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it takes two to work that enormous horse bbc 🍆 still doesn't look like its enough #hugecock #monstercock #bigdick #fatcock #thick #girthypenis #girthycock #monsterdick #hung #wellhung #blacksonblondes #interracialpass #dogfart #enormousdick #enormous #enormousbbc #enormouscock

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New Andrej Karpathy interview Says AI agent failures stem from user skill, not model capability. Poor instructions cause errors. He suggests delegating 20-minute macro actions like coding and research to parallel agents and reviewing their work. --- "I think everything, like so many things, even if they don't work, I think to a large extent you feel like it's a skill issue. It's not that the capability is not there; it's that you just haven't found a way to string together what's available. Like, I didn't give good enough instructions to the agents in the file, or whatever it may be. I don't have a nice enough memory tool that I put in there, or something like that. So, it all kind of feels like a skill issue when it doesn't work to some extent. You want to see how you can parallelize them, and you want to be a 'Pierce tender,' basically. Pierce famously has a funny photo where he's in front of lots of these Codex agents behind the monitor. They all take about 20 minutes if you run them correctly and use high effort. You have multiple—you know, 10 or 20—pull requests checked out. It's just like you can do much larger macro actions. It's not just, 'Here's a line of code, here's a new function.' It's like, 'Here's a new functionality, delegate it to agent one. Here's a new functionality that's not going to interfere with the other one, give it to agent two.' Then, you try to review their work as best as you can, depending on how much you care about that code. You look for these macro actions that you can manipulate your software repository by. Another agent is doing some research, another agent is writing code, another one is coming up with a plan for some new implementation. Everything just happens in these macro actions over your repository. You're just trying to become really good at it and develop a muscle memory for it. It's very rewarding when it actually works, but it's also a new thing to learn. Hence, the psychosis." --- From No Priors YT channel (link in comment)

Rohan Paul

23,187 views • 5 months ago

🇬🇧 On a Berkshire hillside there is a chalk horse 3,000 years old. 100 generations of British people have refused to let it fade. Its name is the Uffington White Horse. It sits on the chalk of the Berkshire Downs. And it was cut around 1,000 BC by Britons of the Late Bronze Age. They cut a trench into the turf. And filled it with crushed chalk. They cut a horse 110 metres long. Visible from miles. Chalk hillside art does not last. Grass grows. Silt fills. Without care, a chalk figure disappears within a generation. 🏔️ The Uffington White Horse should have vanished by the Iron Age. It did not. Because every generation that has lived near it has scoured it. Cleared the grass. Refilled the chalk. Kept the design alive. The Iron Age tended it. Rome tended it. The Anglo-Saxons named the hill after it. A Welsh poem of 600 AD mentioned it as already ancient. Medieval villagers held a festival to scour it. Victorian villagers wrote songs about it. And every year, modern volunteers continue. 3,000 years of British people. Bronze Age carvers. Iron Age tribes. Roman Britons. Anglo-Saxon farmers. Medieval villagers. Victorian families. And the British still here today. The carvers who cut the horse became Britons. Their descendants became the British. 100 generations have tended the same horse. 100 generations have refused to let it fade. The horse is alive because the people have stayed. This is what continuity looks like. Not a memory. Not a museum. A horse kept alive by hand. 🇬🇧 If you want to know whether the British are still here, look up. ━━━━━━━━━━━━━━ The chalk has been re-cut by hand for 3,000 years. Most British kids have never been up the hill. Our work is made in Britain, for Britain. Take your kids up the hill. 🙏 👉 👈 Be part of us. ☝️🇬🇧 Be Proud Of Us. 🙏🇬🇧

Proudofus.uk

51,844 views • 2 months ago

"In 'Zodiac' (2007), I wanted the audience to feel like they went through the ringer with these guys,(...) in retrospect you look at it & say maybe audiences who are looking for entertainment on a Friday night don’t want that toll taken on them." --- David Fincher Full Excerpt: "Interviewer: It’s so rare to walk out of a movie and to feel like I know more about a subject than I did walking into it. Watching Zodiac is like the experience of reading a really absorbing non-fiction book, and I know that part of it for you was about honoring the people who were the victims of the Zodiac, but you also have so many details, so many facts, you take it to such a level where there’s so much information… why was that important to you? Fincher: I don’t respect movies that treat me like I don’t have the attention span or mental faculty to follow… it’s one thing to talk about Dave Toschi’s fall from grace in an oblique and generic way. I can answer that question in a couple of different ways. I wanted the movie to take its toll on the audience, I wanted the audience to feel like they went through it, like they went through the ringer with these guys, and I didn’t know how to do that because these guys didn’t run across rooftops and fall off fire escapes. In their quest to bring the Zodiac to justice they followed the trail of breadcrumbs as far as it would take them, and they kept pushing and kept pushing when there were crackpots coming out of the woodwork. I felt like I didn’t want to make one of those movies where you do montage/montage/montage and you get the idea that they went to the mat with this, that it took its toll – I wanted the audience to feel that. You know, in retrospect you look at it and say maybe audiences who are looking for entertainment on a Friday night don’t want that toll taken on them. I felt like anything less than that would be doing the story and people involved a disservice. You could do it as something compressed, where you get the gist of it, and we would have shots of Jake [Gyllenhaal] half asleep and you would have those obligatory shots where the boss says, ‘You look like sh!t.’ And in the end I still don’t feel like you get enough of what happens with his family, we don’t get enough with his wife and kids, but it was all we could do to get it in at under two hours and forty minutes. I feel like we took about as much time as you can really expect an audience to sit still for and we tried to make them feel what it was like to be invested in this circuitous run down the rabbit hole." (David Fincher's interview with Devin Farachi, 2008)

