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It was difficult to put the animation together. Third piece from the remake series! #fnaf #fnaffanart #fivenightsatfreddys #fnafanimation #cuphead #vintage #rubberhose #rubberhosestyle #1930s #art #digitalart #artwork #cartoonart #vintagecartoon #llustration #animation

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$KDR token is a pivotal moment in the history of the Kaidro universe. Finally a piece of the world that can be accessible to millions of future audiences to come. Kaidro’s $KDR will lead the forefront of what a token supported intellectual property can do. Kaidro sets the stage for what true franchise intellectual properties are capable of with dedicated fans and cross multimedia approach. We will lead the charge to be the example of a story and world can be if others like Star Wars, Harry Potter, League of Legends, and others could involve their community in this way. Kaidro has always been about the steady growth and long term play in the development of the intellectual property. Before launching the web 3 elements through out 2024 with 4 successful NFT launches, Kaidro had another lifetime in web 2 with the growth of the story and audience through the online manga on Webtoons exactly 4 years ago in 2020. We as the creators spent a good decade developing the world, storylines, art, and design as well as sharing the world alongside our audience of over 1+ million followers on TikTok. Since then, Kaidro has grown beyond a manga series to NFTs, an ARPG game, web game, audiobooks, merch, future animation and now the upcoming $KDR token. All of which onboard more and more champions in the Kaidro world. Along the way, we have been able to invite our audience into the universe by getting involved in it, whether it be voice acting, drawn into the mangas, voting on designs or making up their own designs. It’s web 2 and web 3 working together to bring the universe to the masses. This is just the beginning of the journey of Kaidro. There are those who discover the manga on Webtoons, there are those who found Kaidro on the Steam games page, and many of those who joined us through the Kaidro NFT collections. That is the beauty of the Kaidro community, people can come together and relate to one another on the various forms of the story and world. Token Generation Event for $KDR is coming fast and we want talk about what there is to know. The total number of tokens is 100,000,000, FDV of 55M with an initial circulating supply at TGE of ~17M tokens. We will be listing on the Katana DEX and Bitmart as our first CEX. The future is bright and we have been in talks with multiple CEXs to list $KDR. $KDR will have many utilities, from eligibility to become a producer in the Kaidro animation series get Kaidro NFTs, obtain battle passes on the Kaidro game and to receive exclusive in-game items, and more to come. Starting with the planned FDV continues our belief of accessibility to the largest audience possible to grow along with. Much like our approach with the free Journal NFT mint which minted 350,000+ journals to the free mangas that have garnered over 2 million readers, to the free ARPG game that have tens of thousands of Steam Wishlists. We must continue to be accessible to those who show interest in Kaidro. Historically from wide exposure there are a good percentage of those who want to dive deeper into Kaidro. Those who obtain the NFTs, the physical mangas, listen to the audiobook, the merch, and now the upcoming $KDR tokens. Our goal has and always will be to onboard more people to Kaidro and the next biggest expansion which will be the animation series that we are working with Tim Hedrick (Writer and Executive Producer known for Avatar: Last Airbender & Korra) and the full Kaidro: Clan Battles game launch. The unlimited ability to reach many more people through a streaming series and a fully published game. We continue steady on our journey to the building and the spread of the Kaidro universe. This is just the beginning. Kaidro is undeniable 🐉 Peggy & Robert Creators of Kaidro Find all things Kaidro here:

Kaidro 🐉

18,905 views • 1 year ago

I began my art journey in 2002 as a mature student, applying to Leith School of Art for their portfolio preparation year and then to Edinburgh College of Art for the 5 year MA Fine Art program. I was 38 years old at my graduation. My classmates called me 'Grandpa Jones', seriously. 😂 I spent the next 7 years working 3 or 4 jobs/100+ hours a week (waitering, art tutoring, charity director, Airbnb host) so I could pay for my very expensive painting habit and paint enough for an annual solo exhibition (that I had to organise and pay for myself for most of them as no commercial galleries were interested in QR code/AR tech infused paintings)... and every year but one I lost money. I was my accountants biggest loser over and over and over. 😅 So, from 32 to nearly 50 years old with my art career being a horrendous detriment to my financial future I questioned my life decisions... daily. But I never gave up. In fact, it was the opposite. With every rejection letter, with every let down and disappointment, with every financial loss, with every exhibition that didn't sell enough to even cover the costs of paint, canvas and framing, I pushed even harder. I worked even harder. I looked for new ways to differentiate myself from all the other artists around me and I invested everything I had into me and my future. Fortune favours the brave. If you're willing to put in the time, the work and the risk you will be rewarded. It may take 5 years, 10 years, 20 years or more but eventually, if you keep working and taking the risks that the rest are not willing to take (creatively and financially) you will succeed. Don't blame others for your failure. Take the knock backs, take the disappointments, take the rejections, and use them to drive you. If you are willing and able to commit 100% for however long it takes, you will succeed. This is a fact and I'm proof of that. Stop listening to the FUD, stop listening to those who don't believe in you. Show them how wrong they are. Again, it may take years, even decades, but fortune favours the bold and this is undeniable. Will you give up or will you keep pushing, learning, growing, expanding your ideas and your creative output? If you are, I look forward to seeing what you're doing, what you're creating and where you'll be in the next few years and beyond. Comment below and then connect with me in 2 years and tag me. I want to see how many of you will still be here working, grinding and creating art regardless of bear or bull markets. Artwork: EthGirl - Genesis NFT & collab with the great ᗩᒪᎧTTᗩ ᗰᎧᑎEY❂

Trevor Jones 🎨

10,581 views • 2 years ago

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?

Lee Robinson

148,840 views • 1 year ago