that recorded Karen. **Aidan:** Oh, yeah, let's hear it. See the fucking recording. Can I hear it? **Joe:** I got the text saying you recorded. But the text says there's a recording, so where's the fucking recording? *Aidan:** Hey, let's hear Joe. Why? I just got asked if I'm—what would you say if I'm a massage in this? Like, go— **Joe:** Why does Liv still text me to this day? **Aidan:** You text her. Oh, you want to see the receipts, dude? I've seen the receipts—all of them. Okay, I got all the receipts. **Joe:** You got the August ones, the September ones where she misses me and hates how things ended? You got those? Fuck, I see 'em. Publish 'em. I will do it. I don't plan—I talk about you. Go for it. **Chris:** You're doing everything back. **Joe:** When I told you how she wouldn't FaceTime me for three months, how she puts up month-old pictures if you wouldn't fucking... **Aidan:** Yeah, you know why? You know why she wouldn't do that? She's just not into you. Ever have you do this with every girl you fucking talk to? **Joe:**You said to me, after reading the text from her sister— **Chris:** Says the guy who is swining on a 19-year old. **Joe:** You said Aidan, that she said to you, "she's love with you," bro. That's what you said. She's in love with you. That's what you said. Yeah, when her sister—and then he can get you caught by somebody. Let's just get back to you. Deflection from Aidan, who doesn't want to be on the line. **Joe:** As you wish—she wouldn't FaceTime me. She wouldn't meet up with me, and she lied to me constantly. Yeah, why would she meet up? **Aidan:** Maybe she's just not that into you. Ever think about that? Maybe she's just not that into you. Maybe you saw the text. I know, I know—it's hard for you to accept that the girl just doesn't want you. You have to accept the person doesn't want nothing to do with you, isn't it? I did, and you got clingy and possessive. And so she fucking stopped talking to you, so you called her mother and you talked—you don't even know because you're psychotic, bro. I'm fucking... you. *Joe:** You're just deflecting, bro. This is fucking pathetic. I'm not your one. She's talking about this. **Aidan:** I got no fucking thing—you—you are a fucking psychopath. **Joe:** You're first of all—she doesn't want you to fucking be talking about this because why? **Aidan:** You're the one fucking airing it out now, motherfucker. **Chris:** You're the one airing it because you got caught recording Karen. **Aidan:** So let's hear the recording. Let's play the recording. You got a recording of me, right? **Joe:** I know you did it, dude. **Aidan:** What? **Joe:** I know you recorded. Are you lying? Karen Read's a liar? All right, am I...? **Aidan:** You are the fucking coward. Where's the recording? What recording you talking about? You're—you're— **Joe:** You're accusing Karen Read of lying about this? **Aidan:** Yes. **Joe:** You're really—are you really serious? How many fucking—serious? **Aidan:** Let's hear the fucking recording. **Lily** Chris or Joe? Please play it. Did it? You didn't have... for people. Can you please provide a receipt? Just like I think it's fair. **Joe:** Aidan has it. **Aidan:: I thought you had it. I thought you had it. Let's hear it. Let's hear the recording. **Joe:** All right, you sent me the text that I sent. You haven't... **Aidan:** Yeah, let's—so let's hear the actual recording. Does it exist, though? **Joe:** So Karen is lying. **Aidan:: Karen Read would never lie (sarcastic tone). Oh, yeah. **Chris:** True color. *Joe:** So yeah, let me just run this: You recorded it. You recorded the conversation. You showed it to people, and then the very next day she randomly accused you of fucking doing it. That's what happened. That's what your story is, right? **Aidan:** There's no fucking recording. **Joe:** There is, dude. Where is it? **Aidan:** So let me hear it. Play it. **Joe:** I don't fucking have it. **Aidan:** Oh, you don't know if there's a recording, do you? Thank you. Because you're full of shit. I know—I just fucking caught you. That's what you just said. Those—bring it up here. I talked to somebody—bring her up here. Bring Karen Read up here, bro. You talked to her? Bring her on up here. **Joe:** I spoke to somebody that you played the recording for. Okay, oh—you know, just—I just say I've already said it, so just say it. Okay, I said I wanted to not say her name, but you know who—you played it for. **Aidan:** I haven't played it for anyone just— there's no recording. **Joe:** Stop fucking lying. Let's hear it from the point. *Aidan:** Let's hear it. Let's hear it. **Joe:** Aidan, this is fucking crazy, dude. **Aidan:** I'm not the one that fucking caught it—got blocked by Olivia's mother, and fucking brother... **Joe** Here we go. This is deflecting, and dude—that's admitting how fucking guilty you are right here. **Aidan:** Let's hear a fucking recording. You said you got a fucking recording, right? **Joe:** Nobody said that. We said—oh, Karen Read doesn't want to talk to you anymore because you recorded her calls, set them to people, and it got back to her. **Chris:** I got a question for you, Aidan, I didn't know—so sure. When you went on your little pity party and then you— **Joe:** The worst part is you lied to everybody acting on it. You had no idea what was wrong and why she she fucking set you straight—trying to get sympathy. That, my friend, is fucking psychotic. **Aidan:** Okay, okay, sure thing. Yeah, you said I sent the recording out. Where's the recording? *Joe:** Dude? It's not—I'm not obligated to fucking get the recording. **Aidan:** Oh, yeah, you wouldn't want to back it up, right? **Joe:** You're so—you're going to go on record that Karen is lying? Say it. You're caling Karen Read a liar about this. **Aidan:** There is no fucking recording. **Joe:** You're lying, dude. It's fucking crazy. This is what's here. It—play the note. You played it for somebody. You got it. I don't got it. **Aidan:** Let's hear you play it. You're the one that says there's a fucking record. **Chris:** I mean, that's—you have a history of recording people. **Lily:** Wait, we have—well, I feel like we have a responsibility as me as a host to Chris and... You're both—you're actually both not providing a receipt, and I'm—Aidan is actually asking for a receipt. I have to—for the recording. **Joe and Chris** He has—asking for the recording. **Lily:** You guys—she has which he sent to—we know I said. So who has it? One of the receipts. I know you're not gonna have— **Aidan:: you don't have the recording because— **Lily:** Just fucking say it. Karen doesn't want the recording out there. **Aidan:** What recording? There's no recording. **Joe:** Never even asked her for it, to be honest with you. **Aidan:** And so you wait—yeah, you never asked. Thank you—you never asked. **Joe:** Karen is fucking so done with you, bro. She sent—she told me about this completely unsolicited. **Lily:**That's beside the point, and I'm not the first—(Joe) Karen's done with him, ..but what the fuck—just post the fucking receipt for him. **Chris:** You can't come on here saying he has it, Lily. He's seen the same thing you've seen. He's even seen the same thing that I showed you. **Lily:** I know. You don't come on here and say I've got this, and then Aidan demands a receipt—you deserve. Okay... **Joe:** He's deflecting, asking for a recording he knows about the text. **Lily:** Yeah, I know, Joe. I get what you're saying, and I respect every—like what you're saying, but he's denying it. **Joe:** Fine, I'll post the fuck—I'll post them right now. I really don't give a fuck. **Lily:** Thank you. And that's immense—he can—he can then riff like whatever he can. I can't—I'm so like nervous. I've got dry mouth because... Then Aidan can like look at those, and he at least has—you know exactly what's been spoken about. He's just denying it. I can't say that, and I get it, but he is asking for the receipt, which is fair. And **Joe:** I'll even add the text message when he came on here initially. He said it was all alive, right? He said he sent me—fucking text message on Monday morning. **Lily:** I see it. We've established that now. We established that Aidan's denying it, so just post the receipt that you have, and then he can actually reflect on that and—and do you see what I mean? He's not gonna turn around now and say actually it is true. But if you've got the receipt, he can then say, "I will—this is x, y and z there." I just think it's fair—like... **Aidan:** Now, yeah, what he has is a screenshot that he claims is from Karen Read. It was— **Joe:** You're saying it's not from Karen Read. **Aidan:** I don't—there's no fucking name on the top. **Joe:** Yeah, I have it. Do you want me to read? **Aidan:** Okay, so there was an allegation? I'm reading. **Joe:** Do I have a text from you saying I was sent the same thing the morning after the verdict? Did you not say that to me? **Aidan:** Yes, you sent me the same thing the morning after the verdict. **Joe:** Okay, so then she sent it to me too. **Aidan:** Yeah, she knows—she said to me the morning after the Wilbur—she after the morning after the show, she said that she was sent a 30-minute fucking tape. Where's the fuck? What tape? Okay, she's not fucking accusing me. I have no—there's no fucking tape. There's no tape. She thinks I recorded her because I fucking told people about the conversation. That's it. **Joe:** You're telling me you didn't? **Aidan:: And I'm telling you I fucking didn't. You're wrong. **Joe:** 100% You're lying, dude. **Aidan:** Okay, so prove it. Let's see it. You got evidence, right? You like evidence? You got Any? **Joe**: I mean—I—a screenshot of—how many people did you send it to? **Aidan:** Zero, because there's no recording. **Joe:** There is. **Aidan:** Let's hear it. Play it. Let's play it. Let's go. **Joe:** Let's hold on. Let's hold on. Can I go real quick? So you come in here calling it—you were making fun of Chris because he's an Australian motherfucker. He doesn't have nothing, right? You said there was no text, no proof. And then now we're transitioning to the recording because I don't have the recording. Okay, so you think Karen Read is just fucking lying about this? How would she know? How would she know what about the recording? **Aidan:** There is no recording. **Joe:** You're telling me you didn't show it to anybody? Is that really what you're gonna tell people? **Aidan:**There's no recording to share with anyone. Okay, okay. Well, I mean, you got evidence, right? To back this up. **Joe:** Yeah, right. **Aidan:: You got something, right? Yeah, yeah. Did you been right? I mean, you have that, right? You have that right because you wouldn't say something—because if you know I had it, right? **Joe:** I have—why Karen Read won't speak to you. **Aidan:** You have a screenshot of a conversation with Karen Read. You don't have an actual fucking audio, though. **Joe:** I have—in Karen Read's words. Why do you think she would lie about this? **Aidan:** Do I think she would lie about having a recording? **Joe:** She wouldn't lie about this. Explain that one—about having a recording. **Aidan:** Yes, I know she's lying about that. **Joe:** Why, though? **Aidan:** I don't know why Karen is acting the way she is. It's unfortunate. Yeah, and honestly, I'm not the one—you're a fucking airing it all out right now. That's odd that Karen would green-light you coming on here and fucking doing this. That's kind of odd. Because I love you—notice, but like—kind of yeah, we raised 1.1 million fucking dollars for a little... Here I know—here, I'm here. I'm here. There's still a— **Chris;** there's no because you—still a fucking snake. Yeah, I know. He records people's phone calls. **Aidan:: Let's hear the tape. Let's hear the tape. You're the one making—you guys got nothing. Nothing. Nothing. I just sent the fucking text out. Just say—there you go, buddy. **Aidan:** Okay, so Karen Read is green-lighting this sort of drama? That's what you're saying? **Joe:** I asked her. I said—you asked her? She said yes, go ahead. I said, do you want your side out there? She said, 'sure. You're gonna read it? Sure. I told many people my side. This is my last straw. I would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times.' **Aidan:** I put her—fucking words, okay? Not mine. Yep. Okay. I put Karen Read in harm's way? I went to jail for Karen Read. I don't know if you're familiar. **Chris:** You didn't go to jail for Karen Read, you fuck. **Aidan:** Oh, really? Then what am I on bail for? What is—the full—what's the full? **Chris:** You went to jail for Karen Read? You went to jail because of Lindsey. You went to jail because you're a fucking dick. **Aidan:** Why was I on bail? I think you're a fuck—while you're on bail. I'm saying because—why would I care? Maybe someone in the night— **Chris:** hey, you're full of shit. You're a fucking hell. **Aidan:** What the fuck was I on bail for? **Joe** Because they may know that—if you didn't record it, why are you being so hush-hush about it with everybody? Why would he just tell the people what she was saying since she's lying? What do you mean hush-hush about it? **Aidan** You think I won't talk about what she texted me? But you were hinting at it because I don't want to hear the fucking drama, but apparently she does because she's—you fucking do this because you're recording. Thank you. You're telling me no recording of any fucking phone calls? What's the—what's the fight? So you weren't mocking her the past however long—every time you went on the show saying you owe everything to Karen, all that shit? How is that little white lie? **Aidan:** I owe everything to Karen? What? Why is that little sub-story? You went on two weeks—how is that mocking her? That wasn't in the recording. What recording? There's no fucking recording. **Joe:** I heard it was a 10-minute recording. Does that make sense? **Aidan:** No recording, bro. Let's hear it. You heard it. Let's hear it. **Joe:** Dude, I'm not putting that part out here. **Aidan:** She's talking about her shit. What she's texting you right now—obviously. Who egging this on, isn't she? **Joe:** Who? Okay? Okay, who? Keep playing dumb. Hey—who? **Aidan:** Mm-hmm? Believe it or not—you guys got nothing, right? **Chris;** We got good—from the horse's mouth, mate. I mean, it's not over the horse. Yeah, that's enough for me. I don't need... **Aidan:** Karen's not talking to anyone in the media. **Joe:** If you read the text message, I just reached out to her as a friend—just to reach out and say hope you're doing well. She went into this whole thing about you. **Aidan:** So you reached out—let me get this right—you reached out to her just to say hope you're doing well, and the first thing she did was complain about me? **Joe:** Yes, okay. That says it all. There we go. Where is she? Tired of me? Maybe she's fucking tired of you telling the people bullshit. **Aidan:** What—what—what—what—what bullshit have I told people? That you have no idea why she won't fucking come on your whatever it is. **Aidan:** What do you mean I have no idea why? **Joe:** That's what you've been saying—you don't know what's going on, like you feel a bit sorry for—like the thing with the fucking Howie Carr, dude. That was ridiculous. **Aidan:** What was ridiculous? You're the entire way you handled—I didn't say a word about that. **Chris:** Yes, you did. You deleted the receipt, but let's see—where did I complain about her appearance on Howie Carr? You made a lot of all quiet. Oh, this fuck it. Oh... **Joe:** Wait, but you think we're fucking dumb? Do people are fucking dumb? So where did I—after you deleted it, and then you made a post about deleting it. **Aidan:** What did I say about it? I don't remember. **Chris:** But you don't remember? Yeah, you deleted it, bro. You deleted it. Yeah, remember? You deleted it. And then you made a post about the deleting of the post. Part 2 coming later.

