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It was tedious to generate multiple shots of a sequence and then animate them. Now, it’s just a single prompt. While the render isn’t perfect yet, it will only get better. Prompt : Cut 1: A vast sunset city skyline frames a giant old clock tower rising above packed...

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Umesh

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17,654 görüntüleme • 6 ay önce •via X (Twitter)

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Seedance1.0マルチカット ポン出し10秒劇場 蒸気自転車 steamcar_sequence: - cut: 1 shot: Close‑Up – Ignition description: Tight on the driver’s hand cranking the brass starter; - cut: 2 shot: Medium – Throttle Open description: Side view of the driver’s foot stomping the ornate pedal; - cut: 3 shot: Low‑Angle Wide – Sudden Launch description: From ground level, the massive wheels spin and kick up steam and gravel as the car lunges forward. - cut: 4 shot: Insert – Speed Blur description: Close‑up on the spinning wheel and steam plume, background streaking past to emphasize velocity. - cut: 5 shot: Bird’s‑Eye – Departure and Onlookers description: Overhead, the car races down a cobblestone street; townsfolk stand frozen with mouths agape as it disappears into the distance.
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Seedance1.0マルチカット ポン出し10秒劇場 蒸気自転車 steamcar_sequence: - cut: 1 shot: Close‑Up – Ignition description: Tight on the driver’s hand cranking the brass starter; - cut: 2 shot: Medium – Throttle Open description: Side view of the driver’s foot stomping the ornate pedal; - cut: 3 shot: Low‑Angle Wide – Sudden Launch description: From ground level, the massive wheels spin and kick up steam and gravel as the car lunges forward. - cut: 4 shot: Insert – Speed Blur description: Close‑up on the spinning wheel and steam plume, background streaking past to emphasize velocity. - cut: 5 shot: Bird’s‑Eye – Departure and Onlookers description: Overhead, the car races down a cobblestone street; townsfolk stand frozen with mouths agape as it disappears into the distance.

yachimat - AI Short Anime

36,166 görüntüleme • 1 yıl önce

Kling AI 2.6 Prompt: Epic long shot: a tower husk begins to buckle and tilt, shedding floors like collapsing cards. The motorbike rider races along a curved skybridge directly beneath the falling shadow, taking tight hairpins while chunks of concrete punch holes in the bridge ahead. Camera starts far wide showing the tower’s tilt, then snaps into a fast side-tracking shot that keeps both rider and falling debris in frame. The rider threads through a newly blasted gap, then leaps onto a lower curved ramp from a broken skywalk.
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Kling AI 2.6 Prompt: Epic long shot: a tower husk begins to buckle and tilt, shedding floors like collapsing cards. The motorbike rider races along a curved skybridge directly beneath the falling shadow, taking tight hairpins while chunks of concrete punch holes in the bridge ahead. Camera starts far wide showing the tower’s tilt, then snaps into a fast side-tracking shot that keeps both rider and falling debris in frame. The rider threads through a newly blasted gap, then leaps onto a lower curved ramp from a broken skywalk.

Zara

14,134 görüntüleme • 8 ay önce

The rescue! Prompt : ultra-cinematic action sequence in bright clear daylight. Start instantly with a fast-moving ultra-wide aerial shot of a shattered skybridge between two supertall towers high above a massive city. One person is falling through open air while a rescue runner sprints across the collapsing bridge. Camera sweeps low and fast past breaking glass, bending steel, sparks, cables, and spinning debris, with sharp detail, strong sunlight, deep contrast, realistic physics, and epic scale. At 7 seconds enter dramatic slow motion as the runner launches from the final intact beam, dives through flying glass, and reaches toward the falling person with the city far below. At 10 seconds snap back to full speed as their hands connect, both swing into a hanging maintenance cable, crash through an open service hatch, slide safely inside the tower, and come to rest as the bridge collapses outside behind them. Clear ending, complete rescue, premium blockbuster visuals, strong composition, dynamic camera, polished action film aesthetic.
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The rescue! Prompt : ultra-cinematic action sequence in bright clear daylight. Start instantly with a fast-moving ultra-wide aerial shot of a shattered skybridge between two supertall towers high above a massive city. One person is falling through open air while a rescue runner sprints across the collapsing bridge. Camera sweeps low and fast past breaking glass, bending steel, sparks, cables, and spinning debris, with sharp detail, strong sunlight, deep contrast, realistic physics, and epic scale. At 7 seconds enter dramatic slow motion as the runner launches from the final intact beam, dives through flying glass, and reaches toward the falling person with the city far below. At 10 seconds snap back to full speed as their hands connect, both swing into a hanging maintenance cable, crash through an open service hatch, slide safely inside the tower, and come to rest as the bridge collapses outside behind them. Clear ending, complete rescue, premium blockbuster visuals, strong composition, dynamic camera, polished action film aesthetic.

