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I’ve been loving using Seedance 2.5's Draft Mode in Venice Studio for my recent projects. As someone who loves clicking the generate button a lot, it's been a bit of a lifesaver! The minimal moderation is a big reason why I'm all in on Venice. It's nice to feel... show more
23 条评论
Ima try @AskVenice just because of this feature
Super helpful to see this process. Thanks for sharing @heavypulp
Great work as always.
Love the full grid wall of gens. Something nice about that. I need to gove them a try. Oh and yea, DRAFT MODE is game-changing. Love it.
@AskVenice so good 🤌🏼
got to check this out
enough with the hamster dance sounding music.
there will be more dancing hamsters - get out while you still can! 😲
Love the way your vids look
A very necessary feature.
That’s actually pretty cool. I need to be able to see what it makes before I spend a ton of money on it.
When it comes to AI Film, you’re a GOAT!
Cool! Thanks for sharing!
Pls explain what filmmaking skills this fellow possesses other than clicking a button or 2.
it's three buttons actually!
this is the direction we’re exploring with our internal studio at @0xIntuition. cheap passes to test the idea, then promote what works. more room to experiment before committing to the expensive render
I need to try @AskVenice
This is cool 🔥🔥
Nice 👍
Do they allow “copyrighted” generation on here I’ve been wanting to try it
Super cool, I can’t wait to try this. Does it use more credits?
Good for you
The useful part of a draft pass is deciding what to reject before committing to the final render. I would track whether timing and blocking survive the move to a higher-quality output. When you promote a draft, what tends to change first: motion timing, character identity, or the composition?
![Rick Rubin is a lazy workaholic. He explains what that means: “I'm a lazy workaholic. I have to force myself to do it. My demeanor would be to do nothing. I love the beautiful thing and it takes a lot of work to get to the beautiful thing. I like to get to the point where it's like okay press the send button and share it with the world. That's a great feeling. But all of the work up until then it's like "Oh my God I have to go to the studio today” It's such a beautiful day. Wouldn't it be nice to just go out and have lunch with friends? The first 25 years [of my career] were spent in a dark room for 16 hours a day, seven days a week in New York City working on music.”](https://image.24vids.com/tw-2058674457003356362/amplify_video_thumb/2058674318813614080/img/6mX3slb5z8etSnwd.jpg)
