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Jane's getting along with Sprite Animator SilentSins VAs 🔞🥐ScyllaScolopendra🐛🍌 @Flintdoesnsfw Sprite belongs to Toonguy Model was made by DeltaRisque 🔺🔞

Raptoraudiosfx(open commissions)

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50,819 views • 1 year ago •via X (Twitter)

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I made an animatic about Stolas getting Hypnotized by Ludo... Well now It's voice acted! Shout out to them for their wonderful performance!! VAs: 🔞 Levi 🖤 (Ludo + SFX) / Athena 💜StellarTemptation💜Valentino's Chewtoy💜 (Stolas) Watch the whole thing here: #Hypnosis #Stolas

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I made an animatic about Stolas getting Hypnotized by Ludo... Well now It's voice acted! Shout out to them for their wonderful performance!! VAs: 🔞 Levi 🖤 (Ludo + SFX) / Athena 💜StellarTemptation💜Valentino's Chewtoy💜 (Stolas) Watch the whole thing here: #Hypnosis #Stolas

Kuro-Freak 🔞(Comms closed)

77,691 views • 1 year ago

Made this custom model for a dear friend awhile back and recently did some revisions to port her as a mod for sm64coop. She doesn't have her own voice yet, so she just has Peach's voice for now lol Maria belongs to a sweet friend of mine Mr. Valentim🔞 Mod done by me

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Made this custom model for a dear friend awhile back and recently did some revisions to port her as a mod for sm64coop. She doesn't have her own voice yet, so she just has Peach's voice for now lol Maria belongs to a sweet friend of mine Mr. Valentim🔞 Mod done by me

BuddytheSketcher

11,609 views • 1 year ago

*** Mega Parodius Sega Megadrive Update *** Lately I've been having some fun seeing how far we can push the Parodius game engine . This is not arcade accurate - just for testing, decreased bullet timers and upped the bullet count to see what would happen re cpu usage when things are made a lot busier ! Maybe something like this could be insane mode in the options etc. Since last update we are a lot more optimised under the hood . The C based sprite engine, particularly visibility checking was speedup , overall 25 % faster. Then re-wrote the sprite engine completely in 68k assembly , 30% faster again. It took about 3 days and 1500 lines of assembly , thankfully the gains were worth it. All these gains will be back ported to S.O.T.A also as its using the same sprite engine. Usage is around 19% of cpu per frame with a full sprite load - 33 % cpu left in the busiest frame currently . Parodius is using a write the sprite list every frame type engine , so priority and meta-sprite objects can be handled with ease albiet its still a bit slower than static allocation sprite engines such as the one in lufthoheit but this is a bit easier to code for in the long run. All collision checks are been done , we are using a spatial grid system to get the collision checks done faster than a brute force approach . To get to maximum sprite count destruction is disabled in the video. We hit 80 sprites onscreen in this sequence , the sprite counter is one the Left side. We use about 16 sprites in the top hud and water line , about 21 for player attacks / missiles / shots / options . Up to 35 bullets + enemies . No lazer usage here as the Lazers use zero sprites thanks to the raster tricks , this video is all about the sprites ! Improved the water line when the Catboss is active , as he is Sprites + Forground we are doing some tile rotation tricks eg bit scrolling to give the impression of parrallax at that point . Vector Orbitex has updated the stage 1 music again and has made things even higher quality , hes mixed pcm and fm channels together to create higher quality orchestral hits for example . Pyron has started converting assets from stage 2/3 , some amazing work there . Hes well ahead of me at present which is a good thing. Still lots of incomplete animations missing logic etc , its slow going with RL getting in the way haha and 2 other projects !! Still its fun !! #SGDK #SegaMegadrive #SegaGenesis #Parodius

* Mega Parodius Sega Megadrive Update * Lately I've been having some fun seeing how far we can push the Parodius game engine . This is not arcade accurate - just for testing, decreased bullet timers and upped the bullet count to see what would happen re cpu usage when things are made a lot busier ! Maybe something like this could be insane mode in the options etc. Since last update we are a lot more optimised under the hood . The C based sprite engine, particularly visibility checking was speedup , overall 25 % faster. Then re-wrote the sprite engine completely in 68k assembly , 30% faster again. It took about 3 days and 1500 lines of assembly , thankfully the gains were worth it. All these gains will be back ported to S.O.T.A also as its using the same sprite engine. Usage is around 19% of cpu per frame with a full sprite load - 33 % cpu left in the busiest frame currently . Parodius is using a write the sprite list every frame type engine , so priority and meta-sprite objects can be handled with ease albiet its still a bit slower than static allocation sprite engines such as the one in lufthoheit but this is a bit easier to code for in the long run. All collision checks are been done , we are using a spatial grid system to get the collision checks done faster than a brute force approach . To get to maximum sprite count destruction is disabled in the video. We hit 80 sprites onscreen in this sequence , the sprite counter is one the Left side. We use about 16 sprites in the top hud and water line , about 21 for player attacks / missiles / shots / options . Up to 35 bullets + enemies . No lazer usage here as the Lazers use zero sprites thanks to the raster tricks , this video is all about the sprites ! Improved the water line when the Catboss is active , as he is Sprites + Forground we are doing some tile rotation tricks eg bit scrolling to give the impression of parrallax at that point . Vector Orbitex has updated the stage 1 music again and has made things even higher quality , hes mixed pcm and fm channels together to create higher quality orchestral hits for example . Pyron has started converting assets from stage 2/3 , some amazing work there . Hes well ahead of me at present which is a good thing. Still lots of incomplete animations missing logic etc , its slow going with RL getting in the way haha and 2 other projects !! Still its fun !! #SGDK #SegaMegadrive #SegaGenesis #Parodius

Shannon Birt

16,084 views • 7 months ago

Out Run (1986) by Sega wasn’t built as a traditional racing game, but as a “driving experience” by Yu Suzuki. Instead of laps or opponents, the focus was on freedom, letting players choose branching routes across multiple stages, each with different scenery, traffic patterns, and difficulty, leading to several possible endings. Technically, it was powered by Sega’s Super Scaler hardware, allowing smooth sprite scaling that created a real sense of speed, something few games at the time could match. The deluxe cabinet took it even further, physically tilting and moving with the road, turning it into a full-on arcade attraction. Its soundtrack by Hiroshi Kawaguchi was just as groundbreaking, giving players a choice of radio stations like “Magical Sound Shower,” helping define the game’s laid-back, road trip vibe. That mix of tech, music, and design is why Out Run is still seen as one of the most influential arcade racers ever made.