Umesh

37,738 görüntüleme • 5 ay önce

Caught on Camera: An Evri courier throws a parcel at the front door of a house in Southend before taking a photo and walking away. It happened on Saturday in the in Leigh / Eastwood area and was captured on a doorbell camera. Rather than placing the parcel down carefully, leaving it in a safe place or ringing the doorbell, the footage shows the courier barely stepping onto the driveway before throwing the package towards the front door, seemingly with little regard for whether the contents inside could be damaged. The courier then takes a delivery photo of the parcel on the ground and leaves. The resident said: "If you live in Leigh-on-Sea or Eastwood please be aware of this disgraceful Evri delivery person. "He barely came onto the drive and chucks the parcel with a disdained look on his face as if it's an inconvenience to be delivering it! "It's not our usual Evri man because our usual man is one of the most honest, genuine and reliable guys out there. But please please be aware if you are having parcels delivered!" Evri says its couriers should either hand parcels to customers or leave them securely in a safe place. The company says that if a parcel is delivered damaged, then customers should contact the sender, as the retailer is responsible for providing a refund or replacement - not Evri.
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Caught on Camera: An Evri courier throws a parcel at the front door of a house in Southend before taking a photo and walking away. It happened on Saturday in the in Leigh / Eastwood area and was captured on a doorbell camera. Rather than placing the parcel down carefully, leaving it in a safe place or ringing the doorbell, the footage shows the courier barely stepping onto the driveway before throwing the package towards the front door, seemingly with little regard for whether the contents inside could be damaged. The courier then takes a delivery photo of the parcel on the ground and leaves. The resident said: "If you live in Leigh-on-Sea or Eastwood please be aware of this disgraceful Evri delivery person. "He barely came onto the drive and chucks the parcel with a disdained look on his face as if it's an inconvenience to be delivering it! "It's not our usual Evri man because our usual man is one of the most honest, genuine and reliable guys out there. But please please be aware if you are having parcels delivered!" Evri says its couriers should either hand parcels to customers or leave them securely in a safe place. The company says that if a parcel is delivered damaged, then customers should contact the sender, as the retailer is responsible for providing a refund or replacement - not Evri.

