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It's time to talk about something. My artwork workflow. This is going to be a long one. As some of you may know, I work with our in-house artist, and have for over 3-4 years. He has done all of the Kurosun , GLSSWRKS and tekkusai designs - even... the logos. Yes, seriously, it's all the same guy. Of course, Kurosun art has existed before the age of good generative AI , back in 2022. So it was always from idea straight to human drawing. With GLSSWRKS, the workflow was always to use AI as reference, and then let the artist work for weeks or months until it feels just right. After our first release, which was really similar to the original AI reference, we decided to never keep them that close again. Our artist has taken more liberty to make their own version of each idea, making over 60 versions of each character, by hand. My own tekkusai releases are much the same, the ideas start from a reference, and the artist then gets to work and stays in the loop with me, we work back and forth for a long time until it feels right. So, some people have asked, what's the reason for working this way? Well, I think that artists are important. I highly value working with both my artists (one for artwork, and one for 3D visuals). Their taste matters to me. Our back and forth matters to me. Our friendship matters to me. The fact that they get paid matters to me, and that is something that will never change. Every pixel from the artwork is drawn by a human, with only references being generative AI. This is the reason I have always said "AI hybrid, but there is a real artist that works hard and gets paid", because to me, that's the part that matters. Apex took two months of work just on the art/3D visual side. It took even longer to develop this surface and coating. If you're wondering why now, I think it's the right time to talk about it. Before anything else is sold. Before any rumors circulate. Everyone is entitled to their own opinion and where they draw the line. This is where I draw mine. Much love to everyone, tekkshow more

tekkusai

15,011 subscribers

33,358 Aufrufe • vor 17 Tagen •via X (Twitter)

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My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

Chikai

21,488 Aufrufe • vor 2 Jahren

"Obviously, there's lots of different views on this year's generation of car, but I mean, for me, it's just exciting that it's a new era for the sport. I think every time it has been a new era, it's always been exciting to see where people come out and I'm proud of the team. The work we've done over the last year to get us to this point and be closer to the front and in the battle, I think is really a showing of the amazing work the team's done." "Of course, there's bits that I don't love, like the deployment and the lift and coast, some things we happen to do, and SM, it's all not ideal, but racing-wise, it's been really, really fun." "That race I had with Charles, just in the second race, was one of the most fun races I've had, I think. Other than that was maybe me and Nico in Bahrain many years ago." "So I just hope we get more of that because that's what racing's about. It's like back and forth, back and forth, rather than one take and then it's over. So I personally enjoy that." "My point that I was making earlier is that in karting, it happens in karting all the time, back and forth, back and forth, no one ever calls it yo-yo racing. It's real racing. So whoever's coming out with that is... yeah." [via Sky Sports | F1 2026 | Japan]

"Obviously, there's lots of different views on this year's generation of car, but I mean, for me, it's just exciting that it's a new era for the sport. I think every time it has been a new era, it's always been exciting to see where people come out and I'm proud of the team. The work we've done over the last year to get us to this point and be closer to the front and in the battle, I think is really a showing of the amazing work the team's done." "Of course, there's bits that I don't love, like the deployment and the lift and coast, some things we happen to do, and SM, it's all not ideal, but racing-wise, it's been really, really fun." "That race I had with Charles, just in the second race, was one of the most fun races I've had, I think. Other than that was maybe me and Nico in Bahrain many years ago." "So I just hope we get more of that because that's what racing's about. It's like back and forth, back and forth, rather than one take and then it's over. So I personally enjoy that." "My point that I was making earlier is that in karting, it happens in karting all the time, back and forth, back and forth, no one ever calls it yo-yo racing. It's real racing. So whoever's coming out with that is... yeah." [via Sky Sports | F1 2026 | Japan]

sim 🇧🇷🇲🇽🇸🇳🇫🇷🇭🇹

110,771 Aufrufe • vor 3 Monaten

Recently, many people on Twitter have started to hate on me and accuse me of "using ai" without any evidence, and it's really hurtful. The fact that people on Twitter have started to bully real artists without any proof and everyone just believes them on word of mouth is shocking to me. I have finally gathered the strength to write this post to refute these rumors and prove that I am a REAL artist and not a damn AI. The first thing I want your attention to is the layers on my most popular works. I've selected only a few, but if necessary, I can drop a PSD file and a video with layers on any of my art, cause i realy have nothing to hide. In addition, I'm attaching a link to a Google Drive with at least a few speedpaints of my work from the Clip Studio app - There were a lot of questions about the fact that the line on my art looks crooked, but the reason for this is the simple fact that I do not use a stabilizer when lining art. Stabilizer is needed to make line art look neat even if hand is shaking, but I really find it uncomfortable to draw with it. I also want you to notice that when people call me AI, they don't provide any evidence, but for some reason, people believe them. I have videos, I have speedpaints, I have REAL PROOF, and I hope you will believe the facts rather than blind accusations. I really implore you to repost this post as much as possible because the truth is on my side. 1/3