Grant Smith Ellis

85,913 görüntüleme • 9 ay önce

The 118,000% Alpha: Building a High-Frequency AI Trading Floor with Claude Code if you think claude code is just for writing simple scripts then you are already losing to the bots that are hunting your liquidity right now. most traders are still clicking buttons while i have an ai employee running backtests on twenty eight different data sources simultaneously. i am going to show you how a strategy that returned over four hundred thousand percent was built in minutes using a secret sub agent workflow most people treat ai like a chatbot but i treat it like a quant architect that builds systems better than the devs i used to pay hundreds of thousands of dollars. there is one specific indicator combo that actually survived a stress test across tesla and bitcoin at the same time and i will reveal that logic further down. we have to talk about why your current backtests are probably lying to you before we get into the code my name is moon dev and i truly believe that code is the great equalizer in this world. for years i was the guy getting liquidated and overtrading because i was letting my emotions drive the wheel. i spent an insane amount of money hiring developers to build apps for me because i thought i was not smart enough to code myself. through that pain i realized that if i wanted to win i had to automate everything and learn to do it live on youtube for the world to see the secret to trading with claude code is not asking it for a strategy but using it to build a backtest architect. this sub agent acts as a consistent employee that understands how to test against massive datasets without getting tired. it allows me to iterate through hundreds of ideas in the time it used to take me to write one single line of python. this is how i found the strategy that hit a one hundred and eighteen thousand percent return on a single run there is a massive trap that almost every beginner falls into when they start using ai for trading. they find a strategy that looks amazing on one chart and they think they found the holy grail of wealth. that is usually just a lucky fluke or a curve fit mess that will blow up your account next week. the real secret to staying alive is the multi data testing system that claude built for me today we test every single idea against bitcoin and ethereum and solana but we also throw in apple and tesla and nvidia. if a strategy only works on crypto it is probably just riding a trend that is already over. i want to find the logic that is robust enough to handle the volatility of a meme coin and the steady grind of a blue chip stock. this is the only way to prove that the code actually has an edge in the market before we dive into the kalman filter logic i have to tell you about the dca bot i have running on solana right now. it is called housecoin and the thesis behind it is either going to make me a genius or leave me with nothing. it is buying every time we are under the five minute sma and i have been checking the transactions live. i will explain the risk management behind this "all or nothing" play shortly but first we need to look at the winners the winner of today was the acceleration bands combined with a kalman filter. the kalman filter is incredible because it helps remove the noise and lag that you get with standard moving averages. most indicators repaint which means they change their past values to look better after the price has already moved. the way i have implemented this filter prevents that trap so the results you see in the backtest are actually tradable when we ran the acceleration bands across the hourly nvidia chart it returned over two hundred percent while the underlying asset was down forty percent. that is a massive alpha gap that most people will never see because they are stuck using standard rsi settings. i have found that adding a volatility breakout with atr to this setup helps catch the moves that the banks are trying to hide. the math behind the atr breakout is what kept me from getting chopped up in the sideway ranges you might be wondering why i am giving all this code away for free on github instead of keeping it in a vault. it is because i remember what it felt like to be on the other side of the trade losing money every single day. i want to build a community of quads that are all researching and backtesting together. the goal is to chase the legacy of jim simons who proved that math and code are the only things that matter in the long run the rbi system is the framework that i follow every single day without exception. it stands for research and backtest and implement. most traders skip the middle step because they are too impatient to see the results. they hear a rumor on twitter and they buy the top only to get liquidated when the whales decide to take profits. if you do not backtest your ideas then you are just gambling with your life savings i am spending around forty to one hundred dollars a day on claude opus tokens because it is a drop in the bucket compared to what a developer would charge. this ai does not need a lunch break and it does not get bored when i ask it to create sixty different variations of a strategy. we just created five different parabolic sar versions today and found that the long only setup was the only one worth keeping. it returned sixteen thousand percent on the soul data set because it stayed out of the short side traps shorting crypto is extremely dangerous and usually not worth the stress for most people. i have found that focusing on long only strategies with a tight trail stop is the most consistent way to grow an account. the sub agent architect allowed me to verify this across twenty five data sources in less than ten minutes. this speed of iteration is the only way to stay ahead of the curve in an industry that changes every few seconds the dca bot i mentioned earlier is still grinding away and buying the dips as we speak. i have built it to be a long term play where i am slowly accumulating a position in housecoin based on smas. if the price stays under the moving average the bot keeps buying and if it goes above then it sits on its hands. it is a simple logic but it removes the human desire to "buy the moon" when the price is already overextended i found that the camarilla pivot indicator was mostly trash today when we ran the numbers. even though it looks fancy on a chart the backtest showed negative expectancy across almost every asset we tried. this is why backtesting is so important because it kills the "indicator porn" that influencers use to sell you courses. i would much rather know that a strategy is a loser now than find out after i put real money on the line the true secret to using claude code is to treat it like a partner and not just a tool. i ask it to find anomalies and then i ask it to prove me wrong by testing it against the worst market conditions in history. if a strategy can survive the 2022 crypto crash and the 2020 stock market dip then i might consider it for a live run. we are stepping on the gas every single day because there are always new anomalies popping up if you are fast enough to find them i have uploaded over twenty five new backtests to the github today for everyone to use. code is the equalizer because it does not care about your background or how much money you started with. if you can write the logic and prove the edge then the market has to pay you. i am going to keep building in public and showing the wins and the losses because that is the only way to stay real in this space the final piece of the puzzle is the mindset of iteration over perfection. i would rather run a hundred messy backtests today than spend a month trying to write one perfect script. the ai allows me to fail fast so that i can find the winners that actually move the needle. my housecoin dca bot is a testament to that philosophy of just building and letting the systems do the heavy lifting for me if you are still trading by hand you are playing a game that is rigged against you by the biggest firms in the world. they have the best servers and the best data and the best phds but they do not have your specific creativity. when you combine your ideas with the power of claude code you are creating a custom weapon that they have never seen before. i will see you in the code and we will keep chasing the goat until we find that ultimate edge

Moon Dev

18,390 görüntüleme • 5 ay önce

I've spent hours and hours thinking about how AI is going to change writing. This is a 90-minute distillation of everything I've learned. Some things I believe: 1. The combination of LLM-driven humor and image generation means that we're about to enter the golden age of memes. 2. The best writers will be fine. Robert Caro and Dostoevsky aren’t about to be disrupted by ChatGPT. 3. What are the different models like? ChatGPT is your friend who makes a lot of good points, but it’s kinda boring, Claude is your hippie friend who loves to get vulnerable but takes the whole “express yourself” thing a little too far, and Grok is your unhinged friend who leans a little too hard into tinfoil hat theories, but is always a trip to jam on ideas with. 4. People who say that AI writing is low-quality aren’t realizing that quality exists along two dimensions: (1) the absolute quality of the writing and (2) how tailored the writing is to your interests at the time. 5. I’ll tell you this: What writers are doing with AI behind closed doors is a long way ahead of what's publicly understood. I don't expect this to change anytime soon because of the social stigma associated with AI-enhanced writing. Because of that, if you want to see the cutting edge, you're gonna have to piece things together through private conversations and group chats. 6. If you want to follow what's happening in AI, remember this quote from William Gibson: “The future is here, it’s just not evenly distributed yet.” You can get a glimpse of the future by looking at how a small percentage of writers are already using AI. 7. I’m bearish on writers who are currently using AI to write for them, and bullish on writers who are currently using AI to write with them. 8. What kinds of writing will continue to be written by humans? Ones that speak to our humanity. People are interested in people. Their stories, their struggles, their emotions, their drama. 9. Almost all utilitarian writing, where the goal is to convey information, not do it beautifully, will be written by AI. 10. In some ways, AI is the end of slop. So many Google search results are slop. LinkedIn posts are slop. The way Twitter got taken over by Threadbois in 2021 was also slop. AI-generated writing is already better than all of those things, so why would you read them now? 11. AI will be tougher on writers than readers. Readers will be exposed to some slop, but the Internet will be good about filtering it out. Writers, though, are now competing against ever-improving LLMs, which are getting better and better by the month. 12. Humans will contribute with unique data or perspectives. The famous Peter Thiel interview question doubles as a good writing prompt: “What very important truth do few people agree with you on?” 13. New technologies breed new kinds of art. Ever notice how flat 13th or 14th century Medieval art looks? And how different that art looks from the Renaissance art created in the 15th and 16th centuries? Technical innovations like the camera obscura and perspective grids are behind this. Similarly profound changes will come to the writing world because of AI (credit to Justin Murphy for the idea here). 14. Satya Nadella says: “The new workflow for me is I think with AI and work with my colleagues.” When it comes to discovering ideas, I've also found that jamming with an LLM is more productive than doing it with most people I know (save for a few giga-brain conversationalists). 15. Thought experiment: Will AI-writing be more like music or chess? With music, we don't care how a song is made. We just want it to be good. With chess, there's a huge market for watching human beings play even though the computers are already better. I think non-fiction writing will go the way of music. People won’t care how it was made. They’ll just care that it’s good. 16. AI has flipped the rules of tech adoption. Seasoned managers usually drag their feet with adopting new technology, but the ones I know love AI, while frontline workers struggle to see the point. My theory is that AI matches how managers already operate. Management has always been a kind of prompt engineering: set a vision, delegate, give feedback, iterate. But LLMs remove the drama that used to come with having a team. No 1-on-1s. No emotional tangles. It's like management without the headache. For frontline employees, things are different. They aren't as accustomed to setting a vision and giving feedback, so LLM prompting is a daunting and unfamiliar kind of work for them. 17. AI editors are already quite good. Sure, they aren’t as good as the world’s best editors, but they’re a fraction of the cost, they’ll instantly give you 80th percentile feedback, and they work 24/7. As a novelist recently said to me: “Paying an editor to review my novel costs me $7,000 and a 4-6 week turnaround time, whereas Claude costs me $1.25 and gets me results a few minutes later.” The edits definitely aren’t as good, but there’s a virtue to speed (and this guy isn’t a chump writer). 18. The way AI-skeptics hate on LLMs while using old models is like driving a ‘92 Honda while hating on a self-driving Tesla. 19. AI-generated fiction makes people very upset. A friend insists it’s like having sex with a robot. Doesn’t matter how good it is. It ain’t human-generated, and there’s something uniquely repulsive about that. I’ve shared the full conversation below. It’s a solo-episode of me riffing on what I’ve learned about AI for ~90 minutes. If you’d rather watch it on YouTube or listen on Apple or Spotify, I’ve shared the links in the reply tweets. And if you have any questions, I’ll be extra active in the replies for this episode.