Your Southend

12,449 görüntüleme • 1 ay önce

How cinematic can pure motorcycle speed actually become on-screen? GPT Image 2 + Seedance 2.0 on Fish Creative prompt Create an explosive, high-speed motorcycle action sequence in 16:9, 24fps, exactly 16 distinct cuts, total runtime ≈ 16–17 seconds. A lone rider in a light green helmet and dark riding gear pilots a babypink sportbike along a narrow, winding paved mountain road that cuts through rolling green hills under a brilliant sunny sky with scattered white clouds and distant blue mountain ranges and water visible on the horizon. Preserve the exact bike color, rider silhouette, road markings, green landscape, fencing and lighting throughout — never redesign them. This film is 90 % pure kinetic camera motion and 10 % environmental beauty: aggressive low-to-high tracking shots, continuous forward motion with heavy speed blur, whip pans, snap zooms, sun flares and impact shakes. No text, no graphics, no logos — pure cinematic speed. ### CUT LIST CUT 01 | 0.00–1.00s Dynamic low-side tracking shot: red motorcycle accelerates away from a small parking area onto the winding asphalt road; lush green grass and fence posts streak past with heavy motion blur; bright sun flares at the top of the frame. **CUT 02 | 1.00–2.00s** Camera rises and locks behind the rider as the bike climbs the first gentle incline; green hills roll on both sides, a lone tree appears ahead, distant mountains and water visible on the right. **CUT 03 | 2.00–3.00s** Tight rear tracking; rider leans into a smooth left curve; the road surface and white dashed lines blur heavily; sun remains high and intense. **CUT 04 | 3.00–4.00s** Bike powers up a steeper section of road; camera stays low and centered, grass and fence posts racing past on both sides; distant valley opens on the right. **CUT 05 | 4.00–5.00s** High-speed straight section; camera drops even lower, almost road-level, capturing the red bike centered against the climbing green hillside and bright blue sky. **CUT 06 | 5.00–6.00s** Rider continues the climb; camera rises slightly and banks with the road; lush green slopes fill the left and right frame edges with strong motion blur. **CUT 07 | 6.00–7.00s** Bike approaches a crest; camera pulls back a fraction to reveal more of the endless green hills and the road stretching ahead under the bright sun. **CUT 08 | 7.00–8.00s** Rider leans into the next curve; camera swings wide then snaps back, capturing the red bike against the steep green embankment and metal guardrail. **CUT 09 | 8.00–9.00s** Tight following shot as the motorcycle accelerates past the guardrail; heavy speed blur on the grass and road surface; sun flare intensifies. **CUT 10 | 9.00–10.00s** Camera tilts upward dramatically, almost looking straight up the road; the red bike becomes smaller against the vast blue sky and white clouds while still racing forward. **CUT 11 | 10.00–11.00s** Sweeping aerial-style arc as the bike enters a wide left-hand hairpin; camera orbits slightly, revealing the full curve of the road, green slopes and distant mountains. **CUT 12 | 11.00–12.00s** High-angle tracking shot looking down on the red motorcycle as it carves the long sweeping curve; the road and guardrail form a perfect arc against the green hillside. **CUT 13 | 12.00–13.00s** Camera pulls higher still, showing the bike as a small red shape on the winding road that snakes across the vast green landscape toward distant valleys and peaks. **CUT 14 | 13.00–14.00s** Rider continues through the open hillside section; camera descends slightly and tracks from a higher three-quarter rear angle, capturing the bike, road and rolling green terrain. **CUT 15 | 14.00–15.00s** Wide high-angle shot of the motorcycle navigating the next gentle S-curve; a second distant vehicle appears briefly on the road ahead; lush green fields and scattered trees fill the frame. **CUT 16 | 15.00–16.65s Final high-speed tracking shot as the red bike continues along the open mountain road; camera gradually rises and the frame fills with bright green hills, blue sky and soft sun flare; the sequence ends on a sense of endless forward motion. ### Editing & Sound Extremely aggressive rhythm — continuous forward tracking with occasional whip pans, snap zooms and speed ramps, heavy motion blur on every surface, strong sun flares and subtle impact shakes on every crest or curve. No text, no graphics, no slow-motion. BGM / Audio: electronic / indie-pop beat with driving drums, bright synths and rising energy that matches the speed of the bike. Engine roar, wind whooshes and tire sound on asphalt are locked to the picture as rhythmic elements. Peak energy in the middle curves and end with a bright, open sonic release. Premium AAA quality, photorealistic cinematic rendering, pure speed and freedom aesthetic, consistent red sportbike and rider design, exactly 16 cuts.
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How cinematic can pure motorcycle speed actually become on-screen? GPT Image 2 + Seedance 2.0 on Fish Creative prompt Create an explosive, high-speed motorcycle action sequence in 16:9, 24fps, exactly 16 distinct cuts, total runtime ≈ 16–17 seconds. A lone rider in a light green helmet and dark riding gear pilots a babypink sportbike along a narrow, winding paved mountain road that cuts through rolling green hills under a brilliant sunny sky with scattered white clouds and distant blue mountain ranges and water visible on the horizon. Preserve the exact bike color, rider silhouette, road markings, green landscape, fencing and lighting throughout — never redesign them. This film is 90 % pure kinetic camera motion and 10 % environmental beauty: aggressive low-to-high tracking shots, continuous forward motion with heavy speed blur, whip pans, snap zooms, sun flares and impact shakes. No text, no graphics, no logos — pure cinematic speed. ### CUT LIST CUT 01 | 0.00–1.00s Dynamic low-side tracking shot: red motorcycle accelerates away from a small parking area onto the winding asphalt road; lush green grass and fence posts streak past with heavy motion blur; bright sun flares at the top of the frame. **CUT 02 | 1.00–2.00s** Camera rises and locks behind the rider as the bike climbs the first gentle incline; green hills roll on both sides, a lone tree appears ahead, distant mountains and water visible on the right. **CUT 03 | 2.00–3.00s** Tight rear tracking; rider leans into a smooth left curve; the road surface and white dashed lines blur heavily; sun remains high and intense. **CUT 04 | 3.00–4.00s** Bike powers up a steeper section of road; camera stays low and centered, grass and fence posts racing past on both sides; distant valley opens on the right. **CUT 05 | 4.00–5.00s** High-speed straight section; camera drops even lower, almost road-level, capturing the red bike centered against the climbing green hillside and bright blue sky. **CUT 06 | 5.00–6.00s** Rider continues the climb; camera rises slightly and banks with the road; lush green slopes fill the left and right frame edges with strong motion blur. **CUT 07 | 6.00–7.00s** Bike approaches a crest; camera pulls back a fraction to reveal more of the endless green hills and the road stretching ahead under the bright sun. **CUT 08 | 7.00–8.00s** Rider leans into the next curve; camera swings wide then snaps back, capturing the red bike against the steep green embankment and metal guardrail. **CUT 09 | 8.00–9.00s** Tight following shot as the motorcycle accelerates past the guardrail; heavy speed blur on the grass and road surface; sun flare intensifies. **CUT 10 | 9.00–10.00s** Camera tilts upward dramatically, almost looking straight up the road; the red bike becomes smaller against the vast blue sky and white clouds while still racing forward. **CUT 11 | 10.00–11.00s** Sweeping aerial-style arc as the bike enters a wide left-hand hairpin; camera orbits slightly, revealing the full curve of the road, green slopes and distant mountains. **CUT 12 | 11.00–12.00s** High-angle tracking shot looking down on the red motorcycle as it carves the long sweeping curve; the road and guardrail form a perfect arc against the green hillside. **CUT 13 | 12.00–13.00s** Camera pulls higher still, showing the bike as a small red shape on the winding road that snakes across the vast green landscape toward distant valleys and peaks. **CUT 14 | 13.00–14.00s** Rider continues through the open hillside section; camera descends slightly and tracks from a higher three-quarter rear angle, capturing the bike, road and rolling green terrain. **CUT 15 | 14.00–15.00s** Wide high-angle shot of the motorcycle navigating the next gentle S-curve; a second distant vehicle appears briefly on the road ahead; lush green fields and scattered trees fill the frame. **CUT 16 | 15.00–16.65s Final high-speed tracking shot as the red bike continues along the open mountain road; camera gradually rises and the frame fills with bright green hills, blue sky and soft sun flare; the sequence ends on a sense of endless forward motion. ### Editing & Sound Extremely aggressive rhythm — continuous forward tracking with occasional whip pans, snap zooms and speed ramps, heavy motion blur on every surface, strong sun flares and subtle impact shakes on every crest or curve. No text, no graphics, no slow-motion. BGM / Audio: electronic / indie-pop beat with driving drums, bright synths and rising energy that matches the speed of the bike. Engine roar, wind whooshes and tire sound on asphalt are locked to the picture as rhythmic elements. Peak energy in the middle curves and end with a bright, open sonic release. Premium AAA quality, photorealistic cinematic rendering, pure speed and freedom aesthetic, consistent red sportbike and rider design, exactly 16 cuts.