Recently, many people on Twitter have started to hate on me and accuse me of "using ai" without any evidence, and it's really hurtful. The fact that people on Twitter have started to bully real artists without any proof and everyone just believes them on word of mouth is shocking to me. I have finally gathered the strength to write this post to refute these rumors and prove that I am a REAL artist and not a damn AI. The first thing I want your attention to is the layers on my most popular works. I've selected only a few, but if necessary, I can drop a PSD file and a video with layers on any of my art, cause i realy have nothing to hide. In addition, I'm attaching a link to a Google Drive with at least a few speedpaints of my work from the Clip Studio app - There were a lot of questions about the fact that the line on my art looks crooked, but the reason for this is the simple fact that I do not use a stabilizer when lining art. Stabilizer is needed to make line art look neat even if hand is shaking, but I really find it uncomfortable to draw with it. I also want you to notice that when people call me AI, they don't provide any evidence, but for some reason, people believe them. I have videos, I have speedpaints, I have REAL PROOF, and I hope you will believe the facts rather than blind accusations. I really implore you to repost this post as much as possible because the truth is on my side. 1/3

✧ miychi ✧

369,385 Aufrufe • vor 8 Monaten

I feel so scammed, I commissioned an artist I loved for my first ever vtuber model back in 2022 for $650 but when i received it it was un-Rig-able and unusable, I even made sure to check with multiple riggers. I contacted the artist and we came to an agreement they will draw me more art to make up for it, (we agreed on one full body, one headshot, and 4 emotes) they deliver one of the art pieces about 6 months after receiving the first piece and no progress on anything else i just asked for a partial refund of $300 (image in thread). They agreed to pay this in installments, they have payed $50, then since have ghosted me, I don’t think I’m getting my money back, but I wanted to warn people to be careful who them commission models from and make sure they have the proper experience, and to avoid this artist for a model. I’ve been really hesitant to talk about this for a while because I really don’t know what to do and I wanted to be patient with the artist This is really upsetting because I really loved this artist so much and wanted them to be my mama, but my view/relationship of them is now not that great :/

Druilla Kuma 吸血鬼くま 🍯💗🦇 EN VTUBER

153,895 Aufrufe • vor 2 Jahren

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.

shoneec

17,531 Aufrufe • vor 1 Jahr

Jay, the artist that you are 🥹 🐈‍⬛: Well, I'm the type of person who tends to overthink things. It's not just as simple as "oh, there's no water". My perspective has shifted a bit. Of course, being a good singer, dancer, and being good-looking are all very important aspects of being an artist...that's the core of the job. But I've come to feel that, even before being a singer, it's a profession that affects a lot of people, not just bringing joy, but also a wide range of emotions. Especially in places like fan sign events, where I get to have sincere conversations with fans, I realized early after debut that what we give isn't just joy or quick dopamine hits. That's really only a small part of it. Over time, I started to feel more deeply about how my actions, the way I think, and the influence I have might affect others. It made me reflect a lot. The idea of what's "right"...the definition of that is something no one can set in stone. Everyone has their own standard of what's right. But even so, I want to do my best to be someone who lives by what I believe is right and try to pass that on to others as much as I can. So I often find myself hitting a wall, constantly questioning what "right" even is. Even if I think one way, someone else might think differently. That makes me more cautious about the things I say. Because of that, I've had more and more fans come to me for advice, sharing their worries, even asking for guidance about their future when we talk in person. And every time that happens, I really feel the weight of my words.

Jay, the artist that you are 🥹 🐈‍⬛: Well, I'm the type of person who tends to overthink things. It's not just as simple as "oh, there's no water". My perspective has shifted a bit. Of course, being a good singer, dancer, and being good-looking are all very important aspects of being an artist...that's the core of the job. But I've come to feel that, even before being a singer, it's a profession that affects a lot of people, not just bringing joy, but also a wide range of emotions. Especially in places like fan sign events, where I get to have sincere conversations with fans, I realized early after debut that what we give isn't just joy or quick dopamine hits. That's really only a small part of it. Over time, I started to feel more deeply about how my actions, the way I think, and the influence I have might affect others. It made me reflect a lot. The idea of what's "right"...the definition of that is something no one can set in stone. Everyone has their own standard of what's right. But even so, I want to do my best to be someone who lives by what I believe is right and try to pass that on to others as much as I can. So I often find myself hitting a wall, constantly questioning what "right" even is. Even if I think one way, someone else might think differently. That makes me more cautious about the things I say. Because of that, I've had more and more fans come to me for advice, sharing their worries, even asking for guidance about their future when we talk in person. And every time that happens, I really feel the weight of my words.

