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It's been a while since my last classic video (Once the editing is done, I'll upload it again soon😉) 간만에 나의 클래식한 영상 (편집이 끝나면 새로 올려줄게 ㅋㅅㅋ) #Sissy #Tgirl #Shemale #Lactation #Milking #男の娘 #母乳 #搾乳 #伪娘 #挤奶

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Ian Miles

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Here's my first series of Anime created by Generative AI. Vidu 2.0 is a groundbreaking advancement for storytelling in the Anime style. #vidu @Viduforhuman Hi everyone 😊 😉 Here's my first AI-created Anime series. The name of my anime is Kuro & Yuki. I won't spoil the story for you, but it begins with these two boys locked up in what appears to be a highly secure institute/prison. Yuki has reached the age where he has awakened his power. While wandering the corridors of the institute, he meets Kuro, a boy with autism. It's a fleeting encounter as they end up being separated. As the story unfolds, you'll understand who they really are and why they are locked up. I don't plan on making episode 2 yet, even though I've grown attached to my characters' story. I'll continue the story only if a lot of people are interested and want to know what happens next. Otherwise, I'll explore other universes and styles of Anime 😉 Tools: - Epidemic Sound (For sound effects) - Vidu AI (to transform frames into animation) - ElevenLabs (for certain expressions) When I say Vidu 2.0 is a game-changer, I mean it. I had already made my animation with the previous version of Vidu, but when they gave me access to the beta, I urgently changed my plans and recreated all the animations. Let me tell you, it's a whole new level. My first animation was ultra frustrating to bring my ideas to life! Really! And since Vidu couldn't handle many image styles, I clearly couldn't bring my ideas to life. But with Vidu 2.0, I enjoy it much more! For the first time, I really get to bring my ideas to life! Until now, I always had to make compromises. Of course, Vidu is still not perfect, and there are still many obstacles, but it is a truly magnificent advancement! (and it surpasses all the Anime-style AIs I've tested recently) Moreover, Vidu 2.0 is fantastic for special effects, but also for embedding elements into the video (like a hand that appears and interacts with the character, or another character; and the best part is that they perfectly match the style of the original images!) * The animations/images and voices are AI-generated * The SoundDesign is traditional and done by me * The story was entirely written by me (I don't use AI to create my stories, it's important to me to write them myself) The voices were generated thanks to Nijivoice (for secondary characters) and Hailuo Audio (for main characters). I thank Yachimat (yachimat - AI Short Anime) for introducing me to Nijivoice, it's very generous of him! During the beta, we didn't consume credits, otherwise, this animation would have cost me around 20,000 credits, ha ha. Vidu 2.0, with its superb stability and fidelity to the style of images, offers brand new horizons for storytelling! One problem with Vidu 2.0 is that for now, you have to manually extend videos (by exporting the last frame). As you can see, this allowed me to create long scenes with different actions, and everything fits together perfectly! There are still many obstacles to storytelling, such as character consistency (I use the image to video function; I produce my images with Nijijourney) and it's always laborious to have a consistent character! The same goes for backgrounds. Here are the points I've identified that would facilitate storytelling: For Vidu: - Function to extend videos (you can already do this manually by exporting the last frame) - Function to invent the beginning or end of a video using a single frame (you can already do this manually by putting a completely white or completely black image as the first or last frame; this technique also allows you to have very dynamic results with Vidu 2.0! ) - It's difficult to obtain facial expressions for certain image styles (the same image style that the previous version couldn't handle at all). - More dynamism There's always room for improvement, but Vidu 2.0 has truly opened up exciting new possibilities for creative storytelling. ai aiart aianimation aianime ainews anime animenews aitools aitool

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Dave Lee

104,758 Aufrufe • vor 1 Jahr

matthew's 5 minute ment from the last day of encore con... i always get so touched when he mentions the simplest of things the 9 of them did and how he just wants to do it again together... 🦊 i... am having a lot of thoughts right now, there were so many moments that we've had together for the past 2, actually 3 years now. as for you guys, you watch us perform on stage the most often but what i'm thinking of right now is when we get off work at dawn and joke around with each other and just laugh and send funny pics of each other too, everything was so simple but those times... i really will miss it so much, those small sides (of ourselves) and when i went to bed yesterday i also felt a little weird. like i was somewhat... scared. but why am i scared? i was not scared to perform on stage, i was scared since this would be our last time performing as 9 of us, just... when i felt lonely too, like what gunwook said, we could go up and down the dorms and talk to each other, when we go overseas, we would just talk and laugh in the hotel until dawn, this is... i will just miss this so much. we worked so hard too and, back then too during our 2.5 years we were like "wah it's been 2.5 years!" but it ended as soon as we opened our eyes so it felt like a dream. it just didn't make sense. so even now i'm actually, recently when i went back to the dorm, ricky wasn't there. it was a bit... i just miss ricky. i really miss him so much 🐱 i miss you too, i'll come find you a lot at the dorm 🦊 i really miss everything, like how ricky showers and sings at dawn and i miss every single thing. 🦊 firstly, i like it most when i see the members' faces so please let me see it once as a group. *group hug* 🦊 oh... so actually after i came to korea, whenever i felt lonely, i could just send kkt messages to the guys and we could just meet and have a meal too and that was so nice. for me, it was so simple to have a meal amongst us but it made my heart so warm. so... my first feeling was, after we debuted did we have jjajangmyeon and pizza? back then i was so happy and it was the start of us, now i just... want to have a meal together again... i'm sincerely looking forward so much to every members' future and you guys will love the 9 of us forever, right? i'll also watch the guys' videos and upload comments, you guys have to do it too! zerobaseone is forever. don't worry. i love you!

~원~

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🦕💬 • 260611 [01:03 AM KST] 41 voice notes transcripted/translated in order: hi how did you like made by riize? you’re asking if i ate dinner? i didn’t eat. i ate lunch kind of late, but i ate a hearty lunch. i also wanted to do a live as i finished work, but while wondering if i should do a live or not, something new to do popped up. and while i was doing it, it got too late. so i'll do a live later. go knicks! lately, the NBA's a hot topic lately. knicks. crazy. i don't know, you know... basketball that well, but i remember growing up they were sort of *the team* that people, yk cheered on. but i don't remember anyone saying that they were doing great, or anything. but apparently they're in the finals rn and they're doing rly well, so also can't forget the world cup. world cup season rn, so... just sports season.. sports season, crazy, yeah? [singing dyd] how is it? riize's challenge. easy, right? do it lots, please~ these days, a lot of short-form [videos] are coming up, as you've probably seen. I thought it might be fun if everyone did that together... what do you think? live... there's a way to turn it on, but even if i turned it on, i'm not sure if i could do it well. i don't have confidence rn so i'm talking like this wa, but there's only 4 days left for our comeback.. only 4 days left... how is it? are you guys looking forward to it? are u guys excited? we're going to ulsan the 15th, and wonbin hyung, said he's buying us lunch... not really. but it's our first time going to ulsan all together. we'll have our comeback there. i think it'll be fun. also, the 15th we're doing a comeback live.. we've been doing it every comeback... and at the live stream we'll be high school students.. but it could honestly be university students too.. or really just do it without a concept, but i think it'll be fun... just... it'll be fun... so, while doing that we'll talk about the comeback whatever happens i want us all to just create fun memories together, and since it’s summer, how about you all enjoy summer together with riize... how does that feel? how's this pfp? i like it ㅎㅎ engddongi, eng, engddon ah, right. also with taro hyung, we'll appear at salon drip... i also think that will be fun when it comes out. the recording was also fun, with doyeon nuna.. please watch it ah... you guys can hear the dryer? i won't tell you who's clothes it's drying, it's a secret~ since you could look at this as something im trying out instead of doing a live stream i won't be able to do it super often or every single day, but I think it wouldn't be bad to use this feature again sometime what do you think? ah, but languages are difficult it's not easy to unify into just one language now, but on the other hand, it's really fun. somehow, this chat room..? is that right? realizing that this place is totally global and international is in a way pretty cool. haha anyway, after a long time i rode a bike again.. there was a lot of sunlight... sunlight.. did lots of photosynthesis but what was a real mistake was first of all the bicycle didnt have a basket, and I didnt wear a comfortable backpack. i came out carrying a somewhat awkward/uncomfortable bag, so i really messed up on top of that the bicycle was incredibly heavy, but then the battery completely died... so I almost cried. without even realizing it I had gone so far away so I suffered a bit. that’s the story i also have the feeling i bruised my butt a bit... ㅎㅎ but that will also become a funny memory, right? how's riizing summer vacation? i think there were really a lot of funny moments... sungchan hyung was so funny... sungchan hyung said somewhere he hasn't eaten ramyeon in a year ㅎㅎ and sungchan hyung honestly isn't the type to eat ramen alone, he's on the not eating it side... but he's always like 'one bite, one bite'... so if we put all that together, wouldn't it be a plate of ramen?ㅎㅎ for me, at the beginning of our debut, it was a bit... you know how while filming content, i ended up grilling meat and all? but now, grilling meat... well, i don't think it's that bad also, back when we went to japan to shoot our album jacket photos and the trailer, we visited a lot of vinyl (LP) shops... and that was actually the first time in my life buying an LP with my own money when i was young i went to la to play, and then there was this famous 'amoeba music' store. i looked around and everything, but honestly back then i really wasn't that much interested in LPs. so i bought things like a lot of stickers and used them to decorate my laptop. somehow, after that time, [it was like] I truly spent time in a vinyl shop? but visiting now that I'm a bit older, it was so much fun there are so many songs I don’t know, and tons of songs that aren't even famous so back then in japan, duran duran is a really famous band, but I bought duran duran's Notorious LP and then I also bought Barry Finnertys,, barrynims NY City LP. what was so surprising was that as soon as I listened to the LP, the sound and quality were so good that I was like, 'wow, what is this?' but when I looked it up on the internet, it only had like 3,000 views on YouTube? I think it was 3,000, so because it was so good, I bought it. and after that yesterday too while wandering around here and there, i happened to walk into a cafe and they had LPs there too so yesterday, I bought one or two ㅎㅎ lp's no mater how you look it they have a vibe... its true that nowadays you can just look up and listen to everything on your phone, but another good thing about it (lps) is that I think it’s really great for finding songs you don't know so when going to the lp shop you get to learn a lot of new songs that you didn't know before. even if you don't go with the sole purpose of buying an LP, it's just... really great for discovering things... should I say? a riize lp would also be good... back then, during boom boom bass, we even went there and did all that stuff with our LP too... how was the video editing? back then when i went to school when doing things like presentations, together with other students we would edit videos.. i did lowkey find that kind of stuff pretty fun though because it was pretty much my first time [doing that] since back during those days... but really i think it was fun like... yeah.. i want to try to do it again when i was young i did draw. i drew for fun but it had been such a long time since i last properly sat down and tried to draw something properly with a pencil.. i think it's been such a long time i'm probably the worst at drawing in my family? ㅎㅎ my dad's good, my mom's also good.. my grandpa also draws reaññu well. but it was fun drawing again, so i also want to try that again... why is there so many things i want to do? really why is it? and above all, i want to work really hard on music so that someday i can show you even more. now, like from the trailer to the full version that was uploaded to our site... those kinds of things are a bit different from just being a song, though.. now everyone, let's try meditating together with me sorry.. anyways.. i have to leave in a couple hours actually, so.. time to hit the hay, yeehaw i can't fall asleep right away ㅎㅎ this.. seems like it might be a bit difficult to interpret/translate.. (yes anton, it is,,,) next time it might be better to just turn on a live stream instead ㅎㅎ sorry wow... sleep is really not coming... [1 video] [1 picture] ok jinja gn

