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「Itagaki on DOA‘s stage transitions」 “We wanted to create dramatic gameplay moments, which made things really hard for the stage designers (laughs). They kept asking, “How many are we supposed to make?” and I’d push them by saying, “Don’t be so stingy!” That’s how we got the stages done...

107,670 Aufrufe • vor 7 Monaten •via X (Twitter)

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kim doyoungz tmi by doyoung! 🐰 when we were first preparing for the fan concert, we pondered a whole lot about how to divide the units hmmm 🐰 at first, i also thought about a team of junkyu hyung, jihoon hyung, and me, kim doyoungz.. i thought it would be fun to do it with the hyungs 🐰 so we were brainstorming what song we could perform then somehow, jihoon hyung and i happened to be completely on the same wavelength. out of nowhere, jihoon hyung said he’d been thinking about shanghai romance 🐶 ‘what do you think about doing that?’ 🐰 i immediately said okay 🐰 ‘that sounds fun. should we do it, hyung?’ 🐰 junkyu hyung liked it too, so right away we were like ‘let’s go let’s try preparing it’ 🐰 we didn’t know whether it’d work out or not but first we decided to prepare it so we practiced hard, discussed the outfits, the hair, everything. we talked through how we should do it 🐰 we didn’t want fans to just watch it and think, ‘aw that’s cute’ we wanted them to look at it and go, ‘what are these guys doing???’ so we worked really hard on it. that’s how we ended up doing the stage 🐰 at first, we spent a lot of time thinking about how we should even make our entrance. originally, we planned to stand in a straight line like sunbaenims and come out that way. but then we thought, no that’s probably not fun enough 🐰 so it finally changed to being split up into left right and center, entering via lifts. in the beginning, we even practiced all of this doing the dudududu and having one person step out then back in then out then back in, there is a tmi that we had prepared all those details hahah 🐰 anyway, jihoon hyung did a great job with a really good idea 🐰 who was the most enthusiastic about it? 🐰 i was pretty enthusiastic too. actually, all three of us were and that was nice 🐰 while we were doing it, we were laughing and having so much fun that we started getting greedier like, ‘no, i’m going to be the cutest’ 🐰 those were the kinds of moments we had

행복지수 314%

15,842 Aufrufe • vor 1 Monat

Q: Esteban, new year, new rules, new car. You've had the first run out this morning at the Shakedown. What are the first impressions? How did the program go for you? Esteban Ocon: Yeah, feeling good. I think, frist of all, an unbelievable effort from the team really to put the car down, you know, at 9:20 this morning. But the was ready at 9:00 you know. We were waiting on a bit of a better track condition and a few things that we wanted to be perfect before we went out. But yeah, from Fiorano testing with Ollie to here there's been moving like people have climbed mountains really to make this car work and it's been really good. So, we are dealing with the plan, learning as it goes. Of course, it's a busy program that we have for the day. So you know, its gonna be difficult to complete it. But for the first real day of driving, I think so far it's going really well and we'll keep pushing to make sure that all the details are covered. But we have more days than normal which is a good thing. Q: Very early days, of course, but just how different are these cars to drive? Have you had a chance to play around a little bit with some of the new modes? Ocon: Yeah, it's very difficult, very complicated. I got lucky be able to do a lot of simulator days before we started the year, so we are pretty well set on that. Everything is clear, but yes, it's very complicated you know, for all of us. But I hope that this will be the same for everyone, because if it is we're in the same boat, so we'll see. Q: But I get the sense you're really relishing that challange and what about the priorities from here, the rest of the weel here at the shakedown? Ocon: Yeah, the aim is really to learn, to get mileage under the car, you know, see the weak points, what we have to improve really. First feel of things, so we are sure that we take the right development path and we are sure that we put the resources where it matters the most. Where it's the most bothering us, so you know, we'll try and put all that together for that end of the test. It's a long week, which is very good and then we have the chance to go back to Bahrain with hopefully, further step made, so that's the aim. #HaasF1 #F1Testing #F1