• SHANTI • 🎧

78,388 Aufrufe • vor 1 Jahr

Sora 2 has the capabilities to make an entire anime episode with time and effort. This is a turning point for generative AI models and it is terrifying to think what is next to come. The difference between Sora and Sora 2 is absolutely staggering. Yes, this looks cool. I put the time into it to make it as close to art as possible. This was not simple to make and not just prompting and throwing it in some editor. Every frame is generated of another scene and even the reference image for characters I used to start this project were AI generated. This was all created with 10 second clips pulled apart and chunked out into the final product. Regardless of the imagery you see, I did not directly use any artist's art for this video. This 10-minute video was generated over the course of a week from more than 700 text prompts. It was built on technology trained by scraping the uncredited, uncompensated contributions of countless human artists and animators. The creation of this single video consumed an enormous amount of energy and water, equivalent to powering a home for days and requiring hundreds of liters of fresh water for cooling. But that is nothing. In the 10 minutes you spend watching this, the global network of AI video generators will create over 6,250 more short videos. The combined energy required for that 10 minutes of global creation is enough to power an average household for nearly 2 years. - It's a double-edged sword. While AI uses immense amount of energy has clear immoral issues with scalping the hard work of artists, this also provides those a medium who have potentially spent their life attempting to draw out the ideas in their head and failing to grasp it. My sister is an artist, I grew up always attempting to draw but never could get the image in my head on paper, I've spent the better part of over 20 years to teach myself through watching videos and practice, however I don't have steady hands and frankly have just been unable to make any vision come to life. Which brings me to the conflict here. This would have been a dream of mine to be able to get frames created and flesh out the story in my head. To make this video professionally, it would be an absurd amount of money. A small studio by itself would be over a million dollars just to start up. To hire a studio would be most likely over ~200k. I would love to make this story I have in my head through legit and traditional means, I would love to start a Kickstarter to get funding and hire artists, voice actors, and a production team. However I know that would most likely be an impossible reach that would further fuel the hate. Regardless, I understand the worry this causes. The fear this produces. However, we can't just ignore where AI is currently at and just tell people not to use it or even worse threaten people who use it. People will always use the shiny new toy in front of them, so the real question is how do we either make it work for us and work along side it, or how do we ACTUALLY implement a method to protect art rather than tell people to not use it. Respect your artists. Review their ToS and don't upload their hard work to a model without permission.

Sora 2 has the capabilities to make an entire anime episode with time and effort. This is a turning point for generative AI models and it is terrifying to think what is next to come. The difference between Sora and Sora 2 is absolutely staggering. Yes, this looks cool. I put the time into it to make it as close to art as possible. This was not simple to make and not just prompting and throwing it in some editor. Every frame is generated of another scene and even the reference image for characters I used to start this project were AI generated. This was all created with 10 second clips pulled apart and chunked out into the final product. Regardless of the imagery you see, I did not directly use any artist's art for this video. This 10-minute video was generated over the course of a week from more than 700 text prompts. It was built on technology trained by scraping the uncredited, uncompensated contributions of countless human artists and animators. The creation of this single video consumed an enormous amount of energy and water, equivalent to powering a home for days and requiring hundreds of liters of fresh water for cooling. But that is nothing. In the 10 minutes you spend watching this, the global network of AI video generators will create over 6,250 more short videos. The combined energy required for that 10 minutes of global creation is enough to power an average household for nearly 2 years. - It's a double-edged sword. While AI uses immense amount of energy has clear immoral issues with scalping the hard work of artists, this also provides those a medium who have potentially spent their life attempting to draw out the ideas in their head and failing to grasp it. My sister is an artist, I grew up always attempting to draw but never could get the image in my head on paper, I've spent the better part of over 20 years to teach myself through watching videos and practice, however I don't have steady hands and frankly have just been unable to make any vision come to life. Which brings me to the conflict here. This would have been a dream of mine to be able to get frames created and flesh out the story in my head. To make this video professionally, it would be an absurd amount of money. A small studio by itself would be over a million dollars just to start up. To hire a studio would be most likely over ~200k. I would love to make this story I have in my head through legit and traditional means, I would love to start a Kickstarter to get funding and hire artists, voice actors, and a production team. However I know that would most likely be an impossible reach that would further fuel the hate. Regardless, I understand the worry this causes. The fear this produces. However, we can't just ignore where AI is currently at and just tell people not to use it or even worse threaten people who use it. People will always use the shiny new toy in front of them, so the real question is how do we either make it work for us and work along side it, or how do we ACTUALLY implement a method to protect art rather than tell people to not use it. Respect your artists. Review their ToS and don't upload their hard work to a model without permission.

LUͦʷCͦk

18,417 Aufrufe • vor 9 Monaten

Mo Gawdat believes up to 30% of jobs in certain sectors could disappear by 2028. That stopped me in my tracks. Mo was one of the first people to come on this podcast and warn me about AI, long before most of the world was talking about it. At the time, it felt early. Now, it feels like the world is catching up to what he was seeing. I’m still trying to understand what AI actually means for our lives. Not just whether it can write emails, create images or make us more productive. I mean what it does to jobs. What it does to power. What it does to education. What it does to human connection… That’s why I wanted to have this discussion with Mo again. What makes Mo worth listening to is that he saw these systems inside Google years before most of us had even heard the term AI. His book *Scary Smart* now feels like it was written for this exact moment. Let me explain why this discussion matters. Mo believes we’re not just entering an AI revolution. We’re entering a period where AI, robotics, economics, surveillance, digital currencies and global instability are all colliding at the same time. That’s a lot for any of us to process. We spoke about: - The jobs Mo believes are most at risk from AI. - Why he believes that AI is actually underhyped! - The mistake almost everyone is making with ChatGPT. - The prediction that changed even his own view of the future. The part that stayed with me was this idea that human connection may become the real currency. Because if AI can produce the information, write the report, analyse the data, then what is left? I don’t think this conversation gives neat answers. That’s probably why it’s worth watching. It helped me think more honestly about what’s coming.