Out Run (1986) by Sega wasn’t built as a traditional racing game, but as a “driving experience” by Yu Suzuki. Instead of laps or opponents, the focus was on freedom, letting players choose branching routes across multiple stages, each with different scenery, traffic patterns, and difficulty, leading to several possible endings. Technically, it was powered by Sega’s Super Scaler hardware, allowing smooth sprite scaling that created a real sense of speed, something few games at the time could match. The deluxe cabinet took it even further, physically tilting and moving with the road, turning it into a full-on arcade attraction. Its soundtrack by Hiroshi Kawaguchi was just as groundbreaking, giving players a choice of radio stations like “Magical Sound Shower,” helping define the game’s laid-back, road trip vibe. That mix of tech, music, and design is why Out Run is still seen as one of the most influential arcade racers ever made.

Pixel Cherry Ninja

407,089 views • 3 months ago

まーぼ@尿道の魔術師まーぼー This is a statement from the creator of the character that appears in your game, along with a similarity comparison. This OC was created by her in 2019. She has asked me to inform you that she requests the removal of the content in your game that copies her OC.HoruBrain🔞

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まーぼ@尿道の魔術師まーぼー This is a statement from the creator of the character that appears in your game, along with a similarity comparison. This OC was created by her in 2019. She has asked me to inform you that she requests the removal of the content in your game that copies her OC.HoruBrain🔞

🐼Cosette💗珂赛特💕

69,794 views • 1 year ago

🚨 Attention Tamers! 🚨 While the Cats & Dogs Update for Digital Tamers 2 is still a little ways off, we’ve just received confirmation of ANOTHER Digimon joining the roster... ...and this one is HUGE. 🔥 BAIHUMON is coming to the game! 🔥 Yes, that Baihumon! One of the legendary Sovereigns! I genuinely didn’t expect this, and I’m still wrapping my head around it... can you believe it?! The base sprite was crafted by my talented friend DragonRod Art, with additional touch-ups by Gostcly. This might be one of the most stunning sprites we’re getting in the upcoming update. 👀 Don’t just take my word for it though! Check out the video below and see for yourself! #Digimon #DigitalTamers2

🚨 Attention Tamers! 🚨 While the Cats & Dogs Update for Digital Tamers 2 is still a little ways off, we’ve just received confirmation of ANOTHER Digimon joining the roster... ...and this one is HUGE. 🔥 BAIHUMON is coming to the game! 🔥 Yes, that Baihumon! One of the legendary Sovereigns! I genuinely didn’t expect this, and I’m still wrapping my head around it... can you believe it?! The base sprite was crafted by my talented friend DragonRod Art, with additional touch-ups by Gostcly. This might be one of the most stunning sprites we’re getting in the upcoming update. 👀 Don’t just take my word for it though! Check out the video below and see for yourself! #Digimon #DigitalTamers2

Grindosaur

58,402 views • 3 months ago

🚨CHRISTIANS OUT - ISLAM IN 🚨 Another historic American church has been conquered - and they made sure the whole town felt it. The Ebenezer Baptist Church in Occoquan, Virginia - founded in the 1800s by a former slave with deep African-American roots - is now Masjid Al-Hussain. Conquering the church wasn’t enough. They had to publicly declare victory. The Islamic call to prayer (“Allahu Akbar”) was blasted from loudspeakers across the town for the first time, at the personal invitation of the mayor. Locals cheered it as a “cultural experience” and “blessing.” Irony dies here: A church born from American slavery now serves a religion whose sacred texts explicitly regulate, endorse, and sanctify slavery - including sexual slavery - with no abolitionist movement in 1,400 years. This is what the Adhan actually declares: 🔺Allah is the Greatest - supreme over every other god and law 🔺There is no god but Allah - all other faiths are false 🔺Muhammad is His final messenger - Christianity and Judaism are obsolete 🔺True success belongs only to those who submit to Islam This is not peaceful coexistence. It is a territorial and civilizational claim. Property rights are real. But so is a people’s right to preserve the civilization that built this nation. How many more historic American churches and towns will we quietly surrender to Islam? SEE THE FULL REPORT HERE:

🚨CHRISTIANS OUT - ISLAM IN 🚨 Another historic American church has been conquered - and they made sure the whole town felt it. The Ebenezer Baptist Church in Occoquan, Virginia - founded in the 1800s by a former slave with deep African-American roots - is now Masjid Al-Hussain. Conquering the church wasn’t enough. They had to publicly declare victory. The Islamic call to prayer (“Allahu Akbar”) was blasted from loudspeakers across the town for the first time, at the personal invitation of the mayor. Locals cheered it as a “cultural experience” and “blessing.” Irony dies here: A church born from American slavery now serves a religion whose sacred texts explicitly regulate, endorse, and sanctify slavery - including sexual slavery - with no abolitionist movement in 1,400 years. This is what the Adhan actually declares: 🔺Allah is the Greatest - supreme over every other god and law 🔺There is no god but Allah - all other faiths are false 🔺Muhammad is His final messenger - Christianity and Judaism are obsolete 🔺True success belongs only to those who submit to Islam This is not peaceful coexistence. It is a territorial and civilizational claim. Property rights are real. But so is a people’s right to preserve the civilization that built this nation. How many more historic American churches and towns will we quietly surrender to Islam? SEE THE FULL REPORT HERE:

Amy Mek

124,902 views • 5 days ago

Sakuga Over The Years (October 2005) KA: Kenichi Yoshida (吉田健一) Anime: Eureka Seven (交響詩篇エウレカセブン) (episode 26) An original mecha show by Bones! I really want to give this show a shot at some point because it just looks so interesting and it also has one of my favorite opening songs ever in DAYS by FLOW (COLORS is great too don’t get me wrong but DAYS I’d say is my favorite song from them). Kenichi Yoshida, an animator I’ve covered before, has done a lot of extensive work on this series as a character designer, main animator, AD work for some episodes and directed one of the EDs. His presence on this show is huge and along with that, he made a really fluid scene here with the way Eureka reaches out to Renton and her getting in the ship. This work was at Bones substudio B and I feel like it was one of the earlier works to cement them as the most creative substudio at Bones. Tying even more to that, Masayuki Miyaji directed this episode specifically, and he’d go on to directing his own original show, Xam’d Lost Memories also at studio B.