Lucho Yoma

12,593 Aufrufe • vor 6 Monaten

You know, the only reason they created that IG account was… For us. It was never about fame or money. It was their way of reaching out when everything around them was falling apart. A place where they tried to share small moments of happiness, excitement, love, and peace with us, even when they barely had any left for themselves. They made it because they were worried. Because they knew we were worried. Because they didn’t want the people who cared about them to sit there wondering if they were okay. And honestly, it was during that time that we saw them in a way we never had before. Real, unfiltered, not dressed up by a company, not edited, not scripted. Just them. That little page carried so much, didn’t it? They taught us so many things without ever needing to put on a show. Through every live and every small update, they showed us what real courage looks like, what honesty feels like, and how powerful someone can be even when everything around them is pushing back. But it was also a place that held their fear, their stress, their sleepless nights, and the weight of knowing the whole world was watching and anything they said could be twisted in an instant. It was a happy place. But never an easy one. We went through so much during that period. From the excitement of seeing them as NJZ to the shock of their injunction being enforced. So many times we thought we saw the light at the end of the tunnel, only for it to turn out to be a fire blocking the path. From excitement to anger, hope to hopelessness, joy to despair, ADHD to depression… everything, all at once. Calling it a roller coaster is an understatement. A lot changed after that. Too much, maybe. But some things never do. And after everything, it doesn’t really matter what comes next anymore. As long as they get to be truly happy, truly safe, and truly loved as human beings who deserved that from the very beginning, that’s enough for us. As long as it’s still Minji, Hanni, Danielle, Haerin, Hyein. That’s all that matters in the end. 🍀 #NewJeans #Jeanzforfree #NJZ #MhDHH_Friends

𝙡𝙤𝙗𝙨𝙩𝙚𝙧🦞

70,876 Aufrufe • vor 8 Monaten

EMIBONNIEANY MID YEAR SALE #EucerinxEmiBonnieAny 🎤: What was the moment that you were most impressed with during Blush Blossom Fan Fest? 🦊: "หัวไหล่ตูด (Head, Shoulders, Butt)" which was one of the songs we performed, bc the shows on the first and second day of the concert were different. We changed a bit of the choreography on the second day. When we had spare moments on the second day, we would practice. We used our limited break time to practice and make it a different show, so that the fans could feel awed. 🐰: I was going to say the same thing as P'Mi. 🦊: Really? 🐰: Yeah. 🦊: It was a pretty amazing shot. 🐰: Yeah, it was a moment that we didn't dance the same on both days. 🦊: And we thought that very morning like, why don't we make the shows not the same? 🐰: Yeah. And when we were doing the (photo) benefits, the fans might've seen us looking dazed. We were dazed, but inside we were thinking, what should we do? What should we do? 🦊: What should we do for the fans to be even more excited? 🐰: We were reviewing the moves in our head. 🎤: There was a comment just now saying, "You did amazing. The shows were not the same." 🦊: We were a bit anxious, bc we didn't have time to do a run through at all. We practiced in the room and then performed it on stage. I was nervous abt whether we would be able to do it. Usually, I can't remember choreography that quickly. So I was a bit nervous abt whether we'd be able to do it. It was definitely a memorable moment. 🎤: But it came out very memorable. 🦊: Yeah, it came out exactly as we envisioned. Even better, actually.

K-bab

49,781 Aufrufe • vor 1 Monat

FNC Boaster: “These events are, as you can probably imagine, quite tiring. We go from the upper bracket into three games in a row for the final days. That, on top of lots of media, lots of features, lots of just random stuff that we do. Not to mention the fact that when we go into our games, there’s a lot of adrenaline. After every game, my body aches and my head hurts, and then we have to somehow get to sleep, and then we’ve got to wake up early and stuff. So there’s loads of factors into this. It’s not just simply, you go in and you play. And I think we started slow today, especially on Corrode and Lotus. A big map was Lotus for us, and we weren’t able to, just everything wasn’t going our way. The Odin was completely annihilating us. Then when we got to Abyss, we were like, ‘This is the last chance.’ And I felt very confident that we could win this one, because I felt like I knew everything they did on the attack side. And then, what were we like 1–11 down or something? I was like, ‘Oh bloody hell, this one’s going to be a tough one, isn’t it?’ We managed to do it, and then I was like, ‘Holy guacamole, the dream is alive!’ And it felt amazing, hearing the crowd and being able to just do that, because it would’ve been so disappointing of a final to just bomb out there. But in the FNATIC way, we fight back. Ascent, we’re starting to feel the kind of momentum. And then it gets to Sunset, a map that was the one kind of perma-ban we had, but we had some stuff on it. Unfortunately, it was just the crucial map for us to get the win, and some of the rounds just didn’t go our way, and that’s how VALORANT goes, you know. It felt like the rounds that we needed to win, we lost, and then they had an ultimate the next round, and that’s how brutal it is on defense. If we had just been able to win one of those rounds, like the bonus round, holy guacamole, we would’ve been loving life. And it was the difference of like a 1v1 in the end. So yeah, I mean, we tried our best. That’s why I’m not that [sad]. I am sad, obviously, but I’m not like how I was in Toronto, because I felt like we pushed, we tried our best, and I’m very happy with the boys. It would’ve been nice to win, but there’s only one winner, so it’s just a blessing to compete instead.” #VALORANTChampions via Pedro Romero