Mo Gawdat believes up to 30% of jobs in certain sectors could disappear by 2028. That stopped me in my tracks. Mo was one of the first people to come on this podcast and warn me about AI, long before most of the world was talking about it. At the time, it felt early. Now, it feels like the world is catching up to what he was seeing. I’m still trying to understand what AI actually means for our lives. Not just whether it can write emails, create images or make us more productive. I mean what it does to jobs. What it does to power. What it does to education. What it does to human connection… That’s why I wanted to have this discussion with Mo again. What makes Mo worth listening to is that he saw these systems inside Google years before most of us had even heard the term AI. His book Scary Smart now feels like it was written for this exact moment. Let me explain why this discussion matters. Mo believes we’re not just entering an AI revolution. We’re entering a period where AI, robotics, economics, surveillance, digital currencies and global instability are all colliding at the same time. That’s a lot for any of us to process. We spoke about: - The jobs Mo believes are most at risk from AI. - Why he believes that AI is actually underhyped! - The mistake almost everyone is making with ChatGPT. - The prediction that changed even his own view of the future. The part that stayed with me was this idea that human connection may become the real currency. Because if AI can produce the information, write the report, analyse the data, then what is left? I don’t think this conversation gives neat answers. That’s probably why it’s worth watching. It helped me think more honestly about what’s coming.

Steven Bartlett

27,598 Aufrufe • vor 1 Monat

Derrick Milano about working with BTS 🙏🧎‍♀️ ‘The biggest part for me working with them is just really like, they really love creating music. It doesn't seem like they're in it for the money. It doesn't seem like they're in it for clout. It seems like they really genuinely and passionately love music. I think we need to see that more because it's a gift from God that we have and we can't take it for granted because at any point in time it can get taken away. So when you do have the opportunity and the luxury and you do have the pleasure to work with amazing people and you're able to put this stuff out, take advantage of it, and I think THEY take advantage of it to the fullest extent, from their music videos to the performance to the recording to the engineering to who they collaborate with. They use it to the fullest extent, and I think that's why it's so receptive and it's performing the way it is, because they go above and beyond for their work and their process and their product.’

Derrick Milano about working with BTS 🙏🧎‍♀️ ‘The biggest part for me working with them is just really like, they really love creating music. It doesn't seem like they're in it for the money. It doesn't seem like they're in it for clout. It seems like they really genuinely and passionately love music. I think we need to see that more because it's a gift from God that we have and we can't take it for granted because at any point in time it can get taken away. So when you do have the opportunity and the luxury and you do have the pleasure to work with amazing people and you're able to put this stuff out, take advantage of it, and I think THEY take advantage of it to the fullest extent, from their music videos to the performance to the recording to the engineering to who they collaborate with. They use it to the fullest extent, and I think that's why it's so receptive and it's performing the way it is, because they go above and beyond for their work and their process and their product.’

Lore ⊙⊝⊜ ᴀʀɪʀᴀɴɢ

27,070 Aufrufe • vor 3 Monaten

THE MOST IMPORTANT Q&A OF MEDIA DAY. Mariana: You came from a very solid weekend on top of everything, but at the same time, it seems that you don't feel that the team is listening to you. Am I right? And how do you balance that? Lewis: I feel like we're going in the right direction. Rome wasn't built in one day, so it takes time to build. For me, coming into the team, I wanted to be respectful of the way they've done things in the past and just to really observe and see where our strengths and where our weaknesses are and to highlight where our weaknesses are and areas that we need to work on. But I do feel that they've been responding. I think you're starting to see, hopefully, some of the impact of the work that we're doing in the background and also into next year's car. This is a car that I've had nothing to do with in terms of developing this car over the years. Hopefully, from next year, my input goes into that car, and that will be a car that I've hopefully been a part of or will have been a part of developing. But I think we've got a really great rapport. I think we're really progressing, particularly since the summer break. I think things have started to get better, and it's all just about building trust and communication. Also, I'm coming into a team that English is not the first language, and I don't speak Italian, so it's finding a common ground. And the fact is we all want to win. We're all here to achieve the same thing, and we've got to just keep pushing. So that's why I'm trying to keep everyone motivated on difficult weekends, trying to keep everyone lifted up. But there have been many, many things we've changed this year that I suggested that they hadn't done in the past, and so they have been listening. It doesn't change straight away, just like that. It takes time to build. And as engineers, they really need proof. They need numbers. That's what they work on. So you have to sometimes push to get certain changes to be made, and then when you change it and then it works, you're like, okay. Mariana: That's what I was talking about.. Lewis: Yeah! - F1 2025 Mexico -