🧼

37,315 Aufrufe • vor 3 Monaten

Someone stood on a piece of land, looked at a living, breathing dog who had done nothing but exist, and said: "Just shoot him dead." Not "get rid of him." Not "take him to a shelter." Not even "I don't want him anymore." Shoot him dead. I want you to sit with that sentence for a second before you keep scrolling, because everything that comes after it only makes sense once you understand how casually those five words get said in this world. Somewhere, right now, someone is saying a version of that sentence about a living thing that trusted them, or wanted to, or was still learning how. Most of the time nobody films it. Most of the time there's no ending. There's just a decision, made in under a second, by someone who will forget they ever made it. This time, someone didn't listen. This is the part where I'm supposed to tell you what happens next. I'm not going to. 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Fear moves out slowly, one inch at a time, and it takes its shoes off at the door so you don't hear it coming back. PART ONE: THE VERDICT Here's what almost nobody says out loud: dogs get sentenced constantly, by people who will never be held accountable for the sentence. Too old. Too much energy. Too expensive. Doesn't match the new couch. Growled once at a toddler who was pulling its ears. In goes the verdict, out goes the dog — sometimes to a shelter, sometimes to a shed, sometimes to the side of a highway at 60 miles an hour with the door still swinging shut. And sometimes, if the owner is lazy enough and cruel enough at the same time, the sentence is the one you already read. Just shoot him dead. Nobody ever asks the dog's side. Obviously. He can't testify. He can't explain that he was scared of the vacuum, or that he barked at 2am because something moved in the yard, or that he never asked to be born into a house that saw him as a liability the second he became inconvenient. All he can do is react to what happens to him. And what happened to this one was a verdict that most animals never survive to tell. Except — spoiler-adjacent, not a spoiler — he did survive. That's the only thing I'll give you for free. He survived the verdict. What he did with the rest of the sentence, what it cost him to survive it, what he had to unlearn about people before he could stand near one without flinching — that's the part you're going to want your full attention for. PART TWO: THE DISTANCE THAT NOBODY MEASURES There's a very specific kind of animal behavior that people who haven't lived it will never fully understand: the dog who wants to come closer and physically cannot make his legs do it. You've maybe seen a version of it — the shelter dog pressed against the back wall of the kennel, the street dog who follows you for six blocks but won't take food from your hand, the "feral" label slapped onto an animal who is, underneath the label, simply doing math. Every approach is a risk assessment. Every human hand is a variable that could be gentle or could be the last thing he ever feels. You don't get to skip that math just because your intentions are good. The dog doesn't know your intentions. He only knows what hands have done before. So he keeps his distance. Not because he's unfriendly — dogs who've been failed are very often the most desperate to be loved, which is its own kind of tragic irony — but because distance is the only insurance policy he has left. He'll circle. He'll watch. He'll get close enough to almost, almost, and then something — a sound, a movement, a memory with no name attached to it — will send him back to the treeline, and you'll be left standing there wondering what you did wrong, when the honest answer is: nothing. It's not about you. It's about every hand that came before yours. This is the part of the story where most people give up. Not because they don't care, but because patience like that isn't natural. It goes against every instinct you have, watching a scared animal and wanting to just fix it today, right now, with one good meal and a soft voice. It doesn't work that way. It was never going to work that way. And the fact that someone didn't give up on this particular dog — that they let the timeline be the dog's timeline instead of their own — is the actual plot of the video you're about to watch. Not the reunion. The waiting. PART THREE: WHAT NOBODY TELLS YOU ABOUT REBUILDING TRUST You can't apologize your way into an animal's trust. You can't explain to a dog that you're not like the last person, that this time is different, that you promise. Words mean nothing to an animal whose entire understanding of humans has been written in actions. The only currency that works is repetition — showing up the same way, at the same pace, without asking for anything back, for so long that the dog's nervous system slowly, grudgingly, starts to recalibrate what a human standing nearby actually means. That recalibration has a cost, and the cost is time you don't get to see the value of until it's already paid. Every single day where nothing visibly changes is still doing something. The dog is watching. Filing data. Building, molecule by molecule, a case for why this particular human might be the exception. You don't get updates on that internal process. You just keep showing up and hope the math eventually tips in your favor. And when it does tip — when there's a first moment of contact, a first inch of distance closed that will never open back up the same way again — it doesn't look like a movie. It's not slow motion. It's not a soundtrack swelling. It's small, and quiet, and if you weren't paying close attention you'd almost miss it. Which is exactly why you need to actually watch this one instead of scrolling past assuming you already know how it goes. You don't. Nobody's story of rebuilding trust looks the same, and this one has a shape you haven't seen before. PART FOUR: THE CASUAL CRUELTY OF "JUST GET RID OF IT" Let's go back to that sentence, because I don't think we're done with it. Just shoot him dead. Think about what has to happen in a person's head for those words to come out that easily. It's not usually rage. Rage burns hot and fast and then it's gone. This is colder than that. This is the language of someone who has stopped seeing a living creature as a living creature and started seeing him as an inconvenience with a heartbeat — a problem to be solved, a line item to be closed, and closing it in the most permanent, least effortful way available. That mindset doesn't come from nowhere. It comes from a culture that has quietly taught a lot of people that animals are disposable the second they stop being convenient. That a dog is a product with a return policy. That love, if it was ever there at all, expires the moment it becomes inconvenient. You see it in the volume of animals abandoned every single year for reasons that amount to "we changed our minds." You see it in how easily people say "I'll just get another one" like a dog is a phone case. You see it in a sentence like the one that started this whole post — a sentence casual enough that the person saying it probably forgot they said it by the following week. But here's the thing about casual cruelty: it only wins if nobody's watching, and if nobody's willing to do the inconvenient thing instead. The inconvenient thing here wasn't dramatic. It wasn't a rescue montage. It was choosing, day after day, not to be the kind of person who says that sentence. It was choosing patience over convenience, presence over ultimatums, and a scared dog's timeline over anyone else's schedule. That's not a headline. That's just what actually saving something looks like, most of the time — unglamorous, slow, and completely invisible until suddenly it isn't. PART FIVE: THE QUESTION UNDERNEATH THE VIDEO Here's what I actually want you to sit with while you watch this, more than the dog, more than the backstory, more than the sentence that kicked the whole thing off: what would you have done? Not in theory. Not as the version of yourself that definitely would have been patient and kind and consistent for however many months or years it took. I mean actually — if a scared, unwanted animal showed up on your property and kept its distance for weeks, would you have kept showing up? If it took longer than you expected, would your patience have held? If someone told you it wasn't worth the effort, would you have believed them? Most people like to believe they'd be the exception. Most people, if we're honest, would've given up around week three. That's not a judgment — patience like that is genuinely hard, and most of us are stretched thin enough in our own lives without taking on a slow-motion trust rebuild with an animal who might never fully come around. But some people don't give up. Some people treat a scared, unwanted dog like he's worth more time than the person who wanted him dead ever gave him. And when you watch someone do that — really watch it, not skim past it — it recalibrates something in you too. It's hard to explain why watching a stranger be patient with a dog on the internet can hit as hard as it does. But it does. It always does. There's something in us that recognizes the shape of a second chance being handed to someone — something — who was told they didn't deserve one. PART SIX: WHY THIS ISN'T JUST A DOG VIDEO I know how this sounds. "It's just a dog video." I've said that about other videos too, right before they wrecked me completely. But there's a reason stories like this one land differently than the average "look how cute" clip. It's because underneath the surface, this isn't really about a dog. It's about the exact same question that shows up everywhere in human life, just translated into fur and silence and body language instead of words: what do you do with something — someone — who has been told they're not worth saving? Everyone reading this knows a version of that story that isn't about an animal. Maybe it's a person who was written off young and spent years proving the label wrong. Maybe it's a relationship everyone said wasn't worth the work. Maybe it's a version of yourself from a few years ago that a lot of people, maybe even you, had already given up on. The instinct to walk away from something difficult, something that isn't guaranteed to work out, something that might take way longer than feels reasonable — that instinct doesn't care whether the "something" has four legs or two. It shows up everywhere. And every time someone chooses to stay anyway, chooses the slow rebuild over the easy exit, it's worth paying attention to. Not because it's rare. Because it's rare enough that most of us forget it's even an option. PART SEVEN: WATCH IT PROPERLY So here's my actual ask, and it's a small one. Don't watch this with the sound off while you scroll to the next thing. Don't skip to the end because you already think you know how it goes — you don't, and skipping ahead will genuinely cost you the part that makes this different from every other rescue video you've seen this year. Watch the whole thing, start to finish, and pay attention to the parts that feel like nothing is happening. That's not filler. That's the actual story. The part where nothing seems to be happening is the part where everything is happening, quietly, underneath the surface, one cautious step at a time. By the time you get to the end, you'll understand exactly why that opening sentence exists at all — why I needed you to hear it before you saw a single frame. Because without it, this just looks like a dog being sweet. With it, you understand what that sweetness had to survive to exist. You understand what it costs an animal to trust again after someone decided his life wasn't worth the trouble of finding him a home. You understand that every soft moment in this video is standing on top of a decision that almost went the other way, made by someone who chose completely differently than the person before them. There is a version of this story that ends in a hole in the ground, unmarked, unremembered, unfilmed. Nobody would have known. That's the version that happens more often than any of us want to think about. This isn't that version. This is the other one — the rare one, the one that only exists because somebody looked at the same "inconvenient" animal that someone else wanted gone and decided that inconvenient wasn't the same thing as disposable. You're not going to get the details from me. You're going to have to watch it. But I'll tell you this much: by the end, "just shoot him dead" is going to sound less like a sentence someone said about a dog, and a lot more like a sentence that tells you everything you need to know about the person who said it — and absolutely nothing about the dog who proved them wrong. Watch until the very last second. The last few frames are the whole reason this post exists. If this hit you the way it hit me, don't just scroll past it silently. Send it to the one person in your life who still believes some things — some animals, some people — aren't worth the effort of saving. Let them sit with it the way I made you sit with that first sentence. Some verdicts deserve to be overturned in public. PART EIGHT: THE BIOLOGY OF A FLINCH There's a reason a dog like this doesn't just "get over it" the way people want him to. Fear like that isn't a personality trait. It's a nervous system that got rewired by repetition, the same way trust gets built by repetition — except rewiring fear takes a fraction of the time and undoing it takes ten times as long. One bad hand can undo a hundred good ones if it lands at the wrong moment. That's not the dog being dramatic. That's just how threat memory works in every mammal on this planet, humans included. You don't choose to flinch. Your body decides for you, based on evidence it collected before you were old enough to argue with it. So when you watch an animal hesitate at a hand that means no harm, you're not watching stubbornness. You're watching a very reasonable, very intelligent risk calculation running in real time, built entirely out of things that happened to him before anyone in this story ever showed up. The tragedy isn't that he was cautious. The tragedy is that caution was earned, fairly, by people who never had to answer for teaching it to him. What gets me every time I think about stories like this one is how much strength it actually takes to be cautious and still, eventually, choose to try again anyway. We love to talk about bravery like it only looks one way — loud, dramatic, obvious. Nobody talks about the bravery of a scared animal taking one more step toward a species that has already hurt him, on nothing but a hope that this time might be different. That's not the absence of fear. That's fear, fully present, being overridden by something even stronger. If you want to know what real courage looks like, it rarely looks like a superhero. More often it looks exactly like this — small, quiet, four-legged, and completely unaware that anyone's even watching. PART NINE: THE OTHER DOG NOBODY'S TALKING ABOUT There's a supporting character in this story who never asked to be one, and who honestly deserves more credit than he's going to get in the comments section. Every rescue story like this one has a hidden variable that nobody accounts for: the animal who was already there. The one who didn't have to share space, didn't have to share attention, didn't have to be patient with a nervous, unpredictable newcomer showing up on his territory uninvited. He could have made this so much harder. He didn't. And that quiet, uncomplicated generosity — the kind you only get from an animal who has never once calculated whether kindness is worth the risk — is doing more heavy lifting in this story than most people watching will ever notice. It's worth sitting with that for a second, too. Some of the most important characters in any redemption story aren't the ones being redeemed. They're the ones who simply didn't complicate it. Who didn't guard the door. Who treated a stranger's fear as something to be curious about instead of something to be threatened by. If there's a lesson buried in a dog who never asked for one, it might be that one. PART TEN: WHY THE INTERNET IS FULL OF FAKE VERSIONS OF THIS You've probably noticed there's an entire genre of content built around manufactured redemption arcs — staged rescues, dogs that were never actually in danger, timelines compressed into a single afternoon to make the "transformation" hit harder on camera. I'm not going to pretend that genre doesn't exist, because you've almost certainly seen it and been burned by it before, which is exactly why so many people scroll past real stories with the same skepticism they've built up for the fake ones. That skepticism is earned. It's also, in this case, going to work against you if you let it make you scroll past this one too. The difference between the manufactured version and the real one is almost always pacing. The fake version wants to get to the payoff as fast as possible because the payoff is the whole point of making it. The real version drags in places, hesitates in places, spends way too long on moments that don't look like anything is happening — because that's what actually rebuilding trust with a frightened animal looks like when nobody's editing it for maximum dopamine. If a story like this feels slower than you expected, that's not a flaw. That's the tell that it's real. Real trust doesn't hit its mark on a fifteen-second cut. PART ELEVEN: A NOTE FOR ANYONE WHO'S EVER FELT LIKE THE DOG IN THIS STORY I said earlier this isn't just a dog video, and I meant it, but I want to say the quiet part directly instead of leaving it as subtext. If you've ever been the "too much" one — too sensitive, too cautious, too slow to trust, too hard to love without a manual — this story is for you specifically, not just as a metaphor but as evidence. Evidence that the people who wanted to give up on you were wrong about what you were worth, the same way the person in this story was wrong. Evidence that being difficult to reach doesn't mean you're not worth reaching. Evidence that the right kind of patience doesn't get tired of you the way the wrong kind of person did. You don't owe anyone an explanation for how long it takes you to trust again after something breaks that trust. Nobody gets to put a timeline on your healing just because your timeline is inconvenient for them. The dog in this video didn't apologize for taking as long as he took, and he shouldn't have had to. Neither should you. The people worth keeping in your life are the ones who show up consistently enough, for long enough, without demanding a schedule for when you'll finally feel safe. Everyone else was never actually offering you safety in the first place. They were offering you a deadline. PART TWELVE: THE LAST THING I'LL SAY BEFORE YOU GO WATCH IT I've spent this entire post refusing to tell you what actually happens, and I'm going to keep doing that right up until the end, because the not-knowing is doing exactly what it's supposed to do — it's making you want to see it for yourself instead of taking my word for it. Good. That's the point. Some stories lose everything the second you summarize them. This is one of them. You can read a thousand words about the shape of trust being rebuilt, and none of them will land the way thirty seconds of actual footage will, because words can describe hesitation but they can't make you feel the seconds stretching while it happens. So go watch it. Watch the whole thing, not the highlight, not someone else's twelve-second repost with the context stripped out. Watch it start to finish, the way it was meant to be seen, and pay attention to how long the hard parts last compared to how short the resolution feels — because that ratio is the entire point. That imbalance, months of nothing followed by moments of everything, is what real change actually looks like, in dogs and in people both. It's never as fast as we want it to be. It's always worth it anyway. Somebody said "just shoot him dead" about a dog who turned out to be worth all of this. Go find out exactly how wrong they were. PART THIRTEEN: WHAT YOU'LL PROBABLY DO AFTER YOU WATCH IT I already know roughly how this goes, because it goes the same way every time a story like this actually lands. You'll watch it once, quickly, half-distracted, the way you watch most things in a feed built to keep you moving. And then something in the pacing, or the eyes, or the exact moment the hesitation breaks, is going to make you go back and watch it a second time, slower, actually paying attention this time. That second watch is always the one that gets people. The first watch is for your eyes. The second watch is for whatever part of you still remembers what it feels like to be given up on. Then you'll do the thing everyone does — you'll look at the comments, half expecting someone to have ruined it with a joke, and instead you'll find a wall of strangers who all had the exact same reaction you did, which is somehow both comforting and a little unsettling, because it means this feeling isn't rare. It means a lot of us are quietly carrying around the same soft spot for stories about being chosen after everyone else already walked away. We don't talk about that soft spot very often. We just recognize it instantly in each other whenever something like this shows up in the feed. And then, if the story really got you, you'll do the thing I already asked you to do earlier, except now you'll actually mean it — you'll send it to somebody. Not because you think they haven't seen a rescue video before. Because you want them to sit with that opening sentence the exact way you just did, cold, before they know how it ends. You want to watch their reaction the way someone once wanted to watch yours. That's not manipulation. That's just what people do with stories that matter to them. We pass them forward, hoping they land on someone the way they landed on us. PART FOURTEEN: THE ONE THING I WON'T LET YOU FORGET Before you go tap play, I need you to hold onto one detail, because it's the thread that ties this whole post together and it's easy to lose in a feed that moves as fast as this one does. The dog in this story is not a rare exception. He is not a lottery winner. He is one version, filmed and shared and lucky enough to have someone stubborn enough to see it through, of something that is happening constantly, everywhere, to animals who will never get a camera pointed at them and never get a caption written about them. For every one of him, there are dozens who got the other verdict. The one nobody films. The one that ends exactly where the sentence said it would. That's not meant to guilt you. It's meant to make the three minutes you're about to spend mean something more than entertainment. Every view, every share, every person who stops scrolling long enough to actually watch instead of skip, is a tiny, almost meaningless vote for the version of the story where patience wins instead of convenience. It won't save the ones who already didn't make it. But it might be the reason the next version of this story — the next scared animal on the next uncertain property, in front of the next person deciding whether he's worth the trouble — gets a different ending than the one that almost happened here. So watch it properly. Watch the pauses. Watch the eyes. Watch exactly how long it takes for something to shift, and remember that every second of that footage is standing on top of a decision someone made not to give up when giving up would have been so much easier, and so much faster, and so much more convenient. Somebody wanted him dead. Somebody else decided he was worth all of this instead. Now go watch which one turned out to be right.