Sharon Riley

38,429 görüntüleme • 1 ay önce

I created Cinematic cyberpunk post apocalyptic city destrction on and it literally looks cinematic. Prompt CUT SCENES CUT 1 (0–2s) Wide aerial shot ruined cyberpunk city neon lights flickering rain falling camera slowly descending through smoke CUT 2 (2–4s) Tracking shot moving through broken street sparks flying wires hanging glowing puddles reflecting neon CUT 3 (4–6s) Low angle reveal giant mecha warrior standing still in middle of street glowing red eyes smoke around feet CUT 4 (6–8s) Slow push in toward mecha face rain dripping metal surface eyes flicker brighter micro mechanical movements CUT 5 (8–10s) Orbit shot around mecha as it lifts a massive energy sword glowing orange lighting environment CUT 6 (10–12s) Fast cut enemy drones flying in from sky lasers charging camera shakes slightly CUT 7 (12–14s) Mecha swings sword creating bright energy arc sparks explosion mid air dramatic slow motion CUT 8 (14–15s) Close up glowing eyes camera push in slight head movement cut to black #EasemateAI
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I created Cinematic cyberpunk post apocalyptic city destrction on and it literally looks cinematic. Prompt CUT SCENES CUT 1 (0–2s) Wide aerial shot ruined cyberpunk city neon lights flickering rain falling camera slowly descending through smoke CUT 2 (2–4s) Tracking shot moving through broken street sparks flying wires hanging glowing puddles reflecting neon CUT 3 (4–6s) Low angle reveal giant mecha warrior standing still in middle of street glowing red eyes smoke around feet CUT 4 (6–8s) Slow push in toward mecha face rain dripping metal surface eyes flicker brighter micro mechanical movements CUT 5 (8–10s) Orbit shot around mecha as it lifts a massive energy sword glowing orange lighting environment CUT 6 (10–12s) Fast cut enemy drones flying in from sky lasers charging camera shakes slightly CUT 7 (12–14s) Mecha swings sword creating bright energy arc sparks explosion mid air dramatic slow motion CUT 8 (14–15s) Close up glowing eyes camera push in slight head movement cut to black #EasemateAI

