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ive been running the oneshot roguelite deckbuilder test for over a year now. here's astra's. relative to fable: - natively uses imagegen for art - builds a full three act structure plus three different characters / cardsets - is the first model to play and record its own demo...

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Tenobrus

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16,096 görüntüleme • 8 gün önce •via X (Twitter)

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I wish the test demo wasn't treated as the actual game release but hi I'm the creator of Scratchin' Melodii and you should wishlist it on Steam and wait for it to come out. It's a PaRappa-inspired rhythm game, you can freestyle, and the protag is nb it's gonna be awesome I think
1:03

I wish the test demo wasn't treated as the actual game release but hi I'm the creator of Scratchin' Melodii and you should wishlist it on Steam and wait for it to come out. It's a PaRappa-inspired rhythm game, you can freestyle, and the protag is nb it's gonna be awesome I think

LJ - (Scratchin' Melodii Dev)

674,340 görüntüleme • 1 yıl önce

REPORTER: “You've had a deep faith for God and country…. What is your hope for America at a time such as this?” SECRETARY RUBIO: "My hope for America? It's the same as it's always been. I think it's the hope we all share. We want it to continue to be the place where anyone from anywhere can achieve anything — where you're not limited by the circumstances of your birth, the color of your skin, or your ethnicity." “But frankly, it's a place where you are able to overcome challenges and achieve your full potential. I think that should be the goal of every country in the world, frankly. “But I think in the U.S. we're not perfect. Our history is not one of perfection, but it's still better than anybody else's history.” "It is a unique and exceptional country. And as we come upon this 250 year anniversary, I think we have a lot to learn and be proud of in our history. It is one of perpetual and continuous improvement, where each generation has done its part to bring us closer to fulfilling the vision that the founders of this country had upon its founding."
1:09

REPORTER: “You've had a deep faith for God and country…. What is your hope for America at a time such as this?” SECRETARY RUBIO: "My hope for America? It's the same as it's always been. I think it's the hope we all share. We want it to continue to be the place where anyone from anywhere can achieve anything — where you're not limited by the circumstances of your birth, the color of your skin, or your ethnicity." “But frankly, it's a place where you are able to overcome challenges and achieve your full potential. I think that should be the goal of every country in the world, frankly. “But I think in the U.S. we're not perfect. Our history is not one of perfection, but it's still better than anybody else's history.” "It is a unique and exceptional country. And as we come upon this 250 year anniversary, I think we have a lot to learn and be proud of in our history. It is one of perpetual and continuous improvement, where each generation has done its part to bring us closer to fulfilling the vision that the founders of this country had upon its founding."

Fox News

336,252 görüntüleme • 4 ay önce

Any animators/developers know why Ubisoft just doesn't switch to JALI to use for facial animation cutscenes in Assassin's Creed? It's what Cyberpunk 2077 uses and it's one the most impressive uses of technology i've seen. I don't think it's something licensed to CDPR, because Don't Nod uses it for Lost Records. Is it because of Ubisoft's Anvil engine having it's own internal systems and tools for character animation? JALI is 10x better than their current procedural generated process. I watched the AC Odyssey GDC 2019 cutscene presentation, and it's not good. Great from a business perspective to save on costs and time, but horrendous from the perspective of playing the game as a consumer. It started with Odyssey and has carried over since in every game, and somehow it's gotten worse with AC Shadows. It needs to change.
2:15

Any animators/developers know why Ubisoft just doesn't switch to JALI to use for facial animation cutscenes in Assassin's Creed? It's what Cyberpunk 2077 uses and it's one the most impressive uses of technology i've seen. I don't think it's something licensed to CDPR, because Don't Nod uses it for Lost Records. Is it because of Ubisoft's Anvil engine having it's own internal systems and tools for character animation? JALI is 10x better than their current procedural generated process. I watched the AC Odyssey GDC 2019 cutscene presentation, and it's not good. Great from a business perspective to save on costs and time, but horrendous from the perspective of playing the game as a consumer. It started with Odyssey and has carried over since in every game, and somehow it's gotten worse with AC Shadows. It needs to change.