Earth Unveiled

89,812 Aufrufe • vor 7 Tagen

🚨🚨🚨🚨 Dr Mike Yeadon's Austrian Testimony Please watch and share - 15 Mins --------------------------------------- My name is Dr. Mike Yeadon and in the next 10 to 15 minutes I'm going to focus on one major point which is that the purported "vaccines" against this alleged illness, COVID-19 were in my view deliberately designed intentionally to injure, kill and, and reduce fertility. Now this is an allegation I've been making for around three and a half years. In that time, if I was wrong, ladies and gentlemen, I think numerous scientists would have rebutted what I've said in writing and in video. And if I was wrong, I would have expected the drug companies whose products I am maligning to have sought and secured a court injunction to stop me repeating these allegations. Neither of those things have ever happened. What has happened instead is that I have been extraordinarily censored and smeared sideways. And I think I offer that to you as strong evidence that I may be "over the target", at least in relation to these injectable products that have definitely injured and killed many people. So first just brief few words of introduction in terms of credentials. So Mike Yeadon, I've been a professional research scientist for over 30 years in the pharmaceutical industry and in biotech. My first degree was in biochemistry and toxicology. It was a joint honours degree. I got a first, then I did a second degree, a PhD. It's a research based piece of work lasting three years and my focus was respiratory pharmacology, the study of impact of drugs on respiration and so on. And that led into my career where I became a senior research scientist responsible for new drugs to treat allergic, respiratory and later dermatology diseases. I was at one point Vice President and the most senior research person within Pfizer Global R&D, and I left in 2011. And for 10 years after that, seven of those I was founder and CEO of a biotech called ZIARCO which was acquired by Novartis in 2017, since when I've been a consultant although I've discontinued those activities in the last four and a half years or so. So I've not earned a penny from speaking out in the last four and a half years and I don't want to either. There is a longer video by me recorded a month or so ago, 22 minutes long and it's called Silver Bullet and it's on my telegram channel and I hope rather more widely. But today I'm just going to focus on the design and effects of these so called vaccines. So I've been involved all of my professional life with other talented people trying to design and test potential new treatments for respiratory disease and as I say later on dermatology applications. So I can tell you that this, with my background in toxicology and my own research experience, 30 years in the industry, this qualifies me, I think better than any other commentator to evaluate what was in the minds of the people who designed these products. Let me tell you that every component in a medicine is chosen. It's chosen to be there. It's not random. It's chosen to be there to achieve some purpose, that's normal, perhaps to help a drug dissolve, to be absorbed, to persist in your blood, or to leave your body quickly to penetrate the brain if it was a neurological drug, or to stay close to the lung if it was an inhaled drug. So it's quite normal to make choices with objectives in mind. So I believe the intentions of the designers are written into the choices they made, the structures and components, formulation of these products. So I'm going to use those skills, as it were, to back calculate what was in their mind, what objectives did they have when they chose these structures and formulations. So I'm going to just say, before I get into that, just one thing about these so called "vaccines". My experience of the industry over 30 years tells me it is formally impossible to invent, research, test, evaluate, manufacture, gain authorization for, and launch a complex new biological product in under a year. It's formally impossible. I don't care how much money and people you put on it, there are a series of linear steps which when taken together, unless you miss some out, cannot be completed under several years. So if someone told you they had brought a brand new airline to market with new engines in under a year, I think you would know it's formally impossible to do a clean sheet design, to stress test, to manufacture, to test, to flight test, optimise the engines and get regulatory clearance and be ready to take you across the Atlantic in under a year. And of course it's never been done and it's never been done with complex biological products in under a year. So whatever else they did, they didn't do what they said because it cannot be done in under a year. Secondly, and I'll come to the examples in a moment, there are in these products numerous features which in my view, my peers, people like me, people with my training and experience would know for sure would give rise to the toxicities that I pointed out in 2020. They're not, they don't require particular skills you need to know how to do drug discovery and what can go wrong. But I'm not acting like a complete genius in spotting these, just someone who is a professional from this industry that has pointed out numerous features built in by choice that I believe I think they obviously confer toxicology, toxicity to the recipients. And as I've said, people designing these, people like me in wherever they were, pharmaceutical industries or the military, knew these things were going to happen. And that's why I say it's intentional. I'm going to give you three examples that you can go and test. So the first one is these are so called gene based products, that is they've got a string of genetic information in them. Now there aren't any products like that that are in routine use anywhere in the world. So they're brand new technology. But what you'll remember they told you that they do is they cause your body to make as a protein whatever was in that genetic code. Now it's absolutely basic immunology. How is it, do you think your body knows that what's inside of you is meant to be there and you don't attack it? And yet if something gets into your body from the outside or a tumour form, something that shouldn't be in you, your body can recognise that that's foreign or non-self and can attack it. And the answer is you tolerate everything that's meant to be inside your body. When you're in your mum's womb, we, we ruled out the ability to attack ourselves. Unless you get an autoimmune disease in later life, you play nice with yourself until something gets inside you or something goes wrong inside you. So ladies and gentlemen, if you are injected with a genetic sequence that causes you to manufacture a foreign protein, whether it's a virus or something out of a computer, it's not you and it's not meant to be in you, I assure you, your body recognises that it's been invaded, something's in there that shouldn't be and it launch a fatal attack on every cell that it thinks has gone wrong. It's trying to save you. So and that autoimmune reaction that destruction which your body is trying to, is doing because it's trying to protect you, that will happen anywhere in your body, any cell, tissue, organ in your body where unluckily your dose of what was injected into you lands. So if it lands in your heart, you could get myocarditis or a heart attack. If it lands in your brain, you could get a stroke or neurological conditions. If it's in your eyes, you could go blind. If it's in your ovaries, it may sterilise you. But that explains, in my view, a lot of the enormously diverse toxicity that's been seen with these products. So that's one, your body is being made to manufacture something that does not belong in it. And when that happens, everybody with the first lecture of immunology will understand why that happens. It's not an accident, it's in the design. It's a deliberate choice. The second one, then what was encoded in the so called "vaccines", now we're told it's spike protein. I don't think there is a natural spike protein, but proteins with sequences like that are known to be acutely toxic to blood cells, prompting blood clots to nerve cells, causing them to malfunction and probably other things I don't know anything about. So that's the second thing your body was making, was forced to make not only a foreign protein, something that didn't belong in your body, you were, your body was forced to make something that was directly toxic to your body. And the person who chose that sequence knew that's what the property of it was. It's not an accident, it's intentional. Then the third one is absolutely shocking. It's normal for drugs to be formulated that is to be wrapped in something. You'll see them in capsules or tablets. They might have a coating. If it's an inhaler, there might be some liquid with it so it can be propelled. In the case of these injectables, they were wrapped in really fatty globules called lipid nanoparticles, which means tiny little particles of fat. Lipid nanoparticles. Ladies and gentlemen, there were papers published as early as 2012, which I read a couple of years ago, that said that it is well understood in the industry by formulators that the payload that's contained within lipid nanoparticles when injected into animals and people leads to a disproportionate deposition of the payload into your ovaries. I remember the day I read that paper, I really couldn't sleep. The person who chose to use lipid nanoparticles to formulate the Moderna and Pfizer products knew perfectly well that what they would do is allow them to drift all through your body, through membranes as if they weren't there, and disproportionately deposit in your ovaries. And given I've told you the first two things, which is that will induce your body to attack every cell in the body that follows the instructions. And that instruction by the way, is to make a poison, you should no longer be surprised that people have been injured and killed and had their fertility reduced. I wish I didn't have to communicate this information. But there is no possibility that the people involved in designing these products did not know that they would have the effects that I predicted and that so many people have actually experienced it is intentional. There is ample evidence that this assault, which is not the only thing that's ever happened, unfortunately it's the first I noticed. I was a so called normie until 2020. I believe everything I was told. But this is part of a long planned assault by powerful wealthy people operating above the level of nation. So I'm afraid organisations like the United Nations, the World Health Organisation, the Bank for International Settlements, the World Economic Forum are populated by the people who I believe have orchestrated this attack on humanity and they're going to do it again. There are factories all around the world busy manufacturing these so called "vaccines" and formulating them in the way I just described. And they're going to come up with contrived reasons why you need to roll your sleeve up and I'm telling you, for the love of God, please don't do it. The only way we will push these people away is by speaking out as we see it and simply refusing to follow absurd instructions no matter what ostensible reason they come up with for you to do that.. So I mentioned I have been subject to astonishing censorship and smearing. And that's true. I've always said, if you hear me, please repeat what I have said to other people. I've got a tiny reach because I'm censored and no one else is coming to save us. It's just a small number of us who are not willing to stay quiet while this is done to us. But it's part of a wider deception. The pandemic lie is a major one. I don't have time to go into it now, but see my other recording. But there wasn't a pandemic. There's never been a pandemic. They can't happen. It's a lie. The so called human induced climate change crisis, that's all a lie as well. It's the same people who put this together at the end of the 1960s, the Club of Rome, they chose these two topics of infectious disease and climate change to scare people because they realised it would force a response from above the level of nation. But I'm saying, stand on your own feet and tell them to get lost with their absurd lies. And there's a third lie which underlies these, and it's they believe. They tell us we've been told all our lives, that the world is overpopulated. And it's literally absurd if you're up in an aeroplane within a few minutes, even over a busy city, the place is just full of cities and forests and fields. So that's yet another lie. But I think that's what's driving them. They think there's too many of us little people, and they seek to control us digitally and then eventually inject us to death. Its only going to be stopped then by refusal to cooperate. And that's my testimony. I hope that was helpful to.