Sakuga Over The Years (October 2005) KA: Kenichi Yoshida (吉田健一) Anime: Eureka Seven (交響詩篇エウレカセブン) (episode 26) An original mecha show by Bones! I really want to give this show a shot at some point because it just looks so interesting and it also has one of my favorite opening songs ever in DAYS by FLOW (COLORS is great too don’t get me wrong but DAYS I’d say is my favorite song from them). Kenichi Yoshida, an animator I’ve covered before, has done a lot of extensive work on this series as a character designer, main animator, AD work for some episodes and directed one of the EDs. His presence on this show is huge and along with that, he made a really fluid scene here with the way Eureka reaches out to Renton and her getting in the ship. This work was at Bones substudio B and I feel like it was one of the earlier works to cement them as the most creative substudio at Bones. Tying even more to that, Masayuki Miyaji directed this episode specifically, and he’d go on to directing his own original show, Xam’d Lost Memories also at studio B.

Harry Price

29,602 views • 1 year ago

** Mega Parodius Update ** The team have been busy over last couple of weeks , implementing more of the games engine. WIP since last update : White Bell power up ( this is the text attack ) Blue Bell power up ( full screen explosion ) Catboss & animating Trees Updated Lazers to work on the BGB layer ( Plane A updated to 64x64 tilemap ) . Pyron has been doing excellent work on Blue bell Explosion, Whitebell power up text gfx - the slogans are great !! Arcade quality tree animations have been added. Feeding me a lot of videos so we can replicate the arcade port more accurately. Vector Orbitex has updated the music to mark IV for stage 1 making it smaller yet again , he's also added the Orchestra Hit in , potentially more samples can be added back in now also as the song now is a miniscule 57 kb. I keep telling him its 2025 - not 1990 for rom sizes haha , a professional is always a professional though !! The Blue Bell power up uses the static large sprite class I made for SOTA where it supports unlimited amount of sprites per object and detects all the reverses / flips & uses the same tile pointers where it can and crunches it down into single sprite object. We use up to 40 sprites in the Explosion but only 147 tiles needed in vram thanks to clever use of mirroring. The Catboss is easily the hardest enemy in the level for a few reasons - we also had to free up Plane A so the boss could shift upwards onscreen, so lazer effects were shifted to Plane B. The bit that caused me the most issues was when he sits in the water line between the two islands. He is quite wide and also has overlapping palettes and animating parts , to do it solely with sprites would have lead to severe dropout at times. At the waterline we have to simulate 3 background planes and sprites at that point and we only have 2 background planes. Luckily the MD sprite engine is very flexible and we were able to recreate the arcade look at this point with some sprite trickery, the water-line is now sprites . So we use Plane A + sprites to recreate him and use a lot of plane animation to reduce the amount of sprites needed. For example the face, the tail the propeller are all plane A animations . I analysed the SNES/PCE versions and we use less sprites than those versions for him so that will help reduce the chance of sprite dropout when attacking. The Catboss is only about 1/2 done , all damage states, the onboard penguin factory, bullets from Cannons yet to added etc. He wraps around at the end of the vid as theres no destruction routine in for him yet . No extra enemies in at this stage , tackling the hard parts first etc. We took the arcade GFX for the Trees that sway around under the Catboss, all the animations are in. There were some DMA bandwidth issues originally I had to sort out as the Catboss has several animating parts + swaying Trees was leading to overload so after some load balancing it all is playing nicely !! We still have loads of stuff to add , collisions are not in - normal enemy waves etc but yeah a lot of future issues were sorting out just getting this far. So the team is very happy with the progress !! #SGDK #Parodius #SegaGenesis #SegaMegadrive #indiegame

Mega Parodius Update The team have been busy over last couple of weeks , implementing more of the games engine. WIP since last update : White Bell power up ( this is the text attack ) Blue Bell power up ( full screen explosion ) Catboss & animating Trees Updated Lazers to work on the BGB layer ( Plane A updated to 64x64 tilemap ) . Pyron has been doing excellent work on Blue bell Explosion, Whitebell power up text gfx - the slogans are great !! Arcade quality tree animations have been added. Feeding me a lot of videos so we can replicate the arcade port more accurately. Vector Orbitex has updated the music to mark IV for stage 1 making it smaller yet again , he's also added the Orchestra Hit in , potentially more samples can be added back in now also as the song now is a miniscule 57 kb. I keep telling him its 2025 - not 1990 for rom sizes haha , a professional is always a professional though !! The Blue Bell power up uses the static large sprite class I made for SOTA where it supports unlimited amount of sprites per object and detects all the reverses / flips & uses the same tile pointers where it can and crunches it down into single sprite object. We use up to 40 sprites in the Explosion but only 147 tiles needed in vram thanks to clever use of mirroring. The Catboss is easily the hardest enemy in the level for a few reasons - we also had to free up Plane A so the boss could shift upwards onscreen, so lazer effects were shifted to Plane B. The bit that caused me the most issues was when he sits in the water line between the two islands. He is quite wide and also has overlapping palettes and animating parts , to do it solely with sprites would have lead to severe dropout at times. At the waterline we have to simulate 3 background planes and sprites at that point and we only have 2 background planes. Luckily the MD sprite engine is very flexible and we were able to recreate the arcade look at this point with some sprite trickery, the water-line is now sprites . So we use Plane A + sprites to recreate him and use a lot of plane animation to reduce the amount of sprites needed. For example the face, the tail the propeller are all plane A animations . I analysed the SNES/PCE versions and we use less sprites than those versions for him so that will help reduce the chance of sprite dropout when attacking. The Catboss is only about 1/2 done , all damage states, the onboard penguin factory, bullets from Cannons yet to added etc. He wraps around at the end of the vid as theres no destruction routine in for him yet . No extra enemies in at this stage , tackling the hard parts first etc. We took the arcade GFX for the Trees that sway around under the Catboss, all the animations are in. There were some DMA bandwidth issues originally I had to sort out as the Catboss has several animating parts + swaying Trees was leading to overload so after some load balancing it all is playing nicely !! We still have loads of stuff to add , collisions are not in - normal enemy waves etc but yeah a lot of future issues were sorting out just getting this far. So the team is very happy with the progress !! #SGDK #Parodius #SegaGenesis #SegaMegadrive #indiegame

