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Ana Sayfaya Dön

Jacob’s Ladder with Tim Robbins is beyond surreal A huge unsuspecting plot twist that you can't see coming which you learn at the very end of the film (no spoilers) but this film is very dark and twisted at throughout it’s one that haunts your mind for years later... show more

Nostalgia . . .

12,238 subscribers

152,715 görüntüleme • 1 yıl önce •via X (Twitter)

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flynn slicker profil fotoğrafı

flynn slicker1 yıl önce

Alright tell me a movie that made you stare blankly at a wall for 20 minutes after it finished. One that you couldn’t stop thinking about and made you question everything.

Charlie Mayer profil fotoğrafı

Charlie Mayer1 yıl önce

@flynnslick Thought I was the only person alive who loved it. Yes - full of disturbing imagery and still haunts me today.

Jim profil fotoğrafı

Jim1 yıl önce

@flynnslick I was way too young when I saw this and it still haunts my mind. I need to rewatch it to make-sense of the images in my head.

Alexander Boldizar profil fotoğrafı

Alexander Boldizar1 yıl önce

Preble Jefferson can see 5 seconds into the future. When government agencies become aware of his skill, he'll do whatever it takes to protect his family. “Calling this a thriller is a bit reductive...The most interesting novel I’ve read in a long time.” --JDC

Lisa Klassen profil fotoğrafı

Lisa Klassen1 yıl önce

@flynnslick Agreed. I saw this movie in the theatre when it was released and it still haunts me from time to time. Such a great flick.

ColourfulSolutions profil fotoğrafı

ColourfulSolutions1 yıl önce

@flynnslick People ask me my fave film - no hesitation. Left me destroyed.

Samnor profil fotoğrafı

Samnor1 yıl önce

@flynnslick This has been one of my all time favourites since I first saw it nearly 20 years ago...that hospital scene still gives me chills

Benzer Videolar

Here is one of the best film trailers ever made. It’s for Albert Brooks’ REAL LIFE (1979). There are no clips of the film, there is no summary of the entire plot. However, the trailer gives you the absolute flavor of the film. And if you like that flavor, you will love that excellent film.

Here is one of the best film trailers ever made. It’s for Albert Brooks’ REAL LIFE (1979). There are no clips of the film, there is no summary of the entire plot. However, the trailer gives you the absolute flavor of the film. And if you like that flavor, you will love that excellent film.

Justine Bateman

77,388 görüntüleme • 1 yıl önce

The husband is cheating on his wife with the housemaid, and he is very good at hiding it. But you won’t believe the insane plot twist at the end. 🎬DramatizeMe

The husband is cheating on his wife with the housemaid, and he is very good at hiding it. But you won’t believe the insane plot twist at the end. 🎬DramatizeMe

CHARLES

23,269 görüntüleme • 6 gün önce

"'Jacob’s Ladder' (1990) came out at a time when it was just not right for that movie to be seen. We were about to go into the Gulf War, and the country did not want to see a movie about a Vietnam veteran involved in drug experiments" --- Tim Robbins Full Excerpt: "There are many different factors determining whether or not a film reaches a mass audience. How much the studio’s behind it, which other movies the studio’s releasing at the same time—I think Disney had nine or ten in release at the same time—how much energy is put into it. Who knows. It’s always been a mystery to me. 'Jacob’s Ladder' (1990) came out at a time when it was just not right for that movie to be seen. We were about to go into the Gulf War, and the country did not want to see a movie about a Vietnam veteran involved in drug experiments when, as the movie’s playing in theaters, we are inoculating Gulf War soldiers with anthrax. I got a letter from one guy that resisted—he got put in a brig because he would not take the drugs. He said, “Thank you, because I saw Jacob’s Ladder before I left, and it gave me the strength to resist.” And now they’ve found out that a lot of these soldiers got sick from these vaccines, with this Gulf War Syndrome. That movie found its audience in video and cable, and it was huge. And then you see movies that somehow hit the zeitgeist, make tons of money, are huge hits, and then you see them a few years later and you go, “What? What did I see in this? Why is this not working?” Certainly you can’t judge the success of a film based on its initial box office. You have to wait ten years, see it again. If it still works, it’s a great film. There’s a lot of great films that didn’t do well in their initial release. 'It’s a Wonderful Life' (1946) was a bomb. 'Citizen Kane' (1941) didn’t do well. 'Shawshank Redemption' (1994)." ('Projection 11: New York Filmmakers on Filmmaking, edited by Tod Lippy, 2000 )

