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It doesn't matter how many times I've seen this scene, it will always make me cry. This part was devastating, and knowing one of my favorite movie directors (Guillermo del Toro) was the influence / encouragement behind killing Stoick to make the scene more impactful... ouch.

87,277 просмотров • 1 год назад •via X (Twitter)

Комментарии: 11

Фото профиля ✪ SODA ✪ 🌿 #1 TOOTHLESS FAN
✪ SODA ✪ 🌿 #1 TOOTHLESS FAN1 год назад

Gobber was originally the one to die, but Guillermo said Stoick being out of the picture would be more impactful and press Hiccup taking on responsibility as Chief finally

Фото профиля AndaSeat
AndaSeat1 год назад

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Фото профиля Iñaki FDR
Iñaki FDR1 год назад

GUILLERMO DEL TORO??? MY GOAT WAS INVOLVED WITH PEAK???

Фото профиля ✪ SODA ✪ 🌿 #1 TOOTHLESS FAN
✪ SODA ✪ 🌿 #1 TOOTHLESS FAN1 год назад

YES!!!

Фото профиля Isaac and Luxo
Isaac and Luxo1 год назад

The scene right after with Hiccup and Toothless where toothless didn’t know what he did and Hiccup yelling at him just was so heartbreaking

Фото профиля ✪ SODA ✪ 🌿 #1 TOOTHLESS FAN
✪ SODA ✪ 🌿 #1 TOOTHLESS FAN1 год назад

This shit always makes me sob

Фото профиля RegularCoelacanth
RegularCoelacanth1 год назад

I like how the film acknowledges that no matter what happened in Drago's past, it doesn't justify the cruel and barbaric man he became.

Фото профиля Godzilla2005
Godzilla20051 год назад

Drago and his Bewilderbeast is basically Skar King and Shimo but well written

Фото профиля 𝐊𝐚𝐬𝐬 .ᐟ༺
𝐊𝐚𝐬𝐬 .ᐟ༺1 год назад

I just love this movie even more knowing Guillermo del Toro made this happen the way it did, omg 🥺

Фото профиля Lordofdragonss
Lordofdragonss1 год назад

This scene could have been great but IMO the fact they just showed whole body it had less impact

Фото профиля DoctorBellota
DoctorBellota1 год назад

It's interesting how Drago decided not to kill the mcs because he had the chance after winning this battle. Like eventhough he's the way he is, he's not uneccessary cruel and has a limit. I think that makes the character interesting.

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