Sharon Riley

53,364 görüntüleme • 6 ay önce

Faces of 9/11: Tom Canavan Tom Canavan worked on the 47th floor of the North Tower. He made it down, only to be buried when the South Tower collapsed. Trapped beneath the debris with a security guard, Canavan helped the man squeeze through a small opening first. He expected him to turn around and help pull him out. The guard left. Canavan eventually forced his own way through and emerged onto Vesey Street, bloodied, covered in dust, and still alive. And now, in Gédéon Naudet’s newly released clearer footage, we found Canavan moments later on Vesey Street, shouting “Hoorah!” when a firefighter points him toward an ambulance.
2:38

Faces of 9/11: Tom Canavan Tom Canavan worked on the 47th floor of the North Tower. He made it down, only to be buried when the South Tower collapsed. Trapped beneath the debris with a security guard, Canavan helped the man squeeze through a small opening first. He expected him to turn around and help pull him out. The guard left. Canavan eventually forced his own way through and emerged onto Vesey Street, bloodied, covered in dust, and still alive. And now, in Gédéon Naudet’s newly released clearer footage, we found Canavan moments later on Vesey Street, shouting “Hoorah!” when a firefighter points him toward an ambulance.

TheOlChippy

59,529 görüntüleme • 9 gün önce

King Alfred Tower is one of many “follies” built in Britain. Follies are those buildings erected by the upper classes during the heights of British power for the sole purpose of displaying wealth and entertaining friends. This particular folly was built to celebrate a victory by the Saxon, King Alfred, over the Danes in 878 AD, and is the legendary site where the King raised his standard prior to the battle. This tower was mentioned in a poem by the British poet, Thomas Hardy, in his poem entitled “The Channel Firing” written in 1914 AD. Damage to the tower occurred during World War II when an American plane crashed into it, severely damaging the upper 10 meters of the structure. The turret was repaired in 1986 with a helicopter, which was used to lower the new cone onto the tower. Today visitors can once again climb the stairs to the viewing platform at the top. Built by the Hoare banking family, the triangular tower is constructed from over one million red bricks and stands 50m in height. Work on the tower began in 1762 AD, and was completed in 1779 AD, with the addition of a ten-foot-high statue of King Alfred in an alcove above the entrance. 📽️© @jack_hellyar #archaeohistories
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King Alfred Tower is one of many “follies” built in Britain. Follies are those buildings erected by the upper classes during the heights of British power for the sole purpose of displaying wealth and entertaining friends. This particular folly was built to celebrate a victory by the Saxon, King Alfred, over the Danes in 878 AD, and is the legendary site where the King raised his standard prior to the battle. This tower was mentioned in a poem by the British poet, Thomas Hardy, in his poem entitled “The Channel Firing” written in 1914 AD. Damage to the tower occurred during World War II when an American plane crashed into it, severely damaging the upper 10 meters of the structure. The turret was repaired in 1986 with a helicopter, which was used to lower the new cone onto the tower. Today visitors can once again climb the stairs to the viewing platform at the top. Built by the Hoare banking family, the triangular tower is constructed from over one million red bricks and stands 50m in height. Work on the tower began in 1762 AD, and was completed in 1779 AD, with the addition of a ten-foot-high statue of King Alfred in an alcove above the entrance. 📽️© @jack_hellyar #archaeohistories

Archaeo - Histories

547,050 görüntüleme • 3 yıl önce

HIGGSFIELD + OPUS 5 MADE THIS IN ONE PROMPT. "REDCOMB" - an original concept I made up: a scrappy rooster with a junk-built jetpack defending his town from a UFO invasion. 00:00 - Red runs main street, HUD live, saucer on the horizon 00:04 - grabbing stars as the beams start dropping debris 00:08 - jetpack glide over the clock tower, dodging falling rocks 00:11 - the whole fleet closes in on the town honest take: it's a clip, not a real build - I'm using it as a visual reference for when I actually make the game. follow me, full prompt in comments ↓
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HIGGSFIELD + OPUS 5 MADE THIS IN ONE PROMPT. "REDCOMB" - an original concept I made up: a scrappy rooster with a junk-built jetpack defending his town from a UFO invasion. 00:00 - Red runs main street, HUD live, saucer on the horizon 00:04 - grabbing stars as the beams start dropping debris 00:08 - jetpack glide over the clock tower, dodging falling rocks 00:11 - the whole fleet closes in on the town honest take: it's a clip, not a real build - I'm using it as a visual reference for when I actually make the game. follow me, full prompt in comments ↓