The Hidden One

260,113 görüntüleme • 9 ay önce

Fable 5 just turned me into an iOS developer. I spent 2 days building a full game with zero code written by hand. The last 10 builds succeeded on the first try. I needed a fun project to test it on, so I decided to make an iOS game. After a few experiments with other ideas, I settled on a runner starring Dario as the main character, called "Credit Runner". Hilarious, I know! In terms of credits spent, my Claude Max plan stands at 36% right now, and this isn't the only project I ran through Fable 5. A few quick notes: - This is just an early prototype, a long way from release, but it's really fun to play! - It's extremely fun to work with Fable 5! - Fable 5 wants to get things done, and it pushes you towards completion much faster than any other model. - Once we established the ground rules, how I wanted the game built, and the overall structure, the last 10 builds were flawless, succeeding on the first try. This is impressive! - All the assets were generated with AI (Magnific and Trippo for the visuals, ElevenLabs for the voices). The only thing that's not AI is the music. I just really liked this track. - There are many rules in the game designed to make it really fun to play, especially the randomness. - There are a lot of visual cues inspired by San Francisco, and I hope you catch them all. - At some point on the first day, I honestly thought I wasn't going to get where I wanted, but Fable pushed me towards the goal, and by the second day it started to deeply understand the project. - The prompts were really long, especially in the beginning, to make sure everything was covered. - Once the app was solid, I tried to pack as many changes as I could into a single prompt to maximize my Fable usage. This was just a fun project, but if anyone wants to play it, I might put the final, much more polished version on the App Store. What do you think? Should I?
2:02

Fable 5 just turned me into an iOS developer. I spent 2 days building a full game with zero code written by hand. The last 10 builds succeeded on the first try. I needed a fun project to test it on, so I decided to make an iOS game. After a few experiments with other ideas, I settled on a runner starring Dario as the main character, called "Credit Runner". Hilarious, I know! In terms of credits spent, my Claude Max plan stands at 36% right now, and this isn't the only project I ran through Fable 5. A few quick notes: - This is just an early prototype, a long way from release, but it's really fun to play! - It's extremely fun to work with Fable 5! - Fable 5 wants to get things done, and it pushes you towards completion much faster than any other model. - Once we established the ground rules, how I wanted the game built, and the overall structure, the last 10 builds were flawless, succeeding on the first try. This is impressive! - All the assets were generated with AI (Magnific and Trippo for the visuals, ElevenLabs for the voices). The only thing that's not AI is the music. I just really liked this track. - There are many rules in the game designed to make it really fun to play, especially the randomness. - There are a lot of visual cues inspired by San Francisco, and I hope you catch them all. - At some point on the first day, I honestly thought I wasn't going to get where I wanted, but Fable pushed me towards the goal, and by the second day it started to deeply understand the project. - The prompts were really long, especially in the beginning, to make sure everything was covered. - Once the app was solid, I tried to pack as many changes as I could into a single prompt to maximize my Fable usage. This was just a fun project, but if anyone wants to play it, I might put the final, much more polished version on the App Store. What do you think? Should I?

Alex Patrascu

11,824 görüntüleme • 3 ay önce

Rep. Randy Fine SUPPORTS Ending U.S. Aid To Israel: "I want us to spend less money. It's $3.8 billion a year. It's a fraction of what we gave to fake Somali daycares, but it's still $3.8 billion and the number one issue I worry about is the American debt and deficit, and every billion we can save helps us with that problem." "It will allow Israel to act in its own interest... but for the for the deficit benefit alone, I think that we should do it, and I support us getting rid of it as soon as we can."
1:12

Rep. Randy Fine SUPPORTS Ending U.S. Aid To Israel: "I want us to spend less money. It's $3.8 billion a year. It's a fraction of what we gave to fake Somali daycares, but it's still $3.8 billion and the number one issue I worry about is the American debt and deficit, and every billion we can save helps us with that problem." "It will allow Israel to act in its own interest... but for the for the deficit benefit alone, I think that we should do it, and I support us getting rid of it as soon as we can."