THE MOST IMPORTANT Q&A OF MEDIA DAY. Mariana: You came from a very solid weekend on top of everything, but at the same time, it seems that you don't feel that the team is listening to you. Am I right? And how do you balance that? Lewis: I feel like we're going in the right direction. Rome wasn't built in one day, so it takes time to build. For me, coming into the team, I wanted to be respectful of the way they've done things in the past and just to really observe and see where our strengths and where our weaknesses are and to highlight where our weaknesses are and areas that we need to work on. But I do feel that they've been responding. I think you're starting to see, hopefully, some of the impact of the work that we're doing in the background and also into next year's car. This is a car that I've had nothing to do with in terms of developing this car over the years. Hopefully, from next year, my input goes into that car, and that will be a car that I've hopefully been a part of or will have been a part of developing. But I think we've got a really great rapport. I think we're really progressing, particularly since the summer break. I think things have started to get better, and it's all just about building trust and communication. Also, I'm coming into a team that English is not the first language, and I don't speak Italian, so it's finding a common ground. And the fact is we all want to win. We're all here to achieve the same thing, and we've got to just keep pushing. So that's why I'm trying to keep everyone motivated on difficult weekends, trying to keep everyone lifted up. But there have been many, many things we've changed this year that I suggested that they hadn't done in the past, and so they have been listening. It doesn't change straight away, just like that. It takes time to build. And as engineers, they really need proof. They need numbers. That's what they work on. So you have to sometimes push to get certain changes to be made, and then when you change it and then it works, you're like, okay. Mariana: That's what I was talking about.. Lewis: Yeah! - F1 2025 Mexico -

sim

170,303 Aufrufe • vor 8 Monaten

Two years ago today, Elon Musk introduced xAI with these words: “The overarching goal of xAI is to build a good AGI with the purpose of trying to understand the universe. I think the safest AI, the safest way to build an AI is actually make one that is maximally curious and truth seeking. So you go for try to aspire to the truth with acknowledged error. Does one ever actually get fully to the truth? It's not clear, but one should always aspire to that and try to minimize the error between what you think is true and what is actually true. My theory behind the maximally curious, maximally truthful as being probably the safest approach is that I think to a superintelligence, humanity is much more interesting than not humanity. One can look at the various planets in our solar system, the moons and the asteroids, and really probably all of them combined are not as interesting as humanity. As people know, I'm a huge fan of Mars, but Mars is just much less interesting than Earth with humans on it. And so I think that that kind of approach to growing an AI, and I think that is the right word for it, growing an AI is to grow it with that ambition. I've spent many years thinking about AI safety and worrying about AI safety. And I've been one of the strongest voices calling for AI regulation or oversight just to have some kind of oversight, some kind of referee, so that it's not just up to companies to decide what they want to do. I think there's also a lot to be done with AI safety, with industry cooperation. I kind of like Motion Pictures association, so I think there's value to that as well. But I do think there's got to be some like in any kind of situation that is, even if it's a game, they have referees. So I think it is important for there to be regulation. Like I said, my view on safety is like try to make it maximally curious, maximally truth seeking. And I think this is, this is important that you to avoid the inverse morality problem. Like if you try to program a certain morality, you can have the, you, you can basically invert it and get the opposite, what is sometimes called the Waluigi problem. If you make Luigi, you risk creating Waluigi at the same time. So I think that's a metaphor that a lot of people can appreciate.”

Two years ago today, Elon Musk introduced xAI with these words: “The overarching goal of xAI is to build a good AGI with the purpose of trying to understand the universe. I think the safest AI, the safest way to build an AI is actually make one that is maximally curious and truth seeking. So you go for try to aspire to the truth with acknowledged error. Does one ever actually get fully to the truth? It's not clear, but one should always aspire to that and try to minimize the error between what you think is true and what is actually true. My theory behind the maximally curious, maximally truthful as being probably the safest approach is that I think to a superintelligence, humanity is much more interesting than not humanity. One can look at the various planets in our solar system, the moons and the asteroids, and really probably all of them combined are not as interesting as humanity. As people know, I'm a huge fan of Mars, but Mars is just much less interesting than Earth with humans on it. And so I think that that kind of approach to growing an AI, and I think that is the right word for it, growing an AI is to grow it with that ambition. I've spent many years thinking about AI safety and worrying about AI safety. And I've been one of the strongest voices calling for AI regulation or oversight just to have some kind of oversight, some kind of referee, so that it's not just up to companies to decide what they want to do. I think there's also a lot to be done with AI safety, with industry cooperation. I kind of like Motion Pictures association, so I think there's value to that as well. But I do think there's got to be some like in any kind of situation that is, even if it's a game, they have referees. So I think it is important for there to be regulation. Like I said, my view on safety is like try to make it maximally curious, maximally truth seeking. And I think this is, this is important that you to avoid the inverse morality problem. Like if you try to program a certain morality, you can have the, you, you can basically invert it and get the opposite, what is sometimes called the Waluigi problem. If you make Luigi, you risk creating Waluigi at the same time. So I think that's a metaphor that a lot of people can appreciate.”

ELON CLIPS

21,519 Aufrufe • vor 1 Jahr

For me, the most important part of video creation right now is consistency. So I created my own GPT to achieve that. It's called AI Cinematic Consistency—and today, I want to share it with you and test it publicly. Let me explain why this matters 🧵 And here is the video I created using it.

For me, the most important part of video creation right now is consistency. So I created my own GPT to achieve that. It's called AI Cinematic Consistency—and today, I want to share it with you and test it publicly. Let me explain why this matters 🧵 And here is the video I created using it.