Shannon Birt

19,241 views • 9 months ago

Shaquille O'Neal says he was at Magic City about to get a dance when he signed the $120M deal that made Kobe a Laker "I was at Magic City about to get me a dance, and you know what, i still remember the girl's name too. Electra. that mf was so fine, 6'3, built like a bag of water" "i opened up the envelope. i never seen so many zeros in my life. it was $120M. I didn't even call my mom and dad. he's like, you got to sign right now" "a lot of people don't realize if i don't sign that deal, Kobe don't end up in LA. he was getting drafted by Charlotte. i signed the deal, Vlad got traded to Charlotte and they traded Kobe along with that" "if i don't sign that deal, he not a Laker. i'm not a Laker"

Shaquille O'Neal says he was at Magic City about to get a dance when he signed the $120M deal that made Kobe a Laker "I was at Magic City about to get me a dance, and you know what, i still remember the girl's name too. Electra. that mf was so fine, 6'3, built like a bag of water" "i opened up the envelope. i never seen so many zeros in my life. it was $120M. I didn't even call my mom and dad. he's like, you got to sign right now" "a lot of people don't realize if i don't sign that deal, Kobe don't end up in LA. he was getting drafted by Charlotte. i signed the deal, Vlad got traded to Charlotte and they traded Kobe along with that" "if i don't sign that deal, he not a Laker. i'm not a Laker"

Yonan

2,679,115 views • 1 month ago

Throughout this journey we have made so many great friends along the way, one of those being our buddy John aka Swamp Donkey. He was a pretty regular guest on the show and anytime he was there we knew it was gonna be a good time. I received some awful news last night that John passed away unexpectedly. This has left a few of us in our race family utterly speechless. There aren’t really many words to say other than that it was an honor to have had the opportunity to become friends with him over the last year. He will be missed by each of us…it’s going to be weird not having him in the chat anymore, but even weirder not getting messages from him about how Bubba is gonna win each and every week 😂 Rest now, brother. We love ya.

Throughout this journey we have made so many great friends along the way, one of those being our buddy John aka Swamp Donkey. He was a pretty regular guest on the show and anytime he was there we knew it was gonna be a good time. I received some awful news last night that John passed away unexpectedly. This has left a few of us in our race family utterly speechless. There aren’t really many words to say other than that it was an honor to have had the opportunity to become friends with him over the last year. He will be missed by each of us…it’s going to be weird not having him in the chat anymore, but even weirder not getting messages from him about how Bubba is gonna win each and every week 😂 Rest now, brother. We love ya.

LEFT TURN CULT 🏁

19,791 views • 2 years ago

We made a thing! Very happy to announce sqlcoder-pro and the Defog Alignment Platform. Available to use immediately without a wait-list, weights will be open-sourced very soon. The video does a quick show and tell comparison against ChatGPT (with gpt-4o). Read on for more details! TLDR 💪 equal (or better) performance on text-to-SQL as the most capable Claude-3.5 or GPT-4 models 🤝 You can use it today on a free plan/free trial, without a waitlist 🪽 self-hostable on a single RTX4090, with 2 second median generation times for SQL queries 🔁 exactly the same output every time, give the same prompt 👨🏻‍🏫 teachable and steerable: show the model what you want it to do 🛞 debuggable – you can understand WTF is going on inside the model, instead of treating it like a black box Let's dig into each of these one-by-one! Performance SQLCoder-8b-pro significantly exceeds the performance of our previous sqlcoder-8b model on Postgres text-to-SQL (from 88.2% to 90.2% accuracy - gpt-4o is at 87.6%, for reference). It is also better at following instructions. This was done via self-merges, hand crafted fine-tuning data, and adapting the training data to fit our tokenizer. Cost You can host this on the model on a single $3,500 RTX4090, and support ~5 requests/second via VLLM. If you're looking to host on the cloud instead, you can run it on a single L4 GPU that costs $300/mo on GCP Repeatability We have a dense 8b model with no MoE shenanigans. For the same prompt with temperature=0, you'll always get the same answer – which is critical in BI. Teachable In our alignment and feedback modes, you can give the model feedback on how it answered certain questions, and it will automatically adapt to the feedback. Debuggable You can use logprobs and attention scores to determine where, exactly is the model paying attention to inside a prompt + what it's getting confused by when generating outputs. Available today You can use Defog on the cloud today by going to docs[dot]defog[dot]ai, and getting an API key. Excited to hear what you think!

We made a thing! Very happy to announce sqlcoder-pro and the Defog Alignment Platform. Available to use immediately without a wait-list, weights will be open-sourced very soon. The video does a quick show and tell comparison against ChatGPT (with gpt-4o). Read on for more details! TLDR 💪 equal (or better) performance on text-to-SQL as the most capable Claude-3.5 or GPT-4 models 🤝 You can use it today on a free plan/free trial, without a waitlist 🪽 self-hostable on a single RTX4090, with 2 second median generation times for SQL queries 🔁 exactly the same output every time, give the same prompt 👨🏻‍🏫 teachable and steerable: show the model what you want it to do 🛞 debuggable – you can understand WTF is going on inside the model, instead of treating it like a black box Let's dig into each of these one-by-one! Performance SQLCoder-8b-pro significantly exceeds the performance of our previous sqlcoder-8b model on Postgres text-to-SQL (from 88.2% to 90.2% accuracy - gpt-4o is at 87.6%, for reference). It is also better at following instructions. This was done via self-merges, hand crafted fine-tuning data, and adapting the training data to fit our tokenizer. Cost You can host this on the model on a single $3,500 RTX4090, and support ~5 requests/second via VLLM. If you're looking to host on the cloud instead, you can run it on a single L4 GPU that costs $300/mo on GCP Repeatability We have a dense 8b model with no MoE shenanigans. For the same prompt with temperature=0, you'll always get the same answer – which is critical in BI. Teachable In our alignment and feedback modes, you can give the model feedback on how it answered certain questions, and it will automatically adapt to the feedback. Debuggable You can use logprobs and attention scores to determine where, exactly is the model paying attention to inside a prompt + what it's getting confused by when generating outputs. Available today You can use Defog on the cloud today by going to docs[dot]defog[dot]ai, and getting an API key. Excited to hear what you think!