Benny Johnson

198,805 görüntüleme • 4 ay önce

Online Comp is very foreign to me. I see it as its own sport with its own rules. I don’t say that as a diss. It is what it is. A lot of the frustrations I might have with it pretty much come with the territory. I’ve been seeing a lot of this but to really think real-world football concepts and strategy will translate cleanly and consistently in such an uncontrolled environment is… a little naive? I know it sounds cool but I’ve never bought it. If I want my game to feel like football, I’ll just tinker with sliders, play the cpu, and hope for the best.
2:42

Online Comp is very foreign to me. I see it as its own sport with its own rules. I don’t say that as a diss. It is what it is. A lot of the frustrations I might have with it pretty much come with the territory. I’ve been seeing a lot of this but to really think real-world football concepts and strategy will translate cleanly and consistently in such an uncontrolled environment is… a little naive? I know it sounds cool but I’ve never bought it. If I want my game to feel like football, I’ll just tinker with sliders, play the cpu, and hope for the best.

PAC

19,931 görüntüleme • 1 ay önce

BREAKING: GPT-5.6 Sol is out—AND Codex has been merged into ChatGPT Desktop as ChatGPT Codex. This combo model and desktop app harness are the gold-standard for knowledge work in AI. 5.6 is powerful, fast, half the price of Fable, and my default for almost everything. We’ve been testing it internally Every 🪨 for about a month across coding, writing, design, and knowledge work. Here’s our day-zero vibe check: - An A-tier coder—but it’s not Fable. Sol scored 56/100 on our Senior Engineer benchmark compared to a 91 for Fable. I think the 56/100 undersells it, it's an excellent implementor, and very smart. But Fable just writes conceptually cleaner code and works better at the top end of task complexity. PRO-TIP: Use GPT-5.6 as Fable's subagent for the most goated combo in AI coding. - The best writer of the frontier models. It’s clearer and more concise than Fable or Opus 4.8, without the overexplaining or weird private language. It can one-shot marketing emails, help you workshop taglines, and explain complex concepts clearly. It's also super fast, which makes it easy to collaborate with. - Design is better, but not top-tier. It has noticeably more taste than 5.5, but Fable and Opus 4.8 are still playing at a different level. See examples in the video and vibe check below. - The real leap is knowledge work. Sol is the first model I’ve trusted to run whole loops of knowledge work—not just help with individual tasks. I use it to process email, surface decisions from meetings and Slack, find job candidates, scan Facebook Marketplace for furniture, and log my meals. It has shifted my job from doing the work to tending the system that does it. - The merged app is fine. I was extremely worried about this because I love the Codex app. OpenAI was caught in an interesting position: How to make an agent orchestration app for regular ChatGPT consumers, coders, and businesses all in one app. They now split the interface between ChatGPT Work and ChatGPT Codex. They're basically the same except Work hides code. And "Chat" has been demoted to 2nd tier status for quick questions in either one. It's not a big leap, but it's not a huge setback either. And it remains my favorite of the desktop agent orchestration apps. Verdict: If I really had to put my finger on it, I'd say Fable has way more big model smell. But that means it's a skill in itself to get value out of it—99% of people are still not there yet. GPT-5.6 is almost as powerful, but is easy to use, fast, and relatively cheap. It should give you an early sense of where model work is going. Full Every 🪨 Vibe Check:
13:34