ZEUS⚡️

22,762 görüntüleme • 1 ay önce

Made with Seedance 2.0 Prompt: Create a seamless 9-second surreal animation blending Tokyo with giant desserts: a massive silver fork plunges into a miniature Tokyo street and lifts a strawberry shortcake slice with whipped cream, strawberries, and red glaze; cut to street level where a giant chocolate slab sits in the pavement as thick caramel pours over it and pedestrians pass by; show a bustling skyscraper avenue decorated with strawberries and whipped-cream rooftops; finally, zoom out to reveal the entire city district sitting on a giant decorated cake on a white plate as a huge fork carves out and lifts a slice of the city-cake, seamlessly returning to the aerial Tokyo view.
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Made with Seedance 2.0 Prompt: Create a seamless 9-second surreal animation blending Tokyo with giant desserts: a massive silver fork plunges into a miniature Tokyo street and lifts a strawberry shortcake slice with whipped cream, strawberries, and red glaze; cut to street level where a giant chocolate slab sits in the pavement as thick caramel pours over it and pedestrians pass by; show a bustling skyscraper avenue decorated with strawberries and whipped-cream rooftops; finally, zoom out to reveal the entire city district sitting on a giant decorated cake on a white plate as a huge fork carves out and lifts a slice of the city-cake, seamlessly returning to the aerial Tokyo view.

Shoaib AI

72,591 görüntüleme • 1 ay önce

🇮🇷🚨 Iran snaps back at Trump — and threatens to “cut off his hands.” On the eve, the self-styled peacemaker said he was ready to “help the protesters” in Iran. People have taken to the streets over a currency collapse and runaway inflation. Hundreds of thousands are protesting. In response to Trump’s remarks, senior adviser to the ayatollah Ali Shamkhani said: “The people of Iran know well how America’s ‘rescue missions’ end — from Iraq and Afghanistan to Gaza. Any hand that reaches toward Iran’s security under any pretext will be cut off before it gets close — with a response that will induce regret. Iran’s national security is a red line, not a stage for adventurous tweets.” Well… as if we were missing a confrontation between Iran and the U.S...
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🇮🇷🚨 Iran snaps back at Trump — and threatens to “cut off his hands.” On the eve, the self-styled peacemaker said he was ready to “help the protesters” in Iran. People have taken to the streets over a currency collapse and runaway inflation. Hundreds of thousands are protesting. In response to Trump’s remarks, senior adviser to the ayatollah Ali Shamkhani said: “The people of Iran know well how America’s ‘rescue missions’ end — from Iraq and Afghanistan to Gaza. Any hand that reaches toward Iran’s security under any pretext will be cut off before it gets close — with a response that will induce regret. Iran’s national security is a red line, not a stage for adventurous tweets.” Well… as if we were missing a confrontation between Iran and the U.S...

NEXTA

74,127 görüntüleme • 8 ay önce

Video generated by Seedance 2.0 on Lart AI Try it there 👇🏻 Prompt 10-Second Cinematic Timeline Prompt — "The Train Escape" 0–2s | The Robbery A crowded 19th-century train station during golden hour. A masked thief steals a mysterious black briefcase and runs toward a departing steam train. Crowds scatter in panic. Cinematic lighting, realistic motion, dramatic atmosphere. Camera: Wide establishing shot → handheld chase shot. --- 2–4s | The Pursuit A fearless young female detective wearing a black trench coat sprints after the thief through the crowded platform, jumping over luggage carts and avoiding passengers. Steam fills the air as the train begins moving. Dialogue: "Stop! Drop the case!" Camera: Dynamic tracking shot with cinematic motion blur. --- 4–6s | The Leap The thief jumps onto the moving steam train. The detective runs at full speed and leaps onto the train moments before it leaves the station. Sparks fly from the tracks. Camera: Slow-motion side tracking shot transitioning to normal speed. --- 6–8s | The Fight On the roof of the speeding train, the detective and thief engage in an intense hand-to-hand fight. Strong wind blows their clothes as steam and sparks surround them. Mountains rush past in the background. Camera: Fast cinematic action shots with dramatic close-ups. --- 8–10s | The Victory The detective defeats the thief, recovers the briefcase, and stands on top of the speeding train as the sun sets behind distant mountains. The thief lies defeated. Camera: Epic wide aerial shot slowly pulling back. Atmosphere: Heroic, cinematic, action movie ending, ultra-realistic, 4K.
0:10

