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Ana Sayfaya Dön

'I’ve always loved working with visual artists and following on from the competition that we ran with Stability AI around the release of i/o, we are setting up 5050 to encourage the creation of more of these collaborations. So if you have any type of visual work that you... show more

Peter Gabriel

223,905 subscribers

44,583 görüntüleme • 1 yıl önce •via X (Twitter)

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Christopher Fryant profil fotoğrafı

Christopher Fryant1 yıl önce

Awesome work, @Oranguerillatan!

MathemArt AI Art profil fotoğrafı

MathemArt AI Art2 yıl önce

Fill your life with art ❤️ Follow us for more unique AI-generated artwork 🖼️

cate bligh profil fotoğrafı

cate bligh1 yıl önce

This is amazing! 👏👏👏

Stylez Morales profil fotoğrafı

Stylez Morales1 yıl önce

I've been using a combination of AI imagery and characters and bringing them into 3D worlds via Blender and Unreal engine, it's actually possible to record a live performance, convert it with the AI, and bring into 3D. There's a lot of use cases for AI when used creatively. I've been a big fan of your work since the So album. I loved your video, would love to throw you some visuals mixing traditional digital art with AI and 3D. Unlike some artists who reject AI I've adopted it into my workflow and use it in various ways. While I don't see AI imagery as art per se, it still can be used to make art.

QuriousMr profil fotoğrafı

QuriousMr1 yıl önce

Peter, would you and your performing rights company be OK with any visual (ai) artists from having a go at showcasing short videos in art challenges upto a minute, using some of from your song without upsetting either? There's quite a large community of budding video talent out there! ....itching to have a go!

John Ford profil fotoğrafı

John Ford1 yıl önce

Nice Work Peter....

Nuclear Samurai profil fotoğrafı

Nuclear Samurai1 yıl önce

Fantastic work @Oranguerillatan

Matt Stroud profil fotoğrafı

Matt Stroud1 yıl önce

Honestly would prefer an approach that embraces actual art and artists instead of AI slop. Your music, all music, deserves better.

DASHCAM profil fotoğrafı

DASHCAM1 yıl önce

this is AWESOME

The AI Music Video Show OCME Industry Member #1 profil fotoğrafı

The AI Music Video Show OCME Industry Member #11 yıl önce

This is awesome!! We would love to showcase their work on our ⚡️ST^TIC⚡️ broadcast!! ⚡️ST^TIC⚡️ goes live on Fridays here on X and is updated throughout the weekend with content shared by our OCME AI Creator members. Last weekend we had over 233,000 views!! Please DM @aimusicvideo if you would like to learn more.

Stylez Morales profil fotoğrafı

Stylez Morales1 yıl önce

Awesome visuals @Oranguerillatan

Benzer Videolar

👤You are so careful with your solo music. You have a lot of songs that you make, and then you don’t put out or you delete. What did it mean to get Layover out into the world? 🧸Layover came to me at a time when I felt the need to look back on my journey so far as V of BTS. The word "layover" can mean a stop between destinations, but to me, it’s expressing that my life is not a straight path. I want to say: I can make this kind of music, but I also like many other styles. I love jazz, classical music, and even more alternative music, so I wanted to share that with ARMY and our listeners. I genuinely love music with all my heart, and Layover is that representation of me. 🧸If layover hadn't come out, I think V, as an artist, would have been stuck as a hardcore dancer and singer, unable to share all the different vibrant colours within. I wanted to explore one of those colors a bit more, so I crafted that album with a lot of care.

👤You are so careful with your solo music. You have a lot of songs that you make, and then you don’t put out or you delete. What did it mean to get Layover out into the world? 🧸Layover came to me at a time when I felt the need to look back on my journey so far as V of BTS. The word "layover" can mean a stop between destinations, but to me, it’s expressing that my life is not a straight path. I want to say: I can make this kind of music, but I also like many other styles. I love jazz, classical music, and even more alternative music, so I wanted to share that with ARMY and our listeners. I genuinely love music with all my heart, and Layover is that representation of me. 🧸If layover hadn't come out, I think V, as an artist, would have been stuck as a hardcore dancer and singer, unable to share all the different vibrant colours within. I wanted to explore one of those colors a bit more, so I crafted that album with a lot of care.

