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It was tedious to generate multiple shots of a sequence and then animate them. Now, it’s just a single prompt. While the render isn’t perfect yet, it will only get better. Prompt : Cut 1: A vast sunset city skyline frames a giant old clock tower rising above packed...

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Umesh

46,455 subscribers

17,654 次观看 • 5 个月前 •via X (Twitter)

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Seedance1.0マルチカット ポン出し10秒劇場 蒸気自転車 steamcar_sequence: - cut: 1 shot: Close‑Up – Ignition description: Tight on the driver’s hand cranking the brass starter; - cut: 2 shot: Medium – Throttle Open description: Side view of the driver’s foot stomping the ornate pedal; - cut: 3 shot: Low‑Angle Wide – Sudden Launch description: From ground level, the massive wheels spin and kick up steam and gravel as the car lunges forward. - cut: 4 shot: Insert – Speed Blur description: Close‑up on the spinning wheel and steam plume, background streaking past to emphasize velocity. - cut: 5 shot: Bird’s‑Eye – Departure and Onlookers description: Overhead, the car races down a cobblestone street; townsfolk stand frozen with mouths agape as it disappears into the distance.
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Seedance1.0マルチカット ポン出し10秒劇場 蒸気自転車 steamcar_sequence: - cut: 1 shot: Close‑Up – Ignition description: Tight on the driver’s hand cranking the brass starter; - cut: 2 shot: Medium – Throttle Open description: Side view of the driver’s foot stomping the ornate pedal; - cut: 3 shot: Low‑Angle Wide – Sudden Launch description: From ground level, the massive wheels spin and kick up steam and gravel as the car lunges forward. - cut: 4 shot: Insert – Speed Blur description: Close‑up on the spinning wheel and steam plume, background streaking past to emphasize velocity. - cut: 5 shot: Bird’s‑Eye – Departure and Onlookers description: Overhead, the car races down a cobblestone street; townsfolk stand frozen with mouths agape as it disappears into the distance.

yachimat - AI Short Anime

36,166 次观看 • 1 年前

Kling AI 2.6 Prompt: Epic long shot: a tower husk begins to buckle and tilt, shedding floors like collapsing cards. The motorbike rider races along a curved skybridge directly beneath the falling shadow, taking tight hairpins while chunks of concrete punch holes in the bridge ahead. Camera starts far wide showing the tower’s tilt, then snaps into a fast side-tracking shot that keeps both rider and falling debris in frame. The rider threads through a newly blasted gap, then leaps onto a lower curved ramp from a broken skywalk.
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Kling AI 2.6 Prompt: Epic long shot: a tower husk begins to buckle and tilt, shedding floors like collapsing cards. The motorbike rider races along a curved skybridge directly beneath the falling shadow, taking tight hairpins while chunks of concrete punch holes in the bridge ahead. Camera starts far wide showing the tower’s tilt, then snaps into a fast side-tracking shot that keeps both rider and falling debris in frame. The rider threads through a newly blasted gap, then leaps onto a lower curved ramp from a broken skywalk.

Zara

14,134 次观看 • 6 个月前

The rescue! Prompt : ultra-cinematic action sequence in bright clear daylight. Start instantly with a fast-moving ultra-wide aerial shot of a shattered skybridge between two supertall towers high above a massive city. One person is falling through open air while a rescue runner sprints across the collapsing bridge. Camera sweeps low and fast past breaking glass, bending steel, sparks, cables, and spinning debris, with sharp detail, strong sunlight, deep contrast, realistic physics, and epic scale. At 7 seconds enter dramatic slow motion as the runner launches from the final intact beam, dives through flying glass, and reaches toward the falling person with the city far below. At 10 seconds snap back to full speed as their hands connect, both swing into a hanging maintenance cable, crash through an open service hatch, slide safely inside the tower, and come to rest as the bridge collapses outside behind them. Clear ending, complete rescue, premium blockbuster visuals, strong composition, dynamic camera, polished action film aesthetic.
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The rescue! Prompt : ultra-cinematic action sequence in bright clear daylight. Start instantly with a fast-moving ultra-wide aerial shot of a shattered skybridge between two supertall towers high above a massive city. One person is falling through open air while a rescue runner sprints across the collapsing bridge. Camera sweeps low and fast past breaking glass, bending steel, sparks, cables, and spinning debris, with sharp detail, strong sunlight, deep contrast, realistic physics, and epic scale. At 7 seconds enter dramatic slow motion as the runner launches from the final intact beam, dives through flying glass, and reaches toward the falling person with the city far below. At 10 seconds snap back to full speed as their hands connect, both swing into a hanging maintenance cable, crash through an open service hatch, slide safely inside the tower, and come to rest as the bridge collapses outside behind them. Clear ending, complete rescue, premium blockbuster visuals, strong composition, dynamic camera, polished action film aesthetic.