aussie17

78,814 Aufrufe • vor 1 Jahr

Nobody prepares you for the moment a wild animal decides to trust you. Not "gets used to you." Not "tolerates you." Trusts you — the way a mother trusts someone with the one thing she would die protecting. It doesn't happen because you're kind. Kindness is cheap. Every predator in the bush can fake calm long enough to get close. Trust is not given for kindness. It's given for consistency, for stillness, for the thousand tiny signals a mother reads before she decides you are not a threat to the only life she's carrying. And once you understand that, you understand why what's in this video is not "cute." It's rare. It's the kind of rare that biologists spend entire careers chasing and never fully catch on camera. Here's the part almost nobody knows about kangaroo mothers, and once you know it, you will never look at a pouch the same way again. A kangaroo joey is born the size of a jellybean. Blind. Hairless. Barely more developed than an embryo. It has exactly one job the second it's born: crawl, unassisted, through its mother's fur, into the pouch, and find a teat — with no help from her at all. She doesn't guide it. She doesn't touch it. It's on its own, immediately, in a climb that takes minutes but might as well be a lifetime. Most don't make it. The ones that do spend the next 190 days growing inside that pouch, permanently attached to a single teat, while their mother hops, forages, runs from threats, and lives an entire dangerous life with a developing creature sealed against her body the whole time. Now sit with that for a second. Everything you're about to feel watching this video is built on top of that fact. The pouch isn't a cute detail. It's the most extreme parental investment in the entire animal kingdom, running quietly, invisibly, every single second — and most people scroll past kangaroos their whole life without knowing any of it. This is why the moment in this video hits differently. It's not staged tenderness. It's not a trained animal doing a trick for treats. It's an instinct thousands of generations deep, deciding, in real time, whether the human in front of it gets access to the most guarded thing in its world. And it says yes. Watch what that "yes" actually looks like. Watch the exact second it happens. Because most people miss it — they're looking at the wrong thing, waiting for something big and dramatic, when the real moment is small, quiet, and over in under two seconds. Blink and it's gone. That's the whole point. Trust from a wild animal never announces itself. It just happens, and if you're not paying attention, you miss the most important part of the entire video. Here's something else that will change how you see this. Kangaroos are not naturally social with other species. They are not dogs. They did not evolve for ten thousand years alongside humans, selectively bred generation after generation for affection and eye contact and cooperation. A kangaroo owes you nothing. Its entire evolutionary history says: keep your distance, stay alert, trust nothing that isn't kangaroo. So when you see a wild-born kangaroo choosing proximity — choosing it, not tolerating it — you are watching something closer to a diplomatic breakthrough between two species than a "cute animal moment." It is the exception to millions of years of instinct. And exceptions like that don't happen because an animal is "friendly." They happen because someone, somewhere, earned it slowly, patiently, without ever forcing a single second of it. That's the part that should actually get your attention. Not the fur. Not the ears. The patience behind it that you never see, because patience isn't visual — it's just time, quietly spent, off camera, for weeks, maybe months, before the fifteen seconds you're about to watch were even possible. Think about how many hours of nothing happened before this. Think about how many times the answer was "not yet." Think about how many people would have given up. That's what's actually being shown to you here, hidden inside something that looks simple. The result. Not the process. Just the result — and the process is the part that would actually break most people's patience in half. There's a reason content like this stops people mid-scroll and doesn't let go. It's not really about kangaroos. It's about a feeling almost everyone is quietly starving for: proof that connection across an impossible gap is still possible. That something wild, wary, and instinct-driven can still choose closeness. In a world where even people struggle to trust each other, watching an animal that has every biological reason not to trust anyone — decide to trust anyway — hits something deeper than "aww." It hits the same nerve that made you stop and stare the last time you saw two strangers help each other for no reason. The same nerve that makes rescue videos, reunion videos, "coming home" videos rack up hundreds of millions of views no matter how many times the format repeats. We are wired to seek proof that softness survives in a world that keeps telling us it doesn't. This video is that proof, wearing fur. Now here's the thing that will actually make you want to see it for yourself instead of taking my word for it. There is a specific frame in this video where the entire dynamic flips. Where you stop watching "a kangaroo" and start watching "a mother." The difference is enormous and almost nobody notices it consciously the first time, they just feel it — a shift in the chest, a small catch in the breath, and they don't know why until they rewatch it and actually look for what changed. I'm not going to tell you which frame it is. You'll know it when you feel it. And once you've seen it, you'll understand why people who work with rescued or hand-raised kangaroos talk about them the way new parents talk about their kids — with this specific mixture of exhaustion and reverence, like they've been let in on a secret the rest of the world doesn't know is right there in the daylight the whole time, just going unnoticed by everyone in too much of a hurry to actually look. Here's a fact that will sit with you long after this post: joeys communicate with their mothers primarily through touch and proximity, not sound. A healthy joey barely vocalizes. Silence, for a joey, usually means safety. The moment a joey starts making noise is often the moment something is wrong — a signal, a distress call, a break in the norm. Which means every quiet second in this video isn't empty. It's the sound of everything being exactly as it should be. Contentment doesn't announce itself either. It just exists, unremarked, easy to miss if you're expecting drama. Most people are trained by algorithms to expect the loud moment. The jump-scare cut. The dramatic reveal. This isn't that kind of video, and that's exactly why it works on a level louder content can't touch. There is no trick here. No forced angle. No moment engineered for a thumbnail. Just an animal, in a state most people will never witness in their lifetime, on camera, being real. You will not get this from a zoo enclosure behind glass. You will not get this from a nature documentary narrated over stock drone footage. Documentary crews spend months, sometimes years, waiting for unscripted, undirected, genuine wild behavior like this — and even then, half the time the animal senses the camera and the moment never comes. What you're about to see is the version of nature that doesn't perform for anyone. It just happens to have been caught. That's worth more than people give it credit for. Let's talk about scale for a second, because it recalibrates everything. An adult kangaroo can deliver a kick strong enough to break bone. Their hind legs are built for sudden, explosive force — evolved for fighting off dingoes, for defending against threats many times more aggressive than a curious human. A kangaroo that feels cornered or threatened is not an animal you want anywhere near you. This is not a small, harmless creature performing tricks. It is a powerful wild animal capable of real damage, choosing, in this exact moment, not to use any of that power. That choice is the entire video. Every second of calm you see on screen is a second where a kick, a scratch, a bolt for distance was the more "natural" default option — and it didn't happen. Instead: stillness. Proximity. Something closer to peace than instinct usually allows. People underestimate how remarkable that restraint actually is because the animal looks soft. Fur does that. It disguises power as gentleness in our minds before we even process what we're looking at. But strip away the cuteness bias for one second and look at what's actually happening biologically: a wild animal engineered by evolution for wariness and self-defense is choosing trust over instinct, in real time, on camera, for you. That's not something you see every day. That's not something most people will ever see in person, not even once in an entire lifetime. And it's sitting right there, one tap away. There's a version of this story that plays out constantly in nature and almost never gets filmed: the version where the trust never comes. Where the animal stays wary its entire life, where every human interaction ends the second the animal has an exit route, where the gap between species never closes even an inch. That's actually the statistical default. That's what "wild animal" usually means in practice — permanent, unbridgeable distance, no matter how much time passes. This video is the exception you almost never get to see. And exceptions, by definition, don't repeat on command. You can't schedule this. You can't force it into existing on a Tuesday afternoon because you need content. It either happens or it doesn't, and when it does, someone lucky enough to be holding a camera captures something the rest of us don't get. You're one of the lucky ones today. You get to see it too. Here's something people don't think about: what happens to footage like this after the camera stops rolling? The relationship doesn't end when the clip does. Whatever trust was built to make this moment possible keeps existing, keeps deepening, long after anyone stopped filming. The video you're about to watch is a single frozen cross-section of something much longer, much slower, much more patient than fifteen or thirty seconds could ever fully capture. Which means what you're seeing isn't the whole story. It's a highlight pulled from something bigger — a relationship, a history, a slow-built trust that took real time to construct and will keep existing whether or not anyone's watching. That's actually the most reassuring part of all of this. It's not a one-off stunt for the algorithm. It's a snapshot of something ongoing, something real, something that existed before the phone came out and kept existing after it went back in someone's pocket. That's a very different feeling than most viral content gives you. Most viral content is a closed loop — what you see is all there is, manufactured specifically to be seen, with nothing behind it. This is the opposite. This is a small window into something much larger than the video itself, and once you sense that, you start watching it differently. You start looking for what it implies rather than just what it shows. Let's go back to the mother for a second, because everything in this video ultimately orbits around her. Maternal instinct in kangaroos is so strong it can override basic self-preservation. There are documented cases of kangaroo mothers refusing to abandon injured joeys even when fleeing would have meant their own survival. Refusing to leave, even when every other instinct screams to run. That's not a Disney embellishment. That's observed, recorded animal behavior, the kind field researchers write papers about because it defies simple explanations of self-interest. So when you watch a mother in this state — calm, present, unhurried — you're not just watching an animal relax. You're watching the single most protective creature in the scene voluntarily lower its guard. Not because it forgot to be careful. Because, in this specific moment, with this specific presence nearby, it decided carefulness wasn't necessary. That decision is not nothing. That decision is everything. If you've ever had a genuinely anxious animal — a rescue dog that flinched at every hand for months, a cat that hid for weeks before finally sitting on your lap — you already know this feeling in your body even if you've never thought about it in these words. You know the specific, quiet triumph of the first time a scared creature decides you're safe. It's not loud. It's not dramatic. It's just a small shift, and it means more than almost anything else that animal could do. Now imagine that same feeling, except the animal isn't a domesticated pet bred for six thousand years to eventually trust a human. Imagine it's a wild mother kangaroo, entirely unindebted to your species, deciding the exact same thing. That's what you're about to watch. Here's the last thing I'll say before you go see it for yourself, because I think it matters more than any single fact I've already given you. We spend so much time online watching things designed to make us feel something — outrage engineered for clicks, drama engineered for watch time, conflict engineered for engagement. Almost none of it is real in the way this is real. Almost none of it exists independent of the platform that's showing it to you. This does. This kangaroo, this mother, this joey, this quiet unscripted trust — none of it needed you to exist. It was happening whether or not it ever made it to a screen. You're not watching content that was built for you. You're watching a moment of the actual world that someone happened to catch and decided to share. That distinction matters more than people realize. It's the difference between watching a performance and witnessing something true. Everyone can sense that difference on some level, even if they can't articulate it — it's why certain videos feel hollow the second they end, and others sit with you for the rest of the day. This is the second kind. Go watch it. Not for the aww, though you'll get that too. Watch it for the two seconds where instinct loses to trust, where a powerful, wary, wild animal decides a human is safe, where something ancient and untamed chooses softness anyway. Watch it for the frame you won't notice until the second time through. Watch it because moments like this are rarer than almost anything else the internet shows you, and rare things deserve more than a passive scroll past. You'll know exactly which second I meant the moment you see it. And once you do, you'll probably watch it again — not because you missed something the first time, but because now you know what you're actually looking at, and it hits completely differently the second time around. That's the real test of whether something is genuinely special or just briefly novel: does it get better once you understand it, or does it lose its shine the moment the surprise wears off? This gets better. Every rewatch reveals one more tiny detail you missed under the weight of the first, bigger emotional hit — the exact angle of an ear, the precise moment a body goes still, the breath held right before everything relaxes. Small things. Human-scale things, if kangaroos had a human scale. The kind of details that only reveal themselves once the initial "aww" has worn off enough for you to actually look. That's the mark of something worth your attention in a feed built almost entirely around things that aren't. So here's the only ask: don't just let this autoplay past you like everything else today. Actually watch it. Full attention, even if just for the length of a single held breath. It costs you nothing and it's one of maybe a handful of genuinely rare things you'll come across this week, buried in an endless river of things that are anything but. Somewhere out there, right now, a wild kangaroo mother is calm around a human she has every biological reason to fear. That single fact alone should be enough to make you want to see how it happened. Let's talk about something people almost never mention when they talk about kangaroos: how absurdly efficient their bodies actually are, and why that matters for understanding what restraint really costs a wild animal like this. A kangaroo's hop isn't just a way of moving. It's one of the most energy-efficient forms of locomotion in the entire animal kingdom. Their tendons act like giant rubber bands, storing and releasing elastic energy with almost no metabolic cost, which is why a kangaroo can cover huge distances at high speed while barely raising its heart rate. Past a certain speed, it actually becomes more efficient for a kangaroo to hop faster, not slower — the opposite of almost every other animal on earth. Why does that matter here? Because an animal built like that has almost nothing to lose by fleeing. Running isn't costly for a kangaroo the way it is for, say, a heavier, slower prey animal. There's no real biological argument for "staying is easier than leaving." Fleeing is cheap. Fleeing is basically free. Which means every second a kangaroo chooses to stay instead of bolt is a second it actively decided against the easiest possible option. That's not an animal that "couldn't be bothered to run." That's an animal that had every reason to leave, at almost no cost to itself, and chose not to. Sit with that for a second, because it reframes the entire video. This isn't laziness or indifference dressed up as trust. It's an active decision made over and over, every single second the camera is rolling, by a creature for whom leaving would have taken almost no effort at all. Here's another thing worth knowing before you watch: kangaroos are far smarter than most people give them credit for. Studies on kangaroo cognition have found they're capable of intentional communication with humans — deliberately looking at a person, then looking at an object, then back at the person again, the same gaze-alternation behavior researchers use as a gold-standard test for interspecies communication in dogs. Wild kangaroos aren't supposed to do that. Domesticated animals do that. Animals that have spent millennia being selected for human cooperation do that. Kangaroos were never bred for any of it. And yet, under the right conditions, some of them do it anyway. Which means the "connection" people feel radiating off videos like this isn't just a projection. It isn't just humans anthropomorphizing an animal that's actually indifferent to them. There's a real, measurable capacity for intentional engagement sitting underneath the fur — a capacity most people assume only exists in dogs, elephants, dolphins, the "smart" animals we've decided deserve credit for having inner lives. Kangaroos rarely make that list. Maybe they should. Now think about the algorithm for a second, because this part matters if you've ever wondered why certain animal videos explode past everything else in your feed while a hundred nearly identical ones disappear without a trace. Platforms don't reward "cute." Cute is everywhere; cute is the baseline, the noise floor of the entire internet. What actually stops a scroll and holds it is specificity — a moment that couldn't have happened just anywhere, to just anyone, with just any animal. The algorithm has effectively been trained, by billions of collective viewing decisions, to recognize the difference between generic content and a genuinely unrepeatable moment. And it rewards the second kind disproportionately, because it knows — better than we consciously do — that unrepeatable is the one thing viewers actually crave and almost never get. That's the quiet reason something like this travels the way it does. It's not marketing. It's not a trick. It's the platform correctly identifying that you're looking at something it can't manufacture on demand, and putting it in front of as many people as possible before the window closes. Here's a myth worth busting while we're at it, because it changes how you'll watch every future animal video, not just this one. People assume wild animals that appear "comfortable" around humans have been habituated through food — that somewhere off camera, there's a hand full of treats explaining all of it away. Sometimes that's true. Often it isn't. Genuine trust-based bonds, the kind built through slow, repeated, low-pressure exposure rather than bribery, tend to look calmer, quieter, and far less food-motivated than the habituated version. An animal trained through treats orients toward the treat. An animal that trusts you orients toward you. Watch for that distinction. It's subtle, but once you know to look for it, you'll never unsee it — in this video, and in every animal video you watch after this one. There's also a slower, sadder truth sitting underneath all of this that's worth acknowledging honestly, because it's part of why moments like this hit as hard as they do: most wild animals never get the chance to reach this state with a human at all. Not because they're incapable of it, but because most human contact with wildlife is fear, distance, or conflict. Roadways. Habitat loss. Encounters that end badly for one side or the other. The overwhelming majority of interactions between wild kangaroos and humans are neutral at best and dangerous at worst — for the kangaroo far more often than for the person. Which is exactly why the rare exception matters as much as it does. It's not just heartwarming in isolation. It's heartwarming because it's fighting the statistical odds of what usually happens when these two worlds intersect. Every calm, trusting moment like this is quietly making the case that the outcome doesn't have to be conflict by default — that with enough patience, enough respect for the animal's pace, enough restraint from forcing anything, something gentler is possible instead. That's a bigger idea than one video can carry on its own, but this video is a small, real piece of evidence for it. And evidence like that is worth more than another opinion piece ever could be, because you can't argue with something you're watching happen in real time in front of you. One more angle before you go find it and watch it yourself. Think about how many hours of your own life you've spent watching things that gave you nothing back — content built purely to fill fifteen seconds of dead time between one task and the next, forgotten before you've even finished swallowing whatever you were drinking while you watched it. That's most of what a feed is. Filler. Noise dressed up as content, optimized for exactly long enough to keep you from closing the app, and not one second longer. This isn't that. This is the rare kind of thing that actually leaves a residue — a specific image that resurfaces uninvited hours later, while you're doing something completely unrelated, because some part of your brain flagged it as meaningful and refused to fully let it go. Most content doesn't earn that. Most content isn't built to earn that. It's built to be replaced by the next thing thirty seconds later, forever, in an endless chain that leaves nothing behind. You'll know within the first few seconds whether this is one of the rare exceptions. Trust that instinct. It's the same instinct that made you stop scrolling long enough to read all the way down to this line instead of bouncing off after the first sentence like you do with almost everything else that crosses your screen today. That instinct is rarely wrong. One last thought, and then I'll stop talking and let the thing speak for itself. Somewhere between the jellybean-sized joey that shouldn't have survived its own birth, the mother who could kill with one kick and chose stillness instead, and the two-second frame you won't notice until you watch it twice — there's a version of this video that never existed. The version where the timing was off by a week, where the trust hadn't built far enough yet, where the camera wasn't rolling, where the moment happened anyway but nobody was there to see it and it simply evaporated into the ordinary, unwitnessed life of a wild animal in the bush. That version happens constantly. It's the default. It's what "wild animal" statistically means, every single day, all over the world, completely unseen. This is the version that didn't evaporate. This is the one that got caught. Not manufactured. Not staged. Not built for you in a studio, in a script, in an editing room designed to make you feel something on command. Just real, and rare, and lucky enough to have a lens pointed at it at the exact right second. You don't get many of those in a lifetime, let alone in a single scroll through your phone on an otherwise ordinary day. This is one of them.