Jesus Plaza

395,188 Aufrufe • vor 1 Jahr

Peter Jackson talks about AI in Hollywood. Calls it “a tool” like stop-motion or CGI before and what ultimately matters is “imagination, originality” of whoever uses the tool: “I think AI — used in the right way — is a tool like any other tool. [The original] King Kong…was stop-motion and done by a person moving a rubber creature. Why shouldn't somebody on a computer using AI software be able to create their own imagery? They should. It's a tool. It's no different from many other tools that have existed over the years. But the other side of it is that it's always going to come down to the imagination and originality of the person feeding the instructions into the AI program. It's not that you're going to type in an instruction and it's going to generate your shot, and that's that. The question is: is it actually interesting? Is it funny? Is it imaginative? And are you going to stitch it together to make a narrative, a story? Some people will make really great films that way. Some people will do exactly the same process and their film will be crap, just like in the normal film industry. Whether it's AI or anything else, it comes down to whether the person behind it — or the people behind it — have originality, imagination, and an ability to entertain people.”

Peter Jackson talks about AI in Hollywood. Calls it “a tool” like stop-motion or CGI before and what ultimately matters is “imagination, originality” of whoever uses the tool: “I think AI — used in the right way — is a tool like any other tool. [The original] King Kong…was stop-motion and done by a person moving a rubber creature. Why shouldn't somebody on a computer using AI software be able to create their own imagery? They should. It's a tool. It's no different from many other tools that have existed over the years. But the other side of it is that it's always going to come down to the imagination and originality of the person feeding the instructions into the AI program. It's not that you're going to type in an instruction and it's going to generate your shot, and that's that. The question is: is it actually interesting? Is it funny? Is it imaginative? And are you going to stitch it together to make a narrative, a story? Some people will make really great films that way. Some people will do exactly the same process and their film will be crap, just like in the normal film industry. Whether it's AI or anything else, it comes down to whether the person behind it — or the people behind it — have originality, imagination, and an ability to entertain people.”

Bearly AI

43,816 Aufrufe • vor 2 Monaten

The People Of The World Have No Idea How Bad Things Really Are #Cloning Remember the Spanish Supermodel who was never seen again after the viral video saying she saw elites eating people & they wanted to make a copy of her? They’re cloning people. This video is over 15 years old, just imagine what’s really found on in society. They Play God. “We’re very very pleased to announce that the first baby clone is born. She was born yesterday at 11 55 a.m. in the country where she was born so this will not give you more details about the location. She she's fine we call her Eve between us. ‌ You knew that of course, some suggested it and I thought it was a good idea actually. You won't have the right name. And you know for a long time I thought that the... ‌ This press conference will be with the baby, the parents, the scientists, everybody surrounding me, and having pleasure announcing it. I'm alone. And there is a reason to that, is that it hasn't been easy to face the world with this announcement. And we've been discussing with the parents the last three months how we would handle today and they decided not to show up yet. They will. I hope they will. And I wish them well. We started really to work with human eggs in January of this year. So it took us three months to finalize, and this is very short, and that's why I said, is it luck or is it hard work? ‌ I do believe it's hard work. But we had our really, we had really good success very quickly and refined the technique for human eggs until spring where we started to have implantation. We had ten implantations and five of them during the first three weeks were terminated spontaneously. Five others were successful and are still successful. The first one so was born yesterday. The next one is due in Europe.”

The People Of The World Have No Idea How Bad Things Really Are #Cloning Remember the Spanish Supermodel who was never seen again after the viral video saying she saw elites eating people & they wanted to make a copy of her? They’re cloning people. This video is over 15 years old, just imagine what’s really found on in society. They Play God. “We’re very very pleased to announce that the first baby clone is born. She was born yesterday at 11 55 a.m. in the country where she was born so this will not give you more details about the location. She she's fine we call her Eve between us. ‌ You knew that of course, some suggested it and I thought it was a good idea actually. You won't have the right name. And you know for a long time I thought that the... ‌ This press conference will be with the baby, the parents, the scientists, everybody surrounding me, and having pleasure announcing it. I'm alone. And there is a reason to that, is that it hasn't been easy to face the world with this announcement. And we've been discussing with the parents the last three months how we would handle today and they decided not to show up yet. They will. I hope they will. And I wish them well. We started really to work with human eggs in January of this year. So it took us three months to finalize, and this is very short, and that's why I said, is it luck or is it hard work? ‌ I do believe it's hard work. But we had our really, we had really good success very quickly and refined the technique for human eggs until spring where we started to have implantation. We had ten implantations and five of them during the first three weeks were terminated spontaneously. Five others were successful and are still successful. The first one so was born yesterday. The next one is due in Europe.”