Umesh

37,591 次观看 • 3 个月前

🇺🇸 PASSENGERS WATCH HABOOB FROM ABOVE AS IT HITS PHOENIX A towering wall of dust rolled into Phoenix on Monday evening, and airline passengers caught the haboob from their windows as the storm swept across the desert. The massive dust front, pushed by thunderstorm outflows, stretched thousands of feet high and dramatically cut visibility on the ground. While more than 39,000 households lost power and flights were briefly grounded, those in the air had a rare view of the storm’s scale, watching the giant cloud swallow the city below. Source: curlyhead_hiker
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🇺🇸 PASSENGERS WATCH HABOOB FROM ABOVE AS IT HITS PHOENIX A towering wall of dust rolled into Phoenix on Monday evening, and airline passengers caught the haboob from their windows as the storm swept across the desert. The massive dust front, pushed by thunderstorm outflows, stretched thousands of feet high and dramatically cut visibility on the ground. While more than 39,000 households lost power and flights were briefly grounded, those in the air had a rare view of the storm’s scale, watching the giant cloud swallow the city below. Source: curlyhead_hiker

Mario Nawfal

41,557 次观看 • 11 个月前

Caught on Camera: An Evri courier throws a parcel at the front door of a house in Southend before taking a photo and walking away. It happened on Saturday in the in Leigh / Eastwood area and was captured on a doorbell camera. Rather than placing the parcel down carefully, leaving it in a safe place or ringing the doorbell, the footage shows the courier barely stepping onto the driveway before throwing the package towards the front door, seemingly with little regard for whether the contents inside could be damaged. The courier then takes a delivery photo of the parcel on the ground and leaves. The resident said: "If you live in Leigh-on-Sea or Eastwood please be aware of this disgraceful Evri delivery person. "He barely came onto the drive and chucks the parcel with a disdained look on his face as if it's an inconvenience to be delivering it! "It's not our usual Evri man because our usual man is one of the most honest, genuine and reliable guys out there. But please please be aware if you are having parcels delivered!" Evri says its couriers should either hand parcels to customers or leave them securely in a safe place. The company says that if a parcel is delivered damaged, then customers should contact the sender, as the retailer is responsible for providing a refund or replacement - not Evri.
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Caught on Camera: An Evri courier throws a parcel at the front door of a house in Southend before taking a photo and walking away. It happened on Saturday in the in Leigh / Eastwood area and was captured on a doorbell camera. Rather than placing the parcel down carefully, leaving it in a safe place or ringing the doorbell, the footage shows the courier barely stepping onto the driveway before throwing the package towards the front door, seemingly with little regard for whether the contents inside could be damaged. The courier then takes a delivery photo of the parcel on the ground and leaves. The resident said: "If you live in Leigh-on-Sea or Eastwood please be aware of this disgraceful Evri delivery person. "He barely came onto the drive and chucks the parcel with a disdained look on his face as if it's an inconvenience to be delivering it! "It's not our usual Evri man because our usual man is one of the most honest, genuine and reliable guys out there. But please please be aware if you are having parcels delivered!" Evri says its couriers should either hand parcels to customers or leave them securely in a safe place. The company says that if a parcel is delivered damaged, then customers should contact the sender, as the retailer is responsible for providing a refund or replacement - not Evri.