"'Jacob’s Ladder' (1990) came out at a time when it was just not right for that movie to be seen. We were about to go into the Gulf War, and the country did not want to see a movie about a Vietnam veteran involved in drug experiments" --- Tim Robbins Full Excerpt: "There are many different factors determining whether or not a film reaches a mass audience. How much the studio’s behind it, which other movies the studio’s releasing at the same time—I think Disney had nine or ten in release at the same time—how much energy is put into it. Who knows. It’s always been a mystery to me. 'Jacob’s Ladder' (1990) came out at a time when it was just not right for that movie to be seen. We were about to go into the Gulf War, and the country did not want to see a movie about a Vietnam veteran involved in drug experiments when, as the movie’s playing in theaters, we are inoculating Gulf War soldiers with anthrax. I got a letter from one guy that resisted—he got put in a brig because he would not take the drugs. He said, “Thank you, because I saw Jacob’s Ladder before I left, and it gave me the strength to resist.” And now they’ve found out that a lot of these soldiers got sick from these vaccines, with this Gulf War Syndrome. That movie found its audience in video and cable, and it was huge. And then you see movies that somehow hit the zeitgeist, make tons of money, are huge hits, and then you see them a few years later and you go, “What? What did I see in this? Why is this not working?” Certainly you can’t judge the success of a film based on its initial box office. You have to wait ten years, see it again. If it still works, it’s a great film. There’s a lot of great films that didn’t do well in their initial release. 'It’s a Wonderful Life' (1946) was a bomb. 'Citizen Kane' (1941) didn’t do well. 'Shawshank Redemption' (1994)." ('Projection 11: New York Filmmakers on Filmmaking, edited by Tod Lippy, 2000 )

DepressedBergman

69,461 görüntüleme • 4 ay önce

And don’t give me none of that “they change this later” bullshit The very next movie literally reaffirms it by the end The dark side is BAD

And don’t give me none of that “they change this later” bullshit The very next movie literally reaffirms it by the end The dark side is BAD

Pota Norimaki

1,063,020 görüntüleme • 6 ay önce

The plot twist at the end…nothing will prepare you for that 🤯😳

The plot twist at the end…nothing will prepare you for that 🤯😳

Lucky_uwadin🥷🏾

1,071,780 görüntüleme • 1 yıl önce

Kinzinger: To me, it was very personal, very, very difficult for my family and me. And so you see some of that in the film. But most importantly, what this is, is a warning to America. You’ll see this in the film again — we lay out a very compelling case against Trump. But it shows, again, that what I did wasn’t courageous — it was just my job. There is, though, an intense cost to that. You see that cost laid out in this film, and it shows why, when people say, “Why don’t other Republicans speak out?” — this brings home that there is a cost to doing so. And we need to, frankly, elect and hire people who are willing to do tough things

Kinzinger: To me, it was very personal, very, very difficult for my family and me. And so you see some of that in the film. But most importantly, what this is, is a warning to America. You’ll see this in the film again — we lay out a very compelling case against Trump. But it shows, again, that what I did wasn’t courageous — it was just my job. There is, though, an intense cost to that. You see that cost laid out in this film, and it shows why, when people say, “Why don’t other Republicans speak out?” — this brings home that there is a cost to doing so. And we need to, frankly, elect and hire people who are willing to do tough things

Acyn

151,606 görüntüleme • 7 ay önce

This is a crisis of Trump's own making, he has no one to blame but himself. "You can't blame your own base for asking you to do what you promised. You can't say they don't see the bigger picture, or they're conspiracy theorists, if you played into that for years. Which you did!"

This is a crisis of Trump's own making, he has no one to blame but himself. "You can't blame your own base for asking you to do what you promised. You can't say they don't see the bigger picture, or they're conspiracy theorists, if you played into that for years. Which you did!"

Fuentes Updates

38,015 görüntüleme • 7 ay önce

* Sikh superhero film trailer out now! * The first official trailer for "The Ninth Master" is out now! Created by UK content creator Flex Singh, the groundbreaking film is set for official release later this year. Learn more and see the FULL trailer at:

* Sikh superhero film trailer out now! * The first official trailer for "The Ninth Master" is out now! Created by UK content creator Flex Singh, the groundbreaking film is set for official release later this year. Learn more and see the FULL trailer at:

SikhPressAssociation

12,953 görüntüleme • 4 ay önce

This video is so funny 🤣😂 The plot twist >>>> I didn't see that end coming at all 😅

This video is so funny 🤣😂 The plot twist >>>> I didn't see that end coming at all 😅

NaijaFarmer

11,940 görüntüleme • 4 ay önce

Naval Ravikant on how to find the right business partner: "So what I usually say is that you should find a great partner, no matter what it is that you're doing, and you should look for someone who has: very high intelligence, very high energy, and very high integrity. And you need all three of those, and you can't compromise on any one of them. Otherwise, you'll end up with either someone who's not smart, which does you no good, or someone who's not hardworking, which also does you no good, or the worst case is you end up with a smart, hardworking crook who ends up working against your interests. And integrity is something that takes a lot of time spent with someone to figure out."