ً

84,928 görüntüleme • 5 ay önce

Introducing /visual-plan - a skill to generate rich, visual plans for Claude Code and Codex. Plan mode in Claude Code is incredible. But I always find my eyes glazing over when it gives me this huge markdown essay in my terminal. I found I can make much better visual plans with reusable components. So I made a skill called `/visual-plan`. It generates plans as MDX with visual, interactive components. Diagrams, interactive API specs, schema design changes, annotated code, and even pan and zoomable wireframes. So for any UI work, you can look at a wireframe first, comment on it, iterate, and then have the agent work. I’ve found this to be a much more intuitive interface for reasoning about what the agent is doing. It’s somewhat inspired by that popular post about how HTML is better than Markdown. But HTML can be slow and verbose to write. And it doesn’t look good checked into a repo. This has really made me feel like humans and engineering are entering a new abstraction phase, where we reason about things at the plan level. As long as the plan is good, agents are getting more and more reliable at executing on it. Almost to the degree that we trust the C compiler to compile to assembly reliably. Plans are the new intermediate representation. I also made a skill for the reverse of this, called `/visual-recap`. After the agent works, it gives you a recap of everything it did. Same idea: wireframes, interactive API specs and diffs, schemas, annotated code, etc. So now when you’re reviewing what the agent did for you, or looking at a pull request of somebody else’s code, you can see a visual recap instead of just reading a wall of text. It’s all free and open source. You can find it on my GitHub. Will link to it in the reply because we all know how dumb these algorithms are with links.

Introducing /visual-plan - a skill to generate rich, visual plans for Claude Code and Codex. Plan mode in Claude Code is incredible. But I always find my eyes glazing over when it gives me this huge markdown essay in my terminal. I found I can make much better visual plans with reusable components. So I made a skill called `/visual-plan`. It generates plans as MDX with visual, interactive components. Diagrams, interactive API specs, schema design changes, annotated code, and even pan and zoomable wireframes. So for any UI work, you can look at a wireframe first, comment on it, iterate, and then have the agent work. I’ve found this to be a much more intuitive interface for reasoning about what the agent is doing. It’s somewhat inspired by that popular post about how HTML is better than Markdown. But HTML can be slow and verbose to write. And it doesn’t look good checked into a repo. This has really made me feel like humans and engineering are entering a new abstraction phase, where we reason about things at the plan level. As long as the plan is good, agents are getting more and more reliable at executing on it. Almost to the degree that we trust the C compiler to compile to assembly reliably. Plans are the new intermediate representation. I also made a skill for the reverse of this, called `/visual-recap`. After the agent works, it gives you a recap of everything it did. Same idea: wireframes, interactive API specs and diffs, schemas, annotated code, etc. So now when you’re reviewing what the agent did for you, or looking at a pull request of somebody else’s code, you can see a visual recap instead of just reading a wall of text. It’s all free and open source. You can find it on my GitHub. Will link to it in the reply because we all know how dumb these algorithms are with links.

Steve (Builder.io)

126,597 görüntüleme • 3 ay önce

#WATCH | Cyprus: On PM Modi's visit to Cyprus, Manish, High Commissioner of India to the Republic of Cyprus, says, "I am trying to push the economic agenda between the India-Cyprus Economic Corridor. We have a policy to become a ‘developed India’ by 2047, and they have ‘Vision 2035’, so there is a synergy there, so we have to see how we can use each other’s strengths and work together to achieve them. I think Cyprus’ advantage is that it can serve as a gateway to the European Union as well as the larger region around it. Cyprus also understands that it has to work with India and it is quite evident that they are reaching out to India to build better relations, to focus more on economic issues, because they know that India is the fastest growing economy in the world. And similarly, if you see, Cyprus is the fastest growing economy in the European Union and they have their own advantages. We have our own strengths and advantages, so we have to work on every aspect of economic engagement…"

