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'I’ve always loved working with visual artists and following on from the competition that we ran with Stability AI around the release of i/o, we are setting up 5050 to encourage the creation of more of these collaborations. So if you have any type of visual work that you... show more

Peter Gabriel

223,905 subscribers

44,583 次观看 • 1 年前 •via X (Twitter)

艺术音乐科学技术

Anya Rossi• Live Now

Private livecam show

11 条评论

Christopher Fryant 的头像

Christopher Fryant1 年前

Awesome work, @Oranguerillatan!

MathemArt AI Art 的头像

MathemArt AI Art1 年前

Fill your life with art ❤️ Follow us for more unique AI-generated artwork 🖼️

cate bligh 的头像

cate bligh1 年前

This is amazing! 👏👏👏

Stylez Morales 的头像

Stylez Morales1 年前

I've been using a combination of AI imagery and characters and bringing them into 3D worlds via Blender and Unreal engine, it's actually possible to record a live performance, convert it with the AI, and bring into 3D. There's a lot of use cases for AI when used creatively. I've been a big fan of your work since the So album. I loved your video, would love to throw you some visuals mixing traditional digital art with AI and 3D. Unlike some artists who reject AI I've adopted it into my workflow and use it in various ways. While I don't see AI imagery as art per se, it still can be used to make art.

QuriousMr 的头像

QuriousMr1 年前

Peter, would you and your performing rights company be OK with any visual (ai) artists from having a go at showcasing short videos in art challenges upto a minute, using some of from your song without upsetting either? There's quite a large community of budding video talent out there! ....itching to have a go!

John Ford 的头像

John Ford1 年前

Nice Work Peter....

Nuclear Samurai 的头像

Nuclear Samurai1 年前

Fantastic work @Oranguerillatan

Matt Stroud 的头像

Matt Stroud1 年前

Honestly would prefer an approach that embraces actual art and artists instead of AI slop. Your music, all music, deserves better.

DASHCAM 的头像

DASHCAM1 年前

this is AWESOME

The AI Music Video Show OCME Industry Member #1 的头像

The AI Music Video Show OCME Industry Member #11 年前

This is awesome!! We would love to showcase their work on our ⚡️ST^TIC⚡️ broadcast!! ⚡️ST^TIC⚡️ goes live on Fridays here on X and is updated throughout the weekend with content shared by our OCME AI Creator members. Last weekend we had over 233,000 views!! Please DM @aimusicvideo if you would like to learn more.

Stylez Morales 的头像

Stylez Morales1 年前

Awesome visuals @Oranguerillatan

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👤You are so careful with your solo music. You have a lot of songs that you make, and then you don’t put out or you delete. What did it mean to get Layover out into the world? 🧸Layover came to me at a time when I felt the need to look back on my journey so far as V of BTS. The word "layover" can mean a stop between destinations, but to me, it’s expressing that my life is not a straight path. I want to say: I can make this kind of music, but I also like many other styles. I love jazz, classical music, and even more alternative music, so I wanted to share that with ARMY and our listeners. I genuinely love music with all my heart, and Layover is that representation of me. 🧸If layover hadn't come out, I think V, as an artist, would have been stuck as a hardcore dancer and singer, unable to share all the different vibrant colours within. I wanted to explore one of those colors a bit more, so I crafted that album with a lot of care.

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The thing about AI animations ads that people on X don't tell you is that the script and visual directions are WAY more important that the actual generation itself. Anyone can animate a character in Higgsfield. Writing a DR script and pairing it with GOOD visual directions is what will determine whether it performs or not. We have our strategists' handle the ideation and scripting, and have hired a full-time specialist AI video editor to do the visuals. I have to say it's been one of the best hires we've made.

The thing about AI animations ads that people on X don't tell you is that the script and visual directions are WAY more important that the actual generation itself. Anyone can animate a character in Higgsfield. Writing a DR script and pairing it with GOOD visual directions is what will determine whether it performs or not. We have our strategists' handle the ideation and scripting, and have hired a full-time specialist AI video editor to do the visuals. I have to say it's been one of the best hires we've made.