Naval Ravikant on how to find the right business partner: "So what I usually say is that you should find a great partner, no matter what it is that you're doing, and you should look for someone who has: very high intelligence, very high energy, and very high integrity. And you need all three of those, and you can't compromise on any one of them. Otherwise, you'll end up with either someone who's not smart, which does you no good, or someone who's not hardworking, which also does you no good, or the worst case is you end up with a smart, hardworking crook who ends up working against your interests. And integrity is something that takes a lot of time spent with someone to figure out."

Founder Mode

64,033 görüntüleme • 5 ay önce

👤: everyone says, and i agree, that even if you don’t feel comfortable speaking [english], your pronunciation is very very good. 🐰: i’m glad there’s that, at least. 🐰: i think my ear is good for that kind of thing. but, at the end of the day, it’s not korean. it’s a foreign language for me. and i don’t want native speakers to hear me speak their language and find it uncomfortable, or dislike it in any way. 🐰: so i’ve personally worked very hard on it.

👤: everyone says, and i agree, that even if you don’t feel comfortable speaking [english], your pronunciation is very very good. 🐰: i’m glad there’s that, at least. 🐰: i think my ear is good for that kind of thing. but, at the end of the day, it’s not korean. it’s a foreign language for me. and i don’t want native speakers to hear me speak their language and find it uncomfortable, or dislike it in any way. 🐰: so i’ve personally worked very hard on it.

jungkook admirer

196,472 görüntüleme • 1 ay önce

"With each new film, I try to do something totally different. But when I look at the end result, I realize that I have made exactly the same film all over again." --- Takeshi Kitano Full Excerpt: "Cinema is something very personal. When I make a film, I make it first and foremost for myself. It’s like a wonderful toy box that I play with. A very expensive toy box, of course, and I’m ashamed at times of having such fun with it. There comes a time, however, once the film is in the can, when it no longer belongs to you. It then becomes the toy of the audience—and the critics. But it would be dishonest to deny that I make a film for myself before anyone else. Actually, that’s why I can’t understand how a director can shoot a film from someone else’s screenplay, since the cinema is something much too personal for that, unless you have a great deal of freedom to adapt the screenplay—in which case I truly think that the director must take it over completely and make it virtually his own screenplay. This intimately personal side to the cinematic vision constitutes both the strength and the weakness of a director. I have already heard many directors say this, and the same holds true for me: with each new film, I try to do something totally different. But when I look at the end result, I realize that I have made exactly the same film all over again. Perhaps not exactly the same one, but I think that if a police inspector were to see it, he would say, “No doubt about it, Kitano, you’re behind this; your prints are all over it!”" ('Moviemakers' Masterclass', Laurent Tirard, 2002) Clip from: Fireworks (1997) Director: Takeshi Kitano

"With each new film, I try to do something totally different. But when I look at the end result, I realize that I have made exactly the same film all over again." --- Takeshi Kitano Full Excerpt: "Cinema is something very personal. When I make a film, I make it first and foremost for myself. It’s like a wonderful toy box that I play with. A very expensive toy box, of course, and I’m ashamed at times of having such fun with it. There comes a time, however, once the film is in the can, when it no longer belongs to you. It then becomes the toy of the audience—and the critics. But it would be dishonest to deny that I make a film for myself before anyone else. Actually, that’s why I can’t understand how a director can shoot a film from someone else’s screenplay, since the cinema is something much too personal for that, unless you have a great deal of freedom to adapt the screenplay—in which case I truly think that the director must take it over completely and make it virtually his own screenplay. This intimately personal side to the cinematic vision constitutes both the strength and the weakness of a director. I have already heard many directors say this, and the same holds true for me: with each new film, I try to do something totally different. But when I look at the end result, I realize that I have made exactly the same film all over again. Perhaps not exactly the same one, but I think that if a police inspector were to see it, he would say, “No doubt about it, Kitano, you’re behind this; your prints are all over it!”" ('Moviemakers' Masterclass', Laurent Tirard, 2002) Clip from: Fireworks (1997) Director: Takeshi Kitano

DepressedBergman

34,651 görüntüleme • 4 ay önce

Today’s #HudsonWilliamsFF short film is “Peace of Mind”! 🎥 Link to watch: IMO: I love this one. It builds tension so well and Hudson is always so captivating to watch. The plot twist at the end?! 😭 Those final scenes are so vulnerable and I really love the switch from color to black and white. One of my favourite quotes: “Peace of mind was never about achieving your dreams or fixing your past, it’s about forgiving the ones that never happen and letting go of what you can’t change.” Share your favourite scene and your insights about it in the replies!