DepressedBergman

19,335 views • 6 months ago

In the 1930s, Dresden was considered one of the most beautiful cities in the world. For more than two hundred years the capital of Saxony had been called the Florence on the Elbe. Its kings had imported artists from across Europe and filled the city with Baroque palaces, churches, opera houses, and wide riverfront promenades. The skyline was a crowd of domes and spires above the river. Painters had travelled there in the 18th century just to capture it, and the canvases they left behind show a city that looked less built than composed, like a single enormous work of art. By the early 1940s, Dresden had been spared the bombing that had flattened other German cities. Many of its residents believed it would stay that way. Some told themselves the city was simply too beautiful to destroy and that no one could look at it and give the order. On the night of 13 February 1945, the order came. Wave after wave of Allied bombers dropped thousands of tons of explosives and incendiaries onto the old centre. The fires merged into a firestorm, a column of heat so violent it generated its own wind and pulled people and buildings into its core. By morning, the Florence on the Elbe was gone and tens of thousands of people were dead. Eight square miles of the historic centre had been reduced to rubble and ash. What had taken three centuries to build had taken roughly fourteen hours to undo... Beauty is not permanent. It is built slowly, by many hands, across generations, and it can be taken in a single night. And yet human beings keep building it, keep rebuilding it, keep believing it is worth the risk. After the war, the people of Dresden gathered the blackened stones of their ruined cathedral and, decades later, raised it again from its own ashes. Because beauty does not stop wars, but it refuses to concede that the worst of what humans do is the whole of what humans are. Dostoevsky said beauty would save the world. He did not mean it would happen quickly. He meant it could not, ultimately, be stopped. If you'd like to sit with this a little longer, today's article is a deeper meditation on how time changes everything: And if you'd like to support my work, a paid subscription is what makes it possible:

James Lucas

34,335 views • 2 months ago

The yen just jumped hard after intervention and everyone is already relaxing like the problem is fixed. That’s the dangerous part. When the yen was getting crushed, everyone stayed alert. Positioning was careful. People were watching every move. Then Japan and the US stepped in, the yen jumped, and the tone flipped almost overnight. Relief showed up. People started talking like the pressure had been handled. That shift is the part that matters. Nothing about the real setup changed. The rate gap is still wide. You can still borrow yen cheap and put that money to work somewhere that pays more. That incentive did not disappear just because two governments defended the currency for a few days. The door is still open. All the intervention did was interrupt the move. It did not close it. Now we are in the quiet stretch. Headlines slow down. The yen stops making dramatic daily swings. And that is usually when people start leaning back into the same trades that created the pressure in the first place. Caution fades. Positioning rebuilds. The market starts testing whether the threat of more intervention is real or just something officials said while the cameras were on. I do not like this phase. A sharp selloff forces people to pay attention. A bounce lets them look away. And once enough people look away, the market does not need a brand new crisis. It only needs the existing pressure to reassert itself. That is why the current calm bothers me more than the original move did. Delayed pressure does not disappear. It waits. And when it stops waiting, it usually does not give much warning. You’re treating this bounce like the problem is solved… or are you watching the part that usually gets people hurt? #Gold $JPY #Kospi

₿Strategy 🟧

16,945 views • 19 days ago

Day 17 of tracking my formally registered footpath complaint. I didn't want to post this video. I have been sitting on it for more than two weeks. The whole point of filing the complaint formally was to go about this process via the official channels that have been built for this exact purpose. My assumption was that BBMP Sahaaya was built for the convenience of the people of Bengaluru. But the last 17 days have revealed to me that it isn't working as intended. Countless people have replied to my posts saying, "I filed a complaint on the app and it was closed without explanation and without action taken." Stuff like potholes. Broken footpaths. Encroached pedestrian infra. Burning of trash. Piles of litter. Maybe some of these get resolved. I have not seen the statistics. Maybe the city is up to its neck in grievances and simply doesn't have the manpower to tackle them all. I love India. And I know that videos like this one do not paint the country in a positive light. But I also think it's important to recognise areas that could benefit from improvement. If they aren't highlighted continuously, it signals that everyone is ok with this reality. It signals that this is fine, that it's normal. And it isn't. This is not normal, nor is it ok. This is an apocalyptic level of deterioration. This broken infrastructure is a total embarrassment, not just for Bengaluru or Karnataka, but for India. And this didn't happen yesterday. This footpath broke a long time ago. It has been sitting like this for months. This is just one example of hundreds of thousands of spots like this. India has so much potential. But it's being held back. Its growth is being stunted by inaction and sluggish responses to issues like these. India is being held back by apathy. Honestly, my hope was that I'd be able to use the footage in this video for a before/after video, showing the improvement the city made when they came in to fix the footpath after receiving my complaint. I really wanted this to be a positive story! And I still intend for it to be, it's just taking way longer than expected... As many of you know, on Day 15 the case was closed with a very unsatisfactory fix. I feel that the bare minimum was done. Just enough work to be able to close the case. But nowhere near enough work to actually make the footpath walkable for pedestrians, especially people who are differently-abled, elderly, or parents pushing strollers. I am still optimistic that this will be resolved. I will keep highlighting the status of the grievance each day until it's fixed.