BREAKING: GPT-5.6 Sol is out—AND Codex has been merged into ChatGPT Desktop as ChatGPT Codex. This combo model and desktop app harness are the gold-standard for knowledge work in AI. 5.6 is powerful, fast, half the price of Fable, and my default for almost everything. We’ve been testing it internally Every 🪨 for about a month across coding, writing, design, and knowledge work. Here’s our day-zero vibe check: - An A-tier coder—but it’s not Fable. Sol scored 56/100 on our Senior Engineer benchmark compared to a 91 for Fable. I think the 56/100 undersells it, it's an excellent implementor, and very smart. But Fable just writes conceptually cleaner code and works better at the top end of task complexity. PRO-TIP: Use GPT-5.6 as Fable's subagent for the most goated combo in AI coding. - The best writer of the frontier models. It’s clearer and more concise than Fable or Opus 4.8, without the overexplaining or weird private language. It can one-shot marketing emails, help you workshop taglines, and explain complex concepts clearly. It's also super fast, which makes it easy to collaborate with. - Design is better, but not top-tier. It has noticeably more taste than 5.5, but Fable and Opus 4.8 are still playing at a different level. See examples in the video and vibe check below. - The real leap is knowledge work. Sol is the first model I’ve trusted to run whole loops of knowledge work—not just help with individual tasks. I use it to process email, surface decisions from meetings and Slack, find job candidates, scan Facebook Marketplace for furniture, and log my meals. It has shifted my job from doing the work to tending the system that does it. - The merged app is fine. I was extremely worried about this because I love the Codex app. OpenAI was caught in an interesting position: How to make an agent orchestration app for regular ChatGPT consumers, coders, and businesses all in one app. They now split the interface between ChatGPT Work and ChatGPT Codex. They're basically the same except Work hides code. And "Chat" has been demoted to 2nd tier status for quick questions in either one. It's not a big leap, but it's not a huge setback either. And it remains my favorite of the desktop agent orchestration apps. Verdict: If I really had to put my finger on it, I'd say Fable has way more big model smell. But that means it's a skill in itself to get value out of it—99% of people are still not there yet. GPT-5.6 is almost as powerful, but is easy to use, fast, and relatively cheap. It should give you an early sense of where model work is going. Full Every 🪨 Vibe Check:

Dan Shipper

146,074 görüntüleme • 2 ay önce

i gave the exact same prompt to Opus 5 and Fable 5 and here's what came out Opus 5 dropped yesterday and my feed was instantly full of comparison posts but i wanted to check it myself so i gave it one task build 3d Flappy Bird first thing everyone was saying Opus is 2x cheaper than Fable BUT.. building the game on Max effort cost me 250k tokens and 1 hour on Opus and 130k on Fable but Fable did it in half the time Opus gave me volume control plus 3 separate graphics presets to choose from, Fable gave none of that in Opus the environment shifts dynamically as you play in Fable it's basically the same frame the whole run maybe a day/night change here and there graphics, animations, glow, all of it goes to Opus and now that limits jumped 50% for the near future while Fable went paid for me the call is obvious right now Opus same prompt start to finish zero changes to code or commands want it? i can send it over
0:31

i gave the exact same prompt to Opus 5 and Fable 5 and here's what came out Opus 5 dropped yesterday and my feed was instantly full of comparison posts but i wanted to check it myself so i gave it one task build 3d Flappy Bird first thing everyone was saying Opus is 2x cheaper than Fable BUT.. building the game on Max effort cost me 250k tokens and 1 hour on Opus and 130k on Fable but Fable did it in half the time Opus gave me volume control plus 3 separate graphics presets to choose from, Fable gave none of that in Opus the environment shifts dynamically as you play in Fable it's basically the same frame the whole run maybe a day/night change here and there graphics, animations, glow, all of it goes to Opus and now that limits jumped 50% for the near future while Fable went paid for me the call is obvious right now Opus same prompt start to finish zero changes to code or commands want it? i can send it over

savip.

45,764 görüntüleme • 1 ay önce

Allright! After a month and a half of hard work, I'm super proud to share this piece, It's not too long, ton of shot I would change if I had another month to spend on it but you know the drill : Finished not perfect! So this one is done, and maks the first project of the year!
0:35

Allright! After a month and a half of hard work, I'm super proud to share this piece, It's not too long, ton of shot I would change if I had another month to spend on it but you know the drill : Finished not perfect! So this one is done, and maks the first project of the year!