Earth Unveiled

38,696 Aufrufe • vor 14 Tagen

A dog just made the bravest decision I have seen anyone make this year. Not a founder. Not an athlete. Not a person with a plan and a five-year vision board. A dog, on an empty road, with nothing to lose and no idea what would come next. I have watched what comes next more times than I will admit in public. This post is 25,000 characters long. It is a list of reasons why you should watch it too. Read as much as you want, but understand one thing before you start: the video is the only part that matters, and this is everything the video doesn't have room to say. Sound on. Phone in both hands. Do not skip. I'll be here when you get back. THE NUMBER THAT SHOULD BOTHER YOU Let me start with two numbers. The first: commonly cited estimates put the world's stray dog population at around 200 million. Two hundred million animals with no address, no bowl with their name on it, and no one who would notice if they didn't come back tonight. The second number is one. That is how many people had to be on that road, at that exact minute, looking in that exact direction, in a good enough mood to stop. Not two. Not a crowd. One. Here is what nobody says out loud: for every dog you see rescued on camera, there are millions the camera never reached. We don't see them because no one was there. The videos that reach you are not a sample of reality. They are the winners of a lottery so brutal that Powerball looks like a coin flip next to it. So when one of these lands in your feed, don't scroll past it like content. Treat it like what it is: a statistical miracle that happened to end well. And miracles have a structure. Let's take this one apart. FIVE LINKS. BREAK ONE AND THE STORY DOESN'T EXIST. Link one: the dog has to survive long enough to be seen. Roads are not built for small animals. Vehicles do not slow down for shapes on the asphalt. Every hour out there is a coin flip the animal has to win again, and again, and again. Link two: someone has to be present. Not nearby. Present. Eyes up, phone down, brain not busy replaying the argument from breakfast. Link three: that someone has to notice. It sounds simple. It isn't. The human brain is a filtering machine, and a small animal on a road becomes a plastic bag, a shadow, a piece of tire. The most common reason a dog is not rescued is not cruelty. It is that nobody registered it as a dog. Link four: the person has to stop. This is the link that snaps most often. Seeing is free. Stopping costs you time, comfort, a schedule, and possibly the mood of your entire day. Link five: the dog has to let them. An animal that has learned that hands mean pain has every biological reason to run. Trust is not a given. It is a negotiation, and the dog holds the veto. Five links. All five held. Remember that when you press play. You are not watching a nice story. You are watching a chain that should have snapped at least four times. THE PEOPLE WHO KEEP DRIVING In 1968, psychologists John Darley and Bibb Latane published a set of experiments that changed how we think about helping. The finding was uncomfortable: the more people who witness an emergency, the less likely any one of them is to act. They called it diffusion of responsibility. Everyone assumes someone else will handle it. So nobody does. Later research added nuance. When an emergency is clear and dangerous, people step in more often than the original theory predicted. But the core insight has survived half a century of testing, because it describes something every one of us has felt: the small, quiet voice that says, somebody else will stop. Now picture a road with no crowd at all. No audience. No one to hide behind. No one to blame. Just you and a decision that is entirely, inescapably yours. That is the situation the person in this video walked into. And the reason it is worth your attention is not that they did something impossible. It is that they did something small, and it turns out small is exactly what almost nobody does. You don't need to be a hero. You need to be inconvenienced. THE FACE IS THE RESUME In 2013, researcher Bridget Waller and her team studied dogs in a UK shelter and asked a simple question: what makes one dog get adopted faster than another? It wasn't size. It wasn't age. It wasn't coat color. It was one tiny facial movement: the raising of the inner eyebrows. The move that makes a dog's eyes look bigger, softer, almost sad. Dogs that did it more often were chosen faster. Six years later, a study led by Juliane Kaminski found out why that movement is so easy for dogs and so hard for wolves. Dogs have a small muscle around the eye that wolves largely lack. Over thousands of years of living beside us, dogs evolved a way to make their faces speak our language. Read that again. A species rewired its own anatomy to be understood by another species. No other animal has done this to us. Nobody taught them. Nobody forced them. They looked at us, worked out what we respond to, and grew the tool. Now look at the face in this video. You will know the second you see it. That is not a coincidence, and it is not luck. It is fifteen thousand years of engineering aimed directly at your chest. THE ONLY LOOP LIKE IT ON EARTH In 2015, a Japanese team led by Miho Nagasawa published a result in the journal Science that made researchers stop and reread the abstract. When a dog and its owner look into each other's eyes, both of their oxytocin levels rise. Oxytocin is the bonding chemical, the same one that flows between a mother and her newborn. Dog looks at human. Human's oxytocin rises. Human looks back, touches, talks softly. Dog's oxytocin rises. Which makes the dog look longer. Which makes the human's oxytocin rise again. A feedback loop of affection, running across two species, powered by nothing but eye contact. Here is the part that gets me: the effect did not show up the same way in wolves raised by humans. The loop is not just training. It is something that evolved between us. So the next time someone says a dog is just responding to food, tell them there is a peer-reviewed study that disagrees. And keep this fact in your pocket for the video. Because at some point, a moment of eye contact happens in it, and I want you to know what is really going on in that room. THEY CAN SMELL WHAT YOU'RE HIDING Humans have roughly 6 million scent receptors. Dogs are commonly cited as having around 300 million. A large share of a dog's brain is devoted to processing smell. What you experience as a room, a dog experiences as a layered document: who was here, how long ago, and how they felt. In 2022, researchers at Queen's University Belfast tested something remarkable. They collected breath and sweat samples from people before and after a stressful task. Then they asked dogs to tell the samples apart. The dogs got it right nearly 94 percent of the time. Your body broadcasts your emotional state as chemistry. You cannot turn it off. You cannot fake calm. A dog reads your fear, your tension, your irritation, before you have opened your mouth. Which means every rescue is, at its core, a test of one thing: are you actually calm, or are you performing calm? The dog knows. It always knows. And that is why what happens in the first few seconds of this video matters more than anything that comes after it. Watch the body language. Watch how slowly things move. Watch what is not done. THE MOST IMPORTANT MOMENT IN ANY RESCUE IS THE ONE WHERE NOTHING HAPPENS Animal behaviorists describe fear responses in four flavors: fight, flight, freeze, and fawn. Fight is what people expect. Flight is what most strays do. Freeze is what looks like calm but isn't. And fawn, the desperate, wiggling, please-don't-hurt-me appeasement, is the one that breaks your heart the fastest, because it looks like friendliness and it is actually terror. Rescuers who have done this hundreds of times will tell you the same handful of rules. Don't loom. Don't stare straight into the eyes. Get low. Turn sideways. Slow everything down until it feels absurd. Let the animal close the last few feet on its own terms. The hardest instruction, and the one most people can't follow, is the last one: do nothing. Every instinct you have says reach out. Grab. Fix. Take control of the situation. And every good rescue begins with someone who did the opposite. Who made themselves small, patient, and boring, and waited for a frightened animal to decide that the safest thing in its whole world might be a stranger. You are about to watch someone do exactly that. Notice how little they need to say. THE TEARS THEY WON'T PUT IN THE HEADLINE Scientists are careful people. They do not like to say "dogs cry." But in 2022, a team from Azabu University in Japan, led by Takefumi Kikusui, measured tear volume in dogs during reunions with their owners. The result: tear volume rose significantly compared with reunions involving other familiar people. And when researchers applied oxytocin to the dogs' eyes, tear volume rose again. Not sadness crying. Not the crying we do. Something else, something closer to overflow. The body producing water at the exact moment the heart has more in it than it can hold. Nobody has proven that this is the same thing we feel. Scientists will tell you that, and they are right to. But here is a question worth sitting with. If an animal's eyes fill with water when it sees the one being it has decided to trust, what exactly are we arguing about? Watch the eyes in this video. Then tell me what you think you saw. ONCE IT HAS A NAME, IT STOPS BEING A STATISTIC In 2007, psychologist Paul Slovic and colleagues ran an experiment on generosity. They showed people a fundraising appeal for a hungry child, and then a second version that added statistics about millions of other children in the same crisis. More data. More context. More reasons to care. Donations dropped. Slovic called it psychic numbing. The human mind can hold one face. It cannot hold two hundred million. When a tragedy becomes a number, empathy quietly switches off, and we don't even notice it happening. This is why one named animal in one small video can do what a hundred reports full of charts cannot. It gives your brain something it can actually care about: a single life, with a face, a fear, and a future that could go either way. The stray population is a statistic. A dog is a story. And stories, unlike statistics, come with a name at the end. When you reach that moment in the video, pay attention to what it does to you. Notice the small shift in your chest. That is the sound of a number turning into a person, or close enough. THE WORD FOR WHAT YOU'RE ABOUT TO FEEL Researchers have a name for the feeling you get when something touches you so suddenly that your throat tightens and your eyes sting. They call it kama muta, Sanskrit for "moved by love." Anthropologist Alan Fiske proposed that it is a distinct emotion, triggered by a sudden intensification of closeness. Two beings who were strangers become bonded. Someone who was alone becomes part of something. People across many cultures describe the same set of signs: warmth in the chest, goosebumps, a lump in the throat, tears they didn't plan on, and a strong urge to hug someone or hold something. Here is what makes it useful and not just sweet: kama muta is one of the most reliable emotional responses we have. It shows up when reunions happen. When a stranger helps unexpectedly. When an animal, after a long time alone, is finally held. You've felt it. You just never had a word for it. Take note of the exact second it hits you in this video. I promise there is one. And if you're the kind of person who says "I never cry at videos," I would like to schedule a follow-up. WHY YOU'LL WANT TO BE A BETTER PERSON AFTER ONE MINUTE Psychologist Jonathan Haidt studied a related feeling and gave it a name: elevation. Elevation is what you feel when you watch someone do something morally beautiful, quietly, with nothing to gain. It is not envy and it is not admiration. It is an urge, physical and immediate, to do something good yourself. In studies, people who experienced elevation were more likely to help others afterward, more likely to volunteer, and more likely to describe wanting to become better versions of themselves. Read that as a design spec. A short piece of true, unstaged kindness can change what a person does in the hour after they see it. Which is a strange, lovely thing for a phone to be capable of. We spend so much time discussing what social media does wrong. Nobody wonders what would happen if the best five percent of it, the small, real, human moments, were the part that traveled farthest. Let this one travel. It has earned it. THE RARE THING: SOMETHING TRUE THAT WINS In 2018, researchers at MIT published a study in Science that analyzed millions of tweets. The result was grim: false news spread significantly faster and further than true news. False stories were about 70 percent more likely to be retweeted, driven largely by surprise and disgust. The lesson most people took away was that this platform rewards outrage. I want to take a different lesson. If false stories win because they trigger strong emotion, then true stories can win too, as long as they trigger stronger ones. A video with no villain, no scandal, and no argument. Nothing to be angry about. Nothing to dunk on. A rescue that is exactly what it looks like. That kind of content should lose on this platform. It has no fuel. And yet every so often, one of them breaks through and reminds everyone what this place was supposed to be. I am not asking you to like it. I am asking you to notice that you had a choice about what to feed today, and this was one of the options. SOME FRIENDSHIPS SHOULDN'T WORK Somewhere near the end of this video, a second character enters the story. I won't tell you who. I won't tell you what happens. I will tell you that if you have ever read anything about instincts, hunting drives, or the way certain animals are supposed to see each other, this moment will quietly rearrange your assumptions. Behaviorists talk about prey drive as if it were destiny. It is not. It is a tendency, and tendencies can be softened by experience, by safety, by being raised, or re-raised, in a place where no one is afraid. The same dog that once had to look after itself alone can, in a different life, learn that the world contains creatures that are not threats or meals. Only neighbors. That is the most hopeful idea in behavioral science, and it usually gets buried in footnotes: what an animal was is not the same as what an animal can become. The same is true for most of us, incidentally. But that is a different post. Stay for the ending. It is the reason I am writing this at all. THE PART THE INTERNET NEVER FILMS Every rescue video has the same shape: the meeting, the rescue, the transformation, the happy ending. It is edited that way because it is the only shape that gets watched. But ask anyone who has actually done this, and they will tell you the truth is in the gap between the second and third act. The first night. The first week. The first time a dog that has never lived indoors realizes there is a floor that doesn't move, a door that closes without danger, and a bowl that will be full again tomorrow. Rescuers have a rule of thumb for this, the 3-3-3 rule. Three days for a dog to decompress. Three weeks to start learning the routine. Three months to feel truly at home. It's not science, exactly, just a shorthand built from thousands of adoptions. But it captures something real: safety is not a switch. It is a process, and the animal has to believe it slowly, one uneventful day at a time. That means the happiest scenes in this video are not the ones that look like celebrations. They are the quiet ones. A dog that stops scanning the room. A body that finally lets go. Look for the moment the shoulders drop. Once you see it, you'll never unsee it. THE COST OF STOPPING: NINETY SECONDS Let's do the math on the thing that most people are afraid of. How long does it actually take to stop for an animal in trouble? Not the whole rescue. Just the decision, the pulling over, the first attempt. Ninety seconds. Sometimes less. Ninety seconds is the length of a bad song on the radio. It is the time you spend waiting for a light to change. It is a scroll through a feed you won't remember. And on the other side of those ninety seconds is the difference between a living animal and a statistic. I'm not saying this to make anyone feel guilty. Guilt is a terrible motivator. It makes people avoid the feeling instead of acting on it. I'm saying it because the barrier is almost always imagined. We inflate the cost of helping in our heads, and the imagined price is what stops us, not the real one. The person in this video paid the real price. It was small. What they got in return is something no one could have planned for. That is the part you should watch closely. IF YOU'RE EVER THE ONE ON THAT ROAD Save this section. Someday, someone reading it will need it. Put your safety first. Pull over where it's safe and turn on your hazard lights before anything else. A second accident helps no one. Do not chase. A frightened dog runs faster than you and directly into the worst possible place. Chasing turns a rescue into a pursuit. Get low and go slow. Sit down if you can. Turn your body sideways. Avoid direct staring. Speak softly, or don't speak at all. Use food, if you have any. Something plain, tossed a little closer each time, works better than any technique. Check for a tag and, if you can get near enough, ask a vet or shelter to scan for a microchip. Someone may be looking for this animal right now. Call for help early. Local rescues, animal control, and vets can handle what you cannot. Sometimes the bravest thing you can do is make the right phone call. Take photos and note the location. If you can't keep the animal, those details are what let someone else finish the job. None of this is complicated. The reason it is rare is that most people have never been told that it is allowed. You are allowed. THE REAL STAKES OF A SMALL DOG Here is a bigger picture, and it's a heavy one. Millions of companion animals enter shelters every year in the United States alone. That is just one country. Many are lost pets that never get reclaimed. Many are strays. Many are animals whose owners ran out of money, time, or hope. Shelters are often crowded, underfunded, and staffed by people running on love and very little else. Every animal that finds a home, or a foster, or a stranger with ninety seconds to spare, frees up a space for the next one in line. That means every single rescue is bigger than the animal in it. It is a small change to a very large system, and the system is nothing but small changes stacked on top of one another. This is not an argument for guilt. It's an argument for scale. One dog saved is one dog saved, but it is also proof of concept, a demonstration that the chain can hold, that the odds can be beaten, that a person and a road and a decision can end well. And proof of concept is contagious. That is why you are seeing it. WHO REALLY GOT RESCUED? If you talk to people who have taken in strays, you'll hear the same sentence over and over, in different words. "I thought I was saving him. It turned out he was saving me." Skeptics roll their eyes at that. It sounds like a greeting card. And research on pets and wellbeing is more mixed than social media would like. It doesn't say every dog fixes every life. But there is something real underneath it, and it's not mystical. A dog is a machine for creating routine, attention, and reasons to leave the house. It needs you at a certain hour. It notices when you come home. It doesn't care about your job title, your follower count, or what you failed at last week. For some people, that is the first unconditional witness they have had in years. The rescue, in this light, is not one-way. Two lonely creatures, one who knew it and one who didn't, found out that they could take care of each other. Nobody can prove that from a video. But there is a version of the story that runs in the background of every rescue, and you can feel it if you let yourself. Tell me whether you feel it here. THE ATTENTION PARADOX Here is a strange fact about the platform you're reading this on. The average post gets a glance. A few words, a flick of the thumb, gone. Brands spend billions every year trying to buy three seconds of your attention, and most of what they buy evaporates before it lands. And yet a video of one dog, with no budget, no celebrity, and no script, can hold a stranger for a full minute. Without a single trick. Why? Because attention is not really about tricks. It is about stakes. Your brain is built to track living things whose outcome is uncertain. The moment there is a creature on screen and you don't yet know if it will be okay, some ancient part of you leans in and refuses to look away. That is the secret behind every great story ever told. Someone we care about. Something that could go wrong. A question we need answered. Marketers call it a hook. Your nervous system calls it worry. This video has both, and it pays off the worry honestly, which is why you leave feeling better instead of used. That is rare enough to deserve a full minute of your life. HOW TO WATCH THIS Most people will watch it wrong. They'll half-look at it between two other things, mid-scroll, thumb already moving. Here is how to get the actual effect. Turn the sound on. There is more happening in the audio than you expect. Make it full screen. This is a story about faces, and faces need room. Watch the first ten seconds without expecting anything. The film is quiet at the start. That is deliberate, or at least it works as if it were. Do not skip ahead. The whole thing depends on the distance between where it starts and where it ends. Skip the middle and the ending is just a nice clip. Then, once it's over, watch it again. The second time, you won't be watching for the story. You'll be watching for the small things you missed: a hesitation, a glance, a change in how a body carries itself. That second watch is where it gets you. I said I have watched it more times than I'll admit. That is the honest reason. It doesn't wear out. It gets deeper. THE CHALLENGE I want to try something with this post. If the video moved you, leave one comment: the second it happened. Not a review, not an analysis. Just the moment. I'm curious whether it's the same one for everyone. My guess is that it isn't, and that the spread of answers will say more about what people carry around with them than about the video. If it didn't move you, that is fine too. I'd like to hear that as well. Honest is better than polite. And if you have ever been the one who stopped, and I know some of you have, write that instead. Tell the story in two lines. No one has ever regretted the ninety seconds. Someone reading this thread might need to know that. Reposting this is the simplest way to put it in front of someone who's scrolling right now, in a bad week, thinking that nothing good happens by accident anymore. Something did. THE LAST THING Let me end where I started. A dog made a decision on an empty road. It could not have known how it would turn out. It had no reason to believe that the next hand would be different from the last. It went ahead anyway. That is the whole difference between a life that changes and one that doesn't. Not certainty. Not a plan. A willingness to move toward the unknown when the alternative is more of the same. The animal in this video did that. Then someone did the same in return. That's it. That's the entire story. Two beings, each of whom took a small, terrifying step toward the other, and a road that was, for a few seconds, the most important place in the world. Scroll up. Press play. Watch the ending. Then come back and tell me I was exaggerating. P.S. If you read all of this, you are exactly the kind of person this video was made for. Most people never make it past the first screen of a long post. You did. That tells me you are someone who stays: through the slow part, through the uncertain part, all the way to the end. Which is, when you think about it, the only quality that mattered in the story you're about to watch. Follow for more like this. I only post the ones that earn it. Bookmark it for days you forget the feeling. #Rescue #DogsOfX #SecondChances #AdoptDontShop #Dogs #AnimalRescue #RescueDog