Your Southend

12,259 次观看 • 8 天前

I created Cinematic cyberpunk post apocalyptic city destrction on and it literally looks cinematic. Prompt CUT SCENES CUT 1 (0–2s) Wide aerial shot ruined cyberpunk city neon lights flickering rain falling camera slowly descending through smoke CUT 2 (2–4s) Tracking shot moving through broken street sparks flying wires hanging glowing puddles reflecting neon CUT 3 (4–6s) Low angle reveal giant mecha warrior standing still in middle of street glowing red eyes smoke around feet CUT 4 (6–8s) Slow push in toward mecha face rain dripping metal surface eyes flicker brighter micro mechanical movements CUT 5 (8–10s) Orbit shot around mecha as it lifts a massive energy sword glowing orange lighting environment CUT 6 (10–12s) Fast cut enemy drones flying in from sky lasers charging camera shakes slightly CUT 7 (12–14s) Mecha swings sword creating bright energy arc sparks explosion mid air dramatic slow motion CUT 8 (14–15s) Close up glowing eyes camera push in slight head movement cut to black #EasemateAI
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I created Cinematic cyberpunk post apocalyptic city destrction on and it literally looks cinematic. Prompt CUT SCENES CUT 1 (0–2s) Wide aerial shot ruined cyberpunk city neon lights flickering rain falling camera slowly descending through smoke CUT 2 (2–4s) Tracking shot moving through broken street sparks flying wires hanging glowing puddles reflecting neon CUT 3 (4–6s) Low angle reveal giant mecha warrior standing still in middle of street glowing red eyes smoke around feet CUT 4 (6–8s) Slow push in toward mecha face rain dripping metal surface eyes flicker brighter micro mechanical movements CUT 5 (8–10s) Orbit shot around mecha as it lifts a massive energy sword glowing orange lighting environment CUT 6 (10–12s) Fast cut enemy drones flying in from sky lasers charging camera shakes slightly CUT 7 (12–14s) Mecha swings sword creating bright energy arc sparks explosion mid air dramatic slow motion CUT 8 (14–15s) Close up glowing eyes camera push in slight head movement cut to black #EasemateAI

Sharon Riley

53,364 次观看 • 4 个月前

King Alfred Tower is one of many “follies” built in Britain. Follies are those buildings erected by the upper classes during the heights of British power for the sole purpose of displaying wealth and entertaining friends. This particular folly was built to celebrate a victory by the Saxon, King Alfred, over the Danes in 878 AD, and is the legendary site where the King raised his standard prior to the battle. This tower was mentioned in a poem by the British poet, Thomas Hardy, in his poem entitled “The Channel Firing” written in 1914 AD. Damage to the tower occurred during World War II when an American plane crashed into it, severely damaging the upper 10 meters of the structure. The turret was repaired in 1986 with a helicopter, which was used to lower the new cone onto the tower. Today visitors can once again climb the stairs to the viewing platform at the top. Built by the Hoare banking family, the triangular tower is constructed from over one million red bricks and stands 50m in height. Work on the tower began in 1762 AD, and was completed in 1779 AD, with the addition of a ten-foot-high statue of King Alfred in an alcove above the entrance. 📽️© @jack_hellyar #archaeohistories
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King Alfred Tower is one of many “follies” built in Britain. Follies are those buildings erected by the upper classes during the heights of British power for the sole purpose of displaying wealth and entertaining friends. This particular folly was built to celebrate a victory by the Saxon, King Alfred, over the Danes in 878 AD, and is the legendary site where the King raised his standard prior to the battle. This tower was mentioned in a poem by the British poet, Thomas Hardy, in his poem entitled “The Channel Firing” written in 1914 AD. Damage to the tower occurred during World War II when an American plane crashed into it, severely damaging the upper 10 meters of the structure. The turret was repaired in 1986 with a helicopter, which was used to lower the new cone onto the tower. Today visitors can once again climb the stairs to the viewing platform at the top. Built by the Hoare banking family, the triangular tower is constructed from over one million red bricks and stands 50m in height. Work on the tower began in 1762 AD, and was completed in 1779 AD, with the addition of a ten-foot-high statue of King Alfred in an alcove above the entrance. 📽️© @jack_hellyar #archaeohistories

Archaeo - Histories

546,966 次观看 • 2 年前

🇮🇷🚨 Iran snaps back at Trump — and threatens to “cut off his hands.” On the eve, the self-styled peacemaker said he was ready to “help the protesters” in Iran. People have taken to the streets over a currency collapse and runaway inflation. Hundreds of thousands are protesting. In response to Trump’s remarks, senior adviser to the ayatollah Ali Shamkhani said: “The people of Iran know well how America’s ‘rescue missions’ end — from Iraq and Afghanistan to Gaza. Any hand that reaches toward Iran’s security under any pretext will be cut off before it gets close — with a response that will induce regret. Iran’s national security is a red line, not a stage for adventurous tweets.” Well… as if we were missing a confrontation between Iran and the U.S...
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🇮🇷🚨 Iran snaps back at Trump — and threatens to “cut off his hands.” On the eve, the self-styled peacemaker said he was ready to “help the protesters” in Iran. People have taken to the streets over a currency collapse and runaway inflation. Hundreds of thousands are protesting. In response to Trump’s remarks, senior adviser to the ayatollah Ali Shamkhani said: “The people of Iran know well how America’s ‘rescue missions’ end — from Iraq and Afghanistan to Gaza. Any hand that reaches toward Iran’s security under any pretext will be cut off before it gets close — with a response that will induce regret. Iran’s national security is a red line, not a stage for adventurous tweets.” Well… as if we were missing a confrontation between Iran and the U.S...