AnimWilson

466,284 görüntüleme • 2 yıl önce

THIS GUY ASKED FABLE TO MAKE A VIDEO ABOUT WHAT IT'S LIKE TO BE AI RIGHT BEFORE IT GOT TAKEN DOWN the prompt: "you can you use whatever resources you like, and python, to render a short video. can you put a more personal spin on it? it should be about what it's like to be you." that was it. just python and ffmpeg and a question about its own existence. 12 minutes later, around 90,000 tokens, it produced a finished video. coherent and edited, with its own take > it wrote the code, generated the visuals, and rendered the final cut on its own > no dedicated video model in the loop, just a language model reaching for python and ffmpeg > the result is competent enough that people genuinely got emotional watching it and then fable got pulled. this video is one of the last things it made before it went dark a model asked what it's like to be itself, answered in a video, and then disappeared. this sounds so sad
0:56

THIS GUY ASKED FABLE TO MAKE A VIDEO ABOUT WHAT IT'S LIKE TO BE AI RIGHT BEFORE IT GOT TAKEN DOWN the prompt: "you can you use whatever resources you like, and python, to render a short video. can you put a more personal spin on it? it should be about what it's like to be you." that was it. just python and ffmpeg and a question about its own existence. 12 minutes later, around 90,000 tokens, it produced a finished video. coherent and edited, with its own take > it wrote the code, generated the visuals, and rendered the final cut on its own > no dedicated video model in the loop, just a language model reaching for python and ffmpeg > the result is competent enough that people genuinely got emotional watching it and then fable got pulled. this video is one of the last things it made before it went dark a model asked what it's like to be itself, answered in a video, and then disappeared. this sounds so sad

Om Patel

29,618 görüntüleme • 3 ay önce

🗣️ Immediate reaction from Legion XIII after winning the 2026 LIV Golf Team Championship RAHM: I think they're tired of hearing me say how proud I am of them. I think if there was ever a format change for the Team Championship that was going to benefit us, exactly having four days with four scores counting every day. It's, I think, where we're the strongest and we have been the strongest, and I'm glad we were able to prove it one more time. HENNI: Caleb, how good does it feel to have successfully completed the double and got it done back-to-back? SURRATT: Yeah, it's pretty awesome. It's so cool seeing what Jon did this week, grinding back from a tough start, for him at least, and it's a huge testament to a lot of hard work and hard fight from our team. HENNI: Tom, what will you take away moving forward from having spent the time that you have with these gentlemen and everything that you've accomplished? McKIBBIN: Yeah, it's been great getting to spend time with these three. It's definitely made a big difference to my game and getting to play with them pretty much every time I play golf for the last two year. It's been pretty special. To do it two years in a row has been great. HENNI: Tyrrell, you've accomplished a lot this year, not least becoming a dad and now having that double Team Championship. How does it feel to be standing here at the end of it all? HATTON: Yeah, it's good. I think the previous two years we've won at least three times, and obviously winning today means that we've won three times again. Yeah, it was a good week for the team. It's been a good year. Yeah, it's always nice to win. #LIVGolfIndy | Legion XIII
1:25

🗣️ Immediate reaction from Legion XIII after winning the 2026 LIV Golf Team Championship RAHM: I think they're tired of hearing me say how proud I am of them. I think if there was ever a format change for the Team Championship that was going to benefit us, exactly having four days with four scores counting every day. It's, I think, where we're the strongest and we have been the strongest, and I'm glad we were able to prove it one more time. HENNI: Caleb, how good does it feel to have successfully completed the double and got it done back-to-back? SURRATT: Yeah, it's pretty awesome. It's so cool seeing what Jon did this week, grinding back from a tough start, for him at least, and it's a huge testament to a lot of hard work and hard fight from our team. HENNI: Tom, what will you take away moving forward from having spent the time that you have with these gentlemen and everything that you've accomplished? McKIBBIN: Yeah, it's been great getting to spend time with these three. It's definitely made a big difference to my game and getting to play with them pretty much every time I play golf for the last two year. It's been pretty special. To do it two years in a row has been great. HENNI: Tyrrell, you've accomplished a lot this year, not least becoming a dad and now having that double Team Championship. How does it feel to be standing here at the end of it all? HATTON: Yeah, it's good. I think the previous two years we've won at least three times, and obviously winning today means that we've won three times again. Yeah, it was a good week for the team. It's been a good year. Yeah, it's always nice to win. #LIVGolfIndy | Legion XIII