Caleb

46,365 views • 6 months ago

How Long Will the Palace Allow Itself to Be Used by Harry and Meghan Markle? How long is this going to go on? At what point does the Royal Family actually draw a line instead of quietly absorbing the damage and hoping it fades away on its own? Because right now, what’s happening with Harry and Meghan Markle isn’t just embarrassing, it’s unsustainable. And the longer it’s allowed to drag on, the worse it makes the institution look. They walked away. That was the deal. They made it very clear they didn’t want the role, the duty, the structure. Fine. People respected that, even if they didn’t agree with it. But what no one signed up for was this half-in, half-out limbo where they continue to trade on royal proximity whenever it benefits them, while attacking the very system that gave them that platform in the first place. That’s the part that’s become impossible to ignore. Every appearance, every “tour,” every carefully staged moment still leans heavily on the royal connection. The titles, the associations, the implied status. It’s all still being used. Not for service, not for long-term work, but for optics, branding, and relevance. Strip that away, and what’s actually left? That’s the uncomfortable question no one at the Palace seems willing to confront publicly. Because make no mistake, this isn’t independence. This is dependency dressed up as freedom. They rely on the Royal Family’s name, its global recognition, its credibility. They push against it when it suits them, and then lean right back on it when they need attention, access, or legitimacy. That constant back-and-forth is what’s turning this into a circus. Not just their behaviour, but the complete lack of a firm response to it. Silence is not strategy anymore. It’s enabling. And the taxpayer angle makes it worse. If there is even the slightest suggestion that public resources are being used, directly or indirectly, to support individuals who have explicitly stepped away from duty, then that is a line that should have been shut down immediately. No grey area. No ambiguity. A clear, firm no. Instead, everything feels blurred. Undefined. Like everyone is waiting for someone else to deal with it. Meanwhile, the institution takes the hit. The credibility erodes, not because of what Harry and Meghan do, but because there’s no visible boundary separating them from it anymore. That distinction matters. Without it, the Royal Family looks weak, reactive, and unwilling to protect itself. This isn’t about punishment. It’s about clarity. You cannot have people publicly distancing themselves from the monarchy while privately benefiting from its association. You cannot allow the title, the status, the access to be used as a personal brand tool with no accountability attached to it. That’s not modernisation. That’s a breakdown of structure. And if it continues, it sets a precedent. One that others could follow. The longer this drags on, the more it sends the message that there are no real consequences. That you can walk away, criticise, undermine, and still keep the perks within reach. That’s not just unfair, it’s damaging. At some point, someone has to say enough. Define the boundaries. Make them public. Enforce them properly. Not quietly, not behind closed doors, but in a way that restores a clear distinction between those who serve the institution and those who have chosen not to. Because right now, it doesn’t look like a controlled situation. It looks like a monarchy being dragged along behind two people who refuse to let go of it, while simultaneously claiming they already have. The circus has to end. You owe it to the people who still believe in the institution. You owe it to the generations coming after you. And frankly, you owe it to yourselves to stop being the punchbag for two people who have never once shown they deserve the name they still trade on. Enough. The country is watching. The world is watching. Draw the line. Now.

Queen Esther

54,668 views • 4 months ago

Bill Gates on why AI isn't a bubble, but why many AI investments will still fail: "AI is the biggest technical thing ever in my lifetime. It is so profound and therefore its influence is hard to overstate." Gates sees the underlying value as undeniable, with intelligence on demand spanning medical advice, tutoring, and drug design. "The value is extremely high, just like creating the internet ended up being in net very very valuable." But he draws a critical distinction between two types of bubbles: The tulip kind, where people look back and realise there was nothing underneath. And the internet kind, where something transformative was happening, but most companies still got wiped out. Gates is clear about which one AI is: "If what we mean is like tulips in the Netherlands... No, that's not where we are." AI is the internet, not the tulips. But just like the internet, the frenzy around it is creating enormous risk. Overpriced electricity commitments, data centers built in the wrong locations, and hardware that becomes obsolete before it pays for itself. "Some of these companies will be glad they spent all this money. Some of them, they'll commit to data centers whose electricity is too expensive." And yet, sitting it out isn't an option either. "If you want to be a tech company, you don't get to say, 'Let's check out of this race.'" The technology is transformative. But a ton of today's investments will turn out to be dead ends. And when the dust settles, the companies that built something durable will outlast the ones that spent the most trying to keep up.

Big Brain AI

25,681 views • 5 months ago