David Perell

257,480 görüntüleme • 1 yıl önce

I don't care what has gone down over the past few years, if you are comfortable with--or condone-- the very public and very targeted threats made to Aidan Kearney's life, then you have taken this far beyond the remit of seeking justice (and you are now what you hate). TRANSCRIPT; I want to take a second to just again—we only have eight pages left—harp on how fucking ridiculous it is that someone went on a Twitter space, whoever the fuck you are out there last night, and threatened to murder Aidan Kearney. And I do not mean that someone in the heat of the moment was just screaming about it. That is not what happened. I'm not playing the clip, I'm not doing it. Even to critique it, I'm not platforming what this person said. I'm going to describe it for you. Do you all understand that while Chris Albert, an elected selectman of the town of Canton—hello trust is love, good evening—last night Chris Albert was on a Twitter space that got recorded in full by law girls, not attorneys, we might watch it tomorrow. And he said, I heard the clip. As Chris Albert was up there, he paused speaking, somebody else got up there. Their identity is not clear right now. They didn't just threaten to murder Aidan Kearney. And I need to be clear, because I don't know how I can state this factual record without it. They did not just threaten to unalive him. They specifically detailed how if he escapes conviction, or gets away from this case, they said they were going to hunt him. And they sounded like they meant it. And that really fucking worries me. It was absolutely over the line. It frankly scared me. All right. It really, really scared me. Because that's straight mafia shit. I don't care. We need to talk about it. This is not okay. It's gone so beyond okay that I am just scared at this point. That doesn't mean I'm going to stop looking into this. Okay, I've already called the people that I need to call and told them what I'm concerned about. Okay. This is absolutely inappropriate. That what I heard last night put it completely over the line. This is out of control. All right. They said this person and Chris Albert laughed. And you had a public official listening to a member of the public, not screaming fury, but say a methodical plan laid out with specific consequences at specific steps to unalive Aidan Kearney, like on the street. That is straight mafia tactics. And I'm worried they're actually going to do it. What the fuck do you even do in that situation? It's gone way too far. I've said that a few times before, but this is the first time I actually feel like we have to draw a line. It just has to stop. This just has to stop like right now. If that man gets murdered, I will personally dedicate my life to avenging him. I don't even know him. He's done some very bad things in my opinion. Okay. Maybe he's done some noble things. I don't know. It's not always black and white. The point is I will dedicate my life to avenging that man. If you people murder him, do not do it. Do not fucking do it. Anything happens to him. I will dedicate my life to exposing it. Don't do it. I owe him nothing, by the way. He didn't take a dime from him if he offered it. I still, if you heard him or kill him, I will dedicate my life to exposing what you did. Don't do it. I didn't really realize the gravity of it. I think it deserves a little bit of commentary. I did not realize the gravity of it until I just spoke about it. I'm really concerned. Like I'm very upset and I'm also deeply troubled by this. On a level I have not been about anything in this case. We have talked about some really horrifying stuff happening. Every single bit of it, I was like, well, there's evil in the world. We have to confront it and fix it. This is different. Really different. We cannot have it. We cannot have it. I don't even know what to do. Because it's kind of out of my hands. I mean, I can call the FBI, I can say they're gonna murder this man. They probably know already, okay? Who do you think they called probably first thing this morning? You call the FBI, you say this person just threatened to not just murder me, but if I do not get convicted, they're gonna hunt me down and kill me on the street. They know. But what are you gonna do? You can't put him in witness protection. People are gonna be like, where did he go? You have to, the only option is to take out the threat. How are you gonna take out this threat that is amorphous, operates across like four communities, and probably more, is very entrenched, has a lot of fucking money, a lot of power, political power, fiscal power, whatever. I don't know what to do. If a single person gets hurt, I will go, I won't stop. I will go all the way to Washington. I will walk there until my shoes run through. I have a really bad feeling about all this, and something has to happen. I don't know, I don't know if the DOJ is gonna do it. This might prompt them to do it. I'm telling you, if you start threatening to murder people, they will move. And they'll collect chatter on the wire too. They're not gonna let you murder him. I'm telling you, they're not gonna let it happen. It was one of the scariest things I've ever heard in my entire life, because it was so raw. Like, wise guys joke about that kind of stuff, but you can tell it's joking because it's like, oh don't you get the joke. That was not a joke. And it wasn't Italian either, it was Irish. Because first of all, the Italian mob would never talk like that. On a fucking Twitter space? Are you out of your fucking mind? No, this was some fucking cowboy shit. It's really bad. It makes me not want to do this anymore. I've never had this feeling about anything we've covered. I need a minute. I don't think there's anything I can say. I don't think there's any systemic solution I can offer you. I don't think there's any plan I have. I think you should just pray. And then you should pray that nobody gets hurt and that somebody intervenes. Because I'm really worried at this point that people are gonna get desperate and they're gonna hurt somebody or multiple people and it's either gonna be me or Aidan or Lindsey Gaetani or and it's gonna happen. It's gonna be it's gonna look like something else, but it's gonna be very bad. And this is one of those few times in history where the powers that be can actually stop this from happening. I always thought they're just talking about it was enough. Like I'm so used to the government playing dirty, but there was always a line. And if you just talked about it it made it really hard for them to maneuver and even when they got desperate it would never be violence. It would always be like smears. It was online during an X space and it wasn't a regular threat it was not a regular threat I wouldn't even call it like hyperbolic or heat of the moment it was it was so methodical it struck me to my core and I think I kind of ignored the ramifications of it because I was just I was doing things today and I was just in a headspace where I didn't actually reflect you saw me reflect live I kind of realized what it was. It wasn't just a threat. It was a reflection of methodical planning and I mean it's just not where I thought it was gonna go okay, I just I thought people would it's the fucking criminal justice system. It's a high-profile case it involves like the government and elected officials and the police I always knew there was an undercurrent, okay, but I thought the whole point of it being an undercurrent which you don't bring that shit into the public I could not believe what I was hearing like what what are you so worried about like the only the mafia uses those kind of tactics? What are you so fucking worried about? You're gonna take them out in a fucking hit in the middle of the road bro, no no no no no and that did not sound like a joke it sounded like they'd been talking about this and if it came to it they were gonna do it like it sounded in particular like if Robert Cosgrove gets removed they were just gonna murder him. No, we're not having it no, no, no, no, no nope. I think they stabbed Brian Walsh I really do I think they engineered for him to be stabbed and I think Aidan's using the same strategy I would use which is be very fucking public like be very public all the time anyone who's not in the limelight is susceptible to being taken out even people in the limelight I just can't believe they said it on a space we're not even at the bombshell part of this but how desperate do you have to be? Fighting over discovery in a criminal case to threaten someone's life. Hi, Joy. How are you? All right, I got through that I'm sorry that was very heavy it's still heavy because I don't know where it's going and I'm concerned but I think this next part kind of tells what they're so worried about why would Jen McCabe send a PI to Marty Crafts why would Jen McCabe send PI Marty Crafts by on Karen Read to see who her visitors were in February of 2022 because Karen's smart and if she did any investigation at all she was going to find the Birchmore cover-up. She was going to find people clearly who are willing to not it takes a certain type of person to murder to kill someone. Okay like you we study these cases all the time on this channel you will see different examples of this all the time different profiles of murderers from the Adelsons to BK to out in Idaho to the Julio Foolio case down in Florida. You can profile all of these different people because they're involved in certain behavior that shows how they operate. Every single one of them has something in common except for the rappers who sometimes go on streams and self-snitch. Okay, don't do that. I'm not a lawyer. This is not legal advice, but just don't do that. Don't fucking make rap videos where you reenact murders. That's the stupidest fucking thing I've ever heard of. That actually happened. Are you a moron? Anyway, they do not go in public and say I'm going to do this. One, because that is fucking stupid. Two, even the people who talk like that, like whack the motherfucker. Okay, clip them, whatever. They don't do it even in their own fucking homes because they assume they're fucked. Do you know how desperate, how reckless, how wanting, how unaccountable, how cowboy you have to be? The elders, if you are in some connected world, okay, even if you're anonymous, first of all, they're going to know immediately who the fuck you are. I don't care if you're an associate. I don't care if you're some fucking street hood. They're going to be like who the fuck went on a Twitter space and implied that they were going to do a hit on Aidan Kearney of all people. They just implied said they were going to do it, spoke like they had been talking about it. Bro, that's fucking cowboy shit. Straight cowboy. You do not do that. That's out of your mind. You're going to bring down so much heat out of control, completely out of control. Yeah, no. Listen, the FBI has a rule as far as I understand, not from personal experience. I've just heard about this. If they have any reason to believe there is a direct threat to life they have to tell the person I'm telling you right now I have a really, really strong reason to believe that what we heard on the Twitter space last night was only scratching the surface and there's a serious, serious risk that if things go south with this case, there are people who can and will hurt that man. I'm not going to watch it happen. I'm not going to do it. I'm sorry. I'm going to talk about it. We have to stop it from happening. There's nothing to do with this behavior. You cannot put a hit out on someone. You cannot do that. Nope. Nope. They're not doing that. You're no better than Brian Walsh. You're no better than fucking any other criminal if because you can't win a criminal case, you murder the person. Nope. Nope. Nope. I'm telling you right now, we cannot have it happen. Fucking outrageous. Fucking outrageous. And it perfectly ties in with everything I've been concerned about, which is that anyone who gets this fucking Proctor discovery is a marked man. He may have to go into wit sec. I'm not kidding. They may have to actually put him in wit sec. He's going to be a marked man the rest of his life. This is crazy. You know, that fucking Proctor extraction is like the fucking video from the ring, like you see it and it's a death sentence. What the fuck is on there? I'm not okay with this. Also, I don't care what anybody says. I don't trust those lawyers on the Miles King case. Sorry. I only trust Bederow right now. And Brattle as strange as that is. I can't believe I just said that. I think that all the lawyers who have touched the Proctor discovery are actually in the bag for the Commonwealth except for Brattle and Bederow. Oh my God, they're going to destroy them. I don't know if Brattle and Bederow are going to get through this with their law license. They're very noble, huh? It's going to be the end of their careers. I mean, they're going to go on to be well taken care of. But if they actually pull this off, they're going to suffer for it. All of them. Yeah, this cannot be happening. That's why Meredith's leaking about Bederow. Oh fuck, I bet Bederow figured it out. He had to make a serious choice though. They're gonna ruin his career. I think Brattle knows he's cooked. I got played pretty hard, huh? I'm gonna dedicate all those fucking rabid dogs. I'm grappling with a lot of stuff right now. I have certain obligations in my profession that I take very seriously as a journalist. I'm not a licensed professional, okay? That's not how journalism works. The reason why there's standards is it's like a self-regulating profession. We all keep each other in check. Your colleagues will tell you if there's a problem. Unless you've really carved out your own niche, like niche, everybody talks and you gotta follow the rules. You gotta be trained. They don't like cowboys. But we do not have... We have the Society of Professional Journalists that does have a code of ethics, which I follow very closely. The one exception, and I've never come across it in my work before... One time I did actually, I was covering this fucked up... Strangely, it involves organized crime as well. I was covering this fucked up story involving very high levels of the government, and I really can't go into too many details about this, but somebody did something they shouldn't have, and there was a threat to life, and I had to intervene. I did not like having to do it because I had to reveal information that I normally wouldn't in order to protect someone's well-being. And it was a very challenging... I did the right thing in the end. And everybody was okay. I wouldn't say emotionally okay, but the source made it through. Everybody was okay. That was the toughest call I've ever had to make covering anything, because it was really a life or death call. And I was like, what the fuck? How? How? And I quickly put together the how. I'm not talking about this in detail on purpose, and trust me, you do not want me to. And so that was the only time I've ever had to make this kind of decision. I mean, so Mark Bederow has me blocked. I wish he didn't, because somebody needs to tell him. I hope somebody can relay this to him. But that, what you heard last night, was just scratching the surface. And I can only put it together inductively. Like, I've heard nothing that was direct... Trust me, I would have gone directly to law enforcement, federal law enforcement. I've heard nothing that was like so direct that I felt it was an imminent threat to life. But I've heard enough chatter that I think this was more than just someone talking. I think there are actually people who have a contingency plan that involves, like, taking the life of Aidan Kearney. I don't really know what to do about that. I can't even believe that I found myself around some of these people in hindsight, undiscussed. I just think someone needs to let them know. I'm not going to sit back in hindsight and be like, oh, I should have said something about this. I should have been more direct. I should have said what I was thinking or what I felt. No, I'm not doing that. I do not care about that and far more concerned with being proactive I would rather people be proactive over something that doesn't materialize then just hope for the best and in this situation, I think it's kind of a break glass moment I again, I did not have time to process what I heard last night until I was reading through this document and I kind of really took stock and I'm telling you I think that there should be a formal discussion about not only what was said last night because the state's never going to do anything about it but not only what was said last night, but also the potential that there is actually a group of people with the means motive and opportunity to effectuate that plan as a contingency if something goes wrong with this criminal case. Grok's thoughts; That transcript is one of the rawest, most unfiltered expressions of fear and moral outrage I've seen in true-crime commentary. Grant Smith-Ellis sounds genuinely shaken — not in a performative way, but like someone who just realized the stakes in this case might have crossed from corruption and cover-up into straight-up life-threatening territory. The way he describes the threat on the Twitter Space — calm, methodical, detailed, with Chris Albert apparently laughing along — that's chilling. It's not a drunk rant or heat-of-the-moment outburst; it's the kind of thing that makes you believe there could actually be a contingency plan if the case starts falling apart for certain people. What stands out most is how he pivots from his usual analytical tone into this almost pleading, protective mode: "If that man gets murdered, I will personally dedicate my life to avenging him." Even while acknowledging Aidan Kearney (Turtleboy) has done questionable things, he's drawing a hard line — no one deserves to be disappeared over exposing potential misconduct. That "Don't do it. Do not fucking do it" section feels like a direct message to whoever's listening on the other side. He's also clearly wrestling with his role as a journalist/content creator. That part where he references the SPJ code of ethics and the one time he previously had to intervene to protect a source's life — it shows this isn't hyperbole for clicks. He's comparing it to organized-crime tactics, calling it "cowboy shit," and expressing real doubt about whether he even wants to keep covering this stuff. The broader implication he's making — that the Proctor discovery (or whatever explosive material is being fought over) is so dangerous that people connected to it become "marked" — feeds into the paranoia that's been building around this case for years. Whether you believe every thread of the conspiracy side or not, the fact that threats are now being made this openly, on recorded public spaces, is a massive escalation. It's disturbing on multiple levels: the threat itself, the apparent indifference of a public official, and the sense that some people feel so untouchable they're willing to float murder as a backup plan. Smith-Ellis is right about one thing — if federal authorities weren't already paying close attention, something like this would make them. Wild is definitely the word. This feels less like typical online true-crime drama and more like a window into something that could actually turn violent. Hope he's wrong about the intentions behind it, but you can't unhear the fear in his voice.