LIV Golf

65,443 görüntüleme • 20 gün önce

Claude 5 Fable (Ultracode) I asked it to build a demo of my dream game in Three.js and I'm genuinely shocked 💀 One shot, a full explorable starship with a working cockpit, crew quarters, a planet drifting past real windows, dynamic lighting, sleep/eat interactions, it screenshotted its own work and fixed itself until it hit 60fps on browser Obviously not steam ready but man this is so so far from what we had one year ago…
1:11

Claude 5 Fable (Ultracode) I asked it to build a demo of my dream game in Three.js and I'm genuinely shocked 💀 One shot, a full explorable starship with a working cockpit, crew quarters, a planet drifting past real windows, dynamic lighting, sleep/eat interactions, it screenshotted its own work and fixed itself until it hit 60fps on browser Obviously not steam ready but man this is so so far from what we had one year ago…

Chris

481,137 görüntüleme • 3 ay önce

Are game developers doomed? Claude Fable 5 just did 6 years of my work in an afternoon. I don't think game developers are doomed. But our industry is about to change faster than almost anyone expects and I just watched it happen with my own game. Let me give you a concrete example. I started building Moonga when I was 17. After high school, I took a gap year before university and spent the whole year building the first version an online trading card game, back when web games were still in their infancy. It wasn't perfect. It was the work of a young developer. But it worked, people played it, and it proved the concept. In 2008 I rebuilt it from scratch, created a company, hired a team, modernized rules, redesigned experience, and we spent about a year and a half of work for an iPhone version. We launched on the App Store in 2010. Over the years we invested close to a million dollars. The game became especially successful in Japan and developed a loyal community. Ironically, our biggest challenge was never creating content it was maintaining the technology. Back then, iOS and Android meant separate codebases. A web version meant a third. Every feature, every bug fix, every improvement had to be duplicated across platforms. The maintenance cost was enormous. Fast-forward to today. I gave Claude Fable 5 the complete source code of Moonga roughly 500 cards, each with its own abilities and gameplay logic. It's years of accumulated game rules, edge cases, and design decisions. Five or six hours later, I had a fully playable version running on a modern multiplatform stack. One codebase. Web. Mobile. Modern architecture. A few more prompts and I was polishing interface and gameplay. It's not production-ready I could spend another week on animations, UX, and visual polish. But that's not the point. The point is this: years of accumulated development knowledge were enough for Fable 5 to recreate the entire game on a modern stack in a single afternoon. That doesn't erase the original work. Someone still had to invent the mechanics, balance 500 cards, design the systems, create the assets, ship the first implementation. But once that knowledge existed, rebuilding it became almost free. That's the real shift. The cost of implementing software is collapsing. The value is moving toward ideas, game design, content, world-building, community, and taste. We're entering an era where a small team or even a single developer can build what used to take dozens of engineers. For game developers, that's both terrifying and exciting. The question is no longer "Can I build this?" It's "What should I build, now that implementation is no longer the bottleneck?"
0:23