#WATCH | Cyprus: On PM Modi's visit to Cyprus, Manish, High Commissioner of India to the Republic of Cyprus, says, "I am trying to push the economic agenda between the India-Cyprus Economic Corridor. We have a policy to become a ‘developed India’ by 2047, and they have ‘Vision 2035’, so there is a synergy there, so we have to see how we can use each other’s strengths and work together to achieve them. I think Cyprus’ advantage is that it can serve as a gateway to the European Union as well as the larger region around it. Cyprus also understands that it has to work with India and it is quite evident that they are reaching out to India to build better relations, to focus more on economic issues, because they know that India is the fastest growing economy in the world. And similarly, if you see, Cyprus is the fastest growing economy in the European Union and they have their own advantages. We have our own strengths and advantages, so we have to work on every aspect of economic engagement…"

ANI

46,372 görüntüleme • 1 yıl önce

NMIXX speech for their first daesang with Blue Valentine 🥹 Haewon: We came down after having a really fun performance, and we are so, so happy to receive such a big award. The 'Sound of the Year' award means that the music we worked so hard on has been loved by so many people, so I think we are even happier. To our NSWERs who made it possible for us to receive this award, thank you so, so much. And since this is such a meaningful award, I’d like the other members to share a word too! Jiwoo: Thanks to our NSWERs, I think we were able to receive such a big award like this. In the future too, we will work really hard and show you many wonderful sides of ourselves. NSWERs, I love you! Sullyoon: NSWERs, thanks to you all, we were able to receive such a great award, and I am so, so truly happy. Thank you for always being our driving force. I love you, NSWERs! Kyujin: Following our Artist of the Year award this year, we are so, so thankful to be able to receive this Grand Prize. We are very thankful to all the officials at The Fact. And once again, to all of our JYP family... we love you so, so much! SQU4D, we love you! Director Lee Ji-young, we love you! Thank you so much. In the future too, we will work hard on music that lives up to the name of this award, and become a team that you look forward to even more every year. Thank you! Bae: I think this award is a prize we received together with all the people who have helped us so much and our NSWERs. Thank you so much always. The love NSWERs give us, and the help from everyone who assists us... I have always thought of it as something that isn’t a given [not taken for granted]. I will always do my best with sincerity. Thank you! Lily (in English): I really feel like this will be a moment that us NMIXX members, and all of our team, and all of our family, and friends who have supported us over the years will look back on for a very long time. So I'm very grateful for all of the support we've received, because we wouldn't have been able to do it without our fans, our NSWERs, and all of the people who stand by us every single day. I think this is just such a wonderful day, and once again, thank you so much! Really, thank you!

NMIXX speech for their first daesang with Blue Valentine 🥹 Haewon: We came down after having a really fun performance, and we are so, so happy to receive such a big award. The 'Sound of the Year' award means that the music we worked so hard on has been loved by so many people, so I think we are even happier. To our NSWERs who made it possible for us to receive this award, thank you so, so much. And since this is such a meaningful award, I’d like the other members to share a word too! Jiwoo: Thanks to our NSWERs, I think we were able to receive such a big award like this. In the future too, we will work really hard and show you many wonderful sides of ourselves. NSWERs, I love you! Sullyoon: NSWERs, thanks to you all, we were able to receive such a great award, and I am so, so truly happy. Thank you for always being our driving force. I love you, NSWERs! Kyujin: Following our Artist of the Year award this year, we are so, so thankful to be able to receive this Grand Prize. We are very thankful to all the officials at The Fact. And once again, to all of our JYP family... we love you so, so much! SQU4D, we love you! Director Lee Ji-young, we love you! Thank you so much. In the future too, we will work hard on music that lives up to the name of this award, and become a team that you look forward to even more every year. Thank you! Bae: I think this award is a prize we received together with all the people who have helped us so much and our NSWERs. Thank you so much always. The love NSWERs give us, and the help from everyone who assists us... I have always thought of it as something that isn’t a given [not taken for granted]. I will always do my best with sincerity. Thank you! Lily (in English): I really feel like this will be a moment that us NMIXX members, and all of our team, and all of our family, and friends who have supported us over the years will look back on for a very long time. So I'm very grateful for all of the support we've received, because we wouldn't have been able to do it without our fans, our NSWERs, and all of the people who stand by us every single day. I think this is just such a wonderful day, and once again, thank you so much! Really, thank you!