Video generated by Seedance 2.0 on Lart AI Try it there 👇🏻 Prompt 10-Second Cinematic Timeline Prompt — "The Train Escape" 0–2s | The Robbery A crowded 19th-century train station during golden hour. A masked thief steals a mysterious black briefcase and runs toward a departing steam train. Crowds scatter in panic. Cinematic lighting, realistic motion, dramatic atmosphere. Camera: Wide establishing shot → handheld chase shot. --- 2–4s | The Pursuit A fearless young female detective wearing a black trench coat sprints after the thief through the crowded platform, jumping over luggage carts and avoiding passengers. Steam fills the air as the train begins moving. Dialogue: "Stop! Drop the case!" Camera: Dynamic tracking shot with cinematic motion blur. --- 4–6s | The Leap The thief jumps onto the moving steam train. The detective runs at full speed and leaps onto the train moments before it leaves the station. Sparks fly from the tracks. Camera: Slow-motion side tracking shot transitioning to normal speed. --- 6–8s | The Fight On the roof of the speeding train, the detective and thief engage in an intense hand-to-hand fight. Strong wind blows their clothes as steam and sparks surround them. Mountains rush past in the background. Camera: Fast cinematic action shots with dramatic close-ups. --- 8–10s | The Victory The detective defeats the thief, recovers the briefcase, and stands on top of the speeding train as the sun sets behind distant mountains. The thief lies defeated. Camera: Epic wide aerial shot slowly pulling back. Atmosphere: Heroic, cinematic, action movie ending, ultra-realistic, 4K.

Stacy Lee 🇺🇸

22,899 görüntüleme • 3 ay önce

Kitkat - The Chase GPT Image 2 and Seedance on Higgsfield AI 🧩 Prompt : Create a Pixar-inspired 3D animated commercial. Golden afternoon in a busy modern city. A tiny nervous thief sprints through crowded streets while a gigantic, ultra-serious police officer chases him with dramatic action-movie intensity. Fast tracking shots, dynamic camera moves, exaggerated expressions, comedic panic, rooftop jumps, cinematic lighting, shallow depth of field, high-end animation quality. The chase reaches glowing sunset rooftops. The thief reaches a dead end. The massive officer slowly approaches. Wind blows. Tension peaks. Close-up on the officer as he says, “Got you.” Long dramatic pause. Suddenly, the thief relaxes, reaches into his hoodie, and pulls out a KitKat. He silently offers it. The officer looks confused, then accepts. Music instantly shifts from epic action to warm, playful calm. Cut to both characters sitting side-by-side on the rooftop at sunset, sharing KitKat while overlooking the city skyline. A police radio crackles. The officer presses the microphone and says, “We’re on a break.” Comedic timing, heartwarming mood, cinematic sunset glow. End with the KitKat pack hero shot and the tagline: “Have a Break. Have a KitKat.” Ultra-detailed Pixar-style animation, expressive character acting, smooth camera transitions, cinematic storytelling, commercial-quality rendering, 16:9.
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Kitkat - The Chase GPT Image 2 and Seedance on Higgsfield AI 🧩 Prompt : Create a Pixar-inspired 3D animated commercial. Golden afternoon in a busy modern city. A tiny nervous thief sprints through crowded streets while a gigantic, ultra-serious police officer chases him with dramatic action-movie intensity. Fast tracking shots, dynamic camera moves, exaggerated expressions, comedic panic, rooftop jumps, cinematic lighting, shallow depth of field, high-end animation quality. The chase reaches glowing sunset rooftops. The thief reaches a dead end. The massive officer slowly approaches. Wind blows. Tension peaks. Close-up on the officer as he says, “Got you.” Long dramatic pause. Suddenly, the thief relaxes, reaches into his hoodie, and pulls out a KitKat. He silently offers it. The officer looks confused, then accepts. Music instantly shifts from epic action to warm, playful calm. Cut to both characters sitting side-by-side on the rooftop at sunset, sharing KitKat while overlooking the city skyline. A police radio crackles. The officer presses the microphone and says, “We’re on a break.” Comedic timing, heartwarming mood, cinematic sunset glow. End with the KitKat pack hero shot and the tagline: “Have a Break. Have a KitKat.” Ultra-detailed Pixar-style animation, expressive character acting, smooth camera transitions, cinematic storytelling, commercial-quality rendering, 16:9.