Wall Street Apes

406,648 Aufrufe • vor 2 Jahren

Cameron Young is playing with a golf ball that would allegedly be compliant with the new roll back rules that will come into effect in a few years time. He was asked about it ahead of the PGA Championship and he says every player in the game is sacrificing distance for control, and he put it in play at the Wyndham last year which he won. “I think I put it in play the same reason that everybody else plays the ball that they play. I hit it during a ball test, one of the Titleist facilities probably close to two years ago and didn't know anything about it and just kind of say, hey, what's that one? Because I liked the flight. “Then as things progressed, I was able to test it last year at Wyndham, able to put that in play, and it's been there since. “Obviously there is no conforming list. I wasn't aware that it would have -- I suppose I read something that said it passed that test, but I wasn't aware of that until very recently. “So at no point was that a consideration. It was just really me trying to optimize my golf, and it's the ball that seems to work the best for me.” He then was asked whether he lost distance with it compared to other balls he’s tested: “Not particularly. I don't think any of us are out really here playing the ball that goes the farthest. I think you'd struggle to find a single person that's doing that. We're all sacrificing a certain amount of things that we feel are worth it, control with irons, control with wedges. For me, that's the biggest thing is being able to control spin, and this is the ball that does the best for me.” Finally he can as asked whether this ball goes further than the one he was using: “No, I hit very similar, yeah. It's much more -- the driver is kind of the easiest thing to deal with, I feel like. For me to get it where it needed to be, I had to just add a little bit of spin, and it kind of comes out at a perfectly playable range. “For me, the biggest thing, like I said, is the irons. This ball is easier to control with the irons. It doesn't spin as much, and it just allows me to be better with my distance control just because it's more consistent.” The golf ball rollback has been a hugely controversial subject but Cameron Young is currently using one that’s compliant and he is playing the best golf of his career. This gives the best idea yet on what impact, or lack of it, the new rules will actually have on the sport. PGA Championship

Cameron Young is playing with a golf ball that would allegedly be compliant with the new roll back rules that will come into effect in a few years time. He was asked about it ahead of the PGA Championship and he says every player in the game is sacrificing distance for control, and he put it in play at the Wyndham last year which he won. “I think I put it in play the same reason that everybody else plays the ball that they play. I hit it during a ball test, one of the Titleist facilities probably close to two years ago and didn't know anything about it and just kind of say, hey, what's that one? Because I liked the flight. “Then as things progressed, I was able to test it last year at Wyndham, able to put that in play, and it's been there since. “Obviously there is no conforming list. I wasn't aware that it would have -- I suppose I read something that said it passed that test, but I wasn't aware of that until very recently. “So at no point was that a consideration. It was just really me trying to optimize my golf, and it's the ball that seems to work the best for me.” He then was asked whether he lost distance with it compared to other balls he’s tested: “Not particularly. I don't think any of us are out really here playing the ball that goes the farthest. I think you'd struggle to find a single person that's doing that. We're all sacrificing a certain amount of things that we feel are worth it, control with irons, control with wedges. For me, that's the biggest thing is being able to control spin, and this is the ball that does the best for me.” Finally he can as asked whether this ball goes further than the one he was using: “No, I hit very similar, yeah. It's much more -- the driver is kind of the easiest thing to deal with, I feel like. For me to get it where it needed to be, I had to just add a little bit of spin, and it kind of comes out at a perfectly playable range. “For me, the biggest thing, like I said, is the irons. This ball is easier to control with the irons. It doesn't spin as much, and it just allows me to be better with my distance control just because it's more consistent.” The golf ball rollback has been a hugely controversial subject but Cameron Young is currently using one that’s compliant and he is playing the best golf of his career. This gives the best idea yet on what impact, or lack of it, the new rules will actually have on the sport. PGA Championship

Flushing It

311,493 Aufrufe • vor 2 Monaten

KAT when asked what it's like being the best 3PT shooter ever for a big man: "It's an honor. I worked on my game. When I was younger, that wasn't something that was supposed to happen. You're laughed at. You're told, What are you doing? You're wasting your time. You're never going to make it to college doing that. A lot of people are going to tell you no, what they think you need to do to make it to the NBA, to do all these things. But at the end of the day, you got to walk on your own path, write your own story. And that's what I did. I continue to work on my game, continue to work on my shot. People come back to me and give me all the congrats and congratulations and all this love for something they didn't help with; they told me to do the opposite. So that's how life always goes. Everyone got an opinion until someone actually does the work. Us two, we did the work, and they're going to have to watch our story be written without them having a chapter in it"

KAT when asked what it's like being the best 3PT shooter ever for a big man: "It's an honor. I worked on my game. When I was younger, that wasn't something that was supposed to happen. You're laughed at. You're told, What are you doing? You're wasting your time. You're never going to make it to college doing that. A lot of people are going to tell you no, what they think you need to do to make it to the NBA, to do all these things. But at the end of the day, you got to walk on your own path, write your own story. And that's what I did. I continue to work on my game, continue to work on my shot. People come back to me and give me all the congrats and congratulations and all this love for something they didn't help with; they told me to do the opposite. So that's how life always goes. Everyone got an opinion until someone actually does the work. Us two, we did the work, and they're going to have to watch our story be written without them having a chapter in it"