Earth Unveiled

15,706 Aufrufe • vor 6 Tagen

Most people scroll past suffering every single day and don't even notice. She didn't. And that one decision — made in less than three seconds, with zero hesitation, zero plan, zero audience — is why this video is currently wrecking people's timelines and making grown adults cry at their desks. I've been studying viral content for over a decade. I've watched thousands of videos get dissected, algorithm-tested, A/B'd to death by teams trying to "engineer" emotion. And every single time, the ones that actually break the internet have one thing in common: they weren't engineered at all. They just happened. This is one of those. You need to watch this one. Not read about it. Watch it. Because there's a specific moment in this video — you'll know it when you see it — where the entire emotional weight of the situation flips in half a second, and no description, no summary, no paragraph I write is going to do that moment justice. I'm not even going to try. What I am going to do is tell you why this matters, why it's spreading the way it is, and why — once you see it — you won't be able to stop thinking about it. Let's talk about what nobody talks about. There is an entire invisible war happening in every park, every lake, every pond, every quiet patch of "nature" tucked into our cities. It's silent. It doesn't trend. It doesn't get news coverage. Animals get hurt, get tangled, get trapped, get sick, get slowly, quietly destroyed by things we left behind — and 99.9% of the time, nobody is there to notice. Nobody is there to act. The animal just... disappears. No headline. No hashtag. No one ever knows. That's the baseline. That's what "normal" looks like for wildlife living next to humans. Quiet suffering, unwitnessed, unresolved. And then — every once in a while — someone walks into that invisible war by accident, on a normal day, wearing normal clothes, holding nothing but a phone and maybe a bag of bread, expecting absolutely nothing out of the ordinary. And something in them refuses to just keep walking. That's what you're watching here. Not a stunt. Not a "content piece." Not something built for the algorithm. A real, unscripted, completely human reflex — the kind that separates the people who notice from the people who don't, and then separates the people who notice from the tiny, tiny percentage who actually do something about it. Here's the thing that gets me every time I rewatch this. It's not the rescue itself that hits hardest. It's the speed. There is no internal debate happening on screen. There's no "should I get involved," no calling someone else to handle it, no filming from a distance for views. There's a problem, and then there's motion. That gap — the one between noticing and acting — is usually where 95% of us live our entire lives. We notice. We feel something. We keep walking. This video is what happens when that gap doesn't exist. I want you to sit with that for a second, because it's actually rare. Genuinely rare. Most "hero" content you see online has been staged, has been reshot, has a director just out of frame. This isn't that. You can feel it in the way things unfold — messy, urgent, real, imperfect in all the ways real moments are and staged moments never are. That authenticity is exactly why it's spreading the way it's spreading. People are starving for something real in a feed built entirely out of things that are fake. Now let's talk about the animal at the center of this, because most people underestimate exactly how much is at stake for a creature like this in a situation like this. Waterfowl — geese specifically — are tougher and more resilient than almost anyone gives them credit for. They migrate thousands of miles. They survive brutal winters. They defend their families with a ferocity that has made more than one grown adult sprint across a parking lot in fear. But that same toughness has a blind spot: when something goes wrong — when they get tangled, injured, caught in something man-made — they often have no way to fix it themselves. No hands. No way to cut, unwind, or remove whatever's constricting them. Just time, working against them, second by second, while the injury gets worse and the body starts shutting down blood flow to protect the rest of itself. Left alone, that kind of situation doesn't resolve. It doesn't "work itself out." It ends exactly one way, and it's not a good one. Which is why the window that matters here is so brutally small. Not days. Not hours in some cases. The margin between "this animal makes it" and "this animal doesn't" can come down to a single person, on a single day, choosing not to keep walking. That's the stakes you're watching play out. That's why your chest tightens the second you hit play. Your body understands the stakes before your brain even finishes processing what's happening on screen. And this is the part that I think explains why videos like this hit different than almost anything else on this platform. We are, all of us, walking around holding an enormous amount of helplessness we can't do anything with. The news. The scale of everything wrong in the world. Problems so big, so systemic, so far outside any single person's control that we've collectively learned to just... go numb. Scroll past. Compartmentalize. It's a survival mechanism. You cannot feel the full weight of everything, all the time, or you'd never get out of bed. But every so often, something shows up in your feed that's the exact opposite of that. A problem small enough — specific enough — local enough — that one single, ordinary, non-famous, non-wealthy, non-powerful person can just... solve it. With their hands. In real time. No committee. No funding request. No permission slip. Just a person deciding that this particular piece of suffering, right here, right now, is not going to continue on their watch. That is enormously, viscerally satisfying to witness. It's satisfying in a way that almost nothing else in your feed is, because it's proof — actual, undeniable, on-camera proof — that individual action still means something. That you, one person, with no special resources, could be the difference between an animal living and an animal not living. That agency still exists. That the world isn't only made of problems too big for any of us. That's not a small thing to be reminded of. That's actually one of the most quietly desperate things people are craving right now, whether they'd admit it or not. Now here's where it gets even more interesting, because this isn't just an emotional story — this is a legitimately fascinating one if you understand what's actually happening biologically and behaviorally in the footage. Watch how the surrounding flock reacts. Watch what the rest of the group does, and doesn't do, while all of this unfolds. Geese are famously social, famously alert, famously reactive to any perceived threat near one of their own — and yet what you'll see here defies the instinct you'd expect. There's a reason for that, rooted in how these animals actually assess threat versus help, and once you notice it, you won't be able to unsee it in the rest of the clip. I'm not going to spell it out for you. Watch for it. It's there, right in front of you, and it's one of the most quietly remarkable details in the entire video — the kind of detail that separates people who watch it once from people who watch it five times in a row trying to catch everything they missed. Then there's the ending. I will tell you this much and nothing more: the ending is the reason this is getting saved, not just liked. Saved. Sent to group chats. Sent to people's moms. Sent with the caption "I'm not crying, you're crying." There is a specific final few seconds that recontextualizes literally everything that came before it — turns what could have been a simple "good deed" clip into something that feels closer to a small, perfect short film. A beginning, a crisis, an intervention, and a resolution that actually lands, emotionally, in a way most content never manages to pull off in fifteen seconds or two minutes or however long you end up watching it for. I've watched a lot of "feel-good animal content." Most of it is forgettable. Cute, sure. A dopamine hit, sure. Gone from your memory in ten minutes. This is not that. This is the rare kind that actually sits with you — that you think about later that night, or the next morning, for reasons you can't fully articulate. That's the difference between content and a moment. This is a moment. Let's talk for a second about who does this. Because I think that matters too. There's a version of this story where the "hero" is a trained wildlife rescuer, someone with credentials, equipment, years of experience, a whole organizational apparatus behind them. That story is good. It's reassuring in its own way — proof that the system works, that there are professionals out there handling things. This is not that story. This is an ordinary person. Someone who woke up that day with no plan to become anyone's hero. No training montage. No wildlife rescue license. Just a person who happened to be in the right place, who happened to actually look — really look — instead of glancing and moving on, and who happened to have whatever internal wiring makes some people act instead of hesitate. That distinction matters enormously, because it collapses the distance between "the kind of person who does something like this" and you. It's not a superhero story. It's a "this could have been literally anyone, including me" story. And the honest, slightly uncomfortable truth buried inside that realization is: most of us, most days, would have kept walking. We'd have felt a flicker of concern, maybe taken a photo, maybe felt vaguely bad about it for the rest of the afternoon, and then moved on with our lives, because that's simply what most people do, most of the time, when they're not forced to reckon with an alternative right in front of them. This video is that alternative, playing out in real time, and it's impossible to watch without quietly asking yourself which version of a person you actually are. I don't think that's a comfortable question. I think that's exactly why people can't stop sharing it. Now — a word on why this specific footage works so well from a pure craft standpoint, because even setting aside the emotional weight, there's something happening here structurally that most creators spend years trying to figure out and never quite land. Great short-form video has a shape. Setup. Escalation. Turn. Payoff. Most people who try to make "emotional" content front-load everything — they tell you how to feel before you've felt anything, they oversell, they manipulate obviously, and audiences today can smell that from a mile away and bounce immediately. What makes a clip like this different is that it doesn't ask you to feel anything. It just shows you a sequence of real events, unfolding in real time, and trusts you — correctly — to arrive at the emotion yourself. That trust is rare. That restraint is rare. And it's exactly why, when the turn comes, it hits as hard as it does. Nobody told you it was going to. You got there on your own, which means you actually feel it, instead of being told you should. That's not something you can fake with editing tricks or a trending sound. That's something that only happens when the moment itself is genuinely, unmistakably real. I also want to talk about scale for a second, because I think it's easy to miss how much bigger this issue is than one video, one goose, one lake, one afternoon. Every single day, in cities all over the world, urban wildlife is quietly colliding with human infrastructure in ways most of us never think about. Fishing line nobody bothered to clean up. Litter that looks harmless to us and is a death trap to something smaller, more fragile, more entangled in its environment than we are. Storm drains. Discarded packaging. The debris of a species — us — that moves through the world without much thought for what we leave behind. Most of the time, none of us see the consequences. The animals affected by it don't post about it. They don't trend. They just quietly don't make it, somewhere out of frame, and life goes on for the rest of us completely unaware that anything happened at all. This video is a rare, accidental window into that entire hidden layer of reality — the one that exists parallel to ours, constantly, that we almost never get to actually witness. And for a few minutes, thanks to one person's phone and one person's reflexes, we get to see it, and we get to see it resolved the right way instead of the way it usually resolves when nobody's there. That's not nothing. That's actually kind of extraordinary when you sit with it. Here's a question worth asking yourself honestly, and I want you to actually answer it, not just skim past it: when was the last time you personally stopped — actually stopped, changed your plans, got your hands dirty, inconvenienced yourself in some real way — for a creature that couldn't thank you, couldn't pay you back, couldn't do anything for you in return except exist a little longer because you showed up? If your honest answer is "I can't remember," you're not alone. Most people can't. That's not a moral failing, exactly — it's just how modern life is structured. We're busy. We're distracted. We're moving fast between obligations that already feel like too much. Stopping for something that asks nothing of us and offers nothing back except the fact of having helped is, increasingly, a rare kind of choice. Which is exactly why watching someone else make that choice, cleanly, instinctively, without hesitation, feels almost like watching a small miracle. Not because it's supernatural. Because it's so uncommon in practice, even though in theory it's the simplest, most obviously "right" thing a person could do. I'll say this plainly: I've built accounts to millions of followers. I've seen what actually spreads versus what merely performs well for a day and disappears. The stuff that performs well for a day is clever. It's well-edited. It rides a trend. The stuff that actually spreads — that gets forwarded person to person, week after week, long after the algorithm has moved on to the next thing — is always, always this. Real stakes. Real people. A real moment where something could have gone one of two ways, and it went the better way, because someone decided it would. You're looking at one of those right now. So here's my actual advice, and I don't give this kind of direct instruction often: don't read a recap of this. Don't let someone else's summary substitute for the thing itself. There is a version of this moment happening on your screen, right now, in full, unedited by anyone's words including mine — and it is genuinely, unambiguously worth the two minutes of your life it will cost you. You will see the moment where everything is uncertain. You will see the moment where a decision gets made in real time, with real risk of it not working. You will see the moment where you don't know, and neither did anyone there in that moment, how this was going to end. And then you will see how it actually ended. I'm not going to tell you what that ending looks like. I'm telling you that when you get there, you'll understand exactly why this is the video everyone's been sending to everyone else this week, why it's sitting in a hundred thousand people's "saved" folders, why comment sections under it are full of people saying some version of the same three words over and over. Hit play. You'll get it in the first ten seconds, and you won't regret the two minutes after that. One more thing before you go watch it, because I think it's actually the most important part of all of this, and it's the part that gets lost in every "feel-good video" cycle the internet runs on: the feeling this video gives you — that lump in your throat, that little surge of hope, that reminder that individual action still matters — that feeling is not supposed to be a one-time hit you get from watching someone else do something good and then close the app and move on with your day unchanged. That feeling is supposed to be a signal. A nudge. Evidence, presented to you directly, that the gap between noticing and acting is smaller than you think, and that crossing it is available to you too, the next time you're the one standing there, noticing something that most people would just walk past. You don't need a license. You don't need training. You don't need permission, or an audience, or a camera rolling, or anyone to ever find out you did it at all. You just need to be the kind of person who doesn't keep walking. This video is proof that person exists. Go watch it, and then decide if you're going to be one too. Sound on. Full screen. Watch it to the very end — the last few seconds are the whole reason this is everywhere right now, and no summary, no recap, no paragraph anyone writes about it is a substitute for actually seeing it happen with your own eyes. This is what it looks like when someone chooses not to look away. Now you choose. Let me go a little deeper, because I don't think most people actually understand why their own reaction to this footage is so strong, and I think understanding it makes the video hit even harder the second time around. Psychologists have a name for what you're feeling right now if you've already watched this once. It's sometimes called "moral elevation" — a very specific, very physical response that happens when you witness an act of unexpected goodness. Not just any positive emotion. A distinct one. Your chest can feel warm. Your throat can tighten. Some people report actual chills. It's not the same thing as happiness, and it's not the same thing as being impressed. It's your nervous system responding to proof that people are better than you'd started to assume they were. And here's the part that matters: that response isn't random, and it isn't rare because it's hard to trigger. It's rare because most of what we consume all day is engineered to trigger the opposite — outrage, comparison, anxiety, fear of missing out. Feeds are optimized for reaction, not elevation, because outrage is cheap to produce and elevation isn't. You can't fake this feeling with a clever caption. You can't manufacture it with a trending sound or a plot twist. It only happens when something real, something with actual stakes, resolves in a way that reminds you decency still exists in the wild, unscripted, unpaid, unrewarded. That's why this spreads the way outrage spreads, except it leaves you feeling the opposite of drained afterward. Outrage burns you out. Elevation refuels you. People aren't just sharing this because it's touching — they're sharing it because, for the length of one short video, it makes them feel like being a decent person is still worth it. That's an incredibly rare thing for any piece of content to do, and it's exactly why you're seeing it everywhere this week. Let's talk about the setting for a second too, because I think it's easy to overlook how much it matters that this didn't happen somewhere remote, somewhere wild, somewhere far from ordinary life. This happened in the kind of place you've walked past a thousand times without thinking twice. A park. A pond. The kind of unremarkable, background scenery that exists in almost every neighborhood, that most of us jog past, walk our dogs past, eat lunch near, without ever really looking at it as a place where anything could actually happen. That's exactly the point. The ordinary backdrop is what makes the extraordinary moment inside it land so hard. This isn't some far-off nature documentary shot by a professional crew with a permit and a budget. This is five minutes from somebody's house. This is the kind of place that exists five minutes from your house too. Which means the opportunity this video captures — the chance to notice, to stop, to help — isn't some rare alignment of stars that only happens once in a lifetime, in some exotic location, to some uniquely positioned person. It's sitting there, quietly, in ordinary places, all the time, waiting for someone to actually look. Most days, nobody does. This is what it looks like on the rare day when somebody finally does. I keep coming back to that idea because I think it's the actual core of why this resonates so widely, across ages, across backgrounds, across every single kind of person who ends up watching it. It's not really a story about a goose. It's a story about attention — about what happens in the tiny, easily ignored moment when you notice something is wrong, and what you do with that noticing. Everything else — the outcome, the emotion, the ending that's got everyone talking — flows directly out of that one, incredibly small, incredibly human decision. And if I'm honest, that's what makes content like this so much more valuable than almost anything else competing for your attention today. It doesn't sell you anything. It doesn't want you to buy a product, follow a brand, join a movement, or believe a particular opinion about a particular issue. It just quietly asks you to notice something you might otherwise have scrolled past, the same way the person in this video almost could have too, and didn't. A few things people keep asking in the comments under this video, worth addressing directly: Was this real, or staged? Watch closely and you'll answer that question yourself within the first several seconds — nothing about the pacing, the urgency, or the imperfection of how it unfolds reads like something blocked out in advance. Staged content has a rhythm to it. This doesn't have that rhythm. It has the rhythm of something happening for the first and only time, exactly once, exactly as it happened. Was the animal okay afterward? That's exactly the question this video answers — and it's the reason the final stretch of footage matters so much. I won't spoil it. I'll just say: pay close attention to the very end, because that's the payoff the entire rest of the video has been building toward, whether you consciously noticed the build or not. Why does a video like this get more engagement than videos with way bigger production value, bigger creators, bigger budgets behind them? Because production value has never been what actually moves people. Truth does. A shaky, imperfect, unscripted two minutes of someone doing the right thing at the right moment will outperform a polished, professionally shot piece of content nine times out of ten, because audiences aren't actually asking to be impressed. They're asking to be moved. Those are two very different things, and only one of them is genuinely rare. Here's something else worth sitting with. Somewhere, right now, there's a version of this exact situation playing out with no witness at all. No phone rolling. No person who happens to notice. No intervention. It's happening constantly, everywhere, completely unrecorded, completely unremarked upon, because most of the time, nobody's there, or the person who's there keeps walking. This video isn't rare because the situation itself is rare. The situation is common — heartbreakingly, quietly common. What's rare is the outcome. What's rare is someone actually being there, actually noticing, actually choosing to act, and someone else actually catching it on camera so the rest of us get to witness what usually happens completely out of view. That's the real reason this deserves your two minutes more than almost anything else you'll see in your feed today. Not because it's rare that an animal needed help. Because it's rare that help actually showed up in time, and rarer still that any of us get to see it. So go watch it. Not the summary. Not somebody's recap in the replies. The actual footage, start to finish, full screen, sound on. Let the moment build the way it's supposed to build. Let yourself not know how it ends until it ends. That uncertainty — that genuine not-knowing — is exactly what makes the resolution land the way it's supposed to land. And when you get to the end, and you feel whatever you're about to feel, do one more thing: send it to somebody. Not because it needs the views. Because somebody in your life probably needs the reminder, just as much as you did, that this is still what people are capable of when nobody's asking them to be. That's the whole point. That's why it's everywhere. That's why you should watch it right now, before you scroll past one more thing today without actually seeing it. #AnimalRescue #WildlifeRescue #GooseRescue #AnimalsOfTwitter #RescueStory #ActOfKindness #HumanityRestored #WildlifeConservation #UrbanWildlife #ViralVideo #EmotionalStory #DoGood #AnimalLovers #NatureRescue #HeroesAmongUs #WeLoveAnimals #RescueMission #CompassionInAction #FaithInHumanity #WatchTillTheEnd