VALO2ASIA

159,942 Aufrufe • vor 10 Monaten

Christopher Nolan interviewing Michael Mann, Al Pacino and Robert De Niro on the iconic coffee shop meeting in Heat... Nolan: So for all three of you, I mean, one of the great and memorable scenes in the film - there are many - but the iconic coffee shop meeting that people were so struck by when the film came out, seeing two such great actors who had not acted in the same scene together before, together. There was such mythology around it at the time. I remember several friends of mine being convinced that you'd shot it on different days because there was no two-shot… (Michael Mann laughs) Nolan: Was it single camera? Was it two cameras? Did you have two cameras so you could shoot both close-ups at the same time? How did you approach that momentous event? Mann: It started with this consummate respect for the great artists that these two guys are. We talked about the scene and we analysed the scene… We didn't want to do the scene until we were at Cape Mandelini's. And then it was so ingrained that I knew that in all the little tiny organic details it would be different from take to take. So what I wanted to do was shoot with two cameras, two over the shoulders – I knew that there would be an organic unity to one take, and it would be a slightly different organic unity to another; because if you look at it very carefully, if Bob shifts his hand like this a little bit, right in the middle of dialogue, Al is doing something to counter it - because maybe he's shifting his positions so he can get closer to a weapon… Nolan: What do you remember about that shoot? Pacino: I do remember that Bob said – at first I wondered about it and then I thought how right he is – he said, “let’s not rehearse it.” Nolan: Because you love to rehearse. Pacino: Oh yeah. And Bob does too. De Niro: No, I do too at times, but this kind of scene we didn't have to. Pacino: But the thing is, what Bob said is so true about rehearsal – and that is that there is no sense in rehearsing if the people around you don't know how to rehearse. That is an important factor. Might as well not rehearse or rehearse very little. But it's true because it's a certain kind of thing and people either respond to it or they don't. And so, they could be great actors, of course, but they don't want to rehearse. I've had experiences like that… De Niro: Well, it was also that we were stationary. So, it wasn't we had to sort of rehearse blocking or anything and discover how our physical moves would be. We were kind of, there, though there were subtle moves in the scene itself, obviously. But anyway, and we started late and.... we didn't start till after lunch or dinner, which was really like one o'clock in the morning...I loved the scene and I wanted, you know, really wanted it to be as best as it could be. So I was a little unhappy that we started so late in the middle of the night... Mann: It was actually intentional... De Niro: I know, he wanted to tire us out. Nolan: But getting into a scene like that, that you know is going to be such a significant part of the film, huge expectation from both of you as you sit down to perform it. At the end of that night, did you know you had it? Did you feel it? Pacino: I never knew that. De Niro: You never know that. Mann: I knew we had it. Nolan: You knew. That's your job. Pacino: I'd like to do it again actually. Mann: (laughs) We’ll re-shoot it… We normally would rehearse scenes. That scene we talked about, we all as a group decided, you know, we wanted to just talk it through and save it for the event of shooting it, which was the only scene we probably did that with. But I tend to not want to rehearse things to the point where I feel like I wish I'd shot it. That's a disaster – I think things will be perfect once, and they'll never be perfect. They'll never be 100% twice. They'll only be 100% once. You want that happening in front of the camera. From a panel discussion following a special screening of Heat at the Samuel Goldwyn Theater on September 7, 2016.