nmixx pics

45,949 görüntüleme • 23 gün önce

Derrick Milano about working with BTS 🙏🧎‍♀️ ‘The biggest part for me working with them is just really like, they really love creating music. It doesn't seem like they're in it for the money. It doesn't seem like they're in it for clout. It seems like they really genuinely and passionately love music. I think we need to see that more because it's a gift from God that we have and we can't take it for granted because at any point in time it can get taken away. So when you do have the opportunity and the luxury and you do have the pleasure to work with amazing people and you're able to put this stuff out, take advantage of it, and I think THEY take advantage of it to the fullest extent, from their music videos to the performance to the recording to the engineering to who they collaborate with. They use it to the fullest extent, and I think that's why it's so receptive and it's performing the way it is, because they go above and beyond for their work and their process and their product.’

Derrick Milano about working with BTS 🙏🧎‍♀️ ‘The biggest part for me working with them is just really like, they really love creating music. It doesn't seem like they're in it for the money. It doesn't seem like they're in it for clout. It seems like they really genuinely and passionately love music. I think we need to see that more because it's a gift from God that we have and we can't take it for granted because at any point in time it can get taken away. So when you do have the opportunity and the luxury and you do have the pleasure to work with amazing people and you're able to put this stuff out, take advantage of it, and I think THEY take advantage of it to the fullest extent, from their music videos to the performance to the recording to the engineering to who they collaborate with. They use it to the fullest extent, and I think that's why it's so receptive and it's performing the way it is, because they go above and beyond for their work and their process and their product.’

Lore ⊙⊝⊜ ᴀʀɪʀᴀɴɢ

27,070 görüntüleme • 6 ay önce

Bret Weintein asks "what is this all really for?" "If you look at the push towards tokenization of assets, towards central bank digital currencies—that is programmable money that can be turned off if you displease the powers that be. If you look at the creation of these massive data centers, is that really about citizen use of AI? Maybe some of it is, but is it really about creating a storehouse of information that will allow you to be controlled and locked down? That’s certainly the impression I have. We didn’t have a discussion about any of this. This is happening, and then we have to react to it because it’s all on a freight train headed down the line… and we’re always playing defense. So it’s pretty frightening stuff. And at some level, we have a moral right to object. We’re not being given the opportunity to object..."

Bret Weintein asks "what is this all really for?" "If you look at the push towards tokenization of assets, towards central bank digital currencies—that is programmable money that can be turned off if you displease the powers that be. If you look at the creation of these massive data centers, is that really about citizen use of AI? Maybe some of it is, but is it really about creating a storehouse of information that will allow you to be controlled and locked down? That’s certainly the impression I have. We didn’t have a discussion about any of this. This is happening, and then we have to react to it because it’s all on a freight train headed down the line… and we’re always playing defense. So it’s pretty frightening stuff. And at some level, we have a moral right to object. We’re not being given the opportunity to object..."

The DarkHorse Podcast

324,177 görüntüleme • 2 ay önce

OK SO FINALLY I have a means to show you what I have been saying for a while.......Watch this clip, share it, so people understand what we are saying here!!! In this Clip, JLR© is having a discussion with Watching the World , and we get to see that front door lock!! Here is what I have been saying.....The Front door is a material called EXPANDED METAL, YOU CAN SEE THROUGH IT. The Door IS a Security Door, that you would have to cut through with two locks. A Lock that can be unlocked via a key on the handle, and a DEADbolt lock that would be locked on the inside of the door. This PREVENTS someone from being able to attack you when you OPEN the HOUSE door that is inside it, and behind this screen door. That door only opens when that deadbolt is unlocked from inside! ALso notice we see NO damage to the door or frame in this video!!