Earth Unveiled

25,468 Aufrufe • vor 9 Tagen

"George Knapp and I provided that list (of 46 videos) to Congress." ~JC What's it Gonna Take to Wake the Masses? Full segment with Biden, Obama and Trump comments. Trump: "They wanna find out about the UFOs, and anything having to do with UFO or related material. And we're gonna be releasing a lot of things from...that we have. And I think some of it's gonna be very interesting to people." ~ Peter Doocy in Studio: "Many historic developments in a story that I've been working on for five years, but our next guest has been working on for much longer. So, let's start here. My interest was piqued when Barack Obama said this in 2021." Obama on The Late Show with James Corden: "When it comes to aliens, there are some things I just can't tell you, on air." ~ Doocy in Studio: "I was so curious about that, so I asked the only man I knew, at the time, who could possibly help." ~ Doocy: "President Obama says that there is footage and records of objects in the skies, these Unidentified Aerial Phenomenon. And he says, we don't know exactly what they are. What do you think that it is?" Biden: "I would ask him again. Thank you." (A pathetic response that I called out at the time. Maybe I have BDS? 😵‍💫 ) ~ Doocy in Studio: "Not very helpful, Joe! I haven't had a chance to ask Barack Obama, and it had been eating at me. And then, he said something else." ~ Brian Tyler Cohen (BTC): "Are aliens real?" Obama: "Uh, they're real, but I haven't seen 'em, and they're not being kept in, uh... What is it?" BTC: "Area 51?" Obama: "Area 51." ~ Doocy in Studio: "If the last President couldn't help us with answers about aliens, maybe this one could. Spoiler alert, he did." ~ Doocy on Air Force One: "Barack Obama said that aliens are real. Have you seen any evidence of non-human visitors to Earth?" Trump: "Well he gave classified information, he's not supposed to be doing that. You know." Doocy: "So aliens are real?" Trump: "Well I don't know if they're real or not, I can tell you he gave classified information." ~ Doocy: "Jeremy Kenyon Lockyer Corbell is an investigative journalist and the co-host of the 'Weaponized' podcast. He knows more about this than anybody. And the new movie about him, 'Sleeping Dog' and UFO disclosure, is excellent, I watched it yesterday. "Jeremy, there are 46 videos that Congress wants the Pentagon to declassify. The Pentagon missed the deadline to do it. But, will these 46 videos be convincing enough to have Americans saying, 'I have no doubts aliens have visited Earth'"? Corbell: "You know, I think that these are data points. I think these 46 videos are really important. I think the American public should be able to see them, and so does Congress. They specifically identified these 46 videos because they know that these videos exist. They are designated UAP by our own military and intelligence services. I have been exposed to a number of these. In fact, George Knapp and I provided that list to Congress. We've actually released some of those videos. So, the American public is ready for this. "Now what it's gonna tell us, what the end result is gonna be? It's another data set of footage the American public can look at. But here is what I know for a fact, Peter: There are machines, there are craft of unknown origin that fly with impunity in our restricted airspace, and our government has been assessing this as a national threat for decades. The jig is up. People now know: UAP are real. "But what are UAP? Who are flying these machines. Who made these machines that can outpace, outmaneuver and outperform our greatest war fighters? That's the question." Doocy: "And so, you were just talking about this. We've got video that we can put up on the screen. One of the videos that your sources helped you guys get out of a government vault." (Important detail: Corbell and Knapp have sources. Their source, or sources, somehow acquired that video (and others), Corbell and Knapp obtained it from said source(s), and then released it.) Doocy: "It is a UAP over Syria in 2021 flying at an impossible speed, demonstrating instantaneous acceleration. This is the video. A lot of people will look at this and say, 'Well, it could be China, it could be Russia, it could be somebody else.' But when you see this and the other videos - some of the 45 other videos that you have seen - what do you think?" Corbell: "Yeah, look, we do not have the capability, unfortunately, for instantaneous motion. The idea of inertial effect and what would happen, this is baffling to the intelligence community." (Here's where I push back. This is from November of 2025 on "Weaponized," where the head of the AAWSAP UFO program (2008-2010), James Lacatski, was interviewed. Corbell: "We hear about all these people on military bases seeing triangles, and you're doing this study, AAWSAP to try to figure out the physics of how to do that. Do you think it's already been achieved by the U.S. government, or it hasn't, and that's why AAWSAP had a lot of value." Lacatski: "It hasn't been achieved to its full extent." (How far did they get? To 80% of the full extent of what alleged NHI craft can do? 90%? Was the ability to accelerate instantaneously achieved? We don't know. Commander Will Miler (Ret.) has said that he had a friend who worked at Area 51 and that friend suggested that we have craft that can do, "Mach 9 and then suddenly make a right-angle turn.") ⬇️⬇️⬇️ ~~~ Corbell: "What George and I put out, it is their analysis that this is demonstrating, this craft, which is not aerodynamic. When you look at this video, it instantaneously shoots off to the right, once the Reaper drone got a weapons-grade lock on it. So its ability to maneuver is far beyond anything that China, Russia or the U.S. has." (When I look at UAP videos, I try to see them through the eyes of an open-minded skeptic. I have several coworkers who fit that bill and I show them videos when they're released to get their take. I think the 2021 video from Syria (I'll link to a more complete version of it in the replies) is important because it appears to be demonstrating instantaneous acceleration. But when I showed that video to those coworkers of mine, they were not impressed. It's not clear or close enough. If the rest of the 46 videos are like that, I don't see it jolting the masses awake (which we really need) about the seriousness of this topic. Then again, maybe so many videos being declassified may do the trick? Also, WHO in our government has labeled those objects in the videos as UAP? That's important to know. Was it just the guys from the UAP Task Force?) Corbell: "Look, this is a known secret on the inside. It's an open secret that UAP are real and that they're able to evade, sometimes detection, but absolutely our weaponry. And it's an issue because they are oftentimes loitering over sensitive, critical infrastructure within the United States. This is not me saying this. This has been admitted by our own administration and government. I think we're closer than ever. The intent is to bring the truth forward to the American public. We are closer than ever, and it's just gotta be done now." Doocy: "And my last question, we have two minutes left in the show: You've reported that some of these UFO files, for generations. have been kept secret even from sitting presidents. Who would have the power in this country to decide, if not the President, that the American people don't have a right to know about something so important, like UFOs?" Corbell: "Right. This is game-changing, and it's nature itself. It's not something that should be held back. And presidents have admitted that they have been held out from that information. Very famously, President Clinton talked about that. Not the first time, he said, a president has been lied to." Related Bill Clinton Clip: "If the U.S. Air Force did recover alien bodies, they didn't tell me about it, either, and I wanna know." ~Clinton ~ Corbell: "Well now the pressure is on. Congress is asking for these 46 videos, and if we've ever had an administration and a president that sees the public interest and would enact upon that for the people, it would be this sitting president. So I'm very encouraged at this moment, we have an opportunity." (I'll be encouraged if Trump actually signs an Executive Order calling for the declassification of UFO videos and records.) Corbell: "None of these have really been announcements. It's an opportunity now for the American public to understand the UFO presence is real and that it's been going on a long time, and it has been of national security concern." Doocy: "And we have less than a minute left in the show, but we asked our audience if they had questions for you, and Lena sent one in. She wants to know, 'Are they" - presumably aliens - "walking around right now and we don't know it?" Corbell: "Yeah, so, if we don't get past the first question, we don't get past the first acknowledgement, we're never gonna know the interaction that whoever these pilots are of these craft of unknown origin, that they believe do not originate here on Earth. If we don't get past that first question, we're never gonna be able to answer that question (laughs)." Doocy: "Well, we've been trying to make this happen for a long time. Jeremy, thank you so much for being here. This is a story that we will keep asking about at the highest levels of government. So thank you." Corbell: "Yeah, I encourage people to watch the film, 'Sleeping Dog' that's coming out, because it does dive into investigative journalism on this, [and] how much progress we've made." Doocy: "And we will watch. That's all we got. I'm Peter Doocy in Washington. See you next time."

Joe Murgia

11,486 Aufrufe • vor 4 Monaten

Absolutely masterful interview on Gaza of Dominique De Villepin, former Prime Minister of France, who famously led France's opposition to the Iraq war and who, IMHO is the best diplomat the West has produced in decades. This is so important, so incredibly well argued, that I decided to translate it in full: "Hamas has set a trap for us, and this trap is one of maximum horror, of maximum cruelty. And so there's a risk of an escalation in militarism, of more military interventions, as if we could with armies solve a problem as serious as the Palestinian question. There's also a second major trap, which is that of Occidentalism. We find ourselves trapped, with Israel, in this western bloc which today is being challenged by most of the international community. [Presenter: What is Occidentalism?] Occidentalism is the idea that the West, which for 5 centuries managed the world's affairs, will be able to quietly continue to do so. And we can clearly see, even in the debates of the French political class, that there is the idea that, faced with what is currently happening in the Middle East, we must continue the fight even more, towards what might resemble a religious or a civilizational war. That is to say, to isolate ourselves even more on the international stage. This is not the way, especially since there's a third trap, which is that of moralism. And here we have in a way the proof, through what is happening in Ukraine and what is happening in the Middle East, of this double standard that is denounced everywhere in the world, including in recent weeks when I travel to Africa, the Middle East, or Latin America. The criticism is always the same: look at how civilian populations are treated in Gaza, you denounce what happened in Ukraine, and you are very timid in the face of the tragedy unfolding in Gaza. Consider international law, the second criticism that is made by the global south. We sanction Russia when it aggresses Ukraine, we sanction Russia when it doesn't respect the resolutions of the United Nations, and it's been 70 years that the resolutions of the United Nations have been voted in vain and that Israel doesn't respect them. [Presenter: Do you believe that the Westerners are currently guilty of hubris?] Westerners must open their eyes to the extent of the historical drama unfolding before us to find the right answers. [Presenter: What is the historical drama? I mean, we're talking about the tragedy of October 7th first and foremost, right?] Of course, there are these horrors happening, but the way to respond to them is crucial. Are we going to kill the future by finding the wrong answers... [Presenter: Kill the future?] Kill the future, yes! Why? [Presenter: But who is killing whom?] You are in a game of causes and effects. Faced with the tragedy of history, one cannot take this 'chain of causality' analytical grid, simply because if you do you can't escape from it. Once we understand that there is a trap, once we realize that behind this trap there has also been a change in the Middle East regarding the Palestinian issue... The situation today is profoundly different [from what it was in the past]. The Palestinian cause was a political and secular cause. Today we are faced with an Islamist cause, led by Hamas. Obviously, this kind of cause is absolute and allows no form of negotiation. On the Israeli side, there has also been a development. Zionism was secular and political, championed by Theodor Herzl in the late 19th century. It has largely become messianic, biblical today. This means that they too do not want to compromise, and everything that the far-right Israeli government does, continuing to encourage colonization, obviously makes things worse, including since October 7th. So in this context, understand that we are already in this region facing a problem that seems profoundly insoluble. Added to this is the hardening of states. Diplomatically, look at the statements of the King of Jordan, they are not the same as six months ago. Look at the statements of Erdogan in Turkey. [Presenter: Precisely, these are extremely harsh statements...] Extremely worrying. Why? Because if the Palestinian cause, the Palestinian issue, hasn't been brought to the forefront, hasn't been put on stage [for a while], and if most of the youth today in Europe have often never even heard of it, it remains for the Arab peoples the mother of all battles. All the progress made towards an attempt to stabilize the Middle East, where one could believe... [Presenter: Yes, but whose fault is it? I have a hard time following you, is it Hamas's fault?] But Ms. Malherbe, I am trained as a diplomat. The question of fault will be addressed by historians and philosophers. [Presenter: But you can't remain neutral, it's difficult, it's complicated, isn't it?] I am not neutral, I am in action. I am simply telling you that every day that passes, we can ensure that this horrific cycle stops... that's why I speak of a trap and that's why it's so important to know what response we are going to give. We stand alone before history today. And we do not treat this new world the way we currently do, knowing that today we are no longer in a position of strength, we are not able to manage on our own, as the world's policemen. [Presenter: So what do we do?] Exactly, what should we do? This is where it is essential not to cut off anyone on the international stage. [Presenter: Including the Russians?] Everyone. [Presenter: Everyone? Should we ask the Russians for help?] I'm not saying we should ask the Russians for help. I'm saying: if the Russians can contribute by calming some factions in this region, then it will be a step in the right direction. [Presenter: How can we proportionally respond to barbarism? It's no longer army against army.] But listen, Appolline de Malherbe, the civilian populations that are dying in Gaza, don't they exist? So because horror was committed on one side, horror must be committed on the other? [Presenter: Do we indeed need to equate the two?] No, it's you who are doing that. I'm not saying I equate the faults. I try to take into account what a large part of humanity thinks. There is certainly a realistic objective to pursue, which is to eradicate the Hamas leaders who committed this horror. And not to confuse the Palestinians with Hamas, that's a realistic goal. The second thing is a targeted response. Let's define realistic political objectives. And the third thing is a combined response. Because there is no effective use of force without a political strategy. We are not in 1973 or in 1967. There are things no army in the world knows how to do, which is to win in an asymmetrical battle against terrorists. The war on terror has never been won anywhere. And it instead triggers extremely dramatic misdeeds, cycles, and escalations. If America lost in Afghanistan, if America lost in Iraq, if we lost in the Sahel, it's because it's a battle that can't be won simply, it's not like you have a hammer that strikes a nail and the problem is solved. So we need to mobilize the international community, get out of this Western entrapment in which we are. [Presenter: But when Emmanuel Macron talks about an international coalition…] Yes, and what was the response? [Presenter: None.] Exactly. We need a political perspective, and this is challenging because the two-state solution has been removed from the Israeli political and diplomatic program. Israel needs to understand that for a country with a territory of 20,000 square kilometers, a population of 9 million inhabitants, facing 1.5 billion people... Peoples have never forgotten that the Palestinian cause and the injustice done to the Palestinians was a significant source of mobilization. We must consider this situation, and I believe it is essential to help Israel, to guide... some say impose, but I think it's better to convince, to move in this direction. The challenge is that there is no interlocutor today, neither on the Israeli side nor the Palestinian side. We need to bring out interlocutors. [Presenter: It's not for us to choose who will be the leaders of Palestine.] The Israeli policy over recent years did not necessarily want to cultivate a Palestinian leadership... Many are in prison, and Israel's interest - because I repeat: it was not in their program or in Israel's interest at the time, or so they thought - was instead to divide the Palestinians and ensure that the Palestinian question fades. This Palestinian question will not fade. And so we must address it and find an answer. This is where we need courage. The use of force is a dead end. The moral condemnation of what Hamas did - and there's no "but" in my words regarding the moral condemnation of this horror - must not prevent us from moving forward politically and diplomatically in an enlightened manner. The law of retaliation is a never-ending cycle. [Presenter: The "eye for an eye, tooth for tooth".] Yes. That's why the political response must be defended by us. Israel has a right to self-defense, but this right cannot be indiscriminate vengeance. And there cannot be collective responsibility of the Palestinian people for the actions of a terrorist minority from Hamas. When you get into this cycle of finding faults, one side's memories clash with the other's. Some will juxtapose Israel's memories with the memories of the Nakba, the 1948 catastrophe, which is a disaster that the Palestinians still experience every day. So you can't break these cycles. We must have the strength, of course, to understand and denounce what happened, and from this standpoint, there's no doubt about our position. But we must also have the courage, and that's what diplomacy is... diplomacy is about being able to believe that there is light at the end of the tunnel. And that's the cunning of history; when you're at the bottom, something can happen that gives hope. After the 1973 war, who would have thought that before the end of the decade, Egypt would sign a peace treaty with Israel? The debate shouldn't be about rhetoric or word choice. The debate today is about action; we must act. And when you think about action, there are two options. Either it's war, war, war. Or it's about trying to move towards peace, and I'll say it again, it's in Israel's interest. It's in Israel's interest!"