Gangster Cinema Central

36,682 Aufrufe • vor 3 Monaten

"In 'Zodiac' (2007), I wanted the audience to feel like they went through the ringer with these guys,(...) in retrospect you look at it & say maybe audiences who are looking for entertainment on a Friday night don’t want that toll taken on them." --- David Fincher Full Excerpt: "Interviewer: It’s so rare to walk out of a movie and to feel like I know more about a subject than I did walking into it. Watching Zodiac is like the experience of reading a really absorbing non-fiction book, and I know that part of it for you was about honoring the people who were the victims of the Zodiac, but you also have so many details, so many facts, you take it to such a level where there’s so much information… why was that important to you? Fincher: I don’t respect movies that treat me like I don’t have the attention span or mental faculty to follow… it’s one thing to talk about Dave Toschi’s fall from grace in an oblique and generic way. I can answer that question in a couple of different ways. I wanted the movie to take its toll on the audience, I wanted the audience to feel like they went through it, like they went through the ringer with these guys, and I didn’t know how to do that because these guys didn’t run across rooftops and fall off fire escapes. In their quest to bring the Zodiac to justice they followed the trail of breadcrumbs as far as it would take them, and they kept pushing and kept pushing when there were crackpots coming out of the woodwork. I felt like I didn’t want to make one of those movies where you do montage/montage/montage and you get the idea that they went to the mat with this, that it took its toll – I wanted the audience to feel that. You know, in retrospect you look at it and say maybe audiences who are looking for entertainment on a Friday night don’t want that toll taken on them. I felt like anything less than that would be doing the story and people involved a disservice. You could do it as something compressed, where you get the gist of it, and we would have shots of Jake [Gyllenhaal] half asleep and you would have those obligatory shots where the boss says, ‘You look like sh!t.’ And in the end I still don’t feel like you get enough of what happens with his family, we don’t get enough with his wife and kids, but it was all we could do to get it in at under two hours and forty minutes. I feel like we took about as much time as you can really expect an audience to sit still for and we tried to make them feel what it was like to be invested in this circuitous run down the rabbit hole." (David Fincher's interview with Devin Farachi, 2008)

DepressedBergman

19,335 Aufrufe • vor 5 Monaten

This is psychotic behavior. It’s not just malignant narcissism and dementia. He has lost contact with the objective world and expects everyone to live in his alternate reality with him. It’s all manufactured by his own psyche and no amount of evidence will change it. This is a terrified inner psyche constructing a protective world. He’s insane and existentially dangerous. “Jeanine Pirro made a mistake. It was vandalism. I just told you we did, I think, 78. One of the things was to reflecting pool, hasn’t worked since 1922, because it always leaked. It always leaked from 1922. You know, it's the largest longest pool ever, all that. The concept is beautiful, but it always leaked because of the size, because of maintenance, whatever. But it was built in 1922, and from the day it was built, it like, Biden spent $58 million. Barack Hussein Obama spent much more than that. He said, "I have an idea. Let's take the river from, let's take the water from the Potomac." So they took the water from the Potomac, and it was putrid. It was putrid. It was a disaster. Biden was a disaster. I said, "I'm going to get that face." Along with Doug Burgum, Department of Interior, and we worked harder than that. Now we worked harder in all '70s. It's actually, I think, '81 now. You saw the new horses that just opened by the bridge with the gold. That was the way they were many years ago. Now they looked better than they did many years ago. But these monuments looked better than they did when they were originally built. Not just a little fix up. We made them the way they were plus, and everyone's so proud. The biggest, one of the bigger jobs was not really the biggest, believe it or not, but one of the biggest was the reflecting pool. And we did a great job. We sandblasted the stonehouse at his granite, so it has a long life. We did a great job. We got very expensive material to put on top of the surface that always leaked, because it was stone. It was a stone, sir. Always leaked. And we put it on, and it was beautiful. Now we have photographs of tapes, like moving cameras, right? We have them where people are on the side, cutting it with a box knife. So now I'm not saying I was 100% thrilled with the contractor, but the contractor was rushing. We wanted to get it open for July 4th. And we got it done. But in addition, there was mandalism. Number one, look at the grass, where the grass was all knocked out with a very powerful ingredient. We know very well what it is. But like I say, the name, because people get ideas. But they put a terrible phrase, I won't say that either, but a terrible phrase, on a massive piece of grass that we had just replaced. Kill the grass. We had to replace the grass. A lot of grass. In addition, they took knives or cutters, and they cut the material. And they put their hands and they pulled it. And there was also some maintenance things that we would have routinely fixed. But we had that up, and it was perfect. And then you had the bubblers, which get rid of what forms in the water. And that works great, but they turned it up because of the fight. Because it competed a little bit of noise during the fight. They turned it off, and it grows very rapidly in the water. But that actually works very well. And that's all. So now we're just about set to reopen it. And we had to replace cut areas where they cut it and ripped it. But there's a tape. And Jesse Wooders, by the way, did a whole big thing on it. There's a tape that's out there that I posted on truth. Where you have people leaning over the side, the weakest part, because of the flexibility. You know it moves. It's very complicated. It moves. And the softest part has to be flexible. And that's the stuff you can cut. And these guys knew what they were doing. And they cut all the way along the base, cut, cut, cut. Now, when you need to look at it, it was a day after the 4th of July, with the largest fireworks display in the world.”

Jim Stewartson, Decelerationist 🇨🇦🇺🇦🇺🇸

2,260,849 Aufrufe • vor 17 Tagen