Rishabh Srivastava

13,433 views • 1 year ago

Neil Oliver challenges the Covid lab leak theory as a "red herring", arguing there was no novel disease at all: "Flu deaths stopped at the end of 2019... and were replaced by deaths from what we were told was Covid-19." "What sort of disease is it when you don't even know you've got it unless you take a dodgy test? A test never intended for such a use?" "To keep the numbers constantly rising, any death within 28 days of a positive test—even falling off a cliff or getting hit by a bus—was listed as a Covid death." "If you accept Covid was a real disease that escaped from a lab... you are being nudged to accept that something had to be done by our governments, and—in the end—whatever they did, however many were damaged or destroyed along the way, those authorities were only doing their best." "What Covid was doesn't matter. It doesn't even matter if there was any such thing. What matters is what was done, why it was done." "When someone's shot dead, the people running around the corpse are not in the main asking, who made the bullet? What was the bullet made of?" "If they've any sense at all, they're asking, who did it? What was the motive for the murder? Who is better off now that that person is dead?" Do you agree or disagree with Neil Oliver? Credit: Neil Oliver

Neil Oliver challenges the Covid lab leak theory as a "red herring", arguing there was no novel disease at all: "Flu deaths stopped at the end of 2019... and were replaced by deaths from what we were told was Covid-19." "What sort of disease is it when you don't even know you've got it unless you take a dodgy test? A test never intended for such a use?" "To keep the numbers constantly rising, any death within 28 days of a positive test—even falling off a cliff or getting hit by a bus—was listed as a Covid death." "If you accept Covid was a real disease that escaped from a lab... you are being nudged to accept that something had to be done by our governments, and—in the end—whatever they did, however many were damaged or destroyed along the way, those authorities were only doing their best." "What Covid was doesn't matter. It doesn't even matter if there was any such thing. What matters is what was done, why it was done." "When someone's shot dead, the people running around the corpse are not in the main asking, who made the bullet? What was the bullet made of?" "If they've any sense at all, they're asking, who did it? What was the motive for the murder? Who is better off now that that person is dead?" Do you agree or disagree with Neil Oliver? Credit: Neil Oliver

Wide Awake Media

121,346 views • 1 year ago

🔥Jack Posobiec discusses the WEEKEND IN MINNEAPOLIS & "TAKING IN THE SIGHTS" Jack Posobiec discusses the left & media attempting to make deranged leftist Renee Good a CAUSE CELEBRE while vilifying the ICE Officer she attempted to murder who was DEFENDING HIMSELF while in the line of duty. Jack also checked out George Floyd square who died from an OVERDOSE & not by Chauvin. Him and Kev Posobiec also made the "STAND WITH ICE" viral video. Jack will be discussing the attack on Sortor & Higby along with protests over Iran regime change. The question will be as always is "WHAT COMES NEXT?" which is something Charlie Kirk knew ALL ABOUT. Jack will also be getting into JEROME POWELL the chairman on the Federal Reserve & his subpoena.

🔥Jack Posobiec discusses the WEEKEND IN MINNEAPOLIS & "TAKING IN THE SIGHTS" Jack Posobiec discusses the left & media attempting to make deranged leftist Renee Good a CAUSE CELEBRE while vilifying the ICE Officer she attempted to murder who was DEFENDING HIMSELF while in the line of duty. Jack also checked out George Floyd square who died from an OVERDOSE & not by Chauvin. Him and Kev Posobiec also made the "STAND WITH ICE" viral video. Jack will be discussing the attack on Sortor & Higby along with protests over Iran regime change. The question will be as always is "WHAT COMES NEXT?" which is something Charlie Kirk knew ALL ABOUT. Jack will also be getting into JEROME POWELL the chairman on the Federal Reserve & his subpoena.

Johnny St.Pete

15,003 views • 6 months ago

*** SOTA RETROCON S.O.T.A UPDATE *** Whilst the Versao LTDA team is busy at Retrocon showing off our latest Sega Genesis SOTA update, here is a small snippet of how the game is progressing. This video has 3 parts, our menu screen, rain - wind sub section of level 1, then the boss. Everything is still wip including my gameplay skill lol ( and i thought the controller would help .. ) Some challenges overcome : The Menu screen uses shadow and highlight transparency modes in two ways, the background mode for the light rays and then the sprite mode for the mist - it has a nice overlapping effect too, due to using the forground plane for the light rays (s & h background mode) the entire forground is made up of sprites - all the words are sprites . SaviorMarks sent me a screenshot of an issue with boss leftover Mist sprites affecting the menu screen and I thought that looks really cool - lets do that haha . Sometimes bugs are keepers !! The rain section uses more than 80 sprites, a sprite multiplexor handles the rain whilst normal non plexed sprites make up the moon / clouds in the far background , the lamp posts and lamp light in the mid forground and Fences in the front forground . Without the multiplexor there was too much drop out on the rain at times. The rain is still blinked in alternating X positions due to the pixels per line limit , but it gives a great result still. The lamp lights use Shaded Active Dither as S&H here would not overlap the enemies / player . The Boss was a challenge with its size and full frame updates, up to 650 tiles are changed per animation frame into vram. Custom Dual priority DMA routines and extended DMA timings are used (still NTSC 224 pixels tall screen size but most of the vblank was used for updating tiles ) . These methods were used to update the bosses dual display buffers. I needed to have dual priority DMA buffers as the player / waterfall etc had to update their frames whilst the boss is constantly streaming tiles. There are also S&H transparent Mist sprites used for the boss sequence. It seems if you want everything to break at once target a demo for a retrocon event haha, we had lots of issues mainly with vram getting stomped and as all animating sprites need to be DMA streamed to fit into VRAM as the forgrounds and backgrounds take up a lot of tiles. Some new tools which show the VRAM allocation for the sprite engine on a frame by frame basis helped and a self defragging VRAM system helped quite a bit also. Thankfully things are in a good state now apart from a couple of small bugs that persist. Thanks to SaviorMarks and GamesCare for putting up with and testing all the bugged updates haha !! #SegaGenesis #SGDK GamesCare SaviorMarks #VersaoLTDA