Arnaud Bertrand

10,938,350 Aufrufe • vor 2 Jahren

"Expecting rebuttals to remain confined to journals, while misinformation spreads freely online, is neither realism nor appropriate. If something is promoted in public, it must be corrected in public." ~Proctor's Response to Coulthart (Why am I spending more time on this? American Alchemy's video on the mummies has 904,000 views. @incredhistory's video has 5,500 views. The original, sensationalistic claims always do MUCH better than any evidence that is presented later that throws cold water on said claims. That's always been an issue. That could change if Jesse makes a short video on his YT channel right now, linked to the @incredhistory video, and implores his viewers to watch it with an open mind. And/or if he pins a tweet linking his X followers to the "Incredible History" analysis.) "At one point in time, I was truly wondering if these [mummies] were a new species." ~Accused Debunker, Will Brown 🙂 "It's just too early, yet, for me to make any kind of definitive statement about what I think about these objects." ~Ross Coulthart (After watching the new video by "Incredible History" and the interview done on "Weaponized," it's not too early for me (and MANY other people) to say I believe they're fake. Others felt they were fake right from the start but I wanted to wait for more evidence. We have that now. From yesterday's "Reality Check" with Coulthart and Meagan Medick.) Coulthart: "I think (the new @incredhistory video) is important. It raises... I've actually been in touch with the gentleman who made it, Will (Brown), and I'm hoping to some stage, talk to him. And I'd like to include what he says in any analysis that we do on NewsNation about the tridactals." (Who are the experts featured in the new "Incredible History" video segments that I clipped below? Dr. Daniel Proctor (Galaxopithecus), "has a PhD in bio-anthropology. Specifically, his area of focus is the hands and the feet. He has published papers on the evolution of the hands and the feet, including focusing of the ability to grasp." Dr. Joseph A.P. Wilson (Joseph A P Wilson), "earned his doctorate in anthropology from the University of Florida. he's current lecturer in archeology at the University of Massachusetts Amherst, and part time lecturer in anthropology at Fairfield University. And more importantly., before academia, he worked as a molecular genetic technologist at Greenwood Genetic Center in South Carolina." Michele - Mrs Anthrope (Radiographer) - Mrs. Anthrope The descriptions of their credentials is from the "Incredible History" video which I clipped a few segments from and included below.) ~More from Reality Check~ Coulthart: "We've filmed in Peru, and we've spoken directly with the doctors there. As I said in social media commentary that was posted before I left Peru, it's just too early, yet, for me to make any kind of definitive statement about what I think about these objects. I'm very careful not to even say, beings." (Again, after the seeing the "Incredible History" video, it shouldn't be too early to offer up a new opinion.) Coulthart: "I certainly got the impression from the CT tomography scans that they seemed like intact beings of some kind. But frankly, I'm not an anatomist. I'm not an anthropologist or anyone with any kind of experience in a scientific analysis of these beings. And I think we'll have to go with what good science says. And all the way through in this, what the scientists in Peru have told me, and what the scientists in America and indeed in Mexico have told me, is they want independent review. They want independent assessment. "And I guess what I'm a little worried about is the partisan way, the way that on UFO, UAP, Twitter, social media, people take their positions and adopt in a definitive position once and for all. This is a hoax, or this is real. Frankly, I just don't think we know enough right now. I don't think you can base a final conclusion on an analysis of a couple of bones in one alleged being's scans. I've heard arguments two and for." (With the new information, it's NOT "partisan" and I am NOT saying "once and for all." But I think the arguments for fraud put forth by "Incredible History" are pretty damning and are enough to show anybody with an open mind that there are massive problems with the hypothesis that these are non-human beings or...hybrids of humans and non-humans. It appears to be a done deal: aka Fake.) Coulthart: "What I think will be definitive, and I'm aware that there is a DNA analysis underway at the moment. I don't know the name of the institution in the United States that's doing it, but there is some kind of DNA analysis underway, which will hopefully provide us with more answers as to the genetic origins of whatever these objects are. And that should be coming out sometime this year, hopefully fairly early up. "Until then, yes, I do think that we should acknowledge that there's been some great work done to raise, I think, serious questions about the legitimacy or the authenticity of the beings or the objects, but let's keep an open mind and let's reward and applaud good science where it's done. "This isn't like some kind of wrestling bout. You know, there's not a winner or a loser." (The credibility of the non-human subject is in danger of being set back because so many people in this community want to believe so hard and will ignore anything that goes against those beliefs. If these, apparent, hoaxes are not called out and done so, forcefully, we're all going to lose.) Coulthart: "Science is an iterative process where people basically do an analysis and make an assessment. Let's make those assessments, do the independent work, make sure that independent scientists with rigor get peer reviewed and checked and assessed, and then we can come up with a judgment. "I think the real tragedy would be if these are, potentially, if they are significantly important objects that have, basically, been procured as part of Peru's natural, cultural, significant history, it would be really tragic if, because of a sweeping assertion that these are a hoax, that the entire thing is not taken seriously. I'm not so sure I can dismiss it out of hand just because of this latest debunk, but I'm very, very happy to let independent, rigorous science do the do the guesswork and do the analysis." ~ (Will Brown (@incredhistory) responded to Coulthart's take via a reply to Meagan Medick's post.) Will Brown: "Curious why you all didn’t give the same reaction to Jesse Michel's (Jesse Michels) bold proclamations in a video that received 200x the views mine did on YouTube? "Similar question for Jay Anderson’s (Jay Anderson) 'scientific proof' video which has 10X the views? "Perhaps it’s because those videos don’t throw a wrench in whatever it is you are working on? "…any and all documentaries and books moving forward should include Steve Mera's testimony about what’s actually going on in Palpa." ~ Will Brown: "Hey Ross Coulthart, I’m hoping you’ll correct yourself here. In this video you stated we only looked at scans for one of the 'beings.' That is false. The video covers Maria and Monseratt. The Podcast with Jeremy Kenyon Lockyer Corbell and George Knapp adds Paloma in addition to Maria and Monseratt... All of which have multiple signs of manipulation on hands and feet. "You told me you watched my video…you even said you thought it was excellent and that it brought up legitimate concerns. "Did you actually watch the video? "Your statements today make me believe that you didn’t watch at all." ~ (And here's Dr. Daniel Proctor's (Galaxopithecus) response to Coulthart, and others, who are holding out hope for new DNA analysis.) Proctor: "I want to respond to Ross Coulthart’s recent caution that we should be careful calling the Nazca mummies a 'hoax' because they might represent cultural heritage, and to his claim that DNA should be more definitive than anatomy. "Respectfully, this framing gets the issue backwards. "First, there is nothing new here. 'Maria' was introduced nearly a decade ago. She did not appear last year, or this year, or as some sudden scientific revelation. She has been circulating since roughly 2015–2016, and in that entire span she has never been properly documented in reputable osteological, archaeological, or forensic journals. There is no provenience, as they allegedly come from a cave from an undisclosed location. No controlled excavation, no chain of custody, no standard reports of any nature, and anonymous discoverer. "What we are actually seeing is a slow drip of bodies, which are always sensational, always just beyond proper access, always promoted as revolutionary, and always somehow unable to withstand normal scientific scrutiny. That pattern is not accidental. "Second, anatomy is not secondary evidence. "The idea that DNA should be privileged over gross anatomy in evaluating human remains is baffling. Anatomy is primary data. Bones do not lie about how they articulate. Hand bones do not mysteriously relocate into feet. Developmental biology places hard constraints on what a viable organism can look like. "DNA can tell you what tissue something came from, within the strict parameters for which the tests have been designed. No mainstream lab has tests for some hypothetical 'alien' DNA. "Anatomy tells you whether the body ever existed as a coherent organism. In this case, the anatomy alone demonstrates fabrication. That is not speculative. It is observable. "Third, the cultural-heritage argument is deeply ironic. "The Nazca mummy trade, because that is what this is, destroys real cultural heritage. Looting graves, ghoulishly disarticulating bodies, recombining bones, and fabricating specimens for sale and spectacle is the opposite of preservation. Calling attention to that destruction is not disrespectful, on the contrary, it is necessary. "We have seen this playbook before. The commercialization of mummies, the alienization of cranial modification, and the recycling of colonial myths about 'non-human' ancient peoples. 'None of this is new. 'What is new is the social-media amplification. "Which brings me to Ross’s discomfort with debunking (or defending) these claims on social media rather than in scientific venues. "Here’s the problem: this hoax does not live in scientific venues. "It never has. "It lives on YouTube, on X, on press conferences, in podcasts, and in staged congressional spectacles. It is an argument of persuasion, not evidence. Expecting rebuttals to remain confined to journals, while misinformation spreads freely online, is neither realism nor appropriate. If something is promoted in public, it must be corrected in public. "Finally, caution cuts both ways. Being 'diplomatic' toward a hoax that incentivizes grave robbery, fuels pseudoscience, and misrepresents Indigenous pasts does not protect heritage. It only enables its continued destruction."

Joe Murgia

44,343 Aufrufe • vor 8 Monaten

‡ The Pacific Classic Result It was unfortunate that Nysos was scratched, but the result was interesting, with Fierceness, the 1.6/1 second-favorite, comfortably handling Journalism, the (overbet) 2/5 choice. That the odds of the remaining five runners ranged between 22/1 and 72/1, underscored the yawning gap in quality between the top pair and the rest. So it was clearly no surprise that the "also-rans" toiled in their wake. What was surprising, at least at first glance, was how well Fierceness appeared to handle less than ideal conditions. But on closer inspection, his trip was actually far less challenging than the vast majority of post-race takes have suggested. His having ducked in soon after the start, almost making contact with the temporary extension rail, could have been a disaster, but it wasn't, and its importance has arguably been overblown. I say that because it was not similar to the trouble that he had encountered early in some of his previous races, in that he was in his own space, and was neither bumped, constricted, nor otherwise intimidated by other runners. This is an important distinction, because the mental weakness that he had previously displayed was related to close encounters with other horses, and his ducking-in after the break did not fall into that category. Inexperienced horses may suffer from that type of self-inflicted event, but given a mature, experienced runner, they are almost always forgotten quickly, which was clearly the case here. The fact that it was a long race also helped to mitigate the event, as there was no need for the rider to panic, or feel pressure to make up ground immediately. It is even possible that the early ground loss actually helped Fierceness, as had he been drawn closer to the pace early, it could have rendered him vulnerable in the late stages of the race. At the same time, due to the inside post, and how the race unfolded, Johnny Velasquez, who has done such a brilliant job keeping Fierceness outside and clear of his rivals in his previous wins, was forced to make the best of racing inside of horses. I understand why some are tempted to argue that Fierceness displayed a new dimension, as there were no obvious signs of him having been intimidated, despite the inside trip. But while I am willing to consider the possibility that he has gained confidence, I remain skeptical of any significant change, in part because it would be highly unusual for a horse to overcome that type of mental weakness midway through its four-year-old season, and/or in its 13th start. I also remain unconvinced for more subtle reasons. First, Fierceness was never bounced around, and with the possible exception of the first turn, he was never forced to race in especially tight quarters. Secondly, the rhythm of the race, after the initial duck-in, was actually smooth, and therefore beneficial to him. To understand why the above points are important, consider that Fierceness was never, so to speak, allergic to racing inside, but was more likely to face contact, be squeezed into a tight space, or have his rhythm thrown off when breaking from an inside post. In contrast, when breaking from an outside post, JV has invariably been able to place him clear of the pack, and in a comfortable, stalking rhythm. Fierceness is also essentially a free-runner, with a "light" mouth, and as such performs best when his rider allows him to dictate his own rhythm and pace. That is why, for example, Johnny V was not at all responsible for his loss in the Breeders' Cup Classic, as he is not the type of horse that a rider can take a strong hold of in order to restrain him further off of the pace, as that would discourage him. And to the great credit of both JV and Todd Pletcher, they picked up on this early on, and have done a superb job mitigating the colt's limitations, and maximizing his potential. In the Pacific Classic, despite racing on the inside, Johnny V remained cool and calm, and gave Fierceness another masterful ride. He and the colt's connections did benefit though, as none of his rivals, either intentionally or not, tightened things up significantly, or otherwise disrupted his rhythm. In fact, quite the opposite. Having tracked comfortably through much of the race, and with space around him, Fierceness displayed his trademark spurt on the final turn. And while the pan shot may suggest that he slipped though a tight opening, it was more like the red sea parting, as the embedded head-on view illustrates. If you are able to view the full head-on replay, you will find that despite racing inside, Fierceness actually enjoyed quite a comfortable trip, after the eventful few strides. A more subtle indication that we were watching the same horse as in his previous races comes :12-14 seconds into the embedded clip. When he was about to take the lead, he cocked his head to the right, as if he may have been worried about the horse outside of him. He was able to draw away from that one so quickly that it was ultimately of no practical consequence, but I would say that it implies that he hasn't suddenly developed the heart of a lion. *** Two qualities that have been crucial to Fierceness' success are his tactical speed, coupled with the separation that he produces on the final turn of his (two-turn) races. His ability to take command at that crucial stage has served him very well, particularly in his narrow win over Thorpedo Anna, and it was again on display in the Pacific Classic. A big part of the reason why that move has been such an important part of his arsenal is that it typically allows his him to take a "breather", before digging deep in an effort to fend off any late dangers. I encourage you to watch the (pan) replay of the Pacific Classic, and focus on Johnny V from around the 3/8th pole to the head of the stretch, as he was sitting like the proverbial statue. So for at least a furlong and a half, Fierceness was on cruise control, while Journalism, his only danger, was under pressure to make up ground, in an attempt to simply reach striking distance. But with all due credit to Fierceness and his rider for having produced fine efforts in the Pacific Classic, was this really an exceptionally outstanding performance, or was it at least partly a reflection of his only serious rival failing to run his best? I'm inclined to argue the latter. Despite Journalism having produced an unusually good 3yo campaign, capped by three Gr. I wins, including a Classic success in the Preakness, and never finishing worse than second, there have been some lingering questions. One of them is whether he is actually as well-suited to 10f. as he is to 8-9f. races. Yes, he was beaten in his two previous tries over 10f. by Sovereignty, a better horse. But in each race he was able to gain first-run on that one, an advantage that is typically difficult to overcome, yet lost ground late to the winner both times, and to Baeza as well, in the KY Derby. Some have suggested that he may have a tendency to loaf when in front, but I haven't seen any compelling evidence of that. And such horses typically dig in when passed, in efforts to re-engage, which we haven't seen, at least overtly, from Journalism. He also drew away from his rivals late in his first three wins. Alex Evers made this interesting comment about the kickback in the Pacific Classic: "I've photographed racing for 20 years, I've never seen kick back knock a jockeys goggles off like this." Here is a link to his supporting photos, which are typically excellent: Could that have discouraged Journalism? I suppose that it could have been an impediment, but he is such a tough and honest horse, that I would be surprised to learn that it was a meaningful factor. By contemporary standards, Journalism has also had a busy campaign, having raced a touch over once per month since March, all but one of which in Grade I events, and four times well away from his home base. So it is possible that he is beginning to feel the effects of those races, and travels. I have also noted that from a Beyer figure standpoint, he hasn't really moved forward, and it's worth noting that in contrast to Sovereignty and Baeza, both of which were late (May) foals, Journalism was a February foal, and may not have had quite as much room to improve. I don't know why he lagged so far behind in the early stages of the Pacific Classic, or if there was any tactical intention behind it. I had previously suggested that it might make sense to ride him more patiently, a tactic that is sometimes adopted when there are questions about a horse staying a trip. But I didn't notice any improved late kick, so it's difficult to interpret the performance. Fierceness earned a 107 Beyer figure for his victory, slower than his best three races last year, and merely equivalent to his comeback victory in the Gr. II Alysheba at Churchill Downs, in May. That doesn't suggest that it was a particularly outstanding performance. Journalism was given a 102, which implies that the return to his home court did not catalyze any notable forward move. *** I would say that there is one relevant pattern that has emerged, namely that Fierceness has an apparent affinity for the faster, high energy return track surfaces in California. He has now contested three races in CA (Beyer): 1st Breeders' Cup Juvenile (105) 2nd Breeders' Cup Classic (111) 1st Pacific Classic (107) It's also interesting to compare the colt's first and last half-mile fractions in his effort in last year's BCC, and the PC, both contested at Del Mar over 10f.: BCC – :45 1/5 • :51 3/5 PC – :46 1/5 • :50 2/5 Predictably, he finished better in the PC, thanks to more manageable early fractions. But would a repeat of that effort be nearly sufficient to win this year's Classic? Given the various points noted above, coupled with Sovereignty's continued improvement, and seemingly bottomless stamina, I would be inclined to say no. And that's before even factoring Sierra Leone, Mindframe, Forever Young, et al, into the conversation. But setting aside all of the fine parsing, I'm happy to congratulate Repole Stable, and Fierceness' other connections, for having shipped to California, and for being rewarded with an exciting, winning effort. Assuming that the colt makes it to the Breeders' Cup Classic in good order, he should minimally add spice to the race, and who knows, perhaps even provide a serious challenge to knock Sovereignty off of his current throne.

Tinky

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