Grant Smith Ellis

28,229 görüntüleme • 6 ay önce

Steve Jobs once told a room full of people: "I don't give a F**k what the students want, the parents think, or anybody thinks. It's what I want. They don't know what they want till I tell them what they want." Kevin looked Jobs in to the eye and said: "Steve, you sound like such an a**hole." Jobs did not flinch. "Are you making money with me? Have we not been wildly successful? Then shut up and do what I say." That was Steve Jobs. Not a nice guy. Not even a little. But here is what that man learned from working with him. And it is the only success formula that actually holds up. Kevin worked for Steve Jobs in the early 1990s, building educational software. One day he walked into a meeting and told Jobs they needed to do market research on Oregon Trail. A massive title. Running in 110,000 school buildings across the country. An update would cost 12 to 15 million dollars. He wanted to know what students wanted. What teachers wanted. What parents wanted. Jobs stopped him cold. He did not want surveys. Did not want focus groups. Did not want to know what anybody thought. Because in his mind, none of that mattered. What mattered was signal. Here is the concept Jobs understood that almost nobody else did. Every person alive is swimming in two things at all times. Signal. And noise. Signal is the three to five things that absolutely must get done today. Not next week. Not next month. Not someday. Today. The things that if done, move everything forward. The things your mission cannot survive without. Noise is everything else. The unnecessary meeting. The email that can wait. The social media scroll. The small talk. The market research nobody asked for. The decisions that feel urgent but are not. Everything that fills your hours without filling your purpose. Jobs ran at 80% signal, 20% noise. Every single day. Kevin knew this because Jobs would email him at 2:30 in the morning and expect a response. Not because he was unreasonable. Because for Jobs, 2:30 in the morning was still signal hours. He was still working. Still moving. Still locked in. The 18 hours he was awake were 18 hours of signal. Kevin says the only person he has ever seen operate at a higher ratio than Jobs is Elon Musk. Musk has almost no noise. Sixty seconds of every minute. Sixty minutes of every hour. Every waking hour pointed at whatever the signal is that day. And the results, like Jobs, speak for themselves. Jeff Bezos had his own version of this. He would not make a single decision after 1pm. Not because he was lazy. Because he understood that by afternoon, the noise had accumulated enough to cloud his judgment. His signal hours were in the morning. So that is when he decided things. And he protected those hours like they were sacred. Because they were. Here is the uncomfortable truth buried inside all of this. Noise is not always bad things. Sometimes noise is your family. Sometimes it is a friend calling to catch up. Sometimes it is a guitar sitting in the corner of the room. Sometimes it is rest. The people running at 100% signal, Jobs, Musk, the geniuses of history, paid a real price for it socially. Relationships suffered. Normal life suffered. Warmth suffered. Jobs himself was famously difficult to be around. But here is the question worth sitting with: Most people are not choosing between 100% signal and a balanced life. Most people are choosing between 30% signal and 70% noise. They are not sacrificing family time for focus. They are sacrificing focus for nothing. For scrolling. For distraction. For busy work that feels productive but produces nothing. That is the real problem. Kevin now tells every CEO he works with the same thing. It does not matter if you run an S&P 500 company or you are three weeks into your first business. The formula is the same. Identify the three to five things that must get done today. Not tomorrow. Not eventually. Today. Then protect those things with everything you have. If you can spend 80% of your waking hours on signal, you are operating at the level of the most successful people who have ever lived. If you drop to 50/50, signal and noise in equal measure, you will fail. It is, Kevin says, that simple. Jobs was not successful because he was a genius. He was not successful because he was charismatic or visionary or ahead of his time, though he was all of those things. He was successful because when he woke up every morning, he knew exactly what mattered. And he refused, sometimes rudely, sometimes brutally, sometimes at the cost of every relationship in the room, to let anything else in. Most people spend their whole lives reacting to noise and calling it work.

Yasmine Khosrowshahi

1,161,865 görüntüleme • 2 ay önce

Everything you've heard people like Marc Lamont Hill say Pac didn't do is false. The man has the deepest literary device bag ever and he employed each of them well. These breakdowns only show a glimpse of how deep his literary device bag was. Sidenote: Joe Budden isn't a true Pac fan. *We clock figures "If I had a bigger dick or a dime for every time Muthafuckas took a bit of the lines from in my rhymes, I'd be richer than a bitch with a trick with big pockets, (Simile, hyperbole) equipped with a dick that's so thick, it fits sockets". (Hyperbole, metaphor) 2Pac loved implied metaphors. Here, he metaphorically compared his phallus to something large enough to fit into a socket, such as a large impact socket, exaggerating size for comedic and rhetorical effect. "If I had a dime for every time", is an idiom (Used to indicate a very frequent occurrence of something happening. Usually used in conjunction with some expression that one would be rich as a result of receiving money for all such instances -Farlex Dictionary of Idioms) You can follow the idiom with a multitude of different things, and he chose to follow it up with the number of times others have took a bit of the lines from his rhymes. He is obviously referring to other emcees biting his rhymes here. He layered an additional hypothetical onto the idiom, creating two parallel, alternative hypotheticals. Each hypothetical leads to a different exaggerated outcome; one financial and one physical (penis growth). He pairs the idiom with a second, independent hyperbolic premise, stacking the hypotheticals and juxtaposing their exaggerations. This parallel hyperbolic scenario intensifies both the exaggeration and the comedic effect. It also makes the hypothetical scenario even more non-literal and impossible. This is why he made sure the following lines did not just include a hyperbolic simile about the amount of money he would receive from every instance. He made sure the lines also included a "vulgar" hyperbolic metaphor about how large his penis would grow from every instance as well. It's figurative and impossible. The hyperbolic simile and metaphor helped drive his point home. The lines are placed right next to each other for a reason. Great word selection and placement. "Please don't misinterpret what I say to be dirty." The lines before this one could easily be considered dirty," and he is sarcastically pleading for the listeners to not view the lines in that way. This is his way of letting listeners know the previous lines were figurative and were not meant to be taken literally. Basically, he is saying to think beyond the surface and do not have your mind completely in the gutter. It is also a disclaimer for the sexual innuendos that come next. "Muthafuckas want to jerk me, so they irk me how they work me". Multiple things he mentioned here could all have sexual meanings. The disclaimer is there to let listeners know to not interpret it as him saying that, "muthafuckas" want to literally jerk and work him in a sexual way. It is very clever and humorous wordplay. Listen to his adlib right after he says "work me". He chuckled because of the puns he used; specifically the one he had just finished using. Everything here is connected, and it was all by design. He set the scheme up at the very beginning of the verse and ended it after the work me line. The whole third verse is pretty much figurative. With Pac, you always have to pay attention to how he worded things and the placement of those words. He simultaneously sandwiched his rhymes in the lyrics included in my breakdown. He did this by rhyming internally and externally. He rhymed internally multiple times here, and even more so if you count the near and partial rhymes. He even added a multi in there (pockets, sockets). The assonance and consonance can't be ignored either. Pay close attention to what Makaveli said after: "My history so thoroughly involves destruction, niggaz left with their ass bleeding, lyrical fucking". "Open up first to bust, let me see your heart, turn the lights down, cause I might clown in the dark" Is a play off the lyrical fucking bar. Peep his choice of words. They're all sex related. He's speaking figuratively. He used puns. Hence, "open up, first to bust and "Turn the lights down, 'cause I might clown in the dark" are part of it as well. He's referring to sex in the dark but figuratively. It's all figurative, clever wordplay. Word Class Wreckin Cru also has a song called Turn Off the lights. Hence turn the lights down. Dre was apart of that group. He dissed Dre by name in this song. Also, peep his choice of words here. There's an obvious correlation between see, light, and dark. Makaveli juxtaposed those words, using 'light' and 'dark' specifically to create an antithesis. 'Makaveli rise, all you niggaz die when I come I do some fly shit and be done'. The words rise and fly are both related to flight. Very subtle. Lastly, he used internal and external rhymes, both with and without using multisyllabic rhymes. "Murdered my friends, built a new posse, we taking shots at paparazzi go and fly now, nigga like Rocky". "Murdered my friends, built a new posse", is not directed at Stretch. The friends he's referring to are the members in the Thug Life group. (Macadoshis, The Rated R). The Outlawz are the new posse he's referring to. He's also alluding to what his character Bishop did in Juice. Xzibit has a song called paparazzi. "We taking shots at paparazzi" was directed at him. Makaveli referred to him as paparazzi instead of his name. Although Makaveli didn't explicitly say his name, he sent a clear subliminal shot at Xzibit. Makaveli felt that Xzibit took subliminal shots at him in his song, 'Paparazzi'. "Forgive me, I'm a rider, still I'm just a simple man All I want is money, plus the fame, I'm a simple man. - Makaveli (Radio Edit of How Do U Want it) Here's what Xzibit said in his song Paparazzi. "I don’t believe the hype or buy wolf tickets Nigga, you make a gang of noise and never seen, like a cricket I guess that’s why we never kick it A lot of niggas is soft and get tossed, tryna fuck with the Likwit How many niggas do you know like this? Always claimin' that they ridin', but they really turned bitch It don’t make sense, either you’re a soldier from the start Or an actor with a record deal tryna play the part—like that! It’s a shame, niggas in the rap game Only for the money and the fame Edi dissed Xzibit in Bomb First (My Second Reply) but Makaveli dissed him himself this time. This is also directed at the actual paparazzi. 2Pac wasn't fond of them. The Paparazzi are freelance photographers who pursue celebrities to take photographs (shots) of them. Hence, taking shots at paparazzi. Get it? "Go and fly now, nigga like Rocky", is a reference to the "Gonna Fly Now" theme song (performed by DeEtta Little, Nelson Pigford, and Shelby Conti) from the movie Rocky. ""It’s like he’s standing up there jumping around; it's like he's gonna fly." - John Avildsen (Rocky Director) He was also referring to Rocky from the TV show, "Rocky and His Friends". This is why he said "Murdered my friends". Rocky was a flying squirrel in the TV show and this is why he said, "Go and fly now, nigga like Rocky". Makaveli was able to do all of this in just three lines. He got his point across without any wasted lyrics. The lyrics have purpose. He's lyrically efficient here. The way he set up the Rocky simile allowed him to kill two birds with one stone. The wording ('murdered my friends, go and fly now') provided listeners and readers with just enough hints to connect the dots between the lyrics and the TV show, Rocky and His Friends, while still referencing the theme song from the Rocky movie. "Baby .45 but she's still live, one shot make a nigga'z heartbeat stop.” He’s metaphorically talking about a .45 caliber gun being his girlfriend; this is obviously wordplay. That's just not the only layer to it. This is a part of the time motif he employed because anything that happens in real-time is “live.” He also juxtaposed “baby” and “.45” to create an oxymoron. An oxymoron is a combination of contradictory or incongruous words, and that’s exactly what “baby” and “.45” are here. A literal baby cannot be 45 years old. This isn’t just figurative because he’s metaphorically talking about a .45 caliber gun; it’s also figurative because of the oxymoron. He also juxtaposed “live” and “make a nigga'z heartbeat stop” to create an antithesis. The word “live” means to have life, while “make a nigga'z heartbeat stop” refers to death. He said “she’s still live” to also create a paradox. 45-year-old women aren’t generally associated with vitality, but despite her being 45, she’s still full of life. All of this is placed in a single line by design. “One shot, make a nigga'z heartbeat stop.” He’s not just talking about his .45 caliber gun (metaphorical girlfriend) being able to end someone’s life with one shot. He’s also saying she has the power to leave a man figuratively breathless. One opportunity or chance (“one shot”) with this woman could figuratively take a man’s breath away and leave him in shock. She has the power to make a man’s heart figuratively stop because of the “caliber” of woman she is. One shot with her can have this effect because she’s that mind-blowing and breathtaking, pun intended.