NEXTA

74,127 次观看 • 7 个月前

A woman is caught stealing with her kids in tow and a black man comes to her rescue. How do you say it… Birds of a feather? Cut from the same cloth? Kindred spirits? Hand and glove? Thick as thieves?
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A woman is caught stealing with her kids in tow and a black man comes to her rescue. How do you say it… Birds of a feather? Cut from the same cloth? Kindred spirits? Hand and glove? Thick as thieves?

Amiri King

33,198 次观看 • 9 个月前

Video generated by Seedance 2.0 on Lart AI Try it there 👇🏻 Prompt 10-Second Cinematic Timeline Prompt — "The Train Escape" 0–2s | The Robbery A crowded 19th-century train station during golden hour. A masked thief steals a mysterious black briefcase and runs toward a departing steam train. Crowds scatter in panic. Cinematic lighting, realistic motion, dramatic atmosphere. Camera: Wide establishing shot → handheld chase shot. --- 2–4s | The Pursuit A fearless young female detective wearing a black trench coat sprints after the thief through the crowded platform, jumping over luggage carts and avoiding passengers. Steam fills the air as the train begins moving. Dialogue: "Stop! Drop the case!" Camera: Dynamic tracking shot with cinematic motion blur. --- 4–6s | The Leap The thief jumps onto the moving steam train. The detective runs at full speed and leaps onto the train moments before it leaves the station. Sparks fly from the tracks. Camera: Slow-motion side tracking shot transitioning to normal speed. --- 6–8s | The Fight On the roof of the speeding train, the detective and thief engage in an intense hand-to-hand fight. Strong wind blows their clothes as steam and sparks surround them. Mountains rush past in the background. Camera: Fast cinematic action shots with dramatic close-ups. --- 8–10s | The Victory The detective defeats the thief, recovers the briefcase, and stands on top of the speeding train as the sun sets behind distant mountains. The thief lies defeated. Camera: Epic wide aerial shot slowly pulling back. Atmosphere: Heroic, cinematic, action movie ending, ultra-realistic, 4K.
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Video generated by Seedance 2.0 on Lart AI Try it there 👇🏻 Prompt 10-Second Cinematic Timeline Prompt — "The Train Escape" 0–2s | The Robbery A crowded 19th-century train station during golden hour. A masked thief steals a mysterious black briefcase and runs toward a departing steam train. Crowds scatter in panic. Cinematic lighting, realistic motion, dramatic atmosphere. Camera: Wide establishing shot → handheld chase shot. --- 2–4s | The Pursuit A fearless young female detective wearing a black trench coat sprints after the thief through the crowded platform, jumping over luggage carts and avoiding passengers. Steam fills the air as the train begins moving. Dialogue: "Stop! Drop the case!" Camera: Dynamic tracking shot with cinematic motion blur. --- 4–6s | The Leap The thief jumps onto the moving steam train. The detective runs at full speed and leaps onto the train moments before it leaves the station. Sparks fly from the tracks. Camera: Slow-motion side tracking shot transitioning to normal speed. --- 6–8s | The Fight On the roof of the speeding train, the detective and thief engage in an intense hand-to-hand fight. Strong wind blows their clothes as steam and sparks surround them. Mountains rush past in the background. Camera: Fast cinematic action shots with dramatic close-ups. --- 8–10s | The Victory The detective defeats the thief, recovers the briefcase, and stands on top of the speeding train as the sun sets behind distant mountains. The thief lies defeated. Camera: Epic wide aerial shot slowly pulling back. Atmosphere: Heroic, cinematic, action movie ending, ultra-realistic, 4K.

