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It was difficult to put the animation together. Third piece from the remake series! #fnaf #fnaffanart #fivenightsatfreddys #fnafanimation #cuphead #vintage #rubberhose #rubberhosestyle #1930s #art #digitalart #artwork #cartoonart #vintagecartoon #llustration #animation

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Henry's Inkwell

1,527 subscribers

32,852 Aufrufe • vor 1 Jahr •via X (Twitter)

Kunst#fnaf#fnaffanart#fivenightsatfreddys#fnafanimation#cuphead#vintage#rubberhose#rubberhosestyle#1930s#art#digitalart#artwork#cartoonart#vintagecartoon#llustration#animation
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Kaidro 🐉

18,905 Aufrufe • vor 1 Jahr

This was officially my last MCS tournament of my career. This play was ruled "play on" because the admin said "we only intervene in critical circumstances, and we decided not to here". For a recap.... Last tournament I legally blocked a kick. Used a designated blocker, got the animation, timed the block, and blocked it. They intervened then and said I had to recreate. Must have been a "critical" moment. Last year I was in quarter 3 of my second round game because my first opponent didn't show up. I was told by an admin my opponent showed up and I had to quit out of my game and replay my first one or I'd be dq'd from the tournament even though my first opponent was 45 minutes late. I have been told by an admin the following... "If its easy to block a fg, just do it again" After I explained my blocked kick was perfectly within the rules, I asked which rule they were abiding by and they said "EA has the right to tell you to recreate, no questions ask" The admins in the MCS tourneys are the most incompetent human beings they could possibly have "running" the tournament. They don't understand the game, they don't interact with people well, they are extremely inconsistent, and they frankly suck at what they do. Madden Championship Series Madden Ultimate Team Madden Ultimate Team
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This was officially my last MCS tournament of my career. This play was ruled "play on" because the admin said "we only intervene in critical circumstances, and we decided not to here". For a recap.... Last tournament I legally blocked a kick. Used a designated blocker, got the animation, timed the block, and blocked it. They intervened then and said I had to recreate. Must have been a "critical" moment. Last year I was in quarter 3 of my second round game because my first opponent didn't show up. I was told by an admin my opponent showed up and I had to quit out of my game and replay my first one or I'd be dq'd from the tournament even though my first opponent was 45 minutes late. I have been told by an admin the following... "If its easy to block a fg, just do it again" After I explained my blocked kick was perfectly within the rules, I asked which rule they were abiding by and they said "EA has the right to tell you to recreate, no questions ask" The admins in the MCS tourneys are the most incompetent human beings they could possibly have "running" the tournament. They don't understand the game, they don't interact with people well, they are extremely inconsistent, and they frankly suck at what they do. Madden Championship Series Madden Ultimate Team Madden Ultimate Team

PIHCAM

189,229 Aufrufe • vor 8 Monaten

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?
0:16

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?

Lee Robinson

148,937 Aufrufe • vor 1 Jahr

Sakuga Over The Years (December 2005) KA: Ryo-Timo (りょーちも) Anime: Noein: To Your Other Self (ノエイン もうひとりの君へ) (episode 12) The web generation is here! Ryo-Timo is one of the first prominent figures of it showcasing the unique linework, exaggerated artwork and fluid movement of this generation pioneered by Norio Matsumoto (who also worked on this show). Nowadays I think Ryo-Timo is unfortunately not really involved with 2D animation and more involved with CG, but either way this is one of my favorite scenes from him. This show was directed by Kazuki Akane of Escaflowne fame and would go on to direct another influential web-gen series in Tetsuwan Birdy Decode. Takayuki Tanaka directed this stacked episode who I’m not all that familiar with, but he also directed arguably the best Birdy episode (season 2 episode 7) so he might’ve had ties to some of the bigger names on these episodes. And lastly, this show was at studio Satelight, but I don’t think this was necessarily indicative of the quality the studio was putting out at the time, as this team would be involved with many studios over the years (Birdy at A-1 Pictures, Naruto vs Pain at studio Pierrot, Yozakura Quartet at Tatsunoko Production, etc.).
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Sakuga Over The Years (December 2005) KA: Ryo-Timo (りょーちも) Anime: Noein: To Your Other Self (ノエイン もうひとりの君へ) (episode 12) The web generation is here! Ryo-Timo is one of the first prominent figures of it showcasing the unique linework, exaggerated artwork and fluid movement of this generation pioneered by Norio Matsumoto (who also worked on this show). Nowadays I think Ryo-Timo is unfortunately not really involved with 2D animation and more involved with CG, but either way this is one of my favorite scenes from him. This show was directed by Kazuki Akane of Escaflowne fame and would go on to direct another influential web-gen series in Tetsuwan Birdy Decode. Takayuki Tanaka directed this stacked episode who I’m not all that familiar with, but he also directed arguably the best Birdy episode (season 2 episode 7) so he might’ve had ties to some of the bigger names on these episodes. And lastly, this show was at studio Satelight, but I don’t think this was necessarily indicative of the quality the studio was putting out at the time, as this team would be involved with many studios over the years (Birdy at A-1 Pictures, Naruto vs Pain at studio Pierrot, Yozakura Quartet at Tatsunoko Production, etc.).

Harry Price

66,552 Aufrufe • vor 1 Jahr

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.
0:18

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.

björk

1,301,529 Aufrufe • vor 2 Monaten