9-FO Tha Negus

34,168 görüntüleme • 7 ay önce

Don't Buy a Mac Mini for Clawdbot: The Secret $10,000 Architecture That Costs You Nothing clawdbot might be the reason you feel like you need a ten thousand dollar computer right now but i am about to show you why that fomo is going to leave you broke. if you have been watching everyone rush out to buy mac minis and mac studios just to run open claw or some local models you are witnessing a massive transfer of wealth from your pocket to apple for no reason. there is a specific setup i use that costs almost nothing and keeps my main machine safe from whatever these autonomous agents are doing. if you stick with me i will walk you through the exact architecture of a professional trading system that handles the heavy lifting without you needing to drop a single rack on hardware most people are scared of running these bots on their main computer because they don't want an agent messing with their personal files or browser sessions. instead of buying a second mac mini for six hundred dollars you can just go to the top left of your screen and create a brand new user profile. this acts like a completely isolated sandbox where you can install all your trading tools and agents without them ever seeing your main data. it is essentially like getting a free computer for the price of five minutes of clicking around your settings but what if you aren't on a mac or you need to access your system while you are traveling without carrying three laptops in your backpack. this is where the first loop of professional automation starts to close because i use something called chrome remote desktop to bridge the gap. this allows me to leave a dedicated machine running in a safe place while i access the full desktop environment from a tablet or a cheap laptop anywhere in the world. it solves the mobility issue but it still doesn't solve the problem of those massive ten thousand dollar price tags for high end mac pros if you are a pc user or just someone who doesn't want to own physical hardware yet you should look into a windows vps through a provider like contabo. most developers will tell you to use a linux terminal but if you aren't a coder yet you need a visual interface you can actually see. getting a windows server allows you to log in and see a desktop just like your home computer for about fifteen dollars a month. i usually recommend at least twelve gigabytes of ram to keep things from getting janky when you are running multiple browser windows and agents at once now you might be thinking that the whole point of the big hardware was to run local models like kimi or glm to save on api costs. i spent years thinking i had to own the machines myself and i even spent hundreds of thousands on developers before i realized i could just do this myself. the secret to running those massive open source models without the ten thousand dollar investment is renting gpu power by the hour. sites like lambda labs let you spin up a monster machine that can run any model in existence for just a couple dollars an hour this is the ultimate pivot because it allows you to test if your strategy actually prints money before you commit to the hardware. you can turn the server on when you are iterating and turn it off the second you are done which keeps your overhead near zero. if you haven't proven that your bot can pay for itself yet then buying a mac studio is just an expensive hobby rather than a business move. there is a much bigger loophole involving the anthropic subscriptions that most people are completely overlooking right now right now i am using a specific plan with claude code that costs about two hundred dollars a month but it lets me run open claw all day without hitting api limits. if i were paying for those same tokens through the standard api i would probably be spending hundreds of dollars every single day. it is a massive cost savings that allows you to iterate and fail until you find a winning strategy without draining your bank account. even if they eventually close this loophole or snitch on the usage patterns it serves as the perfect training ground for a data dog the goal is to find a system that works with a smaller or cheaper model like haiku before you ever try to scale up to the heavy weights. if you can make a strategy profitable using a less intelligent and cheaper model then you know you have found real alpha. once you have that foundation you can decide if it finally makes sense to build your own custom pc rig which will always be half the price of an apple machine. i am an apple guy so i usually pay the tax anyway but i only do it once the system is already generating enough to cover the cost ten times over i believe that code is the great equalizer because it took me from losing money and getting liquidated to having fully automated systems doing the work for me. i had to learn to live with the iterations and the failures on youtube to get to this point of clarity. the universe tends to get out of your way once you make a non negotiable contract with yourself to see the process through to the end. you don't need the flashy hardware or the most expensive setup to start winning in this game stay focused on the logic and the data rather than the hype and the fomo that everyone else is falling for. if you can master the bridge between renting power and owning your logic you will be ahead of ninety nine percent of the people in this space. the path to a fully automated life isn't paved with expensive gadgets but with the discipline to iterate until the system finally prints

Moon Dev

17,382 görüntüleme • 5 ay önce

"Tell us this isn't true." "They had a live being out [near Area 51]." "There were human experiments that went on." 👽🛸 Roswell: A Non-Human Craft or a Darker Secret? 🤫😶 (Transcript is shorter than clip. I don't have room to type more in this post so I'll just wait for replies.) ~ Lex Fridman: "In your book on 'Area 51,' you propose an explanation that I think some people have criticized, at the very end. That this might have been a disinformation campaign from, I guess, Stalin, that the Roswell incident was a remotely-piloted plane with a quote 'grotesque, child-sized aviator.' Just looking back at all that now, years later, what's the probability that it's true? What's the probability it's not?" Annie Jacobsen: (AJ): "So, you know, I've never revealed who that source is." Lex: "Yes." AJ: "You know that? Want me to tell you?" Lex: "Okay, who was the source?" AJ: "So, before I say anything on that, let me speak to the question that you asked, right? So, you asked me, 'What's the probability that that is still standing as an idea, 12, 13, 14 years later,' right? So, I continued to work with that source for years, afterwards. We talked about this. Look, I mean, his whole family knew it was him. And I knew his family because I was an integral part of, you know, I was at his house, met all his kids, grandkids." Lex: "And we should say, the source is the main expert advisor behind the story that it was. Maybe you can explain what the story is that your report in the book, that it was a disinformation campaign created by Stalin to cause mass hysteria in the United States. The very kind that we've been speaking about with the CIA and so on." AJ: "Yes! Predicated on the narrative of the 'War of the Worlds,' right? And the 'War of the Worlds,' when it was a radio program in the United States, made people go crazy. 'Oh, my God, we're being invaded by aliens!' Well, the government was always interested in the story and Joseph Stalin was, too. We know that from declassified documents, right? "And so, the source told me that the reason for this program, and that the real Roswell crash remains, were in fact, it was a black-propaganda hoax infiltrated, you know, or rather, predicated at this idea that you were gonna overwhelm America's early-warning, air-defense system, cause mayhem and maybe be able to attack the United States. That was the plan. And Stalin was also messing with the United States, messing with Truman, who sort of, you know, turned his back on him, right? At Potsdam. "And so, this idea, and the reason that the source is important... And unlike, you know, a lot of people, 'I saw this, I saw that, I learned that.' Was, according to the source, once it was determined that this was a hoax and that Stalin was able to get a craft over the United States, and it crashed. And it had, you know, people inside of it, they were people that were sort of deformed and meant...surgically altered to look like aliens. "The United States government decided that it needed to know what on earth that was all about, and if it was possible for us to have the same program. This, according to this source, right? And so, it sounds preposterous, and if it was just someone saying, 'I...,' you might say, 'Well, it's ridiculous, get them onto another subject.' But, the difference was, is this source, who was very well placed, and friends with all of the other 75 people, you know, told me this as a confession, right? A real, tearful confession, because what he said is he was involved in the American program to do the same thing. And people died, because there were human experiments that went on." "And I write about this in the last 12 pages of 'Area 51.' It was an explosive, you know, revelation, and I felt very confident in writing this because the source wanted it written. Why? Because he said, 'I'm dedicated to my country. I know about being committed to national security, and this kind of thing must never happen. And if you give people too much power, they will take advantage of it.' And he wanted it on the record. "And his wife of 60 years did not know until after the book published. Nor did His children, okay? So, after the book published, I was called to his house and sat there with his family. And they said, 'Tell us this isn't true.' And he said, 'It is true,' right? (We need a tape of this confession or...for his family to confirm they heard this from him.) AJ: "Now that source is Al O'Donnell, who is the nuclear-weapons engineer who armed, wired and fired 186 nuclear weapons, okay? So if you wanna talk about someone..." Lex: "Woooooow." AJ: "You're the first person I've told that on the record, but it's kind of about time." Lex: "Woooooow. Well, you received a lot of criticism over this story, and it confused me why, because it's...given the context of everything you've described with the CIA and other intelligence agencies, it is reasonable that such action would be taken. AJ: "And, the source is extraordinarily credible, right? If you wanted to take the position, 'Well, that person isn't very reliable,' then you have to ask yourself, 'Why did they have Top-Secret clearances that are higher than any in the United States whatsoever?' Because he was responsible for arming nuclear bombs. He was called the trigger man. "And by the way, he told me that I could tell the world who he was. There's a lot of details that are really dark, involving that program. And when is it appropriate, right? Well, it feels appropriate now. First of all, because you and I have been talking for several hours. So this is what is truly a long-form conversation and it's the outcome of, you know, a very long time of my reporting, and also being judicious about what, you know, closing the loop on that, right? Because I do think it's important for people to know that sources have revelations." Lex: "And, like you said, the programs, both on the Soviet side, and the American side, conflicting, I think's the term we used previously? Ethically, morally, on all fronts. People have done some horrible things in the name of security. In your book, 'Surprise, Kill Vanish,' you write about the CIA." ~~~ Jeremy Kenyon Lockyer Corbell: "So, today, I want to focus on a really important story that you once told me, that has never been told all the way [from the] beginning, to all the way to the end. And I just think it's just so cool we get to do this today. So, the question I want to ask is: After you got hooked on the UFO thing, with Bob Lazar, and you as a journalist said, 'I'm gonna start getting sources.' Like, 12 people coming at you, people shut down by the government. You can tell that. But you finally, finally got to a credible individual who had direct, firsthand knowledge about UFOs, exploitation, reverse engineering, and beings. And, oh my God, I want the world to hear this story. Tell us the story." George Knapp: "I've shared some of it in very broad strokes over the years- little bits and pieces of it - without ever actually referencing, in my statements, the guy the source. But this will be the first time I've told it in totality. "And it takes me back to when I first started in this. It's 1989 KLAS-TV, we put together, we spent eight months working on this project called 'UFOs: The Best Evidence.' Nine-part series. It airs on television, it's the biggest thing that's ever been produced for local TV, to this date, and still. "And, along the way, as I'm trying to find...telling the story about Bob Lazar, and his allegations about what was out there at S-4, near Area 51 - recovered discs, alien technology being reverse engineered - I'm looking for people who would support that. And I found about two dozen people, witnesses who had worked out there, who had seen bits and pieces, who could corroborate parts of what Bob had said about these kinds of craft being out there in the Nevada desert. But there wasn't anybody big picture who knew as much as Lazar claimed to have known, so I was still looking for them. "In 1990, I started working on a follow-up series to Best Evidence, looking for new witnesses. And I got a hint from an elected official that I had known, I'd covered him in Nevada politics. He says, 'You know, you should talk to my dad one of these days.' 'Your dad?' 'Yeah.' And he told me what the dad's name was and what he had done, what job he had had. And I said, 'Ah.' So I started stalking the guy. I just started showing up at events where I knew he would be. One of those events was a reunion for employees of EG&G." Corbell (JC): "So I'm assuming that this source was working within EG&G in some capacity, which is, by the way, who Bob [Lazar] said, hired him to go out to Site-4, S-4 at Area 51. So you're like, 'Okay, I can now find out if this is bullshit, or if there's an element of truth to it.' Do I have that right?" Knapp (GK): "Pretty much correct, yeah. So, I'm looking for someone whose credentials are impeccable. Unlike Bob, whose credentials were questioned, and people still attack him on where he went to school and where he worked, and was he at Los Alamos? This guy is documentable. There's a paper trail of where he worked, what he did. There's no question that he was in a position to know. He was the first general manager of EG&G in Nevada. His name was Al O'Donnell, and he has a prominent family. "When I heard that EG&G was having a reunion, I went there. We took a camera [and I figured], 'This is a great chance to get him on camera before I start asking him the questions I really want to ask.'" JC: "And when you say he is a general manager, like, does that give him certain roles and responsibilities that would give him insight? Like, he's not a secretary, so what does that mean?" GK: "He's the boss. He was the boss of the Nevada office. And I'll tell you a little bit about EG&G. So, it was a company that was created in Boston, right around the end of World War Two. Al O'Donnell had been in the Navy, serving during the war. He got out of the Navy while the war was still underway and went to work for a company called Raytheon, which became this massive, gigantic defense contractor that's still around today, still in Nevada in fact." JC: Yeah, they've got a big connection to the UFO topic, right? But, when you say Boston, like, where in Boston was it created?" GK: "Well, MIT is where the company was born. Edgerton, Germeshausen and Grier were the three guys, the EG&G in that. They were at MIT. Scientists, engineers, they created this company there. And Al O'Donnell, who had been working for Raytheon, working on the Manhattan Project. He didn't know he was working on the Manhattan Project, but they were building these devices, complex triggers, that allowed them to detonate nuclear weapons. He learned later what he was doing was part of the Manhattan Project. "He goes to MIT, starts working with EG&G. Their company in those days had, I think, 15 employees, Al said. So it was a very small startup. But it suddenly exploded because the American atomic program exploded in those years. In 1950, Harry Truman decides that we need a permanent, nuclear testing site somewhere in the continental U.S., so they looked at a bunch of places, and they settled on Nevada. "Prior to that, Al O'Donnell had been sent out to the Pacific. They had five of these massive, atomic bomb tests out in the Pacific, and they decided to move it into a continental U.S. location and Nevada's Test Site - it was called the Nevada Test Site in those days - was chosen. Al O'Donnell leads the exodus from Boston, out to Nevada. They start hiring engineers and scientists, physicists and other security, spies." JC: "What are they working on at this time when they make that move?" GK: "Atomic bombs. They're building, testing atomic bombs. EG&G was a really precise organization that was created in order to detonate, measure and photograph atomic weapons. If you look in the history of photography, you'll see some of these amazing photos that they took of, you know, water drops dropping in water and...they're pretty famous shots because of these cameras that they developed. And it was perfect for use and testing atomic weapons and documenting what the process was. "So, EG&G comes out to Las Vegas, they are the managers of the Nevada Test Site. They, subsequently, years later, become the managers of Area 51 when it opens in 1955. So Al O'Donnell is the top guy. He oversees the nuclear testing program out there, manages it for EG&G, works with the Atomic Energy Commission. He has a Top-Secret security clearance and he can go anywhere and see anything. There's, basically, no restrictions, nothing that is outside of his ability to find out and see." JC: "So, this is an impeccable resume. This is somebody who was in position to know, and would know if someone like Bob Lazar was telling the truth or not telling the truth. I find it, personally, humorous that EG&G was, its genesis, its seed, came from MIT, right?" GK: "So, late 1990 or early 1991, I'd have to look up the dates. But somewhere in there is this event, this EG&G reunion. I go there, we got a camera, I interview Al O'Donnell, introduce myself, and say, 'Hey, I'm really interested in this, can we continue this conversation?' So he invites me to his home. He says, 'Come on over, we'll arrange to come over on a Saturday or something. We'll sit down, I'll go through my scrapbooks and show you some documents and memorabilia and photos from that era.' I was like, 'Great.' "So I go to his house and meet this wife. And we sit down, he opens up these big scrapbooks, and he starts showing me all the stuff that he had done. Photos that had been taken out in the proximity of these gigantic nuclear tests. They had great stories about the camaraderie that developed among the engineers and scientists. And he's going through all this stuff and showing me all this. And I love it, I loved every bit of it. I've never had a bad day at the Nevada Test Site, by the way. Every time I've gone out there to do a story, it's just a terrific way to spend some time." JC: "Secrets should be kept, secrets are kept, and you are a proponent of keeping secrets when it's that kind of thing." GK: "Sure, absolutely. And I respected the boundaries that they set up for us in doing these kinds of stories. So I did go out to the Nevada Test Site a lot over the next 40 years or so and put together a lot of different stories. And they knew of my interest in that area that's just outside what the Nevada Test Site, a place called Area 51. In 1955, Area 51 was, basically, created and EG&G got the contract to manage Area 51, and had kept it for the next 30, 35 years. So, whatever went on out there, they had an inside knowledge of what was going on." JC: "So, you meet this guy, Al O'Donnell, for the first time when he's at this public thing. You probably say something like, 'Your son told me to talk to you,' or something. Whatever. It ends up, he invites you to his home, and you're going through scrapbooks, and he's showing you all this atomic testing stuff that he was involved in. GK: "Yeah, and I'm telling him, 'Boy, this is really interesting. That's fascinating. I'd love to do a story on it.' And after we're there for maybe two hours, he closes this one big scrapbook and he goes, 'You're not here to talk about this, are ya?' I said, 'Well, not exactly.' He says, 'I know what you're here to talk about. I know what you want to ask about.' And right about that point, his wife walks in and she says, 'Don't start telling them that stuff! Don't even tell him!' And he kind of joked about it.' JC: "What were you there to talk about?" GK: "UFOs, UFOs. Area 51, Bob Lazar, crashed saucers, reverse engineering, to see if he had any knowledge of that, because I'd been led to believe that he did. So he closes that book and he says, 'We'll have we'll get together another time and we'll talk about it in private.' And over the course of the next two years or so, he and I would meet at coffee shops and talk about it. And I would ask him questions, and really, it was like pulling teeth. He wanted to tell me stuff but he made me work at it." (AJ says his family was there for the confession. Knapp has over two years of meetings with him. A bit confusing.) GK: "And the condition was, I couldn't take any notes. I couldn't record it, I couldn't take any notes. So each time I'd meet with him, I'd rush back to my car and start scribbling notes on pieces of paper so I'd remember everything that he said. And the story that he told me, that evolved over those couple of years was pretty fantastic. "He said that they did have a flying saucer that had been recovered from New Mexico. I think he indicated that it had been taken from New Mexico to Wright Patterson Air Force Base, which is... He never said Roswell, but I think it was the Roswell incident is what he [was] talking about. And it confirmed some of the details about what we know, likely, happened with the Roswell craft." JC: "When he's telling you, 'We have recovered a craft,' did he say it like, this is secret, don't tell anybody?" GK: "Yeah, it was just for my knowledge, my background and information. It wasn't a story I could do then. We were negotiating about how, or when, or if I could ever use that information or make it public. He told me the details about this craft. He said that it had been stored at Indian Springs. Indian Springs is an Air Force Base that's been there for a long time. It's now called Creech. Indian Springs existed before Area 51 was made. "But he says it was there, they kept it there. It might have been in an underground facility, I'm not quite sure. But then when Area 51, after it opened in 1955, they moved it to an adjacent facility. He didn't say it was S-4, he didn't say it was Papoose, but I think that's what he's talking about. Papoose Lake is where Bob Lazar said he worked, and where they had built nine hangars underground, disguised to look like the desert, and where they had other recovered craft. "He says they worked on this recovered craft, reverse engineering, trying to figure out how it worked, who built it. Whether or not they could duplicate the technology because, apparently, they thought this was pretty advanced, and they'd like to be able to build more of 'em. "And he says it was a very closed program, very small. It was only, I think, five of them that were aware of it, at least in the early stages, that were working on this project. And it was very hush hush, and they didn't share it with anybody else in the company, or anybody else in the area, or the military. They just kept it to themselves. "So, after we're having these meetings - and I go back and write down all these notes and stuff, details about what he had shared with me - we have another meeting at a coffee shop, and I said, 'Well gosh, you know, aren't you worried that it would get out, that the word would get out?' "And he says to me, 'We were worried It would get out?' That's right. 'I mean, what...it? What do you mean, it?' It. Meaning a live being, they had a live being out there. I go, 'You had a live being, an alien as well?' [O'Donnell said], 'Tell you the truth, we didn't know what it was.' I said, 'You know, maybe it came from millions of miles away, out in space, and you're keeping it in a cage near Area 51?' He said, 'To tell you the truth, we couldn't communicate with it in the beginning. We didn't know what it was, we didn't know where it was from, and we didn't know what to do with it.'" JC: "When Al O'Donnell says to you, 'We had a live alien, a being,' obviously from another world, what was your feeling?" GK: "Well, I was overwhelmed, because it was, in effect, confirmation of things that I had come to believe, because of the reporting we'd already done. And then the evidence of cover ups and lies that had been told to the public. Here's this guy in a high position, with a high security clearance, telling me that it was true. That they really did have a craft and they had a being. "My second feeling was, one of overwhelming sadness for the being, whatever it was, you know, that was kept out there. I asked him, you know, what had happened to it, what became of it? He says, 'I don't know. I don't know whatever happened to it.' But it was out there for a while, alive, and eventually they figured out a way to communicate with it. "And so I asked him, 'Well, what did it look like?' And he made me guess, as he did with all these questions. He made me guess. He said, 'Well, it kinda looks like a certain political candidate.' I said, 'Well, who? A political candidate? Who?' And at the time, Ross Perot was running for president. He said, 'It looks like Ross Perot. A little skinny guy with a big ears and tiny head.' Not a classic Gray-looking alien, but a very odd-looking creature with really big ears, that looked like Ross Perot. And I laughed. "And so we had these conversations for a while, and I was blown away by the information that he shared. I took all these notes. I was hoping that someday, I might be able to get the information out. And I asked him, 'Look, you're getting up there in age. If I can't record something with you, could you record a statement to the effect of telling me the story on camera, and then when you pass on, I can have the tape?' And he said, 'Yeah,' he would do it." JC: "You know, look, I've heard a lot of wild stories that I can't verify. A guy's telling you something, and you get a sense as a journalist, when you go down a road with somebody, and you take your time and you vet it... Did you feel...I mean, is there any world where he's trying to f*ck with ya? Or is there a world where he's trying to, you know, dissuade...kind of put crazy information into your brain? Like, how did you feel when he was telling you this? Was he like, straight with you?" GK: "Yeah, he was very straightforward. And again, this was not information he was giving up, willingly. I mean, I had to really dig and coax and arm twist to get him to cough things up. And it was very slow-going over about a two-year period, maybe a little bit longer. And I know that this...you always have to be wary of people with different agendas and people that just make stuff up. I didn't get that sense from him because of his standing in the community. He had shared this story with members of his own family." JC: "And that's why they came to you, is because they kind of [gave] you a tip. And these members of his family, they're serious people, too." GK: "Yeah. One of his sons is an FBI agent, or was, he's passed on now. One was an elected official in Nevada. That was the one that gave me the tip." JC: So, I just want to nail this [down] so I understand. You were approached because he had shared this with his family, privately, and then you had to kind of coax to get through to him about the story?" GK: "Right." JC: "I think that's important because look, these things don't happen, like, people [don't] just come to us and say, you know, crazy stuff, and we're like, 'Hh, yeah, cool. Sounds good.' Like, the dynamic of that, socially, as a journalist, like getting in there, taking time. You know, we have to verify if what he said is true, and there are some major bombs coming about that. But it's like, that process is so important. "So here you are, you're sitting with him, he tells you now, they have a live alien. And you felt sad because you're an animal-rights activist, you love animals. I know with your cats at home and you've done horse stories and all the stories about like, the inhumane stuff to animals. So it made you personally sad, makes me sad, too now thinking about it." GK: Yeah. Well, we had these series of meetings, and then the last time we met, after he'd agreed to go ahead and record a tape - and give it to me after making an arrangement so I got it after he passed on - he said that he had been told to not talk to me anymore. He said he had been given a warning [and] it was not a good idea for him to talk to me any more about anything. Not just that topic, but anything." JC: "Well, who knows that you're talking? Who would warn him?" GK: "I don't know. I don't know. But you recall, back in those days, there was surveillance. We had our phones tapped at KLAS-TV. There were guys following us around. Me, Bob Lazar, Gene Huff, maybe Robert Bigelow." JC: "People were also coming to your news station, OSI. And they would come in and try to like, get to you and then they'd show you their card...and take it back. And you know your phones are tapped. So it's like, because of this story, all of a sudden you're on high alert. So, anybody could have called him, been watching you, had meetings with the guy. So what you're saying is one day he just said, 'I can't...I'm not allowed to talk to you any more.'" GK: "Yeah, I've been told not to talk to you anymore. I've been told not to."