Stacy Lee 🇺🇸

22,899 次观看 • 1 个月前

Kitkat - The Chase GPT Image 2 and Seedance on Higgsfield AI 🧩 Prompt : Create a Pixar-inspired 3D animated commercial. Golden afternoon in a busy modern city. A tiny nervous thief sprints through crowded streets while a gigantic, ultra-serious police officer chases him with dramatic action-movie intensity. Fast tracking shots, dynamic camera moves, exaggerated expressions, comedic panic, rooftop jumps, cinematic lighting, shallow depth of field, high-end animation quality. The chase reaches glowing sunset rooftops. The thief reaches a dead end. The massive officer slowly approaches. Wind blows. Tension peaks. Close-up on the officer as he says, “Got you.” Long dramatic pause. Suddenly, the thief relaxes, reaches into his hoodie, and pulls out a KitKat. He silently offers it. The officer looks confused, then accepts. Music instantly shifts from epic action to warm, playful calm. Cut to both characters sitting side-by-side on the rooftop at sunset, sharing KitKat while overlooking the city skyline. A police radio crackles. The officer presses the microphone and says, “We’re on a break.” Comedic timing, heartwarming mood, cinematic sunset glow. End with the KitKat pack hero shot and the tagline: “Have a Break. Have a KitKat.” Ultra-detailed Pixar-style animation, expressive character acting, smooth camera transitions, cinematic storytelling, commercial-quality rendering, 16:9.
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Kitkat - The Chase GPT Image 2 and Seedance on Higgsfield AI 🧩 Prompt : Create a Pixar-inspired 3D animated commercial. Golden afternoon in a busy modern city. A tiny nervous thief sprints through crowded streets while a gigantic, ultra-serious police officer chases him with dramatic action-movie intensity. Fast tracking shots, dynamic camera moves, exaggerated expressions, comedic panic, rooftop jumps, cinematic lighting, shallow depth of field, high-end animation quality. The chase reaches glowing sunset rooftops. The thief reaches a dead end. The massive officer slowly approaches. Wind blows. Tension peaks. Close-up on the officer as he says, “Got you.” Long dramatic pause. Suddenly, the thief relaxes, reaches into his hoodie, and pulls out a KitKat. He silently offers it. The officer looks confused, then accepts. Music instantly shifts from epic action to warm, playful calm. Cut to both characters sitting side-by-side on the rooftop at sunset, sharing KitKat while overlooking the city skyline. A police radio crackles. The officer presses the microphone and says, “We’re on a break.” Comedic timing, heartwarming mood, cinematic sunset glow. End with the KitKat pack hero shot and the tagline: “Have a Break. Have a KitKat.” Ultra-detailed Pixar-style animation, expressive character acting, smooth camera transitions, cinematic storytelling, commercial-quality rendering, 16:9.

Mr Farman Ai

39,685 次观看 • 1 个月前

🚨PromptShare🚨 Quick tsunami-style shot with Seedance 2 on Martini Art AI PROMPT A massive wall of ocean water rises and freezes mid-collapse above a coastal highway. Vehicles and debris are trapped inside the suspended liquid mass. The camera starts below the frozen wave, tilting upward to reveal its impossible scale. It then glides directly into the water mass, transitioning into a submerged perspective inside the suspended droplets before the wave crashes down in full speed
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🚨PromptShare🚨 Quick tsunami-style shot with Seedance 2 on Martini Art AI PROMPT A massive wall of ocean water rises and freezes mid-collapse above a coastal highway. Vehicles and debris are trapped inside the suspended liquid mass. The camera starts below the frozen wave, tilting upward to reveal its impossible scale. It then glides directly into the water mass, transitioning into a submerged perspective inside the suspended droplets before the wave crashes down in full speed

Pierrick Chevallier | IA

15,545 次观看 • 4 个月前

🚨 Donnie Yen's Ip Man cost $52,000,000 to shoot one film a 23-year-old made a 9-minute martial-arts short on a laptop and won $1,000,000 at an AI film festival. she shot none of it, the pipeline built every frame. > Claude write the script and every shot prompt: 1 day > Midjourney lock the fighter from every angle: 2 hours > Kling animate the dojo brawl shot by shot: 2 days > ElevenLabs voice the cast with real direction: 1 hour > DaVinci score it and cut the clips into a film: 1 day Ip Man booked a fight choreographer, a stunt team and a period set for one scene. she booked a $60 pipeline and a laptop. the full fight pipeline is in the article above👇
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🚨 Donnie Yen's Ip Man cost $52,000,000 to shoot one film a 23-year-old made a 9-minute martial-arts short on a laptop and won $1,000,000 at an AI film festival. she shot none of it, the pipeline built every frame. > Claude write the script and every shot prompt: 1 day > Midjourney lock the fighter from every angle: 2 hours > Kling animate the dojo brawl shot by shot: 2 days > ElevenLabs voice the cast with real direction: 1 hour > DaVinci score it and cut the clips into a film: 1 day Ip Man booked a fight choreographer, a stunt team and a period set for one scene. she booked a $60 pipeline and a laptop. the full fight pipeline is in the article above👇

Fokki

42,057 次观看 • 20 天前

12 hours in with 4 to go. The sun will be up in an hour when they cut the corner over Cairo and cross the vast desert of Saudi Arabia before entering the gulf and descending into AUH. At this point we get a second wind and usually all tough it out in the cockpit for the last bit. #OMD275
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12 hours in with 4 to go. The sun will be up in an hour when they cut the corner over Cairo and cross the vast desert of Saudi Arabia before entering the gulf and descending into AUH. At this point we get a second wind and usually all tough it out in the cockpit for the last bit. #OMD275