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The music video for my song "Never Break My Heart (Not Again)" is out now! Come with me on a journey through chaos (or Kaos if you will 😉). When I came up with the concept for this video, I wanted to share something that was personal to me, but would maybe also inspire others to know that it is possible to find peace on the other side of whatever you may be going through. Wishing you all peace on the other side in 2024! Watch the music video on YouTube here:

Nick Carter

68,631 次观看 • 2 年前

Chamath: We have a huge perception issue in AI… here’s how to fix it. “We have a huge perception issue in AI.” “We have a handful of companies, all the PR that you see from those handful of companies is a bunch of circular dealmaking, a bunch of capital that flows from one to the other.” “It causes these stocks to go up, of which a small percentage of people benefit.” “And at the tail end of it, it's accompanied by a completely different set of articles that everybody also reads about this Sword of Damocles that's about to fall on their head, whether it's electricity prices or whether it's their jobs.” “So the question at hand is how do we fix it?” “How do we get back to the place where a video talking about stopping all progress would seem as laughable as it should be?” “We now need to be on the forward foot as an industry.” “We need to start to use a percentage of the balance sheets of these companies in order to benefit as many Americans as possible.” “That is the absolute minimum.” “Andrew Carnegie built 2,500 libraries.” “The idea was, as he built the railroads, you're going to scale GDP, you're going to scale education and knowledge.” “Those libraries are artifacts that allowed people to feel a dividend from that industrial revolution.” “We need to self-organize better, and we need to be more on the forward foot.” “We need to start doing things that are practically measurable by tens of millions of American citizens.”

Chamath: We have a huge perception issue in AI… here’s how to fix it. “We have a huge perception issue in AI.” “We have a handful of companies, all the PR that you see from those handful of companies is a bunch of circular dealmaking, a bunch of capital that flows from one to the other.” “It causes these stocks to go up, of which a small percentage of people benefit.” “And at the tail end of it, it's accompanied by a completely different set of articles that everybody also reads about this Sword of Damocles that's about to fall on their head, whether it's electricity prices or whether it's their jobs.” “So the question at hand is how do we fix it?” “How do we get back to the place where a video talking about stopping all progress would seem as laughable as it should be?” “We now need to be on the forward foot as an industry.” “We need to start to use a percentage of the balance sheets of these companies in order to benefit as many Americans as possible.” “That is the absolute minimum.” “Andrew Carnegie built 2,500 libraries.” “The idea was, as he built the railroads, you're going to scale GDP, you're going to scale education and knowledge.” “Those libraries are artifacts that allowed people to feel a dividend from that industrial revolution.” “We need to self-organize better, and we need to be more on the forward foot.” “We need to start doing things that are practically measurable by tens of millions of American citizens.”

The All-In Podcast

105,809 次观看 • 8 个月前

We are not okay, and that’s okay to say. I wish I could tell you that we are standing here and that the rest of the world is standing with us. With you. Sadly I can’t say that. There is a loud and aggressive minority around the world who doesn’t get, that being murdered at a peace festival does not equal resistance. I do however, know that we are standing here on behalf of all those people in the world, with moral clarity. And there are a lot of them. And there are many who want to be here with you. And they are here with you at heart. On October 7th, your loved ones went to Nova. We call it a peace music festival because that’s what it was—a place to make new friends, to let loos explore and celebrate life. And this juxtaposition hurts the most —because on that day, the light your loved ones were, was met with the most unimaginable darkness. Our lives will never be the same. But today, as we remember them, we also make a promise: to honor their memory by living as they would have. As we stand here in grief, we have a message to the world: we will not be defeated. Israel was attacked on October 7th and every day since, for the crime of existing. For the audacity of just being here. But we are here, and we are here to stay. And despite the trauma we’ve faced, we are in Israel, standing strong together, committed to the memories of those we lost and to the return of our hostages. We, despite the pain and alongside it, are going to build a brighter future. Together. We will dance again. Am Yisrael Chai Forever

We are not okay, and that’s okay to say. I wish I could tell you that we are standing here and that the rest of the world is standing with us. With you. Sadly I can’t say that. There is a loud and aggressive minority around the world who doesn’t get, that being murdered at a peace festival does not equal resistance. I do however, know that we are standing here on behalf of all those people in the world, with moral clarity. And there are a lot of them. And there are many who want to be here with you. And they are here with you at heart. On October 7th, your loved ones went to Nova. We call it a peace music festival because that’s what it was—a place to make new friends, to let loos explore and celebrate life. And this juxtaposition hurts the most —because on that day, the light your loved ones were, was met with the most unimaginable darkness. Our lives will never be the same. But today, as we remember them, we also make a promise: to honor their memory by living as they would have. As we stand here in grief, we have a message to the world: we will not be defeated. Israel was attacked on October 7th and every day since, for the crime of existing. For the audacity of just being here. But we are here, and we are here to stay. And despite the trauma we’ve faced, we are in Israel, standing strong together, committed to the memories of those we lost and to the return of our hostages. We, despite the pain and alongside it, are going to build a brighter future. Together. We will dance again. Am Yisrael Chai Forever