OK SO FINALLY I have a means to show you what I have been saying for a while.......Watch this clip, share it, so people understand what we are saying here!!! In this Clip, JLR© is having a discussion with Watching the World , and we get to see that front door lock!! Here is what I have been saying.....The Front door is a material called EXPANDED METAL, YOU CAN SEE THROUGH IT. The Door IS a Security Door, that you would have to cut through with two locks. A Lock that can be unlocked via a key on the handle, and a DEADbolt lock that would be locked on the inside of the door. This PREVENTS someone from being able to attack you when you OPEN the HOUSE door that is inside it, and behind this screen door. That door only opens when that deadbolt is unlocked from inside! ALso notice we see NO damage to the door or frame in this video!!

Capt KEVman!!!

46,092 görüntüleme • 7 ay önce

I’ve been working quietly on something that marks a new chapter for me. Music that carries where I come from, who I have become, and where I’m heading. This album is my story, the lessons I have learned, the friendships I have lost, the wins I have celebrated, the grief of losing my father, the joy of welcoming my daughter into the world, and so much more. This album has been 5 years in the making and it is my GREATEST work yet; my ability to outdo myself continues to amaze me. It’s a reminder that I am truly capable of anything I set my mind on and so are you. I’ve shown you many sides of me, changed my name, surprised you with music you didn’t ask for or expect, but you have stayed. You’ve given me your ears and embraced every single phase I’ve embarked on. This phase is rooted in the very beginning of my journey, a return to the essence of why I started making music, to tell stories. Listen with open ears, because I won’t be revealing any features until you’ve experienced it for yourself. This is me, Adekunle Kosoko. Pre-save FUJI -

I’ve been working quietly on something that marks a new chapter for me. Music that carries where I come from, who I have become, and where I’m heading. This album is my story, the lessons I have learned, the friendships I have lost, the wins I have celebrated, the grief of losing my father, the joy of welcoming my daughter into the world, and so much more. This album has been 5 years in the making and it is my GREATEST work yet; my ability to outdo myself continues to amaze me. It’s a reminder that I am truly capable of anything I set my mind on and so are you. I’ve shown you many sides of me, changed my name, surprised you with music you didn’t ask for or expect, but you have stayed. You’ve given me your ears and embraced every single phase I’ve embarked on. This phase is rooted in the very beginning of my journey, a return to the essence of why I started making music, to tell stories. Listen with open ears, because I won’t be revealing any features until you’ve experienced it for yourself. This is me, Adekunle Kosoko. Pre-save FUJI -

BIG FISH

533,861 görüntüleme • 1 yıl önce

Alan Watts on why meditation has no purpose: Alan Watts begins by explaining the first basic reason for meditation. It interrupts our constant internal monologue: "Now, obviously, if I talk all the time, I don't hear what anyone else has to say. And so in exactly the same way, if I think all the time, that is to say, if I talk to myself all the time, I don't have anything to think about except thoughts. And therefore, I'm living entirely in the world of symbols and am never in relationship with reality." But then Watts pivots to a deeper, more counterintuitive point: meditation, properly understood, has no purpose at all. He compares it to music and dancing: "When we make music, we don't do it in order to reach a certain point, such as the end of the composition. If that were the purpose of music, to get to the end of the piece then obviously the fastest players would be the best." The same applies to dance: "When we dance, we are not aiming to arrive at a particular place on the floor, as we would be if we were taking a journey. When we dance, the journey itself is the point. When we play music, the playing itself is the point." This is where Watts delivers his core insight about meditation: "Meditation is the discovery that the point of life is always arrived at in the immediate moment. And therefore, if you meditate for an ulterior motive, that is to say, to improve your mind, to improve your character, to be more efficient in life, you've got your eye on the future and you are not meditating." Watts argues the future is an illusion we chase at our own expense: "Because the future is a concept. It doesn't exist. As the proverb says, 'tomorrow never comes.' There is no such thing as tomorrow. There never will be. Because time is always now." He pushes back against how religion has framed contemplative practice: "Meditation is supposed to be fun. It's not something you do as a grim duty. The trouble with religion as we know it is that it is so mixed up with grim duties. We do it because it's good for you; it's a kind of self-punishment." Watts closes with what he calls the real essence of the practice: "It's a kind of digging the present. It's a kind of grooving with the eternal now and brings us into a state of peace where we can understand that the point of life. The place where it's at is simply here and now."