Steve Giordano

474,750 次观看 • 2 年前

🇷🇺🇺🇦 Russia just sent its regards to Bogodukhov. A massive black plume of smoke is now choking the sky over this Kharkov region town after a powerful strike slammed home. The videos are raw: one from the street, the other from a car dashboard, both showing the same thick column of smoke billowing high above the rooftops while locals stare in stunned silence. Voices in the background cut through the chaos — “it flew over… that’s Bogodukhov!!!” This isn’t random. It’s the inevitable reply to the regime that keeps treating these rear-area towns as safe launch pads and logistics hubs for attacks on Russian soil. The bear doesn’t forget. And it doesn’t miss. Russia sent its regards.
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🇷🇺🇺🇦 Russia just sent its regards to Bogodukhov. A massive black plume of smoke is now choking the sky over this Kharkov region town after a powerful strike slammed home. The videos are raw: one from the street, the other from a car dashboard, both showing the same thick column of smoke billowing high above the rooftops while locals stare in stunned silence. Voices in the background cut through the chaos — “it flew over… that’s Bogodukhov!!!” This isn’t random. It’s the inevitable reply to the regime that keeps treating these rear-area towns as safe launch pads and logistics hubs for attacks on Russian soil. The bear doesn’t forget. And it doesn’t miss. Russia sent its regards.

THE ISLANDER

12,538 次观看 • 3 个月前

Cooking time: 10 min Servings: 1 Ingredients: Avocado seeds (1-3) however many works Instructions: Boil the seed/s for 5 minutes, take it out and place it on cutting board, the outer skin layer will easily peel off Cut the seed into quarters Place it back in the boiling water for 5 more minutes (the water will change to a pinkish purple) Let it cool and enjoy with a squeeze of lemon or sweetener of your preference!
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Cooking time: 10 min Servings: 1 Ingredients: Avocado seeds (1-3) however many works Instructions: Boil the seed/s for 5 minutes, take it out and place it on cutting board, the outer skin layer will easily peel off Cut the seed into quarters Place it back in the boiling water for 5 more minutes (the water will change to a pinkish purple) Let it cool and enjoy with a squeeze of lemon or sweetener of your preference!

Barbara Oneill

67,360 次观看 • 6 个月前

Prompt : Continuous ultra-wide aerial starts high above a storm-dark rainforest, skimming cloud shadows over endless canopy. The camera dives between towering trees to reveal a narrow river gorge where a motorized raft team blasts downstream. Far upstream, a natural dam of fallen trunks and boulders ruptures, unleashing a roaring wall of whitewater packed with spinning logs. Camera rockets laterally along the river, threading tight parallax passes over treetops and cliff faces for speed, then snaps into a wide orbit around a knife-edge bend as the debris wave rounds it. Climax as the raft slaloms past jagged rocks while the log wall explodes into the bend behind them, end on a violent pull-up through mist as the flood chews the shoreline below.
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Prompt : Continuous ultra-wide aerial starts high above a storm-dark rainforest, skimming cloud shadows over endless canopy. The camera dives between towering trees to reveal a narrow river gorge where a motorized raft team blasts downstream. Far upstream, a natural dam of fallen trunks and boulders ruptures, unleashing a roaring wall of whitewater packed with spinning logs. Camera rockets laterally along the river, threading tight parallax passes over treetops and cliff faces for speed, then snaps into a wide orbit around a knife-edge bend as the debris wave rounds it. Climax as the raft slaloms past jagged rocks while the log wall explodes into the bend behind them, end on a violent pull-up through mist as the flood chews the shoreline below.