Noa Tishby

32,742 次观看 • 10 个月前

"In 'Zodiac' (2007), I wanted the audience to feel like they went through the ringer with these guys,(...) in retrospect you look at it & say maybe audiences who are looking for entertainment on a Friday night don’t want that toll taken on them." --- David Fincher Full Excerpt: "Interviewer: It’s so rare to walk out of a movie and to feel like I know more about a subject than I did walking into it. Watching Zodiac is like the experience of reading a really absorbing non-fiction book, and I know that part of it for you was about honoring the people who were the victims of the Zodiac, but you also have so many details, so many facts, you take it to such a level where there’s so much information… why was that important to you? Fincher: I don’t respect movies that treat me like I don’t have the attention span or mental faculty to follow… it’s one thing to talk about Dave Toschi’s fall from grace in an oblique and generic way. I can answer that question in a couple of different ways. I wanted the movie to take its toll on the audience, I wanted the audience to feel like they went through it, like they went through the ringer with these guys, and I didn’t know how to do that because these guys didn’t run across rooftops and fall off fire escapes. In their quest to bring the Zodiac to justice they followed the trail of breadcrumbs as far as it would take them, and they kept pushing and kept pushing when there were crackpots coming out of the woodwork. I felt like I didn’t want to make one of those movies where you do montage/montage/montage and you get the idea that they went to the mat with this, that it took its toll – I wanted the audience to feel that. You know, in retrospect you look at it and say maybe audiences who are looking for entertainment on a Friday night don’t want that toll taken on them. I felt like anything less than that would be doing the story and people involved a disservice. You could do it as something compressed, where you get the gist of it, and we would have shots of Jake [Gyllenhaal] half asleep and you would have those obligatory shots where the boss says, ‘You look like sh!t.’ And in the end I still don’t feel like you get enough of what happens with his family, we don’t get enough with his wife and kids, but it was all we could do to get it in at under two hours and forty minutes. I feel like we took about as much time as you can really expect an audience to sit still for and we tried to make them feel what it was like to be invested in this circuitous run down the rabbit hole." (David Fincher's interview with Devin Farachi, 2008)

"In 'Zodiac' (2007), I wanted the audience to feel like they went through the ringer with these guys,(...) in retrospect you look at it & say maybe audiences who are looking for entertainment on a Friday night don’t want that toll taken on them." --- David Fincher Full Excerpt: "Interviewer: It’s so rare to walk out of a movie and to feel like I know more about a subject than I did walking into it. Watching Zodiac is like the experience of reading a really absorbing non-fiction book, and I know that part of it for you was about honoring the people who were the victims of the Zodiac, but you also have so many details, so many facts, you take it to such a level where there’s so much information… why was that important to you? Fincher: I don’t respect movies that treat me like I don’t have the attention span or mental faculty to follow… it’s one thing to talk about Dave Toschi’s fall from grace in an oblique and generic way. I can answer that question in a couple of different ways. I wanted the movie to take its toll on the audience, I wanted the audience to feel like they went through it, like they went through the ringer with these guys, and I didn’t know how to do that because these guys didn’t run across rooftops and fall off fire escapes. In their quest to bring the Zodiac to justice they followed the trail of breadcrumbs as far as it would take them, and they kept pushing and kept pushing when there were crackpots coming out of the woodwork. I felt like I didn’t want to make one of those movies where you do montage/montage/montage and you get the idea that they went to the mat with this, that it took its toll – I wanted the audience to feel that. You know, in retrospect you look at it and say maybe audiences who are looking for entertainment on a Friday night don’t want that toll taken on them. I felt like anything less than that would be doing the story and people involved a disservice. You could do it as something compressed, where you get the gist of it, and we would have shots of Jake [Gyllenhaal] half asleep and you would have those obligatory shots where the boss says, ‘You look like sh!t.’ And in the end I still don’t feel like you get enough of what happens with his family, we don’t get enough with his wife and kids, but it was all we could do to get it in at under two hours and forty minutes. I feel like we took about as much time as you can really expect an audience to sit still for and we tried to make them feel what it was like to be invested in this circuitous run down the rabbit hole." (David Fincher's interview with Devin Farachi, 2008)

DepressedBergman

19,335 次观看 • 6 个月前