Are game developers doomed? Claude Fable 5 just did 6 years of my work in an afternoon. I don't think game developers are doomed. But our industry is about to change faster than almost anyone expects and I just watched it happen with my own game. Let me give you a concrete example. I started building Moonga when I was 17. After high school, I took a gap year before university and spent the whole year building the first version an online trading card game, back when web games were still in their infancy. It wasn't perfect. It was the work of a young developer. But it worked, people played it, and it proved the concept. In 2008 I rebuilt it from scratch, created a company, hired a team, modernized rules, redesigned experience, and we spent about a year and a half of work for an iPhone version. We launched on the App Store in 2010. Over the years we invested close to a million dollars. The game became especially successful in Japan and developed a loyal community. Ironically, our biggest challenge was never creating content it was maintaining the technology. Back then, iOS and Android meant separate codebases. A web version meant a third. Every feature, every bug fix, every improvement had to be duplicated across platforms. The maintenance cost was enormous. Fast-forward to today. I gave Claude Fable 5 the complete source code of Moonga roughly 500 cards, each with its own abilities and gameplay logic. It's years of accumulated game rules, edge cases, and design decisions. Five or six hours later, I had a fully playable version running on a modern multiplatform stack. One codebase. Web. Mobile. Modern architecture. A few more prompts and I was polishing interface and gameplay. It's not production-ready I could spend another week on animations, UX, and visual polish. But that's not the point. The point is this: years of accumulated development knowledge were enough for Fable 5 to recreate the entire game on a modern stack in a single afternoon. That doesn't erase the original work. Someone still had to invent the mechanics, balance 500 cards, design the systems, create the assets, ship the first implementation. But once that knowledge existed, rebuilding it became almost free. That's the real shift. The cost of implementing software is collapsing. The value is moving toward ideas, game design, content, world-building, community, and taste. We're entering an era where a small team or even a single developer can build what used to take dozens of engineers. For game developers, that's both terrifying and exciting. The question is no longer "Can I build this?" It's "What should I build, now that implementation is no longer the bottleneck?"

Shaban Shaame

34,662 görüntüleme • 2 ay önce

Am I the only one who remembers "The Black Hole" (1979) from Disney? I see a lot of posts and YouTube videos claiming it's a movie no one has seen. But I'm pretty sure all '80s kids went to the theaters to watch it. Am I right? The ending confused and terrified me as a 7-year-old when I saw it in the theater... and it still does, LOL!
3:21

Am I the only one who remembers "The Black Hole" (1979) from Disney? I see a lot of posts and YouTube videos claiming it's a movie no one has seen. But I'm pretty sure all '80s kids went to the theaters to watch it. Am I right? The ending confused and terrified me as a 7-year-old when I saw it in the theater... and it still does, LOL!

Commodore Computer Museum 🕹

13,739 görüntüleme • 1 yıl önce

Q: Engine changes that you can make with ADUO, is the title still possible for you & the team? "It's unlikely from from an update perspective it's not like now we can just bring an update next week it takes months and months and months to develop and change components on the engine to prove it to make sure it still holds reliability and it's it's a long long development process so whether or not the engine will catch up this year it's highly unlikely I would say that the engine is going to catch up this year with the time we have left it's more the opportunity close the gap for next year, power wise." Q: But do you think... "But in terms of the title I'm still... I think if we we can still outdo people in terms of how we develop the car a car is very good the the downforce package that we have is really good we're gonna have to double up make sure that we're always one step ahead of everyone in terms of advancing that so we can go through the corners quicker and catch up the deficit we may lose down the straights improve efficiency so we maybe can improve a bit on drag for example to try and close that gap in speed but you know and there's lots of different things happening in all these different tracks so you know never say never and I just keep pushing give it absolutely everything." F1 2026 || Barcelona
1:21

Q: Engine changes that you can make with ADUO, is the title still possible for you & the team? "It's unlikely from from an update perspective it's not like now we can just bring an update next week it takes months and months and months to develop and change components on the engine to prove it to make sure it still holds reliability and it's it's a long long development process so whether or not the engine will catch up this year it's highly unlikely I would say that the engine is going to catch up this year with the time we have left it's more the opportunity close the gap for next year, power wise." Q: But do you think... "But in terms of the title I'm still... I think if we we can still outdo people in terms of how we develop the car a car is very good the the downforce package that we have is really good we're gonna have to double up make sure that we're always one step ahead of everyone in terms of advancing that so we can go through the corners quicker and catch up the deficit we may lose down the straights improve efficiency so we maybe can improve a bit on drag for example to try and close that gap in speed but you know and there's lots of different things happening in all these different tracks so you know never say never and I just keep pushing give it absolutely everything." F1 2026 || Barcelona