Alan Watts on why meditation has no purpose: Alan Watts begins by explaining the first basic reason for meditation. It interrupts our constant internal monologue: "Now, obviously, if I talk all the time, I don't hear what anyone else has to say. And so in exactly the same way, if I think all the time, that is to say, if I talk to myself all the time, I don't have anything to think about except thoughts. And therefore, I'm living entirely in the world of symbols and am never in relationship with reality." But then Watts pivots to a deeper, more counterintuitive point: meditation, properly understood, has no purpose at all. He compares it to music and dancing: "When we make music, we don't do it in order to reach a certain point, such as the end of the composition. If that were the purpose of music, to get to the end of the piece then obviously the fastest players would be the best." The same applies to dance: "When we dance, we are not aiming to arrive at a particular place on the floor, as we would be if we were taking a journey. When we dance, the journey itself is the point. When we play music, the playing itself is the point." This is where Watts delivers his core insight about meditation: "Meditation is the discovery that the point of life is always arrived at in the immediate moment. And therefore, if you meditate for an ulterior motive, that is to say, to improve your mind, to improve your character, to be more efficient in life, you've got your eye on the future and you are not meditating." Watts argues the future is an illusion we chase at our own expense: "Because the future is a concept. It doesn't exist. As the proverb says, 'tomorrow never comes.' There is no such thing as tomorrow. There never will be. Because time is always now." He pushes back against how religion has framed contemplative practice: "Meditation is supposed to be fun. It's not something you do as a grim duty. The trouble with religion as we know it is that it is so mixed up with grim duties. We do it because it's good for you; it's a kind of self-punishment." Watts closes with what he calls the real essence of the practice: "It's a kind of digging the present. It's a kind of grooving with the eternal now and brings us into a state of peace where we can understand that the point of life. The place where it's at is simply here and now."

Mateus — eu/acc 🇪🇺

13,102 görüntüleme • 5 ay önce

The thing about AI animations ads that people on X don't tell you is that the script and visual directions are WAY more important that the actual generation itself. Anyone can animate a character in Higgsfield. Writing a DR script and pairing it with GOOD visual directions is what will determine whether it performs or not. We have our strategists' handle the ideation and scripting, and have hired a full-time specialist AI video editor to do the visuals. I have to say it's been one of the best hires we've made.

The thing about AI animations ads that people on X don't tell you is that the script and visual directions are WAY more important that the actual generation itself. Anyone can animate a character in Higgsfield. Writing a DR script and pairing it with GOOD visual directions is what will determine whether it performs or not. We have our strategists' handle the ideation and scripting, and have hired a full-time specialist AI video editor to do the visuals. I have to say it's been one of the best hires we've made.