* SOTA RETROCON S.O.T.A UPDATE * Whilst the Versao LTDA team is busy at Retrocon showing off our latest Sega Genesis SOTA update, here is a small snippet of how the game is progressing. This video has 3 parts, our menu screen, rain - wind sub section of level 1, then the boss. Everything is still wip including my gameplay skill lol ( and i thought the controller would help .. ) Some challenges overcome : The Menu screen uses shadow and highlight transparency modes in two ways, the background mode for the light rays and then the sprite mode for the mist - it has a nice overlapping effect too, due to using the forground plane for the light rays (s & h background mode) the entire forground is made up of sprites - all the words are sprites . SaviorMarks sent me a screenshot of an issue with boss leftover Mist sprites affecting the menu screen and I thought that looks really cool - lets do that haha . Sometimes bugs are keepers !! The rain section uses more than 80 sprites, a sprite multiplexor handles the rain whilst normal non plexed sprites make up the moon / clouds in the far background , the lamp posts and lamp light in the mid forground and Fences in the front forground . Without the multiplexor there was too much drop out on the rain at times. The rain is still blinked in alternating X positions due to the pixels per line limit , but it gives a great result still. The lamp lights use Shaded Active Dither as S&H here would not overlap the enemies / player . The Boss was a challenge with its size and full frame updates, up to 650 tiles are changed per animation frame into vram. Custom Dual priority DMA routines and extended DMA timings are used (still NTSC 224 pixels tall screen size but most of the vblank was used for updating tiles ) . These methods were used to update the bosses dual display buffers. I needed to have dual priority DMA buffers as the player / waterfall etc had to update their frames whilst the boss is constantly streaming tiles. There are also S&H transparent Mist sprites used for the boss sequence. It seems if you want everything to break at once target a demo for a retrocon event haha, we had lots of issues mainly with vram getting stomped and as all animating sprites need to be DMA streamed to fit into VRAM as the forgrounds and backgrounds take up a lot of tiles. Some new tools which show the VRAM allocation for the sprite engine on a frame by frame basis helped and a self defragging VRAM system helped quite a bit also. Thankfully things are in a good state now apart from a couple of small bugs that persist. Thanks to SaviorMarks and GamesCare for putting up with and testing all the bugged updates haha !! #SegaGenesis #SGDK GamesCare SaviorMarks #VersaoLTDA

Shannon Birt

10,243 views • 11 months ago

Stratosphere was our biggest and heaviest character on #Transformers ROTB. He was a real challenge to deal with on the Modeling, Texturing, and Rendering side. He had 1434 UDIMs due to his immense scale and was made up of tens of thousands of objects. His level of detail was truly something else. His vehicle form was also a behemoth. We had also built a mortar for his robot form and a cannon for his vehicle form but neither of these made it into the film as his part in the final battle was cut out. He was originally supposed to help out in the final battle, using both of these weapons against the Sweepers and Predacons. The decision to cut him from the final act came very late as all of his assets were final at that point. We were never told the reason why his role was cut from the film. I had to re-design my texturing system in Mari when working on him to ensure that it could handle such a complex and large character. I had to simplify a lot of the procedural systems and even had to branch off some of them into their own files to ensure that artists could work with somewhat decent performance. We ran into a lot of issues pushing him through our pipeline, both as a model as well as rendering him due to the sheer amount of objects and textures that had to be processed. For shots, it was requested by Lighting that we reduce his memory footprint as Google had complained he was taking up too much memory and their I/O for rendering on the cloud was being affected. The leadership team and I decided that the best way to do this was to half the texel density on the parts that wouldn't be visible in our approved shots and to also half the resolution of the textures in the parts not visible to camera. This allowed us to optimize his memory footprint both in shots as well as storage and I/O. It was massive technical undertaking working on Stratosphere, so much so that we had to delay getting him into shots as we simply couldn't push him through with our normal tooling. I really enjoyed the challenge that he posed for us as a team. CREDITS: Primary Modeling by Oscar Lowe Support Modeling by Arthur Grandjean and his team Final Texturing & Lookdev by Yaz Raji Video credits: Breakdown shot by MPC Film footage by Paramount

Stratosphere was our biggest and heaviest character on #Transformers ROTB. He was a real challenge to deal with on the Modeling, Texturing, and Rendering side. He had 1434 UDIMs due to his immense scale and was made up of tens of thousands of objects. His level of detail was truly something else. His vehicle form was also a behemoth. We had also built a mortar for his robot form and a cannon for his vehicle form but neither of these made it into the film as his part in the final battle was cut out. He was originally supposed to help out in the final battle, using both of these weapons against the Sweepers and Predacons. The decision to cut him from the final act came very late as all of his assets were final at that point. We were never told the reason why his role was cut from the film. I had to re-design my texturing system in Mari when working on him to ensure that it could handle such a complex and large character. I had to simplify a lot of the procedural systems and even had to branch off some of them into their own files to ensure that artists could work with somewhat decent performance. We ran into a lot of issues pushing him through our pipeline, both as a model as well as rendering him due to the sheer amount of objects and textures that had to be processed. For shots, it was requested by Lighting that we reduce his memory footprint as Google had complained he was taking up too much memory and their I/O for rendering on the cloud was being affected. The leadership team and I decided that the best way to do this was to half the texel density on the parts that wouldn't be visible in our approved shots and to also half the resolution of the textures in the parts not visible to camera. This allowed us to optimize his memory footprint both in shots as well as storage and I/O. It was massive technical undertaking working on Stratosphere, so much so that we had to delay getting him into shots as we simply couldn't push him through with our normal tooling. I really enjoyed the challenge that he posed for us as a team. CREDITS: Primary Modeling by Oscar Lowe Support Modeling by Arthur Grandjean and his team Final Texturing & Lookdev by Yaz Raji Video credits: Breakdown shot by MPC Film footage by Paramount

Rassoul Edji

268,448 views • 1 year ago

Larry Ellison just told every software engineer on Earth their job description is dead. Not evolving. Dead. Ellison: “The code that Oracle is writing, Oracle isn’t writing. Our AI models are writing.” This is not a startup demo. This is one of the largest infrastructure monopolies on the planet telling you it already replaced the people who built it. For fifty years, building software meant translating human intent into machine instructions. Line by line. Bug by bug. Sprint by sprint. That entire layer is gone. Ellison: “We don’t write the procedure. We declare our intent.” That sentence just made the entire engineering labor market flinch. The procedure was the job. The procedure was the paycheck. The procedure was what made a developer valuable. And now the machine does it without being asked twice. Ellison: “We just tell the model what we want the program to do, and then the AI comes up with a step-by-step process to actually do it.” You are no longer paid to build. You are paid to think. And most organizations have no idea how to evaluate that. The companies still hiring armies of developers to grind through codebases are paying salaries the machine already made worthless. Not in years. In seconds. When a company worth hundreds of billions hands the keyboard to the machine and tells you the output is better, the debate is not winding down. The debate is over. The enterprise that wins this decade does not write the best code. It removes the human from the process entirely and runs on intent alone. The programmers who survive are the ones who realize the craft is no longer typing. It is architecture. It is judgment. It is knowing what to build and why. Everything else now belongs to the machine. And the machine does not negotiate severance.