Mr Farman Ai

39,685 görüntüleme • 3 ay önce

🚨PromptShare🚨 Quick tsunami-style shot with Seedance 2 on Martini Art AI PROMPT A massive wall of ocean water rises and freezes mid-collapse above a coastal highway. Vehicles and debris are trapped inside the suspended liquid mass. The camera starts below the frozen wave, tilting upward to reveal its impossible scale. It then glides directly into the water mass, transitioning into a submerged perspective inside the suspended droplets before the wave crashes down in full speed
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🚨PromptShare🚨 Quick tsunami-style shot with Seedance 2 on Martini Art AI PROMPT A massive wall of ocean water rises and freezes mid-collapse above a coastal highway. Vehicles and debris are trapped inside the suspended liquid mass. The camera starts below the frozen wave, tilting upward to reveal its impossible scale. It then glides directly into the water mass, transitioning into a submerged perspective inside the suspended droplets before the wave crashes down in full speed

Pierrick Chevallier | IA

15,545 görüntüleme • 6 ay önce

🚨 Donnie Yen's Ip Man cost $52,000,000 to shoot one film a 23-year-old made a 9-minute martial-arts short on a laptop and won $1,000,000 at an AI film festival. she shot none of it, the pipeline built every frame. > Claude write the script and every shot prompt: 1 day > Midjourney lock the fighter from every angle: 2 hours > Kling animate the dojo brawl shot by shot: 2 days > ElevenLabs voice the cast with real direction: 1 hour > DaVinci score it and cut the clips into a film: 1 day Ip Man booked a fight choreographer, a stunt team and a period set for one scene. she booked a $60 pipeline and a laptop. the full fight pipeline is in the article above👇
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🚨 Donnie Yen's Ip Man cost $52,000,000 to shoot one film a 23-year-old made a 9-minute martial-arts short on a laptop and won $1,000,000 at an AI film festival. she shot none of it, the pipeline built every frame. > Claude write the script and every shot prompt: 1 day > Midjourney lock the fighter from every angle: 2 hours > Kling animate the dojo brawl shot by shot: 2 days > ElevenLabs voice the cast with real direction: 1 hour > DaVinci score it and cut the clips into a film: 1 day Ip Man booked a fight choreographer, a stunt team and a period set for one scene. she booked a $60 pipeline and a laptop. the full fight pipeline is in the article above👇

Fokki

42,534 görüntüleme • 2 ay önce

12 hours in with 4 to go. The sun will be up in an hour when they cut the corner over Cairo and cross the vast desert of Saudi Arabia before entering the gulf and descending into AUH. At this point we get a second wind and usually all tough it out in the cockpit for the last bit. #OMD275
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12 hours in with 4 to go. The sun will be up in an hour when they cut the corner over Cairo and cross the vast desert of Saudi Arabia before entering the gulf and descending into AUH. At this point we get a second wind and usually all tough it out in the cockpit for the last bit. #OMD275

Steve Giordano

474,759 görüntüleme • 2 yıl önce

🇷🇺🇺🇦 Russia just sent its regards to Bogodukhov. A massive black plume of smoke is now choking the sky over this Kharkov region town after a powerful strike slammed home. The videos are raw: one from the street, the other from a car dashboard, both showing the same thick column of smoke billowing high above the rooftops while locals stare in stunned silence. Voices in the background cut through the chaos — “it flew over… that’s Bogodukhov!!!” This isn’t random. It’s the inevitable reply to the regime that keeps treating these rear-area towns as safe launch pads and logistics hubs for attacks on Russian soil. The bear doesn’t forget. And it doesn’t miss. Russia sent its regards.
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🇷🇺🇺🇦 Russia just sent its regards to Bogodukhov. A massive black plume of smoke is now choking the sky over this Kharkov region town after a powerful strike slammed home. The videos are raw: one from the street, the other from a car dashboard, both showing the same thick column of smoke billowing high above the rooftops while locals stare in stunned silence. Voices in the background cut through the chaos — “it flew over… that’s Bogodukhov!!!” This isn’t random. It’s the inevitable reply to the regime that keeps treating these rear-area towns as safe launch pads and logistics hubs for attacks on Russian soil. The bear doesn’t forget. And it doesn’t miss. Russia sent its regards.

THE ISLANDER

12,543 görüntüleme • 5 ay önce

Cooking time: 10 min Servings: 1 Ingredients: Avocado seeds (1-3) however many works Instructions: Boil the seed/s for 5 minutes, take it out and place it on cutting board, the outer skin layer will easily peel off Cut the seed into quarters Place it back in the boiling water for 5 more minutes (the water will change to a pinkish purple) Let it cool and enjoy with a squeeze of lemon or sweetener of your preference!
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Cooking time: 10 min Servings: 1 Ingredients: Avocado seeds (1-3) however many works Instructions: Boil the seed/s for 5 minutes, take it out and place it on cutting board, the outer skin layer will easily peel off Cut the seed into quarters Place it back in the boiling water for 5 more minutes (the water will change to a pinkish purple) Let it cool and enjoy with a squeeze of lemon or sweetener of your preference!

Barbara Oneill

67,433 görüntüleme • 7 ay önce