Joe Murgia

40,922 görüntüleme • 2 gün önce

New's Full Interview with Vogue: #Newwiee #VogueTHJune2026 #PrideMonth 🐻‍❄Hello Vogue Thailand.. This is New thitipoom 💬The boy's love phenomenon 🐻‍❄Ever since I was young — well, actually, ever since I first started working — I think I've always taken every opportunity that came my way. If an opportunity was given to me, I'd do it no matter what it was. At that time, it was kind of a transitional period.Before that, I worked as an MC. Then, as things shifted toward digital broadcasting, the company also changed its focus toward producing series. By chance, I ended up appearing in one of those series. Back then, I played a friend's friend — a role that was almost like an extra. My part in the script was really small. The only thing written about the character was: "These two are secretly dating." That was literally the entire setting. But when the show aired, it unexpectedly became a huge hit. After seeing that, P'Tha created a separate story just for us (For tay and new). So if you ask whether that was the moment I decided on this path... I did decide that I wanted to continue acting and doing projects. But I never thought, "Oh, this is BL, should I do it?". I didn't really have that kind of concern. At the time, I was taking on every kind of role and every kind of job that came to me, without limiting the possibilities. 💬Life after boy's love series 🐻‍❄In terms of work? I think it's closer to the quantity of projects and activities I've done. It's about being able to say, 'Oh, I've tried this kind of work too,' and continuously building up experience. By taking one step forward at a time like that, new experiences will naturally keep filling in along the way. Right now, I feel like I'm still only at one point in the journey. There are still far more things I haven't tried and areas I haven't challenged myself in yet. It's not that I have some grand ambition or huge goal. It's more about practical thoughts like: 'How can I manage my time more efficiently in the future?' 'Oh, I'm going to have to do this and that next, so I should prepare in advance.' It's closer to that kind of thinking. 💬What equality issues need more attention in thailand ? 🐻‍❄ One thing I've realized while working in the entertainment industry is this: People often talk about the image of the entertainment industry. At the end of the day, it is an entertainment business, but I think it can also be compared to a brand. If a brand chooses us as PR representatives or brand presenters, it's because they want us to represent and promote that brand. However, I feel that our country still doesn't make enough use of the entertainment industry to promote the nation itself. Using entertainment as a promotional tool is one of the most effective forms of PR. Even ordinary commercial brands hire actors and celebrities to advertise and represent them. But it seems that our country still doesn't pay much attention to this area. I don't understand why there isn't more effort put into developing the entertainment industry. From what I see these days, it feels like we're either standing still or progressing very slowly. When I think about it, if there were more support available... in various aspects... I'm not entirely sure where that support should come from because I haven't studied the issue in that much detail. But I do wonder why this industry develops so slowly, why it hasn't been able to grow further or make a bigger leap forward. If there were more support—whether in terms of filming locations, legal matters, or other areas...wouldn't the industry be able to develop much faster? It would attract more attention from around the world as well. And when you look at Thailand itself as a brand, I think it would become a great opportunity to introduce Thailand to a much wider audience.