Larry Ellison just told every software engineer on Earth their job description is dead. Not evolving. Dead. Ellison: “The code that Oracle is writing, Oracle isn’t writing. Our AI models are writing.” This is not a startup demo. This is one of the largest infrastructure monopolies on the planet telling you it already replaced the people who built it. For fifty years, building software meant translating human intent into machine instructions. Line by line. Bug by bug. Sprint by sprint. That entire layer is gone. Ellison: “We don’t write the procedure. We declare our intent.” That sentence just made the entire engineering labor market flinch. The procedure was the job. The procedure was the paycheck. The procedure was what made a developer valuable. And now the machine does it without being asked twice. Ellison: “We just tell the model what we want the program to do, and then the AI comes up with a step-by-step process to actually do it.” You are no longer paid to build. You are paid to think. And most organizations have no idea how to evaluate that. The companies still hiring armies of developers to grind through codebases are paying salaries the machine already made worthless. Not in years. In seconds. When a company worth hundreds of billions hands the keyboard to the machine and tells you the output is better, the debate is not winding down. The debate is over. The enterprise that wins this decade does not write the best code. It removes the human from the process entirely and runs on intent alone. The programmers who survive are the ones who realize the craft is no longer typing. It is architecture. It is judgment. It is knowing what to build and why. Everything else now belongs to the machine. And the machine does not negotiate severance.

Dustin

534,277 views • 3 months ago

🚨 ALERT FLORIDA: TAMPA WAS CHOSEN. CIVILIZATION JIHAD IS OPERATIONAL. A PARALLEL SHARIA SYSTEM IS RISING IN PLAIN SIGHT. DEMAND ACTION NOW. In late 2025, a major escalation of a long-running separatist project in Tampa—consistent with the Muslim Brotherhood’s ‘Civilization-Jihadist Process’—became visible with the launch of iTAMPA, the Islamic Tampa Area Muslim Professional Association.” Marketed as benign “professional networking,” iTAMPA is a physician-led Islamic organization designed to build a parallel Sharia-governed healthcare system. It openly prioritizes Muslim doctors, Muslim patients, and Muslim-only referral networks - using healthcare as the most trusted and durable entry point for institutional control. iTAMPA launched inside Universal Academy of Florida (UAF), part of a school network run by Magda Elkadi Saleh - the daughter of a senior Muslim Brotherhood leader - built to produce the next generation of Islamic institutional leadership.” These schools are taxpayer-funded through Florida’s voucher system. Public dollars. Private Sharia governance. We are funding our own takeover! At the launch, organizers made their framework explicit from the first moments — opening with Qur’anic recitation and laying out a governing structure centered on Sharia compliance. They outlined a system overseen by an Amir and a shura council to enforce full Sharia compliance - meaning healthcare, education, law, commerce, da‘wah, and political activity in Tampa would all operate under Islamic authority, eliminating reliance on the broader U.S. system. This is not integration. It is separation by design. Speakers openly described: 🔺A closed-loop medical directory - literally described as a “Google for Muslim providers” - built to route Muslim patients only to Muslim doctors 🔺Intentional steering away from non-Muslim providers, openly described as a religious preference 🔺A pipeline from clinics to fully Islamic hospitals 🔺 Waqf endowments used to lock institutions in permanently, shielding them from outside pressure, donors, or accountability 🔺Organized political coordination to secure legislation “in our favor” and block what opposes their agenda On camera, a board member bragged that he purged his healthcare network of non-Muslim providers wherever possible and encouraged Muslims to follow suit. The long-term vision was described openly: decades-long, generational, permanent. 🚨HEY TEXAS - During Q&A, participants explicitly discussed replicating the EPIC model from Plano, Texas....a fully self-contained Islamic enclave with its own sharia-compliant schools, businesses, residential development, medical facility, banking etc... They dreamed of having a complete Sharia-compliant medical system culminating in a Muslim hospital - JUST LIKE TEXAS! (Note: UAF's leadership has trained under Yasir Qadhi - the scholar behind Texas's EPIC enclave model that Tampa Muslims openly want to replicate.) The response from leadership was enthusiastic agreement. Tampa was not presented as an outlier. It was presented as a prototype. This structure follows the Muslim Brotherhood’s own doctrine — the 1991 “Civilization-Jihadist Process” — which calls for building parallel Islamic institutions inside Western societies until Islam becomes a viable civilization alternative, operating apart from and ultimately beyond the host nation. From birth to death — education, healthcare, employment, housing, commerce — everything routed inward. Non-Muslims excluded. Dependence on American systems deliberately severed. This is Hijrah in practice. It is civilization jihad in action. 📢 FLORIDA: This is happening inside taxpayer-funded institutions in your state. Alert your leaders. Demand oversight. 📢 TEXAS: You are the model they openly cited. 📢 AMERICA: This is being built for nationwide replication. RAIR Foundation USA once again exposed it. Now the public must demand action! WE CAN NOT ALLOW RED STATE FLORIDA TO FALL! SEE ALL THE VIDEOS (3 Hours) and THE REPORT HERE:

🚨 ALERT FLORIDA: TAMPA WAS CHOSEN. CIVILIZATION JIHAD IS OPERATIONAL. A PARALLEL SHARIA SYSTEM IS RISING IN PLAIN SIGHT. DEMAND ACTION NOW. In late 2025, a major escalation of a long-running separatist project in Tampa—consistent with the Muslim Brotherhood’s ‘Civilization-Jihadist Process’—became visible with the launch of iTAMPA, the Islamic Tampa Area Muslim Professional Association.” Marketed as benign “professional networking,” iTAMPA is a physician-led Islamic organization designed to build a parallel Sharia-governed healthcare system. It openly prioritizes Muslim doctors, Muslim patients, and Muslim-only referral networks - using healthcare as the most trusted and durable entry point for institutional control. iTAMPA launched inside Universal Academy of Florida (UAF), part of a school network run by Magda Elkadi Saleh - the daughter of a senior Muslim Brotherhood leader - built to produce the next generation of Islamic institutional leadership.” These schools are taxpayer-funded through Florida’s voucher system. Public dollars. Private Sharia governance. We are funding our own takeover! At the launch, organizers made their framework explicit from the first moments — opening with Qur’anic recitation and laying out a governing structure centered on Sharia compliance. They outlined a system overseen by an Amir and a shura council to enforce full Sharia compliance - meaning healthcare, education, law, commerce, da‘wah, and political activity in Tampa would all operate under Islamic authority, eliminating reliance on the broader U.S. system. This is not integration. It is separation by design. Speakers openly described: 🔺A closed-loop medical directory - literally described as a “Google for Muslim providers” - built to route Muslim patients only to Muslim doctors 🔺Intentional steering away from non-Muslim providers, openly described as a religious preference 🔺A pipeline from clinics to fully Islamic hospitals 🔺 Waqf endowments used to lock institutions in permanently, shielding them from outside pressure, donors, or accountability 🔺Organized political coordination to secure legislation “in our favor” and block what opposes their agenda On camera, a board member bragged that he purged his healthcare network of non-Muslim providers wherever possible and encouraged Muslims to follow suit. The long-term vision was described openly: decades-long, generational, permanent. 🚨HEY TEXAS - During Q&A, participants explicitly discussed replicating the EPIC model from Plano, Texas....a fully self-contained Islamic enclave with its own sharia-compliant schools, businesses, residential development, medical facility, banking etc... They dreamed of having a complete Sharia-compliant medical system culminating in a Muslim hospital - JUST LIKE TEXAS! (Note: UAF's leadership has trained under Yasir Qadhi - the scholar behind Texas's EPIC enclave model that Tampa Muslims openly want to replicate.) The response from leadership was enthusiastic agreement. Tampa was not presented as an outlier. It was presented as a prototype. This structure follows the Muslim Brotherhood’s own doctrine — the 1991 “Civilization-Jihadist Process” — which calls for building parallel Islamic institutions inside Western societies until Islam becomes a viable civilization alternative, operating apart from and ultimately beyond the host nation. From birth to death — education, healthcare, employment, housing, commerce — everything routed inward. Non-Muslims excluded. Dependence on American systems deliberately severed. This is Hijrah in practice. It is civilization jihad in action. 📢 FLORIDA: This is happening inside taxpayer-funded institutions in your state. Alert your leaders. Demand oversight. 📢 TEXAS: You are the model they openly cited. 📢 AMERICA: This is being built for nationwide replication. RAIR Foundation USA once again exposed it. Now the public must demand action! WE CAN NOT ALLOW RED STATE FLORIDA TO FALL! SEE ALL THE VIDEOS (3 Hours) and THE REPORT HERE:

Amy Mek

237,559 views • 6 months ago

Brad is a big time Tesla supporter from Australia who flew in to try out both FSD in a rental Model 3 & try out Tesla Robotaxi along with his brother Tony and friend Clint from Ohio. He’s excited about the potential of autonomous driving, but it’s not yet available in his country. However, TeslaAUNZ is showing some promise it may be coming there sooner than later, which he can’t wait to see! Brad was amazed at how well the system worked, remarked about how much easier it made getting around in an unfamiliar city & on the “wrong side” of the road, & even got to see some complex decision making when a gate at our destination was closed. Brad also has advice for those who see videos of autonomous driving & are skeptical if it is “real” … come to Austin and try it for yourself or wait a little longer until it is available in your area, but you have to get in the vehicle let it take you around effortlessly.

Brad is a big time Tesla supporter from Australia who flew in to try out both FSD in a rental Model 3 & try out Tesla Robotaxi along with his brother Tony and friend Clint from Ohio. He’s excited about the potential of autonomous driving, but it’s not yet available in his country. However, TeslaAUNZ is showing some promise it may be coming there sooner than later, which he can’t wait to see! Brad was amazed at how well the system worked, remarked about how much easier it made getting around in an unfamiliar city & on the “wrong side” of the road, & even got to see some complex decision making when a gate at our destination was closed. Brad also has advice for those who see videos of autonomous driving & are skeptical if it is “real” … come to Austin and try it for yourself or wait a little longer until it is available in your area, but you have to get in the vehicle let it take you around effortlessly.

Joe Tegtmeyer 🚀 🤠🛸😎

36,180 views • 1 year ago

WE MADE IT! We’re here in Montreal for the Leaders' Debate! Against all odds, we made it here! Rebel News is at the government-run election debate, accredited and ready to go. It almost didn’t happen — just like the last two elections, the government tried to block us, but we lawyered up and fought back, and won. So I’m here, along with David Menzies, Sheila Gunn Reid, Drea Humphrey and Alexandra Lavoie — plus a great team of cameramen… and our billboard truck and driver! Tonight’s debate is in French, but of course it will be translated. And the questions afterwards — the main reason we’re here — can be in either language. We’ll do our best to get our questions to the leaders, though I can already tell some regime journalists are going to try to physically block us from getting to the microphones. (They did that to us once before.) Tune in to the debate itself — we’re live-streaming it at 5:30 p.m. ET, hosted by my colleagues Tamara Ugolini and Lise Merle. And make sure you watch to the end: that’s where the five of us will make our way to the microphones! One of the other independent journalists here was very kind — he thanked us at Rebel News for fighting for freedom of the press. He said what we did made it possible for other citizen journalists to have the right to be here, too. And it’s true. REPORT by Ezra Levant 🍁🚛:

WE MADE IT! We’re here in Montreal for the Leaders' Debate! Against all odds, we made it here! Rebel News is at the government-run election debate, accredited and ready to go. It almost didn’t happen — just like the last two elections, the government tried to block us, but we lawyered up and fought back, and won. So I’m here, along with David Menzies, Sheila Gunn Reid, Drea Humphrey and Alexandra Lavoie — plus a great team of cameramen… and our billboard truck and driver! Tonight’s debate is in French, but of course it will be translated. And the questions afterwards — the main reason we’re here — can be in either language. We’ll do our best to get our questions to the leaders, though I can already tell some regime journalists are going to try to physically block us from getting to the microphones. (They did that to us once before.) Tune in to the debate itself — we’re live-streaming it at 5:30 p.m. ET, hosted by my colleagues Tamara Ugolini and Lise Merle. And make sure you watch to the end: that’s where the five of us will make our way to the microphones! One of the other independent journalists here was very kind — he thanked us at Rebel News for fighting for freedom of the press. He said what we did made it possible for other citizen journalists to have the right to be here, too. And it’s true. REPORT by Ezra Levant 🍁🚛:

Rebel News

42,457 views • 1 year ago