Today’s #HudsonWilliamsFF short film is “Peace of Mind”! 🎥 Link to watch: IMO: I love this one. It builds tension so well and Hudson is always so captivating to watch. The plot twist at the end?! 😭 Those final scenes are so vulnerable and I really love the switch from color to black and white. One of my favourite quotes: “Peace of mind was never about achieving your dreams or fixing your past, it’s about forgiving the ones that never happen and letting go of what you can’t change.” Share your favourite scene and your insights about it in the replies!

Hudson Williams Updates

346,723 görüntüleme • 3 ay önce

You should never judge a book by its cover.!!! A plot twist you wouldn't see coming.😂 Stick ti the very end!!🎬🍿

You should never judge a book by its cover.!!! A plot twist you wouldn't see coming.😂 Stick ti the very end!!🎬🍿

Habzy🙄

84,697 görüntüleme • 1 ay önce

“time slows down for him when he's near her. i've always thought of him as somebody with a very busy mind, with a lot of thoughts, and it's not a quiet place, but she, for him, is a place where he can slow down and feel at peace. you see that throughout the episode.” - jenny han

“time slows down for him when he's near her. i've always thought of him as somebody with a very busy mind, with a lot of thoughts, and it's not a quiet place, but she, for him, is a place where he can slow down and feel at peace. you see that throughout the episode.” - jenny han

bree 🏒❀

229,225 görüntüleme • 10 ay önce

Edgar Wright on his favourite shot in 'Black Narcissus' (1947): "I think 'Black Narcissus' (1947) is one of the greatest colour movies of all time. There is one particular shot towards the end of the film with Kathleen Byron, which, in my head, that is probably minutes of film, when in reality the shot is only on screen for less than two seconds And it's a shot of Kathleen Byron coming through a doorway, and it's part of an incredible climax, which I won't spoil if you've never seen the film. But it's one of those shots in Cinema that is ingrained on my brain. Like a lot of Powell and Pressburger films, I think it's just [has] a picturesque quality to it which is just somehow difficult to pinpoint exactly what the magic of Powell and Pressburger together is. But I think the thing is sometime these are the films that you keep returning to, is you can't kind of define exactly what it is about the film that keeps you obsessed, you just keep coming back. And this is one of those movies." ('Edgar Wright’s Closet Picks', Criterion, 2025)

Edgar Wright on his favourite shot in 'Black Narcissus' (1947): "I think 'Black Narcissus' (1947) is one of the greatest colour movies of all time. There is one particular shot towards the end of the film with Kathleen Byron, which, in my head, that is probably minutes of film, when in reality the shot is only on screen for less than two seconds And it's a shot of Kathleen Byron coming through a doorway, and it's part of an incredible climax, which I won't spoil if you've never seen the film. But it's one of those shots in Cinema that is ingrained on my brain. Like a lot of Powell and Pressburger films, I think it's just [has] a picturesque quality to it which is just somehow difficult to pinpoint exactly what the magic of Powell and Pressburger together is. But I think the thing is sometime these are the films that you keep returning to, is you can't kind of define exactly what it is about the film that keeps you obsessed, you just keep coming back. And this is one of those movies." ('Edgar Wright’s Closet Picks', Criterion, 2025)

DepressedBergman

271,292 görüntüleme • 7 ay önce

JUST IN: You can now use buy now, pay later for your rent. Rent Now, Pay Later is a new option for renters where you pay a fee or a monthly subscription and if you miss a payment, interest rates go way up. THIS IS VERY VERY BAD.

JUST IN: You can now use buy now, pay later for your rent. Rent Now, Pay Later is a new option for renters where you pay a fee or a monthly subscription and if you miss a payment, interest rates go way up. THIS IS VERY VERY BAD.

Andrew Lokenauth

1,393,316 görüntüleme • 4 ay önce

“#Athadu is technically very strong film. #BharatAneNenu is one of the perfect film for me” - Naga Vamsi #MaheshBabu | #NagaVamsi

“#Athadu is technically very strong film. #BharatAneNenu is one of the perfect film for me” - Naga Vamsi #MaheshBabu | #NagaVamsi

VardhanDHFM

110,168 görüntüleme • 1 yıl önce

“These cunts knew”- Julian Gillespie It’s game over for the Australian politicians and bureaucrats in 2025 that were complicit throughout 2021 to this very day… You are all going pay very dearly for what you have done to 🇦🇺 It’s universal law. You can’t escape it. The people are coming for you, it’s literally happening before your very eyes… No amount of msm spin you produce, can stop the tidal wave of accountability that’s coming for all your arses…

Sensitive content

“These cunts knew”- Julian Gillespie It’s game over for the Australian politicians and bureaucrats in 2025 that were complicit throughout 2021 to this very day… You are all going pay very dearly for what you have done to 🇦🇺 It’s universal law. You can’t escape it. The people are coming for you, it’s literally happening before your very eyes… No amount of msm spin you produce, can stop the tidal wave of accountability that’s coming for all your arses…

Johnny Quaremba

113,628 görüntüleme • 1 yıl önce