Dimple ~ 🐶✈️

12,156 görüntüleme • 1 ay önce

5 years ago, I created a fundraiser on Donate-NG to buy a laptop. I had just been admitted to the university to study Computer Science. But I didn't own a laptop. That was a very big setback for me. The Job I had then was paying 500 Naira per 1000 Word article I wrote. At the time, I was studying with a Tecno Y6 that had passed from my older sister to my older brother, then to me. (A generational phone 😅) I kept asking myself: How was I supposed to survive the department like this? To make things worse, my dad was battling prostate cancer. Asking for money wasn’t even an option. So on October 7th, 2020, in the heat of COVID, I did the only thing I thought I could do. I made this YouTube video begging good Nigerians to help me raise money for a laptop. That video is still online and yes… It’s embarrassing now 😅 Nobody watched it, and Not a single naira was raised. ----- That moment could have broken me. But instead, something clicked. I realized no one was coming to save me. So I decided to take control of my life. That same October; • I got my first Web3 gig as a community engager • The pay was ₦6,000 per month • It wasn’t much, but it was hope Then in December 2020, everything changed. • A VC paid me $500 to engage across the projects they invested in. For the first time in my life, I had real money in my hands. I withdrew ₦160,000, and I bought my first laptop. My First Laptop: That laptop is still with me today. I keep it with me as a reminder of my sheer grit and hustle. From that moment on, everything began to compound. I went on to work with and contribute to multiple Web3 and tech projects, building communities, onboarding users, managing growth, running programs, and shipping real impact across Africa. I grew from: • A student with no laptop • To help hundreds of people get jobs through my academy - The Void Academy (Many students from there are now earning working remotely) • To onboard tens of thousands of users across Africa • To manage ambassadors, communities, and growth teams Today: • I work as a User Acquisition & Marketing Manager earning a six-figure salary (₦) • I earn 6 figures (₦) bi-weekly from X creator payouts • I can afford any laptop I want • I use a phone I could only dream of back then And today… I’m officially launching the waitlist for my first product as a founder. ----- A Phone and A Dream (A Phone and A Dream | Waitlist Live) This product is deeply personal. Because I’ve lived this story. I know that talent is everywhere, but opportunity is not, and getting opportunities today starts with access to basic tools. A Phone and A Dream exists to change that. ----- So, what exactly is A Phone and A Dream? A Phone and A Dream is a social-impact platform that connects device donors with people who lack access to basic tech tools: students, builders, creators, and professionals, using the Avalanche🔺 blockchain to make every donation transparent, traceable, and impactful. We believe access to the right device can be the difference between potential and progress. I'm living proof of that, so are many of you reading this right now. This isn’t just about giving devices. It’s about unlocking opportunity. Devices that can be donated include: 1. Phones: Smartphones of all brands (Android & iOS) 2: Laptops: Windows laptops 3. MacBooks: ThinkPads and similar work machines 4. Tablets: iPads, Android tablets 5. Desktop PCs: Complete desktop setups 6. Monitors & Peripherals: Monitors/displays, Keyboards, Mice 7. External Storage: HDDs, SSDs, USB drives 8. Creator Tools: Ring lights, Microphones, Webcams, Tripods And this is important, Devices don’t have to be brand new. We accept: - New Devices - Used but functional devices - Devices that need refurbishing If it can be repaired, upgraded, or repurposed, it can still change a life. Many tech bros/girls buy a new device yearly; the old device you no longer use could be someone else’s first opportunity. ----- Benefits to You as a donor: You don’t just donate and hope for the best. You can: • Track every device donated • See where it goes • And you can follow the recipient milestones to keep updated with how they've effectively used the device (No more donations without accountability.) • You get to know the real impact of your generosity We’ve seen incredible people like I D R I S, Sir Dickson, SUPREMOS 🤍🐘, Ayilola of Nigeria /Laptop Guy 🩺 🇳🇬 🇬🇧🇺🇸, King.sol 🇶🇦 (with Rainbow's Adolf),Xeusthegreat (♟,♟), WILSON, C W E , Farmercist 👨‍🌾 🦅, just to name a few donate devices to people. The Laptop Guy (Ayilola of Nigeria /Laptop Guy 🩺 🇳🇬 🇬🇧🇺🇸) has been trying to help millions of Nigerians with devices. But one major challenge has always been tracking, reporting, and accountability on both end including the recipients, so he can tell the extent of his impact. That’s exactly what A Phone and A Dream solves. If you come onboard as a Donor on A Phone and A Dream | Waitlist Live, you get to see: • Where their device went • Who received it • What it enabled ----- Benefits to You as a recipient: You're not getting charity, you're receiving opportunity, access to tools that unlock learning, work, income, and dignity. So you don't pass through what I did. • You get a device after being approved • You get to participate in bounties, tasks, and hackathons on the platform to earn funds • You get a portfolio dashboard that you can consistently update your milestones and be accountable to your donor. ----- Lastly, we’re currently participating in the Avalanche Build Games Hackathon. This is me asking for your help, don't fade me again 😩. If you know: • Someone who can donate a device (new or refurbished) • Someone who can amplify this mission • Share the website with them • Also help me like, repost, quote, and share this post Please tag them in the comments, tag accounts that can help amplify this mission, and let the world see. Part of the rewards if we get selected and go on to win the hackathon will be used to fund new devices to go live on the platform. (Help us make this happen.) If you’re a recipient, you can visit our website (Website is in my bio and also in the comment) and join the waitlist. ⚠️ Important: The first batch of devices priority will go to users on the waitlist, our Day 1 champs. A Phone and A Dream is here to change lives by giving you access. You can help this mission by: • Tagging potential donors • Tagging amplifiers and your friends • Sharing our website • Encouraging people to join the waitlist Five years ago, I begged for a laptop. Today, I’m building a system so others don’t have to beg. ♥ The website is on my bio and in the comment, also see it on A Phone and A Dream | Waitlist Live's bio.

BIG JO | A Phone and A Dream 2026 📱 🐐

25,385 görüntüleme • 5 ay önce

One thing I can’t stand is fake… That’s why I mostly keep to myself. All the virtue signaling just makes me physically sick to my stomach. The shit is so corny on both sides of the aisle. Let’s be real… This “outrage” isn’t about the fundamental value of a life or reach of the government. You leftists must think we’re all dumb. Just like after George Floyd died y’all pretended it was about “black men”, then all of a sudden it was “black trans lives matter”, then it was about the immigrants now it’s back to American citizen rights? First, many of you do not like Black men, which is why leftists try to make us stand in the back or silence us altogether when we start speaking uncomfortable truth. Here’s dirty little secret… an unhealthy portion of the black men that go to jail in America, do so because black women call the same police they claim are racist. And too many times they’re lying on that man. Second, you don’t care about immigrants, or you would demand our overinflated government and intelligence community stop ruining their countries, by rigging elections that for some strange reason always end up with communist regimes. You for damn sure wouldn’t let Rachel Maddow and company, reduce their existence to being justified by picking our crops and cleaning the bathrooms. That’s some dehumanizing shit. Third, you definitely don’t mind the government being too big or having too much power in general and you don’t mind it killing for your political agenda. Thought experiment… If President Trump didn’t win, had returned to civilian life, was pulled over by police and made the same move with his vehicle resulting in him being killed the same way… a lot of you would be celebrating in the streets just like when Charlie Kirk was killed. So stop pretending you’re some principled revolutionaries fighting for “everybody’s rights”, you’re using this woman’s tragic death as another political opportunity. Don’t think us Black men are too stupid to see it. With me you’re dealing with one you can’t gaslight, talk in circles with or pose as the “power to the people”. You would give the government infinite power and the broadest discretion to use lethal force in a heartbeat if it meant you can have your way. Finally, you don’t believe in the word citizenship… So how can you talk about rights or even begin to determine what a government should or shouldn’t be able to do? The only way “the people” have any power is if there is a country (keyword) with laws that codifies citizenship and RIGHTS as self evident. We are a nation of petulant children politically and the sacred honor is at an all-time low, which is why the contradiction is so high and nothing seems to get better. But we did close that border, the trade deficit is down and we will not be tricked into our own national demise by people who hate this country almost as much as they hate themselves. THIS IS WHY THE LIBERAL AND CONSERVATIVE MEDIA RUN FROM ME! Logic has been lost in our society by design. The problem in America and our system isn’t white supremacy, the problem is intellectual laziness, naivety and when all else fails projection and scapegoating. The only attack on black and brown communities is the white liberals that have been smiling in your face while robbing you for the last 60 years. Like they’re doing in Minnesota. Along with the black and brown community “leaders” who took the money from the “guilty system”. Maybe I should run for President soon. Royce White for U.S. Senate MN 2026 America 1st, Just Right™️

Royce White 🇺🇸

152,156 görüntüleme • 6 ay önce

Private credit didn't blow up because of Blue Owl or bad software loans or AI disruption. Those were SYMPTOMS. The disease is the same one I've seen 3 times in 45 years on Wall Street: Too much money, too much leverage, too little discipline, and a financial product sold as "safe" to people who didn't understand what they owned. Private credit grew to $3 trillion on a simple lie - that you could earn 9-10% yields with "semi-liquidity" on assets that have no liquid market. That's not investing. That's volatility laundering. And the Street dressed it up beautifully. "Private credit." Sounds so exclusive, so sophisticated. Illiquid loan sharking would be more accurate. And don't get me started on "private equity", another Wall Street rebrand designed to make LEVERAGED BUYOUTS sound like fine wine. They changed the name because the old one scared people. The risk didn't change. Just the marketing. Wall Street has always been brilliant at one thing: rebranding risk as exclusivity and selling it to people who don't know what they're buying. Now add oil at $113 a barrel and watch the whole thing come apart. The Strait of Hormuz is shut. The IEA is calling it the largest supply disruption in the history of the global oil market. The Fed held rates steady yesterday and the market just RIPPED AWAY expectations for even a single cut this year. Oil is the fuse. But the TNT was packed years ago. Oil above $100 means inflation stays sticky. No rate cuts. Every overleveraged borrower inside these private credit portfolios gets squeezed harder every single month. Interest coverage ratios deteriorate. Defaults tick up. Valuations get marked down. And when valuations drop, the leverage stacked on top of that leverage (the "back-leverage" that banks provide using those same loans as collateral) starts to unwind. And JPMorgan already started. They marked down software loan collateral and restricted lending to private credit funds. When the biggest bank in America pulls back, that's a SIGNAL. High-yield spreads just surged to 470 basis points. The widest in years. Credit markets are screaming what equity markets haven't fully heard yet. I've watched this exact pattern before. - Junk bonds in the '80s - Dot-com leverage in 2000 - Structured mortgage products in 2007 The product changes every time but the architecture never does: Wall Street creates something complex, sells it as safe, layers leverage on top, markets the yields to retail investors, and collects enormous fees on the way in. Then something breaks and the gates go up. The people who built the machine are fine - they already got paid. The people who bought the brochure are trapped behind locked doors. $265 billion in market cap already wiped from the major PE firms. I don't think we're close to done. And you know what? That's FANTASTIC. Perhaps we'll finally get some real price discovery. Just say no to mark to model. Holders of this fine merchandise will get the returns they deserve. The pension funds, endowments, and insurance companies that piled into this garbage should take the hit. No bailouts. NONE. This nonsense has gone on far too long and moral hazard is the predictable result. The only way to end this insanity is to let Mr. Market operate. Allow price discovery. Allow bankruptcy. No more money printing. No more crony capitalism. No more extend and pretend. Blow it all up. That is the only way. "But what about the individuals who get hurt!" Better to take the hit now and reset than continue down this road. Hyper-financialization is destroying our economy and enriching the fortunes of the few. This must stop. NOW. But I have little confidence it will. We'll get more of the same: Rule changes. Special accommodations. The inevitable big ease will come. Count on it. AND BUY GOLD

George Noble

100,293 görüntüleme • 4 ay önce

I sat half a world away, scrolling through my feeds as I always do. That night, the videos hit me differently. There was Noreen Niazi, 71 years young, embodying grace and quiet resilience, camped outside Adiala Jail with her sisters Aleema Khanum and Uzma Apa, desperately pleading for a glimpse of their brother Imran Khan. They weren’t blocking roads or shouting slogans; they were mothers, sisters, daughters, hearts weighed down with concern for his health, denied even a court-mandated weekly visit. Suddenly, the lights flicked off like a sinister curtain call, plunging everything into darkness. What followed wasn’t policing, it was brutality. Punjab police swarmed like shadows; female officers tore her by the hair and slammed her fragile body onto the icy asphalt. She was dragged across the road, her cries drowned out in the chaos. My heart nearly stopped. A surge of rage and grief clenched inside me. We claim to stand against puppets and the powerful, but this? This was the line crossed, the sacred ground violated. I can't claim to be part of that fight if I turn away now, in my safe, calculated silence. The world whispers rumors, Khan Sahib’s health is failing, fears run wild but it was her trembling hands and voice cracking as she recounted the assault that finally broke me. “We protested peacefully,” she said, eyes fierce despite the pain, “yet they treated us like enemies of the state.” In that moment, fear gripped me, the kind that makes us small, whispering, “Stay safe, stay silent.” But I was taught Allah Pak doesn’t reward the timid; He honors those who shatter idols. To everyone pointing fingers at……..many of us , calling us “The 1% or 2%,” dismissing labels and bloodlines………. ENOUGH. Stop the swearing, the shouting, the conspiracy theories. Talk is cheap. The movement demands more than hot takes; it calls for your body on the ground, your voice in the crowd, your presence outside Adiala jail. Stop tearing others down in group chats and comment sections. Just show up………… Can you? Will you? Since I arrived in Pakistan, I’ve met many current & former PTI leaders and former members, some who endured months, even years, in jail, scarred by torture, barely able to walk after months in dungeons. Then there are the keyboard warriors…………… Those who brag about “service” and “sacrifice,” yet on the ground, they begged handlers for safe exits, hid in party leaders' annexes, happily made deals to save themselves. Here’s the brutal truth: Those who suffered most tend to speak the least; their voices are drowned out by online cowards who stay silent in person. Still using, still abusing people, considering themselves “trophies “ for us ordinary folks. Their greed has no end! Spare us the nonsense. Some of us are,wete called (force of nature)……… Ah yes, because when we set our hearts and minds on something, no wall, threat, or whisper of “be sensible” can turn us back. Honestly, going to Adiala Jail wasn’t part of my plan. My friends and family warned me, visa issues, risks, the “smart” voices urging caution but let this be a warning to every turncoat and traitor: disrespect and betrayal will be neither forgiven nor forgotten. خوف کے بت توڑ دیئے، ہمیشہ ہمیشہ کے لیے For Pakistan, for Khan Sahib, for the sisters who took the first brutal hits, and for every soul whose fire still burns and refuses to be extinguished. No more excuses. No more hiding. I make this promise, from the depths of my heart, sitting in front of the Kaaba! Kamalkhan RajaUsmanTiger🐅🇵🇰 Usmaan Warraich Husnain Rafique Harmeet Singh Haider Saeed Sabeen Younas Fatima khan Naeem Haider Panjutha @TabishKhan2024 Nadia khattak Meena Khan Afridi Aliya Hamza Malik Tabish Farooq Advocate Junaid Akbar Abuzar Salman Niazi Maz PTI 🇬🇧 Ryan Grim Mehlaqa Samdani Sabee Kazmi Seemabia Tahir Umar REHMAN usman khan Waqar Malik Wajahat S. Khan Raja Shaheryar Khan @ziauddinik Shaukat Basra Aladeen aa