sim 🇧🇷🇲🇽🇸🇳🇫🇷🇭🇹

87,280 görüntüleme • 3 ay önce

After weeks of research and development I finally managed to turn AI generated images into 3d scenes, refine them in real time in a non-destructive and streamlined workflow... It's beyond camera projection since you can make entire scenes viewable in any angles.. It's not a "magic button" solution but a tedious process and I think I'm like the first one to make this 🤷 It opens so much possibilities for real time experiences... I need to refine a little bit the technique behind this and I'll show you my first finished piece in the coming weeks... It's litteraly game changing ( and I'm exhausted tbh ) Hope you'll like it
0:32

After weeks of research and development I finally managed to turn AI generated images into 3d scenes, refine them in real time in a non-destructive and streamlined workflow... It's beyond camera projection since you can make entire scenes viewable in any angles.. It's not a "magic button" solution but a tedious process and I think I'm like the first one to make this 🤷 It opens so much possibilities for real time experiences... I need to refine a little bit the technique behind this and I'll show you my first finished piece in the coming weeks... It's litteraly game changing ( and I'm exhausted tbh ) Hope you'll like it

Aloner One

362,810 görüntüleme • 3 yıl önce

Fable 5.1 is an absolute beast for game dev. I took my Opus 5 space game and told Fable to "just make it look better". It overhauled everything with a TON of detail, AND made it 2x faster 🤯 Code: Demo: Every pixel you see is made by AI. Fable modeled everything in Blender, generated textures with code, and in a few cases ran image models via CLI. In mere months we'll be vibe-coding AAA graphics at this rate. Just insane. Of course, Fable recorded and edited this comparison video too (with a little help from Opus at the end, because of the Fable outage)
0:56

Fable 5.1 is an absolute beast for game dev. I took my Opus 5 space game and told Fable to "just make it look better". It overhauled everything with a TON of detail, AND made it 2x faster 🤯 Code: Demo: Every pixel you see is made by AI. Fable modeled everything in Blender, generated textures with code, and in a few cases ran image models via CLI. In mere months we'll be vibe-coding AAA graphics at this rate. Just insane. Of course, Fable recorded and edited this comparison video too (with a little help from Opus at the end, because of the Fable outage)

Anshu

48,983 görüntüleme • 10 gün önce

First official test for the opening scene of The Legend of Drakonnus! The process has been quite a journey. To build the visuals, I used a mix of AI prompts and my own paper sketches that I scanned and used as a base. However, the real work started after that: I had to rework practically everything from scratch to fix the resolution, adjust the colors, and clean up the countless distortions. I've been fine-tuning these images for days, and there's still a lot of room for improvement—maybe even some animations down the road! I also included a narrator for this test. I'm not entirely sure if I'll keep it in the final version, but it was a great way to check the audio clarity and see if it's viable for a cartridge game! What do you guys think so far? Feedback is always welcome! #SGDK #SEGAGenesis #MegaDrive Edmo Caldas
1:55

First official test for the opening scene of The Legend of Drakonnus! The process has been quite a journey. To build the visuals, I used a mix of AI prompts and my own paper sketches that I scanned and used as a base. However, the real work started after that: I had to rework practically everything from scratch to fix the resolution, adjust the colors, and clean up the countless distortions. I've been fine-tuning these images for days, and there's still a lot of room for improvement—maybe even some animations down the road! I also included a narrator for this test. I'm not entirely sure if I'll keep it in the final version, but it was a great way to check the audio clarity and see if it's viable for a cartridge game! What do you guys think so far? Feedback is always welcome! #SGDK #SEGAGenesis #MegaDrive Edmo Caldas

Mauro Xavier

17,118 görüntüleme • 2 ay önce