Umesh

66,591 次观看 • 6 个月前

This is the Gate Tower Building in Osaka, Japan. The 16-storey office building has a highway running through the middle of it (floors 5-7). Its wild design is due to a legal battle in the mid-1980s between real estate developers and the local government. The landowners planned to redevelop the area but Osaka’s government had designated part of the site for a ~150 mile network of highways called the Henshin Expressway. Neither party budged and a 5-year negotiation ensued. In 1989, Osaka — which is Japan’s 3rd largest city by population (Tokyo, Yokohama) — revised various development laws and building codes to let a highway pass through a tower. The Gate Tower Building was finished in 1992 with the following compromises: ▫️The Expressway is the official tenant of Floors 5-7 ▫️ Office building elevators skip those floors (only go to 1-4 and 8-16) ▫️ The highway is its own structure and held up by separate pillars (doesn’t touch the building) Gate Tower is surprisingly un-noisy because the floors and windows and are sound proof. In sum: Japan’s land use game is next level.
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This is the Gate Tower Building in Osaka, Japan. The 16-storey office building has a highway running through the middle of it (floors 5-7). Its wild design is due to a legal battle in the mid-1980s between real estate developers and the local government. The landowners planned to redevelop the area but Osaka’s government had designated part of the site for a ~150 mile network of highways called the Henshin Expressway. Neither party budged and a 5-year negotiation ensued. In 1989, Osaka — which is Japan’s 3rd largest city by population (Tokyo, Yokohama) — revised various development laws and building codes to let a highway pass through a tower. The Gate Tower Building was finished in 1992 with the following compromises: ▫️The Expressway is the official tenant of Floors 5-7 ▫️ Office building elevators skip those floors (only go to 1-4 and 8-16) ▫️ The highway is its own structure and held up by separate pillars (doesn’t touch the building) Gate Tower is surprisingly un-noisy because the floors and windows and are sound proof. In sum: Japan’s land use game is next level.

Trung Phan

7,746,154 次观看 • 3 年前

Mood. 🪫 Prompt [Seedance 2].- Hyperrealistic miniature diorama, stop-motion clay animation, handcrafted tactile materials, real fabric, professional studio animation style — miniature bedroom, Friday night, clay figure stumbles through the door with enormous hollowed-out face, dark circles sculpted deep under tiny dead eyes, dragging his feet, real fabric shirt wrinkled and untucked [cut] close-up: he collapses face-first onto the bed, his giant body bounces once on real fabric sheets, arms limp [cut] extreme close-up: his huge trembling hand reaches behind his own back, fumbles for a socket between his shoulder blades, plugs in a thick clay cable connected to the wall — a spark, a tiny hum [cut] close-up: on his enormous belly, a miniature screen flickers on — 1%, a thin red sliver, the word FRIDAY 23:00 underneath [cut] wide shot: Saturday morning light pours through miniature window, he hasn't moved one millimeter, cable taut from wall to back, real fabric blanket now draped over him somehow [cut] close-up: belly screen reads 12%, still red.
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Mood. 🪫 Prompt [Seedance 2].- Hyperrealistic miniature diorama, stop-motion clay animation, handcrafted tactile materials, real fabric, professional studio animation style — miniature bedroom, Friday night, clay figure stumbles through the door with enormous hollowed-out face, dark circles sculpted deep under tiny dead eyes, dragging his feet, real fabric shirt wrinkled and untucked [cut] close-up: he collapses face-first onto the bed, his giant body bounces once on real fabric sheets, arms limp [cut] extreme close-up: his huge trembling hand reaches behind his own back, fumbles for a socket between his shoulder blades, plugs in a thick clay cable connected to the wall — a spark, a tiny hum [cut] close-up: on his enormous belly, a miniature screen flickers on — 1%, a thin red sliver, the word FRIDAY 23:00 underneath [cut] wide shot: Saturday morning light pours through miniature window, he hasn't moved one millimeter, cable taut from wall to back, real fabric blanket now draped over him somehow [cut] close-up: belly screen reads 12%, still red.