Alex Cooper

68,584 görüntüleme • 5 ay önce

The music video for my song "Never Break My Heart (Not Again)" is out now! Come with me on a journey through chaos (or Kaos if you will 😉). When I came up with the concept for this video, I wanted to share something that was personal to me, but would maybe also inspire others to know that it is possible to find peace on the other side of whatever you may be going through. Wishing you all peace on the other side in 2024! Watch the music video on YouTube here:

The music video for my song "Never Break My Heart (Not Again)" is out now! Come with me on a journey through chaos (or Kaos if you will 😉). When I came up with the concept for this video, I wanted to share something that was personal to me, but would maybe also inspire others to know that it is possible to find peace on the other side of whatever you may be going through. Wishing you all peace on the other side in 2024! Watch the music video on YouTube here:

Nick Carter

68,868 görüntüleme • 2 yıl önce

Mikel Arteta on how he handles transfer speculation with his players: "Very simple. Whatever you read, if you have a question, come and knock on my door and I will tell you whether it is true or not. If we put now the catalogue on all these walls about all the players that we wanted in the last three months, I think we need the whole building to put it on. So I think they know that there's so much speculation with a lot of players. "If ever they feel the doubt of what we think of them and if we're going to recruit a player, I tell them straight away. Normally I do it - so, 'we're going to sign somebody in their position', and normally tell them that these are the plans and these are the reasons why we have the plans. 'We still believe the same in you, but the competition is going to increase.' I prefer to do it that way."

Mikel Arteta on how he handles transfer speculation with his players: "Very simple. Whatever you read, if you have a question, come and knock on my door and I will tell you whether it is true or not. If we put now the catalogue on all these walls about all the players that we wanted in the last three months, I think we need the whole building to put it on. So I think they know that there's so much speculation with a lot of players. "If ever they feel the doubt of what we think of them and if we're going to recruit a player, I tell them straight away. Normally I do it - so, 'we're going to sign somebody in their position', and normally tell them that these are the plans and these are the reasons why we have the plans. 'We still believe the same in you, but the competition is going to increase.' I prefer to do it that way."

Connor Humm

179,646 görüntüleme • 1 ay önce

Chamath: We have a huge perception issue in AI… here’s how to fix it. “We have a huge perception issue in AI.” “We have a handful of companies, all the PR that you see from those handful of companies is a bunch of circular dealmaking, a bunch of capital that flows from one to the other.” “It causes these stocks to go up, of which a small percentage of people benefit.” “And at the tail end of it, it's accompanied by a completely different set of articles that everybody also reads about this Sword of Damocles that's about to fall on their head, whether it's electricity prices or whether it's their jobs.” “So the question at hand is how do we fix it?” “How do we get back to the place where a video talking about stopping all progress would seem as laughable as it should be?” “We now need to be on the forward foot as an industry.” “We need to start to use a percentage of the balance sheets of these companies in order to benefit as many Americans as possible.” “That is the absolute minimum.” “Andrew Carnegie built 2,500 libraries.” “The idea was, as he built the railroads, you're going to scale GDP, you're going to scale education and knowledge.” “Those libraries are artifacts that allowed people to feel a dividend from that industrial revolution.” “We need to self-organize better, and we need to be more on the forward foot.” “We need to start doing things that are practically measurable by tens of millions of American citizens.”

Chamath: We have a huge perception issue in AI… here’s how to fix it. “We have a huge perception issue in AI.” “We have a handful of companies, all the PR that you see from those handful of companies is a bunch of circular dealmaking, a bunch of capital that flows from one to the other.” “It causes these stocks to go up, of which a small percentage of people benefit.” “And at the tail end of it, it's accompanied by a completely different set of articles that everybody also reads about this Sword of Damocles that's about to fall on their head, whether it's electricity prices or whether it's their jobs.” “So the question at hand is how do we fix it?” “How do we get back to the place where a video talking about stopping all progress would seem as laughable as it should be?” “We now need to be on the forward foot as an industry.” “We need to start to use a percentage of the balance sheets of these companies in order to benefit as many Americans as possible.” “That is the absolute minimum.” “Andrew Carnegie built 2,500 libraries.” “The idea was, as he built the railroads, you're going to scale GDP, you're going to scale education and knowledge.” “Those libraries are artifacts that allowed people to feel a dividend from that industrial revolution.” “We need to self-organize better, and we need to be more on the forward foot.” “We need to start doing things that are practically measurable by tens of millions of American citizens.”

The All-In Podcast

105,809 görüntüleme • 9 ay önce