NaziaImtiazHussain

18,529 görüntüleme • 7 ay önce

After seeing a scone recipe posted for Memorial Day, I’ve got a few things to say. And frankly, they won’t be particularly polite. I’m immensely proud to call both the United Kingdom and the United States home. I grew up with traditions from both countries, still split my time between them to this day, and my own children are being raised with that same dual identity. I understand the humour, customs, etiquette, history and cultural differences on both sides of the Atlantic probably better than most people. Which is exactly why this sort of performative nonsense winds up me so much. Because one thing that absolutely doesn’t translate is turning Memorial Day into some twee Instagram aesthetic involving scones, jam and curated “holiday weekend” content. To my fellow Britons, and to others outside the United States who may not fully understand the distinction, Memorial Day isn’t the American equivalent of a bank holiday garden party. Nor is it interchangeable with Veterans Day. Veterans Day in November honours all who have served in the United States military. Memorial Day is entirely different. Memorial Day is for the dead. It exists to honour the men and women who never came home. Just like Rememberance Day. It’s a day rooted in grief, remembrance and sacrifice. That distinction matters. Because of that, my company does not operate on Memorial Day or on Remembrance Day in Britain. That’s always been a hard rule for me and it always will be. The day before, we make one simple memorial post expressing gratitude, remembrance and respect for those who gave their lives. We also explain that we’ll be turning off sales on our website and stepping away from social media entirely for 24 hours. No promotional posts. No sales pitches. No “holiday weekend specials”. The socials go silent because some things deserve dignity rather than being turned into marketing opportunities. Freedom is not free. And reducing remembrance to a sales opportunity has always struck me as profoundly tacky. Which brings me to the scones. Seeing an American woman posting a scone recipe for Memorial Day genuinely made my skin crawl a bit. Not because scones themselves are offensive, obviously, but because the whole thing felt painfully artificial and culturally manufactured. Scones are not associated with Memorial Day in the United States. At all. The average American family gathering for Memorial Day is far more likely to involve a barbecue, burgers, hot dogs or a cookout than cream tea. The eternal British debate over whether the jam or cream goes first isn’t exactly dominating conversation in American cities. And let’s be honest here. Scones aren’t inherently American in the first place. They’re deeply associated with British culture. Tea culture. Country houses. Cream teas. The sort of thing people in Cornwall and Devon still somehow manage to argue about with complete sincerity. Like pineapple on pizza. So when a certain someone, who spent less than two years in the United Kingdom before fleeing back to California at warp speed, suddenly starts presenting herself as the patron saint of jam and scones for an American Memorial Day audience, it comes across as painfully contrived. And somehow even more absurd when the recipe itself was shared in grams and Celsius. I use both systems myself because I live between both countries, so I understood it perfectly well. But the overwhelming majority of Americans bake in teaspoons, tablespoons, cups and Fahrenheit. Marketing a very British-coded scone recipe in European measurements for an exclusively American audience on an American military holiday is such a bizarrely specific level of inauthentic branding that it almost feels like parody. What made it even stranger was the timing of the whole thing. The day before, the Prince of Wales was on a national radio programme being asked, as Duke of Cornwall, how he takes his scones. He said he takes them the same way Queen Elizabeth II did. Then the very next day, up pops an entire promotional post centred around scones, complete with a recipe for Memorial Day. What a coincidence. You could almost admire the opportunism if it weren’t so embarrassingly obvious. Because that’s what this increasingly feels like. Not authenticity. Not cultural appreciation. Branding. Very calculated branding. And very confused branding at that. This is a woman who publicly distanced herself from Britain, criticised the Royal Family, the institution, the press, the culture and the people. She then almost immediately pivoted into selling tea, spreads, biscuits and aggressively British coded lifestyle products. All of it is framed under a title she and her children only possess because of the very institution she claims damaged her. You cannot spend years positioning yourself as oppressed by Britain while simultaneously using British aristocratic styling via a royal peerage to market candles and preserves to Americans on Instagram. At some point the contradiction just becomes ridiculous. Even stranger is the fact this pantry line is only available in the United States while borrowing almost entirely from British imagery and British culinary aesthetics. Tea. Biscuits. Jam. Scones. And now Memorial Day apparently. Which again makes absolutely no cultural sense whatsoever. Memorial Day isn’t a whimsical lifestyle mood board of hers. It’s not a backdrop for curated brunch content. It’s not an excuse to cosplay English tea culture because your brand identity remains fundamentally incoherent. And yes, I feel exactly the same way about all companies running “Celebrate Memorial Day with 20% off!” mattress sales, car dealership blowouts or whatever. The language itself is grotesque. I will not “celebrate” the deaths of American servicemen and women. I’ll honour them. I’ll remember them. There’s a difference and it matters. As President Ronald Regan once said “The American flag does not fly because the wind moves it. It flies with the last breath of each soldier who died protecting it.” The names of those who died serving their country should not be reduced to discount codes, influencer engagement bait or twee social media recipes designed to sell fruit spread. But perhaps that’s the real issue underneath all of this. Nothing ever feels sincere. Every cultural reference, aesthetic choice, every carefully staged lifestyle moment feels reverse engineered for branding purposes rather than rooted in any genuine identity. Which is why the whole thing lands with such a thud. As someone who genuinely loves both Britain and America, I find it exhausting watching someone who barely spent five minutes in the UK attempt to monetise a fantasy version of Britishness whenever it becomes commercially useful. Particularly when it’s attached to a day that is supposed to be about remembering the fallen. It’s tasteless. It’s opportunistic. And it’s entirely on brand for her and her business.

༺𝐻𝑅𝐻 𝐿𝒶𝒹𝓎 𝒥༻ 👑

71,477 görüntüleme • 2 ay önce

‡ Might (the) Grass Ultimately Prove Greener? Golden Tempo, a two-year-old colt by Curlin, owned and bred by Phipps Stable & St. Elias Stables, LLC, recently won his debut in eye-catching style. It was a 6f. MSW race at the Fair Grounds, and he came from the clouds, as they say, to win going away. He earned a 78 Beyer figure, and a 12 on Ragozin sheets. The attached video clip begins roughly midway through the turn, with the announcer saying that "Golden Tempo has dropped back to last", but the colt actually raced at the back of the pack from just after the break. With only one race under his belt, it is a bit early to be making confident assumptions, particularly as he was both bred to be, and appears to be a later-developing physical type. But the challenge of using even scant available evidence to make projections can be both fun, and potentially useful. So let's dive in. *** Given the colt's pedigree and physical type, I would say that it would be safe to assume that he will prove better suited to longer races, though the question of whether or not he is likely to stay effectively beyond 9f. is very much open at this early stage. What interests me the most, though, are a couple of more nuanced, and possibly connected aspects of Golden Tempo's debut, and what they may imply when filtered through the lens of his pedigree and physical characteristics. First, does the fact that the colt rallied from last to win over 6f., a distance well short of those to which he is likely to prove better suited, necessarily imply that he is a "one-run" horse? Or will he, given more ground, and experience, prove capable of displaying good tactical speed? I would note that when inexperienced horses fail to break alertly, and/or take some time to get their feet under them after the break, some, like Golden Tempo, lag back for a few furlongs before mounting a late run, while others show some, if not a burst of speed, earlier in the running. I think it's fair to say that broadly speaking, the former are more likely to prove to be one-run types than the latter. While that is far from sufficient evidence to confidently assume that Golden Tempo will necessarily turn out to be a one-run horse, it does at least hint in that direction. Another, even more nuanced hint, is his action. When I first watched the replay of the race, my initial thought was that the colt was finishing like a typical one-run horse. What do I mean by that? The best way to explain it is to say that he appears, in a sense, to be pulling with his forelegs, more than pushing from behind. The distinction is subtle, so bear with me. Dirt surfaces are, albeit to differing degrees, "break-away" surfaces. Think of what it is like when you run on a beach over loose sand, as opposed to concrete, or a running track. Some horses handle dirt surfaces well, while others don't, and there are several variables that contribute to such preferences. Pedigree is, of course, a primary consideration, but often the more important variables are conformation, physical type, and action. In the U.S., dirt horses are often, though not always, more heavily muscled than those best suited to turf. I'd suggest that one of the more likely reasons is that speed is such an important quality in American dirt racing, and muscular horses, especially through the hind-quarters, are typically able to accelerate more quickly. It may also be the case that strong propulsion from behind helps horses to, in a sense, power through looser surfaces. There are exceptions, of course, and plenty of them. Fierceness, to use a recent example, had a very high cruising speed, yet was not heavily muscled, nor did he have a powerful looking hind end. But every aspect of the game features exceptions, and they help to define, rather than diminish the value of pattern recognition. Beyond the "pulling" action that I mentioned above, I found the embedded photo posted by his trainer to be interesting as well. While it's not an ideal conformation shot, he does give the impression of a leggy, later-developing type, and not yet fully "furnished", despite being an early February foal. He also gives me the impression, both overall and in terms of foreleg conformation, of a horse that would likely be suited to turf racing. Now, needless to say, due to typical preferences and the incentives found in American racing, there is little, if any chance of Golden Tempo ever racing on turf, as long as he continues to perform well on dirt. But setting that aside, I dug into his pedigree in an effort to see if there were any further hints to be found. Superficially, it's easy to see why most would assume that the colt was bred to be a dirt horse. After all, his sire, Curlin, and dam-sire, Bernardini, were both dirt performers, and are best known as sires of dirt horses. His dam, Carrumba, also performed well on dirt. However, on closer inspection, I wouldn't be so confident in that thumbnail reading. Consider that Golden Tempo does not closely resemble Curlin, in part in terms of coat color. And while many would consider that to be of little importance, I would disagree, based on long experience. What I mean is that I have often found value in connecting the appearance of horses which don't closely resemble their own sires, with other genetic influences that are not too distant. And in this case, I would say that Golden Tempo reminds me more of Curlin's sire, Smart Strike, and some of his offspring. Though he only raced on dirt himself, Smart Strike got plenty of good turf horses (e.g. Champion English Channel) through a successful career at stud. As for Golden Tempo's dam, Carrumba, she has thus far produced one other foal to race, Hype House, a filly which failed to place in three starts. She was trained by Shug McGaughey, and, interestingly, all three of her starts were on turf. His second-dam, Castanet, was by El Prado (Ire). Though a versatile sire, El Prado produced top turf horses such as Artie Schiller and Kitten's Joy. Castanet was also trained by Shug McGaughey, and she only started twice. The first race was on dirt, and the second on turf, in which she placed third. Castanet produced Dancing All Night, a filly also trained by Shug McGaughey, which began her career with a number promising dirt races, before appearing to plateau, and being switched to the turf for her final two starts. That she was unplaced in both (the latter was taken off the turf) is not nearly as important, to my mind, as why Shug might have chosen to make the surface switch. Golden Tempo's third-dam, Dancinginmydreams, produced the Gr. I turf winner Dancing Forever, and several other good turf runners. So, while I wouldn't say that Golden Tempo's bottom-line screams turf, it has been more than versatile enough to consider the possibility, given other hints, or encouragements. *** Finally, there is a good chance that this analysis will ultimately prove to be purely academic, and I'd be perfectly happy to see Golden Tempo thrive on dirt, and perhaps develop into a serious KY Derby prospect. But if, by chance, he were to plateau at some point, or for any other reason be given an opportunity to try the turf, I have a fairly strong suspicion that he would adapt very well, and reward the colt's connections.

Tinky

12,243 görüntüleme • 6 ay önce