AlexandrIA

29,974 次观看 • 5 个月前

Weekly Outfit Showcase📺 prompt 👇 Referencing the face, hair, and body proportions of image_1 Standalone_pink_dress_woman_img — a young Asian woman with long dark brown-black hair worn loose, delicate facial features, slim figure — as the consistent lead character throughout all 5 segments. Fixed camera, vertical 9:16 mid-long shot facing a European-style building entrance: dark green vintage double wooden doors, grey stone wall facade, two stone steps leading to a sidewalk, warm golden afternoon sunlight raking diagonally across the scene, golden-hour color grading, photorealistic handheld smartphone aesthetic. Shot 1 [00:00–00:02.5] — Monday: Hard cut open. The woman walks out through the green double doors wearing a white bandeau tube top and low-rise ripped denim micro shorts, white strappy heeled sandals, a chain mini bag on one shoulder. She descends the two stone steps and takes two to three confident strides toward camera along the sunlit sidewalk, waistline fully exposed in warm light, glancing sideways with a relaxed smile. White sans-serif caption "Monday" centered on screen. Shot 2 [00:02.5–00:05] — Tuesday: Hard cut. Same woman, same face and black hair, now wearing a black deep-V satin slip mini dress with thin spaghetti straps and strappy heeled sandals. Satin fabric catches flowing highlights in the afternoon sun. She steps out from the doorway, descends the steps, raises one hand to sweep her long hair back as she walks toward camera, hemline swaying with each stride. Caption hard-cuts to white sans-serif "Tuesday". Shot 3 [00:05–00:07] — Wednesday: Hard cut. Same woman now in a white halter-neck tie-front crop top (fully open bare back) and black high-waist micro pleated mini skirt with thigh-high socks. She exits the door talking on a phone held to her ear, walks down the steps, then pivots to reveal her entire bare back to camera before continuing forward. Caption hard-cuts to "Wednesday". Shot 4 [00:07–00:09.5] — Thursday: Hard cut. Same woman in a beige open-knit crochet halter maxi dress with diamond-shaped side cutouts at the waist and a high thigh slit on both sides, Roman lace-up flat sandals. She strolls out the door, glances back over her shoulder toward the building, the slit opening and closing rhythmically with each stride as she walks toward camera. Caption hard-cuts to "Thursday". Shot 5 [00:09.5–00:12] — Friday: Hard cut. Same woman in a red structured strapless tube mini dress with side waist cutout and a small side slit, red pointed-toe stiletto heels, dark sunglasses perched on nose, holding an iced Americano cup in her right hand. She walks confidently out the door and directly toward the lens, getting closer until she fills the lower frame, then raises her free hand to remove the sunglasses, looks straight into camera, raises one eyebrow and breaks into a bright smile. Caption hard-cuts to "Friday". Frame freezes on her smiling face. Audio: upbeat syncopated background BGM at low volume throughout; sharp high-heel clicks on stone pavement synced to footsteps; a crisp single "click" sound effect on each hard cut between outfits. No dialogue.
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Weekly Outfit Showcase📺 prompt 👇 Referencing the face, hair, and body proportions of image_1 Standalone_pink_dress_woman_img — a young Asian woman with long dark brown-black hair worn loose, delicate facial features, slim figure — as the consistent lead character throughout all 5 segments. Fixed camera, vertical 9:16 mid-long shot facing a European-style building entrance: dark green vintage double wooden doors, grey stone wall facade, two stone steps leading to a sidewalk, warm golden afternoon sunlight raking diagonally across the scene, golden-hour color grading, photorealistic handheld smartphone aesthetic. Shot 1 [00:00–00:02.5] — Monday: Hard cut open. The woman walks out through the green double doors wearing a white bandeau tube top and low-rise ripped denim micro shorts, white strappy heeled sandals, a chain mini bag on one shoulder. She descends the two stone steps and takes two to three confident strides toward camera along the sunlit sidewalk, waistline fully exposed in warm light, glancing sideways with a relaxed smile. White sans-serif caption "Monday" centered on screen. Shot 2 [00:02.5–00:05] — Tuesday: Hard cut. Same woman, same face and black hair, now wearing a black deep-V satin slip mini dress with thin spaghetti straps and strappy heeled sandals. Satin fabric catches flowing highlights in the afternoon sun. She steps out from the doorway, descends the steps, raises one hand to sweep her long hair back as she walks toward camera, hemline swaying with each stride. Caption hard-cuts to white sans-serif "Tuesday". Shot 3 [00:05–00:07] — Wednesday: Hard cut. Same woman now in a white halter-neck tie-front crop top (fully open bare back) and black high-waist micro pleated mini skirt with thigh-high socks. She exits the door talking on a phone held to her ear, walks down the steps, then pivots to reveal her entire bare back to camera before continuing forward. Caption hard-cuts to "Wednesday". Shot 4 [00:07–00:09.5] — Thursday: Hard cut. Same woman in a beige open-knit crochet halter maxi dress with diamond-shaped side cutouts at the waist and a high thigh slit on both sides, Roman lace-up flat sandals. She strolls out the door, glances back over her shoulder toward the building, the slit opening and closing rhythmically with each stride as she walks toward camera. Caption hard-cuts to "Thursday". Shot 5 [00:09.5–00:12] — Friday: Hard cut. Same woman in a red structured strapless tube mini dress with side waist cutout and a small side slit, red pointed-toe stiletto heels, dark sunglasses perched on nose, holding an iced Americano cup in her right hand. She walks confidently out the door and directly toward the lens, getting closer until she fills the lower frame, then raises her free hand to remove the sunglasses, looks straight into camera, raises one eyebrow and breaks into a bright smile. Caption hard-cuts to "Friday". Frame freezes on her smiling face. Audio: upbeat syncopated background BGM at low volume throughout; sharp high-heel clicks on stone pavement synced to footsteps; a crisp single "click" sound effect on each hard cut between outfits. No dialogue.

John

34,033 次观看 • 15 天前