Oh No He Didn't

124,809 Aufrufe • vor 1 Monat

🗣️ Jeff Peterson: "When we traded for Coby back in February, the priority and the goal was to always bring him back and make him a Hornet for a very long time. The type of human being that Coby White is is unmatched, and we can't wait to see just what he continues to do for the Charlotte Hornets organization and the state of North Carolina." 🗣️ whitecoby2: "I signed yesterday, they approached me with the idea, and I knew I wanted to start on the right foot in terms of giving back to the community. This is now my community. I want to take that personal and do what I can... he said it's about me, but it's really about us. I'm glad I get to spend it with everybody." (📹 Charlotte Hornets)

🗣️ Jeff Peterson: "When we traded for Coby back in February, the priority and the goal was to always bring him back and make him a Hornet for a very long time. The type of human being that Coby White is is unmatched, and we can't wait to see just what he continues to do for the Charlotte Hornets organization and the state of North Carolina." 🗣️ whitecoby2: "I signed yesterday, they approached me with the idea, and I knew I wanted to start on the right foot in terms of giving back to the community. This is now my community. I want to take that personal and do what I can... he said it's about me, but it's really about us. I'm glad I get to spend it with everybody." (📹 Charlotte Hornets)

r/CharlotteHornets

23,839 Aufrufe • vor 12 Tagen

Take 3 minutes and watch this! RFK Jr. responds to the Trump assassination attempt with a call for national unity: “I think we all need to take a breath now and step back and see that this is the product of so much vigil and so much anger and that when we release that kind of anger into the universe, it inevitably comes back and reverberates with these kind of consequences. All all of us now have to start looking at each other and saying, ‘we're all Americans and we're better than this. This isn't the way that we want our country to look to our children and look to people around the world.’ We need to stop hating on each other. We need to stop telling other people in the world that the other guy is going to destroy the republic. We need to recognize we're all Americans. We all love our country. It's time now to pray for the president, pray for his family, for President Trump, and to start being kind to each other and to start being generous to each other and to resist all of the implications that we continue in this kind of vitriolic way. Let's have an election. Let's go forward as Americans. Let's love each other. Let's trust each other, and let's rebuild this country as a community.” “Somebody in my group showed me a text message, and then we turned on the television and we watched it as the story was evolving. I've been through this before with my own family. I was with my dad. He died in Los Angeles. I understand the implications that this has for our country, and probably as well as anybody does. I think my message to people is we need to all renounce violence. We need to renounce not just violence, but the hatred and vitriol, and we need to stop marginalizing each other. Let’s have a dialogue with each other about doing that and a conversation and a debate. When my uncle was ill in 1963, there was this kind of division again. There was this kind of hatred when my father was ill. It was in the midst of a time that was probably the most divisive in American history at that time since the American Civil War, and we're back into that kind of milieu today. We all need to take responsibility for it. When we pose something that is mean-spirited, that is condemnatory, that is poisonous towards somebody else, we're contributing to this atmosphere of violence.”

Take 3 minutes and watch this! RFK Jr. responds to the Trump assassination attempt with a call for national unity: “I think we all need to take a breath now and step back and see that this is the product of so much vigil and so much anger and that when we release that kind of anger into the universe, it inevitably comes back and reverberates with these kind of consequences. All all of us now have to start looking at each other and saying, ‘we're all Americans and we're better than this. This isn't the way that we want our country to look to our children and look to people around the world.’ We need to stop hating on each other. We need to stop telling other people in the world that the other guy is going to destroy the republic. We need to recognize we're all Americans. We all love our country. It's time now to pray for the president, pray for his family, for President Trump, and to start being kind to each other and to start being generous to each other and to resist all of the implications that we continue in this kind of vitriolic way. Let's have an election. Let's go forward as Americans. Let's love each other. Let's trust each other, and let's rebuild this country as a community.” “Somebody in my group showed me a text message, and then we turned on the television and we watched it as the story was evolving. I've been through this before with my own family. I was with my dad. He died in Los Angeles. I understand the implications that this has for our country, and probably as well as anybody does. I think my message to people is we need to all renounce violence. We need to renounce not just violence, but the hatred and vitriol, and we need to stop marginalizing each other. Let’s have a dialogue with each other about doing that and a conversation and a debate. When my uncle was ill in 1963, there was this kind of division again. There was this kind of hatred when my father was ill. It was in the midst of a time that was probably the most divisive in American history at that time since the American Civil War, and we're back into that kind of milieu today. We all need to take responsibility for it. When we pose something that is mean-spirited, that is condemnatory, that is poisonous towards somebody else, we're contributing to this atmosphere of violence.”

End Tribalism in Politics

123,875 Aufrufe • vor 2 Jahren

Kim Goeun: “I don’t think this job is something that I can do alone. That's why I believe the most important thing right now is to have mindset that I’m working on the set together with everyone, not just me. Each person has their own role and being expert in their own field, and their contribution should be respected. I want to continue to cherish the job that I’ve chosen to do with the mindset that we are all part of the work”

Kim Goeun: “I don’t think this job is something that I can do alone. That's why I believe the most important thing right now is to have mindset that I’m working on the set together with everyone, not just me. Each person has their own role and being expert in their own field, and their contribution should be respected. I want to continue to cherish the job that I’ve chosen to do with the mindset that we are all part of the work”

tan🫐

38,618 Aufrufe • vor 10 Monaten